Cover Re-Reveal: Domestication by Shannon Knight

I got a nasty shock yesterday when I saw fellow bloggers posting this cover a day early, but a quick of my email showed that I put the wrong date in my calendar. So, welcome the Cover Re-Reveal, or Cover Confirmation, for Shannon Knight’s horror novel Domestication this morning! Artist Savanna Mayer (who will be showing up on this site in a Q&A with Shannon and me soon) brought the creepy. But I’ll share that in a minute. First, let’s learn a bit about the book.

Book Details:

Book Title: Domestication by Shannon Knight
Cover Illustrator: Savanna Mayer
Publisher: Winter Moon Press
ISBN (eBook): 979-8-9876393-9-9
Genre: Horror, Thriller
Paperback page count: 298
Release date: July 23, 2024

About the Book:

In an eat-or-be-eaten world, domestication is a death sentence.

When Janie chose the isolated sheep farm, she knew her husband would hunt her down. What she didn’t expect was Rob and Howard. Rob rules the farm with the same domination tactics she uses to train dogs, while Howard believes only human supremacists think humans should be treated any differently than other animals. Janie inadvertently jumps out of the frying pan and into the fire. She wishes to leave her old self behind. She wants to transform. Will she devolve into meat, metamorphose into a monster, or transcend beyond her domesticated limitations?

E-Book Pre-order price: $2.99
E-Book Retail price: $4.99
Pre-order link: https://books2read.com/Domestication
ARC request for book reviewers: https://shannonknight.net/Domestication-ARC/

About the Author:

Shannon KnightShannon Knight wrote Domestication while living on an Icelandic sheep farm in the Pacific Northwest. There are no skulls on her roof, but there are a suspicious quantity of bones kicking around the farm. Shannon graduated summa cum laude with a Bachelor’s in English. She is the author of Grave ColdInsiders, and Wish Givers.

Author Links:

Website ~ Instagram ~ Bluesky ~ Twitter

and now…

The Cover

Cover for Domestication by Shannon Knight

Here’s what the paperback’ll look like if you prefer that:
Paperback Cover Wrap for Domestication by Shannon Knight

Credit goes to Savanna Mayer for that little creepifying image you’ll see in your sleep tonight. I don’t know how many times I’ve looked at it since Shannon sent it to me, and I’m not sure I’ve spotted everything going on there…

Keep your eyes peeled for this book, folks. It’ll be out in a little less than a month and will be worth the wait!
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Top 5 Tuesday – Top 5 books of 2024… so far!


This week’s topic is, “Top 5 books of 2024… so far!…What does your top 5 list look like at our halfway point??” I haven’t done one of these in a minute, this seemed like a good time to get back to it. Whittling down my list to a Top 10 was a piece of cake at this point (a pleasant surprise)–but trimming that to a Top 5 took some work. I think I’m satisfied with the result. Although beyond that this post could’ve been easier, if I’d only finished my posts on three of these by now.

In alphabetical order by author:

1 Cover for The Tainted Cup by Robert Jackson Bennett
The Tainted Cup by Robert Jackson Bennett

This Fantasy-Mystery hybrid (with a decent amount of other-worldly science thrown in) was my first five-star read of the year, and it’s one I’m still thinking about. The world was great, the characters were complex and well-executed, the story and atmosphere were stunning. I could go on and on about this one, but am going to force myself to be pithy here.

My full take on the book can be found here.

2 Cover of The Olympian Affair by Jim Butcher
The Olympian Affair by Jim Butcher

Yes, part of the appeal of this novel was that we finally got something new in this series after years of silence. But I’d have had a blast with this no matter when it was released. Butcher very carefully gave his fans more of just about everything they enjoyed in the first book without duplicating it in any sense. He also deepened and expanded our knowledge and understanding of this world, its magic and politics, and all of the major characters (white hats, gray hats, and black hats). At least two of the new characters had better be back. There’s a character death that I’ll eventually forgive Butcher for, but I’m not there yet. This one just ticked every box for me.

3 The Cover of The Mercy Chair by M.W. Craven
The Mercy Chair by M.W. Craven

This is the darkest M.W. Craven novel–well, I haven’t read his second book yet, so I should qualify this as the darkest Poe and Tilly novel. And that’s no mean feat. The two are called in to help investigate the death of a cult leader and end up discovering much more–murders that no one realized had happened, torture sessions disguised as education/treatment, some twisted emotional and spiritual abuse–and more. Both Poe and Tilly are at there best here–and the rest of regular characters are as well. This will stick with readers for a while.

4 The Cover of Smoke Kings by Jahmal Mayfield
Smoke Kings by Jahmal Mayfield

Speaking of dark…Smoke Kings tells the story of a group of friends who decide to take social justice into their own hands and become vigilantes acting out against those who’ve benefited from lynchings or other racially-motivated crimes their families participated in decades ago. Internal and external pressures start to overwhelm the group and then things get deadly. There’s a whole lot of evil done in the name of righteousness here (by people that others would deny were anything but righteous). The number of heroes–or at least people who were actually accomplishing good things–are far outweighed by those using others. If you’re not disturbed as you’re gripped by this, you’ve missed something.

5 The Cover of Christa Comes Out of Her Shell by Abbi Waxman
Christa Comes Out of Her Shell by Abbi Waxman

The first 87 pages of this book might have been my favorite 87 pages this year. The rest of them were pretty good, too. The central premise was a little out there, but Waxman pulled it off–and the rest of the book was so good you didn’t mind anyway. I laughed, I was moved, my heart was warmed—all the typical reactions to Abbi Waxman. I loved being in this world, surrounded by Waxman’s words and I cannot wait for the next excuse I have to do it again.

My full take on the book can be found here.

LITERARY LOCALS: A Q&A About Writing in Idaho with Arnold Ytreeide

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Arnold Ytreeide made me chuckle more than I expected to reading his responses–so, obviously, I went and bought all his books immediately. Not really–but it wouldn’t have surprised me if I did.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I come from Seattle where I was a police officer, television producer, and business man for many years. I moved to Idaho in 1988 and here found my true love. We married, and I wrote a little Christmas story for our kids. Somehow an editor at a publishing house heard about it (we never did figure out how) and asked to see it. I sent it, they called back and said they wanted to publish it, and suddenly I was a published author. That was in 1995, and the book was Jotham’s Journey.

A year after that first book came out, the publisher wanted another, then another. I just turned in the manuscript for #8 in the series, and we’re taking it to 10. Also when it was first published, New Line Cinema called me up, very excited to make Jotham into a movie. But then their company got sold, and the new owners decided – much to their disgrace and humiliation – to make a movie about a different kind of lord and some kind of ring or something. Obviously a bad move.

I also have a self-published adventure series for pre-teens, and several novels. All of my books are, at their heart if not on their shirt sleeves, Christian, though my real goal is to reach a wider market with just good stories – which I thought I had done when New Line called.

I was a university professor for 20 years, and wrote when I could, but I’m retired now and it seems like I’m always fighting a deadline. Which is a good thing – it keeps me young.

We keep up a website at JothamsJourney.com, but other than that I am shamefully little involved in social media.
I’m sure the bean-counters at New Line have spent a lot of time second-guessing that choice…

Are you a native Idahoan? What brought you to Idaho in the first place? (answer whichever question applies) What is it about Idaho that keeps you here?
School initially brought me to Idaho, but only for three years, I told everyone. I’d get my degree, and then be returning to Seattle.

Then the women who I instantly decided would be my wife walked in the door one day, and, well, here we are. She was a widow with two small children and, for their sake, we decided to make this our home.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I’m not, really. I enjoy meeting with other authors, but am so busy (with a lot of things, not just writing) that I can’t seem to make a long-term connection.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I’ve done a couple book fairs at libraries, but that’s about it. But with the advent of Zoom and the like, I also do a lot of talks to school children around the world about writing and about my books. I think my record is a high school in South Africa. Those are a lot of fun, and maybe are a way that local authors could reach out to schools and groups in the more remote parts of Idaho, or even the not-remote parts. It’s easy, and takes very little prep and no travel time.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
My Jotham series is world-wide, and that is certainly the bulk of my sales. But my self-published series (Mike Danford Adventure Series) also gets strong sales in Canda, the UK, Australia, and parts of Europe. By far, though, the biggest percentage of sales come from the U.S.

I have no way of knowing for sure, but just from the emails and comments we get, I believe I have a pretty big footprint in the HomeSchool market.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
Well, since Doerr lives and writes from here (or at least did) I’m guessing the challenges are minimal😊 I’ve been writing for forty years, and I would say that, in the past, location did actually have an impact on success. But with the internet, that has completely changed – as I said, I spoke face-to-face(ish) to high schoolers in South Africa. In the last few months I’ve taken many online meetings with publishers and movie producers, including a publisher in London. No one cared where I was. And if they want a face-to-face meeting – which is always nice and usually preferred – we can always make that happen. In January a group of three producers came to meet with us, and we actually met in a meeting room at the Nampa Library. So we seem to always work it out.

Certainly we don’t have the direct access to in-person events that we might have in large cities, but that’s about the only drawback I can see. My wife and I often meet with fans at a local Starbucks when asked, but by far these days the most contacts are through Zoom and other social media.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
Yes, especially in my Jotham series, which takes place in Israel. I’ve been to the Holy Land, and draw much inspiration from those memories, but the wilderness of Idaho looks a lot like the wilderness of the Holy Land, so as we drive around I’m always looking for interesting places in which I can set scenes.

In fact, when New Line was all gung-ho to make Jotham, we scouted the entire south end of Idaho and mapped out shooting locations.

My Danford series is set in a fictional small town on the ocean, but much of the inspiration for that town comes from right here in Idaho. My protags are seventeen and smart, but they also have small-town ethics, and a sense of right and wrong. All of that came from right here. They do not, however, talk a lot about potatoes😊

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
Oddly enough, I’d have to say anything Zane Grey. Though the writing style is antiquated, the stories certainly are not. I read to my wife every night – an eclectic collection of most anything – and a while back we tried a Zane novel. It reminded us both of Idaho!
I’m not sure how odd that is–makes perfect sense to me.

Thanks for your time and participation! Hope you enjoyed it! (I sure did)


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MUSIC MONDAY: The Underdog by Spoon

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

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Dog Day Afternoon by David Rosenfelt: Understanding Marcus

Cover for Dog Day Afternoon by David RosenfeltDog Day Afternoon

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #29
Publisher: Minotaur Books
Publication Date: July 2, 2024
Format: eARC
Length: 304 pg.
Read Date: June 20-21, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Dog Day Afternoon About?

Overall, I’m not sure that the body count in this book is that much higher than in other books in this series—but the way it opens is very different. The instigating crime feels like something straight out of a mass-shooter video your HR people make you watch annually (assuming your workplace is similar to mine, I guess)—it’s cold, calculated, with a casual disregard for human life we don’t often see in this series. (Andy says something similar at one or two points).

So you’re left wondering—how does Andy get roped into representing the accused? (although many readers are going to read that scene and pick out the places the defense is going to take advantage of). This is where Marcus comes in.

Andy learned about this earlier, but we readers learn about this now—Marcus mentors young people in his neighborhood who have had a rough time of it and have run afoul of the law in the past. They need some help, some guidance, and some favors—Marcus provides this.

He also helps a couple of those he mentors to adopt a dog from the Tara Foundation. One of these two is accused of the crime—Marcus comes to Andy for help, and he gets it. That Willie also vouches for the accused helps—there’s no chance that Willie agrees to let one of their dogs go to someone capable of this crime.

That’s not evidence he can introduce in court, but it’s compelling for Andy. Now he just needs to find something that will be compelling in court.

Marcus

Marcus can’t become too well-rounded of a character—we need him in the shadows, doing things that defy belief. But we can learn more about him than we have prior to this.

We see that he can have attachments to people other than Laurie (and by extension, Andy). We see just how far he’s willing to go to help someone.

I was interested in this book because I’ve enjoyed almost every one of its predecessors enough that I don’t bother to see what they’re about before I add them to the TBR list. But once I noted that this one featured Marcus like that—my excitement grew. I love watching the character at work, and to see him in a different situation than we’re used to made my day. Also, we got just what the doctor ordered from a Marcus-centric book.

So, what did I think about Dog Day Afternoon?

I cannot believe that I’ve read 29 books in this series (plus a few in a spin-off). Twenty-nine. That’s just insane. Now, am I going to say that they’re all as fresh as they were in 2002 when Open and Shut came out? Of course not. But they have their moments when they feel that way.

* According to my logs, I read it in 2011—I’ve been with these characters for 13 years. Mind-boggling.

So, Rosenfelt has his work cut out for him to do something to keep the audience engaged. Over the last few books, he’s worked on deepening the relationship between Andy and Marcus, which has been nice. This book takes a big step forward in that. I don’t know that we’re going to see much more than this anytime soon—you need to preserve some of Marcus’ mystique to keep him nearly-superhuman in Andy’s (and the reader’s) eyes. Similarly, we readers can know Hawk a little better than when Spenser first ran into him in Promised Land—but not too much.

So, we’d better enjoy what we get here, right?

And naturally, that’s really easy. Other fun bonuses—Andy getting along with the prosecutor. Cory clearly being annoyed with Sam Willis wanting to get in on the action. Even some of the Andy and Tara interactions felt a little different (not unusually so, and not negatively). There was also the attempt of a law firm to hire the most reluctant lawyer in the world—that did bring a smile to my face.

There’s a good mix of the tried and true Andy bits, fun material with our old friends, a clever mystery, a new side of Marcus, and Rosenfelt’s trademark zippy prose. It’s easy to see why this series has gone on as long as it has—and may it continue to do so.

Can you hop on here? Absolutely—and you’ll have the fun bonus of a healthy backlist to work your way through once you get done with this one.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST ‘CUZ: Theological Retrieval for Evangelicals by Gavin Ortlund: An Accessible Call for 21st Century Christians to Learn from the Past

I ended up having more time in the day to write this post than I normally do, and as a result ended up a bit more rambling and less-focused than intended. Hopefully it’s worth the read, despite my laxness.

Theological Retrieval for Evangelicals

Theological Retrieval for Evangelicals: Why We Need Our Past to Have a Future

by Gavin Ortlund

eARC, 224 pg.
Crossway, 2019

Read: October 5-12, 2019


This is another one of those theological works that I feel really unqualified to discuss. There’s part of me that thinks I should stop requesting them from NetGalley, or buying them and deciding that I want to post about them, but I probably won’t. So, know that this is from the perspective of an opinionated and semi-(formally)educated reader and occasional armchair theologian. Not the reflections of an ordained minister or professional theologian.

I’m glad Ortlund talks about this right out of the gate—but the case he lays out for Theological Retrieval here, strikes me as very similar to Michael Allen and Scott R. Swain’s Reformed Catholicity: The Promise of Retrieval for Theology and Biblical Interpretation and Kevin J. Vanhoozer’s Biblical Authority after Babel: Retrieving the Solas in the Spirit of Mere Protestant Christianity. Ortlund says they’re aiming for the same target, but those works are more oriented toward the Reformed, where he’s focused on Evangelicalism. I’d say that they’re all wanting the same thing, but his work is more accessible (by design) and less-inclined to advertise his scholarly awareness (particularly with the former).

One problem that you encounter right away is a nebulousness about the term “Evangelical.” If Ortlund defined his usage, I missed it. He seems to use it to apply to Bible-believing Protestants who aren’t Reformed or Lutheran. Which is fair enough, I guess, it’s just not an easily defined term anymore. Frankly, I’m with Carl Trueman and others, and consider the label “evangelicalism” meaningless as it can be applied to “everyone from Joel Osteen to Brian McLaren to John MacArthur.”

Ortlund doesn’t give a strict definition of Theological Retrieval—in fact, he avoids it, preferring to see it as a mindset or attitude toward the pre-Reformation Church and Theology, drawing from its strengths, seeing its weaknesses in our own, and putting the contemporary (and Reformation) Church in context of a developing understanding from the end of Acts to Second Coming. Given that, we should be more aware of, and interact more with, the Patristic and Medieval Church. He uses Turretin, in particular, to great benefit in showing that this was the mindset of the Protestant Reformation, and calls us back to it. Along the way, he uses Warfield (and the rest of Old Princeton) as emblematic of Evangelicalism’s departure from this thinking. I’m not sure that’s the best reading of Warfield, but it’s not worth arguing, because his overall point is so right.

The first Part of the book—roughly 60 pages in three chapters—sets the agenda, it’s “A Manifesto for Theological Retrieval.” He begins by asking if Evangelicals can Retrieve Patristic and Medieval Theology, before moving to asking why they need it, and then sketching out both the benefits and perils of it. All of which is profitable and well-worth reading.

But what makes this book different than so many, is that Ortlund doesn’t focus on the project, the theory behind it, or the method. He gives the rest of the book—120 pages or so—to examples of what he’s calling for people to do. Case-studies in theological retrieval—which is some of the best theological reading I’ve done this year, maybe the last couple of years.

The first is a chapter called “Explorations in a Theological Metaphor: Boethius, Calvin, and Torrance on the Creator/ Creation Distinction.” A nice mouthful, to be sure. To illustrate the Creator/Creature Distinction, he compares Tolkein’s relationship to The Lord of the Rings to God’s relationship to his creation, in terms of Boethius’ understanding, and how Calvin’s view would differ, before wrapping up with Torrance. Now, I have little use for what he tries to do with Tolkein—I think this sort of thing is almost as bad as trying to teach the Trinity by analogy (which always quickly lands the teacher in heresy). I know enough people do this sort of thing in teaching and writing, and I should try to pay more attention, but my eyes just glazed over. Most readers will get more out of this than I did. I did appreciate what he said about Boethius and Torrance in distinction from Calvin and feel like I understand the three a little better (not that I’m all that familiar with Boethius and Torrance), and think I got something from the chapter overall, but I know my own prejudices kept me from a full appreciation.

Things improve with “God Is Not a Thing: Divine Simplicity in Patristic and Medieval Perspective.” Rather than going head-on for contemporary critics of the doctrine, he takes a look at historic formulations (not limited to Aquinas’) of the doctrine and seeing how that should actually deepen Evangelical’s commitment to Simplicity as well as broaden our understanding of it. He interacts a good deal with James Dolezal’s wonderful All That Is in God and God without Parts here and reminds me that I need to re-read the former and read the latter. A better blogger (one also focused on theology, not the book) would camp out here for a few paragraphs, but I won’t. It’s just a great chapter and the kind of thing we need to see more of.

My favorite case study is the third, “Substitution as Both Satisfaction and Recapitulation: Atonement Themes in Convergence in Irenaeus, Anselm, and Athanasius.” I would read a book-length version of this tomorrow. Well, not tomorrow. I would start a book-length version of this tomorrow, and have a lot of fun over the following days. Ortlund shows the overlapping concerns of Irenaeus and Anselm (who are so often pitted against each other), how the Christus Victor and Substitutionary Atonement models are interdependent, not rivals (while not giving an inch to contemporary critics of Substitutionary Atonement, it should be pointed out). From there, he moves onto some of Athanasius’ work on the Incarnation, demonstrating that these works have a good deal to say about the Atonement, as well. If I got nothing else out of this book, I’d consider the time I spent reading it well-spent just for this chapter. I could’ve lived without the use of Aslan and the Stone Table portion of the study, but (contra the Tolkein), it proved to be a useful illustration.

“Cultivating Skill in the “Art of Arts”: Pastoral Balance in Gregory the Great’s The Book of Pastoral Rule” is the last case study. I remember reading healthy portions of this work by Gregory in a Church History class for much the same reason that Ortlund uses it. There’s a lot of wisdom for pastors of every age in this very old work—he also shows how manuals like Baxter’s or Spurgeon’s will say similar things. Timeless truths and advice put in ways that others wouldn’t. I really don’t have much to say about this, but it’s almost as good as the previous two.

This is one of the most-easily outlined books I’ve read this year (possibly the most), that’s a fantastic aid for referring back to it in the future or for going back and taking thorough notes. I’d go crazy if I read too many books like this, I prefer the more organic feeling approach. But when this is done right, it’s a handy bonus. Beyond that, as I said before, it’s very accessible. Sure, there are parts that are demanding, but nothing’s out of reach for the committed and attentive reader—and most of the time you don’t have to be that committed.

Like their counterparts from the previous century, Twenty-First Century Christians don’t know enough historical doctrine, and certainly don’t know how to treat what little they do know. Too often, Protestants will cede everything prior to 1517 to Rome (maybe Rome and the East), focusing only on the last 500 years—if they’ll even pay attention to anything prior to Fanny J. Crosby. Ortlund’s work is a great call for the everyday Christian to familiarize themselves with the past and learn from them as we ought the rest of the Church Militant. I strongly recommend this.

Disclaimer: I received this eARC from Crossway via NetGalley in exchange for this post—thanks to both for this stimulating read.


4 Stars

Saturday Miscellany—6/22/24

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Tom Gauld on the human-AI collaborative novel Robot Apocalypse 2030—let’s start off this week with a quick Gauld cartoon, shall we?
bullet 94-Year-Old Grandmother Kept Meticulous Book Log for 80 Years—I’m both impressed and jealous
bullet An Update About Disappointing Things, and Things That Did Not Disappoint—Harry Connolly’s latest update
bullet Do You Love YA Paranormal Books, too?
bullet Four Books That Are Gateways to Science Fiction Sub-Genres—Beth Tabler surveys the sub-genres: Cyberpunk, Science Fiction Humor, Hard Science Fiction, and Space Opera; and gives some great recommendations
bullet When Is An Author “Milking” Their World?
bullet Idle Thoughts on Fantasy Archetypes: The Mentor

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
SFF Addicts Ep. 109: Christopher Buehlman talks The Daughter’s War, Atmosphere, Voice & More—a great convo

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet The Severed Streets by Paul Cornell—the 2nd of the Shadow Police Novels (if only there were several more)
bullet I talked about the release of Shattered by Kevin Hearne, All Fall Down by Jennifer Weiner, Top Secret Twenty-One by Janet Evanovich, and Heirs of Grace by Tim Pratt.

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Winter Lost by Patricia Briggs—Mercy, Adam, and Mercy’s brother are in Montana hopefully not destroying the world.
bullet The Last Decade of Cinema 25 Films from the Nineties by Scott Ryan—Ryan writes about 25 of the most iconic films of the 90s.

Material Safety Data Sheet (MSDS) Iocane Powder Summary: In its powdered form, locane is colorless, odorless, dissolves instantly in liquid, and is one of the more deadly poisons known to man. General Usage: Mix thoroughly with wine or other beverage. Commonly used in a battle of wits, 'to the death' in order to determine: A) who is right B) who is dead Safety Precautions: 1) never get involved in a land-war in Asia 2) never go in against a Sicilian when death is on the line First Aid: None.

REPOSTING JUST CUZ: The Kaiju Preservation Society by John Scalzi: Delivers Everything the Title Promises

Things are afoot at Irresponsible Reader HQ that made posting today impossible. However, I started the audiobook for this just for something to do. I remember thinking it was great, but I’d forgotten just how ridiculously fun this book is. Incidentally, Wil Wheaton is a fantastic choice to read this.


Kaiju Preservation SocietyThe Kaiju Preservation Society

by John Scalzi

DETAILS:
Publisher: Tor Books
Publication Date: March 14, 2022
Format: Hardcover
Length: 258 pg.
Read Date: April 1-4, 2022
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You have no idea how difficult it was for me to not say, ‘Welcome to Jurassic Park!’ to all of you just now.”

Jurassic Park didn’t end well for anyone in it,” I pointed out. “Book or movie.”

“Well, they were sloppy,” Tom said. “We’re not sloppy. And, they were fictional. This is real.”

What’s The Kaiju Preservation Society About?

Jamie Gray drops out of his Ph.D. program (writing a dissertation on utopian and dystopian literature) thanks to a quarter-life crisis that gets him to want to make a lot of money. So he goes to work for a tech startup, starts to make decent money, and gets fired just as COVID lockdowns start. He starts scraping by on his savings and meager work for a food-delivery app.

Until he delivers shawarma to Tom one day—the two were acquaintances in college, and they have a brief conversation where a couple of things come out—Jamie hates delivering food, and the NGO that Tom works for has an immediate need of someone on his team. He doesn’t give Tom a lot of information, but that the work involves travel and large animals. His team is set to depart soon, and they can’t without a full team. They just need someone who can, and is willing to, lift things. Tom points out his nice condo as proof that they pay well. Jamie signs on.

A few days later, Jamie and a few other new people on the team find out what the initials in KPS stand for—after it’s too late for them to back out. They’ve traveled to a parallel Earth populated by Kaiju for a six-month stint at one of the human bases.

Obviously, like the book and movie referenced above, things go wrong. They just have to for the sake of a novel, right? (but up until then, I think I could’ve made a case for this being an entire novel without that—it exists as one for longer than I expected—and I would’ve liked it just as much as the one Scalzi delivered).

The Science Fiction-y bits

Given Tom’s work, and Jamie’s, Scalzi’s able to gloss over a lot of the how-they-eat-and-breathe (and other science facts…la! la! la!) stuff, but he does reference things like the square-cube law when it comes to enormously big creatures. Jamie’s new friends include scientists who can deliver some of the biology, chemistry, etc. that are needed for the story—but when it’s needed, they’re always explaining it to the liberal arts guy on their team, so the reader doesn’t have to wade through the heady stuff (something Michael Crichton could’ve used, for example).

It’s not a perfect way to deal with these things, but it sure works well, and Scalzi feeds it to the reader in his usual charming way, so I embraced it.

Pop*.* Fiction

In his Author’s Note, Scalzi states:

KPS is not, and I say this with absolutely no slight intended, a brooding symphony of a novel. It’s a pop song. It’s meant to be light and catchy, with three minutes of hooks and choruses for you to sing along with, and then you’re done and you go on with your day, hopefully with a smile on your face. I had fun writing this, and I needed to have fun writing this. We all need a pop song from time to time, particularly after a stretch of darkness.

I’d been describing it as a popcorn movie in a book. He says pop song. It’s pop-something.

It’s the movie you escape to in the middle of a heatwave and forget about the oppressive weather, the sun, and everything else to enjoy the heat and some pure entertainment. It’s the song you find yourself overplaying because it’s just so catchy until you get sick of it (although you can’t help singing along) and abandon it for years until it comes up on some random mix and you become obsessed with it again for a couple of weeks.

What I found striking about Scalzi saying that is that it reminds me of Seanan McGuire’s comments about the last Toby Daye novel—she needed to write something like that (and I enjoyed it for similar reasons to this one). Are we going to see more books like this from other authors soon? Did 2020/2021 gift us a slew of authors writing happy books as a way to shake it off? (I wonder if Winslow’s Free Billy fits here).

Frankly, I hope so.

So, what did I think about The Kaiju Preservation Society?

“Why isn’t he eating us?” I asked. We were now close enough to Edward that this was not an entirely irrelevant question.

“He’s asleep,” Satie said.

I glanced over at him. “Asleep?”

“They sleep, yup.”

“How can you tell when he’s asleep?”

“He’s not eating us, for one,” Satie said. “You can’t see his eyes, for another.”

I love popcorn movies, I love pop songs like that…and well, you can probably see where that’s going. I’m not the world’s largest Kaiju fan (don’t actively dislike them, either), but it really doesn’t matter, this book skips all that and jumps right to the pleasure center of the brain the same way a catchy tune can.

Reading The Kaiju Preservation Society reminded me of the first time I read Ready Player One (before the movie, distance, and the sequel made me take a second/third/fourth look at it). Or Snow Crash (a wise reference for Scalzi to make early on). It sort of reminded me of the first time I read High Fidelity, too. The catchy, irreverent narrative; the snappy dialogue; the first-person narrator you click with right away*…it just took me a few pages to know that I was going to find nothing but joy in these pages.

*or probably never.

And really, I don’t have a lot to say about the book beyond this. It brought me joy for a couple of days. Thinking about it now is doing the same thing. Go get your hands on this text-based dopamine hit in your preferred medium (I bet Wheaton’s audiobook narration is perfect), sit back, and enjoy yourself.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Opening Lines: One In the Chamber by Robin Peguero

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

You aren’t born a killer. You don’t gradually become one, either. One minute, you’re not, and the next, you just are. Like your first time having sex. Just as thrilling. Just as awkward. Nothing much changes but the label. you’re still you. But now, you’re a quote-unquote murderer. You played God and took a human life.

It’s entirely natural, but it still shocks people. Some people want other people dead. We visualize our goals, and we achieve them. Shouldn’t that be celebrated?

You swish someone wanted you dead. Not that you have a death wish. You’re too self-involved for that, and suicide is so gauche. you just wish you were that important to someone. It’s a compliment really: to have given another person’s endpoint more than a passing thought. To decide for them that today is enough. And not just today, but at this very minute, their contribution to history should meet its unceremonious finish. High Flattery.

You’re welcome.

from One In the Chamber by Robin Peguero
Cover to One in the Chamber
I’m not sure what happens over the next 369 pages (in a sense). I just want almost 400 pages like this.

Opening Lines Logo

First Frost by Craig Johnson: Walt and Henry Get Their Kicks…

Cover to First Frost by Craig JohnsonFirst Frost

by Craig Johnson

DETAILS:
Series: Walt Longmire, #20
Publisher: Viking
Publication Date: May 28, 2024
Format: Hardcover
Length: 317 pg.
Read Date: June 3-4, 2024
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What’s First Frost About?

This is a dual-timeline novel—which isn’t altogether new for the Longmire books. In the present time, the shootings that ended The Longmire Defense* are being looked at, and Walt’s possibly facing criminal charges.

* I don’t think it’s much of a spoiler to say that. Most Longmire books end with one.

In the other timeline—which gets most of the ink—we watch Walt and Henry try to drive cross-country after graduating college in California so they can report for Basic Training on the East Coast. A road mishap and a bit of bad navigation on Walt’s part result in them getting stuck in a small Arizona town for a few days, where they find some trouble.

Now

On the one hand, I get the antagonism that Walt and Vic show toward the proceedings because it’s instinctual to get defensive when someone’s questioning your actions (and, well, Vic’s antagonistic about a lot). But it seems excessive—Walt’s enough of a believer in doing things The Right Way (in contrast to his grandfather or Lucian, for example), that he should be in favor of this exercise.

That said…it’s clearly motivated by politics and big-money-fueled corruption. So maybe it’s justifiable for them to push back against this. I’m not entirely convinced that the way this stage of the investigation ends is really less corrupt than the way it starts.

Then

It’s 1964 and the first thing we see is Walt and Henry surfing one last time before taking off on their drive to Oklahoma for Henry to see some family and then to their respective bases. Everything that happens in California is vintage Johnson and if he’d maintained that quality, I’d have been very happy.

But once Walt breaks something in their truck when he breaks to avoid a dog in the road (coyote, Henry insists), I think the whole thing goes to pot. Walt thinks something’s hinky in the tiny and sparsely populated town they find themselves in. Rather than just waiting for the truck to get fixed so they can hit the road, he starts asking questions and annoying all the wrong people.

Meanwhile, Henry plays tourist, checking out the abandoned Japanese Internment Camp nearby (which, of course, ends up playing a role in what Walt’s stirring up) and flirting with a local young woman.

It’s not long before people are starting to end up dead and Walt’s life becomes endangered.

So, what did I think about First Frost?

If I think about this as Johnson’s tribute to Route 66 (and, boy howdy, was it one) and a way for him to talk about Japanese Internment Camps, I like this more. If I think about this as a Longmire novel, my regard diminishes. I do frequently enjoy Johnson multitasking—talking about Van Gogh’s murder, the Sturgis rally, Native American Women going missing, and so on, while telling a Longmire story—so that’s not it. I just don’t think the stories were executed as well as Johnson usually does.

Both stories wrapped up too easily—a little too _____ ex machina (I can’t tell you what non-deus entities were involved). At the same time, the 1964 story took a little too long to come to its resolution. I’m not sure how that’s not contradictory, but it’s not (at least in my mind).

I believe the major function of the present storyline was to set-up a future novel or two (see also: the first time Walt and Henry watched Lolo Long’s niece, Jayla, play basketball)—so I could come around to appreciate what Johnson was doing here. But what we saw in First Frost left me wanting.

The 1964 story ultimately suffered from what a lot of prequels do—it’s hard to believe that the Walt and Henry who just finished college act so much like Walt and Henry with their respective military trainings and decades of experience do. I had no problem when we looked at Walt as an MP (in whatever book that was), I think Johnson got it right there, ditto for rookie Walt in The Western Star.

I’m actually not entirely wild about the portrayal of the Cheyenne Nation in the 1964 Story, actually. Almost all of it seemed off—but I think it’s a good thing, it shows that life, experience, and maturation changed Henry.

Obviously, time and re-reads/listens might change what I think about it, but on the whole, this one gets a “not bad” from me. I am curious about the stories I think were set up and think we could be in for some fun there (and a potentially good way to get Walt out of Absaroka County to keep the body count from rising).

Long-time fans will find enough to satisfy them, people curious about the series should start elsewhere.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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