Tag: 100 Places to See After You Die

My Favorite Non-Fiction Books of 2023

Favorite Non-Fiction 2022
My 2023 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 7 instead of the nigh-obligatory 10. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Cunk on EverythingCunk on Everything: The Encyclopedia Philomena

by Philomena Cunk

My original post
If you’ve ever watched a video clip or a full episode of Philomna Cunk’s various shows/specials, you know just what you’re going to get in this Encyclopedia. If you don’t, finish reading this post and then go find some. Probably pound-for-pound the funniest thing I read this year. Utterly useless outside of that—in case that wasn’t clear. Whether you go from cover to cover, or dip into it here and there (probably for longer than you intend to)—these brief entries are almost certainly going to be a burst of entertainment for you. Not all of them are going to work for every reader—but never fear, just turn the page and you’re probably going to come across one that will.

4 Stars

Like, Literally, DudeLike, Literally, Dude: Arguing for the Good in Bad English

by Valerie Fridland, Narrated by Valerie Fridland, Joniece Abbott-Pratt, Keylor Leigh, Andrew Eiden, Christopher Ryan Grant, Ellen Archer, Eileen Stevens and Nicky Endres

I’m a sucker for entertaining books about language, grammar, etc. Fridland’s apologetic for “Bad” English drives my inner prescriptivist, up the wall—but she joins the growing number of writers who are sealing up that prescriptivit’s coffin. How good is this book? Her chapter (or maybe it was a section of a chapter) on “Um” and “Uh” was fascinating. If she can pull that rabbit out of a hat, imagine how good she can be when she talks about the use/overuse of “like,” the history of “Dude,” or the figurative use of “literally”—and so much more. I spent most of the time listening to this book just geeking out in a way that made me regret not becoming a sociolinguist myself.

4 Stars

Kneading JournalismKneading Journalism: Essays on baking bread and breaking down the news

by Tony Ganzer

My original post
There’s just so much to commend about this book that this little paragraph isn’t going to come close to hitting it all. Partial memoir, small bread-recipe book, and some great insights into the state of journalism and what it means for our society. This is a great read—challenging, but in a friendly, welcoming way. Thoughtful and thought-provoking without being combative or overly critical. Ganzer has a point of view—and makes no claim about lack of bias here—but isn’t pushing a partisan outlook, just a pro-responsible press outlook. Brief, but not insubstantial.

4 Stars

Nasty, Brutish, and ShortNasty, Brutish, and Short: Adventures in Philosophy with My Kids

by Scott Hershovitz

My original post
This was a great listen—Hershovitz is the kind of lecturer you want to pay attention to (or so imagine based on this). This book succeeded on multiple fronts: it was frequently amusing, if not downright funny; it was educational; it was insightful (even when I disagreed with what he did with the insights); it was thoughtful; it offered (largely by example, not being didactic) good parental advice; and kept this particular listener fully engaged throughout. Just what you want from an audiobook.

3.5 Stars

100 Places to See After You Die100 Places to See After You Die: A Travel Guide to the Afterlife

by Ken Jennings

My original post
A fun and informative traveler’s guide through afterlives depicted in Mythology, Religion, Books, Movies, Music and Theater, and from a few other sources. Jennings brushes against irreverancy, but (I think, I’m open to correction) stays on the respectful side. I absolutely had a blast with this—and learned quite a bit, too. It’s one that I’ll return to primarily as a reference, but I will appreciate the perspective and humor as I check my facts. The only problem I have with it is the lack of footnotes/endnotes—I want some source material!

4 1/2 Stars

Sundry Notes of MusicSundry Notes of Music: an Almost Memoir

by Ian Shane

My original post
Given how much I like Shane’s novels, it’s probably to be expected that I enjoyed getting some insight into the novelist. And as most of his novels are centered around music/people obsessed with music, it’s fitting that this memoir focuses on songs. There are parts of this book that are very funny—some bittersweet, some tragic, some simply thoughtful. Multiple essays will hit all of those points and more. They’re all engaging in various ways. Not one track on this playlist is going to leave you looking for the skip button.

4 Stars

The Worst We Can FindThe Worst We Can Find: MST3K, RiffTrax, and the History of Heckling at the Movies

by Dale Sherman

My original post
Sherman is a man who knows about riffing on movies and helps the readers get a better knowledge of it, too. Yes, the focus is on Mystery Science Theater 3000‘s original run (runs?), but he talks about the show’s predecessors and the various projects that have sprung from it, too. Even if you know a lot about the show, its performers, etc., you’re probably going to learn something. And if you don’t? You’re going to enjoy the dashes of perspective that Sherman gives about movies in general and MST3K specifically. Everyone who did what they could to keep circulating the tapes in the 90s is going to eat this book up. Fans of more recent vintage likely will, too.

4 Stars

PUB DAY REPOST: 100 Places to See After You Die by Ken Jennings: The Tour Guide No One Wants, But Everyone Needs

100 Places to See After You Die100 Places to See After You Die:
A Travel Guide to the Afterlife

by Ken Jennings

DETAILS:
Publisher: Scribner Book Company
Publication Date: June 13, 2023
Format: eARC
Length: 304 pg.
Read Date: May 24-26, 2023


What’s 100 Places to See After You Die About?

Ken Jennings provides a handy tour guide through one hundred visions of the afterlife for the modern reader. Complete with tips on places to see, areas to avoid, local lingo, bits of trivia, dining tips, and so on, it’s just the kind of thing you’re going to want to peruse before you shuffle off this mortal coil, so you know where to go.

The book is broken down into: Mythology, Religion, Books, Movies, Music and Theater, and Miscellaneous. Then (alphabetically) Jennings looks at a variety of afterlife locales in each category.

For example, the Books section covers:

Aslan’s Country • The Bridge • The Cemetery • The Empyrean • The Five Lessons • Half-Life • The Inbetween • Inferno • The Kingdom • King’s Cross • Mansoul • The Null • Pandemonium • Paradiso • The Parish • Purgatorio • Riverworld • The Third Sphere • The Time Bubble • The Undying Lands • The Valley of the Shadow of Life*

* From Lewis’ The Chronicles of Narnia and The Great Divorce; O’Connor’s story “Revelation”; Saunders’ Lincoln in the Bardo; Milton’s Paradise Lost; Albom’s The Five People You Meet in Heaven; Dick’s Ubik; Sebold’s The Lovely Bones; Dante’s The Divine Comedy; Twain’s “Captain Stormfield’s Visit to Heaven”; Rowling’s Harry Potter; Moore’s Jerusalem; King’s Revival; O’Brien/O’Nolan’s The Third Policeman; Farmer’s Riverworld; Matheson’s What Dreams May Come; Oliver’s The Time Bubble; and Tolkien’s The Lord of the Rings.

Jennings describes each place with wit, humor, Dad Jokes, puns, irreverence, and plenty of facts.

Dancing Through a Minefield

It’s one thing to talk about places like Valhalla, Hades, The Bad Place, Bill & Ted’s Bogus destination, or Futurama‘s Robot Hell in a light-hearted or flippant fashion. It’s an entirely different can of worms to discuss the LDS Three Kingdoms of Glory, Jannah, Jahannam, Ariel Toll Houses/Telonia, and so on—in the same tone.

I will not say that Jennings was able to fully succeed in discussing the afterlives described in some major religions in an unoffensive manner. Primarily because I’m not an adherent of any of the religions he discussed, so my tolerance for that is really high. Had he tackled something I believe in, I very well could’ve been at risk of insult.

That said, I think he did okay. Yes, he walks close to irreverent. But he maintains a decent degree of respect. The humor largely comes from the way he describes the beliefs not at the expense of an article of faith.

Still, some people might want to skip over a chapter or two if they’re worried about getting their toes stepped on. (but those people probably aren’t going to be reading this book in the first place)

A Few Highlights

Ohhh, there are just so many.

The Books section was my favorite—followed closely by Movies and Television—this is the kind of thing I blog about, think about, and so on, so it makes sense that those sections resonated with me most. The Books section, in particular, discussed portions of those works in ways I could really sink my teeth into.

But there were multiple highlights in each section—I learned a lot about D&D, I couldn’t help singing “Ghost Riders in the Sky” during that chapter, I think he pointed out a good plot hole in It’s a Wonderful Life (I don’t know, maybe he’s not the first), I loved the discussion of Bosch’s paintings, and so on.

The chapter on The Good Life was fantastic—a great systemization of the series’ take on the afterlife (and several characters). The chapter on Nirvana was sublime.

Books, movies, mythologies, songs, etc. that I’ve never heard of, much less, read/watched/listened to/studied were described in enough detail that I could appreciate those chapters and maybe even develop an interest in following up on.

Problems/Quibbles/Things That Didn’t Work for Me

Um. Hold on, I’ll think of something.

oh! Here’s a problem: the eARC came with the typical “don’t quote from this version until verified by the published edition” warning—but it was more pronounced than usual. I really want to use samples throughout this post, but I can’t. (and I wouldn’t have even without this warning, because I know things get tweaked in the final stages).

Actually, I do have a legitimate gripe. There are no footnotes—or even endnotes*—for anything that Jennings says. Most of what the book contains could fall into the category of “General Knowledge” (at least for people who know anything about The Good Place, Dante, or the religion of the Maori). But I wouldn’t have minded a point in the right direction to learn some more details, context, or background on many, many, many things Jennings wrote about.

* It’s been decades since I haven’t asked why a book uses endnotes when footnotes exist, and yet I’d have liked to have them in this book more than the nothing we got. That’s how much this bothers me.

I Can’t Help Pondering…

Given the argument of Planet Funny: How Comedy Took Over Our Culture by Ken Jennings, I wonder about his approach to the subject of the afterlife. Sure, even Planet Funny was frequently funny as it critiqued the overuse of humor in our culture, but for his next book to take this tone, seems to undercut the work.

Or maybe it just shows that even as he can look with clear eyes at some of the weaknesses of our culture, he’s part of it and is subject to the influences. It’s almost like he’s human.

So, what did I think about 100 Places to See After You Die?

This section is going to be shorter than usual because I think I’ve pretty much answered the question already.

From the “throwaway lines” to the big ideas, this was a delight from start to finish. I thoroughly enjoyed this approach to the subjects—quick hits that tell you the essentials and make you smile while telling them.

Jennings’ style is one I aspire to, and can’t say enough good things about.

I can’t think of a reason not to give this 5 Stars, but my gut tells me not to. So I’ll knock it down to 4 1/2 (which isn’t a big deal since Goodreads, NetGalley, etc. won’t let me use 1/2 stars, I’ll round up). It’s educational, it’s entertaining, and it’s thought-provoking. You can’t go wrong with this.

Disclaimer: I received this eARC from Scribner via NetGalley in exchange for this post and my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

100 Places to See After You Die by Ken Jennings: The Tour Guide No One Wants, But Everyone Needs

100 Places to See After You Die100 Places to See After You Die:
A Travel Guide to the Afterlife

by Ken Jennings

DETAILS:
Publisher: Scribner Book Company
Publication Date: June 13, 2023
Format: eARC
Length: 304 pg.
Read Date: May 24-26, 2023


What’s 100 Places to See After You Die About?

Ken Jennings provides a handy tour guide through one hundred visions of the afterlife for the modern reader. Complete with tips on places to see, areas to avoid, local lingo, bits of trivia, dining tips, and so on, it’s just the kind of thing you’re going to want to peruse before you shuffle off this mortal coil, so you know where to go.

The book is broken down into: Mythology, Religion, Books, Movies, Music and Theater, and Miscellaneous. Then (alphabetically) Jennings looks at a variety of afterlife locales in each category.

For example, the Books section covers:

Aslan’s Country • The Bridge • The Cemetery • The Empyrean • The Five Lessons • Half-Life • The Inbetween • Inferno • The Kingdom • King’s Cross • Mansoul • The Null • Pandemonium • Paradiso • The Parish • Purgatorio • Riverworld • The Third Sphere • The Time Bubble • The Undying Lands • The Valley of the Shadow of Life*

* From Lewis’ The Chronicles of Narnia and The Great Divorce; O’Connor’s story “Revelation”; Saunders’ Lincoln in the Bardo; Milton’s Paradise Lost; Albom’s The Five People You Meet in Heaven; Dick’s Ubik; Sebold’s The Lovely Bones; Dante’s The Divine Comedy; Twain’s “Captain Stormfield’s Visit to Heaven”; Rowling’s Harry Potter; Moore’s Jerusalem; King’s Revival; O’Brien/O’Nolan’s The Third Policeman; Farmer’s Riverworld; Matheson’s What Dreams May Come; Oliver’s The Time Bubble; and Tolkien’s The Lord of the Rings.

Jennings describes each place with wit, humor, Dad Jokes, puns, irreverence, and plenty of facts.

Dancing Through a Minefield

It’s one thing to talk about places like Valhalla, Hades, The Bad Place, Bill & Ted’s Bogus destination, or Futurama‘s Robot Hell in a light-hearted or flippant fashion. It’s an entirely different can of worms to discuss the LDS Three Kingdoms of Glory, Jannah, Jahannam, Ariel Toll Houses/Telonia, and so on—in the same tone.

I will not say that Jennings was able to fully succeed in discussing the afterlives described in some major religions in an unoffensive manner. Primarily because I’m not an adherent of any of the religions he discussed, so my tolerance for that is really high. Had he tackled something I believe in, I very well could’ve been at risk of insult.

That said, I think he did okay. Yes, he walks close to irreverent. But he maintains a decent degree of respect. The humor largely comes from the way he describes the beliefs not at the expense of an article of faith.

Still, some people might want to skip over a chapter or two if they’re worried about getting their toes stepped on. (but those people probably aren’t going to be reading this book in the first place)

A Few Highlights

Ohhh, there are just so many.

The Books section was my favorite—followed closely by Movies and Television—this is the kind of thing I blog about, think about, and so on, so it makes sense that those sections resonated with me most. The Books section, in particular, discussed portions of those works in ways I could really sink my teeth into.

But there were multiple highlights in each section—I learned a lot about D&D, I couldn’t help singing “Ghost Riders in the Sky” during that chapter, I think he pointed out a good plot hole in It’s a Wonderful Life (I don’t know, maybe he’s not the first), I loved the discussion of Bosch’s paintings, and so on.

The chapter on The Good Life was fantastic—a great systematization of the series’ take on the afterlife (and several characters). The chapter on Nirvana was sublime.

Books, movies, mythologies, songs, etc. that I’ve never heard of, much less, read/watched/listened to/studied were described in enough detail that I could appreciate those chapters and maybe even develop an interest in following up on.

Problems/Quibbles/Things That Didn’t Work for Me

Um. Hold on, I’ll think of something.

oh! Here’s a problem: the eARC came with the typical “don’t quote from this version until verified by the published edition” warning—but it was more pronounced than usual. I really want to use samples throughout this post, but I can’t. (and I wouldn’t have even without this warning, because I know things get tweaked in the final stages).

Actually, I do have a legitimate gripe. There are no footnotes—or even endnotes*—for anything that Jennings says. Most of what the book contains could fall into the category of “General Knowledge” (at least for people who know anything about The Good Place, Dante, or the religion of the Maori). But I wouldn’t have minded a point in the right direction to learn some more details, context, or background on many, many, many things Jennings wrote about.

* It’s been decades since I haven’t asked why a book uses endnotes when footnotes exist, and yet I’d have liked to have them in this book more than the nothing we got. That’s how much this bothers me.

I Can’t Help Pondering…

Given the argument of Planet Funny: How Comedy Took Over Our Culture by Ken Jennings, I wonder about his approach to the subject of the afterlife. Sure, even Planet Funny was frequently funny as it critiqued the overuse of humor in our culture, but for his next book to take this tone, seems to undercut the work.

Or maybe it just shows that even as he can look with clear eyes at some of the weaknesses of our culture, he’s part of it and is subject to the influences. It’s almost like he’s human.

So, what did I think about 100 Places to See After You Die?

This section is going to be shorter than usual because I think I’ve pretty much answered the question already.

From the “throwaway lines” to the big ideas, this was a delight from start to finish. I thoroughly enjoyed this approach to the subjects—quick hits that tell you the essentials and make you smile while telling them.

Jennings’ style is one I aspire to, and can’t say enough good things about.

I can’t think of a reason not to give this 5 Stars, but my gut tells me not to. So I’ll knock it down to 4 1/2 (which isn’t a big deal since Goodreads, NetGalley, etc. won’t let me use 1/2 stars, I’ll round up). It’s educational, it’s entertaining, and it’s thought-provoking. You can’t go wrong with this.

Disclaimer: I received this eARC from Scribner via NetGalley in exchange for this post and my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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