Tag: 3 1/2 Stars Page 1 of 42

by Cameron Spires, Grace Cho (Illustrator)

DETAILS:
Publisher: Kids Can Press
Publication Date: May 2. 2023
Format: Board Book
Length: 44 pg.

What’s What Were You Expecting? About?

This is not really a board book parody, it’s more like a book for grown-ups disguised as a kid’s book. Specifically, it’s a board book for a parent in the first year or so of parenting—something they can use to commiserate with, something to help them know they’re not alone. At the same time, it’s something they can read to their child in order to feel like a good parent—because, hey, reading!

The art supports this—and really, for kids in the first two years (at least), the pictures are what they care about. The words are totally unimportant.

So, Spires can write lines like,

This is an owl. Like you, it thinks day is night and night is day. Its brain is very small.

Or (my personal favorite),

This is a house. It’s a lot like the one we had to remortgage to pay for your daycare.

Just Kidding. We can’t find a daycare.

While Cho’s art will keep the little one’s attention.

Really, the cover image tells you all that you really need to know—both in terms of art, content, and tone.

SFW/SFB

Unlike the children’s books for adults by Adam Mansbach and Ricardo Cortés (like Go the F**k to Sleep and You Have to F***ing Eat), these are completely Safe for Work, or Safe for a Baby. The text is clean enough to eat off of, but barbed enough that you might not want to.

it’s also not all snark. There’s a very sweet ending that every parent will be able to identify with.

So, what did I think about What Were You Expecting??

I just liked the concept and had to buy a copy for my son and daughter-in-law when the Grandcritter showed up. Reading it before I gave it to them solidified that feeling. I think they appreciated it.

They liked it enough that the Grandcritter asks for it repeatedly at bedtime—so he must’ve been exposed to it plenty and now is returning the favor.

Cho’s art is exactly what you want in a board book. It’s eye-catching, vibrant, and energetic—while simple enough that it doesn’t overwhelm anyone.

Pick yourself up a copy—or go check out the sample on the publisher’s site—fill up your sippy cup with “Momma’s and Daddy’s Special Grape Juice” and have a couple minutes of fun.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Enough Rope by Dorothy Parker: Songs in a Minor Key

By HCNewton

On December 11, 2024

In General Fiction/Literature

Enough Rope

by Dorothy Parker

DETAILS:
Publisher: Boni & Liveright
Publication Date: December 1926
Format: eBook
Length: 86
Read Date: December 2-3, 2024

What’s Enough Rope?

It’s Dorothy Parker’s debut collection of poems, I think ninety of them–but I ran out of fingers and toes and had to make a guess.

Some are flat out funny, some are sweet (okay, not really that many), some are acidic, some are witty, some are ascerbic, some are lightly self-mocking–some are self-hating. It’s quite the range. Some are just somber and sober, without any species of humor (I think)–but those are few and far between. All show a degree of wit that too many poems I read don’t show (which is why I don’t read many.)

I should just go onto the next section because I guess I’ve slipped into answering:

So, what did I think about Enough Rope?

I enjoyed it. Some of these were just delightful. Some made me think a little. I know that Parker can tend toward dark thinking, but there were one or two that could give Plath a run for her money.

Some of the poems by her that I knew already, like “Résumé” or “One Perfect Rose” were part of this collection and were just as good as it was when I discovered it in High School. “Verse for a Certain Dog” is going to be a favorite of mine for quite a while.

One that I don’t think I’ve read before is called “Finis.” It struck me as something akin to Auden’s “Funeral Blues,” in lamenting a lost love–until the final couplet which turns the whole thing into a jab at the man.

Overall, you get the sense of someone who is a jaded romantic. She understands love–she’s wary of it, knowing the pain it can bring–but she also knows the highs that come with it, and longs for it. And through the highs, lows, bliss, and agony–has kept her sense of humor and a perspective that all things will pass. After all, you might as well live.

It occurs to me (seconds before I hit “publish”), that this is possibly best exemplified in the last poem in the collection:

The Burned Child
Love has had his way with me.
    This my heart is torn and maimed
Since he took his play with me.
    Cruel well the bow-boy aimed,

Shot, and saw the feathered shaft
    Dripping bright and bitter red.
He that shrugged his wings and laughed—
    Better had he left me dead.

Sweet, why do you plead me, then,
    Who have bled so sore of that?
Could I bear it once again? …
    Drop a hat, dear, drop a hat!

3.5 Stars

Sizar by Susan Grossey: Another Trip through Cambridge’s Underbelly

By HCNewton

On December 9, 2024

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Sizar

by Susan Grossey

DETAILS:
Series: Cambridge Hardiman Mysteries, #2 
Publication Date: December 5, 2024
Format: eARC
Length: 292 pg.
Read Date: December 2-3, 2024

What’s Sizar About?

A Cambridge student is found hanged, presumably by his own hand. But Master Vaughan calls on Hardiman to look into the circumstances of the suicide—what was it that drove this promising scholar to do this? It’s not long before another student is found dead—and this time it’s clear that someone killed him. This forces everyone to take another look at the hanging—was it self-harm?

Hardiman finds himself out of his depth again—but his determination and level thinking helps him to get at things that others miss or disregard. Soon, he’s looking into a gambling ring, the darker parts of student culture, and what may be a group of conspirators.

The Mystery

It didn’t take too much time to get a real handle on a motive for this. And not much more (or less) to suss out a really strong suspect. With that out of the way pretty quickly, you can focus on Hardiman and his world. How does he try to piece things together, what kind of evidence gets him moving the right way (and what detours does he take).

You also get to soak in the rest of the novel—the other plotlines, arcs, and characters. Grossey gives us a lot to focus on beyond the mystery in this book—and watching Haridman work through it all—false trails as well as the right moves—is better than trying to guess the solution.

Hardiman’s Personal Life

We get some more of the Book Club and library—and that bookstore owner really proves his worth as a friend. Who needs the Internet, apparently, as long as you have a friend who runs a Cambridge bookstore?

Actually, where the first book was largely focused on Hardiman’s day job as an Ostler as well as his investigation, this book focuses on his friends and other associates (while touching on his work a little, too).

It was great to see him like this—with friends, watching relationships develop, talking to the family of the officer he served with in the war—and so on. This aspect of the novel worked really well, it helped him become more than just a wounded vet with a need to expand his vocabulary. This humanized him and helped round him out. It was a good move, and made me like him more.

So, what did I think about Sizar?

The pacing of this is slow and methodical—a lot of that has to do with the era, they don’t have the need to rush that people at the end of the 20th Century/beginning of the 21st have. Also, communication works slowly across a city, or even further. Also, part of that is the slower pace that most (not all) British mystery novels take to investigations.

I understand it, but it bugged me a little. But that’s a personal failing, nothing wrong with the novel.

Even with the historical helps at the end, a lot of university/law enforcement structure makes me stumble (and I hate to take a break from the narrative to go look up facts), but it doesn’t take me out of the story, it’s just momentary “huh?” I’m getting better at is, thanks to the supplemental material Grossey gives. The evolution that these systems re going through at this point aren’t making things easier for me (or are they? I’m not sure).

The whodunit was a bit disappointing, and the why was pretty obvious—but how Hardiman solved things and resolved things, more than made up for that part. Really the procedural aspects are the bigger draws for most readers anyhow when it comes to procedurals. And none of what I said here addresses Grossey’s use of red herrings and twists, and both of those more than make up for what I might say is obvious or disappointing (and can make you doubt yourself a little bit)

Hardiman is a heckuva protagonist in a very interesting world—this is a unique series and one I heartily suggest you check out.

Disclaimer: I was provided with a copy of this book by the author in exchange for this post and my honest opinion.

3.5 Stars

PUB DAY POST: King Arthur & The Ladies of The Lake by Vincent Pompetti: The Once and Future Graphic Novel For Our Time

By HCNewton

On November 19, 2024

In Comics, Fantasy, Fiction

King Arthur & The Ladies of The Lake

by Vincent Pompetti

DETAILS:
Publisher: Black Panel Press
Publication Date: November 19, 2024
Format: eARC
Length: 113 pg.
Read Date: November 9, 2024

What’s King Arthur & The Ladies of The Lake About?

This is a telling of the Arthur legend with a focus on the women in his life—his mother, sisters, Guinevere, the Lady of the Lake, and so on.

It’s also a telling of the clash between (a) Celtic religion and Christianity, with Arthur trying to maintain an atmosphere that allows both to coexist. I think the version of Celtic theology reeks of anachronistic thinking, and the “new” religion also feels a little off. But it works for this telling. It’s not just about religion—but about the way it works out in the lives and attitudes of Arthur’s people.

It’s really hard to say more than that—it’s Arthur from infancy through the end of his life, the growth of his reputation and kingdom, the controversies and losses.

A Word About the Art

So I really dig the watercolor art—it works well with the subject and the feel that Pompetti’s going for with the storytelling. There’s a dreamy quality to it that matches the storytelling, the magic and the visions that drive Arthur. I don’t know if that’s just how Pompetti works, or if he chose that deliberately for this story. Either way, it’s a win.

Yeah, there’s part of me that would appreciate a good inker and some more standard art and coloring. I think that’s primarily because that’s what I was raised with and am used to. But it just wouldn’t work as well for this work.

Here are a couple of sample pages to give you a taste (obviously, click the thumbnails to see more):

Thumbnail of king-arthur-goes-to-war_sm.jpeg

So, what did I think about King Arthur & The Ladies of The Lake?

I tipped my hand earlier when I talked about the clash of cultures driven by religion. Whoops (in my defense, I was trying to stretch that section beyond a couple of lines). While I didn’t appreciate the historical depictions, I did think it worked for a Fantasy tale.

In Pompetti’s telling there’s a feeling of groundedness to some of the standard elements of Arthurian legend—Excalibur, Guinevere’s affair, and so on. Yet, he didn’t remove magic and supernatural elements (I did wonder if that was the direction he was going for a moment)—it’s just not entirely the way we’re used to it with this story.

Like most people, I’m game for a good Arthurian retelling—and this is a pretty good one. I think the medium hurt it a little. 113 pages works for graphic novels, but it’s hard to squeeze in a lot of depth into those pages—particularly when the art looks like his does—the pictures are larger than they’d be with other artists, so the story details have to be lighter. It’s a tradeoff that’s worth it, I wouldn’t want Pompetti’s art to be smaller.

I enjoyed this on an initial read, and the bits I reread while preparing this post held up pretty well. I think it’s one of those books that I’ll appreciate more on successive re-reads, too. I’d absolutely read more by Pompetti and would encourage you to do the same.

Disclaimer: I received a copy of this from ARC from the Author via Edelweiss, and i appreciate that, but the thoughts expressed are my own.

3.5 Stars

The Glass Frog by J. Brandon Lowry: A Fairy-Tale-esque Fantasy for All Ages

By HCNewton

On August 19, 2024

In Fantasy, Fiction, Literary Locals

The Glass Frog

by J. Brandon Lowry

DETAILS:
Publisher: Trailerback Books
Publication Date: June 20, 2023
Format: Paperback
Length: 376 pg.
Read Date: July 27-30, 2024

Every Who is shaped by a Where.

In this case, the Where is a tiny coastal village named Seaside. from the beach there is a constant, breathy shhh-ahhh sound as the waves flow first in, then out, each exhalation coating the simple, whitewashed buildings with a fine, salty mist. Through the village center runs the Queen’s Road, a winding ribbon that traces the curving shoreline of the island nation to which Seaside belongs. Grassy, rolling hills surround the village to the north, so that when viewed from above, it appears as a single pearl on a string nestled on a bed of seagrass.

Seaside was given its unimaginative name by its unimaginative people. In fact, hostility toward creativity and change is a central feature of the Seasider mentality, a proud tradition handed down from generation to generation. They value simplicity, practicality, and—above all—uniformity. For this reason, it has been decreed that every building in the village must adhere to the same basic plan: squarish shape, white walls, dark roof. This arrangement makes it obvious which villagers are lax in their home maintenance, and are therefore not to be trusted. The same principle applies to matters of appearance, behavior, and topics of conversation. Unsurprisingly, the most popular topic of conversation is the failure of others to conform….

With the matter of Where set aside, it is time to meet our Who—Sophie Farrier, a kind-hearted and imaginative young girl who fits into Seaside about as well as a whale fits into a rowboat, and has been just as uncomfortably shaped.

What’s The Glass Frog About?

Thankfully for her, Sophie will not spend the entire novel in Seaside. But she has indeed been shaped by that village, and try as she might, she will act in the way she was shaped (both in ways she recognizes and ways she doesn’t). She’s also been shaped by books she’s read—a scandalous notion to many people in Seaside—and a devoted older brother, Damon, who has stepped up in so many ways that her deceased parents cannot and that her guardian aunt will not. Without her books and her brother, Seaside would’ve turned Sophie into a successfully conformed young woman.

Things change in Seaside one day when some kelp harvesters find an unconscious stranger who had the absolute temerity to wash up on shore. It’s rude, unheard of, and not at all fitting with the unimaginative ethos they prefer. There’s some debate amongst the villagers—with a majority wanting to send this stranger back to the sea he came from—but a couple of stalwarts (including Damon) refuse and arrange for him to be cared for by the local doctor. Sophie helps the doctor in her own way—and the doctor beings to think she might have a future in medicine.

When the stranger finally awakes, he wastes little time before he sets out to leave Seaside and resume his interrupted quest. Something about him, about what he says to her—and some drama at home—drives Sophie to follow him. Or try to, anyway. He has a pretty solid headstart and can move much more quickly than she can. Also…Sophie’s never left Seaside, so she really doesn’t know what to expect or how to interact with people who aren’t from there.

Meanwhile, a powerful group arrives at Seaside, demanding that the stranger be returned to them or the city will be destroyed. Everyone in the Village who was ready to throw him back into the sea are more than ready to give him up. If they only knew where he was.

So, what did I think about The Glass Frog?

I’m not certain who Lowry’s audience is, like the BlueInk Review cited on the back cover says, it can work for “discerning reader[s], from middle grade to adult.” I can think of readers I know/have known up and down that range who would appreciate the book, and I can’t think of any reasons to try to wave off a middle grader (which is refreshing).

It’s hard not to like Sophie—and I don’t understand why anyone would resist it—her brother is a little tougher to like, but that’s not necessarily his fault. Most people that she encounters after she leaves Seaside are pretty likable, too (with some notable, and easy-to-identify exceptions). The people of Seaside are an interesting mix—most (maybe all of them, I didn’t take a census) are good fictional characters and the reader will appreciate them as such. As people? Eh, it’s a mixed bag. But it’s a more complicated question than you’d expect from the early descriptions of the village.

I don’t believe Lowry’s prose was particularly purple at the beginning of the book, but it was headed to that end of the visible light spectrum. My notes said something like, “you’d better not use every adjective in your account too early or you won’t have any leftover for the last chapters.” I do think he got it under control pretty quickly—or I became inured to it, I’d believe either, but I think it’s the former.

There was some pretty solid comedy in this book (particularly involving the citizenry of Seaside), but it’s not a humorous fantasy in the mode of Terry Pratchett or Sean Gibson. I’d categorize it as a light, whimsical fantasy with some really funny moments. But there are some serious moments, too. A lot of heartbreak and loneliness—some self-destructive behaviors on display, too. Maybe a dash or two of romance. Plus some villainy, cowardice, avarice, xenophobia, and manipulation to balance out the acts of heroism (intentional or inadvertent). A little bit of everything, really.

I don’t know that I want a sequel to this—but I would like other books set in this work (with Sophie and those close to her showing up in the background). There’s just so much to explore, and Lowry has created a bunch of fun places and ideas to play with. Some of the minor characters from this book would be great to see again as protagonists—or at least, playing a larger role than they got to here.

But most of all, I’m curious about what the next novel (in this world or another) from Lowry will look like, I bet it’ll be worth the time—just like The Glass Frog was. You should check it out.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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The Nameless Restaurant by Tao Wong: The Real Magic Here Isn’t Supernatural

By HCNewton

On August 16, 2024

In Urban Fantasy

The Nameless Restaurant

by Tao Wong

DETAILS:
Series: Hidden Dishes, #1
Publisher: Starlit Publishing
Publication Date: June 1, 2023
Format: eBook
Length: 128 pg.
Read Date: August 3-5, 2024

If you do manage to find the restaurant, the décor is dated and worn. Homey, if one were to be generous. The service is atrocious, the proprietor a grouch. The regulars are worse, silent, brooding, and unfriendly to newcomers. There is no set menu, alternating with the whim and whimsy of the owner. The selection of wine and beer is sparse or non- existent at times, and the prices for everything outrageous.

There is a restaurant in Toronto that is magically hidden, whose service is horrible, and whose food is divine.

What’s The Nameless Restaurant About?

If that description in the first paragraph wasn’t enough to make you disinclined to visit this restaurant—that “magically hidden” part should take care of it. Between its location and the wards inside, only a select few come in. Which is just the way the proprietor, Mo Meng, wants it.

The majority of his clientele are magical beings—or magic users—and his staff know just enough about that to understand the nature of their customers, and little else (sure, how else does their boss get some of those fresh and rare ingredients if not for teleportation).

On this one particular night in addition to some regulars—and a couple of mundane/muggle/non-magical people who stumble in—there are some new diners. A jinn, her companion/student, and three mages from the Council who are hunting for the jinn.

The novella isn’t about the diners, per se, it’s about Mo Meng and his establishment. They’re just who happened to be there that night.

Step Aside Cousin Carmy

For there were more important matters before her. Much more than the fate of the world. After all, dinner was here.

There are all types of magic that could be thrown around the restaurant—and a little of that comes into play. But the real wonder-working is what Mo Meng gets up to in the kitchen, and the results that his waitress brings to the table.

Wong gets into detail when talking about the preparation of the food, the recipes, and so on. You know how you can watch a show or two on the Food Network and think you can prepare something like Alex Guarnaschelli? Well, when I finished this book, I could imagine that all I needed was to re-read a couple of paragraphs in this book (after buying a wok).

At the same time, when you read about the customers eating, smelling, or looking at his food? You’re going to want to grab a snack—if not a few entrées. I easily could’ve put on 5-10 pounds just from reading this if there’d been food within reach (I’m so glad this is a novella and not a full-novel, especially of the doorstop variety—I don’t think I could handle that kind of temptation).

So, what did I think about The Nameless Restaurant?

Sure, she had a healthy appetite—which, when you considered the fact that she was a purely magical being was both fascinating and annoying—but she had never been gluttonous.

Not till now, at least.

This is a spin-off of Wong’s Hidden Wishes trilogy—but you don’t need to be familiar with it at all to appreciate this (I haven’t read it yet and I did). Might it help? Sure, but not enough to prioritize it.

We don’t get a lot of time with any of the characters who aren’t Mo Meng (there’s just not enough space in the novella)—but we get enough enjoy them all individually, and be at least a little curious about them all (and hope they show up in future novellas if only to see their reaction to future dishes).

The magic circumstances surrounding and repercussions of real-world events that are explained over conversations between the diners are a fun choice by Wong.

There’s not much to say beyond this because of the length of the book—I really enjoyed it, I got hungry, and want to read more of this series and more of this world. Thankfully, I can fulfill the latter easily—I encourage you to do the same.

3.5 Stars

Grave Cold by Shannon Knight: She Sees Dead People

By HCNewton

On July 25, 2024

In Fantasy, Fiction, Self-Published Authors Appreciation Week

Grave Cold

by Shannon Knight

DETAILS:
Publication Date: May 2, 2023
Format: e-Book
Length: 394 pg.
Read Date: May 16-21, 2025

Where Does Grave Cold Take Place?

In a dystopian future the geography of the (what we’d now consider) the Western U.S. looks much different—states are a thing of the past, and two major population centers are the District of Utah (which does contain Salt Lake City) and the District of Portland (Oregon, not Maine). There are people who have been Genetically Modified for one reason or another—and in the D.P. they’re largely feared and ostracized because of what they are and what they can do.

D.P. is where the action takes place in the novel—and it feels like it came out of Portland, OR, too. And not just because Voodoo Doughnuts still exists. Yes, even in a quasi-dystopia people want their donuts. Maybe they need them more than we do, come to think of it.

There’s a lot of the tech, etc. that one usually associates with more utopian-looking/feeling SF. And maybe for many people it’s just that. But D.P.’s government is definitely of the dystopian type (and, boy howdy, do we learn more about that as the book continues), and the area outside the District feels that way, too, filled with mutants and who knows what else.

If you’re one of those readers who really gets into worldbuilding, you’re going to be happy with this read.

What’s Grave Cold About?

Cait’s a beautician with a lot flair and very little money. She’s scraping by, barely. When she sleeps (which she tries not to), the dead come to her and talk to her, trying to get her to do things. So…it’s easy to understand why she doesn’t like to sleep.

A man named Nyle sneaks into Portland after having been prevented legal entrance by a guard—and he’s not the only one like him who has been denied entrance. Nyle, however, is older, more experienced, more powerful, and probably more determined. He and those like him are called “ravens” (although there are other, more contemporary(?) names like “ferrymen”)—they’re tasked with freeing the spirits of the dead from their bodies. It’s been so long since they’ve been permitted in D.P. that Nyle has been compelled to come so he can do his work.

He and Cait have a strong rapport right away, she has some friends (and some family she has a troubling relationship with), but not that many. The two of them click right away, and Cait helps Nyle change his appearance so he can hide from the authorities. He tells her that she’s not Genetically Modified, she has supernatural abilities like him—she’s a necromancer.

While it’s not the same power, it’s close to his and he has experience with necromancers and guides her to use her abilities better.

Working together, they begin to free the spirits of the dead and learn why ravens have been blocked from entering D.P.—those spirits are being used by newly developed technology. This pits the pair against the authorities and other powerful people.

Here’s the Thing

I don’t get magic/paranormal/supernatural systems like this one where someone/something is required to separate souls from bodies at/around/near death. Whether it’s this book (and it’s oncoming sequel), Amber Benson’s Calliope Reaper-Jones series, the TV show Dead Like Me, or any of the other examples I had in mind for weeks to bring up that disappeared as soon as I started composing this post. It just doesn’t make any sense to me.

This doesn’t mean I don’t enjoy these works of fiction. I just don’t understand what ties these non-corporeal entities/substances/existences/whatever to the body at or after death and why someone has to come along and separate them.

So I guess I’m saying two things here—1. If you’re like me on this point, you can still get into this book. I honestly didn’t think about it while reading the Grave Cold, it’s only when I think about the book/system that it gives me pause. 2. If you’re not like me…can you explain this?

So, what did I think about Grave Cold?

I cannot describe it to my satisfaction, but Knight has embued this novel with an atmosphere, a texture that you can’t help but feel as you read. Her descriptions are pretty sparse, but at the same time, I really think I know what Cait’s environs look and feel like.

It’s difficult to think of spirits as capable of being mistreated or abused—they’re spirits of dead people, right? But in Knight’s world that’s exactly what’s happening. Abusing the dead ranks right up there with elder-abuse somehow. As Nyle says,

“It’s easy to see the dead as non-persons when you’re alive. It’s harder when you know them.”

Instead of going on to whatever is next once the spirit is released, the former citizens of D.P. are trapped and exploited.

While this story is dark and harrowing, there’s a real pleasure (and sometimes lightness) in watching the friendship between Nyle—a centuries-old being—and Cait deepen and grow stronger. It’s a tricky thing to attempt (much less pull off), but Knight does it well.

Great world-building, questionable (to me) magic system—but it’s cool to see in action, some well-designed characters (including all of them that I didn’t mention here), a plot that moves well and is intricate enough that you’re kept wondering where it’s going until the end. Knight has written (on my blog) about coming up with the sequel, so I know one is coming. And I’m looking forward to it—at the same time, were this a stand-alone, it’d be very satisfactory as one.

3.5 Stars

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First Frost by Craig Johnson: Walt and Henry Get Their Kicks…

By HCNewton

On June 19, 2024

In Craig Johnson, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Walt Longmire

First Frost

by Craig Johnson

DETAILS:
Series: Walt Longmire, #20
Publisher: Viking
Publication Date: May 28, 2024
Format: Hardcover
Length: 317 pg.
Read Date: June 3-4, 2024

What’s First Frost About?

This is a dual-timeline novel—which isn’t altogether new for the Longmire books. In the present time, the shootings that ended The Longmire Defense* are being looked at, and Walt’s possibly facing criminal charges.

* I don’t think it’s much of a spoiler to say that. Most Longmire books end with one.

In the other timeline—which gets most of the ink—we watch Walt and Henry try to drive cross-country after graduating college in California so they can report for Basic Training on the East Coast. A road mishap and a bit of bad navigation on Walt’s part result in them getting stuck in a small Arizona town for a few days, where they find some trouble.

Now

On the one hand, I get the antagonism that Walt and Vic show toward the proceedings because it’s instinctual to get defensive when someone’s questioning your actions (and, well, Vic’s antagonistic about a lot). But it seems excessive—Walt’s enough of a believer in doing things The Right Way (in contrast to his grandfather or Lucian, for example), that he should be in favor of this exercise.

That said…it’s clearly motivated by politics and big-money-fueled corruption. So maybe it’s justifiable for them to push back against this. I’m not entirely convinced that the way this stage of the investigation ends is really less corrupt than the way it starts.

Then

It’s 1964 and the first thing we see is Walt and Henry surfing one last time before taking off on their drive to Oklahoma for Henry to see some family and then to their respective bases. Everything that happens in California is vintage Johnson and if he’d maintained that quality, I’d have been very happy.

But once Walt breaks something in their truck when he breaks to avoid a dog in the road (coyote, Henry insists), I think the whole thing goes to pot. Walt thinks something’s hinky in the tiny and sparsely populated town they find themselves in. Rather than just waiting for the truck to get fixed so they can hit the road, he starts asking questions and annoying all the wrong people.

Meanwhile, Henry plays tourist, checking out the abandoned Japanese Internment Camp nearby (which, of course, ends up playing a role in what Walt’s stirring up) and flirting with a local young woman.

It’s not long before people are starting to end up dead and Walt’s life becomes endangered.

So, what did I think about First?

If I think about this as Johnson’s tribute to Route 66 (and, boy howdy, was it one) and a way for him to talk about Japanese Internment Camps, I like this more. If I think about this as a Longmire novel, my regard diminishes. I do frequently enjoy Johnson multitasking—talking about Van Gogh’s murder, the Sturgis rally, Native American Women going missing, and so on, while telling a Longmire story—so that’s not it. I just don’t think the stories were executed as well as Johnson usually does.

Both stories wrapped up too easily—a little too _____ ex machina (I can’t tell you what non-deus entities were involved). At the same time, the 1964 story took a little too long to come to its resolution. I’m not sure how that’s not contradictory, but it’s not (at least in my mind).

I believe the major function of the present storyline was to set-up a future novel or two (see also: the first time Walt and Henry watched Lolo Long’s niece, Jayla, play basketball)—so I could come around to appreciate what Johnson was doing here. But what we saw in First Frost left me wanting.

The 1964 story ultimately suffered from what a lot of prequels do—it’s hard to believe that the Walt and Henry who just finished college act so much like Walt and Henry with their respective military trainings and decades of experience do. I had no problem when we looked at Walt as an MP (in whatever book that was), I think Johnson got it right there, ditto for rookie Walt in The Western Star.

I’m actually not entirely wild about the portrayal of the Cheyenne Nation in the 1964 Story, actually. Almost all of it seemed off—but I think it’s a good thing, it shows that life, experience, and maturation changed Henry.

Obviously, time and re-reads/listens might change what I think about it, but on the whole, this one gets a “not bad” from me. I am curious about the stories I think were set up and think we could be in for some fun there (and a potentially good way to get Walt out of Absaroka County to keep the body count from rising).

Long-time fans will find enough to satisfy them, people curious about the series should start elsewhere.

3.5 Stars

Bad Actors by Mark Pepper: Everyman No More

By HCNewton

On June 17, 2024

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Bad Actors

by Mark Pepper

DETAILS:
Series: Matt Spiller, #2
Publication Date: April 18, 2024
Format: eARC
Length: 431 pg.
Read Date: June 4-10, 2024

What’s Bad Actors About?

Matt Spiller, Man Down‘s actor turned cab driver turned vigilante made it to Hollywood. His first feature film is about to drop, he’s on the verge of starring in a premier TV show—all his dreams have come true.

And then his agent from England drops in unannounced—blackmailing Spiller for a significant amount of his earnings.

Then the detective who couldn’t quite put him away in England shows up, wanting to pin the murder of another action star to him.

And a would-be up-and-coming actor starts acting aggressively toward him.

His ex-wife and her new flame are coming to town.

Maybe some of his nightmares are coming true, too.

Spiller being Spiller, there’s really only way way for him to react—and that’s violently.

But before it’s over, there’s going to be a lot more going on than Spiller trying to keep his career and money going on. He’s going to make some powerful enemies and may stop some horrible people from doing some horrible things. But he’s not going to be able to lie down with these pigs and not get dirty himself.

A Manifesto on the Movies

In between the mayhem and hijinks—several people from various backgrounds sound off on the state of movies today. I think they speak for a lot of us when it comes to complaining about violence, spectacle, shallow characters, and more at the cost of story, plot, and craft.

These complaints—coming from Pepper’s characters, and any number of people in the real world—aren’t going to change things. But it’s sure nice to read. Choir members do appreciate being preached to.

From Everyman To . . . ?

So, in Man Down, Matt Spiller was kind of an everyman who found himself in a situation beyond his control and reacted in ways that…well, few everymen would.

In Bad Actors, Spiller is on the verge of a Hollywood career. His first movie is about to be released, and the buzz is pretty strong (particularly after a memorable appearance on a late-night show). He has more money than he knows what to do with.

It’s harder to root for him this time—partially because of his success, but only minimally really. Actually, Spiller doing well after everything he endured is vicariously encouraging. But it’s everything that he does to maintain his new position in life that makes it difficult. Things go up and down—so your estimation of his actions and motivations fluxuate as well (as they may have during Man Down).

This has no effect on the entertainment value of the novel—just your perspective on Spiller.

So, what did I think about Bad Actors?

This is a sequel to Man Down, but there’s also an aspect that makes it more—if you’ve read Pepper’s Veteran Avenue or Man on a Murder Cycle

Do you need to have read Man Down before this? Nope. You learn everything you need to know about Spiller and the rest here. Would it add to the experience? Sure. And I enjoyed Man Down more, so it wouldn’t be the worst idea to pick it up.

As for Bad Actors? It was a heckuva ride. I was less than satisfied with the way that several aspects of the storylines wrapped up—and not merely due to the outlandish nature of them. I still recommend it.

I’m a little unsure how to wrap this up beyond that—so I’m just going to borrow my conclusion from my Man Down post—Bad Actors is a good sequel in that way.

This was a bonkers read—that’s a compliment, in case that wasn’t clear. On the one hand, it’s impossible to predict how Pepper is going to start at Point A and end up anywhere near Point Z, but he does, and when you look back at it, the logic is clear and sound.

I can’t tell you how many times he pulled the rug out from under me (he does the same to Matt almost as often)—sometimes eliciting a laugh, sometimes shock and dismay, sometimes I was so dumbfounded as not to know how to react. [deleted because of the stuff I talked about in the above section]

The humor is dark, the action is frequent and dynamic, with [many] characters that you want to get to know better and see more of. I’m not sure what else to say at this point without giving away everything, so let’s just go with if you’re in the mood for a Mr. Toad’s Wild Ride of a thriller, get your mitts on this one pronto.

3.5 Stars

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Rites of Passage by M.D. Presley: You Won’t Need A Dowsing Rod To Find The Appeal This UF

By HCNewton

On June 13, 2024

In Fiction, Urban Fantasy

Back on April 1st when this book was released, M.D. Presley stopped by to answer some questions about it, be sure to give that a read if you haven’t.

Rites of Passage

by M.D. Presley

DETAILS:
Series: The Inner Circle, #1
Publication Date: April 1, 2024
Format: eARC
Length: 352 pg.
Read Date: May 29-June 3, 2024

What’s Rites of Passage About?

Teenager Corbin James escapes from the cult he was (largely) raised in just as the FBI’s raid begins. Weeks, miles, and multiple states later, Corbin’s still running when he encounters someone who seems to know a lot about him. Too much for a random stranger to know.

This stranger (we later learn he’s called Mister) recruits/tricks/entices/entraps Corbin into joining him for a task. Mister and Corbin join up with some other members of the Inner Circle (a group of magicians found in most of the major cities in the U.S.) to hunt for a missing magician. Corbin has the magic ability to dowse—and for much more than water (although maybe he can find water, too, it never comes up)—he can find whoever and whatever he needs to.

Obviously, there’s something about the search for this particular missing person that is going to take a little more than one session with Corbin and his dowsing rod (or it’d be a short story, not a novel)—and Corbin’s introduction to the Inner Circle, to the reality that there are all sorts of people who can do magic, and all sorts of magic, and a world beyond his cult isn’t going to be easy for him. Or all that safe, either.

Worldbuilding, Magic System, and So On

Okay, you’d expect that someone who’s written books on worldbuilding would know what he’s doing when it comes to it (or at least, you’d hope he would). In this case, you’d be right—which doesn’t make it less impressive.

This very clearly takes place in a version of our world (joking references to “muggles” make that clear), and magic users are underground. But, as UF readers often see, that doesn’t mean that there isn’t a strong culture of rules, mores, customs, and whatnot. There are essentially two ways that magicians organize themselves—in local associations or in a major association that covers the nation (it’s hard to explain briefly—think of a regional fast food chain and McDonald’s). Due to the circumstances around this novel’s events, we get a pretty good idea—but not exhaustive—about how they both function, are organized, and recruit members.

The variety of magic abilities is pretty great. The closest comparable series I can think of on this front is Jacka’s Alex Verus books. And I know this book only scratched the surface of that. It’s one that I can’t wait to explore in future books.

When it comes to The Dresden Files, The Hollows, or The Iron Druid (for example), by the end of the first book, you have a pretty solid understanding of how magic functions in their universes (even if that understanding will grow and expand over the course of the series). With Rites of Passage, we don’t get that. But you never have the impression that Presley’s making it up as he goes along. I have a vague understanding of how my smartphone works, but I know there’s a lot that I don’t understand—but I can use it and understand that it does work. The same thing goes for the magic here—I can see these people use it, and I understand that it does work. I don’t need to know all the ins and outs.

Some authors beat you over the head with the details (I’m not suggesting that Butcher, Harrison, or Hearne did that)—showing their work like it’s a math test. Presley doesn’t do that—he just shows it working and gives you a sense that there’s a methodology afoot. The reader will slowly (over a few books) piece it together—or not, because they really don’t care about the details—as we see more. Just knowing that there’s a structure is enough.

Is It Me?

Is it just me, or are there a lot of books being written lately about people escaping from cults? I’m not talking strict religious families/cultures—but out-and-out cults. Maybe I’m not seeing as many as I think I am and it just feels that way.

I’d say I’m starting to get tired of it—and I am—but Presley does such a good job of showing how Corbin’s life and thinking have been shaped by the cult, and how even after getting away from them (and how he did it)—he still reflexively thinks like a member. Sure, he’s skeptical about some of it, and can see through some of what the leader had done. But it’s not something you can just switch off, and Presley demonstrates that with skill. So, I’ll wait until the next time I come across this phenomenon to complain about it.

The Playlist

Presley has assured readers that once he gets enough online reviews for this book, he’ll release the playlist for this book. This playlist is going to be a doozy. At some point along the way, Corbin gets his hands on an enchanted iPod that helps him navigate the events of this novel. Given his sheltered upbringing he doesn’t recognize most of the songs it plays for him—he’ll give a description of some of the songs, so the reader can guess some/many/all of what he’s listening to (depending on the reader).

Getting this playlist will actually help round out your understanding of the book (it won’t be essential, but it’ll be a nice bonus)—and I’m pretty sure it’ll be fun to listen to, too.

So, what did I think about Rites of Passage?

I’ve talked about worldbuilding already, so what about the characters, arguably the most critical component in getting me (and other readers) to want to keep reading? Presley gives his readers a lot to here. It’d be easy to create a series with almost every magician we encounter in this book as the central character—and that’s not something I can say too often. Corbin is likely the best choice—the way he has to be introduced to this world and other forms of magic is a major plus, so any info-dumping for the reader has a natural outlet in teaching Corbin. But I can see myself really getting into at least a duology with every other magic user (including the villain of the piece).

While writing this post, I went back and read one of Presley’s answers to remind myself what character he mentioned here:

In screenwriting it’s understood that supporting characters are more fun to write because they can be over the top, since they’re not carrying the show. They can be outlandish and weird because not nearly as much is riding on them, which is why they have the freedom to become fan favorites. And I have a feeling that in Rites of Passage Kirin will be this character for me.

I’d forgotten to look for Kirin as I was reading to see if I could pick that up—it’s just as well that I did, so I can say that Kirin is this fan’s favorite. I’m also a bit relieved—we didn’t definitively say goodbye to Kirin here, but the way things ended, there was no guarantee we’d see her (or many other of the surviving characters) again. But knowing she’s got an arc that will be developed over several books helps build my own anticipation for further books (nothing against Corbin, but I knew we’d get more about him).

I’m not as enthusiastic about the plot as I am the other aspects of this novel. It’s not bad by any means—I was engaged and curious throughout. It wasn’t too hard to follow or anything else negative, either. I just think there was so much going on in establishing characters, the world, the magic, the associations, and so on that there wasn’t enough space left over for the story. Your results may vary, of course—but for me everything else overshadowed the story. I do fully expect that in future installments I won’t have this complaint as Presley has established enough here that he can focus more on the plot.

Regardless, I heartily encourage Urban Fantasy readers to try this. You’re not going to find your typical UF mainstays here, but you’re going to find a world that you’re going to want to spend more time in with characters you’re going to want to get to know better. This series has the potential to become a favorite.

Disclaimer: I received this ARC from the author in exchange for this post and my honest opinion. A gamble on their part.

3.5 Stars
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