Tag: 3 1/2 Stars Page 10 of 43

The Great Lie by Pierce Taylor Hibbs: He Is Here, and He Is Not Silent

The Great LieThe Great Lie:
What All of Hell Wants
You to Keep Believing

by Pierce Taylor Hibbs

DETAILS:
Publisher: Truth Ablaze
Publication Date: September 12, 2022
Format: Paperback
Length: 190 pg.
Read Date: September 18-25, 2022
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The great lie is that God is not everywhere and always present in his world.

What’s The Great Lie About?

Hibbs takes as his starting point that God is everywhere present in His world, and given his communicated nature—He is always speaking to us, through both the Creation and His Word. But since the temptation (and then fall) of Adam and Eve, the enemy wants us to think His presence is irrelevant (if He’s present). This is the Great Lie.

Hibbs spends five chapters establishing (or refreshing) the theological framework here—reminding us who God is and how He constantly is communicating to humanity, what the Great Lie is, and how we see it in Genesis 3 and worked out in the lives of some individuals as recorded in Scripture.

The second half of the book then looks at how that looks in our lives today—in the world around us, our words, our thoughts, and our actions. Then he looks at God’s response to this Great Lie.

So, what did I think about The Great Lie?

This pairs nicely with his In Divine Company, building on the idea of God’s communicative nature. This time, applying that in a different direction, but keeping the same central concern.

That alone made this book worth the read for me, I’d thought a little about how to apply thinking of God in those terms to other areas of life after reading the work on prayer, but hadn’t gotten as far as I should have. This book helps see the battle with sin through that lens—not in an exhaustive sense, but in a very real and helpful sense.

It’s incredibly practical and assuring while being grounded in thoughtful theology (as any Christian teaching should be as it aims for practically). This really doesn’t do anything new—Hibbs has no novel teaching. But he frames this in a way we’re not used to thinking about it—and that’s refreshing and challenging at the same time.

Paired with Hibbs’ characteristic clear prose and gift with language and illustrations, it’s a winner of a book. Check it out for sure.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Movies (And Other Things) (Audiobook) by Shea Serrano, Mario Toscano: The Answers to Pressing Movie Questions

Movies (And Other Things)Movies (And Other Things)

by Shea Serrano, Mario Toscano (Narrator)

DETAILS:
Publisher: Twelve
Publication Date: October 7, 2019
Format: Unabridged Audiobook 
Length: 11 hrs., 7 min.
Read Date: September 21-23, 2022
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What’s Movies (And Other Things) About?

Serrano discusses movies from the point of view of a massive fan—he knows what he’s talking about, he can discuss them objectively, critically, and as a fanboy—mostly a combination thereof. In this collection of essays, he approaches films of the mid-80s (largely) to today, answering burning questions such as:
bullet Who’s the better tough guy movie dog owner? (Will Smith in Legend, Tom Hardy in The Drop, or Keanu Reeves in John Wick?)
bullet Which Movie had the more intense opening, Face/Off or Finding Nemo?
bullet When did you know Booksmart was special?
bullet Who’s in the perfect heist movie crew
bullet Which race was white-saviored the best by Kevin Costner?
bullet When did Michael B. Jordan break your heart into the most pieces? (which was immediately followed by)
bullet When was Diane Keaton the most charming in Something’s Gotta Give?

The mental whiplash between those last two shows the range that Serrano is capable of. He also ranks the deaths/trauma in the Kill Bill movies, discusses adjusting recent Academy Award nominations/wins after making sure Romantic Comedies are given their credit due, what movie villains would be fun to hang out with, and how aN NBA post-game style press conference with Michael Myers would go.

There’s a great combination of movie knowledge/insight, social commentary, and humor mixed throughout each of these. Even when it came to movies I’ve never seen, have no interest in seeing, or saw ages ago and don’t remember well, Serrano kept me pretty engaged and entertained.*

* Except maybe with the Fast and the Furious discussion, I don’t know why…I just can’t care about this franchise.

A Word About the Narration

I’ve heard Serrano as a guest on podcasts, and would’ve assumed his natural ability, experience, and passion would’ve made him a natural to read his own audiobook. But for whatever reason, Mario Toscano got the nod instead.

And I can see why—I had no problem believing I was hearing Serrano himself read these (maybe if I’d pulled up a podcast to listen to first, that wouldn’t have been true)—which is important when I’m hearing something so personal or passionate as this often is (see Black Nerd Problems, for example). Toscano sounds like a knowledgeable film geek going off on various topics—I think he could’ve put a little more energy into some of the quotations, but I’m sure there are good reasons for not doing that.

Ohh, man…

While researching this post, I saw that the ebook has three additional exclusive chapters…I might have been able to resist, but one of the chapters is “When Was Hans Gruber’s Subtlety the Most Threatening?”

So, I’m going to have to buy a print copy of this, too. I have to read this take.

So, what did I think about Movies (And Other Things)?

I had a blast with this—it’s the equivalent of sitting around with a bunch of friends talking about movies for far too long, which is one of my favorite ways to spend a lot of time. Even when I think he was out to lunch or arbitrary in some of his choices, I could get behind them for the sake of argument or be entertained by them.

Man, I wish I knew where he came up with some of the topics. If I spent a year doing nothing more than coming up with the chapter titles (never mind the content), I couldn’t be half this creative.

I didn’t need anyone reminding me of Opie Winston’s death scene—ever. But especially not in a book about movies where I didn’t know to be emotionally prepared for such a thing. Serrano lost a star from me for that one.*

* Not really, but it was cathartic to say that.

That incredibly important quibble aside, if you’re a current/former/would-be movie geek, grab this, you’ll have a blast.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Soul’s Conflict and Victory Over Itself by Faith by Richard Sibbes: Sibbes Gets a Lot out of Psalm 42:11

The Soul's Conflict and Victory Over Itself by FaithThe Soul’s Conflict and Victory Over Itself by Faith

Richard Sibbes

DETAILS:
Publisher: Monergism Books
Publication Date: July 1, 2022
Format: Paperback
Length: 230 pg.
Read Date: September 4-18, 2022

What’s The Soul’s Conflict… About?

This is a treatise on:

Why art thou cast down, O my soul? and why art thou disquieted
within me? hope thou in God; for I shall yet praise him, who is
the health of my countenance, and my God.—PSALM 42:11.

Sibbes has two types of believers in mind for this—those who are at peace with the world, who enjoy comfort, and those who are constantly troubled. He seeks to disquiet the former and help the latter to find peace.

He spends a chapter giving an overview of the psalm before diving into the discussion. Following it, the book is pretty cleanly divided into two parts—The Soul’s Conflict and The Soul’s Victory Over Itself. It was pretty easy, despite the lack of a Table of Contents saying “Part II,” to tell when Sibbes switched to the Victory side.

Both of these sections are typical of the Puritan era—squeezing every last drop of water out of the rock that was the topic. There is some exegesis, and a little interpretation of the passage, but it can feel like Sibbes was given an assignment for a listicle—here are 12 reasons your soul can be cast down.

So, what did I think about The Soul’s Conflict…?

Faith is an understanding grace; it knows whom it trusts, and for what, and upon what grounds it trusts. Reason of itself cannot find what we should believe, yet when God hath discovered the same, faith tells us there is great reason to believe it. Faith useth reason, though not as a ground, yet as a sanctified instrument to find out God’s grounds, that it may rely upon them. He believes best, that knows best why he should believe. Confidence, and love, and other affections of the soul, though they have no reason grafted in them, yet thus far they are reasonable, as that they are in a wise man raised up, guided, and laid down with reason; or else men were neither to be blamed nor praised for ordering their affections aright; whereas not only civil virtue, but grace itself is especially conversant in ruling the affections by sanctified reason.

I got to the point, I admit, that I had a hard time getting through the first part of the book, and wondered how long it was going to go on. I know that Sibbes actually could’ve—should’ve—gone on longer to be truly exhaustive about the ways we deceive ourselves, find ways to rebel, and so on. I acknowledge I might be one of the ones he targeted as “too comfortable,” who really needed to study and meditate on those parts before going on to the encouraging section.

Or maybe I’m a victim of 21st Century abbreviated attention-span. Or both. But it did go on so long that it felt like he was just stretching things to make word count (I know that’s not true—he didn’t have one). I had a similar reaction in the last couple of chapters of the Victory section, but it took a little longer for that to happen.

I know I’m coming across as negative here, I don’t mean to be. I liked this, just not as much as I expected to. I go into a Sibbes book expecting a 5 Star experience. If I don’t get it, I probably complain too much. Both sides were insightful and helpful—I think I profited more from the last section, a lot of it was great, and some of the better material I’ve read from Sibbes. I certainly think I’d have a different reaction at another time—and I am going to return to this in a couple of years. Both to understand it better and to see how I react.

In the meantime, for a great example of Puritan spirituality, of a spiritual doctor diagnosing and treating his patients (read: readers), you can’t do better than Sibbes (even if he gets tedious). It’s truly rewarding.


3.5 Stars

The Days of Tao by Wesley Chu: A Fast and Fun Post-Script to the Trilogy

The Days of TaoThe Days of Tao

by Wesley Chu

DETAILS:
Series: Tao Trilogy, #3.5
Publisher: Hunter & River, Inc
Publication Date: April 30, 2016
Format: Kindle Edition
Length: 104 pg.
Read Date: September 10, 2022

You can do this, Cameron. You have intelligence, competence, and experience on your side.

“You’re right. I can handle this job on my own. I got this,” he huffed as he tried to make himself believe those words.

I was referring to me.

What’s The Days of Tao About?

Cameron Poe is about to graduate from college—he would’ve graduated already if he hadn’t picked up a D in Art History, of all things. To make up for that before he can start training to be a full-fledged Prophus operative, he’s taking a summer class in Greece with a couple of his friends. It’s a relaxing time in a fascinating part of the world with an interesting group of students—and a chance for one last college romance before he has to focus.

But then a Prophus agent needs immediate extraction because he has vital information to share, his life is in danger, and the Genjix are about to take their aggression to the next level throughout the world. And Cameron’s the closest thing that the Prophus have to an operative in the country.

Cameron can’t abandon his friends, though—and they won’t abandon their classmates—so he ends up dragging along most of the group on his rescue mission (why make things easy for himself?)

What did I think about The Days of Tao?

I bought this shortly after its publication, and have no idea why I didn’t read it until now (and don’t get me started on The Fall of Io). If it accomplished nothing else, it got me thinking about the series and remembering how much fun it was.

I don’t remember what I thought of them while reading them (and I’m not going to look), but I remember the Tao novels being a little longer than they needed to—that’s not a criticism, but I think they could have been tightened up a bit. Not this—the advantage of the novella—there’s not an ounce of fat to this, not one wasted word. That’s not to say that it’s all plot or anything— Beyond the action and the extraction, there are some good character moments, some necessary development of Cameron, and a couple of laughs—but this novella never slows or drags for a moment. Once the agent says he needs extraction (and, even before that), we’re off to the races and you’d better be buckled up.

Looking at this book’s place in the series, it serves to put the action and the characters (including Io) in place for The Rise of Io. Was this a necessary bridge between the Tao and Io books? Not really no. That’s one thing about these Subterranean Press books—they’re a nice bonus to completists, but people who don’t want to/are too slow to shell out the money for the nice hardcovers (and don’t want to go ebook or audiobook) don’t miss anything they need. But man, it was a nice way to spend an hour or so with some old friends. I really enjoyed this and would commend it (even at this late date) to fans of Tao and the Tan family.


3.5 Stars

Pub Day Post: Wealth Management by Edward Zuckerman: Not Your Garden-Variety Thriller

Wealth ManagementWealth Management

by Edward Zuckerman

DETAILS:
Publisher: Arcade Crimewise
Publication Date: September 20, 2022
Format: eARC
Length: 288 pg.
Read Date: September 14-16, 2022
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What’s Wealth Management About?

Not that long ago, Catherine, Rafe, and Majid had attended Harvard Business School together—they were competitors, friends, and (at least briefly) more than friends. After graduation, they’d each gone their separate ways, but life has brought them all back together in Geneva, Switzerland.

Catherine is working for a large and important bank, Majid and his partner run a fairly new hedge fund management firm, and Rafe…well, there’s what he tells people and what’s really going on with him. The personal entanglements have started/resumed before we see the reunion of the trio, and they become more entangled after the book begins. As do the professional dealings—and here’s where it gets messy.

It turns out that one of Catherine’s more significant clients seems to be involved in some money laundering (and is dragging her along with him)—and possibly some worse crimes. Majid’s firm is in serious cash problems, that might have been saved by one client—but he and his partner are concerned about this client and how he knows just the right stocks to sell short. And Rafe just might be able to save both of them from these, shall we say, complications.

There’s at least one murder, a terrorist act or two, some CIA agents, a persistent (and possibly honest) Nigerian police detective, and other assorted criminal and conspiracies afoot as well—and once Majid and Catherine become aware of them (and/or stop lying to themselves about how complicit they may be), it looks like Rafe’s help isn’t only attractive—but their sole lifeline.

Can Rafe help his friends/lover/frenemies? Can they uncover—and maybe stop—a terrorist plot?

The Financial Side

Like I said last week when talking about Nineteenth Century Monetary Crime—I’m not particularly interested in, or seemingly that capable—of rolling up my sleeves to get into the nitty-gritty of the World of Finance. I get the broad concepts—and can even appreciate the broad outlines of a discussion of short-selling (and things along those lines).

I was a little apprehensive about that idea before I started the book. Would this get into the weeds with that kind of thing? I remember learning too much about nuclear submarines or the inner-workings of an aircraft carrier deck’s operations back in the 80s and 90s when all I wanted was some action. Would the infodumps/background information slow things down too much?

Yeah, I was also a little worried about not being able to follow the focus of the action—no one likes their novels making them feel dumb. Or even if I could understand it, would it really be interesting enough to hold my attention?

Thankfully, it didn’t get too far into the weeds. I could understand the financial actions—and it wasn’t dull at all. Actually, I think this is the kind of thing that’d be good to see more of. Just how do terrorist groups—or even criminal organizations (outside of theft or selling drugs/guns/whatever)—fund themselves? It’s not like you can reuse explosive materials or bullets, and they don’t grow on trees—the money has to come from somewhere, and it sure isn’t from bake sales. The idea that certain targets/plots are motivated as a way to generate income for a terrorist group is a great way to cost a guy some sleep (and hope that “the good guys” are able to stop them).

And if cryptocurrencies reared their head at all, it was so briefly* that it didn’t leave a lasting impression—right now, you have to be grateful for that.

* Also, a quick word search didn’t turn up the term.

I’m Not Entirely Sold On This…

There’s a Love Triangle here among our protagonists—it’s not a significant part of the story, but it’s not insignificant either. Well, “Love” might only apply for 1-1.5 of the sides, but “Friends-With-Benefits Triangle” doesn’t have a great ring to it, and “Sex Triangle” seems to suggest all sorts of things that Zuckerman didn’t have in mind.

If this is a product of a “you have to have sex in a thriller to sell” kind of a thing, I guess it fulfilled its cynical function—and didn’t put off prudes like me.

If it’s to round out these characters and make them more than young professional types out to make all the money they can—or to ground them in reality and/or make them more interesting? I guess it succeeded (maybe not in the interesting part, but its possible).

If it’s to add layers of additional and conflicting motivations to the characters—giving them reasons to trust, distrust, and be unwilling to work with each other? It’s not bad—but I think it could’ve been played up a bit more—or at least more thoroughly. We get some of this, but I think it could’ve been explored a bit better.

It’s likely all three of these things—and probably more—and as such, it largely succeeds. But my gut tells me that it could’ve been done a bit better without turning the book into something all about the Triangle.

So, what did I think about Wealth Management?

Okay, I called this a Financial Thriller (as does the publisher)—but never fear, there’s the requisite gunplay, hand-to-hand violence (and threat thereof)—and actual terrorist activity. The thrills aren’t all in deft trades and market chicanery. The money material is the focus and does provide most of the thrills—and it’s what distinguishes this book from the rest of the market. In the end, we get a tight and intricate novel full of intrigue.

At one point, I counted a dozen competing/conflicting motives/goals/actions at work among the named characters—plus a handful of people we don’t meet. Zuckerman keeps the action jumping from character to character quickly, advancing each plot line a little at a time so they can come together in a nicely dramatic fashion.

Some of the characters aren’t that developed—but there’s enough to hang on to. With most of them, it’s easy to see that in another 50-100 pages or so, you could see them being described as such. But with a cast as big as this one in under 300 pages? You’re going to get some that are undercooked, there’s just no way to do that. Like with most thrillers—if it comes down to a choice between plot vs. character, plot wins—especially when it’s paced the way this is. It’s not a bug, it’s a feature (not my favorite feature, but it is one).

My initial reaction when I was emailed about this book was, “‘MBAs,” ‘Banking’, and ‘Thriller’ are not terms I’d expect to be together”—and they’re still not. But when done right—done the way that Zuckerman did it in these pages—I’m glad to say that I was wrong.

This is a very effective thriller, a little something different in the diet—and generally a good time. Yes, I think that another hundred pages could’ve been added to better develop characters, the whatever-triangle, and to flesh out a few other aspects of the book—but I think that might have sacrificed pace and tension, and you don’t want a ponderous thriller. So, I think Zuckerman made the right choices there. A quick glance at IMDB shows you, that he knows his way around a tight plot—also any author who is able to induce a moment of acrophobia deserves kudos.* I’m glad to recommend Wealth Management and encourage you to check it out.

* Sure, in real life or on film (or via a Go Pro video), I’m on a hair trigger for that kind of thing, but to do it without visual stimuli is a trick.

Disclaimer: I received this eARC from the author via Wiley Saichek and Saichek Publicity in exchange for this post—while I appreciate that, the opinions expressed are wholly mine.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Robert B. Parker’s Fallout by Mike Lupica: Two Murders Rock Paradise

When I started to write this, I thought it’d be a 5 +/- paragraph post, but apparently I can’t shut up about books in a Parker series (and I did try).


FalloutFallout

by Mike Lupica

DETAILS:
Series: Jesse Stone, #21
Publisher: G.P. Putnam's Sons
Publication Date: September 5, 2022
Format: Hardcover
Length: 353 pg.
Read Date: September 7-8, 2022
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“I guess drinking was his way of dealing with it tonight.”

“That was always my first option,” Jesse said. “And second. And third. But no matter how many times I tried, it never seemed to work.”

There was a pause at her end.

“He didn’t get into any fights, did he?”

“Just with himself,” Jesse said. “Spoiler alert? He lost.”

What’s Fallout About?

There are two murders for the Paradise Police Department to focus on in this book—and both have a lot of personal resonance.

The first is the suspicious death of Suit’s nephew. He was a senior in High School and a hot college baseball prospect—naturally, a great athlete—and had been getting better because of Jesse’s mentoring. Suit thought of Jack as a son more than a nephew and he’s devastated by this. It’s unclear if he died after a drunken fight at a party, or if he’d been driven by inner demons to end his own life. No one wants to believe the latter—but they can’t rule it out. A very not-subtle cone of silence around the team is being enforced—as that was pretty much all of Jack’s life, that means the investigation isn’t getting very far.

Some time ago, a former Paradise Police Chief moved back to town and befriended Jesse. The two regularly had dinner together, and one of the first things we see is a meal between Jessee and Charlie Farrell. The woman that Charlie’s been seeing was recently swindled out of a few thousand dollars and now it looks like scammers have targeted Charlie. He’s been retired for decades, but still has the instincts and reflexes to try to track them down himself rather than turn things over to Jesse’s crew. He must’ve been on the right track because he was killed. This shakes (an already shaken) Jesse, who sets his sights on this case so much that he turns Jack’s death primarily over to Molly. He was Chief before any of the officers we know joined the force (as far as I can tell), but it’s still about “one of their own.”

Jesse’s Battle with Alcohol

I’m not crazy about Lupica’s way of dealing with Jesse’s alcoholism compared to Coleman’s—but it’s better than Parker or Brandman did. But I really liked Jesse’s ruminations about people being able to stop drinking while the bottle still had something left, or when the option to order another glass was available. Actually, all of the material about his drinking in this book was good—better than he’s given us so far. Hopefully, the trend continues.

Miscellaneous Bullet Points

I don’t have time/inclination to expand these beyond brief paragraphs—but I felt compelled to mention a few things.

bullet Okay, the over-use/over-reliance on Crow, basically making him Jesse’s Hawk, bugs me. It also doesn’t do that any favors for the character of Crow or Jesse—and really doesn’t help Molly’s character in any conceivable way (although Lupica may have a long game there). Parker (inadvertently?) tamed Hawk by using him too much—and was well on the way to doing that with Bobby Horse and Chollo, too. And now Lupica’s doing that with Crow. Use him less (far less) and he retains his mystery, his edge, and his ability to do the things that Jesse won’t do.

bullet This isn’t evaluative, per se, I guess I’d file it as a general musing—it felt to me like this book was (for lack of a better term) swear-ier than I’m used to. Parker and the other authors in the Spenser-verse have never been reluctant to use a four-letter word when the situation called for it, by any means. It seemed like a noticeable uptick in those words. I’m not saying that Lupica’s turned into Kevin Smith or anything, it just gave everything a slightly different feel. I wonder if that’ll continue, if it was just a blip, or if I’m imagining things.

bullet It really feels like Lupica is trying to write off Jesse’s son, Cole. Had Coleman continued with the series, I’m curious about how he’d have handled the character. I’ve had so many questions about his introduction in the first place, and now it feels like Lupica’s trying to pull a Chuck Cunningham with him—sending him to law school in London and taking him out of Jesse’s life. He actually thinks, “The kid sounded happy. Leave him alone.”

bullet So Molly came clean with her husband about her fling with Crow several years ago. Now her marriage is all but over. No one has given us enough time with Molly’s husband over the previous 20 books for us to get that invested in the marriage—so putting it on the rocks doesn’t do much for the character either. I really don’t care either way, except that it feels like Molly’s character is drifting and becoming a different person. But that happens to all of us, so I can’t complain on principle, just…

bullet Yeah, Parker created his three series in a way to allow the characters to intersect—but other than the Jesse/Sunny love story, and the Sunny/Susan therapy relationship, the primary characters didn’t intermingle too much. I’m not sure if the current approach of bringing them all together so much is the right way to deal with them. I’m not sure it’s not, either.

bullet Building from that—if you’re going to bring these worlds together so much, and if you’re going to introduce and kill off a police chief that coincidentally(??) shares the last name of a frequently used supporting character who is also a cop? Someone had better say something. If only so that readers stop thinking about it. In a Spenser-verse book, if someone talks about “Farrell,” I reflexively think, “Lee.” I can’t imagine I’m alone there—I just don’t get that character name choice. I bumped on it every time it was mentioned (and, as the central death in one of the two major storylines, it came up a lot).

So, what did I think about Fallout?

This was entertaining and occasionally clever. I don’t know that I felt the emotional impact of either murder—I felt for Suit, but I’m not sure I cared too much about it. Maybe if we’d been able to focus on what Suit was going through while he was doing the investigation—keep it a Jesse and Suit thing with some backup from Molly. In the end, it became primarily a Molly and Jesse thing with Suit in the background.

I don’t know if Lupica’s capable of delivering a great Jesse Stone novel, instead, I think we’re going to get a streak of pretty good—and consistently so—novels (well, he’s probably capable, but I don’t get the impression that it’s his goal). That’s good enough for me, I might want something more, but consistently good and entertaining will sustain my interest.

I’m not sure if this is the place to jump onto the series—but it’s not necessarily a bad place. It’s the 21st in the series, but you don’t need the knowledge that comes from the previous twenty. It might help, but not that much, you’ll not miss much at all.

A good time will be had by those who take a dip into these waters.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Fatal Forgery by Susan Grossey: A New Type of Crime Calls for a New Type of Investigator

I’ve got a Q&A with the author coming up in a little bit, be sure to check back later for that.


Fatal ForgeryFatal Forgery

by Susan Grossey

DETAILS:
Series: Sam Plank Mysteries, #1
Publication Date: December 17, 2018
Format: Kindle Edition
Length: 282 pg.
Read Date: September 3-5, 2022
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But the theft of that which represents money—of pieces of paper that can be exchanged for money—well, there we have something new. Mr Fauntleroy is not accused of going into his bank’s vaults and taking money belonging to others, but of changing pieces of paper to make it look as though their money belonged to him. We police officers will have to learn new skills to catch such people.

What’s Fatal Forgery About?

It’s 1824, and Henry Fauntleroy is one of the leading bankers of London—it’s a smaller bank, but it has a stellar reputation. Fauntleroy is the son of one of the founders, and while he’s an utter and complete cad in his personal life, he earned both his position and reputation—it wasn’t handed to him.

But then evidence comes to light that he’s been forging documents and moving large sums of money around in some sort of complicated scheme. He’s determined to plead guilty and avoid a trial. While the winds of reform are blowing, this type of offense is a capital crime. Fauntleroy knows this and is still ready to plead guilty and accept the sentence.

At least one magistrate involved wants to make sure that the investigation is handled properly and there isn’t a rush to judgment/punishment. Sam Plank is a constable that works for him and has the same concerns–he is the one who arrested Fauntleroy and becomes somewhat invested in the investigation and his welfare (beyond what’s called for in his duties). Plank is convinced that everyone is missing something vital in this case, but he’s struggling to see what it is.

Will he be able to put the pieces together in time to save Fauntleroy’s life?

Financial Crimes

I get the impression that the monetary system was in a time of transition at the time the book was set, and the kind of crime at the center of this book was a new thing that the legal system wasn’t quite prepared for. Much like we might be today with cryptocurrencies and we’re still trying to figure out how to effectively police identify theft-type crimes. I’ve lost track of the number of books that I’ve read this year that include a discourse on cryptocurrencies (and I have a book to start this week that will likely feature a few of them), so it was nice to walk into a book about financial crimes that was sure not to include one—but behind all this is the equivalent, which is thankfully much easier to understand.

Now, I’m not a complete dunderhead when it comes to finance and economics, but (in both real life and fiction) things don’t have to get too detailed before my mind checks out. I was a little daunted about trying to understand 1820s banking in the first place—much less any kind of scheme involving defrauding it. But Grossey’s depiction of it was easy to follow—she wrote it in such a way that you don’t have to come in knowing the nuts and bolts* of the machinery to follow Fauntleroy’s crimes

* Nor will you walk out knowing them—it easily could’ve become a Tom Clancy-deep dive into Nineteenth Century monetary systems.

Martha Plank

I think that Sam’s wife, Martha, is going to turn out to be one of those supporting characters that turns out to be one of the MVPs of the series. At first glance, she seems to be simply a nice, supporting wife, who understands her husband’s moods better than he does—and understands that she’ll take a backseat to his job (at least from time to time). But at one point, she takes the reins for a bit and gets more information out of a witness than Sam would’ve been able to—and with far less fuss and bother.

I’m not saying she’ll become the asset that Marybeth Pickett is to Joe’s investigations, but I wouldn’t be surprised if it turns into something in the same vein.

So, what did I think about Fatal Forgery?

While Plank was clearly drawn to the case, trying to understand what made Fauntleroy ticked, and was disturbed by some of his non-financial crime activity, there isn’t the same kind of emotional investment that characterizes so much of Police Procedural/Detective Fiction today. Part of that has to do with the era, I’m sure—Plank caring the way that Renée Ballard or Malcolm Fox does about a case would be unseemly. Still, he spends personal time on the case—even using a date with his wife as a pretense to go track down someone associated with Fauntleroy–and will later go to great lengths to wrap things up.

I liked that feel to the character, and think it serves to help establish the setting. But that might say more about my preconceptions about the time—and how it’s been depicted in the fiction I’ve read.

I wondered if the setting—and the type of crime—would end up being a hurdle to reading and/or enjoying the book. But neither proved to be the case, I was pleased to see how easy it was to get into the book. And the pages just melted away when I got past the first chapter or so, which felt more like a speed bump than a learning curve. In the end, the setting and subject made this a very pleasant change of pace.

Fatal Forgery isn’t the kind of thing that would catch my eye when I browse, and ultimately, not it’s exactly my cup of tea–but I’m shooting to read at least one more in the series because I enjoyed this and am curious about what else can be done with the character (and I can see that easily turning into me reading all of them). I do know one reader who will likely burn through the whole series as soon as I give her the first one—if you’re like her and a Regency-era police procedural with a minimal amount of violence piques your interest at all (even if it makes you mildly curious)—give this a try.

Disclaimer: I received this book from the author in exchange for this post and my honest opinion.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Soul Taken by Patricia Briggs: Mercy May Find Herself Up Against a Horror Movie Character

Soul TakenSoul Taken

by Patricia Briggs

DETAILS:
Series: Mercy Thompson, #13
Publisher: Ace
Publication Date: August 22, 2022
Format: Hardcover
Length: 388 pg.
Read Date: August 29-30, 2022
Support Independent Bookstores - Visit IndieBound.org

“The thing that we thought might end up with Adam dead looks like it will work out okay,” I told her dryly as her feet hit the ground again. “We have another situation to replace it that might end up with Adam dead. Or me dead. Or maybe the whole pack. But at least we solved one deadly situation before we picked up another one.”

“Business as usual,” said Tad.

What’s Soul Taken About?

Wulfe continues to act strangely—for him, that is—as he was last time. Then he goes missing. And Marsilia tasks Mercy with finding him, or she and the Pack will face the consequences (not life and death consequences, either—something worse).

But it’s not just Wulfe who’s missing—there are others, too. The paths seem to lead to a Fae artifact believed to have been destroyed and a local Urban Legend/subject of a new Horror movie.

Sure, this isn’t as strange as the miniature zombie goats, but it’s close. And slightly less cute.

Sherwood Post

“I’ll call Samuel and bug him.”

“Why not ask Sherwood?” Adam said.

“Did he sound like someone who was going to spill the beans to you?” I queried. “He talks more, but he doesn’t say more. He hasn’t changed that much.” I found that reassuring.

After a lot of speculation, we finally get to know Sherwood Post’s actual identity. And, um. Wow. As she clearly intended, the answer Briggs gave us only leads to more questions.

Several more questions.

For example: was this identity her plan when she first introduced the character? (likely, but I can see a scenario where it wasn’t) Given how this changes what we know about the world, when did she decide to shake things up to this extent? Lastly, when do we start seeing the ripple effects from this revelation? Okay, maybe one more: how many other things has she been lying to us about? (okay, that last one is a joke. Pretty much)

Unintended Consequences

Mercy (and therefore, we) are aware of a decent segment of the supernatural/paranatural population of the Tri-Cities area (although I think I remember her being surprised by some early on in the series)—she knows all the werewolves, many of the Fae, the goblins, vampires, etc.

But we learn along the way in this book that because of Mercy’s declaration a few books back that the area is under the Pack’s protection many “lower powered” supernatural beings have moved into the area for that protection. Mercy and the Pack were unaware of this until they met some in the midst of their investigation. Briggs didn’t spend much time on the idea, but it laid the groundwork for potentially several future storylines.

Even aside from that, I thought it was a great idea—and really seems likely to have happened given Mercy’s action.

So, what did I think about Soul Taken?

I’m never going to complain about getting to spend time with Mercy and the crowd. But I felt let down with this novel. The premise was promising, maybe even more than that; I thought the threats brought by Marsilia and how that played out were intriguing; I was glad to see who the Big Bad behind it all was; and the future ramifications for the seethe are promising. But the stuff in between the premise and the defeat of the Big Bad? Eh. Even the big fight scene wasn’t that good—nor am I that invested in the means by which they were defeated (dancing around a spoiler there).

Really the things that interested me the most about the book were the ongoing arcs and development—the stuff about Sherwood, the lesser powers, some internal Pack matters, and Zee (there was a lot of great material with Zee here). When the subplots and the things the novel isn’t about are what grab me, there’s a problem with the book. The solution was too rushed, it was all too easy, really. If Briggs had taken another hundred pages or so to really dig into the premise and the hunt for the Big Bad, maybe that would’ve worked (but that’d make the book super-sized by her standards).

I just wanted more, I guess. It was fun enough to justify the time and I’ll be back for more—but I expect more from Briggs. I do think long-time fans will enjoy Soul Taken—and despite what it might sound like, I did—but it will leave you wanting.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Travel by Bullet (Audiobook) by John Scalzi, Zachary Quinto: The Dispatcher is Back Again

(and clearly, I can’t think of anything to put in the headline)

Travel by BulletTravel by Bullet

John Scalzi, Zachary Quinto (Narrator)

DETAILS:
Series: The Dispatcher, #3
Publisher: Audible
Publication Date: September 1, 2022
Format: Audible Original
Length: 3 hrs., 44 min.
Read Date: September 2, 2022

What’s Travel by Bullet About?

A recent pandemic* has resulted in all Dispatchers being strongarmed into working long and hard shifts in hospitals. Their work isn’t that effective in light of the disease, but that doesn’t change the requirement. In the middle of a shift, Tony Valdez is called to the ER.

* It was never named, but you’re probably not wrong to assume it’s one you recognize.

A friend (or a reasonable facsimile thereof) and colleague, who spends a lot more time on the morally ambiguous side of the vocation, is in the ER after throwing himself out of a moving vehicle and getting hit by a car. Clearly, things aren’t going well for him. He looks to Tony for help, and well…things go bad from there.

The duo finds themselves mixed up with a handful of the city’s richest and most powerful, who are busy trying to get the best of each other while staying off the radars of both the Chicago Police and the FBI.

As much as Tony might try to fool the reader/the police/himself, he’s no stranger to the morally ambiguous—sure, he tries not to stray as far as his friend does, but still. Making this book, like the others in the series, another bit of Urban Fantasy Noir.

The Urban Fantasy-ness

I’ve always thought there was a vaguely SF feel to this series like it’s set a couple of decades in the future or something. In retrospect, I don’t know why. It was just an impression I picked up. This one struck me as incredibly contemporary and made me feel pretty silly for thinking that about the others.

When I wasn’t kicking myself for getting the chronology wrong, I spent a little time admiring the simplicity of Scalzi’s approach to Urban Fantasy and how it makes The Dispatcher stories really stand out. In most UF, you get something like magic, or a lycanthrope, or a vampire—and then before you know it, you’ve got all of those. But here, this world is just one tweak away from our world—no wizards, no Fae, no were-anythings—just that murder almost always doesn’t work (see earlier posts about this series for details if you want them, I don’t want to reinvent the wheel here).

The number of changes that this one butterfly wing flap makes in this world—health care, law enforcement, and crime (and who knows what else…)—is pretty monumental. You don’t need the Fae or a Council of Mages or anything to radically reshape the world. Yet it still is very recognizably our world.

Zachary Quinto

Quinto really needs to do more audiobook narration—I’m not sure how he got attached to this series, but it’s such a good thing that he did. He’s really able to embody Valdez and bring the stories to life. I really enjoyed this performance, and look forward to more.

So, what did I think about Travel by Bullet?

This was a blast—this world has always felt realized, but I felt more “at home” in it this time than I remember. I enjoyed this ride more than I remember enjoying the last one (not that I had any real problems with it). I don’t know if those two sentences are all that related, and if so, which came first—I also don’t think it matters.

This is a tight thriller—no wasted moments, but nothing’s rushed, either. Just settle in and enjoy the ride.

I feel like I should have more to say, but I don’t. All I can think to add at this point is that I want more of these, and hope that Audible and Scalzi provide them. Providing more soon would be a great bonus.


3.5 Stars

Down the River Unto the Sea by Walter Mosley: The Re-Birth of a Detective

Down the River Unto the SeaDown the River Unto the Sea

by Walter Mosley

DETAILS:
Series: King Oliver, #1
Publisher: Mulholland Books
Publication Date: February 19, 2018
Format: Hardcover
Length: 322 pg.
Read Date: August 26, 2022
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I like detective novels. The dick is either smarter, braver, or just luckier than his nemeses. He, or even she, works pretty much alone, sticking out his jaw whenever there’s a blow coming. If he gets arrested that’s okay. If some pretty young thing needs sex, it’s probably not the right time for him, or her, just then.

The literary PI usually takes on one case at a time and he stays on the trail until it is solved, whether or not justice is done.

Sometimes I liked to pretend that I was a detective out of a book.

What’s Down the River Unto the Sea About?

Ten years ago, for reasons he’s still unsure about, King Oliver was framed for a crime that ruined his career as an NYPD Detective, destroyed his marriage, and put him in jail for months.

Today, he’s keeping a PI agency afloat with his teenage daughter as an admin assistant. He’s really never recovered psychologically (aside from some scarring, he seems okay physically) from his incarceration and the accusation. His daughter and the work are what keep him going.

When he receives a letter from his accuser, offering to help him clear his name—everything changes. He has a glimmer of hope, a renewed sense of purpose—and a new client. This client works for a defense attorney—he’d been representing a convicted cop killer and had vowed to free him. Suddenly, the attorney has changed his mind and is going to tank the case. The convict is a journalist/activist who claims to have been acting in self-defense, and this associate believes him. She wants Oliver to discover what changed the attorney’s mind—but more importantly, she wants help clearing the journalist.

Oliver agrees to look at the files but makes no further promises. He’s quickly intrigued by some of what he reads and It’s not long before he starts working the case as well as working to clear his name. The letter has changed everything for him.

Melquarth Frost

Before he was framed, Oliver arrested Mel Frost, and earned his respect from the way Oliver treated him during the arrest and trial. After Frost’s release, he came to thank Oliver and the two have struck up a strange near-friendship over chess games and the occasional meal.

Oliver realizes he’s not going to be able to handle everything in these investigations—particularly when things get dicey, so he hires Mel to help him.

Mel fills the Hawk/Joe Pike/Bubba Rogowski/Nate Romanowski role—he’s dangerous, he’s skilled, and really has no moral compunctions about anything. He is aware of it, and knows he should follow a different path—and attempts, but will resort to his former ways in a heartbeat.

I’m Such a Sucker

Shortly after that opening quotation, Oliver cites Tecumseh Fox. Fox was the protagonist of a short-lived series by Rex Stout, alongside Nero Wolfe. Elizabeth Breck gets big bonus points from me for her frequent citations of Wolfe, but a Tecumseh Fox reference is a heckuva deep cut. If I hadn’t already decided that I really liked Oliver, this would’ve pushed me over the edge. Not only am I a sucker for Stout, but referring to a 3-book series that ended in 1941 really underscores Oliver’s description as being someone who reads a lot.

So, what did I think about Down the River Unto the Sea?

I was born to be an investigator. For me it was like putting together a three-dimensional, naturalistic puzzle that in the end would be an exact representation of the real world.

I really enjoyed this book—most of the plot seemed pretty predictable, but I never minded for a second because of the execution. Also, there were a couple of twists that caught me flat-footed. I don’t mind if everything plays out as you’d pretty much expect as long as the writer delivers a good story and characters (I know if I get on the freeway headed west, I’ll end up on the Pacific Coast. I just want a smooth drive with maybe a couple of interesting sights and snacks along the way)—and there are few as good at that as Walter Mosely.

This wasn’t really an origin story, this was more of a renaissance, a reawakening. Now that King Oliver is back—he’s invested in life, his career, and people again—further books in the series are going to have a different feel, a different focus, and I can’t wait to see where Mosely takes this character.


3.5 Stars


20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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