Tag: 3 1/2 Stars Page 21 of 41

Pub-Day Repost: The Princess Beard by Kevin Hearne, Delilah S. Dawson: An Adventure on the High (and Joke-Filled) Seas of Pell

By

On October 8, 2019

In Fiction, Kevin Hearne, The Tales of Pell

The Princess Beard

The Princess Beard

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, #3

eARC, 384 pg.
Dell Rey Books, 2019

Read: September 16-21, 2019

Readers of Kill the Farm Boy (the first installment in the Tales of Pell trilogy) may have been wondering about what happened to Princess Aurora/Snow White-esque figure, Princess Harkovitra*. Well, she wakes up, and finds herself in the position she’s always wanted—a chance to start over. She leaves her name and home behind, hitching a ride with our old acquaintance Morvin on his way to start a new life himself.

*Then again, maybe you’re like me, and figured she was like Worstely and that her only purpose was to kick-start the novel and hadn’t thought of her since.

They’re not the only ones looking for a new start. We also meet a swole centaur prone to over-compensation, seeks to reach a mystic temple that will heal him of (what he considers) his emasculating magical abilities. A pariah elf is looking for the opportunity to do something more meaningful than swindle tourists. And we also pick up with one of the newly liberated dryads from No Country for Old Gnomes, who needs a way to get to her chosen law school, Bogtorts.

All of these new starts require the characters to travel somewhere inaccessible to foot/horse/carriage traffic. Enter the Clean Pirate Luc (a.k.a. Filthy Lucre), who happens to be a one-eyed talking parrot. He needs new crew members and is willing to let these travel to their intended destinations in exchange for labor. Even if the result is something incongruous, like a centaur swabbing the decks (thankfully, that’s a funny image—a great thing for a comedic fantasy). Except for Morvin, who has other plans that involve less of the high seas.

The pirate ship ends up being just the thing to take our characters from quick adventure to quick adventure, creating opportunities for bonding and character growth. It’s different enough from the land-based pilgrimages of the past two novels to keep things feeling fresh, while allowing the same kind of vibe to permeate the book. I’m not the biggest fan of pirate/ship-based adventures, but when they’re done well, they are a lot of fun. And who doesn’t like a good Melville-based joke (or several)?

Not just Melville-based jokes, but there’s more than a couple of The Princess Bride riffs (in case the title didn’t tip you off). Which seems timely, given the resurgence in interest in William Goldman’s classic thanks to some nonsense about remaking the movie. I could be wrong, but this seems to be the jokiest of the three (I’m pretty sure my notes/list of great lines is longer than normal). Not that the others were joke-light, but this seems more focused on them and less focused on the story. Which makes it less successful as a novel in my opinion. But that’s in comparison to two really strong and effective novels, so I’m not saying it’s not a good read—it’s just a not-as-good-as-I-wanted read. If this was the first Pell book I’d read, I’d rush out to get the others (particularly, if a charming and insightful blogger had said the others were better than this one). I started chuckling within a page and didn’t finish until the end. Sometimes I did more than chuckle.

I’m not complaining a bit about the number of jokes, the character names alone are hilarious and make the book worth reading. It just takes away some of the impact of the story and the characters—or it distracted the authors from making them as compelling as they could have been. It’s kind of a chicken vs. egg thing.

Each of these characters gets an opportunity to find themselves, find their inner-strength, true desires, real self—whatever you want to call it. It turns out that some of them were right all along, and others just needed the fresh perspective that extreme circumstances can bring.

I didn’t connect with this one as much as I did the ones before, ditto for any of the characters. But I expect that my experience isn’t typical—The Princess Beard will resonate with some more than the others did. Either way, the reader will enjoy the ride. It’s exciting, it’s affirming, it’s a hoot.

I’m going to miss Pell, and hope the authors decide to dip their collective toes back into the land from time to time in the future. If not, at least we get the beginnings for these beautiful friendships.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post—thanks to both for this entertaining romp.

3.5 Stars

Pub Day Repost: A Time Traveler’s Theory of Relativity by Nicole Valentine: A Captivating MG Mix of Science and Magic

By

On October 1, 2019

In Fiction, YA/MG/Children's Books

A Time Traveler's Theory of Relativity

A Time Traveler’s Theory of Relativity

by Nicole Valentine

eARC, 352 pg.
Carolrhoda Books, 2019

Read: August 27, 2019


Finn Firth is on the verge of turning 13, and is convinced his father will forget his birthday. Which is troubling to him, but really, it’s the least of his troubles. When they were three, his twin sister drowned (and he’s always felt this absence, and is sure everyone around him does, too). He’s not that close with his father, and his mother left home a few months ago, with no warning and no one has heard from her since. Also, his best (only?) friend, Gabi, has been spending less time with him and more time with new friends—the kind that would bully him. He’s also a huge science nerd, the kind of twelve-year-old who reads (and re-reads) Richard Feynman and Carl Sagan for entertainment. The fact that he’s an outsider, that he’s not like the other kids at school is what drives him (like so many) to science, to something he can make sense of and put himself/his trouble in perspective.

So imagine his surprise when his grandmother informs him that she’s a time traveler, actually, all the women in his family have been and are. It’s not just his family, there are people throughout the world capable of this. Some in his family are more powerful than others, most can only travel to the past—one could only travel to the past but during her lifetime—his grandmother and mother are among the few that can travel forward in time. His mother, he’s told, didn’t leave his father and him. Finn’s dad has been reassuring him that “she just needs some time,” and well, that seems to be the case after all. She’s stuck somewhere, unable to come back—but she’s created a way for Finn to come and get her (despite being a boy).

Time travel is impossible, Finn knows—and even if it weren’t, the kind of travel his grandmother describes sounds more magical than scientific. He tells his grandmother this, in fact. But—I won’t get into how, it should be read in context—he’s given some pretty convincing proof.

Now there are those who don’t think Finn should be doing anything regarding time travel, and that no one should be tracking down his mother. And they’re seemingly willing to take some extreme measures to stop him. He and Gabi set out on an adventure to evade these others and get to his mother’s portal. Finn’s ill-prepared for what lies ahead, but he doesn’t care. Between brains and sheer determination (and largely it’s the latter), he’s going to find his mom.

What he never stops to ask is: what else will he find?

This is a fun little read—Finn and Gabi are well-developed characters, his various family members are interestingly and distinctively drawn, the writing is crisp and brisk—once things get going, they stay going, and it’s easy to get swept up in it The best is the mix of science and . . . however you end up describing the time travel. For a book directed toward the 9-14 set, the science (time travel, chaos theory, multi-world theory, etc.) is presented plainly and without condescension. That last point, in particular, resonated with me.

The heart of this book is found in two concepts—the power of individual choice, and the importance of kindness in spite of everything. Lessons good to be absorbed by the target audience, as well as the rest of us.

I really enjoyed this book and heartily recommend it. One thing, though, kept running through my mind as I read it. As much as I enjoyed A Time Traveler’s Theory of Relativity, when I was 8-13, I would’ve loved it (probably when I was 14 and 15, too—I just wouldn’t admit to liking a book written for younger people at that time). It’s the kind of book that I would’ve been checking out of the library every two or three months. Get this for yourself and enjoy it, get this for your kid for them to obsess over.

Disclaimer: I received this eARC from Carolrhoda Books via NetGalley in exchange for this post—thanks to both for this opportunity.

3.5 Stars

The Princess Beard by Kevin Hearne, Delilah S. Dawson: An Adventure on the High (and Joke-Filled) Seas of Pell

By

On September 26, 2019

In Fiction, Kevin Hearne, The Tales of Pell

The Princess Beard

The Princess Beard

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, #3

eARC, 384 pg.
Dell Rey Books, 2019

Read: September 16-21, 2019

Readers of Kill the Farm Boy (the first installment in the Tales of Pell trilogy) may have been wondering about what happened to Princess Aurora/Snow White-esque figure, Princess Harkovitra*. Well, she wakes up, and finds herself in the position she’s always wanted—a chance to start over. She leaves her name and home behind, hitching a ride with our old acquaintance Morvin on his way to start a new life himself.

*Then again, maybe you’re like me, and figured she was like Worstely and that her only purpose was to kick-start the novel and hadn’t thought of her since.

They’re not the only ones looking for a new start. We also meet a swole centaur prone to over-compensation, seeks to reach a mystic temple that will heal him of (what he considers) his emasculating magical abilities. A pariah elf is looking for the opportunity to do something more meaningful than swindle tourists. And we also pick up with one of the newly liberated dryads from No Country for Old Gnomes, who needs a way to get to her chosen law school, Bogtorts.

All of these new starts require the characters to travel somewhere inaccessible to foot/horse/carriage traffic. Enter the Clean Pirate Luc (a.k.a. Filthy Lucre), who happens to be a one-eyed talking parrot. He needs new crew members and is willing to let these travel to their intended destinations in exchange for labor. Even if the result is something incongruous, like a centaur swabbing the decks (thankfully, that’s a funny image—a great thing for a comedic fantasy). Except for Morvin, who has other plans that involve less of the high seas.

The pirate ship ends up being just the thing to take our characters from quick adventure to quick adventure, creating opportunities for bonding and character growth. It’s different enough from the land-based pilgrimages of the past two novels to keep things feeling fresh, while allowing the same kind of vibe to permeate the book. I’m not the biggest fan of pirate/ship-based adventures, but when they’re done well, they are a lot of fun. And who doesn’t like a good Melville-based joke (or several)?

Not just Melville-based jokes, but there’s more than a couple of The Princess Bride riffs (in case the title didn’t tip you off). Which seems timely, given the resurgence in interest in William Goldman’s classic thanks to some nonsense about remaking the movie. I could be wrong, but this seems to be the jokiest of the three (I’m pretty sure my notes/list of great lines is longer than normal). Not that the others were joke-light, but this seems more focused on them and less focused on the story. Which makes it less successful as a novel in my opinion. But that’s in comparison to two really strong and effective novels, so I’m not saying it’s not a good read—it’s just a not-as-good-as-I-wanted read. If this was the first Pell book I’d read, I’d rush out to get the others (particularly, if a charming and insightful blogger had said the others were better than this one). I started chuckling within a page and didn’t finish until the end. Sometimes I did more than chuckle.

I’m not complaining a bit about the number of jokes, the character names alone are hilarious and make the book worth reading. It just takes away some of the impact of the story and the characters—or it distracted the authors from making them as compelling as they could have been. It’s kind of a chicken vs. egg thing.

Each of these characters gets an opportunity to find themselves, find their inner-strength, true desires, real self—whatever you want to call it. It turns out that some of them were right all along, and others just needed the fresh perspective that extreme circumstances can bring.

I didn’t connect with this one as much as I did the ones before, ditto for any of the characters. But I expect that my experience isn’t typical—The Princess Beard will resonate with some more than the others did. Either way, the reader will enjoy the ride. It’s exciting, it’s affirming, it’s a hoot.

I’m going to miss Pell, and hope the authors decide to dip their collective toes back into the land from time to time in the future. If not, at least we get the beginnings for these beautiful friendships.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post—thanks to both for this entertaining romp.

3.5 Stars

Hire Idiots by Professor I.M. Nemo: A Sharp Satire Wrapped in a Murder Mystery

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On September 25, 2019

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Hire Idiots

Hire Idiots

by Professor I.M. Nemo

Kindle Edition, 233 pg.
Fox Spirit Book, 2019

Read: September 23-24, 2019

‘…Kakistocracies seem to be taking over everywhere.’ …

‘They’ve turned schools into factories. Fill out the form, mark the dot, memorize the same things. At the rate real learning is being undercut, soon we’ll be an idiocracy.’

‘Can we blame the internet?’

This was a very clever book. The more I think about it, the quicker I come back to that point. There’s a lot more to think about and write about when it comes to Hire Idiots, but the core of it all has to be the cleverness of it.

The novel begins with the murder of an aged college professor—there are not exactly a lot of suspects. He’s largely estranged from his family; not particularly liked by his colleagues (but no one really rises to active dislike or enmity); he holds an endowed chair—in English—at a small, obscure Liberal Arts college, so it’s not as if his death is going to benefit anyone, or be noticed by anyone outside his department, really.

Before the police can really get the investigation underway, the entire college (including those who did notice his death) are distracted by a shakeup at the top of the administration. The president is removed following a financial scandal. The Board doesn’t name an interim and begin a search for a new successor, rather they appoint a figure-head chancellor and a Chief Operations Officer. The COO brings in a Chief Academic Officer, a host of Vice Presidents, and a consulting group to help them (assuming the latter can ever figure out the name of the college). These people couch their ideas in a lot of positive spin and corporate-speak, but what it all boils down to is that programs, departments, and staff are going to be cut—except, of course, in the Business and Criminal Justice areas.

Then an active shooter arrives on campus and ends up taking over an entire building. Instead of letting the police apprehend him, the new corporate leadership removes them from campus and lets their security team deal with the situation, resulting in (for starters) a media blackout. Can’t have current and prospective students thinking this is an unsafe place to study and/or spend tuition/fees/etc. money anywhere else.

Where most mystery novels—no matter how cozy they are—would focus on the murder and/or the takeover of the building, Hire Idiots focuses on the responses from the faculty to the new administration and the impending cuts, with a focus on one of the murdered professor’s closest acquaintances and his response to the administration, his observations of the rest, and his crush on the detective heading up the murder investigation. I’d estimate 85% of the novel is about the shakeup, 6% about the professor’s personal life/response to everything; 5% on the shakeup story and 4% on the takeover.

That’s not a criticism, that’s a description—primarily so you don’t spend a lot of time, like me, wondering “is this actually a Crime Novel or did I mis-remember something?” Yes, it is, but it’s not going about anything the way you’d expect.

The bulk of the novel is a satirical/prophetic look at the state of the American higher education (noting repeatedly that British education is further down this path), taking inspiration from the line from William Blake (the focus of the scholarship of our primary character):

Degrade first the arts, if you’d mankind degrade;
Hire idiots to paint with cold light and hot shade.

As such, it is pretty devastating and too close to the truth for comfort.

Like any good satire, there are a couple of scenes that are delightfully and bizarrely absurd. When the Theater Department joined in the Faculty protest and their contribution went awry, I laughed loud enough to draw stares from my family. I won’t spoil it, but when you read that bit, you can just imagine me cracking up.

Some of the characters are better-drawn than you frequently see in satire, which is wonderful. I really grew to like a few of them, and appreciated what Nemo was able to with them (although character and character development really didn’t seem as important to the novel as did everything else).

On top of that—or on the side, anyway—you’ve got a nice little puzzle of a murder that at once is clever, and not meaty enough to sustain an entire novel (hence, the rest) and the strange little business about the building takeover. I’m still not sure really get what Nemo was going for there (although, I’m convinced that it should be obvious to me, and I’ll feel sheepish when it finally occurs to me), but I enjoyed it.

My one complaint is the length—I think we needed a little more of everything. It all felt just a little under-developed. Not enough to make me dislike the book, just enough to keep me from being fully satisfied.

A clever, clever read that will entertain as it makes you worry about the future of formal education. On the surface, Hire Idiots is a fun read, with some very sharp-witted lines. As a bonus, it’ll get you to use “Kakistocracy”, which is just a fun word.

3.5 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

Sea This and Sea That by Jeremy Billups: Plenty of Goodness for the Picture Book Reader to Sea

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On September 16, 2019

In Fiction, YA/MG/Children's Books

Sea This and Sea That

Sea This and Sea That

by Jeremy Billups

Hardcover, 44 pg.
2017

Read: September 12, 2019


Off the top of my head, there are essentially three types of Picture Books:

  1. ABCs/123s
  2. Stories told simply (usually with pictures helping the text tell that story)
  3. Odd little collections of interesting/goofy pictures with some text to tie them together.

Myself, I prefer the stories—I’m always on the side of a narrative. But from my observation of my kids, niece, and other children, the third seems to be the most popular. They don’t need a grown-up around to “read” the book on their own, they can just pick it up and flip through the pictures, and the text (usually rhyming) sounds entertaining enough, even if they don’t really get what’s being said. I really know that’s true for my kids, they’d request demand them far more frequently—I can still probably rattle off Boynton’s But Not the Hippopotamus with only a prompt or two, despite not having picked up the book for 12-13 years.

It’s also the kind of book that Billups provides here—it’s set in a “crowded, hectic and gruff” city under the sea, with one quiet spot—The Sea This and Sea That Below the Seashore. Missus Bluffington gives a couple of kids (and the reader) a through her very unusual place, full of all sorts of sea creatures, sea plants, fish, and an octopus that shows up in some unusual places.

The rhyming text is fun, and I can imagine a good parent/adult/caregiver can get a good rhythm going while reading it to entertain their audience, but the star of the show is Billups’ illustrations. They’re just great—there’s plenty of color, while still feeling like you’re looking through blue-green water. The octopus’ tentacle alone is great to keep an eye out for, and I love Missus Bluffington’s glasses. But there’s plenty for a child’s eyes to take in while listening to the text being read to/at them.

I can’t forget to mention that it also includes some great back cover book blurbs that’ll amuse the parent/reader, as well as a couple of visual jokes.

This is a fun little book that’ll appeal to kids who love the look of Finding Nemo/Dory and aren’t quite ready for that other city under the sea, Bikini Bottom. I had fun with it, and I bet adult readers for those kids will, too.

3.5 Stars

Laser House on the Prairie by David W. Barbee: Hard to Get Further from Walnut Grove, MN

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On September 10, 2019

In Fiction, Science Fiction

Laser House on the Prairie

Laser House on the Prairie

by David W. Barbee

Kindle Edition, 164 pg.
Excession Press, 2019

Read: July 30, 2019

“I’m not trying to be a hero, man. I’m kinda the opposite, actually. Right now, I just have to do what’s right.”

In a not-so-distant past, Jeph was a solider, then a gunslinger for hire. And then he fell in love, got married and gave it up. Now all he wants is to live a quiet life at home. But, those best-laid plans have met up with an old comrade-in-arms (and crime) who wants to pull off one more heist before he dies of some horrible disease. Jeph’s not interested and tells them so definitively. But he’s cajoled, badgered and threatened into going along with them. We all know this story, having read/seen it more times than we can count. But you’ve never seen it told this way.

Their target? A weapon called The Red Orb. Not only is it unbelievably lethal, but its users become addicted to it—the power and the way it ingratiates itself with the user’s mind. A devastating weapon and users jonesing to wield it. There’s only a billion ways that could go wrong.

A lot of the science/gadgets/weapons in this science-fiction-y novel makes no sense, and that’s okay. It’s not supposed to, it’s just a plot device to get the characters and/or conflict to be where Barbee wants it. I said it before, and I’ll say it again, I don’t really understand the conventions (or lack thereof) of Bizarro fiction, but it seems to me that it’s just whatever strange and odd bit of sciency thing the author comes up with at the moment—the stranger the better—while telling his story. Feel free to correct me in the comments. The important thing is that the SF elements are cuckoo-bananas and the reader should just roll with it.

The Red Orb is in a city not that far away called Obscuria. Which is basically what would happen if you took San Diego Comic Con, transported it into a Ready Player One meets Blade Runner future and then turned it into a city. Jeph and the band have to learn how to play by the rules of Obscuria and hopefully to hijack these rules in order to find and secure the Orb. Making the book a thinly disguised critique of Geek/Internet culture but it’s done in such a way that you can tell that Barbee is steeped in the sub-culture he’s examining and commenting on. Jeph’s account may be scathing, but it’s not spiteful. Nor is it dour, and all negative—you typically can’t help but grin as you see what Barbee is commenting on (and, honestly, it’s hard to disagree with most of his commentary).

When I sat down to write, I had a very clear idea how I was going to express “What this book is about.” But the more I think about it, I’m not sure I can unpack it all. There’s a lot about self-determination, about choosing to make your present and future different from your past. About how the wounds of the past and our self-deception aren’t easily overcome to stop our self-destructive tendencies. About our own tendencies to be trapped by our perceptions. It’s about in the Internet/Geek culture how do we determine the worth of someone/an act/a thought? Is it the quality? Is it the rareness? How easily it can be licensed and commodified? Why do anything if it isn’t related to clicks, likes, influences? What about those who’ve rejected and/or not-embraced that kind of life? How can they make their way through a Geek culture? And I think I’m really just scratching the surface.

So, yeah, you’ve got a tried-and-true setup, morphed into a SF-ish reality as an excuse to talk about what’s worth pursuing in our contemporary culture. Told in a strange, generally amusing and sometimes funny way. You won’t get through this book easily (it’s not a difficult read, but sometimes the imagery takes longer than usual to conjure up), but you may come through it better.

While it shared many sensibilities with last year’s Jimbo Yojimbo, it was a bit more restrained and a lot more heartfelt. It’s probably a better book overall—I didn’t enjoy it as much personally, but it’s one of those times I remind myself that ratings are about my overall appreciation, not (necessarily) the merits of the novel. I’ve liked both works by Barbee that I’ve tried so far, I need to find more by him.

3.5 Stars

LetsReadIndie Reading Challenge

A Time Traveler’s Theory of Relativity by Nicole Valentine: A Captivating MG Mix of Science and Magic

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On August 30, 2019

In Fiction, YA/MG/Children's Books

A Time Traveler's Theory of RelativityA Time Traveler’s Theory of Relativity

by Nicole Valentine

eARC, 352 pg.
Carolrhoda Books, 2019

Read: August 27, 2019

Finn Firth is on the verge of turning 13, and is convinced his father will forget his birthday. Which is troubling to him, but really, it’s the least of his troubles. When they were three, his twin sister drowned (and he’s always felt this absence, and is sure everyone around him does, too). He’s not that close with his father, and his mother left home a few months ago, with no warning and no one has heard from her since. Also, his best (only?) friend, Gabi, has been spending less time with him and more time with new friends—the kind that would bully him. He’s also a huge science nerd, the kind of twelve-year-old who reads (and re-reads) Richard Feynman and Carl Sagan for entertainment. The fact that he’s an outsider, that he’s not like the other kids at school is what drives him (like so many) to science, to something he can make sense of and put himself/his trouble in perspective.

So imagine his surprise when his grandmother informs him that she’s a time traveler, actually, all the women in his family have been and are. It’s not just his family, there are people throughout the world capable of this. Some in his family are more powerful than others, most can only travel to the past—one could only travel to the past but during her lifetime—his grandmother and mother are among the few that can travel forward in time. His mother, he’s told, didn’t leave his father and him. Finn’s dad has been reassuring him that “she just needs some time,” and well, that seems to be the case after all. She’s stuck somewhere, unable to come back—but she’s created a way for Finn to come and get her (despite being a boy).

Time travel is impossible, Finn knows—and even if it weren’t, the kind of travel his grandmother describes sounds more magical than scientific. He tells his grandmother this, in fact. But—I won’t get into how, it should be read in context—he’s given some pretty convincing proof.

Now there are those who don’t think Finn should be doing anything regarding time travel, and that no one should be tracking down his mother. And they’re seemingly willing to take some extreme measures to stop him. He and Gabi set out on an adventure to evade these others and get to his mother’s portal. Finn’s ill-prepared for what lies ahead, but he doesn’t care. Between brains and sheer determination (and largely it’s the latter), he’s going to find his mom.

What he never stops to ask is: what else will he find?

This is a fun little read—Finn and Gabi are well-developed characters, his various family members are interestingly and distinctively drawn, the writing is crisp and brisk—once things get going, they stay going, and it’s easy to get swept up in it The best is the mix of science and . . . however you end up describing the time travel. For a book directed toward the 9-14 set, the science (time travel, chaos theory, multi-world theory, etc.) is presented plainly and without condescension. That last point, in particular, resonated with me.

The heart of this book is found in two concepts—the power of individual choice, and the importance of kindness in spite of everything. Lessons good to be absorbed by the target audience, as well as the rest of us.

I really enjoyed this book and heartily recommend it. One thing, though, kept running through my mind as I read it. As much as I enjoyed A Time Traveler’s Theory of Relativity, when I was 8-13, I would’ve loved it (probably when I was 14 and 15, too—I just wouldn’t admit to liking a book written for younger people at that time). It’s the kind of book that I would’ve been checking out of the library every two or three months. Get this for yourself and enjoy it, get this for your kid for them to obsess over.

Disclaimer: I received this eARC from Carolrhoda Books via NetGalley in exchange for this post—thanks to both for this opportunity.

—–

3.5 Stars

Gilmore Girls: A Cultural History by Lara C. Stache and Rachel Davidson: Oy with the Poodles Already

By

On August 28, 2019

In Humor

Of course that headline doesn’t say anything about the book, I’ve just never had an excuse to use that line, and this is as close as I’m going to get.
—

Gilmore Girls: A Cultural HistoryGilmore Girls: A Cultural History

by Lara C. Stache and Rachel D. Davidson

Series: The Cultural History of Television

eARC, 248 pg.
Rowman & Littlefield Publishers, 2019
Read: August 16 – 23, 2019

I’m a huge fan of the show Gilmore Girls, and am a bigger fan of Amy Sherman-Palladino and Daniel Palladino. So when I saw this title, I had to jump on it. A cultural history of the show? 200+ pages about the show in more than just a raving-fan mode? Sign me up! The authors are big fans of the show, it must be said, but they can be critical of it, which makes all the difference. This book is an examination of both the show’s reflection of the culture around it as well as what impact it had on the culture—the medium of TV, the casual viewers, and the fans. For a show that depends so heavily on pop culture, the former is easy to demonstrate (it’s more of a question of how to focus the examination and when to stop), but the latter is just as important.

In Part I of the book, the authors look at the various relationships depicted in the show—mothers and daughters; fathers/father-figures and children; romance (with mother/daughter relationships, this is obligatory for the show); and friendship. I thought they were spot-on when it came to mothers and fathers. The romantic relationships they concentrated, and the points they raised about them, were what anyone picking up the book expected (although there was a stronger anti-Logan/pro-Jess bias than one might expect)—I did like the way that Dean and Luke were paralleled, and didn’t appreciate the way that Christopher and Logan were (mostly because I think they were right, and I had to lower my regard for Logan if he’s Rory’s Christopher-equivalent). I thought the looks at Lorelai/Sookie and Rory/Lane and what they said about female friendships was just fantastic.

In Part II the authors switch to themes addressed in the show—feminism, class, pop culture and small-town life. I’ll talk more about the chapter on feminism in a moment, but I thought it was exceptional. The Pop Culture chapter was fun and insightful. I appreciated the Class/Wealth examination, but thought they could’ve done more with it. This is part of the book that you probably can’t find much of in discussions about the show—you can’t swing a LOLcat* online without finding someone talking about Luke and Lorelai or Dean and Rory, but thoughtful takes on the greater cultural themes are rarer (not impossible to find, but harder.) The book doesn’t shine as brightly as it could in this Part, but it handles the subjects deftly.

* I feel like I should apologize to Babette for using this expression.

The chapter examining the show’s depiction of feminism features an extended look at Episode 1.14, “That Damn Donna Reed.” This is at the same time the best and worst part of the book. Let me explain: the authors examine this episode and the main storylines in detail and while reflecting about what those stories say about the feminism of Gilmore Girls and the contemporary American culture (and our contemporary culture). I was entertained and satisfied with the book, but when they hit this high point*—and didn’t accomplish anything like it in following chapters—I was disappointed. If we’d gotten that kind of examination of popular culture and class as shown in particular episodes, I’d have probably rated this book higher. I may have rated it higher if that chapter didn’t have the 1.14 section, too—it just made everything else seem a little more shallow.

* I’m not saying I agreed with all of the analysis, but I appreciated what they did.

Chapter 8, “Small-Town Livin’,” is—like most of this book—a look at the depiction of something and a celebration of it. In this case, it’s Stars Hollow as an ideal small town. We’re shown many examples of the peculiarities of Stars Hollow (taken in every sense of the word)—notably some of the characters, the way the community acts as a large family, how it supports (and doesn’t support) each member, and so on. Then the authors talk about how it represents something in our contemporary culture that many, many feel is missing from our communities and how we yearn for it. I don’t know what it was about this chapter precisely that struck me the way it did—but I didn’t expect it, and the sentiments expressed really resonated with me. Perhaps it’s because the rest of the book focuses (as it should) on Lorelai, Rory, Richard, Emily, Luke, etc., and it’s only here that we focus on everyone else that made this show delightful.

My main complaint is that the authors depend on the same handful of examples too often. Luke did X, or Emily said Y are each trotted out to support 5 or 6 (or a dozen) points rather than finding 5 or 6 (or a dozen) other examples to show the same kind of thing. Luke didn’t just act in a certain manner one time in one episode to cite repeatedly, he does repeated things along certain lines that could be used in a variety of contexts. I don’t want to get bogged down in the details on this, so I’m keeping it vague, but it often felt like I could sing along with Stache and Davidson when they started to illustrate a point with one of the frequently used points. I can understand that it’s easier to keep going back to the same well so that they don’t have to explain the citations as much each time, but it got a bit tired.

There’s an appendix (of sorts) wrapping up this book that is worth the purchase price—”The Episodes: An Opinionated Compendium.” The compendium lists every episode, with a one-paragraph synopses (some are short, some aren’t) and a Best Line (except for in Season 7, which almost doesn’t count for the authors as a real season—like the mythical second and third Matrix movies, the fourth Indiana Jones, or third X-Men). I don’t recommend reading that straight through, you’ll burn out—but it’s a great way to revisit the episodes and refresh your memory. I don’t know the page count on this section, but it’s not inconsequential—it’s 27% of my eARC. Any fan will appreciate this part, even if they’re unimpressed with the main text (and I doubt many fans will be unimpressed with anything in these pages).

This is a fun read, a thought-provoking read, and a comfort-read. It’s like spending a couple of hours talking with some pretty intelligent friends about a TV show you all really like. It’s impossible to watch the show without thinking about it in the terms the authors choose to focus on—relationships, feminism, wealth, community, family—but most fans probably haven’t focused on it to the extent this volume does. I wanted more, but not much more. Not only is this a good book and a good way to examine a beloved show, it’s a great introduction to this series of books. I know I’ll be picking up more of them.

Disclaimer: I received this eARC from Rowman & Littlefield via NetGalley in exchange for this post—thanks to both for this opportunity, I thoroughly enjoyed the experience.

—–

3.5 Stars

Screamcatcher: Web World by Christy J. Breedlove: Get Caught Up in this YA Fantasy’s Web

By

On August 15, 2019

In Fiction, YA/MG/Children's Books

Screamcatcher: Web WorldScreamcatcher: Web World

by Christy J. Breedlove
Series: Screamcatcher, #1


Kindle Edition, 218 pg.
Melange Books – Fire and Ice YA, 2019

Read: July 31, 2019

I don’t have a lot to say about this one, my views are pretty straightforward and most of the analysis I’d give would be spoiler-heavy, but I do want to try to say enough to entice someone (preferably a few someones) to read this satisfying YA Fantasy.

I really prefer to come up with my own synopses, but I’ve failed to think of a succinct way to give one for this book (well, I had one that was too succinct and was really unsatisfactory), so I’m just going to appropriate the official blurb:

           When seventeen-year-old Jory Pike cannot shake the hellish nightmares of her parent’s deaths, she turns to an old family heirloom, a dream catcher. Even though she’s half blood Chippewa, Jory thinks old Indian lore is so yesterday, but she’s willing to give it a try. However, the dream catcher has had its fill of nightmares from an ancient and violent past. After a sleepover party, and during one of Jory’s most horrific dream episodes, the dream catcher implodes, sucking Jory and her three friends into its own world of trapped nightmares. They’re in an alternate universe-locked inside of an insane web world. How can they find the center of the web, where all good things are allowed to pass?

I don’t pretend to have an extensive, much less exhaustive, familiarity with uses of Native American symbology, imagery, spirituality, or anything. But I’ve come across my share over the years, and I don’t remember anyone using the dreamcatcher in any significant way before. And I don’t know why — this is an awesome idea.

The first few pages (maybe the first chapter or so) were a little rough, and my expectations lowered a little bit. But once Breedlove had established the world and things started happening, the book became a lot more enjoyable and I got sucked right into it. Breedlove does a great job of balancing the fantastic elements of this dream world (I guess nightmare world would be closer to the truth) and reality to make it easy to understand, but still following a nightmare logic ad full of the stuff that dreams are made of (just without the statuary from Malta).

There was a love story that was established early on, and I really had no interest in it, but it eventually won me over and I started pulling for it. Making it on two fronts that Breedlove got me to invest in both the story and the characters when I wasn’t in any frame of mind to do so. I can’t tell you what ineffable quality there is to her writing that accomplishes that, but call it what you will, I like it when someone can do that.

There was a little suspense concerning the fate of some of Jory’s friends/companions, but by and large, you get the feeling early on just how things will turn out for almost all involved, the pleasure (for the reader, not the characters) is in the journey. There’s some self-discovery and personal growth to go with the monster fighting (fighting and/or avoiding).

It is written for a YA audience and certainly will appeal to that sensibility, but it can easily be entertaining for those of us with gray in our beards or on our heads (assuming there’s anything to gray). I’d like a little more depth to the primary characters, but that wasn’t in the cards, and it’s not like they’re not three-dimensional, I just think those dimensions could be a little deeper.

I did expect a lot more Native American imagery and myth (something akin to Riordan maybe, at least like Craig Johnson). I don’t think what we got was incompatible with it by any means, but it certainly wasn’t steeped in it. I’m not complaining, I don’t think the story needed it, but it might have made things a bit richer.

I don’t see how this leads to a sequel, in fact, I’d have thought it precluded one. But the end of the book tells me it’ll be available this year. Color me curious.

Imaginative and compelling with an unusual focus/motivating hook. For a fast, fun YA fantasy, Screamcatcher: Web World will satisfy.

Disclaimer: I received a copy of this novel from the author in exchange for this post, but I read it because I wanted to and the opinions expressed are my own and not influenced by the receipt of the novel.

—–

3.5 Stars

LetsReadIndie Reading Challenge

Fletch Won (Audiobook) by Gregory McDonald, Dan John Miller: A Real Mixed Bag

By

On August 8, 2019

In Audiobook, Fiction, Fletch, Gregory Mcdonald, Mystery/Detective Fiction/Crime Fiction/Thriller

Fletch Won (Audiobook)Fletch Won

by Gregory McDonald, Dan John Miller (Narrator)

Series: Fletch, #8 (#1 Chronologically)
Unabridged Audiobook, 6 hrs., 30 min.
Blackstone Audio, 2018

Read: June 20 – 26, 2019

This is chronologically the first Fletch novel, he’s a rookie reporter, who’s been bounced around from headline writer, to obituaries, to wedding announcements, and is finally sent to the Society pages—with a warning. Fit in, and don’t make any trouble or he’ll be unemployed. His first assignment is to meet with an attorney, Donald Habeck, in the publisher’s office to discuss a major donation he’ll be making to a local museum and do a puff piece about it. Fletch objects, wanting to do real news—the kind of stuff he’ll later be known for. His editor (Frank Jaffe, a name known to those who’ve read Fletch and Fletch and the Widow Bradley) refuses, insisting that this is his assignment—and maybe later he’ll get a chance to do something else.

There’s a catch—Habeck is murdered in the newspaper’s parking lot on his way to this meeting. Fletch jumps on the opportunity to report on this, but the senior crime reporter shoos him off (and Jaffe). Fletch tries to exercise squatter’s rights, but no one is having any of it. Naturally, this means that Fletch will ignore this and will investigate the murder on his own—and typically is a few steps ahead of both the police and the senior crime writer.

In the meantime, he has to do his actual job (at least until he has something he can print). There’s another story they want Fletch to work on, there’s a local “escort service” parading itself as a fitness establishment—Jaffe insists that Fletch do an expose about them. To stay employed, Fletch agrees—but threatens the most detailed and explicit expense report ever. This isn’t a story that appeals to Fletch—I don’t think he cares too much if this service is just close to prostitution, or if it’s the actual thing—and he has better things to do with his time. Also, he’s about to get married, the last thing his fiancé is going to want is him hanging around a brothel all day.

The opening chapter is a hoot. As are several of the encounters Fletch has with the members of Donald Habeck’s family (particularly his wife)—and Alston Chambers never fails to be amusing. The escort service story is fun, and ends up being the kind of thing that Fletch can write about—but its main purpose is to give Mcdonald an opportunity to opine on our cultural obsession with beauty, health, and so on, while causing problems for Fletch’s personal life. There’s not a lot of meat to this story, but there’s a lot of fun. On the other hand, the murder investigation is great and vintage Fletch. It’s the best part of the book (as a mystery novel, I guess it should be, right?)

All in all, a decent Fletch novel—full of interesting characters, a nice twist, Fletch bucking all sorts of authority (police, veteran reporters, Frank Jaffee), and more than a few amusing situations. It works as an origin story, how did he become the sort of reporter we know, etc. As I mentioned earlier, we even see young Alston Chambers — just starting as an associate in a powerful law firm. But—and this is a big but— this places Fletch at the newspaper we know he ends his newspaper career with as a rookie, as a man about to be married (for the first time). We know there’s not a lot of time between the end of his first marriage and Fletch, but there’s some. Enough for a second marriage and the Window Bradley events, but not much more. What there isn’t time for is the past referred to in Confess, Fletch, Fletch’s Fortune and even hinted at in The Man Who — and the first two of those depend on Fletch’s history to work. Unless we’re to believe that his wives let him leave the state, work in a variety of other papers, developing a Fletchian reputation, move back to the same paper he started his career in (with the same senior editor), and then hit him up for alimony and still be carrying a torch for him. It stretches credulity a bit too much for me to stomach. The next book, Fletch, Too, doesn’t help things.

Does that ruin Fletch Won for me? Not totally, but that alone keeps it out of my personal top-tier Fletch novels and rank it slightly above The Widow Bradley (only for the chuckles it gives me). Clearly, McDonald isn’t as picky about this sort of thing as many of his readers are, but man, that rankles. Still, it’s fun, it features entertaining characters— some odd poetry—and enough Fletchisms to keep you happy. It’s a good time, and if you ignore what it suggests about the rest of the series, you should have a good time.

—–

3.5 Stars
2019 Cloak & Dagger Challenge

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