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PUB DAY REPOST: Through Gates of Garnet and Gold by Seanan McGuire: Quieting the Dead

Cover of Through Gates of Garnet and Gold by Seanan McGuireThrough Gates of Garnet and Gold

by Seanan McGuire

DETAILS:
Series: Wayward Children, #11
Publisher: Tordotcom
Publication Date: January 6, 2026
Format: eARC
Length: 148 pgs.
Read Date: December 23, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Through Gates of Garnet and Gold About?

We watched Nancy get her door and get to go home 10 years ago (in publication time, I’m a little unclear about how long it’s been in Eleanor West’s School’s time, as is at least one student). And aside from a quick “hi,” a few books later, that was pretty much the end of her story.

Until now, obviously, otherwise, why would I start by talking about her?

She’s back, and there’s a rule-breaking quest involved. The twist this time is that Nancy has been sent by The Lady of the Dead. Something…someone…is attacking people like Nancy in the Halls. People who have come through their own Doors from their own worlds to their true home. The dead are left unmolested and undisturbed. But it’s the other living people there who are being attacked. Nancy’s friends (or as close as living statues have to friends), are being killed and they need help.

This is a first for Eleanor West and her students–but they can’t say no. They don’t want to. Kade, as almost always, the leader of the group. Christopher, who is more comfortable with the dead than anyone other than Nancy, and his bone flute come along as well. There’s no way that Sumi, Nancy’s old roommate, is going to pass up this opportunity. Talia demands to be part of it, too. She has no skills that seem to make sense for this task*, but she’s done the math. Going on a quest with other students is just about the best way to guarantee getting her Door when it’s completed. So no one had better stop her. I, for one, hadn’t done this connection–and I’m guessing many of the other students haven’t either, or there’d be several others clamoring for a change.

* Naturally, it turns out that it’s good she came along.

An Introduction to the Series

McGuire’s been clear from the get-go that this series can be read in any order–and that’s true enough. But I think there are a couple of books that should be read in a particular order, regardless of what she thinks. And you’re just better off in general going in publication order.

But let’s say that this is the first book you pick up–you’re in for a treat. In an Introduction of sorts–not really a prelude or prologue–a couple of pages before chapter one, whatever you want to call them–McGuire introduces this series, sketches the function of the Doors, the impact they make on those who pass through. Those who want them back, etc.

This isn’t a “The Story So Far…” kind of thing–but it’s the closest that this series is going to get. I hope we get these exact pages–or ones very like them–from here on out.

I Needed a Fresh Dose of Sumi

Sumi is one of the characters who appears with greater consistency than others in this series–and I, for one (but am probably not alone), am so grateful for that. Her weaponized optimism, utter lack of regard for social niceties, unwavering positivity, and generous affections emphasize all the good things to be found in a person and situation. She also brings a level of comedy and heart to every scene she’s in. She can also be profound, usually unintentionally, and add emotional weight to a scene when you didn’t realize it needed it.

And when she gives a warning–you know things are serious. But the reader gets to chuckle the way she does it.

Obviously, we needed Sumi if we’re going to spend time with Nancy (we’re going to need Kade for similar reasons). But I personally needed a dose of her in general. And while what we got was sufficient, I’m hoping it’s not too long before we spend time with her again.

So, what did I think about Through Gates of Garnet and Gold?

After last year’s Adrift in Currents Clean and Clear, I assumed we’d get something good, but not great for this book–we were due for McGuire to take her foot off the pedal a bit and coast a little. I’m very glad that McGuire wasn’t thinking like that and brought us another stellar installment in this series.

I mean, I was sold from the instant I saw that Nancy was coming back–and McGuire did right by this return. When Nancy got her door again, I wasn’t prepared for that to happen. I didn’t realize we were going to spend so little time with most of these characters, just enough to fall in love with them as characters, and then watch them go on to the next chapter of their lives–and that we’d very likely be done with them (aside from an occasional glance at most). I’ve embraced that when it comes to these books, and it no longer gets to me so much that we walk away from them. But I’ve always wanted more Nancy.

So, sure, that made me an easy sell for this book–but that didn’t mean I was guaranteed to rave over it. It just made it very likely.

I didn’t really understand what Nancy saw in the Halls of the Dead before, nor do I think I truly understood what was involved. This world made a lot less sense to me than any of the others, and I really wasn’t that interested in it other than as it served as Nancy’s true home. But we got to see much more of it than we have previously, we get some more mature description of it from Nancy (and her Lady). I see the appeal, the attraction. Or at least I understand where some would. Personally? The only world I’m less interested in is the underwater world that Nadya introduced us to last year (I just don’t think I could get over being underwater). But now, I get why Nancy and the others want to be there.

What the questors and readers learn about the forces attacking–and their plans–is pretty unsettling, and tells us a little more about McGuire’s universe and the stories she’s telling. In a way that made me uncomfortable and pleased me at the same time. You’ll have to read it yourself. But it’s such a fantastic touch.

As usual for this series, McGuire balances whimsy and danger, joy and weeping, with skill and aplomb. For Adrift in Currents Clean and Clear, I wrote:

This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.

That’s a pretty good way to wrap up this post, too. With one significant difference–I need to know what happens after the last page, preferably now. It’s not a cliffhanger (this is not one of those series), in fact it’s a perfectly fitting ending for this novella. But I really need the next page–and fear McGuire is going to make us wait a bit before she gives it to us.

Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Through Gates of Garnet and Gold by Seanan McGuire: Quieting the Dead

Cover of Through Gates of Garnet and Gold by Seanan McGuireThrough Gates of Garnet and Gold

by Seanan McGuire

DETAILS:
Series: Wayward Children, #11
Publisher: Tordotcom
Publication Date: January 6, 2026
Format: eARC
Length: 148 pgs.
Read Date: December 23, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Through Gates of Garnet and Gold About?

We watched Nancy get her door and get to go home 10 years ago (in publication time, I’m a little unclear about how long it’s been in Eleanor West’s School’s time, as is at least one student). And aside from a quick “hi,” a few books later, that was pretty much the end of her story.

Until now, obviously, otherwise, why would I start by talking about her?

She’s back, and there’s a rule-breaking quest involved. The twist this time is that Nancy has been sent by The Lady of the Dead. Something…someone…is attacking people like Nancy in the Halls. People who have come through their own Doors from their own worlds to their true home. The dead are left unmolested and undisturbed. But it’s the other living people there who are being attacked. Nancy’s friends (or as close as living statues have to friends), are being killed and they need help.

This is a first for Eleanor West and her students–but they can’t say no. They don’t want to. Kade, as almost always, the leader of the group. Christopher, who is more comfortable with the dead than anyone other than Nancy, and his bone flute come along as well. There’s no way that Sumi, Nancy’s old roommate, is going to pass up this opportunity. Talia demands to be part of it, too. She has no skills that seem to make sense for this task*, but she’s done the math. Going on a quest with other students is just about the best way to guarantee getting her Door when it’s completed. So no one had better stop her. I, for one, hadn’t done this connection–and I’m guessing many of the other students haven’t either, or there’d be several others clamoring for a change.

* Naturally, it turns out that it’s good she came along.

An Introduction to the Series

McGuire’s been clear from the get-go that this series can be read in any order–and that’s true enough. But I think there are a couple of books that should be read in a particular order, regardless of what she thinks. And you’re just better off in general going in publication order.

But let’s say that this is the first book you pick up–you’re in for a treat. In an Introduction of sorts–not really a prelude or prologue–a couple of pages before chapter one, whatever you want to call them–McGuire introduces this series, sketches the function of the Doors, the impact they make on those who pass through. Those who want them back, etc.

This isn’t a “The Story So Far…” kind of thing–but it’s the closest that this series is going to get. I hope we get these exact pages–or ones very like them–from here on out.

I Needed a Fresh Dose of Sumi

Sumi is one of the characters who appears with greater consistency than others in this series–and I, for one (but am probably not alone), am so grateful for that. Her weaponized optimism, utter lack of regard for social niceties, unwavering positivity, and generous affections emphasize all the good things to be found in a person and situation. She also brings a level of comedy and heart to every scene she’s in. She can also be profound, usually unintentionally, and add emotional weight to a scene when you didn’t realize it needed it.

And when she gives a warning–you know things are serious. But the reader gets to chuckle the way she does it.

Obviously, we needed Sumi if we’re going to spend time with Nancy (we’re going to need Kade for similar reasons). But I personally needed a dose of her in general. And while what we got was sufficient, I’m hoping it’s not too long before we spend time with her again.

So, what did I think about Through Gates of Garnet and Gold?

After last year’s Adrift in Currents Clean and Clear, I assumed we’d get something good, but not great for this book–we were due for McGuire to take her foot off the pedal a bit and coast a little. I’m very glad that McGuire wasn’t thinking like that and brought us another stellar installment in this series.

I mean, I was sold from the instant I saw that Nancy was coming back–and McGuire did right by this return. When Nancy got her door again, I wasn’t prepared for that to happen. I didn’t realize we were going to spend so little time with most of these characters, just enough to fall in love with them as characters, and then watch them go on to the next chapter of their lives–and that we’d very likely be done with them (aside from an occasional glance at most). I’ve embraced that when it comes to these books, and it no longer gets to me so much that we walk away from them. But I’ve always wanted more Nancy.

So, sure, that made me an easy sell for this book–but that didn’t mean I was guaranteed to rave over it. It just made it very likely.

I didn’t really understand what Nancy saw in the Halls of the Dead before, nor do I think I truly understood what was involved. This world made a lot less sense to me than any of the others, and I really wasn’t that interested in it other than as it served as Nancy’s true home. But we got to see much more of it than we have previously, we get some more mature description of it from Nancy (and her Lady). I see the appeal, the attraction. Or at least I understand where some would. Personally? The only world I’m less interested in is the underwater world that Nadya introduced us to last year (I just don’t think I could get over being underwater). But now, I get why Nancy and the others want to be there.

What the questors and readers learn about the forces attacking–and their plans–is pretty unsettling, and tells us a little more about McGuire’s universe and the stories she’s telling. In a way that made me uncomfortable and pleased me at the same time. You’ll have to read it yourself. But it’s such a fantastic touch.

As usual for this series, McGuire balances whimsy and danger, joy and weeping, with skill and aplomb. For Adrift in Currents Clean and Clear, I wrote:

This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.

That’s a pretty good way to wrap up this post, too. With one significant difference–I need to know what happens after the last page, preferably now. It’s not a cliffhanger (this is not one of those series), in fact it’s a perfectly fitting ending for this novella. But I really need the next page–and fear McGuire is going to make us wait a bit before she gives it to us.

Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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How to Become the Dark Lord and Die Trying by Django Wexler: Betrayal, Assassination, General Evilness, and a Certain Amount of Discriminate Slaughter

Cover of How to Become the Dark Lord and Die Trying by Django WexlerHow to Become the Dark Lord and Die Trying

by Django Wexler

DETAILS:
Series: Dark Lord Davi, #1
Publisher: Orbit
Publication Date: May 21, 2024
Format: Paperback
Length: 387 pg.
Read Date: December 3-6, 2025
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I grin. “Fake it till you make it.”

I doubt whoever came up with that particular saying imagined it being applied by an aspiring Dark Lord, but it works. Half the job of being boss, after all, is acting like a boss, performing boss-ness, whether you’re gunning for the corner office or the big iron hat with spikes.

Unfortunately for me, a lot of that performance requires props I haven’t got, to wit: armies and weapons and piles of thaumite. But we’re going to do the best we can with what we ve got.

What’s How to Become the Dark Lord and Die Trying About?

This is going to be quick, because if you’re not intrigued by the premise, this isn’t going to be a book for you. Also, like The Martian, your appreciation for this book lives and dies with your appreciation of the protagonist and her narration. If you don’t like Davi almost instantly—or if you take an almost-instant dislike for her—save yourself the torture and find another book.

Davi woke up in a small pool/tub in a fantasy world after closing her eyes in ours. She remembers very little about her old life at the point we meet her, but that’s okay—what she does remember is her new life. A wizard approached her in the pool and told her it was the fulfillment of a prophecy—she goes with him to help the Kingdom against its enemies. Their efforts fail, and she dies. (not a spoiler, really)

She wakes up in the pool/tub and repeats the process—hundreds of times, dying in different ways and by the hands of various people and/or Dark Lords (higher than her official count, I’m not sure which lives go into her count and which don’t). Eventually—after a particularly prolonged death, Davi decides to stop trying to help the Kingdom and tries to become the Dark Lord instead. This is that story.

Also, now you understand the title.

A Pretty Big Caveat

Davi feels like she was trained in the use of “blue language” by Zoey Ashe and Teagan Frost*, and truly the student has surpassed the masters. And I really don’t know how to describe her sexual appetites. Thankfully, it’s all behind closed doors (or tent flaps)—but she doesn’t mind talking about it in the narration.

Go into it knowing that, and you’ll be okay. If that’s a red flag for you, (and I honestly feel like it maybe should be one for me), pay attention to it. Maybe instead of a flag, think of it as a red metal octagon.

* From Jason Pargin’s Zoey Ashe series and Jackson Ford’s Frost Files, respectively.

A Couple of Lines I Feel Compelled to Share

It’s the sort of plan where, were I to tell someone else about it, I’d say, “But you re not going to like it.” Since there’s no one here, I have to both propose the plan and be skeptical about it. You know you’re in a fix when you have to be your own straight man.

The problem with mountains—follow close here, this is complicated—is that they’re very tall.

Tall means hard to get over. Tall also means cold, and cold means snow and ice and all that awfulnes.

The beast is still coming, swinging easily across the cliff, ignoring the rain of fire arrows. It has apparently decided I am its one true prey, and that only rending me to pieces will make it feel complete. Which, honestly, kind of flattering in other circumstances, but not what I need right now.

The thing about people, in the main, is they don’t like getting stabbed. When presented with a stabby situation, they tend to say, “No, you know what, that’s all right. I’ll seek my entertainment elsewhere.” In a battle, this is balanced against the need to look tough in front of your buddies; people will tolerate a certain amount of stab risk to increase their chances of looking brave and possibly scoring with their gender of choice.

But, and this is important, there’s risking getting stabbed, and there’s definitely getting stabbed. Which is to say, when a disorderly mob of screaming wilders comes down a hill at you, it looks like they’re going to run headlong into your spears, but I promise you they won’t. People don’t run headlong into spears, it falls in the “definitely getting stabbed” category.

So, what did I think about How to Become the Dark Lord and Die Trying?

This is what being Dark Lord is all about. Betrayal, assassination, general evilness. I may try to keep the indiscriminate slaughter to a minimum, but there is going to be a certain amount of discriminate slaughter going on, it’s just part of the show.

First, there is so much more heart to this book than you might think. Really, it’s up there with a Hallmark movie. Scrape away the jaded nature of living hundreds of lives and dying in all but one of those (sometimes horribly), and Davi has a large heart and cares a lot for her “minions.”

Secondly, the action is really well-delivered. The battle scenes are well-done (but not overly detailed so as to slow down the action), the individual fight scenes are as good as you’re going to find out there. And the plot makes complete sense for what it is. The magic system isn’t one I’ve seen before—and it works well in this world.

This has got to be in the Top 5 funniest books I’ve read this year. Davi is full of sass, sarcasm, and obscure pop culture references (and she doesn’t mind making them to people who cannot understand them—she reminds me of Francis Xavier Flynn that way). Her observations and narration made me want to stretch out the reading so I could keep enjoying it (while I had no patience to find out what happens at the end).

Also, I’ve made my position concerning comedic footnotes very clear in the past—huge fan—and Wexler is great at them.

This was just a delight from start to finish. There were plenty of surprises—both in plot twists and character reveals. People into comedic fantasy should give it a try.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Canvas of Creation: A Biblical Response to the Heresy of Racial Superiority by Drew Poplin—A Great Booklet That I Wish We Didn’t Need (but we sadly do)

Cover of The Canvas of Creation by Drew PoplinThe Canvas of Creation: A Biblical Response to the Heresy of Racial Superiority

by Drew Poplin

DETAILS:
Publisher: Crown & Covenant Publications
Publication Date: October 30, 2025
Format: Paperback
Length: 55 pgs.
Read Date: November 9, 2025

What’s The Canvas of Creation About?

Recent years have seen a rise of despicable teachings advocating racial/ethnic superiority and separation, particularly among some groups online.

Thankfully, they’re not going unchallenged—recently, three denominations stated:

Condemn without distinction any theological or political teaching which posits a superiority of race or ethnic identity born of immutable human characteristics and does on the solemn evening call to repentance any who would promote or associate themselves with such teaching, either by commission or omission.

Drew Poplin, a minister of one of those, has written this short book to go along with that. He makes (or perhaps “sketches” would be a better word) five arguments. He arguing that it is contrary to nature, contrary to the law of God, contrary to the gospel of Jesus Christ, contrary to the nature and government of the church; and then he seeks to answer the primary historic argument from Scripture. After this, he takes a look at the roots of the recent rise in this heresy and some practical applications in dealing with it.

This is a lot to tackle in 55 pages (less, after the Introduction), so Poplin cannot really get into depth. But he attempts to make up for that depth by the breadth of his considerations.

Dealing with Christians of the Past

This is a dicey thing—but “X minister” or “y theologian” from the past thought in terms of racial superiority, or owned slaves, or fill-in-the-blank. Does this mean we need to discount everything they said/wrote/passed down to the Church? Poplin suggests that no, we don’t—and makes a case to overlook this in love. His arguments are much like those of Jacobs’ in Breaking Bread with the Dead when it comes to people of earlier times writing and saying things that clash with contemporary mores.

I think his argument works—although I admit I want it to work, so it’s hard for me to evaluate objectively. Regardless, I’m glad he addressed this idea directly and didn’t leave it unanswered.

So, what did I think about The Canvas of Creation?

First, I think it is lamentable (in the sense Jeremiah would use) that a book like this needs to be written—ever, much less in 2025. I’m troubled even more that we’re going to need more like this. Because as good as this is, it’s not enough. (probably nothing will be enough until the Lord returns, but that doesn’t mean we shouldn’t keep swinging).

Secondly, it’s a good little book—Poplin makes the arguments that I’d think would be pretty standard—he also makes some (rather convincing) arguments along lines that I’ve never considered.

He does say a couple of things that only work in theologies committed to Christian magistrates and covenanted nations (not in a contemporary Christian Nationalist way, but in something more historic). As someone who has never been convinced by those positions, I found those parts of the book to be rather weak. But I probably wouldn’t if I accepted the premise.

Otherwise, I was with him every step of the way. I do appreciate the case Poplin makes to consider this kind of thing a heresy (while not wanting to overuse the word). I’m not sure I’d have called it anything but grave error before, but that time is over. Thank you, Rev. Popliln for that.

Get this, read it, give copies to friends.

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Mushroom Blues by Adrian M. Gibson: The Future is Fungal

I keep getting distracted from working on this post, but when I saw this on the schedule for BBNYA Spotlight posts, I figured it was about to time to force myself to write something. If I’m doing one post about this novel today, I might as well do two, right?


Cover of Mushroom Blues by Adrian M. GibsonMushroom Blues

by Adrian M. Gibson

DETAILS:
Series: The Hofmann Report, Book One
Publisher: Kinoko Book Co.
Publication Date: April 2, 2024
Format: Paperback
Length: 371 pg.
Read Date: August 20-26, 2025
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What’s on the back cover of Mushroom Blues?

In addition to glowing blurbs from people who know what they’re talking about, we get this description:

BLADE RUNNER, TRUE DETECTIVE, AND DISTRICT 9 meld with the weird worlds of JEFF VANDERMEER, PHILIP K. DICK, AND CHINA MIÉVILLE in Adrian M. Gibson’s award-winning fungalpunk noir debut.

TWO YEARS AFTER a devastating defeat in the decade-long Spore War, the island nation of Hōppon and its capital city of Neo Kinoko are occupied by invading Coprinian forces. Its fungal citizens are in dire straits, wracked by food shortages, poverty, and an influx of war refugees. Even worse, the corrupt occupiers exploit their power, hounding the native population.

As a winter storm looms over the metropolis, NKPD homicide detective Henrietta Hofmann begrudgingly partners up with mushroom-headed patrol officer Koji Nameko to investigate the mysterious murders of fungal and half-breed children. Their investigation drags them deep into the seedy underbelly of a war-torn city, one brimming with colonizers, criminal gangs, racial division, and moral decay.

In order to solve the case and unravel the truth, Hofmann must challenge her past and embrace fungal ways. What she and Nameko uncover in the midst of this frigid wasteland will chill them to the core, but will they make it through the storm alive?

The Worldbuilding

My biggest—probably only (or only worth writing down)—complaint about this book is that we just don’t get told enough about the Hōpponese/Human relations before the war. I’m having a hard time understanding what things were like, what kind of cultural/technological/commercial relationships/understandings existed. I also have a hard time believing that there wasn’t anything worth talking about before the war started.

Now, let’s set that all aside for a moment—I don’t want to spend more time on it, it’s not worth it, and if the novel itself can, I can. The rest of the worldbuilding, the Hōpponese culture, the despicable way that the humans are treating them, the way the Human-Occupier mini-culture is operating, the Hōpponese resistance (s), the Hōpponese themselves, the way that humans risk some kind of infection every time they breathe the air, the…yeah, the list is getting out of hand. So let’s just sum it up with “everything I didn’t mention in the above paragraph” are close enough to perfect that you can’t tell me not to consider it.

As you read this book, you can see the city, you can smell the environs, taste some of the food described, feel the atmosphere, you can hear the language, and you can viscerally sense the non-humanness of the Hōpponese and just how off-putting it is. Gibson utterly nailed this.

I’ve Just Gotta Say This…

I know I haven’t read everything out there about this book—even if I ignore Goodreads, online retailers, The Story Graph, etc.—so maybe I missed this. If I did—I’ll happily eat my hat and credit others. But I haven’t seen anyone talk about Alien Nation in relation to this book—the movie, the TV series, the tie-in novels (and, yes, I watched and read them all). I don’t get it—other than age (we’re talking late 80s/early 90s), these are the perfect comparisons to this work.

Sure, Gibson’s book is so much better—if only because the Fungal people don’t get drunk off of something as silly as spoiled milk. But the prejudice, the cultural mixes, the attitudes (both within the police and both races) toward the non-human partner, and the attitude of the human detective about the whole partnership…these works are of a piece.

Anyway, I just had to say something about it because I couldn’t stop thinking about it for a moment.

So, what did I think about Mushroom Blues?

Just by talking about it as little as I have already, I want to set everything (book, employment, family obligation, writing project—including this post) aside for the next few days and re-read the book; it’s got its hooks in me that deeply. Something I didn’t realize until now.

Most of the time, I don’t really think about how unnerving it has to be for a human to walk around in a fictional world and encounter an elf, a Vulcan, an orc, or a…whatever it was that Rocky from Project: Hail Mary was. At least after the first encounter. But there’s something about a mushroom-person that gives me the willies—Gibson has filled this species with a lot of facts and theories about how mushrooms on our planet live and communicate, just put them in humanoid bodies capable of speaking English (or Common).

The other-ness, or non-humanness, of the Hōppon is as much part of the atmosphere of the book as is the tobacco smoke that Hofmann fills the air around her with. And I do feel a little speciesist just saying that. And then once you learn what it is—beyond bringing some diversity to the force—that Koji does for the police? It’s worse. But I don’t for a second lose any affection for or curiosity about Koji. It’s just one more reason that I feel unnerved by the Hōppon.

I had guessed the who—but not most of the why—behind these crimes pretty early on—and I’m not sure that Gibson’s herrings were of a red-enough color to capture my attention. But the way that Koji and Hofmann go about their investigation and slowly reveal the truth—and what that truth means? Gibson was near-perfect again on that front.

I really just want to keep going on about all the things about this book that I loved—note how I haven’t talked about the characters, because that’d be another few hundred pages just to start.

The mystery/police procedural part of this was great. The alternate world was outstanding. The worldbuilding is top-notch. The primary and secondary characters were drawn so wonderfully. The motives for the crimes (and the crime fighting) were complex and messy—and almost entirely understandable. The genre-hybrid of this feels entirely natural to an extent that you can almost wonder why anyone hasn’t been approaching these genres in a similar fashion for decades.

I’m just babbling now—I don’t have anything coherent to say anymore (assuming I started that way). If you haven’t taken the plunge with this book, you really should. That’s all I’ve got to say.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Becoming God’s Family: Why the Church Still Matters by Carmen Joy Imes: A Household for Former Aliens and Strangers

Cover of Becoming God's Family by Carmen Joy ImesBecoming God’s Family:
Why the Church Still Matters

by Carmen Joy Imes

DETAILS:
 Publisher: IVP Academic
Publication Date: October 28, 2025
Format: eARC
Length: 256 pg.
Read Date: August 17-31, 2025
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What’s Becoming God’s Family About?

This is, to use a phrase from Imes’ Introduction, a love story. It began with a conversation with a friend who was convinced they didn’t need the Church. Imes became convinced that someone needed to make the case that such was not the case. The idea that Christians need the Church—in all of its fallible, messy, disappointing, loving, supportive, worshiping ways.

Imes surveys the Scriptures from Genesis through Revelation, looking at what redemptive history shows us about the Church—how we need it, how it’s grown (and developed—not always in its favor), how we’re called to be part of it (and who that “we’re” is), and what it should do.

My Favorite Chapter

Well, they could all make a strong case for it, honestly—the last two chapters, particularly. But Chapter 6, “Processing Family Trauma,” takes the cake. Now, you may not think if from the title—but this is an encouraging chapter, and probably doesn’t focus on what you think it does.

It’s about communal worship. Singing the Songs of Zion, really. Both those of Lament and those of Praise. Imes talks about these in ways that may not seem intuitive (and probably aren’t, but maybe should be).

They’re about—first, “us” and “we,” a communal activity. The local congregation seeing hardships, challenges, and blessings together. It’s about recognizing the trauma and tragedies and trials that believers have—and are—suffering and how God has kept them from succumbing to them, how He’s been with His people—and therefore will be with them even now. How in a culture with many other options, His people declare His wonders in opposition to the false idols and lures around them.

I’m not doing a great job here, because I’m not going to try to replicate Imes’ work—but I assure you, it’s great.

So, what did I think about Becoming God’s Family?

Is this the most rigorous, robust work that I’ve ever read on The Church? No. Is this the most technical, theological work I’ve come across? No. Did this take a lot of effort to get through? No (and what a relief). Is this perhaps the most passionate work on the subject I’ve read? Yes. Is it perhaps the most persuasive about the need for individual believers (particularly in an individualist culture) to be involved with the Church? Also, yes.

I’ll take those last two any day over the others (not that I have a problem with the others, but…come on). Imes undoubtedly approaches this subject from the perspective of someone in her tradition—or her particular mix of traditions. But I can’t imagine any Protestant or Evangelical finding substantial grounds for disagreement. While I have a tendency to read primarily works in the Continental or Scottish/English Reformed traditions, I’m glad to see something so catholic in nature (particularly when it would fit just fine in my traditions).

I’ve struggled to write this post—I’ve been chipping away at it for two months, and still am not satisfied with it. I keep getting distracted in wanting to respond to her arguments—pointing out a couple of areas I think could’ve been done better, and talking about the ways that she really nailed the discussion. But I’m supposed to be focused on the book and reading experience.

It’s warm, it’s approachable, it’s learned in a non-off-putting way. Imes is a great guide through the topic and a fun companion through the stroll. She pointed out some things I hadn’t thought of before—and helped me grasp a couple of texts that I’ve struggled with for years.

I do think that any discussion of the Church should have more to say about the sacraments than she managed (she did mention them), but I understand how that doesn’t fit into what she’s trying to do and would’ve added controversy and disagreements she didn’t need (I’m fairly certain I’d have critiqued heavily anything she said—so it’s good for me that she didn’t).

The “Digging Deeper” sections she included in each chapter are a great resource, and I’ll be using it for some time to come (I’d previously read some of the works she’d listed there, and if the rest are as profitable, I’ll be well-sated).

Basically, I’m a fan of this and strongly recommend you invest your time and attention (and book-buying money) into it.

Disclaimer: I received a copy of this book from IVP Academic via NetGalley—thanks to both for this. Sorry it’s up late, it’s been a couple of those months.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Men at Arms by Terry Pratchett: “The air smelled of a limited life expectancy.”

I think this is coherent, there are five different attempts at writing something represented below. I finally filled out my outline, but I’ve spent so much time on the post, I’m not sure how much it makes sense.


Cover of Men at Arms by Terry PratchettMen at Arms

by Terry Pratchett

DETAILS:
Series: Discworld, #15; City Watch, #2
Publisher: HarperPrism
Publication Date: January 1, 1993
Format: Hardcover
Length: 341 pg.
Read Date: August 1-5, 2025
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“You see,” said Colon, “thieves are organized here. I mean, it’s official They’re allowed a certain amount of thieving. Not that they do much these days, mind you. If you pay them a little premium every year they give you a card and leave you alone. Saves time and effort all around.”

“And all thieves are members?” said Angua.

“Oh, yes,” said Carrot. “Can’t go thieving in Ankh-Morpork without a Guild permit. Not unless you’ve got a special talent.”

“Why? What happens? What talent?” she said.

“Well, being able to survive being hung upside down from one of the gates with your ears nailed to your knees,” said Carrot.”

What’s Men at Arms About?

The Night Watch is in flux—Captain Vimes is on the verge of retiring, and there are questions about who his successor will be. There’s a class of recruits that need to be trained—including a (gasp) woman. Our friends from the first book are trying to navigate this, train these recruits—and get their job done.

The job is made a bit more complicated when a murder victim shows up—killed by some sort of weapon no one on Discworld has seen before. Two guilds are implicated in this, the tensions between two non-human races are stoked due to the investigation, and the Night Watch has only a little time to get to the bottom of this all.

Fantasy Races

It was a state of permanent inter-species vendetta and, like all good vendettas, didn’t really need a reason any more. It was enough that it had always existed. Dwarfs hated trolls because trolls hated dwarfs, and vice versa.

I don’t remember Guards! Guards! doing a lot with the whole fantasy race thing—there were humans and dwarves, right? Maybe some mentions of others, but I don’t recall it being that big of a deal.

Here we have more dwarves and trolls—and a lot of animosity between the two races. We also have plenty of reasons to see how ridiculous expressions of this animosity (and probably even the grounds for it) really are.

I really found this a compelling aspect of the book, particularly the way that two of the Watch’s trainees (one from each race) learned to work together—it’s not in an after-school special way, but one that felt genuine.

The Gonne

A handheld firearm has found its way into Discworld, and the results are devastating.

Several people want it destroyed—and definitely don’t want it replicated. But when they get it into their possession, they can’t seem to destroy it. In fact, many become obsessed with it, it’s like they start to take orders from it.

Back in 1993 (original date of publication), Terry Pratchett saw the attraction of the power that comes from wielding a handgun and depicted it in a way that feels incredibly of the moment. Obviously, this has been something humans have been dealing with for a long time—it’s nothing new—but I don’t remember coming across something so clear, so incisive along these lines until more recently.*

* Sure, this may say more about what I’ve read than it does about Pratchett…but even the more sensitive treatments I read that are older than this don’t seem to get it as well.

So, what did I think about Men at Arms?

Colon thought Carrot was simple. Carrot often struck people as simple. And he was. Where people went wrong was thinking that simple meant the same thing as stupid.

I didn’t find this as funny as Guards! Guards!. It was quirky, and odd, and amusing—yes. Which isn’t to say that it wasn’t riddled with great lines. It was entertaining as all get out—and I enjoyed it almost as much. But it was more focused on character development, story, and social commentary than yucks and guffaws. It’s probably a better novel over all, honestly. But not as fun.

So it really wasn’t what I expected, which is a shade disappointing. But what I got instead is a superior product—with some great avenues for future stories. I didn’t expect to have emotional reactions to what happens to characters in a fantasy novel that I expected to laugh my way through! (the reactions might have been small since I didn’t know them that well, but still, it was outsized for how many pages I’d known them for)

As much as I enjoyed Captain Samuel Vimes and what happened with him—I really didn’t appreciate Sybil Ramkin. I thought she was great in Guards! Guards!, but she was a giant let-down here. I expect that to change in the future. I’m really excited about the possibilities for Vimes going forward.

Carrot…good ol’ Carrot. As great a character as I thought he was coming into this—he was far, far better throughout. Especially what we got to see of him through the eyes of other characters—particularly Lance-constable Angua von Überwald (who’s just a great addition regardless). It’s one thing to give us things from his perspective, or from the omniscient narrator’s point of view—but for us to see what others see in him, particularly the intangible stuff, and how they’re confused by his success—utterly fantastic.

Whatever my issues with Pratchett were before Guards! Guards!, they are well and truly dead and buried. I’m going to work on devoting more time to him in 2026 (if not before). This was a great read with depth I didn’t expect (but maybe should’ve) in one of the strangest fantasy worlds I’ve encountered. Funny, thoughtful, deep (in the right ways), absolutely silly (in the right ways).

4 1/2 Stars

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REPOSTING JUST CUZ: An Inheritance of Magic by Benedict Jacka: I Cannot Recall the Last Time I was This Excited about a New UF Series

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #1
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 384 pg.
Read Date: September 22-26, 2023
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This is Hard

I want to limit my comparisons between this new series and Jacka’s previous series to just one section—but that’s not going to happen. It makes sense, I suppose. It’s Jacka’s first non-Alex Verus book (other than the two hard-to-find children’s novels), so comparisons are inevitable, but I don’t want to turn this into an X vs. Y situation.

I will say at the outset, that if it wasn’t for the name on the cover, I don’t know that I’d have known they had the same author—so that tells you something about the comparisons. (except in quality—this is definitely up to the standards Jacka has established)

What’s An Inheritance of Magic About?

This is tricky. The Author’s Note at the beginning of the book tells us that this book is an introduction to the series. We are introduced to the world, the characters, the magic, and so on. Yes, there is a plot—a handful, actually—but the main point is for us to get oriented.

Basically, we meet Stephen—he’s roughly 20 and is fairly aimless. He doesn’t have the money (or, really, ambition) to go to University. He bounces from temp job to temp job, hangs out at his local with his friends regularly, takes care of his cat, and works on his magic in his spare time. It’s his real passion, but he doesn’t do much with it.

Then one day, some distant relatives that he’s never heard of come into his life (it’d be too complicated to list the reasons they give, and I think they’re half-truths at best, anyway). Suddenly, Stephen is thrown into a dangerous, high-stakes world of money and power—and he’s just a pawn to be used in the games of his “family” (and by family, I mean people that 23andMe would identify as relatives, but he’s never been in contact with or aware of for his entire existence). He’s a relatively unimportant pawn at that. He’s sort of grateful for that as he realizes it—but he’d have been happier if they never bothered him in the first place. Happier and with significantly fewer bruises.

However, through their machinations, he’s introduced to new levels of magic society and ways that the magic in this world works. Best of all he finds ways that he can be employed and use his magic—the best of both worlds. Sure, his friends don’t get it (not that he tells many of them, because he prefers that they think he’s sane), but he’s bringing in enough money to live and he’s getting stronger and more capable.

The World and Its Magic System

So, where the Alex Verus series was about one man and his friends/allies trying to navigate (and survive) the politics and power of the magical society in England (largely), at this point the Stephen Oakwood series appears to be about one man making his way (and hopefully surviving) the money and power of a different sort magical society—and it’s intersection with the non-magical world. We’re not just talking Econ 101 kind of stuff here—Stephen’s family appears to be some of the 1% of the 1% and there are huge multi-national corporations involved here with defense contracts to governments all over the world.

Basically, Alex had an easier place to navigate.

Most of the magic that’s used in this world comes from sigils—physical objects created from various kinds of energy wells (earth magic, life magic, light magic, and so on) to do particular tasks (shine a light, augment strength, heal minor wounds, etc.). There are likely bigger and better things along those lines (hence defense contracts), but that should give you an idea. The overwhelming number of these sigils are pumped out by some sort of industrial companies and are only good for a limited amount of time.

Stephen was taught (by his father, and by himself) to make sigils on his own—his are individualized, artisanal kinds of things. Think of a sweater you get from some hobbyist off of Etsy vs. the kind of thing you can get for much less at Walmart or on Wish—quality that lasts vs. cheap and disposable. He also reverse engineers almost all of his sigils—he sees something in a catalog (no, really, this is how people get their sigils for personal use) or in use and tries to figure out how such a thing will work and then sets out to create one.

I don’t know where Jacka is going to go with all of this, obviously. But I love this setup.

Alex and Stephen

It wasn’t until I was just about done with the book that I finally figured out what Alex and Stephen had in common—which is odd, it was staring me in the face for most of the novel. But before that, I really wouldn’t have said they had much in common at all.

Stephen is our entry point to this world, and he only knows a little bit about it so as he learns, so does the reader. Alex pretty much knew everything that was going on in his world, so he had to catch the reader up—or he could help Luna understand something (and make it easier for the reader to learn that way). Stephen has to learn almost everything by getting someone to teach him, or through trial and error—either way, the reader is along for the ride and learns with him.

Similarly, Stephen’s really just starting to get the knack of his abilities where Alex was already a pro—sure he had more to learn (and his power increased), but Stephen’s not even a rookie, really when things get going.

Stephen had a loving and supportive father growing up, a strong group of friends, and experience outside the area of magic users—something we never got a strong idea that Alex ever had. Alex had trauma and hardships behind him—Stephen doesn’t. So their personalities, outlooks, etc. are very different from the outset.

It’s not really that shocking that the protagonists of two different series wouldn’t be that similar. And yet…we’ve all read a second or third series from an author with a protagonist that’s just a variation of their initial breakout character. So it’s good to see that Jacka’s able to make that transition between his two series—it gives you hope for what he’s going to do in the future.

Oh, what did I finally realize the two characters shared? They watch and learn. Alex does it because that’s essentially what his abilities were—he could sift through the various futures and decide what to do based on that. Stephen just doesn’t know enough about anything so he has to sit and observe—and from there he can decide how to act. But where others will try to think first and act second, Stephen and Alex watch first—and for a long time—before they think and then act. It’s something not enough characters (especially in Urban Fantasy) seem to spend much time doing. So I’m glad to see it.

So, what did I think about An Inheritance of Magic?

I am just so excited about this series. I didn’t know how Jacka could successfully follow up the Verus series. I trusted he would, because he’s earned that over the last decade—but, I didn’t expect that I’d respond so positively so soon.

We need to start with Stephen’s spunky attitude—with a little bit of a chip on his shoulder due to his circumstances in life (that grows to a degree as he learns how much he and his father missed out on and starts to guess why)—is a real winner. He’s got a gritty (in an Angela Duckworth sense, not Raymond Chandler or William Gibson sense) outlook, is generally optimistic—and can even be funny—all the attributes you want in an underdog.

Then there’s the world-building that I tried to sketch out above—and did a not-wholly-inadequate job of. I want to know more about it—and figure increased familiarity is just going to make me more curious.

I have so many questions about the family members who’ve inserted themselves in Stephen’s life related to their motivations, trustworthiness (I suspect at least one will turn out to be an ally, however temporary), goals, and abilities. I have those questions about Stephen’s guides and allies—and think at least one of them is going to turn on him in a devastating way (thankfully, he doesn’t trust most of them completely). There’s also this priest who keeps assigning him theological work to study. Some good theology, too. I don’t fully know where this is going—but I’m dying to find out.

Are we going to get a Big Bad—or several—for Stephen to face off against? Or is this simply going to be about a series of obstacles Stephen has to overcome until he can carve out an okay existence for himself? Is this about Stephen becoming one of those 1% and the corruption of his character that will necessitate?

I’m not giving this a full 5 stars mostly because of the introductory nature of the book—also because I want to be able to say that book 2 or 3 is an improvement over this (which I fully expect). But that says more about me and my fussy standards than it does about this book. I loved it, and am filled with nothing but anticipation for the sequel/rest of the series. It’s entirely likely that as this series wraps up that we’re going to talk about the Alex Verus series as Jacka with his training wheels on.

I’m now in danger of over-hyping. Also, I’m going to just start repeating laudatory ideas. Urban Fantasy readers need to get on this now.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Pub Day Post: The Blue Horse by Bruce Borgos: Love (and Murder, mostly Murder) in the Time of COVID

Cover of The Blue Horse by Bruce BorgosThe Blue Horse

by Bruce Borgos

DETAILS:
Series: Porter Beck, #3
Publication Date: July 8, 2025
Format: eARC
Length: 368 pg.
Read Date: June 24-27, 2025
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What’s The Blue Horse About?

For Porter Beck and the Lincoln Sheriff’s Department, change—and a pandemic—are in the air. But we’ll talk about that later. The main thing that they all have to focus on is a controversial wild horse roundup.

It’s a Federal mandate that it occurs, and there are plenty of good wildlife management and other environmental arguments in favor of it. There are also plenty of traditional, environmental, or animal rights arguments against it. Naturally, the event faces protests both large and small—even in the middle of a pandemic. So Beck and his team are providing some security.

Because of that security, Beck and Tuffy are around to witness a helicopter involved in the roundup crash. Thanks to them, it’s not written off as human error or some other accident—they know it was murder (a difficult one to perpetrate, mind you).

The easy answer seems to be that it’s someone associated with the protests, but Beck’s not satisfied with that. And despite what the FBI wants to focus on, he starts assembling evidence to buttress his hunch. Then another, grisly murder happens. And all signs point to something worse on the horizon. The Feds want a quick resolution, Beck wants the truth.

Brinley and Rafa

So, while all this is going on, Beck can’t rely on his sister to pitch in. As a follow-up to the volunteering she did in Shades of Mercy with the “at risk” youth of the area, she’s off with a handful of these teens on a wilderness retreat. Rafa, in particular, is one she can identify with and really wants to help. He, on the other hand, wants no one’s help. He’s learned that he can only rely on himself and what his own strength, temper, and brutality can provide for him.

One night, after Brinley had already started to think he’d run off, he does just that. Annoyed at herself for letting her guard down enough to let that happen, and assured of her superior ability to track compared to the other adults in the group, she takes off on her own to track him down. As it’s Brinley that we’re talking about, she’d normally be right—but with COVID symptoms kicking in, are her stamina and clarity of mind up to the task? And what will she do if/when she finds him?

Sometimes, it can be a critique for a reader to note that a subplot like this one is frequently more interesting and engaging than the primary story. Early on, I was mildly irritated every time we cut from this back to the murder investigation. I really enjoy Brinley and Rafa is both a good character by himself, as a foil for Brinley? He’s perfect. Together, it’s a great combination.

I eventually came around on the murder investigation—it was more of a slow-burn for me, but by the end, I was equally invested in both storylines.

COVID-19

I thought it was gutsy for Borgos to tackle COVID and the reaction to both the virus and the social reactions to it. Especially in places like Beck’s part of Nevada, you’re not going to get a lot of people reacting to either of them the same way as you would in L.A. or NYC. (I think this is going to be the case for readers drawn to the series, too)

Borgos dealt with it as well as you could hope—Beck didn’t seem to take a firm stand on things like masking or hand-shaking himself—he basically matched the environment he was in (somewhat begrudglingly at times). And his deputies clearly saw it as overblown—particularly one deputy who showed clear signs of it. The clinic is full, and the disease shows up in several ways—some that hit too close to home for Beck, too.

At the same time—the impact of the virus itself was clearly shown. Whether it was a temporary, minor obstacle or a life-altering disease (or points in between) for the characters—COVID made its presence felt. Beck doesn’t have an overabundance of deputies for his large county on the best day. You force them to deal with murder cases like this—plus the security they need to provide for the roundup—with deputies out sick? That’s going to have a major impact on their ability to do any of their jobs effectively.

More than a gutsy move by Borgos for the social observation, it’s a smart move for narrative tension.

All the Personal Stuff

I was relieved to see Charlie Blue Horse back again—not only was she a good addition to the cast in Shades of Mercy, but I really didn’t like the idea of Beck having a new romantic interest/dalliance in every book. I’d have been perfectly content to have a few books without one, too—but a returning romantic interest is a good way to go, too.

I did think that Beck was a bit too clueless in the beginning—you can tell how he got to his age still single—but that’s a tangent.

There’s a lot more going on for Beck outside the case—his father’s health continues to deteriorate, there are big changes looming for the Sheriff’s office as we learn early on. Basically, these murders come along at a juncture for our Sheriff and serve as a welcome distraction as much as they could interfere and possibly derail his plans.

Deputy Frank Columbo

Bo may have been a two-time washout from the K-9 academy, but he’s a good, loyal companion for Beck—and he shows signs of being a good seeing-eye dog in the future. Who doesn’t want a good dog along for a story like this?

But honestly, he just seemed to be a nice little flavoring—something to add to the Western/Sheriff setting. Like Spener’s Pearls, Joe Pickett’s dogs, Max Boucher’s Russ, Ballard’s Lola, and didn’t Quinn Colson have one? They’re there, they’re fun to see, but they’re not a major player in the story.

But by the end The Blue Horse, he’s that and more. He’s not quite as remarkable as Longmire’s Dog, or Sharp’s Winnie, (definitely not in Chet Little’s league). But he’s on the way—this will come as no shock to anyone who’s read me, I loved Bo’s moments of glory (even if they weren’t appreciated at the time). I don’t need this series to become the Beck and Bo show, but I hope he gets more chances to shine.

Then again, would the Beck and Bo show be a bad thing?

So, what did I think about The Blue Horse?

We’re only on book three of this series, but we’ve got a strong recurring cast already (with promises of more). There’s the FBI Agent that Beck didn’t really get along with last time (and he continues to not really get along with now), there’s our friendly hacker doing the things Beck and Charlie can’t—but legally (probably), all the great characters in the Lincoln County Sheriff’s office, and even X Files. Yes, he’s back again—and I loved the way he get’s involved with this one. There’s more to this guy than paranoia and delusion. The characters—suspects, witnesses, standers-by, and more—are up to the same standards, and you’ll end up hoping that those who live and aren’t serving time come back sometime soon.

Three books in, one thing that Borgos has clearly shown us all is that he can people his novels with compelling characters. What about the story? I don’t know that anything will (or can) live up to The Bitter Past, but this is as good as you can ask for next to that. The storyline involving the murders is really well-paced and plotted—the herrings are the perfect shade of red—and Beck’s atypical approach to policing really helps here. Aside from my own impatience early on, there’s nothing to complain about here.

Mild-spoliery thoughts—feel free to skip this paragraph. I do wonder a little about Chapter Two—it takes away some of the mystery, you’ll know that the murders likely tie into it at some point, and you might not bite on some of the bait Borgos wants to tempt you with because of it (at least not as hard as you might otherwise). But it also makes a twist or two seem like they don’t come out of nowhere. I can argue both sides of it convincingly to myself. The more I think of it, I think Borgos made the smart move. But I instinctively disagree and think he should’ve skipped it. I’d love to hear what others think.

Maybe other readers feel this way when they read about the Mexicantown in August Snow’s Detroit, or about Ballard/Bosch’s LA, the racial tensions in the LAPD that Trevor Finnegan navigates, the gang-culture in Eve Ronin’s LACSD, or the changes in the Edinburgh police that Rebus has witnessed (and felt)—but the society/politics that Borgos shows hit close to home. The former are interesting to read about, but Borgos hits close to home (C.J. Box does, too). Lincoln County, NV could easily be 20-30 minutes south of my house, rather than the 8+ hours it really is. Borgos reflects the attitudes of the area so well—it feels easy at a distance to take issue with the gangs Ronin faces, but there’s a way for locals to understand both sides of something like the roundup that I just can’t with the others. I know and trust people on every side of that issue, and sympathize with them. For every hint that Borgos gives you about his (or Beck’s) opinion—he provides one that might disprove it. I fully expect readers from Scotland or New York to roll their eyes at one group or another that Borgos shows us. But I can’t—they’re my neighbors, are married to my coworkers, and share a pew with me on Sundays. I love how well Borgos does that. A good Crime Novel talks about society without getting on a soapbox, and Borgos excels at it.

Setting that aside, let’s focus on the experience of reading The Blue HorseYour heart will be in your throat in at least two occasions, you will be horrified at man’s inhumanity at least once (it’s comparable to the opening of The Bitter Past), you’ll feel sadness, relief, and even joy throughout. I wasn’t looking for another Western-set mystery series to become addicted to, but Bruce Borgos has made me a die-hard anyway. Jump on the bandwagon!! We’ll make room.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Medusa Protocol by Rob Hart: Adversity Truly Introduces Us To Ourselves

Cover of The Medusa Protocol by Rob HartThe Medusa Protocol

by Rob Hart

DETAILS:
Series: Assassins Anonymous, #2
Publisher: G.P. Putnam's Sons
Publication Date: June 24, 2025
Format: eARC
Length: 320
Read Date: June 19-20, 2025
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What’s The Medusa Protocol About?

I’d written about half of this section, and wasn’t quite satisfied with it, and took a quick glance at the Publisher’s Description and realized that 1. I was echoing it in an unnerving way, and 2. It was better than i could deliver. So, I’ll borrow it and save myself from plagiarism accusations:

When Astrid, known in her assassin days as Azrael, stopped showing up to Assassins Anonymous, the group assumed her past had caught up with her. Only her sponsor Mark, formerly the deadliest killer in the world, holds out hope that she’s okay. Then, during a meeting, the group gets a sign, or rather, a pizza delivery. Is there another psychopath out there who actually likes olives on their pizza, or is Astrid trying to send Mark a message?

Meanwhile, Astrid wakes up in the cell of a black site prison, on a remote island. A doctor subjects her to mysterious experiments, plumbing the depths of her memory and looking for a vital clue from her past. She’ll do anything to escape, except…killing anyone. Hmm. Turns out it’s not easy to blow this joint without blowing anything, or anyone up.

Looking for Astrid

The group at the meeting splits into two groups—some head for safety, just in case someone’s coming for someone in addition to Astrid. Mark and Booker take the sign of the disgusting pizza as a signal to go looking for Astrid.

This is where you get your thirst for adventure slaked. They take a globe-trekking route while hunting for clues, pick up an ally or two along the way, go up against some pretty lethal guys—and really lethal snakes.

They do this with aplomb, nerve, and some really bad jokes.

Astrid’s Story

Meanwhile, Astrid faces two challenges—figuring out where she is, why she’s there, and how to make the best of the situation until she can find a weakness to exploit and get out of there. None of that will be easy.

But also, whatever this doctor is doing to her causes her to relive some of the bigger moments in her life—things she’s never really put behind her, but she has to look at them anew, and maybe a bit more intensely than she usually does.

The stakes are high (higher than she realizes), and without support, she has to rely on what she’s picked up from the meetings and her own grit to make it through each day.

Sobriety

While Assassins Anonymous showed the meetings, Mark hitting rock bottom, and choices to pursue this group’s particular expression of sobriety, The Medusa Protocol focuses on taking responsibility for your actions, making amends, and maintaining one’s sobriety. While none of the 12 Steps seem particularly easy, these things seem like harder work to me—and it’s good to see that reflected honestly.

(There’s some other things along these lines, but we can talk about that after you’ve read this book.)

The decision to stay sober—especially in the circumstances these characters find themselves, fighting for their lives against people who don’t have any problem taking a life, when a lifetime of reflexes tells them to do something else—takes a monumental effort. It takes monumental effort for more “traditional” 12-Step program attendees, too. But this makes for more exciting reading—it should, however, remind the reader what their friends/acquaintances go through on a daily basis.

I really admire Hart for this focus in these books, and hope these keep coming if only for it.

So, what did I think about The Medusa Protocol?

There’s part of me that wants to copy and paste most of what I said about Assassins Anonymous last year here. There’s also part of me that wishes I’d re-read or listened to it before this—not because I need the refresher, I just had fun with it. Yet…I think this is a better novel. It’s not quite as fun—Astrid’s POV is too prevalent for that and her sense of humor isn’t what Mark’s is (this is a good thing)—but the story is more emotionally developed, Astrid’s trauma is deeper-seated, and that comes through in the flashbacks (obviously).

Also, the Big Bad of the first book is a pretty standard kind of bad guy for the genre. The person responsible for Astrid’s plight, on the other hand, is just evil. Like a gut-twisting, I don’t want to think there are people like this in the world, kind of evil—sadly, it’s probably the most realistic part of this book.

I’m afraid I might give the impression that this book is so heavy on the trauma, the emotions, the recovery struggles, and so on that it’s not a Thriller. Sorry if I did. This is a rollicking, rocking Thriller that will keep you on the edge of your seat with the kind of action you expect in a Thriller about a group of former (and current) assassins. If you liked the action, the humor, the pacing, and all the thriller aspects of the last book, don’t fear—it’s still there. It’s just the percentages of the book devoted to each are a little different. Mark is still a prominent character, and you can’t get away from his sarcasm, his humor, and his efficiency in a fight scene. That goes for the other people in the program, too. And when Astrid gets to do her thing, either in the present or in flashback—I’m telling you, it’s good stuff.

I had a blast with this, enjoying the opportunity to reconnect with characters like Mark, Astrid, Valencia, Booker, and so on. The one new face (at least) that will recur? Oh, I’m looking forward to getting to know them a lot more. The new characters we meet that we definitely won’t be seeing again? They’re as good as you want them to be.

Oh, and the titular Medusa Protocol itself? That was really cool.

There’s no reason not to pick this up if you’re in the mood for a thriller that embraces and yet puts a twist on the conventions. Would it help to have read Assassins Anonymous first? Yeah, but you’ll get in the groove pretty quickly if you haven’t.

Disclaimer: I received a copy of this book from Putnam Books via NetGalley—thanks to both for this. Sorry that it’s up late.


4 1/2 Stars
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