Tag: 4 1/2 Stars Page 1 of 25

A Quantum Love Story by Mike Chen: Mike Chen + Time Travel + Love = A Real Winner

A Quantum Love StoryA Quantum Love Story

by Mike Chen

DETAILS:
Publisher: Mira Books
Publication Date: January 30, 2024
Format: Hardcover
Length: 346 pg.
Read Date: February 14-17, 2024
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…it’s never changed. Nothing does.” Their eyes met, a sudden weariness to his pupils. “Except me.”

“And now me.”

“Yeah. It’s…” he bit his lip “…nice to not be alone. Everyone’s living their lives, and I’m just here.” He turned, the light catching his eyes enough to show a glisten. “It’s almost like playing a video game. You can do a few things differently, but everyone just returns back to start. You can scream and yell at the world, but everything snaps back. No one is aware. They just resume their lives. And then it repeats.” He bit his lip again, eyes scrunched as he shook his head. “It just repeats. Nothing matters. Nothing changes.”

What’s The Jacket Copy Say?

I’ve spent a month tossing out my summaries of the plot/setup to the book. I give up—I either make this bland (and that’s a crime), I get too detailed in trying to describe something (another crime, I’m dull at it, and Chen’s not), or it’s so sketchy on details that it’s pointless. So, let’s turn it over to the professionals:

Grieving her best friend’s recent death, neuroscientist Mariana Pineda’s ready fo give up everything to start anew, even her career—after one last week consulting at a top secref particle accelerator.

Except the strangest thing happens: a man stops her…and claims they’ve met before. Carter Cho knows who she is, why she’s mourning, why she’s there. And he needs Mariana to remember everything he’s saying.

Because time is about to loop.

In a flash of energy, it’s Monday morning. Again. Together, Mariana and Carter enter an inevitable life, four days at a time, over and over, without permanence except for what they share. With everything resetting—even bank accounts—joy comes in the little moments: a delicious (and expensive) meal, the purr of a tiny cat, a tennis match, giving a dog his favorite treat.

In some ways, those are all that matter.

But just as they figure out this new life, everything changes. Because Carter’s memories of the time loop are slowly disappearing, And their only chance at happiness Is breaking out of the loop—forever.

The Everyday Lifeness of it All

Mariana is not good at living in the day-to-day. She’s always been goal-driven, more focused on her dreams and plans and how to achieve them than about enjoying the journey. Her friend’s death has rattled her, yes, but she’s still essentially the same.

Carter, on the other hand, is great at living in the moment. Sure, he was (and could be again) good at the goal-driven life, too—but he chose a path his parents didn’t choose for him. He’s able to get Mariana to stop and smell the metaphorical roses–as well as the literal food in front of her. He shows her how to enjoy a good meal for the sake of a good meal, to take pleasure in the little things—not just to consume enough fuel to keep her going.

In the midst of trying to figure out what caused the time loop, what the effects of that flash of energy that sends them back to Monday are on the rest of the world, and how to stop it all, a real friendship develops—Carter and Mariana bringing out the best in each other.

The Groundhog Day/Time Travel

Now, if Chen’s Here and Now and Then taught us anything, it’s that Chen can write good Time Travel fiction—he gets the strengths and weaknesses of the ideas, the pitfalls to avoid, the way to keep it compelling. Adding in a Groundhog Day-like twist doesn’t change that, it just makes it better (and keeps this from being just a variation on his first novel).

This is a different kind of Time Travel than his previous book—and (as always) Chen gives us just enough of the science to make it believable, but not so much that you could go out and test it (or pick it to death in the details). The Time Travel aspect is important, but it’s not the core of the novel—that’s the stuff I talked about before.

What I personally found fascinating is how close Chen’s science-ish Time Travel resembled Gareth Brown’s magic-ish Time Travel, both in how it works and how it’s used. Two very different novels, with very different goals—but the overlap is fascinating. (at least to me)

So, what did I think about A Quantum Love Story?

I probably grinned through most of this book—particularly after the first loop for Mariana. I absolutely loved the friendship between the two—and then when it started to become more (not a spoiler, it’s literally the title), I was fully on board.

Chen was at his best here with his character design (the whole backstory about Mariana and her dead friend was so good…the kind of thing that other writers would devote a whole novel to) and the plot of the novel was even better. The best material happens so late that I don’t even know how to tell you about it without spoilers abounding—so I’ll be vague, once Carter’s memories start going, what was a great, heart-warming yet strange story becomes a dynamite emotionally-rich story with some of crazy turns.

No surprise for anyone who’s ever heard me talk about Mike Chen novels for the past six years—I strongly recommend that you pick this up. It’ll be one of those novels you relish and think about fondly for a long time to come.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Empowered Witness: Politics, Culture, and the Spiritual Mission of the Church by Alan D. Strange: A Case Study and a Call to Act

Empowered WitnessEmpowered Witness:
Politics, Culture, and the
Spiritual Mission of the Church

by Alan D. Strange

DETAILS: 
Publisher: Crossway
Publication Date: February 13, 2024
Format: Paperback
Length: 127 pg.
Read Date: February 11-18, 2024
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The church is not presented in the Bible as simply another voice in the competing cacophony of shouted slogans but rather that still small voice that testifies to what God has done for us in Christ, that he so loved the world that he gave Christ to die for it, so that all who believe in him should not perish but have everlasting life (John 3:16). This is the message of the church, and to reduce it to a mere political agenda is to sell short the glory of the gospel. The Christian faith is not, at its heart, a political message but a spiritual one. A doctrine of the spirituality of the church, properly conceived, holds fast to this thrust and permits the church to maintain fidelity to the Christian message while keeping in check any address that it might consider necessary respecting matters in the civil and political sphere.

What’s Empowered Witness About?

This is one of those books where if I’m not careful I’m going to end up restating and interacting with the entire argument of the book. So we’re going to be careful…

The Publisher’s site says:

Rediscovering the Spirituality of the Church in Our Highly Politicized Age

The goal of the church should be simple—share the gospel to the ends of the earth. But in our highly politicized age, Christians can tend to place earthly political and social agendas over God’s spiritual mission of the church.

In Empowered Witness, author Alan D. Strange examines the doctrine of the spirituality of the church, making a clear distinction between the functions of the church and other institutions. Strange argues that if the church continues to push political agendas, no institution will be focused solely on the Great Commission and the gospel will be lost entirely. This book calls readers to become aware of the church’s power and limits and shed light on moral issues in a way that doesn’t alter the deeply spiritual and gospel-centered mission of the church.

The Doctrine Under Consideration

This quotation from Charles Hodge offers a good (yet partial) definition:

It is the doctrine of the Scriptures and of the Presbyterian Church, that the kingdom of Christ is not of this world; that it is not subject as to faith, worship, or discipline, to the authority of the state; and that it has no right to interfere with the state, or give ecclesiastical judgment in matters pertaining to state policy.

The Spirituality of the Church focuses on the Church’s Spiritual Mission—to proclaim the gospel and help change the lives of believers—and calls the church to remember that’s her mission and to keep her from becoming entangled with or too immersed in the concerns of this world, with the power/goals of the State, and so on.

This doesn’t mean that the Church cannot—ought not—speak to the culture or State as it regards morality or spiritual issues, but it ought not get into the details of the political realities or functions.

The Structure of the Book

Let me just show you the Table of Contents first,

Chapter 1: The Doctrine of the Spirituality of the Church
Chapter 2: Slavery and the Spirituality of the Church
Chapter 3: The Spirituality of the Church Preceding the US Civil War
Chapter 4: The Spirituality of the Church and the General Assemblies of 1862–1865
Chapter 5: The Southern Church and the Reunion of the Northern Church
Chapter 6: The Spirituality of the Church and Politics Today

As you can see, the bulk of the book focuses on the middle of the Nineteenth Century and the Church (primarily the Presbyterian Church in the US)—and Charles Hodge was one of the leading voices and thinkers of the time. The book uses Hodge (and others to lesser extents) as a case study to see how this doctrine can be applied. Strange calls the story of the Presbyterian Church of the 1800s a “great cautionary tale”—you will not see a lot of hero-worship here. The Church didn’t live up to her calling, but we today can learn from their failings.

Strikingly, many of those who differed with and opposed Hodge (or that he differed with and opposed) held to the same doctrine. One of the strengths of Chapters 2-5 is that we see that this isn’t a “magic bullet” ensuring unity amongst believers that we can use to get the world/governments to do the things we want.

So, what did I think about Empowered Witness?

Every decision that the church as church takes needs to be justified in the light of the spirituality of the church, answering positively a question like “Does this advance the true spiritual task/calling/mission of the church?” Endorsing a political candidate and taking a position on a tax bill arguably does not pertain to or advance the cause of the gospel…

Saying this, though, does not remove the difficulty of defining what is spiritual vis-a-vis what is more purely political. One mans “purely political” may be another man’s “civil consequences of a proper spirituality.” Nothing will save us from the debate over whether a matter pertains to the proper spirituality of the church or falls under the more purely political items that should not concern the church. And there are those on both left and right, particularly hard-liners, who see everything as political, so that all political issues are moral and all moral issues are purely political.

This is not the book I expected from the description or even the title. This is both a complaint and a reaction. However, the book’s concept is probably a better idea than what I expected.

So rather than a purely theoretical or scholarly presentation and analysis of The Spirituality of the Church, or one looking at how to address contemporary issues, controversies, and discussions from that point of view—we get a look at how historical figures dealt with it. This allows the reader to see examples of the application of the doctrine to the real world (avoiding the problems of the first strategy) or distracting readers who may differ from the author when it comes to contemporary issues (avoiding problems of the second strategy). So by focusing on historical figures approaching a topic that most readers are familiar with, and are (likely?) largely settled about the events and how things played out, we can see how the various figures applied the doctrine without getting too worked up or distracted.

This also allows Strange to be critical of every figure he talked about when necessary—historical distance can be helpful.

I’ve seen a some mild criticism of Strange’s descriptions of the positions of James Thornwell and Stuart Robinson in distinction from Hodge—but they were mild (and the person who made those criticisms was largely positive toward the book otherwise). And I imagine there are some who’d want to pick a little on his depiction of Hodge and his position, too. But no one is going to challenge Strange’s grasp on the overall discussions and positions—this is an area he’s devoted years to and it shows.

Nor does this book try to answer every question, address every angle or objection—it’s the beginning of a consideration, an invitation to a conversation—one that each reader should have with those around them.

I ended up relishing the experience of reading this book and gleaned so much from it—and I really want to read the dissertation this was based on now (a healthy TBR stack is all that’s preventing me from jumping on it now). Chapter 1, “The Doctrine of the Spirituality of the Church” (with the introduction) and Chapter 6, “The Spirituality of the Church and Politics Today” serve as good bookends, ensuring that this isn’t just a historical discussion, but one that’s vital to readers and believers today—without being so expansive or long that Strange will put off readers who differ from him.

The more I think about this book, the more I like it. I’ve spent more time talking about it with others than I do most books—and have ended up chewing on it more after those conversations—the more time you spend with Strange, Hodge, and those events/ideas under consideration, the greater your appreciation is likely to be. Empowered Witness is an easy (enough) read, but deals with thought-provoking topics in a thoughtful way, so you’re not going to race through this. You’re going to walk away from this impressed with the Nineteenth Century figures (even if you were already appreciative with them) and wondering where you can read more people like them. Strange has done us a service with this book, and hopefully, it bears good fruit.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Strong Like You by T. L. Simpson: Love And Hate On The Edge Of A Knife

Strong Like YouStrong Like You

by T. L. Simpson

DETAILS:
Publisher: Flux
Publication Date: March 12, 2024
Format: eARC
Length: 224
Read Date: March 1, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Strong Like You About?

Walker Lauderdale is a high school sophomore and a starter for his small Arkansas high school’s football team. He and his cousin/best friend/might as well be brother Sawyer are fierce players for the defense (and we see that almost instantly). This should be the best time in his young life—but there’s something wrong.

His dad has been missing for a month. He’s not there to watch his first game. He’s not there to burst with pride, to offer advice, or to cheer from the stands. He’s just…gone. Walker’s dad and Sawyer’s dad (also best friends and teammates on the same high school team before marrying sisters) took off one night and haven’t returned. The two boys are certain they’ll be back any time—they’re frequently checking the bleachers to see their fathers up there.

The book is an extended monologue—or a series of them. Technically, an apostrophe, but let’s stick with monologue. Walker is addressing his father—catching him up on the turmoil and victories he’s missing, the hurt Walker feels because of his absence, and how he’s trying to make things work until his dad comes back. The grief, loss, and anger jump off the page.

Walker’s dad isn’t a great one, either, it should be stressed. Rarely employed, his income is largely illegal and irregular. Both missing fathers are abusive to their wives and sons. But in the way that we all can recognize, the boys are just that much more devoted to them because of it—making their dads proud is a chief aim of theirs.

Walker becomes determined to go look for his dad—which involves starting with the man his dad and uncle were last seen with—a truly frightening and violent man. Sawyer tries to dissuade him, but that just makes Walker even more certain that he needs to act.

But does he truly want to find the answers he’s seeking?

Learning About Guns

Walker—like so many people in the U.S.—appreciates guns. He’s quick to grab a pellet gun to (try to) chase away his uncle. But his cousin Sawyer? Sawyer is a nut for guns, he has magazines about them all over his room. At some point, Sawyer comes across a pistol (and somehow gets money for many bullets for it—or at least acquires them). There’s a big difference between a pellet gun and a Colt 1911, and it doesn’t take long for Walker to start learning about them.

Not what you learn in video games/TV, not what Sawyer’s survival mags teach, or anything like that. But about the reality of them—how they can invite violence, how holding one affects you, what destruction they can bring even without trying. There’s no pro-/anti- gun message at work here. No lessons or sermons were delivered. But the reality of what a gun can do to a person, a situation, or an attitude is presented in stark reality. I’d say it’s easily one of the best things about this book, but if I started listing the best things about this book, we’d be here for a long time.

Anger

Walker and Sawyer are angry young men—it’s simmering right below the surface, and comes out at inopportune times. Although, it does sometimes come out when it should*—and we see an example of that in the opening minutes of their first game of the year.

* Arguably, anyway. Their coach and teammates would say it’s appropriate.

There are plenty of reasons for them to be so angry—even before their fathers abandoned them. The more time you spend with them—Walker in particular—you see just how many reasons he has. It’s part of what his parents have passed down to him, part of the example they’ve set and the environment he’s been raised in.

The guy his father and uncle runs with, Lukas Fisher, has another kind of anger inside him—and he doesn’t hesitate to express it—where Walker’s parents shape him by their anger, Lukas “trains” his pit bull with his.* While we can see a little constructive use of anger, we can see some people who are angry due to circumstance and situations—but Lukas? He seems to revel in it, maybe even feeds on anger.

* This is off-point, but Simpson’s description of the dog’s barking was both wonderfully accurate and a bit of a tension breaker.

But back to Walker, it’s his anger that lands him in weekly sessions with the school counselor before the book begins. This counselor is one of the few who seem to look beyond Walker’s attitude, his anger, his disinterest in education, and his abilities on the football field. It’s unclear how Walker will respond to him—or even if he can respond to this man appropriately. But it’s a rare example of how his anger just might put him in the right place.

The Meaning of Manhood/Strength

Walker’s primary concern at the beginning of the book is to be strong—strong, as the title says, like his dad. For him, strength equals control. Control over your life, your circumstances, your choices—it’s also tied into how to fix things. How to make things better.

Yes, it absolutely is about physical strength first and foremost, but it’s about more than that, too. For a character presented as not that intelligent (Walker would say worse than that about himself), he’s really perceptive. He’s spent more time than many—probably even he—realizes thinking about the nature of strength.

Ultimately, this is what being a man is for Walker (and Sawyer, too)—maybe even Hank and Rufus, too. Walker sees Hank as strong—physically, emotionally, and mentally. This is what he aspires to—for himself, for his mother, and possibly even for Hank. If Walker gets to be strong enough—on and off the football field—he can make Hank and his mom proud. He can make their lives better, fixing those things that need fixing (that his father never gets around to fixing, despite Walker’s deep-seated conviction that he could and will).

Over the course of this book, this understanding of what manhood means and what strength means are seen in light of that anger mentioned above. One of the bigger questions of the novel surrounds Walker and Sawyer—as they navigate toward adulthood/maturity, what will win out? Strength or anger? What kind of men will they be?

The Love Story

Okay…after a few attempts, I realize that I cannot say anything about this without a spoiler. All I will say is that it’s perfectly conceived, perfectly executed, and just what this book needed it to be.

So, what did I think about Strong Like You?

I have several more things I wanted to talk about—but this is too long, and almost two days behind schedule (it’s at least 6 hours after I normally post something). What’s worse, every time I start writing “just one more thing,” I think of two more. So I’m bringing this in for a landing, and I may bounce around a little bit here.

I do not even like football—why do I keep reading books featuring it? Okay, I live in the USA and it’s pretty hard to escape, that’s a large part of it, but still… There’s a large part of me that doesn’t care as long as it’s a book like this one. And sure, he’s talking about a different game entirely, but Walker would agree with Dani Rojas—”Football is life!” He thinks in football terms and metaphors, he can’t explain to someone why he loves football—he can’t even understand why that person doesn’t like football, it’s like telling him that they don’t like to breathe. Most of the time, Simpson doesn’t have Walker or Sawyer tell us this, they just live this. The way he does this alone tells me that Simpson is someone to watch (or, I suppose, he thinks the same way as Walker does and it’s coming out organically—but I don’t think so)

I really should spend a lot of time talking about Walker’s guidance counselor and the arc of their relationship, there’s so much about Simpson’s work here that should be commended. There’s also this strange little tangent featuring a recent graduate of Walker’s high school and his little sisters that tells us more about Walker than anything except his attitude toward football—who he really is, not who he thinks he needs to be.

You don’t have to read very far before you know a couple of things—1. despite his conviction—or at least the conviction he voices—things are not going to go the way he anticipates, and that rough times are ahead for Walker; and 2. you are not going to want to put this book down until you reach the last page. I glanced at the first couple of pages to make sure it downloaded correctly and had to walk away from my Kindle, because I had multiple other deadlines and I knew if I didn’t do that, I’d finish the book before I did anything else. I can’t describe it, but there’s something about Walker’s voice, the way he’s talking to that father that isn’t there that just grabs you.

I’m not entirely satisfied with the way the novel ended. I liked the resolution to the various stories, let me be clear. But I feel like I could see Simpson’s not-so-Invisible Hand working to get some of the resolutions to work out the way they did. I like the way the storylines ended up, so I’m not going to complain too much. And since it was only in the closing pages that I thought about maybe criticizing something in the book, Simpson earned a little authorial heavy-handedness.

This is a real winner—Strong Like You shares so much DNA with Eli Cranor’s Don’t Know Tough (but is not a copy in any way) and even hearkens back to Early Autumn by Robert B. Parker. And anytime a book can make me compare it favorably with those two knockouts, I’m going to put it down as pure joy.

If you’re someone who gets hung up on the YA tag, push “Pause” on that for 224 pages. This is a book that deserves a fair shake and many, many readers—Simpson’s debut is as strong as Walker hopes to be.

Disclaimer: I received a copy of this book from North Star Editions via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Rift in the Soul by Faith Hunter: Everything Changes

Sorry this is so late in the day…it’s been, well, a day. But now it’s time to wrap up this Tour Stop for Hunter’s Rift in the Soul.


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Rift in the SoulRift in the Soul

by Faith Hunter

DETAILS:
Series: Soulwood, #6
Publisher: Ace Books
Publication Date: March 5, 2024
Format: eARC
Length: 382 pg.
Read Date: February 26-29, 2024
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What’s Rift in the Soul About?

As is so often the case with books in this series, there’s a lot going on–issues with Nell and her powers, Nell and her sisters/pets/family, and some sort of supernatural-based crime for starters. So this isn’t going to be exhaustive (I hopefully never am, but I felt like I should say that here).

Nell is summoned to appear before Ming of Glass, the vampire Master of the City. They’ve had an interesting relationship in the past, and from the moment the two encounter each other in these pages you know things are going to be much more so. Because this book happens after the events of Final Heir and Ming and her vampires aren’t quite like they were last time Nell crossed paths with them.

There’s a body on Ming’s land that she wants Nell to take away and investigate. Her people aren’t responsible for the death–and none of them understand it. As it’s on Ming’s property, it’s a PsyLED problem.

Before PsyLED can do anything about it, Nell catches the attention of vampires that aren’t associated with Ming. And…I don’t know what else to say about that beyond, drama, violence, and other tense nouns ensue.

Oh, and in the middle of all this, Nell has to prepare for Christmas with her expanding family and a wedding. Because even for a PsyLED Special Agent, there’s more to life than just ancient vampires on the hunt.

The Jane Yellowrock Ripples

I may spill a bit more from the end of the Yellowrock books than people who haven’t finished might like. If that’s you, read this next paragraph and then skip to the next heading, okay?

As I’ve said frequently when it comes to this series–if you haven’t read the Jane Yellowrock books that it spun off from, you’re going to be okay. You have all the information you need in the Soulwood books. However, if you have read both, you’re going to get a lot more from the series.

Boy howdy, is that true here. Yes, it seemed like almost everything got resolved and wrapped up in a pretty little bow at the end of the Yellowrock series. Buuuut…there were enough things dangling to make it seem realistic and maybe allow for short stories from those characters and so on–or, for Soulwood to pick them up and do something with them.

For example–is everything peachy keen in the vampire world now? Is everyone getting along? (I think we know the answer to that) What does it mean for vampires to have their souls back? That’s a bigger question than this book can really answer, but we get a peek into the answers.

There are some other things, too–but you should find those out for yourself.

I found this aspect of the novel very satisfying and it scratched an itch I didn’t realize I had. We don’t see Jane or hear from her directly. But we get to hear a vague update on her and a couple of familiar names pop up to help out here.

The Vampire Tree/The Green Knight/Soulwood

Every time we readers–or Nell–seem to think we all have reached some solid conclusions about Nell’s abilities and her land, Hunter comes along, shakes her head at our naiveté, and shows us how little we actually get.

This is all the clearer when it comes to The Vampire Tree and The Green Knight persona. As both seem to be developing and evolving, it’s understandable that we (readers andNell) keep being surprised. It’s also kind of nice that we can’t get complacent. Nell was rocked by some of what she experiences in this book–and, reader, you will be, too. You will almost certainly want more details–like 4+ bonus chapters just about these things (you’ll know them when you see them), and will likely have a couple of dozen questions to ask Nell and/or Hunter.

But wait, there’s more. We get to see the way that Mud and Esther connect to all this–and it is not precisely the same way that Nell does.

Fans are going to sink their teeth and/or claws into this aspect of the book–and might not care that much about the plot in contrast to this. Well, that might be overstating it–but many fans would be content to hit “pause” on the action for a bit to focus on it.

Speaking of things that we readers think we understand…

As one would expect, things (outside of Nell’s personal life) bring us back to God’s Cloud of Glory Church/cult/compound. We end up circling back to events of Blood of the Earth and Curse on the Land in troubling ways. This leads Nell to rethink some of the theories and conclusions she reached back then, and to ask uncomfortable questions.

It’s only when you get a series to this kind of length that it becomes this rewarding to come back and take a second look at things like this (sorry for the vagueness). But in the light of these new circumstances, it’s good that we readers and Nell get that second look. It really pays off.

I wouldn’t mind a little less from this group in the future, but I don’t know if that’s possible given the way this series has been build. (at the same time, I don’t mind seeing them, I’m just worried that it’s becoming a rut)

So, what did I think about Rift in the Soul?

I don’t want to overstate this, but I’m not sure how I could. Nor am I going to explain this. No future Soulwood book is going to be like the ones that came before this one. Yes, yes, yes–the crimes, the monsters, the magic in each is a different kind of problem. But beyond all that, there’s a lot to each of these books that take on similar shapes, and patterns–just in the characters, but outside that, too. That all changes here.

And it’s a good thing–as comfortable as it is to watch the same set of investigators run down leads, do some magic, shift into wereforms/other shifts, and so on. A good, healthy series grows and develops–like, a garden or a forest (golly, why would someone think in botanical terms when it comes to this series?).

Rift in the Soul acts as a pivot point, or maybe a stepping stone between versions of these two (let’s go with a stepping stone, so I don’t have to keep hearing Ross Geller yell “PIVOT!” in the back of my mind). There are some hellos, some goodbyes, some…”huh, that’s new.” (some of which I alluded to above, a lot I haven’t). This novel acts as a cap and a launching pad at the same time for the series.

It’s tough to consider this book without reference to that, honestly, because so much of the warp and woof of the novel is that. But let’s try: you’ve got some solid vampire action, you’ve got strange vampire action, too. Some great action scenes. Good, strong character development. Solid emotional beats that are well-executed and earned. Things might not be the same soon, but for now, this is a good time with your group of friends.

Obviously, I don’t recommend this as a jumping-on point for the series, but it would be okay if you decided to. (but don’t, go back to the beginning). I think you’ll like the time in this world. But for people who’ve been with Nell and her team/work family/blood family since the beginning? You’re going to walk away very pleased.

Oh, one last note before I go: Faith Hunter/Publishers: Mud deserves at least a solo-novella. You’ve got something great here, use it. (unless you wanted to team her up with Jane Yellowrock’s Angie)


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to Psst…Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Strong Like You by T. L. Simpson: Love And Hate On The Edge Of A Knife

Strong Like YouStrong Like You

by T. L. Simpson

DETAILS:
Publisher: Flux
Publication Date: March 12, 2024
Format: eARC
Length: 224
Read Date: March 1, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Strong Like You About?

Walker Lauderdale is a high school sophomore and a starter for his small Arkansas high school’s football team. He and his cousin/best friend/might as well be brother Sawyer are fierce players for the defense (and we see that almost instantly). This should be the best time in his young life—but there’s something wrong.

His dad has been missing for a month. He’s not there to watch his first game. He’s not there to burst with pride, to offer advice, or to cheer from the stands. He’s just…gone. Walker’s dad and Sawyer’s dad (also best friends and teammates on the same high school team before marrying sisters) took off one night and haven’t returned. The two boys are certain they’ll be back any time—they’re frequently checking the bleachers to see their fathers up there.

The book is an extended monologue—or a series of them. Technically, an apostrophe, but let’s stick with monologue. Walker is addressing his father—catching him up on the turmoil and victories he’s missing, the hurt Walker feels because of his absence, and how he’s trying to make things work until his dad comes back. The grief, loss, and anger jump off the page.

Walker’s dad isn’t a great one, either, it should be stressed. Rarely employed, his income is largely illegal and irregular. Both missing fathers are abusive to their wives and sons. But in the way that we all can recognize, the boys are just that much more devoted to them because of it—making their dads proud is a chief aim of theirs.

Walker becomes determined to go look for his dad—which involves starting with the man his dad and uncle were last seen with—a truly frightening and violent man. Sawyer tries to dissuade him, but that just makes Walker even more certain that he needs to act.

But does he truly want to find the answers he’s seeking?

Learning About Guns

Walker—like so many people in the U.S.—appreciates guns. He’s quick to grab a pellet gun to (try to) chase away his uncle. But his cousin Sawyer? Sawyer is a nut for guns, he has magazines about them all over his room. At some point, Sawyer comes across a pistol (and somehow gets money for many bullets for it—or at least acquires them). There’s a big difference between a pellet gun and a Colt 1911, and it doesn’t take long for Walker to start learning about them.

Not what you learn in video games/TV, not what Sawyer’s survival mags teach, or anything like that. But about the reality of them—how they can invite violence, how holding one affects you, what destruction they can bring even without trying. There’s no pro-/anti- gun message at work here. No lessons or sermons were delivered. But the reality of what a gun can do to a person, a situation, or an attitude is presented in stark reality. I’d say it’s easily one of the best things about this book, but if I started listing the best things about this book, we’d be here for a long time.

Anger

Walker and Sawyer are angry young men—it’s simmering right below the surface, and comes out at inopportune times. Although, it does sometimes come out when it should*—and we see an example of that in the opening minutes of their first game of the year.

* Arguably, anyway. Their coach and teammates would say it’s appropriate.

There are plenty of reasons for them to be so angry—even before their fathers abandoned them. The more time you spend with them—Walker in particular—you see just how many reasons he has. It’s part of what his parents have passed down to him, part of the example they’ve set and the environment he’s been raised in.

The guy his father and uncle runs with, Lukas Fisher, has another kind of anger inside him—and he doesn’t hesitate to express it—where Walker’s parents shape him by their anger, Lukas “trains” his pit bull with his.* While we can see a little constructive use of anger, we can see some people who are angry due to circumstance and situations—but Lukas? He seems to revel in it, maybe even feeds on anger.

* This is off-point, but Simpson’s description of the dog’s barking was both wonderfully accurate and a bit of a tension breaker.

But back to Walker, it’s his anger that lands him in weekly sessions with the school counselor before the book begins. This counselor is one of the few who seem to look beyond Walker’s attitude, his anger, his disinterest in education, and his abilities on the football field. It’s unclear how Walker will respond to him—or even if he can respond to this man appropriately. But it’s a rare example of how his anger just might put him in the right place.

The Meaning of Manhood/Strength

Walker’s primary concern at the beginning of the book is to be strong—strong, as the title says, like his dad. For him, strength equals control. Control over your life, your circumstances, your choices—it’s also tied into how to fix things. How to make things better.

Yes, it absolutely is about physical strength first and foremost, but it’s about more than that, too. For a character presented as not that intelligent (Walker would say worse than that about himself), he’s really perceptive. He’s spent more time than many—probably even he—realizes thinking about the nature of strength.

Ultimately, this is what being a man is for Walker (and Sawyer, too)—maybe even Hank and Rufus, too. Walker sees Hank as strong—physically, emotionally, and mentally. This is what he aspires to—for himself, for his mother, and possibly even for Hank. If Walker gets to be strong enough—on and off the football field—he can make Hank and his mom proud. He can make their lives better, fixing those things that need fixing (that his father never gets around to fixing, despite Walker’s deep-seated conviction that he could and will).

Over the course of this book, this understanding of what manhood means and what strength means are seen in light of that anger mentioned above. One of the bigger questions of the novel surrounds Walker and Sawyer—as they navigate toward adulthood/maturity, what will win out? Strength or anger? What kind of men will they be?

The Love Story

Okay…after a few attempts, I realize that I cannot say anything about this without a spoiler. All I will say is that it’s perfectly conceived, perfectly executed, and just what this book needed it to be.

So, what did I think about Strong Like You?

I have several more things I wanted to talk about—but this is too long, and almost two days behind schedule (it’s at least 6 hours after I normally post something). What’s worse, every time I start writing “just one more thing,” I think of two more. So I’m bringing this in for a landing, and I may bounce around a little bit here.

I do not even like football—why do I keep reading books featuring it? Okay, I live in the USA and it’s pretty hard to escape, that’s a large part of it, but still… There’s a large part of me that doesn’t care as long as it’s a book like this one. And sure, he’s talking about a different game entirely, but Walker would agree with Dani Rojas—”Football is life!” He thinks in football terms and metaphors, he can’t explain to someone why he loves football—he can’t even understand why that person doesn’t like football, it’s like telling him that they don’t like to breathe. Most of the time, Simpson doesn’t have Walker or Sawyer tell us this, they just live this. The way he does this alone tells me that Simpson is someone to watch (or, I suppose, he thinks the same way as Walker does and it’s coming out organically—but I don’t think so)

I really should spend a lot of time talking about Walker’s guidance counselor and the arc of their relationship, there’s so much about Simpson’s work here that should be commended. There’s also this strange little tangent featuring a recent graduate of Walker’s high school and his little sisters that tells us more about Walker than anything except his attitude toward football—who he really is, not who he thinks he needs to be.

You don’t have to read very far before you know a couple of things—1. despite his conviction—or at least the conviction he voices—things are not going to go the way he anticipates, and that rough times are ahead for Walker; and 2. you are not going to want to put this book down until you reach the last page. I glanced at the first couple of pages to make sure it downloaded correctly and had to walk away from my Kindle, because I had multiple other deadlines and I knew if I didn’t do that, I’d finish the book before I did anything else. I can’t describe it, but there’s something about Walker’s voice, the way he’s talking to that father that isn’t there that just grabs you.

I’m not entirely satisfied with the way the novel ended. I liked the resolution to the various stories, let me be clear. But I feel like I could see Simpson’s not-so-Invisible Hand working to get some of the resolutions to work out the way they did. I like the way the storylines ended up, so I’m not going to complain too much. And since it was only in the closing pages that I thought about maybe criticizing something in the book, Simpson earned a little authorial heavy-handedness.

This is a real winner—Strong Like You shares so much DNA with Eli Cranor’s Don’t Know Tough (but is not a copy in any way) and even hearkens back to Early Autumn by Robert B. Parker. And anytime a book can make me compare it favorably with those two knockouts, I’m going to put it down as pure joy.

If you’re someone who gets hung up on the YA tag, push “Pause” on that for 224 pages. This is a book that deserves a fair shake and many, many readers—Simpson’s debut is as strong as Walker hopes to be.

Disclaimer: I received a copy of this book from North Star Editions via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Charm City Rocks by Matthew Norman: A Tale of Second Acts and Second Chances

Charm City RocksCharm City Rocks

by Matthew Norman

DETAILS:
Publisher: Dell
Publication Date: June 6, 2023
Format: Paperback
Length: 339 pg.
Read Date: January 9-10, 2024
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What’s Charm City Rocks About?

Billy Perkins is happy. Everyone knows this–he’s got his dream job (music teacher), he’s good at it–and makes enough money to keep going. He’s got a great kid, and a solid relationship with the kid’s mother. He’s well-liked in his neighborhood and at Camden Yards. Who wouldn’t be happy? He’s also got this newfound appreciation for cardigans, “the perfect garment, like, the convertible of sweaters”–and he looks good in them. If you can find pleasure in the little things like that…why not be happy?

Margot Hammer is a drummer best known as part of the all-female rock group Burnt Flowers*. Then as the wife of Lawson Daniels, the giant movie star, her fame grew even more. Then she dumped the cheater, quit the band in a dramatic fashion, and vanished from the public eye, becoming a “whatever happened to…” name. She was pretty satisfied with that until Burnt Flowers is featured in a documentary series, which renewed that itch to play again and generally reminded her of what she lost with her bandmates.

* Not for nothing, that’s just a great 90s band name. I would thoroughly enjoy hearing Norman talk about coming up with it and what some of the other contenders for that name were.

But after listening to his dad talk about Margot after seeing her on that history of rock documentary on Netflix, Billy’s son, Caleb wonders–what if his dad isn’t as happy as he could be? Is he maybe a little lonely? So Caleb does something harebrained, problematic in several ways, and destined to fail.

He brings the two together in a move straight out of a rom-com’s first draft, but instead of the meet-cute he hopes for–we get kind of a meet-ugly. Billy, being the almost-impossibly decent guy that he is, tries to salvage the time and make it up to her. Also…how often does he get the chance to spend time with his all-time favorite drummer?

Something strange ensues for Margot–she has fun. With Billy and in general. She also gets a little social media attention (which spills over into mass media). This is enough to get her old record company to try to capitalize on that. She’s not interested in doing that, but does decide to spend a little more time with Billy.

The pair have great chemistry–and maybe more. But will figures from their pasts derail them? Should they?

Baltimore

As they stand on Thames Street, he imagines the neighborhood from Margot’s perspective. Daquan is one block over, pounding away. The sun is moving toward the horizon. The twinkly lights strung around the outdoor eating area at the Greek restaurant next door come on, and people are out with their tattoos and interesting outfits and cool beards. Like always, there’s music everywhere.

“It’s not like how everyone says,” says Margot.

“What isn’t?”

“Baltimore,” she says. “I thought it’d be, I don’t know, more murdery.” …

“Be patient,” he says. “The night is young.”

As much as this book focuses on the love story between Billy and Margot, there’s a strong thread about love for Baltimore. I knew, on some level, that there has to be more to the city, but at the end of the day, I really think of Baltimore in much the same way as Margot in the quote above.

But that’s not Matthew Norman’s Baltimore–and it’s not the Baltimore of these characters. Frankly, if this Baltimore resembles the actual thing, I’d love to spend time there (you know, assuming I can shake the David Simon associations).

There are two neighborhoods (that don’t seem too far apart) that we spend most of our time in–and both have a strong sense of community about them. Particularly the area that Billy’s apartment is in, which also contains the place where Caleb’s plan was executed and the bar that the adults found themselves in to recover. The neighborhood figures from this area both grounded and sold the experience for me (and, I think, Margot). Too often people talk about the location of a novel/movie being another character–but when someone depicts their setting so strongly and so warmly, it’s hard not to resort to that kind of language.

Caleb

I’ve frequently talked about great Mother/Daughter and Father/Daughter relationships in various books, but I don’t think I’ve talked much about great relationships with sons. I also can’t think of many off the top of my head.

The relationship between Caleb and Billy, however? It’s a standout. Caleb’s relationships with his mother and stepfather are good to see, too. But man…the link between Father and Son here is something special. The lengths that Caleb went to in order to give his father a shot at happiness–and the life-altering choices he makes because of his parents (particularly, it seems, his father)–tells you a lot about this kid and the bond he has with his parents. I really can’t think of a better son in Fiction (not that I’ve spent a lot of time trying, but authors seem to do better at daughters).

He gets off a little easy when it comes to the shenanigans he got up to in introducing his dad to Margot, really the more I think about it, the worse it was (but consuming a large amount of edibles thinking they’re just candy is a pretty good justification for it). But, I think Norman is right to cut him some slack and not get into just how bad it was. Actually, most books (and almost every movie I can think of) would’ve allowed Caleb’s scheme to work for a bit, and would extend the nonsense for far too long before having it collapse for the sake of drama. I am so, so, so glad that Norman didn’t do that. He simply let the idea fall apart and then moved on, making lemonade out of Caleb’s citrus offering.

So, what did I think about Charm City Rocks?

I knew I should’ve read the book as soon as it landed on my doorstep in June. I knew I was missing out on something–and I was. But on the plus side, it’s a pretty good way to start off the year, too. This is just a fun book.

So I loved the whole super-star story and the debacle Margot made of her career and life–it’s a very VH-1 Behind the Music tale. All the behind-the-scenes show business stuff, both in the past and present, were great. But what sold me was the connection both Billy and Margot (and several other characters) had to music–listening to it, performing it, creating it–even just thinking about it. Strip away fleeting fame and money, that’s what counts. That’s why people care about musicians, it’s because of the music that they bring us and what it does for our souls and psyches. As Norman celebrated that, you couldn’t help but respond. (and as flakes wanted to twist that for their own benefit, you respond as well)

One shouldn’t overlook Caleb’s mother–even though I pretty much have–her ARC isn’t pivotal to the book as a whole, but it’s so satisfying. She’d be an easy character to bring on for a few scenes as a plot complication, or just to add a little flavor to the world–but Norman fleshes out her character, gives her an arc, and gets the reader invested in her and her happiness.

There’s another ex- in the picture, and while you know how they’re going to complicate the characters’ lives almost instantly upon their introduction, I can’t bring myself to get into the details. I wanted to say something about a jealous toddler wanting their discarded toy just because someone else has it–but Norman wisely takes that option away. That’s not to say that the character doesn’t muck things up pretty seriously for almost everyone in the book…I’m just saying they’re not a monster.

I think the best way to sum up my reaction to the book is that I noticed that every time I put the book down for some reason, I was grinning. Not because I set the book down, but it just made me happy. Not Billy-happy, but happy.

A little cheesy? Sure. Generally predictable? Sure. Engaging, charming, witty, optimistic, and upbeat? Sure. If you’re looking for more in a rom-com, you’re not looking for a rom-com. This won me over in the beginning and kept my affection throughout. This was a sure-fire winner for me.


4 1/2 Stars

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The Last Dance by Mark Billingham: The Dancing Detective and the Whingeing Widower

I’ve been fairly scatterbrained the last couple of days, and I’m a little worried that this post reflects that too heavily. Hopefully not.


The Last DanceThe Last Dance

by Mark Billingham

DETAILS:
Series: Detective Miller, #1
Publisher: Atlantic Monthly Press
Publication Date: July 4, 2023
Format: Hardcover
Length: 378 pg.
Read Date: December 4-7, 2023
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It was true that Miller wanted to be busy; but he hadn’t been counting on picking up such a big case on his first day back. That was the way things went, though. You were desperate for a day or two to catch your breath or even just looking to recharge your batteries after a major inquiry and someone decided to poison their husband or stab a passer-by because they didn’t like their trainers.

People were so bloody inconsiderate, sometimes.

What’s The Last Dance About?

Detective Sergeant Declan Miller cuts off his bereavement leave to return to work. It may be too soon following the murder of his wife (and we get plenty of reason to think that it may be), but the time off isn’t doing him any good and accomplishing things, staying busy, and getting out of the house just might do him so good (and we get plenty of reason to think that it might).

Before he has a chance to reacclimate, he and his new partner are assigned a case—the son (and presumed heir) of a local crime boss has been killed—assassinated, really—in a local hotel. In the next room over, an IT consultant has, as well. It’s unclear what the connection is between the two, or what either was doing in hotel rooms in their hometowns.

The other thing that Miller does to try to return to his pre-widowered life is to go back to the dance class that he and his wife attended. It’s difficult being a single person there, but these were their friends, and it helps him to do so (as much as it hurts, too). We get a whole different set of supporting characters here, a different perspective on things. I really like the way that we get two different sides of Miller like this—yes, there’s a good deal of overlap, but seeing him in such starkly different contexts really helps you understand the character.

DS Sara Xiu

‘I’m your replacement,’ she said. “Well, I was.’

‘Oh,’ he said. ‘Sorry about that.’

‘It looks like we’re going to be teaming up. ‘Even sorrier.’

She smiled. “That’s a joke, right?’

‘Not really.’

It almost seems like a disservice to her character to make Xiu a supporting character. She could star in her own series easily. She’s got the tortured detective thing down—she drinks too much, parties too hard, etc., etc. But on the job? She’s good, and she just might warm to her new partner at some point—at the very least they work together well.

This book might be all about Miller, his inner demons, and eccentric methods—but having him work with such a good partner isn’t a choice many would make. In a book or three, I can see their partnership equaling Bosch and Kiz Rider’s, and she could play a big role in Miller’s unofficial investigation (see below).

Alex Miller

Miller’s wife, Alex, was involved in a major investigation when she was murdered. The police haven’t found her killer—and he’s not particularly certain they’re working too hard on it (it’s a different homicide unit than his). No one from the investigation is updating him either—they want him to stay out of it, for obvious reasons.

And he technically does—but that doesn’t mean he’s not thinking about it a lot, and poking around the perimeter of the investigation—especially in areas that the others don’t seem to be paying attention to.

Apart from that, we spend a good deal of the novel seeing Miller mourn her and talk to an imaginary version of her as both a way to work through his case and her not being around anymore. Those scenes are great on so many levels—the reader gets a real sense of who she was (at least as her husband saw her) and how they related to each other, and how the loss is hitting him. It also gives us a kind of insight into the way his mind works through problems that we don’t often get from procedurals.

Tone

If anyone deserved a plaque on the wall of most local police stations, or a Lancashire Prison System loyalty card, it wag Gary David Pope. He’d been a well-known face — or more usually a photofit – on the criminal scene for as long as any serving officer could remember, and while he never really did anything that would merit serious jail time, and drink or drugs were almost always involved, there was rarely a crime committed anywhere within a twenty-mile radius that Gary didn’t have some connection to. It was like ‘Six Degrees of Kevin Bacon’, only with stolen cars and cocaine.

Gary Pope wasn’t the worst criminal Miller had ever encountered, not by a long chalk, but he was probably the most consistent.

He was a seriously committed wrong ‘un.

It wouldn’t take much to turn this into a very dark read featuring an unreliable and unpredictable detective. Thankfully, Billingham went the way he does—the darkness is still there, it’s just mollified by Miller’s sense of humor and perspective. He really reminded me of Peter Grainger’s DC Smith—but without the almost cozy feel of Grainger’s work. Blackpool is a harsher location than King’s Lake, too.

Still, I think fans of one will appreciate the other. Miller’s humor (and that of the narrator) is a bit sharper, and less subtle than Smith’s—but only by degrees.

You’re able to have a lot of fun given the humor in several situations that aren’t fun at all. But he’s not just funny and eccentric. Miller has a lot of heart, compassion, and empathy for crime victims and survivors. I’m not sure how much he had before his wife’s murder—or how much he let himself show before then. But after it, he’s able to connect with them in a way that few police officers seem to be—or at least are willing to be.

You combine those three elements? I’ll be around for the long haul in any series.

So, what did I think about The Last Dance?

Billingham knows his way around police procedurals—that’s very clear. He also knows how to play with the conventions—and which ones to stay away from or treat straightforwardly. He does it all with skill and panache (not unlike his protagonist).

For example, in his time away, a detective that Miller…hmmm…doesn’t respect, shall we say, has been promoted to DI, and seems intent on making his return as miserable as possible. What is it about almost every immediate supervisor in police procedurals being so intent on being horrible to their star investigators, rather than use their brains to improve their own careers? For every exception to this rule that I can think of, more than a dozen that follow it come to mind. Well, DI Stevens is a shining example of this, and I rather enjoyed Miller’s reactions to him. That’s the only tolerable part of the character.

There are so few quibbles I have with this book—and they’re so outweighed by the good—that I’m not going to bother talking about them. I’m also not going to talk about all the things that Billingham does right with this—I haven’t talked about the victim’s wives, the various crime bosses, even Gary deserves more than that quotation above—and Miller’s homeless informant deserves at least four paragraphs.

Fans of police procedurals or other detective novels are going to love this. I did, and I’m eager for the next. And if it’s nearly this good (and how can it not be, given Billingham’s experience), I expect to be in for the (I hope very) long haul with this series.


4 1/2 Stars

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Guards! Guards! by Terry Pratchett: I Can See Me Becoming a Slavering Fan of This Stuff…

Guards! Guards!Guards! Guards!

by Terry Pratchett

DETAILS:
Series: Discworld, #8; City Watch, #1
Publisher: Harper 
Publication Date: April 30, 2013
Format: Mass Market Paperback
Length: 403
Read Date: December 15-21, 2023
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It’s a metaphor of human bloody existence, a dragon. And if that wasn’t bad enough, it’s also a bloody great hot flying thing.

What’s Guards! Guards! About?

We start with a motley bunch of people who have been recruited by a mysterious figure to summon a dragon from another world—they don’t know this initially, but the purpose is to take over the city of Ankh-Morpork for less-than-benevolent reasons.

Meanwhile, a tall and naive young man is informed by his father that he’s not who he’s always thought he was. In fact, he’s been brought up by another species. Carrot had spent his whole life believing he was a dwarf like everyone he lived among, rather than a human. “It’s a terrible thing to be nearly sixteen and the wrong species.” Carrot has a hard time accepting this truth but does what his father tells him. He sets off for the city to become a member of the City Watch and will send his wages to his family. It’s impossible (for me, at least) to read Carrot and not think of Buddy the Elf. I don’t know if Ferrell and Favreau had this book in mind when they worked out the character—but they could’ve.

Like Buddy, Carrot doesn’t understand the human world and its nuances. He’s very literal, he’s a hard worker, doesn’t know how to be dishonest, and sees the world in black and white. So he goes about the business of the Watch like that—he’s a one-man anti-crime crusade. Arresting people the rest of the watch doesn’t have the energy to pursue—and those they’ve been told by the city leadership to leave alone.

His presence shakes up the Watch and awakens a sense of duty in them. So when they start finding traces of the dragon—and a corpse or two, this lethargic group gathers itself together and tries to save the city from the dragon, those behind it, and those who can’t be bothered to care.

And a whole bunch of other things transpire, are said, and whatnot. But that’s enough to get you started.

More Than Jokes

“Down there,” he said, “are people who will follow any dragon, worship any god, ignore any iniquity. All out of a kind of humdrum, everyday badness. Not the really high, creative loathesomeness of the great sinners, but a sort of mass-produced darkness of the soul. Sin, you might say, without a trace of originality. They accept evil not because they say yes, but because they don’t say no. I’m sorry if this offends you,”

All good novelists will work in things that have nothing to do with the characters (directly), their development, or the plot to their books. Some sort of commentary on the world, an observation about humanity or a portion of it, etc. If you ask me, the more comedic novelists are better at it than others—it’s probably that spoonful of sugar thing. That could just be my preference, I admit.

Some of the better moments in this book—at least some of the best sentences—come from moments like the above quotation. There’s some cheap cynicism to be found in these lines—but there’s some well-earned cynicism, too, in Pratchett’s ideas about government, the people led by that government, and so on. But there’s some great stuff on love and hope to be found in here, too. Pratchett’s cup is half-full at least as often as it’s half-empty.

The one-liners; the satire of Fantasy tropes, humanity in general; and the overall comedy of his world might be what he’s known for—but at least here (and likely in general), Pratchett’s observations of and commentaries on humanity are just as noteworthy.

The Library/Librarian

The truth is that even big collections of ordinary books distort space, as can readily be proved by anyone who has been around a really old-fashioned secondhand bookshop, one that looks as though they were designed by M. Escher on a bad day and has more stairways than storeys and those rows of shelves which end in little doors that are surely too small for a full-sized human to enter. The relevant equation is: Knowledge = power = energy = matter = mass; a good bookshop is just a genteel Black Hole that knows how to read.

I don’t have the time to write the essay I want to write about the Librarian, the Library, what the Librarian did to save the day, and so on. But I really wish I did (besides, I’m pretty sure someone else has—several someone elses). It’s not the—or a—main focus of the novel, but it really could be. Instead, I’ll just note that the Librarian was a highlight for me, and I hope we get a lot more of him in the future.

So, what did I think about Guards! Guards!?

“I mean, [the dragon] wouldn’t want us to go around killing its own kind, would it?”

“Well, sir, people do, sir,” said the guard sulkily.

“Ah, well,” said the captain. “That’s different.” He tapped the side of his helmet meaningfully. “That’s ’cos we’re intelligent.”

One of the things I like to ask when thinking of a comedic novel is, would it hold up if you took the jokes out and played it straight? It’s hard to answer that for Guards! Guards! because of the satirical and ridiculous aspects of the novel. But…on the whole, yeah…it’d work. Thankfully, it’s not a question we really need to spend too much time on because it’s so funny that you don’t notice parts of the story/plot/characters that might not work—and with the comedy this book is so successful it doesn’t matter.

It took very little time for me to get invested in the story—maybe not the characters (as much as I enjoyed watching Carrot fumble through his new life), but the story and the storytelling carried me until the point that I started to see the various members of the City Watch as anything other than comedy delivery systems (although that’s primarily what they were). I was entertained throughout, so much so that I didn’t really spend much time thinking about comparing this to other Pratchett books or other Fantasy comedies I’ve read—I just wanted to have fun with this. Maybe I’ll do the other stuff with later reads.

My journey to this book—and to giving Pratchett another chance—is pretty well documented. It’s not that I disliked The Color of Magic or The Light Fantastic, but I didn’t get the fuss over Pratchett after reading them. After reading Guards! Guards!? I think I get it. After reading less than a third of Guards! Guards!, I was pretty sure I got it, actually. I’m so relieved…I wondered what was wrong with me that I missed what everyone else saw in his work. There’s this great combination of jokes, situational/character-based comedy, a skewed way of depicting the world that’s honest and true while capturing the absurdities—and wonder—of the world. Pratchett respects the reader enough to not have to spell everything he’s doing out for us, but not so much that he will avoid slapstick or bodily humor.

I’m sold. If you haven’t gotten around to trying this mega-series (and surely there are like 5 of you reading this who haven’t), stick your foot in. If you’re unsure where to start, here’s a great place.

I’ll be back for more soon.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Mislaid in Parts Half-Known by Seanan McGuire: One of McGuire’s Best (no matter what series). A Magical Novella

Is it cheating to call a Fantasy Novella “Magical”? Isn’t that part of the definition?


Mislaid in Parts Half-KnownMislaid in Parts Half-Known

by Seanan McGuire

DETAILS:
Series: Wayward Children, #9
Publisher: Tordotcom
Publication Date: January 9, 2024
Format: eARC
Length: 160 pg.
Read Date: December 13-14, 2023 
Buy from Bookshop.org Support Indie Bookstores

Continuity Counts

By and large, the Wayward Children books can be read in any order—sure, things will mean more if you read them in order of publication (so far, anyway). It’s easier that way to catch allusions, understand the depth of relationships, come close to tracking what Sumi is talking about, etc. But you can get away with skipping around.

But you really need to read this one after Lost in the Moment and Found. It’s the closest thing to a direct sequel that we’ve had in this series. It’s also kind of a follow-up to Where the Drowned Girls Go (and, as always, touches on several others).

This is largely Part II of Antsy’s story—the story is shared by a group of the students (my favorites in the series) on one of those quests they’re not supposed to undertake—and whoops, I’ve started writing the next section.

What’s Mislaid in Parts Half-Known About?

Antsy is having a hard time adjusting to life at Eleanor West’s School for Wayward Children, almost as much trouble as she’d be having adjusting to anywhere else on Earth. Part of that comes from not being as honest about her circumstances as she could’ve been—understandably so, I think—which just made everything worse.

Still, there are signs that things may get better, helped a little by Antsy being able to find anything for people. Then Seraphina (who can get anyone—with one or two exceptions—to do what she wants) decides to use her abilities on Antsy to get her to find her Door.

Ansty, Sumi, and some others (I’m not going to name them to keep your interest piqued) manage to slip away using Antsy’s ability to find things and her knowledge of how Doors work, eventually getting back to the Shop Where the Lost Things Go. Which wasn’t exactly where Antsy wanted to be—and she learns that things there hadn’t gone as expected when she left and a whole new quest develops.

Not About Jim Morrison’s Band

When I wrote about Lost in the Moment and Found earlier this year, I said:

This entry would be a worthwhile read for fans if only for this one thing—we learn more about the Doors and how they work. I’m not going to go into it, obviously, nor am I going to promise that every question you had about the Doors will be answered—actually you’ll likely end up with new questions, but they’ll be informed questions.

That’s true here, too. In fact, we learn so much about them that I almost don’t want to learn anything more about Doors for another 8+ books so they don’t get too demystified. McGuire being McGuire, I know that if she reveals a whole lot more in the next book, I’ll end up repeating everything I said prior to this sentence—and I’ll be happy and equipped with more questions.

Regardless—what we do learn here is fantastic. It both makes utter sense—in the way that maybe we all should’ve guessed it already (maybe some did)—in terms of storytelling, worldbuilding, and more. I wonder what (some of) the students understanding this is going to do to things going forward. If anything.

Future Continuity

Speaking of things going forward, something major is on the way for Eleanor West. It’s been hinted at before, but so many things in this book point to it happening soon (but in Wayward Children-time, it could take 3-4 novellas for us to get to “soon”). I’m eager to see it, as much as I’m dreading what it might mean.

One Quick Character Note

Every protagonist of these novellas—and a significant chunk of the supporting characters—has been wonderful. With the exception of Seraphina and her crew*, I like all the students we’ve met at the School and want to know more about them all.

* I’m waiting for McGuire to decide it’s time to humanize them so we readers will root for even them, and we’ll feel bad for not doing so earlier.

But…from the moment we met her, Sumi’s been a favorite of mine. I should probably use the definite article there, actually. So I’m not unbiased when I say that in Mislaid in Parts Half-Known she is glorious, but she really is. She’s funny, she’s loopy, she’s brave, and she’s wise. Hard as that last one might be to believe. She’s also rather clever and displays that at the end.

The main parts of the story belong to Antsy and a couple of other characters—but Sumi stole every scene she was in and I really just want a few in a row featuring her.

So, what did I think about Mislaid in Parts Half-Known?

This is not my favorite Wayward Children book, but it’s close. There aren’t one or two big emotional moments like there typically are in these (at least not that hit me…your results may vary). But there were a handful of small emotional moments that worked so well—in terms of what happened to someone, how it impacted the other characters, and the way that McGuire wrote them—that I don’t care. It might even be better this way.

The worlds we saw were wonderful—really, you could set an entire fantasy trilogy in them without reference to any other. The world hinted at on the cover, for example, could easily sustain a 1,500-page trilogy full of whimsy and danger.

There’s probably more humor and smile-inducing moments here than several of these books combined sport. Which was a nice bit of fresh air (in a series that really doesn’t need it, but that doesn’t mean it’s not welcome).

Naturally, there are characters we’re not likely to see again due to the nature of these books, and I’m going to miss them. Although the endings they got were well deserved and well executed.

I almost always walk away from a Wayward Children book feeling satisfied and a little in awe of McGuire—I think that feeling is larger this time just because of the number of emotional and story notes she managed to hit, the storylines she was able to incorporate and resolve, the ones she just moved forward, and…everything else in 160 pages. It shouldn’t be possible. This book (like most in the series) is bigger on the inside.

A few paragraphs back, I said that this wasn’t my favorite in the series—but at the moment, I’m having trouble understanding why (but I’m going to trust my earlier impulse). But it is so, so, so good. I’m having trouble coming up with adequate adjectives at this point.

Go get this in January. Order it now (and/or request it from your library). If you haven’t read these books yet, go. At a bare minimum, get the first, Every Heart a Doorway, and then Lost in the Moment and Found, so you can be ready for this one when it’s released. You can catch up on the others later.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—thanks to both for this opportunity. The opinions are all mine.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Mayors of New York by S.J. Rozan: Let Your Honesty Shine…

The Mayors of New YorkThe Mayors of New York

by S. J. Rozan

DETAILS:
Series: Lydia Chin & Bill Smith, #15
Publisher: Pegasus Crime
Publication Date: December 5, 2023
Format: Hardcover
Length: 280 pg.
Read Date: December 21-25, 2023
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What’s The Mayors of New York About?

New York’s first female mayor has a problem. A few months after taking office, her fifteen-year-old son has run away. It’s not the first time, but it’s the first time since she’s been elected. She’s in the middle of high-stakes negotiations with a police union, so Mayor McCann doesn’t feel like she can turn to them without taking some PR hits/weakening in the negotiations.

So, she has her aide hire Bill Smith (who brings along Lydia, of course). It’s not easy tracking down one of the most recognizable teens in the city without letting anyone know you’re doing that—and it almost seems like the “without letting anyone know” part might overrule the “finding the teen” part of the job.

Now, Lydia’s trying to decide if she takes on a case of her own at the same time. Readers know long before they do that these cases will end up intertwined—otherwise, why would Rozan bring it up? And once Bill and Lydia cotton on to that, a hunt for a runaway takes on a whole new layer. Possibly several layers.

The Characters

Nah, I’m not going to talk about Bill and Lydia today—I honestly don’t know if I have anything else to say about them outside how they’re probably my favorite partnership in Crime Fiction (Robin/Cormoran—learn from these two. They trust each other and communicate frankly. Your lives will be the better for it, and the books will be shorter, too. Everyone wins.).

I want to talk about Mark McCann a little bit. At first, he’s just the target. He’s little more than a MacGuffin to get the plot moving. Then we start to learn a little about him and he becomes an actual character—one I want to learn more about. Then we get to meet him, and I like him a lot. And then Mark goes ahead and does some clever and stupid (read: dangerous) things and I want to see more of him.

The wanting to see more of him goes for everyone who’s alive and not under indictment of some sort at the end of the book—the McCann’s household staff, the people who help Mark along the way (and then help Bill and Lydia), and so on. I know it’s not really Rozan’s style, but if we could run across them in future books for a chapter or so just to spend more time with them, I’d really enjoy that. These all have a little more life to them than your typical witnesses, bystanders, and so on in PI Fiction. I particularly appreciated the way they all want some sort of Mayoral favor shown to their neighborhoods/communities and the way that Lydia takes notes to pass them along. A very nice—and real—note.

I feel like I should spend a few paragraphs on the most interesting character in this novel—Aubrey “Bree” Hamilton, the mayor’s aide who hires Bill to look for Mark. She and Bill dated years ago, and it’s clear from Bill’s First-Person Narration that the chip on his shoulder regarding this particular cheating %#&@ has is still pretty deep, no matter what degree of happiness he’s found elsewhere. It’s not just the way she cheated on him—Bill has no sympathy for her former PR clients (lawyers, largely) or the politicians she now works for, assuming everything they do or say is calculated for their benefit. He trusts Bree less than her bosses—and we see that throughout—but something about a 15-year-old boy who keeps running away from home speaks to Bill, so he has to investigate.

I got off target there, but I thought I’d explain Bill taking the case when he can’t stand anyone involved. Bree is a perfectly designed character—the reader can see how she’s good at her job, calculating, smart, and generally three steps ahead of anyone (aside from our protagonists occasionally). It’s impossible to tell how much she believes a lot of what she says, or if she’s saying it out of duty. And then there’s what she says to yank Bill’s chain a little bit. Bill (and therefore his narration) is so jaded against her that it’s hard for us to know how much of our negative reaction to her is justified and how much it is seeing her through Bill’s eyes. A great move by Rozan.

So, what did I think about The Mayors of New York?

The pace is fast without being breakneck. The dialogue is sharp and witty. Bill’s narration has never been more hard-boiled (his contempt for the client/client’s intermediary helps). The characters jump off the page. It’s what you want in a PI novel.

Early on, I had inklings about what was behind everything (and I’m pretty sure Rozan intended readers to). As the plot moved forward and we received more and more confirmation about those inklings, it made me uncomfortable and a little queasy. Why couldn’t I have been wrong? Why couldn’t these have been red herrings? Thanks to some skillful storytelling you don’t get bogged down in the wrongness of everything that’s afoot—it’s there and it colors everything, but your focus becomes on the characters dealing with it all, the reveals to other characters and the nail-biting way this story is resolved.

Yes, I think Rozan could’ve just as easily and skillfully let the characters and readers wallow in the muck of the crimes behind everything—but it would’ve changed the tenor of the book so much that the early chapters would feel out of place, and we probably wouldn’t have found some resolution that’s as satisfying.

Also, just because some things weren’t red herrings, don’t think that Rozan doesn’t toss enough of them at the reader to keep you wondering.

Rozan has been on a hot streak since Paper Son, and The Mayors of New York shows no signs of her slowing down anytime soon. And I am more than okay with that. If you’ve never indulged in this series before—this would work as a jumping-on point. Almost any of them would, really. The trick is to jump on somewhere for some of the best that PI fiction has to offer. A touch of the classic American PI added to a hefty helping of the 21st century. The Mayors of New York is one I heartily recommend to all.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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