4 1/2 Stars - The Irresponsible Reader

DETAILS:
Series: Chet and Bernie, #15
Publisher: Forge
Publication Date: August 6, 2024
Format: eARC
Length: 288 pg.
Read Date: July 24-27, 2024

What’s A Farewell to Arfs About?

We start off this book with Bernie and Chet finishing a case for the Sonoran Museum of Art (an institution we learned about a couple of books ago), and with things looking up—and money in Bernie’s pocket—this is a pretty happy way to start things.

But soon after that, Chet overhears a phone call that their neighbor, Mr. Parsons, is having—and the reader knows things are going bad for him. Bernie learns the next day that Mr. Parsons has been the victim of a phone scam and is wiped out. Bernie starts looking into it—and into the Parsons’ ex-con of a son. It looks like he may have turned his life around, and is helping other former inmates adjust to the outside world and to stay on the right path. But is that what’s really going on?

If Billy Parsons isn’t involved—who is? And is there any chance that Bernie can get back any of the Parsons’ money?

Charlie and Esmé

Bernie’s son, Charlie, has been a consistent pleasure in the series—particularly because of Chet’s devotion to him. But adding his best friend, Esmé, in the last couple of books has made the character much more enjoyable for me.

I really enjoy their dynamic, for those familiar with Syfy’s Resident Alien show, it’s similar to the dynamic of Sahar and Max, only Esmé has a little more patience with Charlie than Sahar does with Max.

Even better, we get to meet Esmé’s father in this book—who seems like a good guy for Bernie to talk to in general—he has no knowledge of Bernie’s past, he’s not involved with policing, investigations, or anything like that. Just a friendly guy—who happens to be smart and (coincidentally) involved in an area that Bernie needs help understanding for the case. I enjoyed their conversation and hope we get more in the future.

(still, I do like the way that Charlier got to shine a little brighter this time than he usually does)

Bernie’s Past

Whoa. I did not expect any of what we learned about Bernie’s father in this book. Frankly, I didn’t think we’d ever learn anything about him—we barely know anything about his mother (and I’m okay with that based on Chet’s descriptions). But all of a sudden, there’s a lot about Harry Little being talked about.

It works—don’t get me wrong—and now I want to know more about Harry, his relationship with Bernie, and what was going on with him in general. We don’t get that (now?), but we get a glimpse of the man that was a presence in Bernie’s life until his early death. And that’s not nothing.

Feelings, Nothing More than Feelings

So, all the stuff about Harry Little added some emotional weight to the novel. But we didn’t need any of it—I’m not objecting, don’t get me wrong—but the last thing this book needed was more going on emotionally.

There’s some drama between Bernie and Weatherly. Bernie’s found a new way to botch things up with a woman—no real surprise there. The only plus is that it is a new way—he’s not repeating mistakes he made with Leda or Suzie. Maybe there’s some growth there—but it’s not Bernie at his best.

Related to that are some real dark moments for Bernie—we’ve seen hints of things like this from him before. But I don’t think it was ever this pronounced. Bernie is not always a good guy, he’s not only a white knight—there’s a noir character in him, battling to come out. And Bernie’s control slips early on in the novel and he has to reckon with the fallout.

But that’s not all. The Parsons have been aging and declining in health for a few books now, and for them to get wiped out like this—and then whatever that may or may not say about their son? There’s just no way to read this without your heartstrings being tugged. Scratch that—they’re yanked.

I don’t want to be unclear here (he says after probably giving the wrong impression). This is still a Chet and Bernie book like fourteen that have come before. Chet’s still irrepressible, he’s still an unreliable narrator obsessed with Bernie, food, smells, putting his teeth on perps, and snacks. He will make you laugh, and you will enjoy Bernie tracking down clues and the rest. But, like the better installments of this series, there’s a lot more going on than Chet’s antics—and Quinn makes sure that the depth is there.

So, what did I think about A Farewell to Arfs?

I admit that I was hoping for a criminal named Mike Craven to show up—to get back at Craven’s accidental use of Quinn’s name in last year’s Fearless. But it’s probably too soon for that—maybe in the next couple of years?

Once I saw what Mr. Parsons was doing on the phone, I muttered to myself (and texted a friend) that “Quinn’s getting all the mileage he can out of the research he did for Mrs. Plansky’s Revenge.” More power to him, obviously, but it did feel a little like a re-run. Thankfully, the story went in a very different direction—as I assumed it would, but still. In fact, while this might have been the result of the same research, the nature of the phone scam was different enough to shut me up.

I’m not sure that Weatherly handled things as well as she could’ve, but I’m not bothered by an imperfect character—she can be as flawed as Bernie. But that was the only hitch I found in this book or the events in it.

I really appreciated the depth we see of Bernie’s character, an angle or two that we haven’t spent that much time looking at before—we get to focus on. There’s more to him than being a decent PI with a lousy approach to finances. And if how he treats the Parsons doesn’t make your heart melt a little, you weren’t paying attention.

We get the usual chuckles (including Chet giving the reader a good idea about what he thinks about legalized marijuana), a good story, all the feels I described above (and more), and some good action scenes. What more is there to ask for?

Nothing that I can think of.

Disclaimer: I received a copy of this book from Tor Publishing Group via NetGalley—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Return of The Griffin by JCM Berne: With No Time For Hope, Rohan Returns to Earth

By HCNewton

On July 26, 2024

In Fiction, JCM Berne, Science Fiction, Self-Published Authors Appreciation Week, The Hybrid Helix

The best part of getting this post finished (for me) is not that I’ve ticked off one more box on my “To Write” list, it’s that I can now move on to the third book in this series, Blood Reunion—which just might put me on target to catch up before this year ends.

Return of the Griffin

by JCM Berne

DETAILS:
Series: Hybrid Helix, #2
Publisher: The Gnost House
Publication Date: February 26, 2022
Format: Hardcover
Length: 389 pg.
Read Date: February 1-7, 2024

But I spent ten years training and fighting for the il’Drach. There arg Maybe a quarter million il’Drach alive, total, and yet they control most of this sector, running an empire of trillions. You know how? Because they have developed a system for winning wars. Which they’ve been drumming into me for a decade…

“I’m not saying you should follow me out to Nevada because you’re my friends or because I’m a great guy or because you really like me. I’m saying you should follow me because it turns out I’m not such a great guy, and that’s why I’m the right person to help you win this war.”

What’s Return of The Griffin About?

We start off* with Rohan rescuing some people who were foolish enough to try to visit the surface of Toth 3, as a nice and efficient way to pick up where we left off and to show how the time since Wistful Ascending has gone for Rohan, Wistful, and the rest.

* Okay, fine. Truly we start with a prologue in a tense moment that happens two weeks later than that, and toward the end of the novel. But I complained enough about that when I talked about Wistful Ascending, so I’ll bite my tongue now.

After a great action-filled opening to the book, Rohan returns to Wistful to find some old friends/acquaintances from Earth waiting for him. They want his help in locating another Hybrid hero, the greatest superhero from Earth—who, like Rohan, left to fight for the il’Drach. Rohan can’t help them, he says, because he’s dead. (we learned this last time). They can’t believe that anyone could kill Hyperion and become certain that the Earth is doomed.

Giant, unbelievably giant, two-legged sharks that can breathe on land have emerged, one by one, from the Pacific. The first was killed after super-powered heroes and villains from Japan stopped it (and got some help)—between the creature, the fight, and the means used to destroy it, millions died. Including most—if not all—of the super-powered population of Japan. The second wipes out a similar number. The third was still alive when they left to find Hyperion.

I’m not sure how to capture the size of these two-legged sharks. But Ben Stone gets closest (and pithiest) by observing “they must be a thousand times as massive as the largest megalodon. More.”

Rohan volunteers to come back to Earth to help out. He’s not nearly as powerful as Hyperion, but he’s the only il’Drach/Human hybrid left—and the planet isn’t really in a place to turn away help. It’s time for Rohan to adopt the mask and the name of the superhero he no longer is.

So Rohan goes home, and in addition to fighting freakishly giant land sharks, he sees his mom. He deals with the fallout of his departure from Earth (and the events leading up to it) legally and with his former friends, allies, and others. And a few other challenges, too. In fact, the unbelievably large land sharks might not be the biggest challenge he has to face.

The Kirkman Is Strong In This One

“Well, can you give me any ideas on how to fight these things? They’re tearing us apart.”

“I would fight it on land, if I were you. Even regular sharks are frightening in the water. Get that up on land. There your chances go from zero to a multiple of zero.”

“That’s still zero.”

Poseidon waved his bottle in the air.

“Math is not always your friend, my friend.”

I don’t want to overstate things here, nor am I trying to suggest that Berne is leaning too heavily on Invincible. But I thought of Invincible often when reading this—more often than I did last time.

You know how Kirkman would introduce a character, imbue them with a catchy (possibly goofy) name, and some cool powers, and then kill them in just a few panels? Over and over again?* Well, that’s what Berne does here—I said above that super-powered heroes and villains are dying taking on these sharks, right? I meant it—and I’d have willingly read books/stories/series featuring most, if not all, of them.

* And I’m sure there are other comic writers I could reference here, but I’m not steeped enough in them to do that. Feel free to tell me who I’m not thinking of in the comments. It’s been too long since I read the first run of Bendis’ Powers, does that fit here?

The amount of time, effort, and creativity that Berne expended on these characters—even just the names—only to end up listing them as a victim? (many were dead before they were mentioned) It’s impressive, and a little sad.

I bring this up for two reasons: 1. To note just how much excess creativity Berne must have. 2. To warn you—do not get overly attached to anyone in this book who doesn’t show up on the covers for the rest of the series.**

** To date, that’s Rohan and Santa Claus.

Miscellaneous Bullet Points

bullet A teleporter named “Bamf”? You know Berne chuckled/giggled to himself when he typed that.
bullet If you’ve never thought about the potential tragic story behind the MCU’s Groot’s single word of dialogue, be prepared to.
bullet Off the top of my head, I can only think of two superheroes intimidated by their mother/mother-figure. Add Rohan to the list behind Clark and Peter. And for good reason, she’s not a woman you want to mess with.
bullet Sure, throw in some vampires, too. Berne’s kitchen-sink approach seems to continue.
bullet I’m pretty sure that I caught a The Tick cartoon reference. That just made me happy.
bullet I don’t want to rob you of learning about this yourself, but I think “Fire Speech” and the way Berne describes it is one of my favorite things of the year.
bullet The number of cover artists as good as Chris McGrath has to be tiny. I loved this one.

So, what did I think about Return of The Griffin?

Amber took her phone out of an oversized pocket. “I’ll pull up all known villains with Doc or Doctor in their names. Don’t get your hopes up; it’s going to be a long list.”

Rohan smiled. “Only real doctors, medical doctorates or PhDs only. I don’t want any evil chiropractors or physical therapists on the list.”

Bright Angel shook her head. “Really? Now is the time for that?”

“Inappropriate humor is my charm, remember?”

“I remember that you thought it was charming. What I can’t seem to remember is when anybody else agreed with you.”

“Ouch.”

All in all, this was not as fun as Wistful Ascending, the deaths of millions and millions and the devastation wreaked on the (even more numerous) survivors tends to put a damper on all the fun. In Whistful most of the suffering fell on Rohan—here, the suffering falls on pretty much everyone on Earth (including Rohan).

But beyond that, we get a better understanding of Rohan, what was already an appealing and engaging character gains more depth. That’s smart—get us to like the guy, get us to root for him, to want to read more about him, and then let us see more of the sides of him that we (probably) assumed were there, what shaped him into who he was when we met him in Wistful Ascending.

Yes, there’s still a lot of fun to be had. Berne’s banter is as strong as always. Even in—especially in—the face of grave danger.

And the action scenes? For novel #2 (at least novel #2 that anyone gets to see), Berne writes like he’s been doing this for a while. If you’re anything like me, once an action sequence starts—woe to anyone who interrupts you while reading (assuming you notice them attempting to interrupt). The better the sequence, the worse it is for events/people who dare to distract you. This book features several of those kind of scenes, each one as good as (if not better) than the last.

Great pacing overall, good character development, strong world/universe building and expansion, we meet a whole bunch of cool characters (say goodbye to too many of them), get some strong action scenes, a series of freakishly huge and powerful monsters—and things worse than them, too. Obviously, I think you should read this if that kind of thing appeals to you.

That said, I’m really looking forward to getting back to Wistful and her residents (especially Wei Li and the Ursans) and to see what is going on off-Earth. Bring on Blood Reunion!

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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PUB DAY REPOST: Assassins Anonymous by Rob Hart:The Confessions of a Tactical Drone with a Heartbeat and a Dairy Allergy

By HCNewton

On June 11, 2024

In Mystery/Detective Fiction/Crime Fiction/Thriller

Assassins Anonymous

by Rob Hart

DETAILS:
Publisher: G.P. Putnam's Sons
Publication Date: June 11, 2024
Format: eARC
Length: 320
Read Date: May 27-29, 2024

What’s Assassins Anonymous About?

Almost a year ago, Mark walked away from his old life and into a 12-step meeting. It’s been a struggle for him—he’s almost relapsed, he came close to suicide, and he’s struggled every day. But with the support of the other people in his group, his sponsor, and a little orange cat who came into his life at just the right time—Mark is making it, day by day.

Then one day, Mark’s cleaning up after the meeting and he’s attacked by a Russian who moves like a professional killer. Mark fights back—incapacitating the Russian and escaping with a serious—but not-too-serious—wound of his own and a burning question: who sent the Russian? The search for the answer takes Mark (and his cat) around the world—into some very dangerous situations, and almost more temptation for Mark to relapse than he could’ve imagined.

You see, Mark’s 12-step meeting isn’t for Alcoholics Anonymous, Gamblers Anonymous, Narcotics Anonymous, or anything like that. As you’ll guess from the book’s title, it’s Assassins Anonymous. Hitmen, Assassins, Serial Killers, and the like, who are tired of the life, who are tired of killing and want to try to live productive, life-affirming lives. They have to fight old impulses, old habits, old attitudes, they have to abandon adrenaline rushes (which are probably pretty addictive) and all the rest for a quiet life. Mark had been one of the best in the world (or the worst, depending on your perspective)—almost legendary—until he went cold turkey. But someone’s apparently trying to warm up the poultry.*

* That’s a metaphor I really shouldn’t have tried to stretch.

Can Mark discover why someone game for him almost a year after he quit “the life”? Can Mark make them stop without having to throw away all the work he’s done over the last (almost) 12 months?

The Movies

Like many moviegoers, I love a good hit man movie. I can even enjoy a “just okay” hitman movie (sorry, The Whole Ten Yards you don’t qualify as either). Mark, unsurprisingly, isn’t a fan of most of them. Sadly, that’s where most people get their ideas and information about assassins and hitmen from. So by character, actor, or movie title, they’re brought up frequently—usually to Mark’s dismay. He’ll also just compare his life to those movies on occasion. I enjoyed this aspect of the character a lot—particularly one running bit where people kept expecting him to look more like a particular actor.

Other kinds of movies are used throughout the novel, too—they’re a great shorthand way of revealing character. What movies he likes, what movies he refuses to mention liking, and so on are a convenient and efficient way of telling you a lot about Mark. Also, it’s just fun to see characters talk about movies and whatnot—as people like Whedon, Tarantino, and Smith have been showing us.

The 12-steps

As the book started to really focus on—and feature—things like the meetings Mark’s attending, his recovery, and his working the steps, I started to get worried. Primarily because it was early on, and while I understood that Mark was flippant, even a wiseacre—was Hart going to be flip about the 12-steps? That feels like something you shouldn’t touch—like a third rail, a skunk with a hair-trigger, or that Easter Egg you finally found in late June.

But no—the meetings, the steps, the attitude about recovery, and the way the characters interacted about their recovery were dealt with respectfully. Sure, there was a little bit of Mark’s attitude (or similar ones) expressed in the meetings and whatnot—but not about the meetings or the program, just about each other or themselves. (much like I imagine happens in an actual meeting)

If anything, this is practically an advertisement for those kind of programs and the good work they can do. Because this is the heart of the novel—yes, there’s the violence, the suspense, the twists, and whatnot—let’s call them “The Thriller Aspects.” Those aspects are what will draw readers to the book, they’re what’ll keep your attention and get you hooked on it. But Assassins Anonymous isn’t so much about the “Assassins” as it is the struggle, the stumbles, and the victories associated with Recovery. In my book, we should get more of those—particularly honest books about the victories.

So, what did I think about Assassins Anonymous?

Imagine Martin Q. Blank, Jimmy Tudeski, and Frank Moses meeting up and trying to take care of business—non-lethally (I guess that’d be something like the pacifist version of The Expendables), and you’ll have something like this book.

Let’s start with The Thriller Aspects—Hart nailed them. Even—maybe especially—the more outlandish aspects of them (which are really the trickier part to pull off). There’s a confident panache to the novel—as well as most of the characters—that lets you know right away that you’re in good hands and are set for a great ride. Some twists you’ll see coming, and won’t care because of the way he executes them. But also,

The 12-Step aspect—well, see above—another win for Hart.

What about the comedy and narrative voice? Spot on—seriously good. It’d be easy to go overboard on the comedy—or to not use enough of it (we are talking about a bunch of people who have killed many others), but I think Hart hits the balance just right. And Mark’s the kind of guy you can enjoy being stuck in the mind of for 320 pages.

The first chapter gives you everything you need to know about this novel—it’s such a well-written chapter, too. Voice, character, action, comedy. If you read it and aren’t hooked, you’re probably going to feel that way about the rest of it. If that first chapter works for you? Kick back and enjoy.

Sure, this novel is right in my wheelhouse—I’m practically its target demographic incarnate—but I think even if I wasn’t, it would’ve won me over. I strongly encourage you to pick this one up. I can’t tell you what’s keeping me from giving it the final full star, but something is (and since I’ll have to round up almost everywhere I cross-post, I’m not going to lose any sleep over it)—but, boy howdy, you’re in for a great time when you open this one up.

Disclaimer: I received a copy of this book from Putnam Books via NetGalley—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Assassins Anonymous by Rob Hart:The Confessions of a Tactical Drone with a Heartbeat and a Dairy Allergy

By HCNewton

On May 30, 2024

In Mystery/Detective Fiction/Crime Fiction/Thriller

Assassins Anonymous

by Rob Hart

DETAILS:
Publisher: G.P. Putnam's Sons
Publication Date: June 11, 2024
Format: eARC
Length: 320
Read Date: May 27-29, 2024

What’s Assassins Anonymous About?

Almost a year ago, Mark walked away from his old life and into a 12-step meeting. It’s been a struggle for him—he’s almost relapsed, he came close to suicide, and he’s struggled every day. But with the support of the other people in his group, his sponsor, and a little orange cat who came into his life at just the right time—Mark is making it, day by day.

Then one day, Mark’s cleaning up after the meeting and he’s attacked by a Russian who moves like a professional killer. Mark fights back—incapacitating the Russian and escaping with a serious—but not-too-serious—wound of his own and a burning question: who sent the Russian? The search for the answer takes Mark (and his cat) around the world—into some very dangerous situations, and almost more temptation for Mark to relapse than he could’ve imagined.

You see, Mark’s 12-step meeting isn’t for Alcoholics Anonymous, Gamblers Anonymous, Narcotics Anonymous, or anything like that. As you’ll guess from the book’s title, it’s Assassins Anonymous. Hitmen, Assassins, Serial Killers, and the like, who are tired of the life, who are tired of killing and want to try to live productive, life-affirming lives. They have to fight old impulses, old habits, old attitudes, they have to abandon adrenaline rushes (which are probably pretty addictive) and all the rest for a quiet life. Mark had been one of the best in the world (or the worst, depending on your perspective)—almost legendary—until he went cold turkey. But someone’s apparently trying to warm up the poultry.*

* That’s a metaphor I really shouldn’t have tried to stretch.

Can Mark discover why someone game for him almost a year after he quit “the life”? Can Mark make them stop without having to throw away all the work he’s done over the last (almost) 12 months?

The Movies

Like many moviegoers, I love a good hit man movie. I can even enjoy a “just okay” hitman movie (sorry, The Whole Ten Yards you don’t qualify as either). Mark, unsurprisingly, isn’t a fan of most of them. Sadly, that’s where most people get their ideas and information about assassins and hitmen from. So by character, actor, or movie title, they’re brought up frequently—usually to Mark’s dismay. He’ll also just compare his life to those movies on occasion. I enjoyed this aspect of the character a lot—particularly one running bit where people kept expecting him to look more like a particular actor.

Other kinds of movies are used throughout the novel, too—they’re a great shorthand way of revealing character. What movies he likes, what movies he refuses to mention liking, and so on are a convenient and efficient way of telling you a lot about Mark. Also, it’s just fun to see characters talk about movies and whatnot—as people like Whedon, Tarantino, and Smith have been showing us.

The 12-steps

As the book started to really focus on—and feature—things like the meetings Mark’s attending, his recovery, and his working the steps, I started to get worried. Primarily because it was early on, and while I understood that Mark was flippant, even a wiseacre—was Hart going to be flip about the 12-steps? That feels like something you shouldn’t touch—like a third rail, a skunk with a hair-trigger, or that Easter Egg you finally found in late June.

But no—the meetings, the steps, the attitude about recovery, and the way the characters interacted about their recovery were dealt with respectfully. Sure, there was a little bit of Mark’s attitude (or similar ones) expressed in the meetings and whatnot—but not about the meetings or the program, just about each other or themselves. (much like I imagine happens in an actual meeting)

If anything, this is practically an advertisement for those kind of programs and the good work they can do. Because this is the heart of the novel—yes, there’s the violence, the suspense, the twists, and whatnot—let’s call them “The Thriller Aspects.” Those aspects are what will draw readers to the book, they’re what’ll keep your attention and get you hooked on it. But Assassins Anonymous isn’t so much about the “Assassins” as it is the struggle, the stumbles, and the victories associated with Recovery. In my book, we should get more of those—particularly honest books about the victories.

So, what did I think about Assassins Anonymous?

Imagine Martin Q. Blank, Jimmy Tudeski, and Frank Moses meeting up and trying to take care of business—non-lethally (I guess that’d be something like the pacifist version of The Expendables), and you’ll have something like this book.

Let’s start with The Thriller Aspects—Hart nailed them. Even—maybe especially—the more outlandish aspects of them (which are really the trickier part to pull off). There’s a confident panache to the novel—as well as most of the characters—that lets you know right away that you’re in good hands and are set for a great ride. Some twists you’ll see coming, and won’t care because of the way he executes them. But also,

The 12-Step aspect—well, see above—another win for Hart.

What about the comedy and narrative voice? Spot on—seriously good. It’d be easy to go overboard on the comedy—or to not use enough of it (we are talking about a bunch of people who have killed many others), but I think Hart hits the balance just right. And Mark’s the kind of guy you can enjoy being stuck in the mind of for 320 pages.

The first chapter gives you everything you need to know about this novel—it’s such a well-written chapter, too. Voice, character, action, comedy. If you read it and aren’t hooked, you’re probably going to feel that way about the rest of it. If that first chapter works for you? Kick back and enjoy.

Sure, this novel is right in my wheelhouse—I’m practically its target demographic incarnate—but I think even if I wasn’t, it would’ve won me over. I strongly encourage you to pick this one up. I can’t tell you what’s keeping me from giving it the final full star, but something is (and since I’ll have to round up almost everywhere I cross-post, I’m not going to lose any sleep over it)—but, boy howdy, you’re in for a great time when you open this one up.

Disclaimer: I received a copy of this book from Putnam Books via NetGalley—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Christa Comes Out of Her Shell by Abbi Waxman: Family, (Unwanted) Fame, Love, and Snails

By HCNewton

On May 20, 2024

In Abbi Waxman, Fiction, General Fiction/Literature

Christa Comes Out of Her Shell

by Abbi Waxman

DETAILS:
Publisher: Berkley Books
Publication Date: April 16, 2024
Format: Paperback
Length: 371 pg.
Read Date: May 2-7, 2024

I glanced up from the phone screen and caught sight of myself in the mirror. With thoughts of my mother in my head, I straightened up and took a look. As always, I was wearing pieces from what she refers to as my “forest floor collection.” It makes my life easier to wear khaki, green, olive or sand, because all of my clothes end up coated with seawater, salt lines and general beach muck. I researched and found the perfect pair of shorts, I researched and found the softest, most durable T-shirt, then bought four sets of both and never wear much else. Honestly, when Einstein did it, he was an eccentric genius; when Steve Jobs did it, he was a genius emulating an eccentric; and when I do it, I’m not making enough of an effort. Patriarchal bullshit; those are quality shorts.

What’s Christa Comes Out of Her Shell About?

Christa Barnet is a biology researcher happily studying a particular kind of snail on a remote island in the Indian Ocean. The island is populated by people who grew up there and a rotation of other researchers taking advantage of the isolation of the flora and fauna from the rest of the world. She has no real close relationships, a nice room in a boarding house, and her snails—life is pretty much what Christa wants.

Until her father comes back from the dead. Well, kind of. It’s not a zombie novel or anything. Her dad was an internationally known TV host of nature programs. Think Steve Irvin without the accent. But when Christa was a small girl, the plane her dad was flying went down in the Alaskan wilderness and no one knew what happened to him. He was eventually declared dead, and the family moved on.

But now, he’s back—so Christa has to leave her snails behind and go back to help her mother and sisters deal with this, to find out what her dad has been doing (and why no one knew he was alive).

To get all reductionistic there are three main plotlines afoot and I want to touch on them briefly—but each of them is about Christa coming out of her shell in their essence.

The Whole Dad Thing / Celebrity Culture

So, yeah…her Dad is back. It’s hard to talk about this as anything but strange. And Christa and her family don’t even bother trying. As they learn more and more about where he’s been, it gets even stranger.

Obviously, all of them have a lot to catch up on, they’ve missed decades of life with him—Christa has only the vaguest memories of him because she was so young when he disappeared. Her sisters have relationships to repair and rebuild (to say nothing of what her mother needs to do)—but Christa essentially needs to start from nothing.

Given his status (which has only grown while he was “dead”), the way that the media is sensationalizing his return, and the way the American public loves a good reboot—the press and opportunities for books, movies, new series, etc., etc., etc. are insane. It’s difficult to try to reestablish/establish any kind of family ties under the microscopes and spotlights that surround the family right now—and that’s assuming the family wants to.

Agents representing entertainment professionals live lives illuminated by reflection. When their clients do well, they do well, and some cycles are virtuous and some are vicious. One fortunate feather in an agency’s cap is a celebrity who DWF—died while famous. All famous people die, but most do not die famous. Most simply die old, like everyone else.

When they do kick off at their peak, their agency inherits an icon. It’s an annuity, kind of, or like money in a mattress. Somebody benefits from the fact that Jimi Hendrix (for example) isn’t a happily retired guitar player growing tomatoes in Seattle, though that would have been a better outcome in every other way.

Throughout all of this, Waxman has her sights set on the entertainment industry (with a special eye on publicists/PR/focus on image over substance), the role of the press in covering that industry, and social media (in general and relating to celebrities). Waxman reminds me so much of Christopher Buckley (oddly, Dave Barry’s fiction comes to mind, too) when this plotline is the focus—she has a similar ability to find the alienness to what “regular people” think, the absurdity of the “logic” employed by the media types, and the ridiculousness of how it all works—and is eaten up by viewers/fans. She excoriates this whole thing—but also shows the appeal.

The Romance Story

He frowned quizzically at me. “You’re very dreamy for a scientist. I think of you guys as practical and all about the facts, ma’am.”

I laughed. “You’re completely wrong. Scientists fall deeply in love with something and spend their lives obsessing over it.” I turned my head to look at him. “Like when you first fall in love with someone, and want nothing more than to be with them all the time, learn everything you can, discover how they feel, what they think . . . that’s science. Isn’t love just an overwhelming desire to solve the mystery of another human being?” I shrugged. “Science is full of mysteries, and people trying to get to the bottom of them.”

Nate has been a constant feature in Christa’s life (and vice versa), he’s older than her—more like her sister’s age. But their families were close while they grew up—so they spent a lot of time in each other’s orbit. He’s now running the business side of her family’s conservation work, and they really haven’t set eyes on each other for over a decade.

When they do meet each other in this novel, the mutual attraction is pretty obvious (especially to everyone who isn’t them). What unfolds from there is one of your standard-issue Rom-Com stories. But Waxman is so good at writing it that it feels pretty fresh, and you can easily find yourself forgetting that you’ve read umpteen times and seen even more stories that follow the same outline. Also, it needs to be remembered why we’ve seen/read this story so many times—it works really well and people enjoy it. People really enjoy it when someone as clever as Waxman is telling it.

The two are sweet and cute together. The story is easily the most engaging part of the book—and it’s nice to have it to fall back on when things get dicey with the above story.

Christa’s Mother and Sisters

“What’s with your hair?” she said, reaching out to tousle it, a move I was able to block.

I shrugged. “I like it like this; it makes it easier for people to find me.” It also goes with the tattoos and piercings to suggest I might be a badass. . . It’s a basic tenet of camouflage: Look like something dangerous (an edgy chick who might mess you up) and no one will get close enough to see the truth (a nervous scientist who would rather be left in peace).

I think readers are supposed to get more invested in the story about Nate—and the story about her Dad is really the bigger story of the novel. But the plotline that did the most for me was about Christa’s family that didn’t go missing—her mother and older sisters.

Like with many such stories, there’s a mix of who these people are as adults and who they were as children/teens (and younger adults, in the case of her mother). Christa, more than the others, still sees the others the way she saw them as a child and during her turbulent teen years. Yes, she understands how they’re not the same people, but her view of them as people and their relationships with her were set in stone then. And for her sisters, they largely see the troubled teen she was.

In the last couple of years, however, Christa’s sisters have started to change—and they all get to see new sides of their mother given the return of her not-that-deceased-first husband. They all see Christa in new ways, too—and we get the idea they actually understand her better than she does herself.

If you’ve read Waxman before, you know how well she depicts relationships between women. If you haven’t—just take my word for it, she depicts them in a way that you could just sit and read dozens and dozens of pages of it, even without much of a plot. When they’re working together on something (even if they don’t all agree on the way to do it), it’s just great. If Waxman just wants to give us a novella about the next Thanksgiving these women enjoy together (or something like that), I’ll be first in line.

I have largely complimentary things to say about the novel as a whole, but this aspect is the one I’ll spend the most time thinking about.

We Could’ve Faded to Black a Little Quicker

Like with the Sunshine Vicram series, at a certain point I couldn’t believe I recommended this book to my mother.* I’m sure she’ll enjoy it, but things get a little more spicy (and detailed) before Waxman fades to back on our couple. And Christa’s first-person narration is fine with talking about things that happen while things were faded to black.

* Note to Self: Finish Books before recommending them to her.

I don’t think we actually achieve the, um, levels of ardor that Sunshine does (not like that’s the most extreme I’ve encountered, I just think I’ve talked more about what the people that make up TV/Movie warnings call “adult situations” with that series than others). But we get close on a couple of occasions.

Is it too “adult” for most actual adults to read? No. Will many of you find it tame? Yes. Did it make me a little uncomfortable? Yes (I keep telling you I’m a prude). Does it really impact what I think of the novel? Nope. But it was noteworthy enough, that I figured I should mention it.

If only I feel better about things when my mother ends up reading the novel.

So, what did I think about Christa Comes Out of Her Shell?

According to my notes, the first 87 pages of this book might have been my favorite 87 pages this year. Maybe it went on longer, but that’s where I was when I wrote that down. Not every page after those were as good, but overall, I had a real blast with this book.

Christa is definitely a Waxman-brand protagonist. But she’s different enough to make it clear that Waxman has range. Christa is more abrasive—she also has more formal education than the others I’ve encountered and shows it (not in a performative or braggadocio way). There’s also a Bernadette Fox-ish vibe to her. The rest of the characters are easily the kind to shop at Nina Hill’s bookstore or hang out at the boardinghouse with Laura Costello and the rest. In other words, they’re complicated, fallible, and fun to spend time with.

Waxman’s voice is one of my favorites—and has been since I first encountered her work. I love her characters, her wit, and the stories she decides to tell. This seemed like a departure for her—not in ways I can articulate, nor in ways I can or want to criticize. It’s just a different feel from her last three novels—and more power to her for making those choices.

I laughed, I was moved, my heart was warmed—all the typical reactions to Abbi Waxman. I loved being in this world, surrounded by Waxman’s words and I cannot wait for the next excuse I have to do it again. I heartily encourage you all to do the same.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Namaste Mart Confidential by Andrew Miller: A Pair of Unlikely P.I.s Search for a Missing Woman

By HCNewton

On April 29, 2024

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

I’ve talked recently about how easily distracted I am—how much trouble I’ve had focusing on things—I’m pretty sure that this post reads like the product of that. Hopefully, it makes enough sense to be worth your while.

Namaste Mart Confidential

by Andrew Miller

DETAILS:
Publisher: Runamok Books
Publication Date: May 1, 2024
Format: ARC
Length: 246 pg.
Read Date: April 4-9, 2024

What’s Namaste Mart Confidential About?

It seems (especially in film and novels) that Los Angeles is filled with people who’ve moved their to start their lives. That’s certainly the case for Richie Walsh, a stand-up comedian trying to build his audience and act, and Adam Minor, an aspiring novelist. While they wait for their artistic careers to take off, they need to pay their bills—and so they get jobs at the greatest grocery store in the country to be employed at (as far as I can tell, anyway—I’ve never known anyone to have such a good gig while working at one).

Some time back, however, the two of them stumbled upon a kidnapper and rescued his latest victim—getting them some attention from the local media and starting a side gig for them: Unlicensed Private Eyes. They’ve had a few successful cases, nothing as headline-worthy as their first however, and then entered a dry spell.

They’re pulled out of it when a co-worker’s mother hires them. She runs a few lingerie stores (higher-end stuff), and one of her top employees has gone missing. Shayla Ramsey has had a troubled past—escaping from the frying pan of a polygamous marriage to the fire of addiction on the streets of L.A. She’s put her life on the right track—and now she’s vanished, with both parts of her past equally likely to have pulled her back in.

Neither grocery store clerk could expect—or be prepared for—where the trial for Shayla takes them. But readers are going to have a blast going along for the ride.

A Real Kitchen Sink Novel

What doesn’t this book have, really? First off—and it’s easy to forget this, but you shouldn’t—it’s noir. Then you have a slice of L.A. life in 2013, and boy does it feel like it. There’s some comedy. There’s some satire. There’s commentary on the rise (and growing acceptance, it seems) of polygamous LDS groups*. There’s some drama. There’s some over-the-top action movie-style gunfights. There’s a splash of politics. There’s more than a little commentary on the nature of celebrity. There’s some actual sweetness through one of the smaller arcs. You’ve got Armenian mobsters. Ex-actors turned business executives. Ex-actors turned artists. Grocery store clerks and very odd customers (just that part of the novel alone could be turned into a decent sitcom). A strange Scientology-esque group.

* I read three novels that featured them last year alone. An odd trend in crime fiction.

This is not an exhaustive list—and I know that once I publish this post, I’m going to think of other things I could’ve included.

But the important thing to know going in—it all works. This jumble of seemingly incompatible ideas/topics that Miller brings to the table fit together in a way that feels natural. It’s like one of those cooking competition shows where the contestants are handed a bunch of ingredients that no one in their right mind should put together and they make something that gets that gets the approval of experienced chefs and restauranteurs. Miller ain’t getting chopped for this meal.

Anger

At one point in the show Justified, Winona tells her ex-husband, “Raylan, you do a good job of hiding it. And I s’pose most folks don’t see it, but honestly, you’re the angriest man I have ever known.” That line came to my mind a few times while reading this book—I don’t know that Adam or Richie are quite as angry as Raylan—but they’re noticeably younger than him. Unless something happens to them in the next decade or two (you know, presuming they survive this novel), I do think they might attain that high mark.

Adam says he wants to pursue this case for a different reason—and that might be true (he certainly believes it), but it seems to me that his life as a whole is driven by anger. Anger at his family for the way he was raised, the religion he was inculcated in, and the way they responded to him rejecting their faith and way of life. This spills over to an anger at any religion—or pseudo-religion/cult. It frankly gets in his way, and makes this case (and probably others, as well as other aspects of his life) much more difficult. Richie’s anger (more on that in a moment) may put them in immediate jeopardy a time or two, but I’d wager that Adam’s chip on his shoulder about religion/religious beliefs is a bigger detriment/hindrance to the duo.

I should probably add that while Adam thinks he’s angry at his family and their religion, I actually think he’s angry at God for not existing. Or at least not existing and behaving the way that Adam expects him to.

Richie’s anger is a little easier to see—there are no tears of this clown to be seen, just a violent streak that can be seen from miles away. Miller doesn’t give us as much insight into it as we get with Adam’s—but we may get more examples of it in action. Richie is definitely more honest with himself about the outward expression of this (although he might underestimate his ability to control it).

So, what did I think about Namaste Mart Confidential?

Based on his short story in Jacked, this was not the novel I expected from Miller. But I don’t know what he could’ve written that would’ve made me think he (or anyone else) would produce something like this book.

Anytime I hear “unlicensed private investigators,” my mind goes to the fantastic FX show, Terriers and while Adam and Richie aren’t Hank and Britt, I could see Adam becoming Hank-like with another decade or more experience (I think Richie’s already a better P.I. than Britt). The designation allows Miller to take advantage of all the P.I. tropes he wants to—and to keep these guys strictly amateur. So they do not have to follow all the rules a licensed P.I. would have to and make dumb mistakes and act like renegade escapees of a cozy novel. It’s definitely a best-of-both-worlds kind of situation and a great choice by Miller.

I cannot tell—and I’d hesitate to speculate—if Miller has a lot he wants to say about religion and faith, or it it just fit the plot and the character of Adam. I’d buy either explanation (or both). I would like to see Adam and Richie back in action in a story that didn’t have that much/anything to do with religion to see how Adam acts when he doesn’t have something like that to bounce off of, I think it’d be interesting to see the contrast.

This is a very L.A. novel—even if you disregard the Hollywood-adjacent portions (although it would be difficult to do). This book wouldn’t function the same way were it set in Chicago, Dallas, Boston, or Orlando. It would take someone better at analyzing these things—or at least in describing them—to tell you why. But these events need L.A. (with a quick detour to Mexico), and I relish things like that. By and large, Spenser, Elvis Cole, Madison Kelly, or Kinsey Millhone can take place just about anywhere. But Lydia Chin/Bill Smith, August Snow, Annie McIntyre, or Adam Minor/Richie Walsh need their geography*. I’ll read any of those at any chance I get, clearly, but there’s something distinctive about those tied into their cities like that.

* Obviously, they can travel outside their typical bailiwick, but then you’ve got the duck-out-of-water thing going on.

I seem to be jumping around a little bit in this section (and perhaps the entire post), because there are just so many aspects of this novel that I want to talk about and I’m not certain how to link them all together—and which ones I have time and space to cover. It may be a bit hyperbolic to say I could open this book up to any random page and find something I could talk about for at least a paragraph or two—but only a bit. It’s not often I think that in a P.I. novel—and I love it.

Miller nails the pacing of this novel. The circuitous path our duo takes to track Shayla fits both their strengths and weaknesses. The dangers they face feel genuine—and their lack of ability to really cope with some of that danger endears them to me more than when they’re being competent (not that I don’t enjoy them doing their job well, too). Familiar and unexpected all at once—Miller tackles this novel like a pro, and I can’t wait to see what he does next. (although if he wants some suggestions, I’d point him to the short story I talked about a few paragraphs back)

If you’re in the mood for a gritty P.I. novel with a lot of zip, look no further than Namaste Mart Confidential.

Disclaimer: I received a copy of this ARC from the publisher, without any expectation that I would write about it—but how could I not?

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Quantum Love Story by Mike Chen: Mike Chen + Time Travel + Love = A Real Winner

By HCNewton

On March 25, 2024

In Fiction, General Fiction/Literature, Mike Chen, Science Fiction

A Quantum Love Story

by Mike Chen

DETAILS:
Publisher: Mira Books
Publication Date: January 30, 2024
Format: Hardcover
Length: 346 pg.
Read Date: February 14-17, 2024

…it’s never changed. Nothing does.” Their eyes met, a sudden weariness to his pupils. “Except me.”

“And now me.”

“Yeah. It’s…” he bit his lip “…nice to not be alone. Everyone’s living their lives, and I’m just here.” He turned, the light catching his eyes enough to show a glisten. “It’s almost like playing a video game. You can do a few things differently, but everyone just returns back to start. You can scream and yell at the world, but everything snaps back. No one is aware. They just resume their lives. And then it repeats.” He bit his lip again, eyes scrunched as he shook his head. “It just repeats. Nothing matters. Nothing changes.”

What’s The Jacket Copy Say?

I’ve spent a month tossing out my summaries of the plot/setup to the book. I give up—I either make this bland (and that’s a crime), I get too detailed in trying to describe something (another crime, I’m dull at it, and Chen’s not), or it’s so sketchy on details that it’s pointless. So, let’s turn it over to the professionals:

Grieving her best friend’s recent death, neuroscientist Mariana Pineda’s ready fo give up everything to start anew, even her career—after one last week consulting at a top secref particle accelerator.

Except the strangest thing happens: a man stops her…and claims they’ve met before. Carter Cho knows who she is, why she’s mourning, why she’s there. And he needs Mariana to remember everything he’s saying.

Because time is about to loop.

In a flash of energy, it’s Monday morning. Again. Together, Mariana and Carter enter an inevitable life, four days at a time, over and over, without permanence except for what they share. With everything resetting—even bank accounts—joy comes in the little moments: a delicious (and expensive) meal, the purr of a tiny cat, a tennis match, giving a dog his favorite treat.

In some ways, those are all that matter.

But just as they figure out this new life, everything changes. Because Carter’s memories of the time loop are slowly disappearing, And their only chance at happiness Is breaking out of the loop—forever.

The Everyday Lifeness of it All

Mariana is not good at living in the day-to-day. She’s always been goal-driven, more focused on her dreams and plans and how to achieve them than about enjoying the journey. Her friend’s death has rattled her, yes, but she’s still essentially the same.

Carter, on the other hand, is great at living in the moment. Sure, he was (and could be again) good at the goal-driven life, too—but he chose a path his parents didn’t choose for him. He’s able to get Mariana to stop and smell the metaphorical roses–as well as the literal food in front of her. He shows her how to enjoy a good meal for the sake of a good meal, to take pleasure in the little things—not just to consume enough fuel to keep her going.

In the midst of trying to figure out what caused the time loop, what the effects of that flash of energy that sends them back to Monday are on the rest of the world, and how to stop it all, a real friendship develops—Carter and Mariana bringing out the best in each other.

The Groundhog Day/Time Travel

Now, if Chen’s Here and Now and Then taught us anything, it’s that Chen can write good Time Travel fiction—he gets the strengths and weaknesses of the ideas, the pitfalls to avoid, the way to keep it compelling. Adding in a Groundhog Day-like twist doesn’t change that, it just makes it better (and keeps this from being just a variation on his first novel).

This is a different kind of Time Travel than his previous book—and (as always) Chen gives us just enough of the science to make it believable, but not so much that you could go out and test it (or pick it to death in the details). The Time Travel aspect is important, but it’s not the core of the novel—that’s the stuff I talked about before.

What I personally found fascinating is how close Chen’s science-ish Time Travel resembled Gareth Brown’s magic-ish Time Travel, both in how it works and how it’s used. Two very different novels, with very different goals—but the overlap is fascinating. (at least to me)

So, what did I think about A Quantum Love Story?

I probably grinned through most of this book—particularly after the first loop for Mariana. I absolutely loved the friendship between the two—and then when it started to become more (not a spoiler, it’s literally the title), I was fully on board.

Chen was at his best here with his character design (the whole backstory about Mariana and her dead friend was so good…the kind of thing that other writers would devote a whole novel to) and the plot of the novel was even better. The best material happens so late that I don’t even know how to tell you about it without spoilers abounding—so I’ll be vague, once Carter’s memories start going, what was a great, heart-warming yet strange story becomes a dynamite emotionally-rich story with some of crazy turns.

No surprise for anyone who’s ever heard me talk about Mike Chen novels for the past six years—I strongly recommend that you pick this up. It’ll be one of those novels you relish and think about fondly for a long time to come.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Empowered Witness: Politics, Culture, and the Spiritual Mission of the Church by Alan D. Strange: A Case Study and a Call to Act

By HCNewton

On March 24, 2024

In History, Non-Fiction, Politics/Current Affairs, Theology/Christian Living

Empowered Witness:
Politics, Culture, and the
Spiritual Mission of the Church

by Alan D. Strange

DETAILS: 
Publisher: Crossway
Publication Date: February 13, 2024
Format: Paperback
Length: 127 pg.
Read Date: February 11-18, 2024

The church is not presented in the Bible as simply another voice in the competing cacophony of shouted slogans but rather that still small voice that testifies to what God has done for us in Christ, that he so loved the world that he gave Christ to die for it, so that all who believe in him should not perish but have everlasting life (John 3:16). This is the message of the church, and to reduce it to a mere political agenda is to sell short the glory of the gospel. The Christian faith is not, at its heart, a political message but a spiritual one. A doctrine of the spirituality of the church, properly conceived, holds fast to this thrust and permits the church to maintain fidelity to the Christian message while keeping in check any address that it might consider necessary respecting matters in the civil and political sphere.

What’s Empowered Witness About?

This is one of those books where if I’m not careful I’m going to end up restating and interacting with the entire argument of the book. So we’re going to be careful…

The Publisher’s site says:

Rediscovering the Spirituality of the Church in Our Highly Politicized Age

The goal of the church should be simple—share the gospel to the ends of the earth. But in our highly politicized age, Christians can tend to place earthly political and social agendas over God’s spiritual mission of the church.

In Empowered Witness, author Alan D. Strange examines the doctrine of the spirituality of the church, making a clear distinction between the functions of the church and other institutions. Strange argues that if the church continues to push political agendas, no institution will be focused solely on the Great Commission and the gospel will be lost entirely. This book calls readers to become aware of the church’s power and limits and shed light on moral issues in a way that doesn’t alter the deeply spiritual and gospel-centered mission of the church.

The Doctrine Under Consideration

This quotation from Charles Hodge offers a good (yet partial) definition:

It is the doctrine of the Scriptures and of the Presbyterian Church, that the kingdom of Christ is not of this world; that it is not subject as to faith, worship, or discipline, to the authority of the state; and that it has no right to interfere with the state, or give ecclesiastical judgment in matters pertaining to state policy.

The Spirituality of the Church focuses on the Church’s Spiritual Mission—to proclaim the gospel and help change the lives of believers—and calls the church to remember that’s her mission and to keep her from becoming entangled with or too immersed in the concerns of this world, with the power/goals of the State, and so on.

This doesn’t mean that the Church cannot—ought not—speak to the culture or State as it regards morality or spiritual issues, but it ought not get into the details of the political realities or functions.

The Structure of the Book

Let me just show you the Table of Contents first,

Chapter 1: The Doctrine of the Spirituality of the Church
Chapter 2: Slavery and the Spirituality of the Church
Chapter 3: The Spirituality of the Church Preceding the US Civil War
Chapter 4: The Spirituality of the Church and the General Assemblies of 1862–1865
Chapter 5: The Southern Church and the Reunion of the Northern Church
Chapter 6: The Spirituality of the Church and Politics Today

As you can see, the bulk of the book focuses on the middle of the Nineteenth Century and the Church (primarily the Presbyterian Church in the US)—and Charles Hodge was one of the leading voices and thinkers of the time. The book uses Hodge (and others to lesser extents) as a case study to see how this doctrine can be applied. Strange calls the story of the Presbyterian Church of the 1800s a “great cautionary tale”—you will not see a lot of hero-worship here. The Church didn’t live up to her calling, but we today can learn from their failings.

Strikingly, many of those who differed with and opposed Hodge (or that he differed with and opposed) held to the same doctrine. One of the strengths of Chapters 2-5 is that we see that this isn’t a “magic bullet” ensuring unity amongst believers that we can use to get the world/governments to do the things we want.

So, what did I think about Empowered Witness?

Every decision that the church as church takes needs to be justified in the light of the spirituality of the church, answering positively a question like “Does this advance the true spiritual task/calling/mission of the church?” Endorsing a political candidate and taking a position on a tax bill arguably does not pertain to or advance the cause of the gospel…

Saying this, though, does not remove the difficulty of defining what is spiritual vis-a-vis what is more purely political. One mans “purely political” may be another man’s “civil consequences of a proper spirituality.” Nothing will save us from the debate over whether a matter pertains to the proper spirituality of the church or falls under the more purely political items that should not concern the church. And there are those on both left and right, particularly hard-liners, who see everything as political, so that all political issues are moral and all moral issues are purely political.

This is not the book I expected from the description or even the title. This is both a complaint and a reaction. However, the book’s concept is probably a better idea than what I expected.

So rather than a purely theoretical or scholarly presentation and analysis of The Spirituality of the Church, or one looking at how to address contemporary issues, controversies, and discussions from that point of view—we get a look at how historical figures dealt with it. This allows the reader to see examples of the application of the doctrine to the real world (avoiding the problems of the first strategy) or distracting readers who may differ from the author when it comes to contemporary issues (avoiding problems of the second strategy). So by focusing on historical figures approaching a topic that most readers are familiar with, and are (likely?) largely settled about the events and how things played out, we can see how the various figures applied the doctrine without getting too worked up or distracted.

This also allows Strange to be critical of every figure he talked about when necessary—historical distance can be helpful.

I’ve seen a some mild criticism of Strange’s descriptions of the positions of James Thornwell and Stuart Robinson in distinction from Hodge—but they were mild (and the person who made those criticisms was largely positive toward the book otherwise). And I imagine there are some who’d want to pick a little on his depiction of Hodge and his position, too. But no one is going to challenge Strange’s grasp on the overall discussions and positions—this is an area he’s devoted years to and it shows.

Nor does this book try to answer every question, address every angle or objection—it’s the beginning of a consideration, an invitation to a conversation—one that each reader should have with those around them.

I ended up relishing the experience of reading this book and gleaned so much from it—and I really want to read the dissertation this was based on now (a healthy TBR stack is all that’s preventing me from jumping on it now). Chapter 1, “The Doctrine of the Spirituality of the Church” (with the introduction) and Chapter 6, “The Spirituality of the Church and Politics Today” serve as good bookends, ensuring that this isn’t just a historical discussion, but one that’s vital to readers and believers today—without being so expansive or long that Strange will put off readers who differ from him.

The more I think about this book, the more I like it. I’ve spent more time talking about it with others than I do most books—and have ended up chewing on it more after those conversations—the more time you spend with Strange, Hodge, and those events/ideas under consideration, the greater your appreciation is likely to be. Empowered Witness is an easy (enough) read, but deals with thought-provoking topics in a thoughtful way, so you’re not going to race through this. You’re going to walk away from this impressed with the Nineteenth Century figures (even if you were already appreciative with them) and wondering where you can read more people like them. Strange has done us a service with this book, and hopefully, it bears good fruit.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Strong Like You by T. L. Simpson: Love And Hate On The Edge Of A Knife

By HCNewton

On March 12, 2024

In Fiction, General Fiction/Literature, YA/MG/Children's Books

Strong Like You

by T. L. Simpson

DETAILS:
Publisher: Flux
Publication Date: March 12, 2024
Format: eARC
Length: 224
Read Date: March 1, 2024

What’s Strong Like You About?

Walker Lauderdale is a high school sophomore and a starter for his small Arkansas high school’s football team. He and his cousin/best friend/might as well be brother Sawyer are fierce players for the defense (and we see that almost instantly). This should be the best time in his young life—but there’s something wrong.

His dad has been missing for a month. He’s not there to watch his first game. He’s not there to burst with pride, to offer advice, or to cheer from the stands. He’s just…gone. Walker’s dad and Sawyer’s dad (also best friends and teammates on the same high school team before marrying sisters) took off one night and haven’t returned. The two boys are certain they’ll be back any time—they’re frequently checking the bleachers to see their fathers up there.

The book is an extended monologue—or a series of them. Technically, an apostrophe, but let’s stick with monologue. Walker is addressing his father—catching him up on the turmoil and victories he’s missing, the hurt Walker feels because of his absence, and how he’s trying to make things work until his dad comes back. The grief, loss, and anger jump off the page.

Walker’s dad isn’t a great one, either, it should be stressed. Rarely employed, his income is largely illegal and irregular. Both missing fathers are abusive to their wives and sons. But in the way that we all can recognize, the boys are just that much more devoted to them because of it—making their dads proud is a chief aim of theirs.

Walker becomes determined to go look for his dad—which involves starting with the man his dad and uncle were last seen with—a truly frightening and violent man. Sawyer tries to dissuade him, but that just makes Walker even more certain that he needs to act.

But does he truly want to find the answers he’s seeking?

Learning About Guns

Walker—like so many people in the U.S.—appreciates guns. He’s quick to grab a pellet gun to (try to) chase away his uncle. But his cousin Sawyer? Sawyer is a nut for guns, he has magazines about them all over his room. At some point, Sawyer comes across a pistol (and somehow gets money for many bullets for it—or at least acquires them). There’s a big difference between a pellet gun and a Colt 1911, and it doesn’t take long for Walker to start learning about them.

Not what you learn in video games/TV, not what Sawyer’s survival mags teach, or anything like that. But about the reality of them—how they can invite violence, how holding one affects you, what destruction they can bring even without trying. There’s no pro-/anti- gun message at work here. No lessons or sermons were delivered. But the reality of what a gun can do to a person, a situation, or an attitude is presented in stark reality. I’d say it’s easily one of the best things about this book, but if I started listing the best things about this book, we’d be here for a long time.

Anger

Walker and Sawyer are angry young men—it’s simmering right below the surface, and comes out at inopportune times. Although, it does sometimes come out when it should*—and we see an example of that in the opening minutes of their first game of the year.

* Arguably, anyway. Their coach and teammates would say it’s appropriate.

There are plenty of reasons for them to be so angry—even before their fathers abandoned them. The more time you spend with them—Walker in particular—you see just how many reasons he has. It’s part of what his parents have passed down to him, part of the example they’ve set and the environment he’s been raised in.

The guy his father and uncle runs with, Lukas Fisher, has another kind of anger inside him—and he doesn’t hesitate to express it—where Walker’s parents shape him by their anger, Lukas “trains” his pit bull with his.* While we can see a little constructive use of anger, we can see some people who are angry due to circumstance and situations—but Lukas? He seems to revel in it, maybe even feeds on anger.

* This is off-point, but Simpson’s description of the dog’s barking was both wonderfully accurate and a bit of a tension breaker.

But back to Walker, it’s his anger that lands him in weekly sessions with the school counselor before the book begins. This counselor is one of the few who seem to look beyond Walker’s attitude, his anger, his disinterest in education, and his abilities on the football field. It’s unclear how Walker will respond to him—or even if he can respond to this man appropriately. But it’s a rare example of how his anger just might put him in the right place.

The Meaning of Manhood/Strength

Walker’s primary concern at the beginning of the book is to be strong—strong, as the title says, like his dad. For him, strength equals control. Control over your life, your circumstances, your choices—it’s also tied into how to fix things. How to make things better.

Yes, it absolutely is about physical strength first and foremost, but it’s about more than that, too. For a character presented as not that intelligent (Walker would say worse than that about himself), he’s really perceptive. He’s spent more time than many—probably even he—realizes thinking about the nature of strength.

Ultimately, this is what being a man is for Walker (and Sawyer, too)—maybe even Hank and Rufus, too. Walker sees Hank as strong—physically, emotionally, and mentally. This is what he aspires to—for himself, for his mother, and possibly even for Hank. If Walker gets to be strong enough—on and off the football field—he can make Hank and his mom proud. He can make their lives better, fixing those things that need fixing (that his father never gets around to fixing, despite Walker’s deep-seated conviction that he could and will).

Over the course of this book, this understanding of what manhood means and what strength means are seen in light of that anger mentioned above. One of the bigger questions of the novel surrounds Walker and Sawyer—as they navigate toward adulthood/maturity, what will win out? Strength or anger? What kind of men will they be?

The Love Story

Okay…after a few attempts, I realize that I cannot say anything about this without a spoiler. All I will say is that it’s perfectly conceived, perfectly executed, and just what this book needed it to be.

So, what did I think about Strong Like You?

I have several more things I wanted to talk about—but this is too long, and almost two days behind schedule (it’s at least 6 hours after I normally post something). What’s worse, every time I start writing “just one more thing,” I think of two more. So I’m bringing this in for a landing, and I may bounce around a little bit here.

I do not even like football—why do I keep reading books featuring it? Okay, I live in the USA and it’s pretty hard to escape, that’s a large part of it, but still… There’s a large part of me that doesn’t care as long as it’s a book like this one. And sure, he’s talking about a different game entirely, but Walker would agree with Dani Rojas—”Football is life!” He thinks in football terms and metaphors, he can’t explain to someone why he loves football—he can’t even understand why that person doesn’t like football, it’s like telling him that they don’t like to breathe. Most of the time, Simpson doesn’t have Walker or Sawyer tell us this, they just live this. The way he does this alone tells me that Simpson is someone to watch (or, I suppose, he thinks the same way as Walker does and it’s coming out organically—but I don’t think so)

I really should spend a lot of time talking about Walker’s guidance counselor and the arc of their relationship, there’s so much about Simpson’s work here that should be commended. There’s also this strange little tangent featuring a recent graduate of Walker’s high school and his little sisters that tells us more about Walker than anything except his attitude toward football—who he really is, not who he thinks he needs to be.

You don’t have to read very far before you know a couple of things—1. despite his conviction—or at least the conviction he voices—things are not going to go the way he anticipates, and that rough times are ahead for Walker; and 2. you are not going to want to put this book down until you reach the last page. I glanced at the first couple of pages to make sure it downloaded correctly and had to walk away from my Kindle, because I had multiple other deadlines and I knew if I didn’t do that, I’d finish the book before I did anything else. I can’t describe it, but there’s something about Walker’s voice, the way he’s talking to that father that isn’t there that just grabs you.

I’m not entirely satisfied with the way the novel ended. I liked the resolution to the various stories, let me be clear. But I feel like I could see Simpson’s not-so-Invisible Hand working to get some of the resolutions to work out the way they did. I like the way the storylines ended up, so I’m not going to complain too much. And since it was only in the closing pages that I thought about maybe criticizing something in the book, Simpson earned a little authorial heavy-handedness.

This is a real winner—Strong Like You shares so much DNA with Eli Cranor’s Don’t Know Tough (but is not a copy in any way) and even hearkens back to Early Autumn by Robert B. Parker. And anytime a book can make me compare it favorably with those two knockouts, I’m going to put it down as pure joy.

If you’re someone who gets hung up on the YA tag, push “Pause” on that for 224 pages. This is a book that deserves a fair shake and many, many readers—Simpson’s debut is as strong as Walker hopes to be.

Disclaimer: I received a copy of this book from North Star Editions via NetGalley—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Rift in the Soul by Faith Hunter: Everything Changes

By HCNewton

On March 8, 2024

In Book Tour, Faith Hunter, Fiction, Jane Yellowrock/Soulwood, Urban Fantasy

Sorry this is so late in the day…it’s been, well, a day. But now it’s time to wrap up this Tour Stop for Hunter’s Rift in the Soul.

Rift in the Soul

by Faith Hunter

DETAILS:
Series: Soulwood, #6
Publisher: Ace Books
Publication Date: March 5, 2024
Format: eARC
Length: 382 pg.
Read Date: February 26-29, 2024

What’s Rift in the Soul About?

As is so often the case with books in this series, there’s a lot going on–issues with Nell and her powers, Nell and her sisters/pets/family, and some sort of supernatural-based crime for starters. So this isn’t going to be exhaustive (I hopefully never am, but I felt like I should say that here).

Nell is summoned to appear before Ming of Glass, the vampire Master of the City. They’ve had an interesting relationship in the past, and from the moment the two encounter each other in these pages you know things are going to be much more so. Because this book happens after the events of Final Heir and Ming and her vampires aren’t quite like they were last time Nell crossed paths with them.

There’s a body on Ming’s land that she wants Nell to take away and investigate. Her people aren’t responsible for the death–and none of them understand it. As it’s on Ming’s property, it’s a PsyLED problem.

Before PsyLED can do anything about it, Nell catches the attention of vampires that aren’t associated with Ming. And…I don’t know what else to say about that beyond, drama, violence, and other tense nouns ensue.

Oh, and in the middle of all this, Nell has to prepare for Christmas with her expanding family and a wedding. Because even for a PsyLED Special Agent, there’s more to life than just ancient vampires on the hunt.

The Jane Yellowrock Ripples

I may spill a bit more from the end of the Yellowrock books than people who haven’t finished might like. If that’s you, read this next paragraph and then skip to the next heading, okay?

As I’ve said frequently when it comes to this series–if you haven’t read the Jane Yellowrock books that it spun off from, you’re going to be okay. You have all the information you need in the Soulwood books. However, if you have read both, you’re going to get a lot more from the series.

Boy howdy, is that true here. Yes, it seemed like almost everything got resolved and wrapped up in a pretty little bow at the end of the Yellowrock series. Buuuut…there were enough things dangling to make it seem realistic and maybe allow for short stories from those characters and so on–or, for Soulwood to pick them up and do something with them.

For example–is everything peachy keen in the vampire world now? Is everyone getting along? (I think we know the answer to that) What does it mean for vampires to have their souls back? That’s a bigger question than this book can really answer, but we get a peek into the answers.

There are some other things, too–but you should find those out for yourself.

I found this aspect of the novel very satisfying and it scratched an itch I didn’t realize I had. We don’t see Jane or hear from her directly. But we get to hear a vague update on her and a couple of familiar names pop up to help out here.

The Vampire Tree/The Green Knight/Soulwood

Every time we readers–or Nell–seem to think we all have reached some solid conclusions about Nell’s abilities and her land, Hunter comes along, shakes her head at our naiveté, and shows us how little we actually get.

This is all the clearer when it comes to The Vampire Tree and The Green Knight persona. As both seem to be developing and evolving, it’s understandable that we (readers andNell) keep being surprised. It’s also kind of nice that we can’t get complacent. Nell was rocked by some of what she experiences in this book–and, reader, you will be, too. You will almost certainly want more details–like 4+ bonus chapters just about these things (you’ll know them when you see them), and will likely have a couple of dozen questions to ask Nell and/or Hunter.

But wait, there’s more. We get to see the way that Mud and Esther connect to all this–and it is not precisely the same way that Nell does.

Fans are going to sink their teeth and/or claws into this aspect of the book–and might not care that much about the plot in contrast to this. Well, that might be overstating it–but many fans would be content to hit “pause” on the action for a bit to focus on it.

Speaking of things that we readers think we understand…

As one would expect, things (outside of Nell’s personal life) bring us back to God’s Cloud of Glory Church/cult/compound. We end up circling back to events of Blood of the Earth and Curse on the Land in troubling ways. This leads Nell to rethink some of the theories and conclusions she reached back then, and to ask uncomfortable questions.

It’s only when you get a series to this kind of length that it becomes this rewarding to come back and take a second look at things like this (sorry for the vagueness). But in the light of these new circumstances, it’s good that we readers and Nell get that second look. It really pays off.

I wouldn’t mind a little less from this group in the future, but I don’t know if that’s possible given the way this series has been build. (at the same time, I don’t mind seeing them, I’m just worried that it’s becoming a rut)

So, what did I think about Rift in the Soul?

I don’t want to overstate this, but I’m not sure how I could. Nor am I going to explain this. No future Soulwood book is going to be like the ones that came before this one. Yes, yes, yes–the crimes, the monsters, the magic in each is a different kind of problem. But beyond all that, there’s a lot to each of these books that take on similar shapes, and patterns–just in the characters, but outside that, too. That all changes here.

And it’s a good thing–as comfortable as it is to watch the same set of investigators run down leads, do some magic, shift into wereforms/other shifts, and so on. A good, healthy series grows and develops–like, a garden or a forest (golly, why would someone think in botanical terms when it comes to this series?).

Rift in the Soul acts as a pivot point, or maybe a stepping stone between versions of these two (let’s go with a stepping stone, so I don’t have to keep hearing Ross Geller yell “PIVOT!” in the back of my mind). There are some hellos, some goodbyes, some…”huh, that’s new.” (some of which I alluded to above, a lot I haven’t). This novel acts as a cap and a launching pad at the same time for the series.

It’s tough to consider this book without reference to that, honestly, because so much of the warp and woof of the novel is that. But let’s try: you’ve got some solid vampire action, you’ve got strange vampire action, too. Some great action scenes. Good, strong character development. Solid emotional beats that are well-executed and earned. Things might not be the same soon, but for now, this is a good time with your group of friends.

Obviously, I don’t recommend this as a jumping-on point for the series, but it would be okay if you decided to. (but don’t, go back to the beginning). I think you’ll like the time in this world. But for people who’ve been with Nell and her team/work family/blood family since the beginning? You’re going to walk away very pleased.

Oh, one last note before I go: Faith Hunter/Publishers: Mud deserves at least a solo-novella. You’ve got something great here, use it. (unless you wanted to team her up with Jane Yellowrock’s Angie)

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to Psst…Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Tag: 4 1/2 Stars Page 2 of 26

What’s A Farewell to Arfs About?

Charlie and Esmé

Bernie’s Past

Feelings, Nothing More than Feelings

So, what did I think about A Farewell to Arfs?

What’s Return of The Griffin About?

The Kirkman Is Strong In This One

Miscellaneous Bullet Points

So, what did I think about Return of The Griffin?

What’s Assassins Anonymous About?

The Movies

The 12-steps

So, what did I think about Assassins Anonymous?

What’s Assassins Anonymous About?

The Movies

The 12-steps

So, what did I think about Assassins Anonymous?

What’s Christa Comes Out of Her Shell About?

The Whole Dad Thing / Celebrity Culture

The Romance Story

Christa’s Mother and Sisters

We Could’ve Faded to Black a Little Quicker

So, what did I think about Christa Comes Out of Her Shell?

What’s Namaste Mart Confidential About?

A Real Kitchen Sink Novel

Anger

So, what did I think about Namaste Mart Confidential?

What’s The Jacket Copy Say?

The Everyday Lifeness of it All

The Groundhog Day/Time Travel

So, what did I think about A Quantum Love Story?

What’s Empowered Witness About?

The Doctrine Under Consideration

The Structure of the Book

So, what did I think about Empowered Witness?

What’s Strong Like You About?

Learning About Guns

Anger

The Meaning of Manhood/Strength

The Love Story

So, what did I think about Strong Like You?

What’s Rift in the Soul About?

The Jane Yellowrock Ripples

The Vampire Tree/The Green Knight/Soulwood

Speaking of things that we readers think we understand…

So, what did I think about Rift in the Soul?