Tag: 4 1/2 Stars Page 3 of 26

Strong Like You by T. L. Simpson: Love And Hate On The Edge Of A Knife

Strong Like YouStrong Like You

by T. L. Simpson

DETAILS:
Publisher: Flux
Publication Date: March 12, 2024
Format: eARC
Length: 224
Read Date: March 1, 2024
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What’s Strong Like You About?

Walker Lauderdale is a high school sophomore and a starter for his small Arkansas high school’s football team. He and his cousin/best friend/might as well be brother Sawyer are fierce players for the defense (and we see that almost instantly). This should be the best time in his young life—but there’s something wrong.

His dad has been missing for a month. He’s not there to watch his first game. He’s not there to burst with pride, to offer advice, or to cheer from the stands. He’s just…gone. Walker’s dad and Sawyer’s dad (also best friends and teammates on the same high school team before marrying sisters) took off one night and haven’t returned. The two boys are certain they’ll be back any time—they’re frequently checking the bleachers to see their fathers up there.

The book is an extended monologue—or a series of them. Technically, an apostrophe, but let’s stick with monologue. Walker is addressing his father—catching him up on the turmoil and victories he’s missing, the hurt Walker feels because of his absence, and how he’s trying to make things work until his dad comes back. The grief, loss, and anger jump off the page.

Walker’s dad isn’t a great one, either, it should be stressed. Rarely employed, his income is largely illegal and irregular. Both missing fathers are abusive to their wives and sons. But in the way that we all can recognize, the boys are just that much more devoted to them because of it—making their dads proud is a chief aim of theirs.

Walker becomes determined to go look for his dad—which involves starting with the man his dad and uncle were last seen with—a truly frightening and violent man. Sawyer tries to dissuade him, but that just makes Walker even more certain that he needs to act.

But does he truly want to find the answers he’s seeking?

Learning About Guns

Walker—like so many people in the U.S.—appreciates guns. He’s quick to grab a pellet gun to (try to) chase away his uncle. But his cousin Sawyer? Sawyer is a nut for guns, he has magazines about them all over his room. At some point, Sawyer comes across a pistol (and somehow gets money for many bullets for it—or at least acquires them). There’s a big difference between a pellet gun and a Colt 1911, and it doesn’t take long for Walker to start learning about them.

Not what you learn in video games/TV, not what Sawyer’s survival mags teach, or anything like that. But about the reality of them—how they can invite violence, how holding one affects you, what destruction they can bring even without trying. There’s no pro-/anti- gun message at work here. No lessons or sermons were delivered. But the reality of what a gun can do to a person, a situation, or an attitude is presented in stark reality. I’d say it’s easily one of the best things about this book, but if I started listing the best things about this book, we’d be here for a long time.

Anger

Walker and Sawyer are angry young men—it’s simmering right below the surface, and comes out at inopportune times. Although, it does sometimes come out when it should*—and we see an example of that in the opening minutes of their first game of the year.

* Arguably, anyway. Their coach and teammates would say it’s appropriate.

There are plenty of reasons for them to be so angry—even before their fathers abandoned them. The more time you spend with them—Walker in particular—you see just how many reasons he has. It’s part of what his parents have passed down to him, part of the example they’ve set and the environment he’s been raised in.

The guy his father and uncle runs with, Lukas Fisher, has another kind of anger inside him—and he doesn’t hesitate to express it—where Walker’s parents shape him by their anger, Lukas “trains” his pit bull with his.* While we can see a little constructive use of anger, we can see some people who are angry due to circumstance and situations—but Lukas? He seems to revel in it, maybe even feeds on anger.

* This is off-point, but Simpson’s description of the dog’s barking was both wonderfully accurate and a bit of a tension breaker.

But back to Walker, it’s his anger that lands him in weekly sessions with the school counselor before the book begins. This counselor is one of the few who seem to look beyond Walker’s attitude, his anger, his disinterest in education, and his abilities on the football field. It’s unclear how Walker will respond to him—or even if he can respond to this man appropriately. But it’s a rare example of how his anger just might put him in the right place.

The Meaning of Manhood/Strength

Walker’s primary concern at the beginning of the book is to be strong—strong, as the title says, like his dad. For him, strength equals control. Control over your life, your circumstances, your choices—it’s also tied into how to fix things. How to make things better.

Yes, it absolutely is about physical strength first and foremost, but it’s about more than that, too. For a character presented as not that intelligent (Walker would say worse than that about himself), he’s really perceptive. He’s spent more time than many—probably even he—realizes thinking about the nature of strength.

Ultimately, this is what being a man is for Walker (and Sawyer, too)—maybe even Hank and Rufus, too. Walker sees Hank as strong—physically, emotionally, and mentally. This is what he aspires to—for himself, for his mother, and possibly even for Hank. If Walker gets to be strong enough—on and off the football field—he can make Hank and his mom proud. He can make their lives better, fixing those things that need fixing (that his father never gets around to fixing, despite Walker’s deep-seated conviction that he could and will).

Over the course of this book, this understanding of what manhood means and what strength means are seen in light of that anger mentioned above. One of the bigger questions of the novel surrounds Walker and Sawyer—as they navigate toward adulthood/maturity, what will win out? Strength or anger? What kind of men will they be?

The Love Story

Okay…after a few attempts, I realize that I cannot say anything about this without a spoiler. All I will say is that it’s perfectly conceived, perfectly executed, and just what this book needed it to be.

So, what did I think about Strong Like You?

I have several more things I wanted to talk about—but this is too long, and almost two days behind schedule (it’s at least 6 hours after I normally post something). What’s worse, every time I start writing “just one more thing,” I think of two more. So I’m bringing this in for a landing, and I may bounce around a little bit here.

I do not even like football—why do I keep reading books featuring it? Okay, I live in the USA and it’s pretty hard to escape, that’s a large part of it, but still… There’s a large part of me that doesn’t care as long as it’s a book like this one. And sure, he’s talking about a different game entirely, but Walker would agree with Dani Rojas—”Football is life!” He thinks in football terms and metaphors, he can’t explain to someone why he loves football—he can’t even understand why that person doesn’t like football, it’s like telling him that they don’t like to breathe. Most of the time, Simpson doesn’t have Walker or Sawyer tell us this, they just live this. The way he does this alone tells me that Simpson is someone to watch (or, I suppose, he thinks the same way as Walker does and it’s coming out organically—but I don’t think so)

I really should spend a lot of time talking about Walker’s guidance counselor and the arc of their relationship, there’s so much about Simpson’s work here that should be commended. There’s also this strange little tangent featuring a recent graduate of Walker’s high school and his little sisters that tells us more about Walker than anything except his attitude toward football—who he really is, not who he thinks he needs to be.

You don’t have to read very far before you know a couple of things—1. despite his conviction—or at least the conviction he voices—things are not going to go the way he anticipates, and that rough times are ahead for Walker; and 2. you are not going to want to put this book down until you reach the last page. I glanced at the first couple of pages to make sure it downloaded correctly and had to walk away from my Kindle, because I had multiple other deadlines and I knew if I didn’t do that, I’d finish the book before I did anything else. I can’t describe it, but there’s something about Walker’s voice, the way he’s talking to that father that isn’t there that just grabs you.

I’m not entirely satisfied with the way the novel ended. I liked the resolution to the various stories, let me be clear. But I feel like I could see Simpson’s not-so-Invisible Hand working to get some of the resolutions to work out the way they did. I like the way the storylines ended up, so I’m not going to complain too much. And since it was only in the closing pages that I thought about maybe criticizing something in the book, Simpson earned a little authorial heavy-handedness.

This is a real winner—Strong Like You shares so much DNA with Eli Cranor’s Don’t Know Tough (but is not a copy in any way) and even hearkens back to Early Autumn by Robert B. Parker. And anytime a book can make me compare it favorably with those two knockouts, I’m going to put it down as pure joy.

If you’re someone who gets hung up on the YA tag, push “Pause” on that for 224 pages. This is a book that deserves a fair shake and many, many readers—Simpson’s debut is as strong as Walker hopes to be.

Disclaimer: I received a copy of this book from North Star Editions via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Charm City Rocks by Matthew Norman: A Tale of Second Acts and Second Chances

Charm City RocksCharm City Rocks

by Matthew Norman

DETAILS:
Publisher: Dell
Publication Date: June 6, 2023
Format: Paperback
Length: 339 pg.
Read Date: January 9-10, 2024
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What’s Charm City Rocks About?

Billy Perkins is happy. Everyone knows this–he’s got his dream job (music teacher), he’s good at it–and makes enough money to keep going. He’s got a great kid, and a solid relationship with the kid’s mother. He’s well-liked in his neighborhood and at Camden Yards. Who wouldn’t be happy? He’s also got this newfound appreciation for cardigans, “the perfect garment, like, the convertible of sweaters”–and he looks good in them. If you can find pleasure in the little things like that…why not be happy?

Margot Hammer is a drummer best known as part of the all-female rock group Burnt Flowers*. Then as the wife of Lawson Daniels, the giant movie star, her fame grew even more. Then she dumped the cheater, quit the band in a dramatic fashion, and vanished from the public eye, becoming a “whatever happened to…” name. She was pretty satisfied with that until Burnt Flowers is featured in a documentary series, which renewed that itch to play again and generally reminded her of what she lost with her bandmates.

* Not for nothing, that’s just a great 90s band name. I would thoroughly enjoy hearing Norman talk about coming up with it and what some of the other contenders for that name were.

But after listening to his dad talk about Margot after seeing her on that history of rock documentary on Netflix, Billy’s son, Caleb wonders–what if his dad isn’t as happy as he could be? Is he maybe a little lonely? So Caleb does something harebrained, problematic in several ways, and destined to fail.

He brings the two together in a move straight out of a rom-com’s first draft, but instead of the meet-cute he hopes for–we get kind of a meet-ugly. Billy, being the almost-impossibly decent guy that he is, tries to salvage the time and make it up to her. Also…how often does he get the chance to spend time with his all-time favorite drummer?

Something strange ensues for Margot–she has fun. With Billy and in general. She also gets a little social media attention (which spills over into mass media). This is enough to get her old record company to try to capitalize on that. She’s not interested in doing that, but does decide to spend a little more time with Billy.

The pair have great chemistry–and maybe more. But will figures from their pasts derail them? Should they?

Baltimore

As they stand on Thames Street, he imagines the neighborhood from Margot’s perspective. Daquan is one block over, pounding away. The sun is moving toward the horizon. The twinkly lights strung around the outdoor eating area at the Greek restaurant next door come on, and people are out with their tattoos and interesting outfits and cool beards. Like always, there’s music everywhere.

“It’s not like how everyone says,” says Margot.

“What isn’t?”

“Baltimore,” she says. “I thought it’d be, I don’t know, more murdery.” …

“Be patient,” he says. “The night is young.”

As much as this book focuses on the love story between Billy and Margot, there’s a strong thread about love for Baltimore. I knew, on some level, that there has to be more to the city, but at the end of the day, I really think of Baltimore in much the same way as Margot in the quote above.

But that’s not Matthew Norman’s Baltimore–and it’s not the Baltimore of these characters. Frankly, if this Baltimore resembles the actual thing, I’d love to spend time there (you know, assuming I can shake the David Simon associations).

There are two neighborhoods (that don’t seem too far apart) that we spend most of our time in–and both have a strong sense of community about them. Particularly the area that Billy’s apartment is in, which also contains the place where Caleb’s plan was executed and the bar that the adults found themselves in to recover. The neighborhood figures from this area both grounded and sold the experience for me (and, I think, Margot). Too often people talk about the location of a novel/movie being another character–but when someone depicts their setting so strongly and so warmly, it’s hard not to resort to that kind of language.

Caleb

I’ve frequently talked about great Mother/Daughter and Father/Daughter relationships in various books, but I don’t think I’ve talked much about great relationships with sons. I also can’t think of many off the top of my head.

The relationship between Caleb and Billy, however? It’s a standout. Caleb’s relationships with his mother and stepfather are good to see, too. But man…the link between Father and Son here is something special. The lengths that Caleb went to in order to give his father a shot at happiness–and the life-altering choices he makes because of his parents (particularly, it seems, his father)–tells you a lot about this kid and the bond he has with his parents. I really can’t think of a better son in Fiction (not that I’ve spent a lot of time trying, but authors seem to do better at daughters).

He gets off a little easy when it comes to the shenanigans he got up to in introducing his dad to Margot, really the more I think about it, the worse it was (but consuming a large amount of edibles thinking they’re just candy is a pretty good justification for it). But, I think Norman is right to cut him some slack and not get into just how bad it was. Actually, most books (and almost every movie I can think of) would’ve allowed Caleb’s scheme to work for a bit, and would extend the nonsense for far too long before having it collapse for the sake of drama. I am so, so, so glad that Norman didn’t do that. He simply let the idea fall apart and then moved on, making lemonade out of Caleb’s citrus offering.

So, what did I think about Charm City Rocks?

I knew I should’ve read the book as soon as it landed on my doorstep in June. I knew I was missing out on something–and I was. But on the plus side, it’s a pretty good way to start off the year, too. This is just a fun book.

So I loved the whole super-star story and the debacle Margot made of her career and life–it’s a very VH-1 Behind the Music tale. All the behind-the-scenes show business stuff, both in the past and present, were great. But what sold me was the connection both Billy and Margot (and several other characters) had to music–listening to it, performing it, creating it–even just thinking about it. Strip away fleeting fame and money, that’s what counts. That’s why people care about musicians, it’s because of the music that they bring us and what it does for our souls and psyches. As Norman celebrated that, you couldn’t help but respond. (and as flakes wanted to twist that for their own benefit, you respond as well)

One shouldn’t overlook Caleb’s mother–even though I pretty much have–her arc isn’t pivotal to the book as a whole, but it’s so satisfying. She’d be an easy character to bring on for a few scenes as a plot complication, or just to add a little flavor to the world–but Norman fleshes out her character, gives her an arc, and gets the reader invested in her and her happiness.

There’s another ex- in the picture, and while you know how they’re going to complicate the characters’ lives almost instantly upon their introduction, I can’t bring myself to get into the details. I wanted to say something about a jealous toddler wanting their discarded toy just because someone else has it–but Norman wisely takes that option away. That’s not to say that the character doesn’t muck things up pretty seriously for almost everyone in the book…I’m just saying they’re not a monster.

I think the best way to sum up my reaction to the book is that I noticed that every time I put the book down for some reason, I was grinning. Not because I set the book down, but it just made me happy. Not Billy-happy, but happy.

A little cheesy? Sure. Generally predictable? Sure. Engaging, charming, witty, optimistic, and upbeat? Sure. If you’re looking for more in a rom-com, you’re not looking for a rom-com. This won me over in the beginning and kept my affection throughout. This was a sure-fire winner for me.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Last Dance by Mark Billingham: The Dancing Detective and the Whingeing Widower

I’ve been fairly scatterbrained the last couple of days, and I’m a little worried that this post reflects that too heavily. Hopefully not.


The Last DanceThe Last Dance

by Mark Billingham

DETAILS:
Series: Detective Miller, #1
Publisher: Atlantic Monthly Press
Publication Date: July 4, 2023
Format: Hardcover
Length: 378 pg.
Read Date: December 4-7, 2023
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It was true that Miller wanted to be busy; but he hadn’t been counting on picking up such a big case on his first day back. That was the way things went, though. You were desperate for a day or two to catch your breath or even just looking to recharge your batteries after a major inquiry and someone decided to poison their husband or stab a passer-by because they didn’t like their trainers.

People were so bloody inconsiderate, sometimes.

What’s The Last Dance About?

Detective Sergeant Declan Miller cuts off his bereavement leave to return to work. It may be too soon following the murder of his wife (and we get plenty of reason to think that it may be), but the time off isn’t doing him any good and accomplishing things, staying busy, and getting out of the house just might do him so good (and we get plenty of reason to think that it might).

Before he has a chance to reacclimate, he and his new partner are assigned a case—the son (and presumed heir) of a local crime boss has been killed—assassinated, really—in a local hotel. In the next room over, an IT consultant has, as well. It’s unclear what the connection is between the two, or what either was doing in hotel rooms in their hometowns.

The other thing that Miller does to try to return to his pre-widowered life is to go back to the dance class that he and his wife attended. It’s difficult being a single person there, but these were their friends, and it helps him to do so (as much as it hurts, too). We get a whole different set of supporting characters here, a different perspective on things. I really like the way that we get two different sides of Miller like this—yes, there’s a good deal of overlap, but seeing him in such starkly different contexts really helps you understand the character.

DS Sara Xiu

‘I’m your replacement,’ she said. “Well, I was.’

‘Oh,’ he said. ‘Sorry about that.’

‘It looks like we’re going to be teaming up. ‘Even sorrier.’

She smiled. “That’s a joke, right?’

‘Not really.’

It almost seems like a disservice to her character to make Xiu a supporting character. She could star in her own series easily. She’s got the tortured detective thing down—she drinks too much, parties too hard, etc., etc. But on the job? She’s good, and she just might warm to her new partner at some point—at the very least they work together well.

This book might be all about Miller, his inner demons, and eccentric methods—but having him work with such a good partner isn’t a choice many would make. In a book or three, I can see their partnership equaling Bosch and Kiz Rider’s, and she could play a big role in Miller’s unofficial investigation (see below).

Alex Miller

Miller’s wife, Alex, was involved in a major investigation when she was murdered. The police haven’t found her killer—and he’s not particularly certain they’re working too hard on it (it’s a different homicide unit than his). No one from the investigation is updating him either—they want him to stay out of it, for obvious reasons.

And he technically does—but that doesn’t mean he’s not thinking about it a lot, and poking around the perimeter of the investigation—especially in areas that the others don’t seem to be paying attention to.

Apart from that, we spend a good deal of the novel seeing Miller mourn her and talk to an imaginary version of her as both a way to work through his case and her not being around anymore. Those scenes are great on so many levels—the reader gets a real sense of who she was (at least as her husband saw her) and how they related to each other, and how the loss is hitting him. It also gives us a kind of insight into the way his mind works through problems that we don’t often get from procedurals.

Tone

If anyone deserved a plaque on the wall of most local police stations, or a Lancashire Prison System loyalty card, it wag Gary David Pope. He’d been a well-known face — or more usually a photofit – on the criminal scene for as long as any serving officer could remember, and while he never really did anything that would merit serious jail time, and drink or drugs were almost always involved, there was rarely a crime committed anywhere within a twenty-mile radius that Gary didn’t have some connection to. It was like ‘Six Degrees of Kevin Bacon’, only with stolen cars and cocaine.

Gary Pope wasn’t the worst criminal Miller had ever encountered, not by a long chalk, but he was probably the most consistent.

He was a seriously committed wrong ‘un.

It wouldn’t take much to turn this into a very dark read featuring an unreliable and unpredictable detective. Thankfully, Billingham went the way he does—the darkness is still there, it’s just mollified by Miller’s sense of humor and perspective. He really reminded me of Peter Grainger’s DC Smith—but without the almost cozy feel of Grainger’s work. Blackpool is a harsher location than King’s Lake, too.

Still, I think fans of one will appreciate the other. Miller’s humor (and that of the narrator) is a bit sharper, and less subtle than Smith’s—but only by degrees.

You’re able to have a lot of fun given the humor in several situations that aren’t fun at all. But he’s not just funny and eccentric. Miller has a lot of heart, compassion, and empathy for crime victims and survivors. I’m not sure how much he had before his wife’s murder—or how much he let himself show before then. But after it, he’s able to connect with them in a way that few police officers seem to be—or at least are willing to be.

You combine those three elements? I’ll be around for the long haul in any series.

So, what did I think about The Last Dance?

Billingham knows his way around police procedurals—that’s very clear. He also knows how to play with the conventions—and which ones to stay away from or treat straightforwardly. He does it all with skill and panache (not unlike his protagonist).

For example, in his time away, a detective that Miller…hmmm…doesn’t respect, shall we say, has been promoted to DI, and seems intent on making his return as miserable as possible. What is it about almost every immediate supervisor in police procedurals being so intent on being horrible to their star investigators, rather than use their brains to improve their own careers? For every exception to this rule that I can think of, more than a dozen that follow it come to mind. Well, DI Stevens is a shining example of this, and I rather enjoyed Miller’s reactions to him. That’s the only tolerable part of the character.

There are so few quibbles I have with this book—and they’re so outweighed by the good—that I’m not going to bother talking about them. I’m also not going to talk about all the things that Billingham does right with this—I haven’t talked about the victim’s wives, the various crime bosses, even Gary deserves more than that quotation above—and Miller’s homeless informant deserves at least four paragraphs.

Fans of police procedurals or other detective novels are going to love this. I did, and I’m eager for the next. And if it’s nearly this good (and how can it not be, given Billingham’s experience), I expect to be in for the (I hope very) long haul with this series.


4 1/2 Stars

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Guards! Guards! by Terry Pratchett: I Can See Me Becoming a Slavering Fan of This Stuff…

Guards! Guards!Guards! Guards!

by Terry Pratchett

DETAILS:
Series: Discworld, #8; City Watch, #1
Publisher: Harper 
Publication Date: April 30, 2013
Format: Mass Market Paperback
Length: 403
Read Date: December 15-21, 2023
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It’s a metaphor of human bloody existence, a dragon. And if that wasn’t bad enough, it’s also a bloody great hot flying thing.

What’s Guards! Guards! About?

We start with a motley bunch of people who have been recruited by a mysterious figure to summon a dragon from another world—they don’t know this initially, but the purpose is to take over the city of Ankh-Morpork for less-than-benevolent reasons.

Meanwhile, a tall and naive young man is informed by his father that he’s not who he’s always thought he was. In fact, he’s been brought up by another species. Carrot had spent his whole life believing he was a dwarf like everyone he lived among, rather than a human. “It’s a terrible thing to be nearly sixteen and the wrong species.” Carrot has a hard time accepting this truth but does what his father tells him. He sets off for the city to become a member of the City Watch and will send his wages to his family. It’s impossible (for me, at least) to read Carrot and not think of Buddy the Elf. I don’t know if Ferrell and Favreau had this book in mind when they worked out the character—but they could’ve.

Like Buddy, Carrot doesn’t understand the human world and its nuances. He’s very literal, he’s a hard worker, doesn’t know how to be dishonest, and sees the world in black and white. So he goes about the business of the Watch like that—he’s a one-man anti-crime crusade. Arresting people the rest of the watch doesn’t have the energy to pursue—and those they’ve been told by the city leadership to leave alone.

His presence shakes up the Watch and awakens a sense of duty in them. So when they start finding traces of the dragon—and a corpse or two, this lethargic group gathers itself together and tries to save the city from the dragon, those behind it, and those who can’t be bothered to care.

And a whole bunch of other things transpire, are said, and whatnot. But that’s enough to get you started.

More Than Jokes

“Down there,” he said, “are people who will follow any dragon, worship any god, ignore any iniquity. All out of a kind of humdrum, everyday badness. Not the really high, creative loathesomeness of the great sinners, but a sort of mass-produced darkness of the soul. Sin, you might say, without a trace of originality. They accept evil not because they say yes, but because they don’t say no. I’m sorry if this offends you,”

All good novelists will work in things that have nothing to do with the characters (directly), their development, or the plot to their books. Some sort of commentary on the world, an observation about humanity or a portion of it, etc. If you ask me, the more comedic novelists are better at it than others—it’s probably that spoonful of sugar thing. That could just be my preference, I admit.

Some of the better moments in this book—at least some of the best sentences—come from moments like the above quotation. There’s some cheap cynicism to be found in these lines—but there’s some well-earned cynicism, too, in Pratchett’s ideas about government, the people led by that government, and so on. But there’s some great stuff on love and hope to be found in here, too. Pratchett’s cup is half-full at least as often as it’s half-empty.

The one-liners; the satire of Fantasy tropes, humanity in general; and the overall comedy of his world might be what he’s known for—but at least here (and likely in general), Pratchett’s observations of and commentaries on humanity are just as noteworthy.

The Library/Librarian

The truth is that even big collections of ordinary books distort space, as can readily be proved by anyone who has been around a really old-fashioned secondhand bookshop, one that looks as though they were designed by M. Escher on a bad day and has more stairways than storeys and those rows of shelves which end in little doors that are surely too small for a full-sized human to enter. The relevant equation is: Knowledge = power = energy = matter = mass; a good bookshop is just a genteel Black Hole that knows how to read.

I don’t have the time to write the essay I want to write about the Librarian, the Library, what the Librarian did to save the day, and so on. But I really wish I did (besides, I’m pretty sure someone else has—several someone elses). It’s not the—or a—main focus of the novel, but it really could be. Instead, I’ll just note that the Librarian was a highlight for me, and I hope we get a lot more of him in the future.

So, what did I think about Guards! Guards!?

“I mean, [the dragon] wouldn’t want us to go around killing its own kind, would it?”

“Well, sir, people do, sir,” said the guard sulkily.

“Ah, well,” said the captain. “That’s different.” He tapped the side of his helmet meaningfully. “That’s ’cos we’re intelligent.”

One of the things I like to ask when thinking of a comedic novel is, would it hold up if you took the jokes out and played it straight? It’s hard to answer that for Guards! Guards! because of the satirical and ridiculous aspects of the novel. But…on the whole, yeah…it’d work. Thankfully, it’s not a question we really need to spend too much time on because it’s so funny that you don’t notice parts of the story/plot/characters that might not work—and with the comedy this book is so successful it doesn’t matter.

It took very little time for me to get invested in the story—maybe not the characters (as much as I enjoyed watching Carrot fumble through his new life), but the story and the storytelling carried me until the point that I started to see the various members of the City Watch as anything other than comedy delivery systems (although that’s primarily what they were). I was entertained throughout, so much so that I didn’t really spend much time thinking about comparing this to other Pratchett books or other Fantasy comedies I’ve read—I just wanted to have fun with this. Maybe I’ll do the other stuff with later reads.

My journey to this book—and to giving Pratchett another chance—is pretty well documented. It’s not that I disliked The Color of Magic or The Light Fantastic, but I didn’t get the fuss over Pratchett after reading them. After reading Guards! Guards!? I think I get it. After reading less than a third of Guards! Guards!, I was pretty sure I got it, actually. I’m so relieved…I wondered what was wrong with me that I missed what everyone else saw in his work. There’s this great combination of jokes, situational/character-based comedy, a skewed way of depicting the world that’s honest and true while capturing the absurdities—and wonder—of the world. Pratchett respects the reader enough to not have to spell everything he’s doing out for us, but not so much that he will avoid slapstick or bodily humor.

I’m sold. If you haven’t gotten around to trying this mega-series (and surely there are like 5 of you reading this who haven’t), stick your foot in. If you’re unsure where to start, here’s a great place.

I’ll be back for more soon.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Mislaid in Parts Half-Known by Seanan McGuire: One of McGuire’s Best (no matter what series). A Magical Novella

Is it cheating to call a Fantasy Novella “Magical”? Isn’t that part of the definition?


Mislaid in Parts Half-KnownMislaid in Parts Half-Known

by Seanan McGuire

DETAILS:
Series: Wayward Children, #9
Publisher: Tordotcom
Publication Date: January 9, 2024
Format: eARC
Length: 160 pg.
Read Date: December 13-14, 2023 
Buy from Bookshop.org Support Indie Bookstores

Continuity Counts

By and large, the Wayward Children books can be read in any order—sure, things will mean more if you read them in order of publication (so far, anyway). It’s easier that way to catch allusions, understand the depth of relationships, come close to tracking what Sumi is talking about, etc. But you can get away with skipping around.

But you really need to read this one after Lost in the Moment and Found. It’s the closest thing to a direct sequel that we’ve had in this series. It’s also kind of a follow-up to Where the Drowned Girls Go (and, as always, touches on several others).

This is largely Part II of Antsy’s story—the story is shared by a group of the students (my favorites in the series) on one of those quests they’re not supposed to undertake—and whoops, I’ve started writing the next section.

What’s Mislaid in Parts Half-Known About?

Antsy is having a hard time adjusting to life at Eleanor West’s School for Wayward Children, almost as much trouble as she’d be having adjusting to anywhere else on Earth. Part of that comes from not being as honest about her circumstances as she could’ve been—understandably so, I think—which just made everything worse.

Still, there are signs that things may get better, helped a little by Antsy being able to find anything for people. Then Seraphina (who can get anyone—with one or two exceptions—to do what she wants) decides to use her abilities on Antsy to get her to find her Door.

Ansty, Sumi, and some others (I’m not going to name them to keep your interest piqued) manage to slip away using Antsy’s ability to find things and her knowledge of how Doors work, eventually getting back to the Shop Where the Lost Things Go. Which wasn’t exactly where Antsy wanted to be—and she learns that things there hadn’t gone as expected when she left and a whole new quest develops.

Not About Jim Morrison’s Band

When I wrote about Lost in the Moment and Found earlier this year, I said:

This entry would be a worthwhile read for fans if only for this one thing—we learn more about the Doors and how they work. I’m not going to go into it, obviously, nor am I going to promise that every question you had about the Doors will be answered—actually you’ll likely end up with new questions, but they’ll be informed questions.

That’s true here, too. In fact, we learn so much about them that I almost don’t want to learn anything more about Doors for another 8+ books so they don’t get too demystified. McGuire being McGuire, I know that if she reveals a whole lot more in the next book, I’ll end up repeating everything I said prior to this sentence—and I’ll be happy and equipped with more questions.

Regardless—what we do learn here is fantastic. It both makes utter sense—in the way that maybe we all should’ve guessed it already (maybe some did)—in terms of storytelling, worldbuilding, and more. I wonder what (some of) the students understanding this is going to do to things going forward. If anything.

Future Continuity

Speaking of things going forward, something major is on the way for Eleanor West. It’s been hinted at before, but so many things in this book point to it happening soon (but in Wayward Children-time, it could take 3-4 novellas for us to get to “soon”). I’m eager to see it, as much as I’m dreading what it might mean.

One Quick Character Note

Every protagonist of these novellas—and a significant chunk of the supporting characters—has been wonderful. With the exception of Seraphina and her crew*, I like all the students we’ve met at the School and want to know more about them all.

* I’m waiting for McGuire to decide it’s time to humanize them so we readers will root for even them, and we’ll feel bad for not doing so earlier.

But…from the moment we met her, Sumi’s been a favorite of mine. I should probably use the definite article there, actually. So I’m not unbiased when I say that in Mislaid in Parts Half-Known she is glorious, but she really is. She’s funny, she’s loopy, she’s brave, and she’s wise. Hard as that last one might be to believe. She’s also rather clever and displays that at the end.

The main parts of the story belong to Antsy and a couple of other characters—but Sumi stole every scene she was in and I really just want a few in a row featuring her.

So, what did I think about Mislaid in Parts Half-Known?

This is not my favorite Wayward Children book, but it’s close. There aren’t one or two big emotional moments like there typically are in these (at least not that hit me…your results may vary). But there were a handful of small emotional moments that worked so well—in terms of what happened to someone, how it impacted the other characters, and the way that McGuire wrote them—that I don’t care. It might even be better this way.

The worlds we saw were wonderful—really, you could set an entire fantasy trilogy in them without reference to any other. The world hinted at on the cover, for example, could easily sustain a 1,500-page trilogy full of whimsy and danger.

There’s probably more humor and smile-inducing moments here than several of these books combined sport. Which was a nice bit of fresh air (in a series that really doesn’t need it, but that doesn’t mean it’s not welcome).

Naturally, there are characters we’re not likely to see again due to the nature of these books, and I’m going to miss them. Although the endings they got were well deserved and well executed.

I almost always walk away from a Wayward Children book feeling satisfied and a little in awe of McGuire—I think that feeling is larger this time just because of the number of emotional and story notes she managed to hit, the storylines she was able to incorporate and resolve, the ones she just moved forward, and…everything else in 160 pages. It shouldn’t be possible. This book (like most in the series) is bigger on the inside.

A few paragraphs back, I said that this wasn’t my favorite in the series—but at the moment, I’m having trouble understanding why (but I’m going to trust my earlier impulse). But it is so, so, so good. I’m having trouble coming up with adequate adjectives at this point.

Go get this in January. Order it now (and/or request it from your library). If you haven’t read these books yet, go. At a bare minimum, get the first, Every Heart a Doorway, and then Lost in the Moment and Found, so you can be ready for this one when it’s released. You can catch up on the others later.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—thanks to both for this opportunity. The opinions are all mine.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Mayors of New York by S.J. Rozan: Let Your Honesty Shine…

The Mayors of New YorkThe Mayors of New York

by S. J. Rozan

DETAILS:
Series: Lydia Chin & Bill Smith, #15
Publisher: Pegasus Crime
Publication Date: December 5, 2023
Format: Hardcover
Length: 280 pg.
Read Date: December 21-25, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s The Mayors of New York About?

New York’s first female mayor has a problem. A few months after taking office, her fifteen-year-old son has run away. It’s not the first time, but it’s the first time since she’s been elected. She’s in the middle of high-stakes negotiations with a police union, so Mayor McCann doesn’t feel like she can turn to them without taking some PR hits/weakening in the negotiations.

So, she has her aide hire Bill Smith (who brings along Lydia, of course). It’s not easy tracking down one of the most recognizable teens in the city without letting anyone know you’re doing that—and it almost seems like the “without letting anyone know” part might overrule the “finding the teen” part of the job.

Now, Lydia’s trying to decide if she takes on a case of her own at the same time. Readers know long before they do that these cases will end up intertwined—otherwise, why would Rozan bring it up? And once Bill and Lydia cotton on to that, a hunt for a runaway takes on a whole new layer. Possibly several layers.

The Characters

Nah, I’m not going to talk about Bill and Lydia today—I honestly don’t know if I have anything else to say about them outside how they’re probably my favorite partnership in Crime Fiction (Robin/Cormoran—learn from these two. They trust each other and communicate frankly. Your lives will be the better for it, and the books will be shorter, too. Everyone wins.).

I want to talk about Mark McCann a little bit. At first, he’s just the target. He’s little more than a MacGuffin to get the plot moving. Then we start to learn a little about him and he becomes an actual character—one I want to learn more about. Then we get to meet him, and I like him a lot. And then Mark goes ahead and does some clever and stupid (read: dangerous) things and I want to see more of him.

The wanting to see more of him goes for everyone who’s alive and not under indictment of some sort at the end of the book—the McCann’s household staff, the people who help Mark along the way (and then help Bill and Lydia), and so on. I know it’s not really Rozan’s style, but if we could run across them in future books for a chapter or so just to spend more time with them, I’d really enjoy that. These all have a little more life to them than your typical witnesses, bystanders, and so on in PI Fiction. I particularly appreciated the way they all want some sort of Mayoral favor shown to their neighborhoods/communities and the way that Lydia takes notes to pass them along. A very nice—and real—note.

I feel like I should spend a few paragraphs on the most interesting character in this novel—Aubrey “Bree” Hamilton, the mayor’s aide who hires Bill to look for Mark. She and Bill dated years ago, and it’s clear from Bill’s First-Person Narration that the chip on his shoulder regarding this particular cheating %#&@ has is still pretty deep, no matter what degree of happiness he’s found elsewhere. It’s not just the way she cheated on him—Bill has no sympathy for her former PR clients (lawyers, largely) or the politicians she now works for, assuming everything they do or say is calculated for their benefit. He trusts Bree less than her bosses—and we see that throughout—but something about a 15-year-old boy who keeps running away from home speaks to Bill, so he has to investigate.

I got off target there, but I thought I’d explain Bill taking the case when he can’t stand anyone involved. Bree is a perfectly designed character—the reader can see how she’s good at her job, calculating, smart, and generally three steps ahead of anyone (aside from our protagonists occasionally). It’s impossible to tell how much she believes a lot of what she says, or if she’s saying it out of duty. And then there’s what she says to yank Bill’s chain a little bit. Bill (and therefore his narration) is so jaded against her that it’s hard for us to know how much of our negative reaction to her is justified and how much it is seeing her through Bill’s eyes. A great move by Rozan.

So, what did I think about The Mayors of New York?

The pace is fast without being breakneck. The dialogue is sharp and witty. Bill’s narration has never been more hard-boiled (his contempt for the client/client’s intermediary helps). The characters jump off the page. It’s what you want in a PI novel.

Early on, I had inklings about what was behind everything (and I’m pretty sure Rozan intended readers to). As the plot moved forward and we received more and more confirmation about those inklings, it made me uncomfortable and a little queasy. Why couldn’t I have been wrong? Why couldn’t these have been red herrings? Thanks to some skillful storytelling you don’t get bogged down in the wrongness of everything that’s afoot—it’s there and it colors everything, but your focus becomes on the characters dealing with it all, the reveals to other characters and the nail-biting way this story is resolved.

Yes, I think Rozan could’ve just as easily and skillfully let the characters and readers wallow in the muck of the crimes behind everything—but it would’ve changed the tenor of the book so much that the early chapters would feel out of place, and we probably wouldn’t have found some resolution that’s as satisfying.

Also, just because some things weren’t red herrings, don’t think that Rozan doesn’t toss enough of them at the reader to keep you wondering.

Rozan has been on a hot streak since Paper Son, and The Mayors of New York shows no signs of her slowing down anytime soon. And I am more than okay with that. If you’ve never indulged in this series before—this would work as a jumping-on point. Almost any of them would, really. The trick is to jump on somewhere for some of the best that PI fiction has to offer. A touch of the classic American PI added to a hefty helping of the 21st century. The Mayors of New York is one I heartily recommend to all.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Mislaid in Parts Half-Known by Seanan McGuire: One of McGuire’s Best (no matter what series). A Magical Novella

Is it cheating to call a Fantasy Novella “Magical”? Isn’t that part of the definition?


Mislaid in Parts Half-KnownMislaid in Parts Half-Known

by Seanan McGuire

DETAILS:
Series: Wayward Children, #9
Publisher: Tordotcom
Publication Date: January 9, 2024
Format: eARC
Length: 160 pg.
Read Date: December 13-14, 2023 
Buy from Bookshop.org Support Indie Bookstores

Continuity Counts

By and large, the Wayward Children books can be read in any order—sure, things will mean more if you read them in order of publication (so far, anyway). It’s easier that way to catch allusions, understand the depth of relationships, come close to tracking what Sumi is talking about, etc. But you can get away with skipping around.

But you really need to read this one after Lost in the Moment and Found. It’s the closest thing to a direct sequel that we’ve had in this series. It’s also kind of a follow-up to Where the Drowned Girls Go (and, as always, touches on several others).

This is largely Part II of Antsy’s story—the story is shared by a group of the students (my favorites in the series) on one of those quests they’re not supposed to undertake—and whoops, I’ve started writing the next section.

What’s Mislaid in Parts Half-Known About?

Antsy is having a hard time adjusting to life at Eleanor West’s School for Wayward Children, almost as much trouble as she’d be having adjusting to anywhere else on Earth. Part of that comes from not being as honest about her circumstances as she could’ve been—understandably so, I think—which just made everything worse.

Still, there are signs that things may get better, helped a little by Antsy being able to find anything for people. Then Seraphina (who can get anyone—with one or two exceptions—to do what she wants) decides to use her abilities on Antsy to get her to find her Door.

Ansty, Sumi, and some others (I’m not going to name them to keep your interest piqued) manage to slip away using Antsy’s ability to find things and her knowledge of how Doors work, eventually getting back to the Shop Where the Lost Things Go. Which wasn’t exactly where Antsy wanted to be—and she learns that things there hadn’t gone as expected when she left and a whole new quest develops.

Not About Jim Morrison’s Band

When I wrote about Lost in the Moment and Found earlier this year, I said:

This entry would be a worthwhile read for fans if only for this one thing—we learn more about the Doors and how they work. I’m not going to go into it, obviously, nor am I going to promise that every question you had about the Doors will be answered—actually you’ll likely end up with new questions, but they’ll be informed questions.

That’s true here, too. In fact, we learn so much about them that I almost don’t want to learn anything more about Doors for another 8+ books so they don’t get too demystified. McGuire being McGuire, I know that if she reveals a whole lot more in the next book, I’ll end up repeating everything I said prior to this sentence—and I’ll be happy and equipped with more questions.

Regardless—what we do learn here is fantastic. It both makes utter sense—in the way that maybe we all should’ve guessed it already (maybe some did)—in terms of storytelling, worldbuilding, and more. I wonder what (some of) the students understanding this is going to do to things going forward. If anything.

Future Continuity

Speaking of things going forward, something major is on the way for Eleanor West. It’s been hinted at before, but so many things in this book point to it happening soon (but in Wayward Children-time, it could take 3-4 novellas for us to get to “soon”). I’m eager to see it, as much as I’m dreading what it might mean.

One Quick Character Note

Every protagonist of these novellas—and a significant chunk of the supporting characters—has been wonderful. With the exception of Seraphina and her crew*, I like all the students we’ve met at the School and want to know more about them all.

* I’m waiting for McGuire to decide it’s time to humanize them so we readers will root for even them, and we’ll feel bad for not doing so earlier.

But…from the moment we met her, Sumi’s been a favorite of mine. I should probably use the definite article there, actually. So I’m not unbiased when I say that in Mislaid in Parts Half-Known she is glorious, but she really is. She’s funny, she’s loopy, she’s brave, and she’s wise. Hard as that last one might be to believe. She’s also rather clever and displays that at the end.

The main parts of the story belong to Antsy and a couple of other characters—but Sumi stole every scene she was in and I really just want a few in a row featuring her.

So, what did I think about Mislaid in Parts Half-Known?

This is not my favorite Wayward Children book, but it’s close. There aren’t one or two big emotional moments like there typically are in these (at least not that hit me…your results may vary). But there were a handful of small emotional moments that worked so well—in terms of what happened to someone, how it impacted the other characters, and the way that McGuire wrote them—that I don’t care. It might even be better this way.

The worlds we saw were wonderful—really, you could set an entire fantasy trilogy in them without reference to any other. The world hinted at on the cover, for example, could easily sustain a 1,500-page trilogy full of whimsy and danger.

There’s probably more humor and smile-inducing moments here than several of these books combined sport. Which was a nice bit of fresh air (in a series that really doesn’t need it, but that doesn’t mean it’s not welcome).

Naturally, there are characters we’re not likely to see again due to the nature of these books, and I’m going to miss them. Although the endings they got were well deserved and well executed.

I almost always walk away from a Wayward Children book feeling satisfied and a little in awe of McGuire—I think that feeling is larger this time just because of the number of emotional and story notes she managed to hit, the storylines she was able to incorporate and resolve, the ones she just moved forward, and…everything else in 160 pages. It shouldn’t be possible. This book (like most in the series) is bigger on the inside.

A few paragraphs back, I said that this wasn’t my favorite in the series—but at the moment, I’m having trouble understanding why (but I’m going to trust my earlier impulse). But it is so, so, so good. I’m having trouble coming up with adequate adjectives at this point.

Go get this in January. Order it now (and/or request it from your library). If you haven’t read these books yet, go. At a bare minimum, get the first, Every Heart a Doorway, and then Lost in the Moment and Found, so you can be ready for this one when it’s released. You can catch up on the others later.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—thanks to both for this opportunity. The opinions are all mine.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Bea Wolf by Zach Weinersmith, Boulet (Illustrator): A Joy-Filled Retelling for Readers of All Ages

Bea WolfBea Wolf

by Zach Weinersmith, Boulet (Illustrator)

DETAILS:
Publisher: First Second
Publication Date: March 21, 2023
Format: Hardcover
Length: 192
Read Date: November 25, 2023
Buy from Bookshop.org Support Indie Bookstores

Hey, wait!
Listen to the lives of the long-ago kids, the world-fighters,
the parent-unminding kids, the improper, the politeness-proof,
the unbowed bully-crushers,
the bedtime-breakers, the raspberry-blowers,
fighters of fun-killers, fearing nothing, fated for fame.

What’s Bea Wolf About?

In some generic town, there is a treehouse that deserves every accolade you can think of. Treehart has been the headquarters of several of those long-ago kids, where they played, had fun, ate too much candy, etc., etc. Treehart has been ruled by a succession of kings and queens who ruled with generosity until they started to sprout things like facial hair and acne and had to set aside the grown and (ugh) start growing up.

They run afoul of one of the local teachers

Mr. Grindle he was called, for his father was Mr. Grindle
and his mother was Mrs. Grindle, and that is how names work.

With just a touch, Grindle can bring about adolescence—or, even worse, adulthood. He started periodically raiding Treehart, begeezering all he could. And then, he’d clean it.

Ten kids turned teenaged, tired-eyed, ever-texting
eight turned middle-aged, aching, anxious, angry at the Internet.

Nearby, a former king’s cousin has heard of the adultening and sent her fiercest warrior, Bea Wolf, to come and restore frivolity and childhood to Treehart by defeating Grindle. Epic tales are shared, a lot of soda and candy are consumed, and then the two face off in a battle that can only be described as “epic.”

A Bit About the Art

In the Acknowledgements, Boulet said that he really didn’t have time to do the art for this book, but after reading part of the script, he knew he had to. I’m so glad he found—probably made—the time for it. This wouldn’t be nearly as successful without his art.

It’s playful and silly while not turning the whole thing into a joke. There’s pathos, there’s gravity, there’s danger in his drawings. And yet they’re attractive, winsome, and engaging, too. His art is everything the text is and more—yes, I think the book would’ve worked had it only been the text. But…he brings it to life in a way that words alone can’t.

Boulet and Weinersmith are a potent and nigh-perfect match here. I cannot say enough good about this art.

On The Publisher’s page for the book, there’s a link to “Take a Look Inside!” I’d heartily recommend you giving that a glance so you can get a flavor of the look of the book.

About Beowulf

After the tale (at least the first part of the tale) of Bea Wolf, Weinersmith spends a few times talking about what Beowulf is, its history, and the connection between this graphic novel and the source. It even talks about various translations to help a young reader pick one to try.

It’s written in a way that definitely appeals to crusty old guys like me and very likely will appeal to younger readers, too. I’m not kidding, I’ve re-read it just for the jokes.

This essay ends by applying it to the reader:

If you’ve made it this far, all the way to the end of my notes, reading all these words in a book that’s mostly pictures, you must be either a librarian or a future writer. Or maybe both. If you haven’t read the original Beowulf, you may be asking whether you should give it a shot. The answer is yes. It’s scary and it’s not for kids, so you’ll probably really like it. If you’re a speaker of English, it’s the oldest big poem in something resembling your language, and it just happens to be one of the greatest stories ever written.

At one point, late in the original Beowulf poem, a dragon grows angry because a man steals from his golden hoard. Beowulf is part of the golden hoard of our language. Tolkien stole from it for his stories, and you should too. You might summon up a dragon of your own.

I don’t know if this will inspire a future writer or not, but it worked for me.

(yeah, I strayed from my own topic there, but whatever…)

So, what did I think about Bea Wolf?

I had so much fun reading this, from beginning to end. I was able to appreciate it on a few levels—as someone who appreciates cute and clever comic art, cute and clever comic writing, as a cute and comic take on the epic poem, and as a wonderful and romantic vision of childhood (and a vision of adulthood that hits pretty close to home a little too often). There are probably more levels I enjoyed it on, but that’ll work for a starter.

The poetry itself was dynamite. Weinersmith did a fantastic job of capturing the flavor and spirit of the original and adapting it to a Middle-Grade level (while keeping it engaging for older readers).

I honestly don’t know who the market is for this—sure, it’s supposed to be for Children—but I wonder how many will be intrigued by the idea of it (hopefully, they will be prompted by clever adults/peers). On the other hand, I can’t be the only fan of the original from High School/College/after those who finds the notion of this appealing. Thankfully, I do think both audiences will be pleased with the results and the time they spent with it.

There’s at least one more book chronicling Bea’s adventures. I cannot wait to see her deal with Grindle’s mother.

I don’t know if I’m doing a decent job of praising this—but I think you get the gist. Do yourself, your inner child, and possibly your children a favor and run out to pick this up. You’ll be glad you did.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Holy Spirit: An Introduction by Fred Sanders: A Vital and Needed Work

The Holy Spirit: An IntroductionThe Holy Spirit:
An Introduction

by Fred Sanders

DETAILS:
Series: Short Studies in Systematic Theology
Publisher: Crossway
Publication Date: October 3, 2023
Format: Paperback
Length: 157 pg. 
Read Date: October 15-November 12, 2023

This book introduces Christians to the Holy Spirit, which is a cheeky thing to do.

By definition, every Christian must already know the Holy Spirit in the most important way, since “anyone who does not have the Spirit of Christ does not belong to him” (Rom. 8:9). So to publish a book for Christian readers under the title The Holy Spirit: An Introduction is to take on a peculiar project: introducing readers to somebody they already know. That is exactly what this book does. It presupposes that its readers are already engaged with the reality of the Holy Spirit and invites them to a theological encounter with that person.

What’s The Holy Spirit: An Introduction About?

It’s kind of summarized there in that last sentence: it’s an introductory work on the theology of the Holy Spirit assuming that the reader knows Him already, but needs to understand Him, His identity, and His work more fully.

As it’s an Introduction (like all the books in this series), and therefore accessible which is nice—but it does a thorough job of talking about things like the Doctrine of the Trinity and how it is informed by and informs our Theology of the Spirit.

Sanders’ Approach

Rather than try to paraphrase or summarize Sanders, let me just let him describe the design of the book:

But my approach in this book is, as I said above, indirect, which is why I began by highlighting the paradoxical character of studying the Holy Spirit. I hope to treat the paradoxical character of pneumatology not as a hindrance to be lamented but as a help to be cherished. If knowledge of the Holy Spirit is, in the ways described above, deflective, reflexive, and connective, then an introduction to the Holy Spirit might deliver a great deal of insight by arranging itself in a corresponding way. Think of the implications that follow from the work of the Spirit being deflective, reflexive, and connective. Deflective means that when you try to think about the Spirit, you find the Spirit himself changing the subject to the Father and the Son. Reflexive means that when you try to think about the Spirit, you find the Spirit himself requiring you to think about yourself and about thinking. Connective means that when you try to think about the Spirit, the Spirit himself draws you out into the full scope of all theology. But these things are all beneficial! To study the Holy Spirit according to his own characteristic way of working means to be personally engaged in a total Trinitarian encounter with the truth of God, We will engage the deflective character of pneumatology.

Many books about Him focus on things like how the Spirit acts in the world today, the gifts of the Spirit—what that phrase means and how one obtains them—the role of Pentecost and how it can/if it can be duplicated today, and so on. Sanders eschews that—focusing on more primary issues (which isn’t to say he doesn’t get into some of that). He starts looking at the Trinity, then he considers the Spirit in relation to the Father—and how by doing so we can gain a better understanding of them both. Then he moves on to the Spirit in relation to the Son—how that’s similar and how that relationship is different than the previous. The final chapter considers the Spirit Himself—yes, addressing some of the same information, but from a different angle.

Bonus Material

As with many (sadly, not all) of this series, this comes with a nifty-looking Further Reading list—one I fully intend to use.

But the additional material I want to talk about is the Appendix, “Rules for Thinking Well about the Holy Spirit.” These are 27 brief rules that so usefully summarize the material in the book—and related ideas—for believers to bear in mind as we read Scripture or theology while working through doctrines/ideas about the Spirit. These rules are the kind of thing that students would do well to pin a copy of onto their wall/somewhere in easy reach.

So, what did I think about The Holy Spirit: An Introduction?

The Holy Spirit makes himself known to us in a way that is better than we could have expected or imagined for ourselves. He is the prevenient person, always already at work, never Father-free or Sonless in his being or in his work, closer to us than our own breath, and making known to us in the depths of our selves the deep things of God.

This is definitely one of my top 3 books in this series—possibly the best thing in it so far.

Sanders’s tone is certainly engaging—he never loses sight of the importance of what he’s talking about, and the necessary reverence. But he’s okay with being chatty and a little witty with the reader. He’s able to break down some complicated and technical points in a way that the reader can find them understandable and compelling.

I really appreciated his approach—both in the way he focused on what he chose to and those things he didn’t seem that interested in writing about. I’m sure others would disagree with me, but it looks like he majored on the major issues and didn’t bother with the minor ones.

I’m not sure that this will supplant Ferguson’s The Holy Spirit in my own use and reference when it comes to pneumatology—but I can’t see me looking into Ferguson’s without looking into this next.

Get your hands on it, and be introduced to Someone you’re already close to.


4 1/2 Stars

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The Atonement: An Introduction by Jeremy Treat: A Wider Vision than is Typical for this Doctrine

The AtonementThe Atonement: An Introduction

by Jeremy Treat

DETAILS:
Series: Short Studies in Systematic Theology
Publisher: Crossway
Publication Date: August 22, 2023
Format: Paperback
Length: 158 pg.
Read Date: September 24-October 1, 2023
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Here is my approach to the atonement in a nutshell: The death of Christ is a multidimensional accomplishment within the story that begins in the garden and culminates in the kingdom. While the achievements of the cross (forgiveness, victory, adoption, and so on) are unending, the heart of the cross, out of which everything flows and finds its coherence, is Christ dying in our place for our sins. The atoning work of Christ not only reconciles sinners to God but also to one another, calling us into a life of taking up our crosses as we follow our King. In other words, we need a kingdom-framed, substitution-centered, multidimensional, integrated, communal, life-changing approach to the doctrine of atonement.

A Quick Confession

I really wasn’t that interested in this volume. I got it because I’m a completionist—the rest of the topics in this series so far (and those I’ve heard are coming) intrigued me. This seemed too narrow a topic, honestly, maybe one that would fit better under a larger topic like the Work of Christ—a companion piece to The Person of Christ: An Introduction.

It took me very little time to realize that I really appreciated Treat’s approach to and Treatment of the subject and that I was very glad I’d bought this. It’s easily one of my favorites in the series (something I’ll be repeating soon when I talk about The Holy Spirit: An Introduction, I have to admit).

Now that I’ve set the bar low for the rest of this, how about we move on to:

What’s The Atonement: An Introduction About?

Atonement theology, especially at the popular level, has been plagued by reductionism. Whether limiting Christ’s work to a purely spiritual salvation or only focusing on one of the dimensions of his work, many have truncated the breadth of Christ’s atoning death. A kingdom framework gives a comprehensive view of salvation, encompassing the renewal of heaven and earth while embracing the many dimensions of the atonement.

Treat definitely doesn’t take a reductionistic approach to his subject—but he doesn’t try to spread it too far, either. What he does do is take a panoramic look at the subject—trying to take in the scope of the doctrine, even if this introduction can’t get into the nitty-gritty details. I feel silly putting it this way, but the book really is a systematic/dogmatic introduction to the Doctrine of the Atonement—exploring what it is and why it matters.

Treat quickly points out that he has no desire to promote any of the various and popular theories regarding the Atonement so popular over the last century or so. He doesn’t care to deal with theories when it comes to this, he wants to focus on what we do know about the doctrine—and sure, as he admits, what he’s saying sounds a lot like the Penal Substitutionary Theory, but it also sounds like the Moral Influence Theory and Governmental Theories—because he’s trying to make sure his doctrine of the Atonement takes in and accounts for all the data.*

* I’d note that every Reformed expositor/defender of the Penal Substitutionary Theory that I’ve encountered over the last couple of decades would have the same understanding of Governmental and Moral Influence, So it’s not revolutionary—as much as Treat’s disdain for the ideal of “theories” may be unfamiliar.

He attempts to keep things focused on the eschaton, and the Atonement’s role in it, as well as a Kingdom-wide understanding—so that the reign of Christ is seen in view of his Atoning work. The last couple of chapters focus on the effects of the Atonement on the Church and believers.

An Added Bonus

Treat cites—at least in the epigraphs of each chapter, but generally more frequently—”majority world scholars.” “[S]ince the atonement is a global accomplishment, it will be best understood from a global perspective.”

That’s probably true of most of the topics in this series on Systematics—if not more of Christian dogma. But I appreciate Treat focusing on this and bringing in teachers/writers from all over the globe into his presentation in this book.

Trinitarian Focus

Early on in the book, Treat quotes Hans Urs von Balthasar, “The events of the cross can only be interpreted against the background of the Trinity.” This forms a substantial part of his position, and it’s something he covers well and thoroughly.

While the doctrine of atonement is centered on Christ, we cannot think of Jesus as an independent individual but as the Son of the Father who is empowered by the Spirit. Atonement is a work of the triune God through and through. On the cross, Father, Son, and Holy Spirit were at work together for the salvation of sinners.

Failure to acknowledge or stress this is part of the reductionism that Treat tries to battle throughout the book. While I applaud this battle each time he engages in it—but his stress on the Trinitarian nature of the Atonement is perhaps my favorite part of the book. It’s so often overlooked or skimmed past—but Treat doesn’t allow the reader to do that—and we’re rewarded by that.

So, what did I think about The Atonement: An Introduction?

While early Christians were mocked for their belief in the cross, Christians today have often domesticated the cross to make it more palatable for a modern society. Whether placed on a calendar in a Christian bookstore, tattooed on an arm, or elevated above a city skyline, we have tamed the cross and turned it into a decorative pleasantry. But only when we see the horror of the cross will we be ready to understand the glory of the cross.

I already gave that away, didn’t I? This really impressed me, changed my mind about the use of a book like it, and helped me refocus my understanding of the doctrine’s place—it also helped me be able to reframe things around the various “theories” of the atonement.

It’s not the easiest read in this series—but it’s by no means difficult. Treat writes in a compellingly clear way, but not one that doesn’t require thought to interact with. I found his style engaging and careful—a great combination when you’re considering the essential doctrines of the Faith.

This isn’t a book that spends any time on things like the “extent” of the Atonement—it’s about the purpose, means, and end of Christ’s great work. Sure, that has implications for questions about the extent, but that’s not what Treat wants to focus on here.

I won’t say the book is perfect—but I can’t think of any substantial problems at this point, and didn’t make any notes expressing concerns. I’m sure I—and most readers—would find a point or three to quibble with or push back against. But those are going to be so minor as to make no real difference in the overall estimation of the book.

Careful, challenging, encouraging, and centered on the great storyline of the Bible, with a focus on the eschatological promises and glories—exactly what we need more of. The Atonement: An Introduction is definitely one I recommend.


4 1/2 Stars

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