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Venators: Magic Unleashed (Audiobook): This Introduction to a Fantasy Series Continues to Entertain on my Third Time Through


Venators: Magic Unleashed

Venators: Magic Unleashed

by Devri Walls, Daniel Thomas May (Narrator)
Series: Venators, #1

Unabridged Audiobook, 10 hrs., 20 mins.
Tantor Media, 2020

Read: February 26-27, 2020
Grab a copy from your local indie bookstore!


When I saw that The Write Reads was doing one of their Ultimate Blog Tours for this book, I jumped to volunteer without thinking—sure, I’d be more than happy to help Walls promote her book. Shortly after I committed, however, I started to have second thoughts. What on earth, am I going to be able to say? I talked about the first edition of the novel back in ’16 and then again with the second, retitled, and improved edition last year. How is it possible to do anything but rehash what I’d said before? Then, Walls announced that an audiobook edition was going to be released. Phew.

If you remember what I said about the post last year*, you can skip the next seven paragraphs, because I’m going to basically plagiarize myself for a bit until I talk about Daniel Thomas May’s work.

* No, I can’t imagine anyone does, I didn’t. It’s just a joke.

This is a portal fantasy about a world called Eon, populated by humans, elves, vampires, werewolves, elves, dragons, etc. There are connections between Earth and Eon, allowing travel between the two—although they’re not as strong as they once were. It turns out some humans from Earth have a certain invulnerability to the kinds of magic employed by the various races (like a werewolf or vampire bite, but not, say, an invulnerability to a werewolf tearing off their head). Thee humans also have other enhanced physical attributes allowing them to go toe-to-toe in combat with members of these races. Which has made these humans a powerful force for good, and a potentially tyrannical force as well. Eon’s known more of the latter lately, which has led to a lack of recruitment.

But now, society’s on the verge of collapse into chaos, warring tribes trying to wipe out other races in a fight for dominance, and the end of law. So some people have taken it upon themselves to reintroduce these humans, Venators, to Eon. Enter Tate, a warrior who is convinced that Venators are the key to Eon’s survival—he’s been to Earth before, and now returns to bring back some people he observed then. Six years ago, he encountered a young teen named Grey Malteer—who was forever changed by their brief encounter. Now in college, Grey is about as well-read in the lore of the supernatural and weird as is possible for someone to be while stuck on Earth and not being known as a crackpot (although he’s regarded as pretty eccentric, probably well on his way to crack-pot status).

An acquaintance of his from childhood, now attending the same college, Rune Jenkins is repulsed by the same things that Grey is focused on (while also drawn to them). Rune is totally unprepared to accept that the supernatural is anything but wild fiction until she’s attacked by goblins and rescued by a large blue man (the aforementioned Tate). Which really can only make her a believer—or drive her to some sort of psychotic break. Thankfully, she goes with the former. Tate brings Rune and Grey into Eon and sets before them the calling of Venator.

To oversimplify things: from here out, the two are introduced to this world, the beings that populate it, the political realities that govern it (and see them only as pawns), and they begin to embrace their new identities, while engaging in a brief battle or two. While Rune and Grey are introduced to all this, so is the reader—and it’s clearly the point of this book—to bring the reader and these two into Eon, give us all a taste of what’s to come and help us get to know the players. There is a clear plotline and definite story here—don’t get me wrong—but the major function is to provide a foundation for things to come.

The book would have to be a lot longer to serve as anything other than an introduction—the ruling council alone is made up of enough characters we’d need a few more chapters to really get to know them and their goals—although they can be summed up in lust for power and influence for themselves and their race to the possible detriment of every other council member/race. Then you throw in Tate; his allies (however temporary) the vampire Veridia and the shapeshifter Beltran; the two humans; and the council’s enemy, Zio—and really, you’ve got enough players that you really can only skim the surface within 354 pages.

We get to know Grey and Rune enough to see they’re well-developed and three-dimensional, and many of the rest show signs of being that developed, but we don’t get to see that fully displayed—but we see enough to know that given the opportunity, the characters will be easily fleshed out. One thing I noted in particular while reading this is just how many seeds Walls planted in the characters and situations to come back to in future installments. This foundation is built in such a way that several books can be built on it—it’s really impressive to note.

Yes, this is written for the YA market, so there’s a bit more action than others might use. There’s a focus on certain kinds of emotional beats, and that sort of thing. But it’s more of an accent to the storytelling than other writers would’ve made it. For some reason, Mercedes Lackey’s Hunter series and Brandon Mull’s Beyonders Trilogy come to mind as I think about similar series—but the YA-ness of both of those comes through more strongly than it does with this book.

So, how does this translate into audio? Very well. I’ll admit that it took me a while to get into May’s narration. For some reason, I’d expected a female narrator—someone like Kathleen McInerney, Khristine Hvam, or Lorelei King—so May threw me a little. Which isn’t a reflection on him, just on my preconceived notions. And I thought the initial chapters were a little rough—it seems like it took him a bit to “get into” the bok. But I think that’s a characteristic of the novel itself, it doesn’t really take off until the humans leave Earth.

Once there, the book—and the narration—settle in. The Venators find a sense of calm on Eon that they’ve been denied on Earth, and it’s May captures that—but what really sealed the deal for me was his portrayal of the vampire Verida—it sounded like he had extra long teeth that he had to talk through. From there, it was smooth sailing. Tashara and Beltran were a couple of the other highlights—most of the Council were captured well, also. I’m not suggesting that he didn’t do a fine job with Tate, Grey or Rune—it’s just those others seemed a bit more interesting (and Tate’s accent seemed to wander around awhile before becoming consistent).

May narrates with a good energy, a nice pace, and shows the text to be what it is—very approachable. I had no problem sticking with him and didn’t want to speed up the narration or skip ahead or anything else. He captures the tone of the book, the emotions of the moments, and the characters. All in all, it’s exactly what you want in an audiobook.

On this tour, we were encouraged to ask Devri Walls a question as part of our posts, so here’s the one that kept coming to me while I listened: Why are the Venators immune to Vampire Bites, Werewolf Bites, but not at all immune to succubi, incubi, [Book 2 Spoilery things]? I have a theory, but I’d like to hear it from the horse’s mouth (if for no other reason than my theory is probably wrong).

I ended up rating it a little higher this time—I’m not sure if it’s because I’m more familiar with the material so I can appreciate the little things more, if it was May’s narration, me just being in a generous mood, or what. Or it’s just me being inconsistent. Eh, whatever. It’s a fun little story. It is a foundation-setting kind of story, introducing the world, the magic system, the fantasy races, and many characters, so we don’t get too deep with anything. But now that things are established, the path is clear for more subtle, more layered storytelling to come.

In Print (electronic or paper) or on Audiobook, this is a solid YA fantasy that’s sure to please. Go get it for your own enjoyment and so TPTB continue to let her produce these books.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Hi Five by Joe Ide: A Criminal for a Client, an Unreliable Witness, and a Larger Number than Usual that Want Him Dead. IQ has his work cut out for him.

Hi Five

Hi Five

by Joe Ide
Series: IQ, #4

Hardcover, 339 pg.https://www.mulhollandbooks.com/titles/joe-ide/hi-five/9780316509534/
Mulholland Books, 2020

Read: February 10-16, 2020

Grab a copy from your local indie bookstore!


Isaiah has tried to move on after the heartbreak of Wrecked, and has a new girlfriend. This is unfortunate for her—not because IQ is a bad boyfriend or anything—it’s just that when a low-life gun dealer needs Isaiah to investigate something for him, he threatens the poor girl to insure that Isaiah will do it.

What he needs Isaiah to do is clear his daughter of murder. She’s the only witness to the event, but can’t give the police (or our hero) much information about it, despite being in the same room as the murder. Why? Well (and this feels like spoiling something, but it’s on the book jacket), she has Dissociative Identity Disorder (DID)—what we used to call Multiple Personality Disorder—and given the stress and danger presented by a man being shot in her shop, Christina wasn’t “there” for most of what happened. Now, did her father bother mentioning this to Isaiah? Nope. but he thankfully figures that out fairly quickly. So now our intrepid investigator has to look into a murder with an eyewitness/prime suspect who didn’t see anything, and who can’t convince anyone who did see something to say something—and if he doesn’t succeed, someone he cares about will pay the penalty (and he assumes he’ll pay, too).

This is such a fantastic idea for a murder case—it could easily be a sloppily executed idea, but if someone does their homework and does a responsible job depicting DID, this is a wonderful fodder for drama. Please, if there are other examples of mystery writers doing this, fill up the comments with titles. I’d love to read other versions of this—and can’t believe that Ide’s the first to do this.

Most authors would be content to fully develop this idea and run with it for the whole novel. But not Ide. In fact, as interesting as it is, the murder case is not the most interesting thing about Hi Five. I’m pretty sure that’s impressive. To take a concept like that and say, “well, sure, but what’s important is the trouble that Isaiah finds himself in because of the investigation.” That’s bad enough, but Isaiah has recently run afoul of a gang of white supremacists after gang violence has hit someone that Isaiah and Dodson (particularly Dodson) respect and admire.

Oh, and Grace is back.

Ide also finds a way to work in some lighter stories and even a little sweetness. And the book never feels crowded, and everything gets dealt with in the space it needs. Sure, I’d have preferred to spend more time dealing with Christina and her “alters,” but that’s a personal taste thing. I’m a sucker for a good DID story. But what Ide wanted to focus on justifies cutting that storyline some of the space I’d prefer it get.

The tension is high and Isaiah has never seemed more human and fallible (including when he was being waterboarded because of some foolish moves).

Some of the reviews I’ve read about this book seem to think that Ide’s wrapping up the series here. I can see why they’d say that, Hi Five could certainly serve as a fitting end to the series. but it seems to e that Ide has more he wants to say. The way he left things with Isaiah points to a triumphant return. Also, toward the end of the novel, something pretty significant happens to Deondra and I just don’t see Ide leaving things where he did and just walking away—the scene is extraneous unless he’s coming back to follow up on it. I hope I’m reading things right, but if I’m not, this is a solid way to go out.

This is not my favorite of the series, but it is so, so good, that it doesn’t bother me too much. It’s just a pleasure to be back in this prose, in this world, with most of these characters. A great mystery (with a better hook), some great character development, a client you can’t help but loathe—but a subject that you’ll pull for (and want to see more of). Hi Five is just one more proof that Joe Ide is one of the best writers in the genre right now. This is a decent entry to start with, but you’d be better off starting with IQ. But honestly, just grab the nearest book by Ide and enjoy.


4 Stars

2020 Library Love Challenge
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Not Dressed by Matthew Hanover: If this book doesn’t bring a smile to your face, something’s broken

Not Dressed

Not Dressed

by Matthew Hanover
Series: Wallflowers, #2

eARC
2020

Read: January 3-6, 2019

“Hey there, Jake. This should be fun, right?”…

“I guess,” I say.

“You don’t sound too excited,” she says as she takes a hair tie off her wrist and pulls her disheveled hair back into a ponytail.

“Yeah, well. I’m not good at dancing.”

“Obviously! That’s why you’re here. Same as me. I’m probably just as bad as you. But we’ll learn together, okay?”

“Okay.”

Darmok and Jalad at Tanagra,” she says.

“I…have no idea what that means.”

“It’s from Star Trek…Actually, Star Trek: The Next Generation. It means we’ll work together to solve a common problem. In this case, the problem is learning how to dance.”

“I gotcha. So, you’re like…a Trekkie?”

“Was my sweatshirt not a big enough clue?”

“No, I just—”

“You’re not a Star Wars fan, are you? If you are, you’ll have to find a different partner.”

Jake Evans is our protagonist—he’s a decent enough guy, who could probably use some maturing (which means he’s like 90% of guys in their twenties). He’s got a great girlfriend (although the relationship seems a bit rocky when we meet him) and is second-guessing his chosen career (partially because he has a horrid employer, and partially because architecture isn’t the career he thought it would be). There are signs that he’d be a pretty fun guy to hang out with, but when the book opens he’s got a pretty good-sized cloud over his head between the girl and the gig.

Lindsay’s his long-time girlfriend. She works in radio and is very passionate about her job. She’s enjoying a little bit of success, and has a hard time relating to Jake’s struggles. She’s the producer and in-all-but-name on-air sidekick to a Boston-area conservative talk show host, who calls her “Lefty Lindsay.” (don’t worry, politics are absent from the book!) At least when the book opens, I really didn’t see why the two of them were a couple. There’s a good chance that neither of them rembered at that point, either, it had been so long.

Two things about their relationship provide most of the initial conflict for the plot. First, due to some financial hits they’ve taken recently, Lindsay has taken some modeling gigs to make some extra money. She did it back in college, which was recent enough that she still had connections. Why didn’t Jake do something to make extra money? He’s having a hard enough time finding a replacement full-time job that it didn’t seem like a good idea to try to add another job search to his plate. Besides, Lindsay’s moonlighting is profitable enough. What she neglects to mention to Jake is that this modeling is for art classes at a local college. And, well, none of these artists-in-training are working on fashion degrees—clothing gets in the way of what they’re learning to draw/paint/sculpt. Jake’s an open-minded kind of guy, except when it comes to this, it’s not pretty when he finds out (although it’s a pretty amusing scene for readers when he does).

Meanwhile, Jake’s sister’s wedding is coming up and Lindsay has decided the two of them need to learn to dance before it. Besides, it’s a fun activity for the two of them—they never go out mid-week anymore, and their relationship could use a boost. So she signs them up for a dance class, and then tells Jake about it after she paid for it, so he pretty much has to agree to it, but isn’t really that interested. So she basically promises him sex if he goes. Which pretty much seals the deal. But then Lindsay’s show gets moved to a new (and better) time slot. So, in addition to not being able to make the class, the couple will hardly see each other during the week. Her plan is that Jake will go, and then on the weekend, teach her the moves (he insists on getting his payment in advance for this).

Jake hates this new plan, and is convinced that he’s going to be stuck dancing with the instructor (after he and the reader meets this instructor, no one thinks this is going to be fun for him). Thankfully, just before class starts, Kaylee walks in. You read her opening dialogue up above. She’s a few years younger than Jake, taking some time out from college to figure out what she wants to do with her life, and is a major geek. She’s almost a Manic Pixie Dream Girl, but doesn’t fit the category in a few ways (I’m only using that term because I’m afraid this post is getting too long and I want to pick up the pace). She’s also my favorite character of 2020 so far (granted, that would mean more if it wasn’t January 13th).

Kaylee and Jake strike up a nice little friendship during the class, and pretty soon, he’s going so he has an excuse to hang out with her. The two of them are fun together—she’s socially awkward and embarrassed to be herself, Jake tries to shake her out of that, and even encourages her to let her Geek-Flag fly (even if he doesn’t get any of it). Meanwhile, she’s encouraging about his job hunt (as opposed to Lindsay, who mostly nags or wants him to find a way to succeed where he is), and gets him to be a little less angst-y about his life. I like Jake more when he’s in friend with Kaylee-mode over guy with Lindsay-mode. But what do I know? I have a tendency to pick people the protagonists don’t in these situations (I won’t provide examples because I’d expose myself to too much ridicule).

The one last bit of Jake’s life we need to talk about is his job. It’s horrible. He has a nice group of work-friends who band together for mutual support (and complaints), but the atmosphere at work is toxic, and their superiors would be enough to turn anyone against their chosen field. For example, in the first chapter, Jake’s two-year anniversary with the company happens and he asks his boss about scheduling his annual review (which will hopefully involve a raise, which he could really use). His boss stammers and suggests an alternate date, nine months away. Yeah, Jake’s bad attitude toward work makes a little sense, doesn’t it?

I worked as a draftsman at an architecture firm some years ago, and while the atmosphere there wasn’t at all what Jake experienced, Hanover did do a great job of capturing the kind of work and personalities that I saw—which doesn’t really match the typical depiction of architects in fiction. I liked that bit of realism. (I asked Hanover about that in an upcoming Q&A, but I haven’t read his responses yet, looking forward to seeing where that authenticity came from).

Getting back to Jake’s life—what we have here is a stagnant (at best) relationship that’s got a couple of pretty big things to work through; a job situation that needs addressing; and a new friend that is really the only positive thing in his life. Jake’s life is basically begging to be shaken up, is Kaylee going to help instigate that?

There’s something about Hanover’s style that I can’t express, but I wish I could. This book (like last year’s Not Famous) is effortless to read. When I started this book, it was late in the day and I thought I’d just stick a toe in the water, maybe read about 10% of it. Before I knew it, I was about a third into the book (and were it not for the time of day, I’d have probably finished it in one sitting!). It’s funny, it’s sweet, it’s infectious, it’s engaging as anything I can remember. I cared about these characters and got invested in their lives faster than I typically do.

Jonathan Tropper tends to have certain character types that show up in every novel—particularly the wise sister/friend-who-might-as-well-be-sister* (many authors do this kind of thing, I know, but Tropper is who I thought of when I was reading this book). Hanover shows signs of the same thing—sisters play a big role in both of his novels to date. He doesn’t use them the same way that Tropper does, don’t get me wrong, but his male protagonists are more honest and open about their emotional lives because of sisters. This is neither good or bad, it’s just a trait that he may have—it’s something I’ll be looking for next time. (again, see the Q&A for more on this topic). I like that there’s someone who can draw this out of a character without the need for alcohol, drugs or trauma—also, that he bares his soul first to someone who isn’t a love interest.

* There are other types that Tropper utilizes constantly, too, if I ever get around to my big re-read of his corpus, I’ll end up compiling a chart.

There’s a bit of conventional wisdom discussed here that I didn’t know before reading this book.

“You realize that dancing is basically foreplay, right?”

“So I’ve heard.” [Jake replies]

Four chapters later:

“Because dancing is, like, totally foreplay, you know.”

“Why does everyone keep saying that?” [Jake asks]

I counted someone telling that to Jake four times (with at least one more allusion). Is this really a thing that everyone thinks/says? I may need to cancel some of my daughter’s plans for the next 20 years…

I’d forgotten that Hanover had said there’d be a link between Not Famous and this book. It’s small, and if you haven’t read his other novel, you won’t miss anything. But if you have, you’ll enjoy the brief catch-up you get about the lives of the protagonists of that novel. It brought a big grin to my face.

There was a slight flavor of Nick Hornby wanna-be-ness to Not Famous that’s not present here. Instead, what Hanover has done is take that same voice and put it to use telling a story that’s all him (while being the kind of thing that Hornby readers will appreciate). I do think that Hanover could go a bit deeper in his characterizations (I have very little sense about Jake apart from work/Lindsay) and his plots could add a little more complexity. I’m looking for a few degrees of depth/complexity, not much. But that doesn’t stop me from loving this world and characters, and it doesn’t keep me from encouraging you all to grab this book when it releases next month.

This heart-warming tale about being who you are and finding acceptance for it is a real winner. Adorkable, irresistible, and just fun—Not Dressed is sure to please (if you are so led, book is available for pre-order). I don’t know what Not Description is next for Hanover, but I’m already eager to read it.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion and this post. I appreciate the book, but it didn’t sway what I had to say.


4 Stars

QualityLand by Marc-Uwe Kling, Jamie Lee Searle (Translator): George Orwell Goes Shopping

QualityLand

QualityLand

by Marc-Uwe Kling, Jamie Lee Searle (Translator)

eARC, 352 pg.
Orion Books, 2020

Read: February 13-15, 2020

Grab a copy from your local indie bookstore!


When you boil it down, QualityLand is simply the epic tale of a man trying to return something he didn’t order (and doesn’t want) to an online retailer. Peter Jobless’s tale involves a paranoid hacker, a blackmail scheme, an armed stand-off, a smitten sex-bot, a TV news panel show, a revolutionary tablet computer, swaying a presidential election, and a revival of interest in the films of Jennifer Aniston. We’ve all been there, right?

There’s no way I could describe the plot in a way to do it justice—so we’ll stick with the broad sweep. Before much gets underway story-wise, there’s a lot of set up required. When the dominoes start to fall in earnest, they go quickly. But so much of the book is devoted to setting them up, establishing/explaining the culture, government and everyday life of the QualityLand’s citizenry.

Here’s the best part about the set-up time: it’s totally worth it, and the way the dominoes are being placed is enjoyable/entertaining enough that even if the results were duds, I wouldn’t really have minded all that much. The icing on the cake is that the plot works well (we’ve all seen too many examples of elaborate worldbuilding that accompany a story that’s not worth it).

This is a world given over to algorithms, a world where the algorithms of various retail entities know so much about their customers that they no longer have to wait for a customer to order something to provide it—no, the algorithm will know what you’re going to want and will deliver it before you know you want it.

Not only are all your possessions provided for you in this manner, the algorithm decides what kind of career you will pursue, but it will also guide and govern your romantic life, your health care, and so on and so on.

It even gets into politics—so much so that during the course of this novel, there is an android running for president—because, we’re told repeatedly (mostly by the candidate), “machines don’t make mistakes.” An android chief of state (the theory goes) will better all of society because the android will know what’s needed.

At each step of the way, as each aspect of society is introduced and explained, as each character appears for the first time, it’s done in a way that will make you grin, chuckle, or laugh. The world is so zany, so…out there—and yet, completely recognizable as a natural progression of our world/society/culture.

Unlike so many satirical novels, the ending of this novel doesn’t get out of control. The plotlines come to natural conclusions and resolve in a satisfying way.

The characters—from the Everyman Peter Jobless, to the campaign manager (she can give Malcolm Tucker some lessons on the use of words as weapons), to the history teacher’s trouble-maker daughter (in-person to public officials or in online comments), to Peter’s collection of electronic companions—are wonderful. They’re a little better rounded than I’m used to in satires.

There’s a wonderful playful quality to the language, making the whole thing a barrelful of fun. I’m assuming that Searle captured the feel of the original in that, and did a great job. There’s an acronym that’s used a couple of times, that I think may be funny in the original, but doesn’t translate into anything (at least as far as I can see). That one thing aside, the ability to make a translated text feel so natural, so easy is no small feat.

QualityLand is a fun read t’s a thought-provoking read, it is (occasionally) a frightening read as you realize how close to this dystopia we are (and how fast we’re running to it). I strongly recommend this one.


4 Stars


My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials (including a copy of the novel) provided.


This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Reposting Just Cuz: Guilty Minds by Joseph Finder

My plan for today was to post about the new Nick Heller novel: House on Fire by Joseph Finder. But one thing led to another, and . . . well, that just didn’t happen (and I’m not sure when it will). Instead, I’ll be revisiting my posts about the first three in this thriller series. The first two have already been posted, and here’s the third.


Guilty MindsGuilty Minds

by Joseph Finder
Series: Nick Heller, #3

eARC, 400 pg.
Dutton, 2016

Read: June 1-2, 2016

The evil that men do lives after them;
The good is oft interred with their bones:
               – Julius Caesar, Act 3, scene ii

Everyone’s favorite private spy, Nick Heller, is back. This Jack Reacher with a budget gets hired to head off a scandal that may threaten the career of the Chief Justice of the Supreme Court. He’s not hired by the Justice, of course, but by a powerful friend. Washington, D.C. being Washington, D. C. not only does the Justice have powerful friends, he has powerful enemies. Heller assumes that they’re behind the scandal breaking on the gossip website, and sets his sites on not only stopping them but exposing them.

There’s more going on than even someone with Heller’s instincts expect — what seems like a pretty routine case (with high stakes) turns into something with life or death stakes. Not shocking, it’s why we read these things.

I love the way that Heller’s mind works — watching him prepare (even quickly) to break into an apartment, or take out a group of kidnappers is one of the highlights of these books. What’s even better is that his hacker can’t do everything. His buddies/colleagues make blunders. What’s more, Heller makes mistakes — errors in judgement, letting personal biases get in the way, bad assumptions. Sure, Heller’s super-human (it’s why we read him), but he’s not perfect. It’s his reaction to the mistakes, his recalculations, his new plans that separate Heller from a lot of these characters who are a little more perfect.

There’s a twist or two, people who aren’t what they seem (in good and bad ways for Heller), and some solid fight scenes (with and without weapons). Pretty much just what you want in a thriller. I’m not sure that I’m crazy about the resolution or the epilogue, but I don’t mind them and honestly I can’t think of a better way for things to play out (and before that, I had just that one complaint). So, I guess a great 380 or so pages, followed by a decent 20.

It took less than a page or two (hard to tell on my screen) to remember what I liked about the style of this series, Heller’s voice, and his crew (although this book relied less on his regular supporting cast than the previous two). If I quoted every snappy line from the first chapter, you’d stop reading this post as tl;dr (and the publisher would come after me) — and things got better from there. Great internal dialogue. Finder writes lean prose without an inch of fat, but it’s not dry, not lacking anything — it’s full of personality and intelligence. There was one thread that seemed pretty important that Finder just abandoned, which is odd for him. Still, anytime you get an action hero quipping about coffee, I’m going to pay attention.

I had coffee. I took one sip and put it down. It tasted like something brewed by someone who disapproved of coffee.

I appreciated the observation about airport/tarmac security, and just with that Heller had spent more time with that. Maybe in the fourth book?

Smooth prose, good action, well-paced, and just a fun story. A real pleasure to read from beginning to end.

I received this book from Net Galley in return for the above thoughts. Thanks to Net Galley and Dutton for the good read. As it was an ARC, there’s a chance that the quotation above might not be in the published version, I’ll try to confirm as soon as I can next month.

—–

4 Stars

Reposting Just Cuz: Buried Secrets by Joseph Finder

My plan for today was to post about the new Nick Heller novel: House on Fire by Joseph Finder. But one thing led to another, and . . . well, that just didn’t happen (and I’m not sure when it will). Instead, I’ll be revisiting my posts about the first three in this thriller series. This is the second in the series, so the first has already been posted, and the next is on the way, but first: Buried Secrets


Buried SecretsBuried Secrets

by Joseph Finder
Series: Nick Heller, #2

Hardcover, 386 pg.
St. Martin’s Press, 2011
Read: April 13, 2015

Private Spy, Private Investigator, Private Vengeance-Taker, whatever you want to call him, Nick Heller one of the best — he’s tough, he’s resourceful, troubled kids like him and he quotes The Punisher. Who doesn’t love that?

Heller’s relocated himself, his computer wiz, and his nephew to Boston since we saw him last, setting up shop marketing his peculiar trade. True to form, he’s pretty picky about who he accepts as a client, but there is one who he can’t turn away. Marshall Marcus, the richest man in Boston, was a lifeline for Heller’s mother after his father’s prison sentence was handed down. Now he needs a lifeline — actually, his 17 year old daughter does. She’s been kidnapped and will be executed if her father doesn’t give the men responsible exactly what they want.

The kidnapping itself, and the way Alexa is being held captive aren’t that novel — most readers who’ve watched a police procedural or two in the last few years will have seen one or two scenarios like it. But Finder does make it distinctive by making the man holding her into a particularly sick and evil man. Thankfully, we don’t spend so much time with Dragomir that the reader sympathizes with him, or starts to like him (à la Dr. Lecter). What he’s doing to Alexa is just wrong — as is pretty much everything that has led up to this point in his life.

Nick’s not just up against this twisted man — and those behind him — he also has to contend with a client who continually lies to him, an FBI official that seems to be blocking his efforts, and more than one person who isn’t who they say they are. Thankfully, he has Dorothy, his old military friends, international intelligence contacts, and a different FBI agent backing him.

There’s less action (as defined by explosions, gunplay, fights, etc.) than in Vanished, but it’s more suspenseful. In Vanished, it wasn’t until the closing pages that you had any idea what was happening with the victim — but here, there’s never any doubt about what’s going on with her, and what’s going to happen to her if Nick doesn’t put the pieces together. Soon. Which isn’t to say it’s all-thriller-all-the-time, there’s moments where Nick and the reader catch their breath. Even a couple moments of levity (Nick’s narrative voice helps a lot on that front) — his observation, “Veganism is apparently the paramilitary wing of vegetarianism” helped set the tone. Dorothy’s eventual use of the word “Pepsi” to close a chapter made me chuckle audibly (you’ll get it when you read this).

I should probably add that this book includes one of the grosser character deaths I’ve read in the last couple of years. Didn’t bother me much, he had it coming.

We get to see a bit more of Nick’s life and backstory this time. He’s a better-rounded character now. It’d have been easy to see him as a workaholic who had no contact with anyone outside of work and his nephew before. But that’s clearly not the case now. There’s not much more to him — but there used to be, and getting that glimpse helps you care a bit.

It’s taught, it’s a page turner, it’s a “I can always sleep later” kind of read. Man, oh man, I hope Finder has at least one other Heller adventure up his sleeve.
4 Stars

Come Tumbling Down by Seanan McGuire: Jack and Jill’s Final (?) Showdown in the Moors

Come Tumbling Down

Come Tumbling Down

by Seanan McGuire
Series: Wayward Children, #5

Hardcover, 206 pg.
Tor Books, 2020

Read: January 8-10, 2020
Grab a copy from your local indie bookstore!

Eleanor West’s Home for Wayward Children was an island of misfit toys, a place to put the unfinished stories and the broken wanderers who could butcher a deer and string a bow but no longer remembered what to do with indoor plumbing. It was also, more importantly, a holding pen for heroes. Whatever they might have become when they’d been cast out of their chosen homes, they’d been heroes once, each in their own ways. And they did not forget.

I wanted to do an Opening Lines post for this book, but I couldn’t decide where to stop—maybe around page 6 (which is a little too long for that kind of post). Seriously, it took less than a page for me to fall in love with this book.

It’s a typical day at Eleanor West’s School for Wayward Children (assuming such a thing exists) when a door appears, but instead of someone getting to go to their “home,” two figures emerge. One is a complete stranger, the other is Jack. Well, sort of. Close enough for our purposes here.

Things on the Moors have gotten to a crisis point where only one of the Wolcott twins can survive—Jack or Jill. Jill has struck first and things are dire. Jack recruits a couple of her friends and classmates to return with her (she was relatively certain she could return them to the school) to aid her in confronting her sister. They used to be heroes, they will be heroes again—as often as needed—much to Eleanor’s chagrin.

Once in the Moors, a dark and nasty place to be sure, dangers that no one (save maybe Jack) could’ve predicted present themselves and threaten the lives of the students in horrible and chilling ways. Culminating in what appears to be a final encounter for the sisters.

I love the way that McGuire writes these books, and Come Tumbling Down is no exception. It is full of the typical whimsical, fantastic and nigh-poetic language and ideas. If you’ve read a Wayward Children book before, you know what I’m talking about. If you haven’t . . . it’s hard to tell you. Here’s a sample or two:

“This is terrible . . . I mean we knew it was going to be trouble . . . but this is bonus terrible. This is the awful sprinkles on the sundae of doom.”

“A little knowledge never hurt anybody,” said Sumi.

“Perhaps not. But a great deal of knowledge can do a great deal of harm, and I’m long past the point of having only a little knowledge.”

Sumi was Sumi. Spending time with her was like trying to form a close personal relationship with a cloud of butterflies. Pretty—dazzling, even—but not exactly companionable. And some of the butterflies had knives, and that was where the metaphor collapsed.

Jill had always been the more dangerous, less predictable Wolcott, for all that she was the one who dressed in pastel colors and lace and sometimes remembered that people like it when you smiled. Something about the way she’d wrapped her horror move heart in ribbons and bows had reminded him of a corpse that hadn’t been properly embalmed like she was pretty on the outside and rotten on the inside. Terrifying and subtly wrong.

“wrapped her horror movie heart in ribbons and bows” is pretty much worth the purchase price of the book.

I’m glad that I enjoy—relish, really—the language like I do, because there’s not a lot of plot or action here. There’s enough, but there’s an awful lot of talk both around and before the action really gets underway. That’s not a wholly bad thing, and I enjoyed all of it, it just seemed self-indulgent.

It felt to me that McGuire’s reached the point of diminishing returns with this one, it’s been one too many trips to the Moors and it’s time for other Wayward Children to get the focus. Thankfully, that seems to be the plan.

I don’t think this would be a great introduction to this series (but it would function okay that way) if you’re not going to read them all in order, I feel safe in saying that it needs to be read after Down Among the Sticks and Bones. This is a good way to return to the world and revisit some of these characters. I can’t wait to see what happens in the next volume.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Not Dressed by Matthew Hanover: If this book doesn’t bring a smile to your face, something’s broken

Not Dressed

Not Dressed

by Matthew Hanover
Series: Wallflowers, #2

eARC
2020

Read: January 3-6, 2019

“Hey there, Jake. This should be fun, right?”…

“I guess,” I say.

“You don’t sound too excited,” she says as she takes a hair tie off her wrist and pulls her disheveled hair back into a ponytail.

“Yeah, well. I’m not good at dancing.”

“Obviously! That’s why you’re here. Same as me. I’m probably just as bad as you. But we’ll learn together, okay?”

“Okay.”

Darmok and Jalad at Tanagra,” she says.

“I…have no idea what that means.”

“It’s from Star Trek…Actually, Star Trek: The Next Generation. It means we’ll work together to solve a common problem. In this case, the problem is learning how to dance.”

“I gotcha. So, you’re like…a Trekkie?”

“Was my sweatshirt not a big enough clue?”

“No, I just—”

“You’re not a Star Wars fan, are you? If you are, you’ll have to find a different partner.”

Jake Evans is our protagonist—he’s a decent enough guy, who could probably use some maturing (which means he’s like 90% of guys in their twenties). He’s got a great girlfriend (although the relationship seems a bit rocky when we meet him) and is second-guessing his chosen career (partially because he has a horrid employer, and partially because architecture isn’t the career he thought it would be). There are signs that he’d be a pretty fun guy to hang out with, but when the book opens he’s got a pretty good-sized cloud over his head between the girl and the gig.

Lindsay’s his long-time girlfriend. She works in radio and is very passionate about her job. She’s enjoying a little bit of success, and has a hard time relating to Jake’s struggles. She’s the producer and in-all-but-name on-air sidekick to a Boston-area conservative talk show host, who calls her “Lefty Lindsay.” (don’t worry, politics are absent from the book!) At least when the book opens, I really didn’t see why the two of them were a couple. There’s a good chance that neither of them rembered at that point, either, it had been so long.

Two things about their relationship provide most of the initial conflict for the plot. First, due to some financial hits they’ve taken recently, Lindsay has taken some modeling gigs to make some extra money. She did it back in college, which was recent enough that she still had connections. Why didn’t Jake do something to make extra money? He’s having a hard enough time finding a replacement full-time job that it didn’t seem like a good idea to try to add another job search to his plate. Besides, Lindsay’s moonlighting is profitable enough. What she neglects to mention to Jake is that this modeling is for art classes at a local college. And, well, none of these artists-in-training are working on fashion degrees—clothing gets in the way of what they’re learning to draw/paint/sculpt. Jake’s an open-minded kind of guy, except when it comes to this, it’s not pretty when he finds out (although it’s a pretty amusing scene for readers when he does).

Meanwhile, Jake’s sister’s wedding is coming up and Lindsay has decided the two of them need to learn to dance before it. Besides, it’s a fun activity for the two of them—they never go out mid-week anymore, and their relationship could use a boost. So she signs them up for a dance class, and then tells Jake about it after she paid for it, so he pretty much has to agree to it, but isn’t really that interested. So she basically promises him sex if he goes. Which pretty much seals the deal. But then Lindsay’s show gets moved to a new (and better) time slot. So, in addition to not being able to make the class, the couple will hardly see each other during the week. Her plan is that Jake will go, and then on the weekend, teach her the moves (he insists on getting his payment in advance for this).

Jake hates this new plan, and is convinced that he’s going to be stuck dancing with the instructor (after he and the reader meets this instructor, no one thinks this is going to be fun for him). Thankfully, just before class starts, Kaylee walks in. You read her opening dialogue up above. She’s a few years younger than Jake, taking some time out from college to figure out what she wants to do with her life, and is a major geek. She’s almost a Manic Pixie Dream Girl, but doesn’t fit the category in a few ways (I’m only using that term because I’m afraid this post is getting too long and I want to pick up the pace). She’s also my favorite character of 2020 so far (granted, that would mean more if it wasn’t January 13th).

Kaylee and Jake strike up a nice little friendship during the class, and pretty soon, he’s going so he has an excuse to hang out with her. The two of them are fun together—she’s socially awkward and embarrassed to be herself, Jake tries to shake her out of that, and even encourages her to let her Geek-Flag fly (even if he doesn’t get any of it). Meanwhile, she’s encouraging about his job hunt (as opposed to Lindsay, who mostly nags or wants him to find a way to succeed where he is), and gets him to be a little less angst-y about his life. I like Jake more when he’s in friend with Kaylee-mode over guy with Lindsay-mode. But what do I know? I have a tendency to pick people the protagonists don’t in these situations (I won’t provide examples because I’d expose myself to too much ridicule).

The one last bit of Jake’s life we need to talk about is his job. It’s horrible. He has a nice group of work-friends who band together for mutual support (and complaints), but the atmosphere at work is toxic, and their superiors would be enough to turn anyone against their chosen field. For example, in the first chapter, Jake’s two-year anniversary with the company happens and he asks his boss about scheduling his annual review (which will hopefully involve a raise, which he could really use). His boss stammers and suggests an alternate date, nine months away. Yeah, Jake’s bad attitude toward work makes a little sense, doesn’t it?

I worked as a draftsman at an architecture firm some years ago, and while the atmosphere there wasn’t at all what Jake experienced, Hanover did do a great job of capturing the kind of work and personalities that I saw—which doesn’t really match the typical depiction of architects in fiction. I liked that bit of realism. (I asked Hanover about that in an upcoming Q&A, but I haven’t read his responses yet, looking forward to seeing where that authenticity came from).

Getting back to Jake’s life—what we have here is a stagnant (at best) relationship that’s got a couple of pretty big things to work through; a job situation that needs addressing; and a new friend that is really the only positive thing in his life. Jake’s life is basically begging to be shaken up, is Kaylee going to help instigate that?

There’s something about Hanover’s style that I can’t express, but I wish I could. This book (like last year’s Not Famous) is effortless to read. When I started this book, it was late in the day and I thought I’d just stick a toe in the water, maybe read about 10% of it. Before I knew it, I was about a third into the book (and were it not for the time of day, I’d have probably finished it in one sitting!). It’s funny, it’s sweet, it’s infectious, it’s engaging as anything I can remember. I cared about these characters and got invested in their lives faster than I typically do.

Jonathan Tropper tends to have certain character types that show up in every novel—particularly the wise sister/friend-who-might-as-well-be-sister* (many authors do this kind of thing, I know, but Tropper is who I thought of when I was reading this book). Hanover shows signs of the same thing—sisters play a big role in both of his novels to date. He doesn’t use them the same way that Tropper does, don’t get me wrong, but his male protagonists are more honest and open about their emotional lives because of sisters. This is neither good or bad, it’s just a trait that he may have—it’s something I’ll be looking for next time. (again, see the Q&A for more on this topic). I like that there’s someone who can draw this out of a character without the need for alcohol, drugs or trauma—also, that he bares his soul first to someone who isn’t a love interest.

* There are other types that Tropper utilizes constantly, too, if I ever get around to my big re-read of his corpus, I’ll end up compiling a chart.

There’s a bit of conventional wisdom discussed here that I didn’t know before reading this book.

“You realize that dancing is basically foreplay, right?”

“So I’ve heard.” [Jake replies]

Four chapters later:

“Because dancing is, like, totally foreplay, you know.”

“Why does everyone keep saying that?” [Jake asks]

I counted someone telling that to Jake four times (with at least one more allusion). Is this really a thing that everyone thinks/says? I may need to cancel some of my daughter’s plans for the next 20 years…

I’d forgotten that Hanover had said there’d be a link between Not Famous and this book. It’s small, and if you haven’t read his other novel, you won’t miss anything. But if you have, you’ll enjoy the brief catch-up you get about the lives of the protagonists of that novel. It brought a big grin to my face.

There was a slight flavor of Nick Hornby wanna-be-ness to Not Famous that’s not present here. Instead, what Hanover has done is take that same voice and put it to use telling a story that’s all him (while being the kind of thing that Hornby readers will appreciate). I do think that Hanover could go a bit deeper in his characterizations (I have very little sense about Jake apart from work/Lindsay) and his plots could add a little more complexity. I’m looking for a few degrees of depth/complexity, not much. But that doesn’t stop me from loving this world and characters, and it doesn’t keep me from encouraging you all to grab this book when it releases next month.

This heart-warming tale about being who you are and finding acceptance for it is a real winner. Adorkable, irresistible, and just fun—Not Dressed is sure to please (if you are so led, book is available for pre-order). I don’t know what Not Description is next for Hanover, but I’m already eager to read it.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion and this post. I appreciate the book, but it didn’t sway what I had to say.


4 Stars

My Favorite 2019 Non-Fiction Reads

Like every single year, I didn’t read as much Non-Fiction as I meant to—but I did read a decent amount, more than I did in 2018 (by a whole percentage point, so…). These are the best of the bunch.

(alphabetical by author)

You Can Date Boys When You're FortyYou Can Date Boys When You’re Forty: Dave Barry on Parenting and Other Topics He Knows Very Little About

by Dave Barry

My original post
Barry at his near-best. This reminded me for the first time in a few years why I became a life-long devotee in high school. I could relate to a lot of it, and what I couldn’t was just funny. His reaction to Fifty Shades was a highlight—the chapter about his family’s trip to Israel was fantastic, funny and moving.

4 Stars

Have You Eaten Grandma?Have You Eaten Grandma?: Or, the Life-Saving Importance of Correct Punctuation, Grammar, and Good English

by Gyles Brandreth

My original post
I remembered rating this higher, but I’m not going to second-guess myself now. I’ll steal from my original conclusion for this: It’s the kind of thing that my college-bound daughter could use on her dorm bookshelf (and will probably find), and I know more than a few people who find themselves writing reports and the like for work who could use something like that. If you need help, might as well have a good time while you’re at it—and Have You Eaten Grandma is just the thing.

3.5 Stars

Dreyer’s EnglishDreyer’s English: An Utterly Correct Guide to Clarity and Style

by Benjamin Dreyer

I haven’t written a post about this yet, but it’s a great book. I can see why it was so popular this year—so much so that it got its own card game! The only more useful book I read in 2019 was the next one on the list. I’m not sure if I read something that made me laugh more. Fun, smart, incredibly quotable, and a resource you’ll return to time and time again.

5 Stars

How Not to DieHow Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease

by Michael Greger M.D. FACLM, Gene Stone

My original post
One of the doctors that I’m seeing this year recommended this book to me, and it’s literally been a life-changer. This is an information-packed resource. But it’s not dry—Greger tells this with humanity, wit and concern. It’s a great combination of theory and practice.

4 Stars

The Art of WarThe Art of War: A New Translation

by Sun Tzu, James Trapp (Translator)

My original post
The classic text about military strategy—a great combination of psychology and management. It’s simple and profound, and approachable enough that there’s no excuse for not reading it.

5 Stars

What the Dog Knows Young Readers EditionWhat the Dog Knows Young Readers Edition: Scent, Science, and the Amazing Ways Dogs Perceive the World

by Cat Warren, Patricia J. Wynne (Illustrator)

My original post
I loved the “adult” version of this a couple of years ago, and this is just as good—but edited so that middle-grade readers can tackle this exploration of the life of Working Dogs and their handlers.

4 Stars

Food: A Love Story by Jim Gaffigan (Audiobook): Gaffigan’s Tribute to the Topic that Defines his Comedy

Food: A Love Story

Food: A Love Story

by Jim Gaffigan

Unabridged Audiobook, 7 hrs., 17 min.
Random House Audio, 2014

Read: December 11-13, 2019


This is largely what I said about the book in 2015, but I have a few more thoughts about Gaffigan’s book on parenting, Jim Gaffigan offers a book on his true strength: food.

As with Dad is Fat, a lot of this is material I’ve seen/heard elsewhere, but most of it isn’t. There’s more than enough original material to satisfy even those who’re familiar with has specials. I think, so anyway—I don’t have an encyclopedic knowledge of Gaffigan’s material, as much as my children want me to (I wouldn’t mind it, either).

On the whole, this is about what foods, dishes, and practices he likes—but he breaks it up with things he can’t stomach or understand. Sometimes, like with the chapter on Reuben sandwiches, he handles both.

The chapters on Coffee, Steak, Doughnuts, Breakfast, Hot Dogs and Bacon stand out particularly for me. Although the pair “Nobody Really Likes Fruit” and “Even Fewer People Like Vegetables” really amused me, even beyond the great titles.

Actually, there’s really nothing that didn’t amuse me.

Naturally, there’s an entire chapter devoted to Hot Pockets. That’s all I’m going to say about that, it speaks for itself.

Because the book is pretty tightly focused, there are two ways I’d recommend to read this book: in one setting, or broken up into tiny chunks over several days. There’s a danger of things getting repetitive that either of those tacks reduces.

I’m going to limit myself to just a few highlights, there’s quotable material on almost every page:

A.1. was always on the table when my dad would grill steaks. It seems everyone I knew had that same thin bottle of A.1. It always felt like it was empty right before it flooded your steak. Ironically, the empty-feeling bottle never seemed to run out. I think most people still have the same bottle of A.1. that they had in 1989. Once I looked at the back of a bottle of A.1. and was not surprised to find that one of the ingredients was “magic.”

Of course I am aware that doughnuts are bad, horrible things to eat, and according to my health-nut wife, they are not appropriate for a trail mix. I’ve repeatedly tried to explain to Jeannie that I’m on a different trail. Mine leads to the emergency room. Trail mixes have nuts, and my favorite nut is most definitely a doughnut.

In my opinion, however, the line of the book has nothing to do with food:

Bill Shakespeare himself, another actor who did some writing…

Listening to Gaffigan added a little more to the experience—sure, it’s easy to imagine him saying the same things, it’s another one to hear him do it. It’s not a superior experience to reading the book, but it’s an added flavor that makes it fresh even on the second exposure.

I’ve spent the last few months trying to change my eating habits, which made enjoying this celebration of unhealthy eating a little personally ironic (particularly for the 35 minutes I spent on a treadmill), but it still made me laugh. If you’re the kind of person who eats food, has opinions on it, and likes to laugh, pick yourself up a copy.


4 Stars

2019 Library Love Challenge<Humor Reading Challenge 2019

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