Tag: A Mason and Mann Mystery

Deadly Does It by Abbi Waxman: When Fear Conspires With Pride

Cover of Deadly Does It by Abbi WaxmanDeadly Does It

by Abbi Waxman

DETAILS:
Series: A Mason and Mann Mystery, #2
Publisher: Berkley
Publication Date: July 21, 2026
Format: Paperback
Length: 364 pg.
Read Date: August 5-7, 2026
Buy from Bookshop.org Support Indie Bookstores

“Prison’s very dull, apart from the all-pervading fear of violence and the occasional bug in the food. Trust me, you’d hate it, not because it’s scary, but because it’s skull-crushingly boring.”

“I have no intention of going to jail.”

Julia laughed. “No one intends to go to jail, Mason, yet there they are.”

What’s Deadly Does It About?

It’s been six months or so since Mason has gone to work as an investigator/assistant to ex-actress turned activist lawyer Julia Mann. They’ve taken some cases to make money, and keep some room handy to take con cases to help people they like (and/or hurt those they don’t).

It’s the latter that comes into play when Mason’s sponsor reveals she’s been getting threatening notes, and someone seems to be following through with them—Alexa is an event planner and two of her recent events have gone spectacularly, headline-makingly bad. The threats promise to do more than just ruin her reputation soon. Julia and Mason assume it has to do with Alexa’s past—back decades ago when she was drinking, doing drugs, and some minor crimes—and was associated with people who were doing some more serious crimes. So they start looking into the past she’s tried to put behind her to uncover who’s trying to make her present unlivable.

Meanwhile, Mason’s father had a minor heart attack and she has to visit home a couple of times, connecting with her semi-estranged family. Also, Julia teams her up with a P.I.* to get some actual training rather than just fumbling around has she has been—it forces Mason to think about her future in a way that I’m not sure she’s done since she got sober, in addition to giving her some tools she needs for this case.

* The similarity between this P.I. (Teddy) and Peter Key’s mentor from Killer Vibes are pretty strong, but Teddy seems like a better guy to hang out. I’m curious if I’ll think the same after one more book featuring each.

Recovery

This book, more than One Death at a Time and similarly to the Assassins Anonymous books, is a tribute to AA and similar programs. Many things—many things near and dear to the characters—will be mocked by characters in the book—but not their sobriety and recovery. Characters will talk about getting to a meeting, their need for one, talks with their sponsor, etc.—and the investigation will stop for them to do so.

There’s even a clear need and justification to investigate people at a certain meeting, and discussion about it is shutdown by Julia so quickly it’ll make your head spin. She might get pushed to it by circumstances, she makes it clear—but it’s going to take a lot for her to go there and things never got there.

Due to the nature of the investigation, almost everyone they talk to is an addict in recovery or has been avoiding it for decades. Either way, Julia and Mason can relate to them, sympathize and empathize with them. This adds a different flavor to their interviews/conversations than you get in most P.I. novels. It endeared me to them even more than I already was.

Why did I pick this up? Why did I keep reading?

Because Abbi Waxman has been an auto-read for me since 2019 and because the fist book in this series was so good that any future books in it would’ve been a reflex pick up as well.

The short version of why I kept reading it is that I have more fun with it than its predecessor. The longer version is that when it comes to heart, humor, convincing mystery, believable characters, and compelling story-telling—this book nailed it all.

What does this book tell us about humanity?

This book is about the capacity for change, and how that capacity (exercised or not) is something we all possess. It may be major changes—like working the 12 Steps—or something relatively minor—like Julia’s cook realizing she’s a cat person and starting to pamper Mason’s cat with cooking better than many people ever get.

Mason’s father has to make some changes due to his health, Mason’s sister and Mother need to acknowledge that Mason’s made some positive changes in her life (whether they do or not, I won’t say). Mason has to make some decisions about changing her life. Many of the characters in this book have made significant lifestyle changes due to substance abuse and addiction. There might even be a couple who haven’t made the changes they need to which creates the mayhem our duo takes on.

Regardless, the opportunity is there for the taking, the possibility is there.

So, what did I think about Deadly Does It?

“I think I can still write by hand, but on the few occasions I have to, it looks like a centipede has done two lines of coke, stepped in a tiny pot of ink and scrambled across the page in a hurry to get to somewhere else. Not exactly legible.”

There was a pause.

“Thanks for the colorful image, Mason,” said Julia, “no sure who would sell a centipede the minuscule amount o¢ drugs they could take, but your rich and vivid imagination will eventually come in handy, I expect.”

The interaction between Julia and Mason—and between Julia’s employees/friends/odd family—is the heart of this novel, in terms of character growth, the plot, and for entertainment. Most of the laughs come from them interacting with each other. It’s in this that the link between Waxman’s earlier novels and this series can be seen.

But the mystery and the investigative work are no slouch. As with One Death at a Time, Waxman shows she knows away around this kind of story. Yes, I was yelling at them (rightly) to pay attention to one character far earlier than they did, and I cottoned on to the motivation to the notes before they did—but it’s only because Waxman laid out the clues so clearly for the reader.

I like these characters—including the new ones and the new layers we saw in our old friends—I thought the main story was really well executed. I think Waxman could’ve done a little more with the arc about Mason’s family, but what was there was great. And the set up for future books is clear and I look forward to seeing what she does with the seeds she planted.

This would work wonderfully as a jumping-on point for the series, but it might resonate a little better with the reader if they go back to the beginning (which isn’t that far)—but either way if you’re looking for a mystery novel with dazzling characters, some genuine humor. great dialogue, and plenty to chew on, Deadly Does It fits the bill.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: One Death at a Time by Abbi Waxman: You’ll Laugh All the Way to the Morgue

(not that you actually go to a morgue in this book, I was just struggling with that headline)


Cover of One Death at a Time by Abbi WaxmanOne Death at a Time

by Abbi Waxman

DETAILS:
Series: A Mason and Mann Mystery, #1
Publisher: Berkley
Publication Date: April 15, 2025
Format: eARC
Length: 400 pg.
Read Date: April 11-15, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s One Death at a Time About?

Natasha Mason is a twenty-something still trying to figure out what to do with her life—her alcoholism led to her leaving law school, and now she’s paying bills by delivering food and doing other gig economy standbys in L.A., and making sure she makes at least one meeting a day.

At one of these meetings, a vaguely familiar-looking woman shows up—and is not the friendliest of people. She seems—well, is—more concerned about getting her court-mandated signature than in anything else. Mason volunteers to be this woman’s interim sponsor. Now this older woman had been sober before, but on the night that led to the court-mandated meetings had a blood-alcohol level that stunned a rowdy twelve-step meeting into silence. She’d also come out of a blackout next to the dead body of a former lover/decades-long antagonist and what was probably the murder weapon. For a night she couldn’t remember—it’d clearly been eventful.

The next morning, Mason shows up at the gate of her obviously well-off sponsee. Thanks to some time on the internet, Mason knows her to be Julia Mann—a former box office star, now a lawyer taking on cases for as many Davids as she can in a city of Goliaths. Oh, and in between careers, she’d been in prison due to the death of her husband—the former business partner of the dead man she’s currently suspected of killing.

This meeting didn’t go the way Mason suspected—for one, Julia Mann’s housekeeper is an amazing cook, as Mason learned. Also, the two kept butting heads—Mason wanted to talk about Julia’s sobriety, but Julia was rather fixated on the murder. And yet…something clicked between the two. In between verbal jousts,* Julia ends up hiring Mason to be her personal assistant and help with the investigation. Mason justifies this to herself as a way to stay near Julia and keep her sober. The chance to eat more of Claudia’s cooking and make more money than an app can pay doesn’t hurt.**

Before you know it, these two have got themselves involved in a separate murder investigation (another David for Juila to work for), arson, tensions around Julia’s former career in the film industry, tensions around Julia’s future career in the film industry (she wants none of it, but no one seems to care), brushes with organized crime, multiple reasons for both or either of them to ditch their sobriety, and more things that I can fit into this rambling sentence.

* The back-and-forth between these two is reason enough to try this book. Waxman will supply several others, it should be noted.
** Yes, this makes two books in as many months about an LA-based delivery driver turning amateur investigator.

The Murder Mystery(ies)

Murder mysteries surrounding the film industry tend to have a few things in common—secrets, petty grievances that get nurtured into full-blown rivalries (or worse), scandals (for an industry reputed to be filled with amoral hedonists, there really are a lot of moral scandals), and organized crime.

One Death at a Time ticks all of these boxes—and a few others that I should’ve listed above, but forgot to. This may be Waxman’s first mystery, but she clearly understands the genre and knows how to construct a classic whodunit in a contemporary setting.

You get all the twists, turns, red herrings, and layers upon layers of competing motives for multiple suspects that you need—doled out in just the right pacing with dollops of shocks and action along the way. The final reveal is satisfying, and every loose plotline is tied up. It’s a textbook example of the genre—pleasing in every way.

The Humor/Tone/Relationships

This might be a clumsy way to tackle these ideas, but it’s where I am.

Yes, Waxman is known for Rom Coms—or Rom Com-adjacent—books, so we all know she’s funny. This seemed to me to be more overtly comedic. There are jokes—many of them—not just funny situations and loveable, quirky characters doing goofy things. Don’t get me wrong, there are plenty of those (as well as non-lovable, quirky characters).

This reads like Dave Barry’s kind of crime novel, with the restraint of a Richard Osman. The verbal jousting is great, and the physical comedy is almost as good. The situations are frequently ridiculous, but never so much so that you get taken out of the moment.

The technical term that best describes Mason is “wiseass,” and one with poor impulse control. Someone who doesn’t know how to keep her trap shut, powered by Waxman’s wit is a fun character to read. Julia’s no slouch in that department either, but she’s more mature, she knows that she should pick her targets with care—and is therefore usually more effective.

The rest of Julia’s team (I will not tell you about them, so you can meet them properly) and some of the other characters the reader encounters have drier wits, largely fitting into the typical Waxman model. Oh, except this one actress…nope. You wouldn’t believe me if I tried to describe her.

Mason’s support system consists of the meetings she attends, her sponsor, and her cat. Julia has a strong team of employees and friends (the Venn diagram there has a large area of overlap)—they’re just not that effective on the sobriety front, but they make up for that with their loyalty. Julia also has a pretty strong network of former friends, employers, and employees in and around the film industry. These are loyal to their grudges against her and their own self-interest—however, they (or at least most of them) want her to succeed in her search for the killer, so they can move on with their lives and careers.

You combine all of this—with a (slowly) growing relationship of affection, trust, and appreciation between our protagonists—and you’ve got yourself a great basis for comedy with heart.

Sobriety

One thing that Waxman never made light of in all of this was the sobriety of the characters. Yes, Julia would mock Mason’s approach to being her sponsor, but that was about the characters’ personality differences—both of them took it seriously.

Not all of the characters appreciated the struggle and what the characters did to preserve it—but none of the comedy was about the drinking.

The opening meeting did get me to chuckle frequently, but that was character-based humor. The book never gets preachy at the reader, just to each other.

So, what did I think about One Death at a Time?

I had a blast with this—if you couldn’t tell. This is my fifth Waxman novel, so I went into it expecting that I would. I just wasn’t sure how much I’d enjoy it, because of the genre. But if I didn’t know who she was before I picked this up, I’d be scouring the library for her Abbi Waxman now.

It does—as it should—feel very different than her previous works. I’d say this is closer to last year’s Christa Comes Out of Her Shell than the rest, but even saying that, this is different. The stakes are (obviously) higher for these characters; there are potentially lethal consequences for failure. Which might explain the more heavy-handed approach to the comedy.

I think I’ve said everything I wanted to above—the mystery part is really well done; the characters are well-designed and well-excecuted, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth while eating whatever wonderful treat/meal Claudia has prepared. Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

This feels like a standalone, but it could easily spawn a sequel or more. If it does, I’ll be first in line. If it doesn’t…well, that’s okay, too. It works really well either way.

Basically, reader, if any of the above tickles your fancy—you need to add this to your TBR. I practically guarantee you’ll have a great time.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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One Death at a Time by Abbi Waxman: You’ll Laugh All the Way to the Morgue

(not that you actually go to a morgue in this book, I was just struggling with that headline)


Cover of One Death at a Time by Abbi WaxmanOne Death at a Time

by Abbi Waxman

DETAILS:
Series: A Mason and Mann Mystery, #1
Publisher: Berkley
Publication Date: April 15, 2025
Format: eARC
Length: 400 pg.
Read Date: April 11-15, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s One Death at a Time About?

Natasha Mason is a twenty-something still trying to figure out what to do with her life—her alcoholism led to her leaving law school, and now she’s paying bills by delivering food and doing other gig economy standbys in L.A., and making sure she makes at least one meeting a day.

At one of these meetings, a vaguely familiar-looking woman shows up—and is not the friendliest of people. She seems—well, is—more concerned about getting her court-mandated signature than in anything else. Mason volunteers to be this woman’s interim sponsor. Now this older woman had been sober before, but on the night that led to the court-mandated meetings had a blood-alcohol level that stunned a rowdy twelve-step meeting into silence. She’d also come out of a blackout next to the dead body of a former lover/decades-long antagonist and what was probably the murder weapon. For a night she couldn’t remember—it’d clearly been eventful.

The next morning, Mason shows up at the gate of her obviously well-off sponsee. Thanks to some time on the internet, Mason knows her to be Julia Mann—a former box office star, now a lawyer taking on cases for as many Davids as she can in a city of Goliaths. Oh, and in between careers, she’d been in prison due to the death of her husband—the former business partner of the dead man she’s currently suspected of killing.

This meeting didn’t go the way Mason suspected—for one, Julia Mann’s housekeeper is an amazing cook, as Mason learned. Also, the two kept butting heads—Mason wanted to talk about Julia’s sobriety, but Julia was rather fixated on the murder. And yet…something clicked between the two. In between verbal jousts,* Julia ends up hiring Mason to be her personal assistant and help with the investigation. Mason justifies this to herself as a way to stay near Julia and keep her sober. The chance to eat more of Claudia’s cooking and make more money than an app can pay doesn’t hurt.**

Before you know it, these two have got themselves involved in a separate murder investigation (another David for Juila to work for), arson, tensions around Julia’s former career in the film industry, tensions around Julia’s future career in the film industry (she wants none of it, but no one seems to care), brushes with organized crime, multiple reasons for both or either of them to ditch their sobriety, and more things that I can fit into this rambling sentence.

* The back-and-forth between these two is reason enough to try this book. Waxman will supply several others, it should be noted.
** Yes, this makes two books in as many months about an LA-based delivery driver turning amateur investigator.

The Murder Mystery(ies)

Murder mysteries surrounding the film industry tend to have a few things in common—secrets, petty grievances that get nurtured into full-blown rivalries (or worse), scandals (for an industry reputed to be filled with amoral hedonists, there really are a lot of moral scandals), and organized crime.

One Death at a Time ticks all of these boxes—and a few others that I should’ve listed above, but forgot to. This may be Waxman’s first mystery, but she clearly understands the genre and knows how to construct a classic whodunit in a contemporary setting.

You get all the twists, turns, red herrings, and layers upon layers of competing motives for multiple suspects that you need—doled out in just the right pacing with dollops of shocks and action along the way. The final reveal is satisfying, and every loose plotline is tied up. It’s a textbook example of the genre—pleasing in every way.

The Humor/Tone/Relationships

This might be a clumsy way to tackle these ideas, but it’s where I am.

Yes, Waxman is known for Rom Coms—or Rom Com-adjacent—books, so we all know she’s funny. This seemed to me to be more overtly comedic. There are jokes—many of them—not just funny situations and loveable, quirky characters doing goofy things. Don’t get me wrong, there are plenty of those (as well as non-lovable, quirky characters).

This reads like Dave Barry’s kind of crime novel, with the restraint of a Richard Osman. The verbal jousting is great, and the physical comedy is almost as good. The situations are frequently ridiculous, but never so much so that you get taken out of the moment.

The technical term that best describes Mason is “wiseass,” and one with poor impulse control. Someone who doesn’t know how to keep her trap shut, powered by Waxman’s wit is a fun character to read. Julia’s no slouch in that department either, but she’s more mature, she knows that she should pick her targets with care—and is therefore usually more effective.

The rest of Julia’s team (I will not tell you about them, so you can meet them properly) and some of the other characters the reader encounters have drier wits, largely fitting into the typical Waxman model. Oh, except this one actress…nope. You wouldn’t believe me if I tried to describe her.

Mason’s support system consists of the meetings she attends, her sponsor, and her cat. Julia has a strong team of employees and friends (the Venn diagram there has a large area of overlap)—they’re just not that effective on the sobriety front, but they make up for that with their loyalty. Julia also has a pretty strong network of former friends, employers, and employees in and around the film industry. These are loyal to their grudges against her and their own self-interest—however, they (or at least most of them) want her to succeed in her search for the killer, so they can move on with their lives and careers.

You combine all of this—with a (slowly) growing relationship of affection, trust, and appreciation between our protagonists—and you’ve got yourself a great basis for comedy with heart.

Sobriety

One thing that Waxman never made light of in all of this was the sobriety of the characters. Yes, Julia would mock Mason’s approach to being her sponsor, but that was about the characters’ personality differences—both of them took it seriously.

Not all of the characters appreciated the struggle and what the characters did to preserve it—but none of the comedy was about the drinking.

The opening meeting did get me to chuckle frequently, but that was character-based humor. The book never gets preachy at the reader, just to each other.

So, what did I think about One Death at a Time?

I had a blast with this—if you couldn’t tell. This is my fifth Waxman novel, so I went into it expecting that I would. I just wasn’t sure how much I’d enjoy it, because of the genre. But if I didn’t know who she was before I picked this up, I’d be scouring the library for her Abbi Waxman now.

It does—as it should—feel very different than her previous works. I’d say this is closer to last year’s Christa Comes Out of Her Shell than the rest, but even saying that, this is different. The stakes are (obviously) higher for these characters; there are potentially lethal consequences for failure. Which might explain the more heavy-handed approach to the comedy.

I think I’ve said everything I wanted to above—the mystery part is really well done; the characters are well-designed and well-excecuted, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth while eating whatever wonderful treat/meal Claudia has prepared. Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

This feels like a standalone, but it could easily spawn a sequel or more. If it does, I’ll be first in line. If it doesn’t…well, that’s okay, too. It works really well either way.

Basically, reader, if any of the above tickles your fancy—you need to add this to your TBR. I practically guarantee you’ll have a great time.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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