Tag: Ace Atkins

Slow Burn by Ace Atkins

Slow BurnRobert B. Parker’s Slow Burn

by Ace Atkins
Series: Spenser, #44

Hardcover, 304 pg.
G.P. Putnam’s Sons, 2016

Read: May 5, 2016

On the Greenway, a carousel turned to calliope music. The two men approached me. They tried to act like they were shopping, but they were as unobtrusive as a couple of linebackers at a Céline Dion concert.

Say what you will about the relative merits of Atkins’ two current series, but you won’t get lines like that from Quinn Colson (maybe from Lille Virgil). (That’s not really the best line of the book — it’s just the one that requires the least setup)

We’re introduced to a new world here — the Boston Fire Department, and the Arson investigators in particular (but not exclusively). It’s a little harder for Spenser to work his magic here, at least at first, being very much a duck out of water. But, he keeps at it, and eventually things start falling into place — even if he makes one serious (and perhaps life-threatening) mistake early on. There’s a series of suspected arsons, but the proof is minimal, and it doesn’t push the investigators in the right direction — or any direction, really. The usual motives (fascination with fire, insurance money) don’t seem to be involved here.

I should add that the motive for the crimes is interesting, if misguided. I’d almost like to see a bit more of it explored by the good guys, but that’s not what this book is about.

Spenser and his allies do their thing, the way they always do (but fueled by a different donut source). The same ol’ charm, wise cracks, and fists eventually do their job. I think this one is a notch above Atkins’ last — a couple of notches below Atkins or Parker at their best, but better than Parker’s average. The fact that I have to work this hard to decide where exactly in the 40+ this one lies says something — it’s on the good end, I should stress — but it’s hard to distinguish this from the master himself, Robert B. Parker.

There’s some good fodder for long-time fans here — Marty Quirk has a new job, Frank Belson has a new boss (one not particularly taken with Spenser). Not only do we get a callback to Mattie Sullivan, but we get a couple from the more distant parts of Spenser’s past — A Catskill Eagle and Promised Land, one of my least favorites and one of Parker’s best. Atkins’ ability to use for the current narrative, comment on, and tap into fanboy nostalgia all at the same time is really something to watch.

Atkins is again feeling confident enough in his role here to make significant moves in Spenser’s life — not to mention Pearl’s and Sixkill’s. I’m not sure I’m crazy about the latter two, but I’m trusting Atkins. I’m pretty sure he has a plan regarding our favorite disgraced athlete that’ll pay off. Can’t help but wonder what Parker had in store for him, though.

Speaking of plans and things in store — it’s pretty clear that Atkins has a plan for Jackie DeMarco, too. I hope it takes a few books to pull it off, but I fear it won’t.

I’m very glad to hear that we’ve got at least two more of these coming, Atkins is really helping me stay in touch with an old, old friend. I smiled, I chuckled, I even laughed a couple of times, and I reminisced a little, while wondering just how Spenser was going to save the day. All in all, a good way to spend a couple of hours. Now I’ve just got to count down the months until #45.

—–

4 Stars

The Redeemers by Ace Atkins

The RedeemersThe Redeemers

by Ace Atkins
Series: Quinn Colson, #5

Hardcover, 370 pg.
G.P. Putnam’s Sons , 2015
Read: August 7 – 10, 2015

The first thing you want to do after being shot is make sure you are not shot again.

That sentence just makes me grin. Which, honestly, is not something that someone spends a lot of time doing while reading a Quinn Colson novel. But The Redeemers is not your typical Quinn Colson novel.

We start off with Quinn on one of his last days as sheriff — Johnny Stagg, the man Boss Hogg wanted to be, finally worked his magic and got the election result that he worked so hard for — Quinn’s out and a man of his backing is in. Most readers are going to instinctively prefer Colson. and want to not like his successor, Rusty Wise. Rusty was most recently an insurance salesman, although he did work as a police officer for a time (nothing to noteworthy in his career — or at least not that Stagg didn’t bury). The problem with being anti-Rusty is that he’s actually a decent guy (sorry, Johnny), who honestly thought he could do a better job than Colson — and gets thrown into the fire on his first day (hours before it, really). Now, we all know — and Lillie Virgil will tell you — Wise is no Colson, not even close. But he’s trying.

On the other end of the spectrum, are a few idiotic criminals — you’ve got the so-called master safe cracker and his University of Alabama Football-obsessed nephew/apprentice, hired by a local to help he and his friend get revenge on a crooked businessman. I’m fairly certain these criminals had noticed that they had no place to live without Elmore Leonard, so they dropped by to see how they’d fare in Tibbehah County. Short answer: they were better off before. If you don’t chuckle at these numbskulls at least one, call your doctor and get your funny bone checked. Lille and Wise have the lead on this investigation, but the wife of their victim gets Colson to check into it a bit, too.

He gets pulled in because that woman is the aunt of Anna Lee — who has definitively left her husband, who has definitively left town, so she and Quinn can definitively do something about their old flame. Which is just one of the balls that Quinn has to keep in the air on the personal side — his father’s moving into Quinn’s house and bringing his horses on to Quinn’s land; his sister Caddy has fallen way off the wagon again; and Quinn’s unemployed — unless he wants to get a job at the new Wal-Mart, he’s going to have to do something about that. There’s an element of “oh, this again?” with Caddy’s struggles with drug addiction. But what do you want from that kind of thing? And with Quinn’s father, I felt a strong, “ugh, how long are we going to out up with this guy?” (I think Quinn agrees with me),

You have to ask (and people do), why does Quinn stay in Jericho? For that matter, why does Caddy (not just because Quinn drags her back), why does Lillie? Part of it is because it’s where they grew up, where they are home. Part of it, is hard to pin down, but Quinn touches on it while talking with the federal agent, undercover in Stagg’s business:

“There’s more to the place than the ugliness,” Quinn said. “Maybe someday I can take you out hunting and fishing and you can know more than just that . . . truck stop. Get out on Choctaw Lake and out into the National Forest.”
“I’d like that.”
“Folks like Stagg and Cobb haven’t ripped all the guts out of the place,” Quinn said. “There’s still a lot left.”

I do fear that Assistant Sheriff Lillie Virgil is given short shrift again. Yes, every time she’s used, she’s: competent, dangerous, smarter than most people in the room with her. She just seems to get the short end of the stick when it comes to story, to emotional arcs, and the like. I want more for her — professionally, personally, and narratively. Now, along the same lines, but perhaps more importantly: can someone arrange a novel/short story/something where Lille and Vic Moretti team up? Yes, it’s possible that would be just too much feminine toughness and gunplay for audiences. But surely, it has to be tried.

For the most part the book keeps trudging along — interesting, occasionally funny — but nothing special — Stagg’s up to his thing, Quinn’s figuring out his next move, the Leonard refugees are seemingly trying to get caught. But nothing that really grabs you. Until you get to the last 60± pages, that is. After lulling the reader into a false sense of security, Atkins packed a while lotta happenings, and loose ends being tied up and bodies being dropped into these pages. Action, and emotion, and a dream sequence that seems straight out of Craig Johnson.

In interviews, Atkins states that the next novel is going to be dark (which is part of why this is so light) — I’m a little worried about what that means. I’m pretty sure the only one who’s safe is the guy who’s name is in the series title (though it wouldn’t surprise me if he got really banged up — but he’ll survive).

—–

4 1/2 Stars

Kickback by Ace Atkins

KickbackKickback

by Ace Atkins
Series: Spenser, #43

Hardcover, 292 pg.
G.P. Putnam’s Sons , 2015
Read: May 20, 2015

As you may have noticed yesterday, I read Ace Atkin’s latest novel featuring Robert B. Parker’s Spenser. Now, with Ace Atkins/Reed Farrel Coleman taking over Robert B. Parker’s characters it’s really hard for me to be dispassionate/critical — unless they annoy me — or worse (see Michael Brandman, or — <a href="https://irresponsiblereader.com/2014/01/28/murder-in-the-ball-park-by-robert-goldsborough” target=”_blank”>Robert Goldsborough doing that for Rex Stout). I am capable of actual critical thought, I think. I’m pretty sure. But it takes time, and I just want to get this up. Soooo, I’m going to try to throw up some quick thoughts/impressions on Kickback

It started off strong — a couple pages of intro material from a third-person point of view that established a hopeless, inevitable tone. And then we turn the page and get something that might as well be vintage Parker. I smiled like a goofball throughout the note-perfect first chapter. It was like visiting an old, dear friend. Speaking of old friends, loved the callback to The Godwulf Manuscript (which, because I’m that kind of nerd, I feel compelled to point out I recognized before Atkins spelled it out). Atkins has been, and continues to be, skilled at dropping in these bits of Spenser’s background — enough to demonstrate that he knows the world and to satisfy fans like me — but not so much to clutter up things. Still, it’s time for Paul to show up.

As this is the 43rd installment of this series, it’s going to be reminiscent of a few others — there’s a little bit of Small Vices in this, and a couple of others, but this is primarily a new Ceremony, but without the moral ambiguity. In this case, we have judicial (and police) corruption tied to a private prison (in all but name) for adolescents in a small town. Some people have tried to fight this, but it only serves to make things worse — fatally so in some cases. This isn’t anything new to Spenser or crime fiction, in fact, it’s borderline cliché. But Atkins treats it with respect, and uses the tried and true story to reflect on current problems with the prison industry.

Hearkening back to Crimson Joy (maybe others that I’m not remembering), we have some third-person intercalary chapters — more successful than the serial killer’s POV in the earlier work. These trace the arrest, court appearance and detention of one of the town’s youth. Not Spenser’s client — but someone he befriends. The knot in my stomach got tighter and tighter each time. Really well done.

I continue to like Susan à la Atkins, she’d gotten boring during Parker’s later years, but she’s back and fun. Hawk is still Hawk, but Atkins has turned back the clock a bit on him, too. I’m going to stop here before I mention how Belson, Quirk, and so on have received similar treatment. This has reinvigorated the series, renewed my interest (and, from what I’ve seen) and the interest of others — this is just what Spenser needed. Yes, I’d rather Parker had done this — but I’m glad Atkins has in his place.

I do think the last fifty pages or so were rushed — things outside the detention center seemed rushed — another chapter or two spent gathering evidence might have helped me accept things. Still, so many other things in this one worked so well, I was able to overlook it (I might have harsher things to say later on, or with future re-reads).

I’m giving this 5 Stars. I’m not utterly convinced it earned it — if it was another author with another P.I., I might not. At the same time, from page 1 on, I was hooked and only put this down for a few seconds at a time when work required it until I was done. I laughed, I worried about a couple of clients, I had fun — I was thoroughly engaged the whole time. Which pretty much equals 5 Stars no matter who wrote it and who starred in it. I really, really liked it — but I could’ve told you that was probably going to be the case months ago when I ordered it.

—–

5 Stars

Opening Lines – Kickback

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I’ll throw it up here. Dare you not to read the rest of the book

On the first day of February, the coldest day of the year so far, I took it as a very good omen that a woman I’d never met brought be a sandwich. I had my pair of steel-toed Red Wings kicked up on the corner of my desk, thawing out, when she arrived. My morning coffee and two corn muffins were a distant memory.

She laid down the sandwich wrapped in wax paper and asked if my name was Spenser.

“Depends on the sandwich.”

“A grinder from Coppa in the South End,” she said. “Extra provolone and pickled cherry peppers.”

“Then my name is Spenser,” I said. “With an S like the English poet.”

“Rita said you were easy.”

“If you mean Rita Fiore, she’s not one to judge.”

from Kickback by Ace Atkins


(technically, not the opening lines, but this is the beginning of Chapter 1, so it sorta counts)

Gone Readin’ – Robert B. Parker’s Kickback by Ace Atkins

Just as soon as I start to make headway on my backlog, I pull something like this…

No post today, unless something big happens — yesterday, I received the latest Spenser novel, Kickback by Ace Atkins and well…nothing’s happening ’til I’m done with that.
Kickback
Even if you don’t like Spenser, or Atkins, if you’re reading this blog, I trust you understand the impulse.

See you tomorrow.

add atkins to the authors, tag this with current reading, etc.

The Forsaken by Ace Atkins

How did I get so far behind that I haven’t written anything on The Forsaken yet? Ugh. When I get behind, I get behind.

—–

The Forsaken (Quinn Colson, #4)The Forsaken

by Ace Atkins
Series: Quinn Colson, #4
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Hardcover, 384 pg.
Putnam Adult, 2014
July 29 – 30, 2014

Atkins is at the point now where these Quinn Colson books seem automatic. Don’t mistake me — these are well-crafted, carefully plotted, richly detailed — Atkins’ labor is more than evident. But there’s something inevitable about the result of that effort. You don’t even have to wonder what you’re going to get anymore. If it’s Quinn Colson, it’s going to be good.

This also tends to make it hard to review these books, but I’ll give it a shot.

This time out Colson and Virgil are asked to investigate a cold case from a year or two before Colson was born, and when his less than ethical Uncle was Sheriff. Two teen girls walking home from Fourth of July festivities in Jericho were raped and one was murdered. Two days later, a black man, bearing no resemblance whatsoever to the perpetrator was lynched for the crime. Decades later, one father’s guilt and the mature strength of the survivor ask the now honest (at least when it comes to his job) Sheriff to find the man truly responsible. To say that this makes anyone involved unpopular in Jericho would be an understatement of the first degree.

Which is a shame, because right now, both Deputy and Sherriff could use some popularity. Colson’s feud with Johnny Stagg is getting hotter, a new election is on the horizon, and Stagg’s framing of Virgil for murder is looking stronger and stronger every day. On the other hand, one of the few men in this world that Stagg fears is about to be paroled and is likely to return to Jericho and rekindle their rivalry. Maybe Stagg could use a determined and honorable man in office after all.

Surrounding this is the town and people of Jericho, and their recovery from the recent devastating tornado. Colson’s sister, Caddy, has really seemed to find herself in her leadership in this area. It’s hard to recognize the woman from the first two books in what we see now. Even Colson’s having to admit that there might be something to his sister’s current state of sobriety and responsibility. Their father’s name came up in the course of his investigation, and for the first time in a very long while, Quinn Colson’s being forced to think about the man who abandoned his mother, sister and himself so long ago. Naturally, this is where the real heart of the novel is — the rest of it is merely the life around Quinn, this is Quinn’s inner life, his identity.

Not only are all of these strings in one way or another being woven together now, we begin to see that there might be ways in which they were tied together before and around that fateful Independence Day.

We don’t get a lot of resolution and closure to things in this novel — not unlike life in that regard, but we get to see some trajectories on most fronts, and that’s good enough. Character, setting, story, mood — all of it is just right for this story and this series. Atkins may be getting attention and sales from his Spenser novels, but his strength is here with Colson and the rest.

—–

4 Stars

Robert B. Parker’s Cheap Shot by Ace Atkins

Robert B. Parker's Cheap ShotRobert B. Parker’s Cheap Shot

by Ace Ace Atkins
Series: Spenser, #42

Hardcover, 320 pg.
Putnam Adult, 2014
Read: May 12 – 14, 2014

For 25 years or so, I’ve been a huge Robert B. Parker fan. Read everything I could get my hands on by him — mostly multiple times, even when the quality started to drop out and you could never tell which Parker you were going to get — the one that was close to his former greatness, or the guy who showed up, got his scheduled time in on the book and moved on with life. Even at his worst, there was always something to enjoy in his work — even if it was only a snippet of dialogue or a line or two of description.

As I’ve said before, when Dr. Parker died at his keyboard and they called in this Ace Atkins guy (had never heard of him), I was happy but cautious. Would he be able to pull it off? Would he sound like Parker without doing a cheap rip off? But I liked what Atkins did. So much that I waited a year to review Lullaby, and I haven’t reviewed Wonderland yet (spoiler alert: loved it. Always wanted a Henry-centric novel) — I just didn’t want to geek out and just go fanboy all over them — I wanted to reflect on them some before discussing them (I’m choosing to ignore what I thought about Silent Night: A Spenser Holiday Novel for now). But with Cheap Shot, I’m throwing caution to the wind, and will just talk about it now. And yeah, I’m all Fanboy.

On the one hand, this is not Atkins’ best Spenser. But it’s the one that feels like Parker more than the rest (make of that what you will). The banter, the poking around and stirring things up until you get a break, the fisticuffs, the donuts, the gun fight, the needling of underworld players, and so on — he captures Parker’s voice and pacing better here than he’d managed before (yet doesn’t come across as pastiche). Spenser’s sniffing around the big money and big boys (and a few men) in sports, which serve as a good place for Spenser to reflect how men are to act. Parker did this Mortal Stakes and Playmates (and to lesser extents elsewhere — like Early Autumn), and Atkins is able to do that here (arguably he does so with a subtlety that Parker didn’t achieve).

Kinjo Heywood’s a fun character — slightly more grounded than Mortal Stakes‘ Marty Rabb, far more mature and grounded than Playmates‘ Dwayne Woodcock. One advantage Heywood has is his son, Akira (who’s plenty of fun on his own) — he has someone to provide a good example to, and he strives to. Heywood also seems to have thought ore about life and how one should live it. Marty seemed to think only about Linda (his wife) and baseball, Dwayne was all about his girlfriend (Chantel) and basketball, too — but with less self-examination, it’s just that’s all he had the chance to think about (although Chantel would see that changed, and his horizons broadened if she had anything to say about it). Heywood’s got a kid, he’s been through a divorce, and is fully aware of his place in the limelight (including social media) and his own shortcomings. This alone saves the book from being a reworking of Parker.

I should add that Sixkill has a lot of perspective here (with the assistance of Atkins’ own background in football) — he was close to Heywood’s level, and if he’d made one or two better choices, he would’ve been at this level. He has a better idea what’s going on in Heywood’s mind than Spenser and his brief stint in the boxing world would.

The book begins with Spenser doing bodyguard duty — and as always (Stardust, Looking For Rachel Wallace, A Savage Place, Rough Weather) things don’t go well. You’d think people’d stop hiring him for this kind of work. Spenser turns to investigating — and unearthing lie after lie from his client — while getting Hawk and Sixkill to pitch in on the bodyguard front.

In addition to the main characters, Hawk, Susan, Sixkill, Tony Marcus, and so on; Atkins continues to show a command and familiarity with the impressive gallery of supporting characters in the Spenser-verse (although my gut tells me we’ll never see Atkins’ Spenser crossing paths with anyone from Paradise, Mass.). And the new characters fit into the ‘verse just fine, nothing that Parker wouldn’t have created. One character who started off the novel being opposed to Spenser’s hiring and further involvement with the case came around pretty quickly — and really without warning. I’m not sure that change was warranted by the text (and even if warranted, it was really easy for this guy to come around to Spenser’s side.)

Not only did Atkins give us a good story this time, he appeared to be planting and/or watering seeds for future books at the same time — something Parker never bothered with, but I’m glad to see (if only because it indicates Atkins plans on sticking around).

This one’s getting 5 Stars from me. May not be the best book (or one of the best) that I’ll read this year — but it made me happy, made me want to read more in this series (both prior to and post- this one), made me want to read the next non-Spenser Atkins novel more. And that’s good enough for me.

Next time, Mr. Atkins? Paul. We need to see Paul again. Please?

—–

5 Stars

Dusted Off: Robert B. Parker’s Lullaby by Ace Atkins

Robert B. Parker's Lullaby (Spenser, #41)Robert B. Parker’s Lullaby

by Ace Ace Atkins
Series: Spenser, #40

Hardcover, 320 pg.
Putnam Adult, 2012

I held off reviewing this last year so I could think about it some — I was afraid I’d be too influenced by the newness of Atkins’ take on Spenser, or maybe just a reflex fanboy reaction.

So I read it again this weekend in preparation for Robert B. Parker’s Wonderland, and am so glad I did. Atkin’s has captured the essence of Parker’s word — he’s not quite as good as classic Spenser (Valediction and before), better than most of what followed Small Vices — he’s the next-best thing to having the man himself. The plot is a bit more intricate, the descriptions are fuller — the font is smaller! — which definitely makes it meatier than Parker’s later work.

You can tell Atkins is a fan, and there’s a hint of fanfic about this — Atkins gets to play with characters he’s been reading for years. And who could blame him? Especially as well as he does it.

So glad that Atkins has picked up this mantle, hope he carries it for a good long while.

—–

4 Stars

The Broken Places by Ace Atkins

The Broken PlacesThe Broken Places by Ace Atkins
Series: Quinn Colson, #3
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My rating: 4 of 5 stars

I remember reading a review of one of the new Jesse Stone author’s books, where the reviewer wished that Atkins had taken over Stone as well as Spenser, wondering what that would’ve been like. Well, I don’t think we need to wonder–Quinn Colson is Atkins’ Jesse Stone.

The catch is, Colson’s Jericho, MS isn’t Stone’s Paradise, MA.* It’s poorer, everyone knows everyone’s business, everyone’s — criminal and not alike — a bit more open about everything (to an extent); and everything seems bleaker — more hopeless — more real?

I’d say something like how the stakes haven’t been higher for Colson and his county, but that’s pretty much a given — Atkins keeps upping the stakes, the tension and the action each time out. The violence — at least the scale of it — is toned down here. It’s a sign of skill and confidence that, Atkins doesn’t feel compelled to have major armed confrontations in each novel. In addition to three escaped convicts coming to Colson’s county, there’s a recently pardoned murderer trying to show that he’s worth the pardon (despite a lot of warranted cynicism from Jericho’s citizenry). Naturally, the escapees have unfinished business with him — and are going to do whatever they can to make him hold up his end of the bargain.

Oh, did I mention that Colson’s troubled sister is romantically involved with the newly pardoned man? Yeah, there’s plot complications a’plenty there. Throw in other personal and political storylines that have been building and developing since the first book, and there’s a good deal for Colson and his associates to deal with.

What’s best about this — both daring and inventive — is throwing a natural disaster in the middle of the action. It keeps the story from playing out as the reader expects, creates hurdles for all the characters, and gives a couple of people the chance to show their true colors.

I have no idea how Atkins is going to pull off the next book — at least I hope he limits it to one book, some writers might stretch it out — the fallout from this one is going to be messy. But I can’t wait to read it.

—–

* And Colson’s a better soldier than a cop, and…it’s not a perfect analogy. Roll with it.

Dusted Off: The Lost Ones by Ace Atkins

Well, while I enjoy my time in Tibbehah County, Mississippi with The Broken Places, figured I’d dig this one out of the archives

—–

The Lost Ones (Quinn Colson, #2)The Lost Ones by Ace Atkins
Series: Quinn Colson, #2
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My rating: 4 of 5 stars

Atkins’ has left me cold with his Nick Travers series and I’m still trying to figure out how positively I feel about his take on Spenser (pretty sure it’s very), but there’s no doubt that this series about Quinn Colson just plain rocks.

This time, Colson’s been elected to sheriff, but he’s still learning the ropes, still more soldier than cop. He and his childhood friends (now mostly employed by Colson) have a lot to deal with: a recent Afghan war vet running drugs, a Mexican drug cartel, a child-abusing/selling family, not to mention a few more federal agents than Colson’s comfortable with. Plus a bunch of personal stuff (current and past), and the corrupt local government that Colson started wrangling with last time out.

Tense, fast-paced, morally murky…Atkins has really nailed this. Can’t wait for the next one.

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