Tag: Adam Kay

Quick-Take Catchups: The Leftovers from February

In an effort to keep my “To Write About” pile from getting out of control, I’ve set a requirement to myself to write a catch-up post at the end of the following month (e.g., At the end of February, write about January books; at the end of June, write about the May books I haven’t gotten to yet; etc.). As always, the point of these quick-takes is to emphasize pithiness, not thoroughness.


Cover of Big Shot by Christopher FarnsworthRobert B. Parker’s Big Shot

by Christopher Farnsworth

DETAILS:
Series: Jesse Stone, #23
Publisher: G.P. Putnam's Sons 
Publication Date: February 10, 2026 
Format: Hardcover
Length: 320 pg. 
Read Date: February 19-20, 2026 
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This was a perfectly decent Jesse Stone adventure. Jesse’s fate never felt like it was really in danger—but that’s okay, it’s about the struggle, the journey, right?

I’m a little disheartened by the way that Farnsworth is dealing with Lundquist. I know he’s not Healey—and I’m glad for it, I don’t want Farnsworth or anyone else turning him into a version of him. But the version of him being all by the book and cold here, really doesn’t match with the willing-to-be-maverick we met in Pale Kings and Princes, and I don’t think we’ve been given reason for that change (and I want to say this isn’t the first time I’ve been troubled by his characterization).

I really didn’t like Molly’s depiction for good chunks of the book—Farnsworth had a plan for her, and I liked most of what she did—I just think there was a better way to set up her investigative arc. (it’s hard to talk about vaguely). I think Farnsworth is really finding difficulty with her as she grows as a police officer—I think Lupica, did, too. Hopefully he figures it out soon (I should note, I like the way he’s dealing with Suit in the same situation).

Anyway, it’s not a stellar installment in the long-running series—but it did its job well.
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Cover of Fairest Hunter by M. K. FelixFairest Hunter

by M. K. Felix

DETAILS:
Series: The Favored's Curse, #1
Publication Date: January 9, 2026 
Format: e-Book 
Length: 351 pg. 
Read Date: February 25-26, 2026

A little heavy on the romance for my taste—but that’s what it’s marketed as, so I lived with it. I’ll note it’s pure and chaste romance, with no need for doors to be closed (well, at least the primary romance…the door might be firmly shut on another).

So it’s a gender-swapped Robin Hood—who also happens to be the King’s Huntsman. So, instead of taking the (male) Snow White figure and leaving him with some dwarves, he’s left with six merry men. These men rob from the rich, give to the poor, while looking for an opportunity to take out the Evil King (who turns out to be using a bespelled mirror to work his magic).

It’s a fun story, just deep enough to justify—fast acting enough that you don’t care. I quite enjoyed it and am looking forward to reading further in the series.
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Cover of Separation of Church and Hate by John FugelsangSeparation of Church and Hate: A Sane Person’s Guide to Taking Back the Bible from Fundamentalists, Fascists, and Flock-Fleecing Frauds

by John Fugelsang

DETAILS:
Publisher: Simon & Schuster Audio  
Publication Date: September 09, 2025  
Format: Unabridged Audiobook
Length: 9 hrs., 24 min. 
Read Date: January 30-February 2, 2026
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Okay, I’d played with doing a full post on this one, interacting with all the issues I had—but I didn’t take notes or anything as I was listening. So, I’ll try this.

First—I have a lot of sympathy toward the Fugelsang’s goals and aims. Not to the same extent as he does—but still, I lean in very similar directions and/or share concerns.

Second—this book is a mess. There’s a good deal of re-hashing of Liberal* Theology that has been answered no later than the 1920s and 30s. There’s as much special pleading and Scripture twisting in these pages as he accuses those he takes issue with of doing. His notion of the purpose of Christianity, its content, and its focus—are completely wrong and foreign to the Bible itself. (as is the case for many of his targets).

I’m glad I read it because it scratched an itch in curiosity, but…that’s the only good thing I can say about the experience.

* There’s a distinction between Liberal Theology and Liberal Politics. While the Venn diagram has some overlap (a lot of overlap for Fugelsang), they shouldn’t be confused.
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Cover of All Accounts Settled by Drew HayesAll Accounts Settled

by Drew Hayes, read by Kirby Heyborne

DETAILS:
Series: Fred, The Vampire Accountant, $9
Publisher: Tantor Media, Inc 
Publication Date: January 13, 2026 
Format: Unabridged Audiobook
Length: 11 hrs., 44 min. 
Read Date: February 25-27, 2026  
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Fred’s adventures bow out the same way they entered the scene—mildly amusing, full of kindness and hope, generosity of spirit, and community. There’s almost no suspense—which is fine, this series didn’t depend on that.

It’s just Fred facing overwhelming odds, coming up with a clever solution or two, relying on his friends (and them relying on him, too). He found a new level to his magic—which was pretty cool, I’ve gotta say. And scored some major victories. The last chapter (or was it an epilogue?) ties up a lot of loose ends and provides a glimpse into Fred’s future.

Heyborne’s narration was as good as ever.

This was a fitting and entertaining ending to this series. Glad I was along for the ride.

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Cover of Every Day I Read by Hwang Bo-reumEvery Day I Read: 53 Ways to Get Closer to Books

by Hwang Bo-reum, translated by Shanna Tan, read by Rosa Escoda

DETAILS:
Publisher: Bloomsbury Publishing 
Publication Date: December 2, 2025  
Format: Unabridged Audiobook 
Length: 3 hrs., 49 min.
Read Date: February 23-24, 2026
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This was a perfectly pleasant book. And that’s about all I have to say—there was nothing that made me think—wow! She gets it. Nothing where I thought—I’ve been trying to find the words to express that as a reader. Just a vague pleasantness—that maybe went on too long. Maybe 25-40 ways, max, would’ve worked better.

There seemed to be an expectation that the reader would be familiar with her other work(s) anytime she referenced them—and if you weren’t (or even aware of their existence), it was hard to connect with what she was saying. I can both understand that given the nature of this book she didn’t have time (or possibly the need) to add context, explain the gist of whatever she was referencing. But…it left me cold.

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Cover of Hidden in Smoke by Lee GoldbergHidden in Smoke

by Lee Goldberg

DETAILS:
Series: Sharpe & Walker, 3
Publisher: Thomas & Mercer
Publication Date: April 22, 2025 
Format: e-Book 
Length: 300 pg. 
Read Date: February 5-6, 2026 
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I feel like I should have a lot to say about this book—but I don’t. Goldberg delivers what we expect from him—a fast and fun story, some good twists, some great lines—and the return of a few characters I didn’t expect to see again.

There’s part of me that wonders about the scope of all the fires in this series—but, we’ve all seen what happens to California all too often lately. It’s sadly realistic.

I really enjoy these characters, and can’t imagine that ending. I just hope that I can find something to say about the next book (which I can’t wait for).

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Cover of A Particularly Nasty Case by Adam KayA Particularly Nasty Case

by Adam Kay, read by Andrew Serkis

DETAILS:
Publisher: Hachette Audio 
Publication Date: September 16, 2025 
Format: Unabridged Audiobook
Length: 10 hrs., 9 min.   
Read Date: February 2-5, 2026 
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This was…a mess. There’s just no character that I could enjoy spending much time with. The characters’ motivations seem inconsistent and capricious. The comedy (or what I think was comedy) didn’t work, the mystery was pretty weak, and the book seemed more interested in the chaos surrounding the murder than anything else.

Take the murder out, tell some other kind of story, and it probably would’ve worked better. And still wouldn’t have been for me—but I wouldn’t have complained about it.

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Cover of The Fact Checker by Austin KelleyThe Fact Checker

by Austin Kelley, Jacques Roy

DETAILS:
Publisher: Simon & Schuster Audio 
Publication Date: April 15, 2025 
Format: Unabridged Audiobook
Length: 7 hrs., 1 min.   
Read Date:  
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If the destination was satisfying, I think I could’ve put up with the journey. If the journey was a bit more interesting/engaging, I could’ve put up with the destination.

But a miss on both, just made this a waste of potential. I liked the premise, there were some good moments, I liked the writing—it just seemed wasted.

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Cover of City of Others by Jared PoonCity of Others

by Jared Poon, read by David Lee Huynh

DETAILS:
Series:  The DEUS Files, #1
Publisher: Hachette Audio 
Publication Date: January 13, 2026 
Format: Unabridged Audiobook 
Length: 9 hrs., 16 min.  
Read Date:  
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This is the first installment in what could become a favorite UF series. Think about the Folly (from The Rivers of London)* filled with humanoid characters from McGuire’s InCryptid series. But set in Singapore. our under-funded and overworked team deal with the supernatural side of Singapore—without letting the non-supernatural set know what they’re up to.

As things are wont to do—something goes wrong, in a very significant way—and the entire city (at least) is soon at risk.

Poon writes with a lighter touch, but he’s not afraid to let things get serious. There are some great emotional moments, and some great mystical/magical scene, too.

* It might be more accurate to describe it as Strout’s Department of Extraordinary Affairs than the Folly—but the Folly is better known.

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This is Going to Hurt (Audiobook) by Adam Kay: It’s Funny Because It’s True. Also, Dispiriting Because It’s True

This is Going to HurtThis is Going to Hurt:
Secret Diaries of
a Junior Doctor

by Adam Kay

DETAILS:
Publisher: HarperAudio
Publication Date: March 7, 2022
Format: Unabridged Audiobook
Length: 5 hr., 47 min.
Read Date: May 17-18, 2022
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Doctors must be psychologically fit for the job — able to make decisions under a terrifying amount of pressure, able to break bad news to us anguished relatives, able to deal with death on a daily basis. They must have something that cannot be memorized and graded; a great doctor must have a huge heart and a distended aorta which pumps a vast lake of compassion and human kindness.

What’s This is Going to Hurt About?

This book covers the years that doctor-turned-comedy writer Adam Kay spent as a junior obstetrics doctor in the NHS. I’m going to gloss over the various titles he had because it’s a different system than I’m used to, and I’d botch it—but basically, it’s the first few years post-medical school.

Essentially these are excerpts (details tweaked to everyone’s privacy) from his diaries from that time showing the day-to-day realities he faced. Told with a comedic bent, sure, but it’s just real life—a version of real-life that’s more exhausted, more stressed, and covered in more and various bodily fluids than most of us have, sure. It’s told very anecdotally, he’s not trying to construct a narrative here, just “here’s Day X, here’s Day X +2,” and so on.

He talks about preposterous situations he’s put in because of his low-ranking status and/or NHS regulations, he talks about funny situations with patients, ridiculous colleagues, unsympathetic friends, harrowing experiences, and just strange ones. Given his specialty, he deals with expectant mothers, newborns, clueless fathers-to-be, and heartbreak. We get the gamut here.

Bonus Material

The audiobook I listened to was released with the paperback release and contained some bonus material—a few more diary entries and an afterword. The afterword was essentially a rallying cry for people to support the NHS’s existence.

I don’t have a dog in this fight—but I found his arguments compelling, and I thought his support of the NHS throughout the book (while freely critiquing aspects of it) added some good and necessary grounding to the humor. The life and death aspect of the book did, too—obviously—but that’s common with medical memoirs, this is distinctive (at least in my limited experience)

So, what did I think about This is Going to Hurt?

Called to the Early Pregnancy Unit by one of the SHOs to confirm a miscarriage at eight weeks—he’s new to scanning and wants a second pair of eyes. I remember that feeling only too well and scamper over. He’s managed the couple’s expectations very well, and clearly made them aware it doesn’t look good—they’re sad and silent as I walk in. What he hasn’t done very well is the ultrasound. He may as well have been scanning the back of his hand or a packet of Quavers. Not only is the baby fine, but so is the other baby that he hadn’t spotted.

I audibly laughed—twice—during the Introduction, so I was instantly on board with this book. The laughs really didn’t let up. At times, I wondered if it was a little too jokey, and wished we got more of the narrative about his experience—but then he’d say something else funny and then I decided I didn’t care because he’s a good comedy writer. Bring on the jokes!

Like the best medical comedies (e.g., MAS*H (in all its forms), Scrubs), Kay intersperses the laughs with drama and tragedy—stories of hard-fought success and heartbreaking—even devastating—loss. That augments both ends of the spectrum—while you’re chuckling, you’re more open to feeling the empathy to appreciate the dramatic. When you’re reeling from a hard experience, you need the laughter. If Kay’s TV scripts are anything like this, I wish I could see some of his episodes.

Kay handles his own narration here and is great at it, wry detachment mixed with a no-nonsense delivery. He knows it’s funny, so he’s not trying to push the humor, he just trusts the material and lets it do the heavy lifting.

When the library told me that my hold for this was ready, I didn’t remember requesting it—wasn’t sure at all why I did. But I gave it a chance, and am so glad I did—it made for a very entertaining 5+ hours. I think you’ll find the same if you give it a try.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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