Tag: Amber Ruffin

My Favorite Non-Fiction Books of 2022

Favorite Non-Fiction 2022
My 2022 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 9 instead of the nigh-obligatory 10 for the second year in a row. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Go Back to Where You Came FromGo Back to Where You Came From: And Other Helpful Recommendations on How to Become American

by Wajahat Ali

My original post
I’m just going to remix some of what I said originally, this book was a great mix of memoir, social commentary, and satire—with a little sprinkling of a more general humor thrown in. The way he shifted between the genres was fairly seamless and quite effective—his own story (and that of his parents) were good illustrations of the societal ills he wanted to point to. Ali’s story is the kind that Americans love to tell and hear about success—even if his telling points to many of the flaws in our society. Through grit, determination, perseverance, and endurance, Ali pushes through all sorts of cultural, societal, legal, medical, and circumstantial challenges to arrive where he is. Because he believes in what we can be as a people, based on our (incredibly inconsistently applied and demonstrated) ideals and aspirations. It’s the kind of story we need to see, hear, and read more of.

4 Stars

Black Nerd ProblemsBlack Nerd Problems:
Essays

by William Evans & Omar Holmon

My original post
There are several strengths to this book—the first is the wide scope of the genres and ages of the pop culture they nerd out about. The second is the variety of the ways they express their appreciation (or lack thereof) for these cultural artifacts. Some of these essays are just silly, some are humorous, some touching, some sober—no two are alike in most ways. I wish I could write like this.

4 Stars

A World Without A World Without “Whom”: The Essential Guide to Language in the BuzzFeed Age

by Emmy J. Favilla

My original post
Sure, I disagreed with some of her takes—I’m less enamored with the idea of language as a ruleless entity than she is. But I found it impossible not to enjoy this—even when I thought Favilla was wrong about some particular note of grammar, I appreciated the way she thought about the idea and presented it. Mostly, I enjoyed reading about the process involved in creating and maintaining a style sheet for an entity as big and particular as Buzzfeed. The lists are the kind of thing I could read on a daily basis. As I wrote, “If you’re the kind of person who gets worked up about getting your phrasing juuuuuust right or are bothered when someone doesn’t. If you think reading tributes to commas and em dashes is a good time. Or if you’re curious about why someone would want to eliminate whom or is fine with letting the English subjunctive mood die…this is the book for you.”

(and, yes, I’m still planning on the tattoo inspired by the book)

3.5 Stars

The Stories Behind the StoriesThe Stories Behind the Stories: The Remarkable True Tales Behind Your Favorite Kid’s Books

by Danielle Higley, David Miles (Illustrator)

My original post
I don’t know if I read a better-designed book last year (or the year before). It’s a treat for the eyes. But more importantly, the content is as good—if not better. I can see the book appealing to (and being understood) younger readers curious about some of the books they’ve read or seen at a library. It also was entertaining and edifying for a, um, more seasoned reader familiar with almost all of the books. I was surprised by some of what I read, learned something about all but one of the 20+ books covered and walked away with a hankering to go back and read some of these.

4 Stars

Good TalkGood Talk: A Memoir in Conversations

by Mira Jacob

My original post
Okay, this was pretty well designed, too. This graphic memoir really hit me on several levels. The art is simple, but very effective. The story of Jacob’s life is one that needs to be told—for the sake of those who can relate to remember they’re not alone, and for the sake of those who can’t relate at all to help build some empathy. The framing device of trying to explain race in the U.S. to a biracial child trying to understand the world around him is much-needed, and probably more so all the time. This was more powerful than I expected (and had some great moments of lightness, too!)

4 Stars

The World Record Book of Racist StoriesThe World Record Book
of Racist Stories

by Amber Ruffin & Lacey Lamar

My original post
Back at race again…this time looking at subtle and not-so-subtle, clueless and intentional, probably well-meaning and just mean, ways that one family has to deal with racism on a day-to-day basis. There’s enough silliness to make this book endurable because there are some anecdotes here that are stunningly awful. A strong follow-up to last year’s book.

4 Stars

Friends, Lovers, and the Big Terrible ThingFriends, Lovers, and the Big Terrible Thing

by Matthew Perry

I haven’t found time to write about this book yet, so I’m having trouble boiling things down into a concise paragraph. I’ve been a huge fan of Perry’s since episode 2 of Friends (and was a decently-sized fan based on the pilot), so I was drawn to this right away, but really wanted a break from celebrity memoirs and put off getting it until I read that the book focused so much on the “Big Terrible Thing.” There’s some stuff about his acting career—highs and lows, the usual behind-the-scenes, stuff. But this book is primarily about his mental health problems, his addictions, and the many, many ways he’s hurting himself and those around him. I wouldn’t call this a “warts and all” kind of portrayal of Perry, more of a “warts (and some other things)” look at him. There’s some hope and optimism, too, but it’s tempered.

4 Stars

How to Be PerfectHow to Be Perfect:
The Correct Answer to
Every Moral Question

by Michael Schur (Writer, Narrator)
with: Michael Schur, Kristen Bell, D’Arcy Carden, Ted Danson, William Jackson Harper, Manny Jacinto, Marc Evan Jackson, Jameela Jamil, and Todd May

My original post
This is a solid introduction to ethics and some of the major schools of thought behind contemporary approaches (with historical precedents). The kind of thing you might get in a 100-level course in college. But told in a very approachable way that will no doubt bring a smile to the reader’s/listener’s face occasionally. It’s not perfect, but it’s good. It’s thoughtful, but accessible. And it can—should?—act as a launching pad for further reading and study for those who want to dig in.

4 Stars

E.B. White on DogsE. B. White on Dogs

edited by Martha White

This is another one I haven’t had time to write about yet. I went in assuming this would be a good read—and got that. This is a collection of essays, shorter pieces, and letters written by White about (or mentioning) dogs. There are some solid gems here—honest laughs, amusing thoughts, and devotion to these animals that humans are so strongly drawn to. Readers of this blog know that I love good writing about dogs, and that’s exactly what we get here. There are a handful of things I’m not sure were worthy of including in this book other than for the sake of completeness, but I’m not going to complain.

4 Stars

My Favorite Audiobooks of 2022

My Favorite Audiobooks of 2022
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The LawThe Law

by Jim Butcher

My original post
Sure, I love Harry Dresden—so it’s almost a given that this novella is going to show up somewhere on my end-of-year lists. The fact that Jim Butcher did the narration himself makes this something special (thankfully, he’s still fully intending on having James Marsters do the series). Butcher’s good at this, he’s not great, but he’s good. Hearing his idea about what the characters that we know and love sound like was a lot of fun. Also, after all the epic and emotional moments that Butcher’s put his fans through lately, having something non-epic or world-changing like this is such a nice breather.

4 Stars

Black Nerd ProblemsBlack Nerd Problems:
Essays

by William Evans & Omar Holmon

My original post
Funny, insightful, thoughtful, thought-provoking, passionate (about things both important and trivial). This collection of essays about pop culture, race, and the intersection of those two things was a surprise to me—I thought I’d have a good time with it, I didn’t know I’d have a great time and be moved, too. The authors narrated this themselves—both have backgrounds in poetry jams, and the panache from that shines through. I have quoted this and referred more people to various essays in this than probably anything else this year.

4 Stars

On Eden StreetOn Eden Street

by Peter Grainger, Gildart Jackson (Narrator)

My original post
This one makes the list due to the nature of the book and how well Jackson handled it. The previous book served as a transition point from the DC Smith Mysteries to the Kings Lake series—but this is the one that’s truly different. We have a bunch of new characters to deal with in addition to serving those we’ve grown accustomed to. The nature of the central character and his new boss underlines how different this is from the previous incarnation, but it’s the same books at their core. And Jackson gets both through to the listener. It’s all there in Grainger’s text, no doubt—but it’s the narration that solidifies it for the listener.

4 1/2 Stars

A Wizard's Guide to Defensive BakingA Wizard’s Guide to Defensive Baking

by T. Kingfisher, Patricia Santomasso (Narrator)

My original post
I don’t know if I can put my finger on why this made the list, but as I was looking over the list of audiobooks I read in ’22, as soon as I saw this one, I knew it had to make the list.

Between Kingfisher’s text and Santomasso’s narration, this was just a great experience. The story is fun, the characters (particularly as embodied, or emvoiced?, by Santomasso) were endearing—as a whole, it was an immersive and pleasant time—just what you want in an audiobook.

3.5 Stars

The World Record Book of Racist StoriesThe World Record Book
of Racist Stories

by Amber Ruffin & Lacey Lamar

My original post
My wife assures me that the paper version of this is well-worth reading, but I can’t imagine having the opportunity to listen to Ruffin and Lamar reading this and passing it up—the goofy voices they employ and little tunes they sing in addition to the reading adds a nice little layer to the book that you’re not going to get with the print edition.

This is a more serious, more somber, book than its predecessor was—by design. But because of that, it feels like they dialed the silliness up to help alleviate things. It can’t be an easy balancing act—discussing the horrors of everyday racism in a way that is entertaining enough that it can educate those that need it the most. Ruffin and Lamar hit that balance in both print and in audio.

4 Stars

How to Be PerfectHow to Be Perfect:
The Correct Answer to
Every Moral Question

by Michael Schur (Writer, Narrator)
with: Michael Schur, Kristen Bell, D’Arcy Carden, Ted Danson, William Jackson Harper, Manny Jacinto, Marc Evan Jackson, Jameela Jamil, and Todd May

My original post
Yeah, that’s a huge cast—but 95+% of the work is done by Schur. The contributions of the rest shouldn’t be overlooked, but when you think about the narration, you’re going to be thinking about the author, Mike Schur. My appreciation for Schur’s writing goes back before I knew who he was on a baseball blog that I really enjoyed. After that, I got on board with this TV writing and became a huge fan. What puts this audiobook on this list is the way that Schur is able (thanks to his own writing) to make this introduction to ethics and philosophy so accessible. It doesn’t feel dry, or head-in-the-clouds at all. Yes, I have significant issues with a lot of the thinking in this book (he rules out theism or morality given to us by a deity from the get -go), but that doesn’t mean I can’t learn from it—I can’t gain an appreciation of the thinking through ethical dilemmas.

I had fun, and I think I learned something. You can’t ask for more.

4 Stars

Movies (And Other Things)Movies (And Other Things)

by Shea Serrano, Mario Toscano (Narrator)

My original post
There’s a little bit of the seriousness of Black Nerd Problems in this collection of essays about Movies (and things like it), but Serrano doesn’t spend that much time with it. Serrano’s approach to movies is a wonderful hybrid of fanboy and educated critic that can appeal to people all over that spectrum. This results in a book that’s a great combination of movie knowledge/insight, social commentary, and humor mixed throughout each of these. Even when it came to movies I’ve never seen, have no interest in seeing, or saw ages ago and don’t remember well, Serrano kept me pretty engaged and entertained. Toscano’s narration is so good, so convincing that you have to remind yourself that he’s reading Serrano’s words and isn’t speaking from the heart.

3.5 Stars

We Are Legion (We Are Bob)We Are Legion (We Are Bob)

by Dennis E. Taylor, Ray Porter (Narrator)

My original post
Stumbling across this series is one of the highlights of 2022 for me. Ray Porter doing the narration is what pushed me to give this story a shot, and I’d be happy I did if only for his narration. I can think of a handful of narrators that could’ve got this gig (based on their other work, etc.) and I’m not sure how many of them would’ve got me to come back so quickly—nothing against Taylor’s text, but it’s Porter’s skill and warmth that elevates this book (and the rest of the series) into something I can see myself revisiting often.

It’s not all about Porter, I should make clear—Taylor has a gift for SF comedy. Throw in Bob’s snark and optimism and the great premise that pretty much opens the door for Taylor to do just about anything he wants in the series for as long as he wants to, and you’ve got yourself a real winner.
3 Stars

The HobbitThe Hobbit, or
There and Back Again

by J.R.R. Tolkien, Andy Serkis (Narrator)

My original post
As soon as I read that Serkis was doing audiobook versions of The Hobbit and The Lord of the Rings, I knew I had to listen to them—what could be better? I mean, for the scene between Bilbo and Gollum alone, you know that The Hobbit is going to be worth the time and expense. And it was.

The rest of the book is great, too, make no mistake. Serkis knows what he’s doing with his voice—because of the nature of a lot of his acting jobs, his voice has to carry the performance that his (own and natural) face can’t. It’s a great skill that he brings to bear on an audiobook’s narration. This is just a joy to listen to.

5 Stars

Free BillyFree Billy

by Don Winslow, Ed Harris (Narrator)

My original post
Speaking of actors who can do a lot with their voice, here’s Ed Harris. There’s something so natural about his delivery of this short story that I have to wonder why he hasn’t been making audiobooks for years. It’s like Winslow’s words were written solely for him (I’ve heard three of these Audible Originals from this pair and could listen to another 20 this year). This book is a sequel to The Dawn Patrol—one of my All-Time Desert Island books. You get Ed Harris to do the narration on that, and you know I’m going to love it. People who aren’t me are likely going to enjoy it a lot, too.

(sure, there’s part of me that wishes Ray Porter had been used—his work on the audiobook for The Dawn Patrol was stellar, but why be greedy?)

5 Stars

The World Record Book of Racist Stories (Audiobook) by Amber Ruffin & Lacey Lamar: Records No One Should Want to Hold (but too many vie for)

The World Record Book of Racist StoriesThe World Record Book
of Racist Stories

by Amber Ruffin & Lacey Lamar

DETAILS:
Publisher: Grand Central Publishing
Publication Date: November 22, 2022
Format: Unabridged Audiobook
Length: 4 hrs., 54 min.
Read Date: November 28-29, 2022
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An Issue with Sequels/Follow Ups

As I’m sitting here thinking about what to write, I keep comparing this to last year’s You’ll Never Believe What Happened to Lacey: Crazy Stories about Racism. This is intentional because this is very much a Part II to that book. But it’s different, too. So it makes sense to contrast it so I can give an idea of how it’s different.

At the same time, I run the risk of sounding dull—”You’ll Never Believe did X, The World Record Book did Y,” “The World Record Book is more Z than…,” and so on.

I don’t know how to avoid that—so I guess this is an apology in advance? I’ll try to limit the comparisons and keep this interesting, if only because the book deserves to give a good impression, even if I’m not able to do that.

What’s The World Record Book of Racist Stories About?

Because they got to share a bunch of stories in the first book—primarily about Lacey—the sisters wanted to give the rest of their family, and some friends, the chance to get their stories told. Or, as they put it, “air out [their] dirty racist laundry.”

Ruffin warns:

FYI: You’ll be able to tell the difference between this book and the last book. This one’s gonna be a bit heavier. A touch more serious. The reason for that is with the first book, Lacey and | got to giggle through silly racism stories, and it felt great. So, if the family wants to share their stories too, however they want to share, we welcome that. We want them to feel great and heard and blah, blah, bloo. There’s plenty of silliness, it’s just that the rest of the family is less likely to remember the funnier racist stories. They have not been keeping journals. But those terrible, scary racist stories? Maaaan, they remember those like a mug. So, to emotionally prepare you, I’d call this book fifty-fifty silly-scary racist stories. Okay? So, don’t come to me talking about “It wasn’t like the first book” ‘cause you’ve been warned.

To balance out these stories, the interplay between the sisters seems a bit sillier than before (in the print version, each has their own typeface so you can see it)—up to, and including, them singing their own little ditties in the audio. The authors also include some pictures for illustration of the ridiculousness of the story or for a little burst of joy or cuteness to alleviate the heaviness of the stories they’re telling.

I should add there are a couple of anecdotes that really silly or scary, just heartbreaking.*

* Granted, there’s a sense in which all of these are heartbreaking, humanity’s inhumanity always is. So I guess those stories are extra-heartbreaking. Heartbreaking cubed.

The Organization of the Book

So, the theme of this book is there in the title—it’s a Guinness World Records collection, but no one wants to get their stories told here (names have been changed to protect those involved—according to the authors, at Lamar’s insistence over Ruffin’s intentions). The anecdotes are arranged under broad topics (or for the person they’re about), and they are each given a title like “Most Confusing Racist Phrase,” “Worst Car Service,” “Most Racist Pilot,” “Worst Celebrity Look-Alike,” “Worst Teacher,” and so on. Several of the category names are clearly exercises in creativity by the authors, like “Most Regular Degular, Day-to-Day Racism” or “Most Racist Comment I Was Not Part Of”

These Worsts and Bests, it must be remembered, apply to their family and circle of friends. Most minorities in this country can probably come up with their own “Worst Nursing Home Experience,” “Second Worst Bar Patron,” or “Worst Interview.”

A Variety of Storytellers

In the previous book, the stories were predominately told about things that happened to Ruffin or Lamar, as I’ve said. This time out, they bring in stories about their mother, father, all their siblings, a sibling-in-law, a former Nebraska state senator, and even a couple of white people (for contrast).

In fact, the book opens with an anecdote from a white, male friend about a traffic stop. It’s really atypical encounter, and one that this white, male would enjoy having. But, Ruffin says that it’s the story that shocked her the most. I don’t blame her if what follows is what she’s used to. Roughly midway through the book, we get another five quick anecdotes from a friend that Ruffin trades “opposite stories” with:

Stories where I’m suffering some racist nonsense and she’s getting away with everything but murder. It’s so shocking to me. I can’t believe this is happening to my little bud. Being white is hilarious. So, as you read these next five stories, try to think about how out of place they are in this book. Try to imagine a Black man getting away with any of this. It’s fun because you can’t!

With at least four of these, I agree—I can’t imagine that. Probably not the other, either.

They also include some anecdotes from state senator Tanya Cook, a nice (?) reminder that it’s common to find this kind of behavior anywhere.

So, what did I think about The World Record Book of Racist Stories?

Lamar writes in her closing remarks:

I’m glad our family and people from the community got the chance to share these stories with you. No matter how you feel about them, they have happened and are happening out there to not just a small group of people in Omaha, Nebraska, but to absolutely anyone at anytime, anywhere. I personally feel that by sharing these stories we are shining a light on racism, ignorance, and just some all-around hilarious shit.

That’s a pretty good way to summarize this book. And it’s a light that needs to be shone in a way that the masses will take it in. In our culture, for better or worse, the best way to do that is to make it funny and chopped up into digestible bits*. Which is what Ruffin and Lamar did here.

* See Planet Funny by Ken Jennings for more on that.

I didn’t enjoy this as much as the first—no offense to the authors and contributors, but it wasn’t as fun. If only the Introduction had warned me… But the authors worked hard to make it enjoyable—it’s just hard to do with the subject matter. As it grawlix-ing should be. The fact that they succeeded at all is remarkable.

Pretty much, you can read what I said about You’ll Never Believe and apply it here, just with a little less laughter. But I did laugh audibly at a few points, so there’s that. I also shook my head enough in unbelief/despair/denial that I’m surprised I didn’t pull something.

It may not be my favorite non-fiction read of the year (but it’s close), but it might be the most important one. Pick this (and the predecessor) up, folks.


4 Stars

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My Favorite Non-Fiction Books of 2021

Favorite Non-Fiction 2021
My 2021 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 6 instead of the nigh-obligatory 10 (Hartford had two books on the list, but I wouldn’t let someone else do that on another list, so I trimmed one from this). Like last year, I was surprised that I’d given so many of these 3 or 3 1/2 stars. But these are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Really, that’s what’s important, right?

As always, I only put books that I’ve read for the first time on this list. I don’t return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Blood and TreasureBlood and Treasure: Daniel Boone and the Fight for America’s First Frontier

by Bob Drury and Tom Clavin

My original post
This book de-mythologized—and then re-mythologized (to a point) Daniel Boone, who ended up being more interesting (and more human) than I anticipated. Some of the writing was fantastic and you could forget you were reading history (there were other parts that were so dry it could be nothing else). The book looks at both Boone and the Fight for the Frontier—against Indians, French, and the English. It’s the kind of history book that convinces me that I should read more history—not to better myself, just because it’s worthwhile.

3.5 Stars

A Dream About Lightning BugsA Dream About Lightning Bugs: A Life of Music and Cheap Lessons

by Ben Folds

I haven’t written a post about this book yet, so it’s hard for me to try to give a thumbnail here. I enjoyed getting to know Folds a bit better—warts and all (and he’s not afraid to bring up some of the warts). Where this book really impressed me was when he talked about music—performing, creating, listening, what it means to a listener/performer. I’ve already returned to some of that material to reread—I’m not a musician, but I appreciate someone that thoughtful about it. It’s inspirational.

Also, his stuff about Shatner is just great.

3.5 Stars

The Data Detective: Ten Easy Rules to Make Sense of StatisticsThe Data Detective: Ten Easy Rules to Make Sense of Statistics

by Tim Harford

My original post
This is one of those books I should go back and re-read, taking copious notes to help me internalize the points. We’re subject to people at work, on the news, online, and from the government throwing numbers, statistics, and “studies show” so often that it can be overwhelming. So much so that many people blindly accept everything they’re told from that formula, or doubt it all. Hartford’s point is that we should be skeptical, but to use that skepticism to dig out the real meaning behind the study/statistic and then use it for our advantage as a voter, citizen, employee, or person (or all of the above). Crystal clear writing, easily applicable, and more useful than most books on related subjects.

Actually, I think I just convinced myself to re-read it soon.

3 Stars

Nine Nasty WordsNine Nasty Words: English in the Gutter: Then, Now, and Forever

by John McWhorter

My original post
I’m a sucker for an entertaining look at language, and that’s what McWhorter delivered here. While I try to eschew the use of profanity, we’re surrounded by it so much more than we likely realize, so I might as well learn more about it, right? This was a solid look at the background and development of these “Big 9” words—in particular, I enjoyed McWhorter’s demonstration of how the words function as various parts of speech, as well as the varying nuances of meaning.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I talked about this in my favorite audiobook post, too, never fear—this’ll be the last time I bring it up this week.

Early on, Ruffin writes:

Twice a week, I get a text from my sister that says, “Can you talk?” It’s my favorite because I know I’m about to be transported to a place that exists in real life and fantasy: the place where coworkers will put their whole hand in your hair, talking ’bout “It’s fluffy like a dog.” I realize this sounds terrible, but it’s like watching Dateline. You can’t believe it was the GIRLFRIEND who killed the HUSBAND! It’s the edge of reality. Technically, it happens, but it is barely plausible. Excited, I steal away to the elevator banks at work and listen to Lacey tell me a new horror story. It’s fantastic. As I stand there, mouth agape, listening to some new fresh hell, I am always struck by the fact that these stories will only exist in this phone call. Some will go on to become stories once the topic turns to “racist people at work” one night when Lacey is hanging out with her friends, but she’ll forget most of them because of the sheer volume. The. Sheer. Volume.

That’s what this book is, a distillation of that volume. A compilation of the best/worst of those stories. They are tragic. They are sobering. They are frequently pretty funny. But only in the way they’re told. Lamar and Ruffin share these stories with an air of “you have to laugh or you’ll cry.” The kind of resigned laughter when you realize that your situation isn’t going to get better any time soon, so you might as well find the pleasure in it. A lot of this is hard to listen to/read—but it’s usually worth it. There’s also a decent level of “a spoonful of sugar helps the medicine go down” running throughout this.

4 Stars

Moonlighting: An Oral HistoryMoonlighting: An Oral History

by Scott Ryan

My original post
It’s probably the most fun I’ve had with a book this year. Somehow, Ryan’s able to capture a little bit of the flavor of the show while getting into the history. Moonlighting was a revolutionary show, and he is able to talk to just about every significant figure involved in the creation and production of it for this history. He chronicles the ups, downs, and all-around zaniness. There are deep-dives on important episodes and or tricky scenes, as well as broader looks at themes, storylines, characters, etc. It’s easy to forget just how magical this show was, but spending some time with Ryan will remind viewers of a certain age of just what a ground-breaking, oft-controversial, and entertaining series it was.

5 Stars

My Favorite Audiobooks of 2021

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the ShiverThe Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing ItFinlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim CurryA Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

This Bright FutureIn This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & SigilInk & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest TideThe Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate ProblemWe Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson's Greek GodsPercy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage CrewThe Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

You’ll Never Believe What Happened to Lacey (Audiobook) by Amber Ruffin, Lacey Lamar: You’ll Laugh While You All Lose Hope in Humanity. Fun Times!

You'll Never Believe What Happened to Lacey

You’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

Unabridged Audiobook, 5 hrs., 21 min.
Grand Central Publishing, 2021

Read: March 11-12, 2021
Grab a copy from your local indie bookstore!

I’m going to lean on quotations from the book pretty heavily for this one, I feel awkward about trying to summarize this—and am afraid I’d come across as too flippant. Which, yeah, is an odd thing to fear for a book that can be rightly shelved under “Humor”

The Authors/Narrators

Amber Ruffin is the host of The Amber Ruffin Show, a writer for and performer on Late Night with Seth Meyers, and is consistently funny and thoughtful. Even when, especially when?, I disagree with her (which happens a lot). She’s the primary author (even when retelling something that happened to her sister) and narrator of the book.

Lacey Lamar is her older sister, who lives in Nebraska and works in the healthcare and human service field. She’s apparently a pretty big geek, too. While her contributions to the book/audiobook are briefer than Ruffin’s, when she pitches in, it’s well worth it.

What’s You’ll Never Believe What Happened to Lacey About?

Early on, we’re told

My sister Lacey is a lightning rod for hilarious racist stories, She’s the perfect mix of polite, beautiful, tiny, and Black that makes people think: I can say whatever I want to this woman. And I guess you can. Hey, knock yourself out—but that doesn’t mean you won’t end up in a book.

She’s such a lightning rod that

Twice a week, I get a text from my sister that says, “Can you talk?” It’s my favorite because I know I’m about to be transported to a place that exists in real life and fantasy: the place where coworkers will put their whole hand in your hair, talking ’bout “It’s fluffy like a dog.” I realize this sounds terrible, but it’s like watching Dateline. You can’t believe it was the GIRLFRIEND who killed the HUSBAND! It’s the edge of reality. Technically, it happens, but it is barely plausible. Excited, I steal away to the elevator banks at work and listen to Lacey tell me a new horror story. It’s fantastic. As I stand there, mouth agape, listening to some new fresh hell, I am always struck by the fact that these stories will only exist in this phone call. Some will go on to become stories once the topic turns to “racist people at work” one night when Lacey is hanging out with her friends, but she’ll forget most of them because of the sheer volume. The. Sheer. Volume.

That’s what this book is, a distillation of that volume. A compilation of the best/worst of those stories. They are tragic. They are sobering. They are frequently pretty funny. But only in the way they’re told. Lamar and Ruffin share these stories with an air of “you have to laugh or you’ll cry.” The kind of resigned laughter when you realize that your situation isn’t going to get better any time soon, so you might as well find the pleasure in it. A lot of this is hard to listen to/read—but it’s usually worth it. There’s also a decent level of “a spoonful of sugar helps the medicine go down” running throughout this.

Some of these stories are old, but a lot of them are post-Obama stories. A lot of folks think things like this don’t happen anymore. But in this climate where people are becoming more brave with their racism, I think things may get worse before they get better. Just kidding, I don’t think things are gonna get better. Just kidding about just kidding. I’m Team Hopeful! My point is: Has anyone ever decided to take a look at one person’s buttload of racist stories? What happens when you do? I don’t know, but here you go.

Audiobook vs. Text Version

So my wife read the hardcover and I read the audiobook (but was able to use the hardcover to grab some quotations). The hardcover features pictures and illustrations, and different typefaces for each author (a feature more books should use). Judging by her responses and just flipping through it, that seems like a great way to go through the book.

The audiobook is primarily read by Ruffin, with some assists by Lamar. Ruffin’s a great performer and the text comes alive with her reading. I think some of the comedy comes through stronger in the way they tell the stories—because a lot of these things are dark and my response leaned to horrified until I heard one/both of them chuckle about it. Also, listening to Ruffin describe the pictures you can’t see is likely as fun as seeing them. I’m not saying that the audiobook is better/worse than the text, but I can say you won’t regret it.

So, what did I think about You’ll Never Believe What Happened to Lacey?

Black readers will read these stories and feel that really good, yet terrible feeling of going through something bad and realizing you’re not alone, and not only that, but that someone else has it worse! And, hopefully, the white reader is gonna read this, feel sad, think a little about it, feel like an ally, come to a greater understanding of the DEPTH of this type of shit, and maybe walk away with a different point of view of what it’s like to be a Black American in the twenty-first century. Hence this book.

For me, I think they succeeded. I’m not a fool, I didn’t think we’d fixed racism or anything—but the casual and blatant racism Lamar encounters at work (or outside of work) is astounding. I can’t count how many times I stopped the recording to say something to my wife to marvel at how blatant the people in this book were. She’d ask where I was, nod, and ask “have you got to X yet?” “Um, no?” “Well, it gets worse…” And it did.

At the same time, I laughed a lot. Those two sensations shouldn’t fit so well together, but they do.

This is a comic-tragedy. A tragic-comedy. Either or both. you won’t soon forget this book. Entertaining and educational. Eye-opening. Frustrating. I strongly recommend this.


4 1/2 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

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