Tag: AMORALMAN

The Friday 56 for 7/15/22: AMORALMAN by Derek DelGaudio

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
AMORALMAN

AMORALMAN: A True Story and Other Lies by Derek DelGaudio

“Why do you think the puppeteer was there?”

“How should I know?”

I told her I wasn’t a philosopher and then accused Plato of being a lazy writer. She tried to move on and discuss other elements of the story—the shadows, the prisoners, and the inexplicable escape. But I couldn’t. For me, the story was centered around a deliberate act of deception. To gloss over that deception, and ignore the motives of the deceiver, was incomprehensible to me. The Universe wasn’t trying to deceive us when we believed the Earth was at its center. And the Earth wasn’t trying to pull the wool over our eyes when we believed it was flat. But the puppeteer in the cave was trying to deceive those prisoners. And I wanted to know why.

AMORALMAN by Derek DelGaudio: Engaging and Compelling, but Maybe Left Me with Too Many Questions

AMORALMANAMORALMAN:
A True Story and Other Lies

by Derek DelGaudio

DETAILS:
Publisher: Knopf
Publication Date: March 1, 2021
Format: Hardcover
Length: 235 pgs.
Read Date: July 11-12, 2022
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What’s AMORALMAN About?

Derek DelGaudio is a performer. writer, and illusionist. This book claims (and that subtitle should make you suspect everything) to be an account of DelGaudio’s childhood, his early interest in magic tricks and illusions—and then how he was introduced to card sharps, eventually becoming friends with some and learning how to use the card tricks he’d practiced for so long to become a cheat at cards.

At some point, he takes this theoretical knowledge into the practical—to help a good friend, despite that friend’s former insistence that DelGaudio not follow him into that life. After some time exposed to this lifestyle, he has to make a choice? What kind of man is he? What place does morality hold?

It’s tied throughout to Plato’s Allegory of the Cave, the role of the perceptions, reality, and the participants.

The Title

Obviously, DelGaudio is playing with things in the title. Is this book about a moral man? an amoral man? Is it a story without a moral?

How much of this is the true story and how much is a lie? It could be seen as a collection of stories—so is only one true, or is the overall narrative true, with a scattering of lies?

I’m mildly amused by that, but I really don’t think I care.

So, what did I think about AMORALMAN?

Ehhhhh. I wanted more. And not in a “this was so good, I’ve got to have more” kind of way, but in a “this was okay, but…is this all there was?” way. Ultimately, what we’re dealing with is a memoir that tells you upfront (and repeats it) that at least some of what you’re told is a lie—and probably not just from those people who are liars by vocation.

I thought the premise promised more. I expected to get something with a bit more meat on it. A bit more to chew on.

Still, DelGaudio can tell a story. You get engaged right away and you’re eager to see how this detached, disinterested, and largely aimless kid becomes the guy who stars in In & Of Itself*. We don’t get that answer, but it’s not hard to see the foundation being laid.

* And, yeah, I bought this book without knowing anything about it because of the film version.

I do think I’d read another book by DelGaudio—I’m curious about what else he has to offer. And I do think that people interested in his other work would find something compelling here. But that’s about as much as I can say—you won’t be wasting your time.


3 Stars

20 Books of Summer

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