It’s entirely possible that this is barely coherent anymore, I’ve reworked this so many times to get at what I want to say (and am pretty sure I missed it still). As they say, perfect is the enemy of good—or at least the enemy of done. Hopefully, you get something out of it.
And Your Enemies Closer
by Rob Parker, Warren Brown (Narrator)
BOOK DETAILS: Series: Thirty Miles Trilogy, Book 2 Publisher: Audible Publication Year: 2021 Format: Audible Original Length: 7 hrs., 3 min. Read Date: January 6-7, 2022
What’s And Your Enemies Closer About?
I keep accidentally spoiling something when writing this section, so I’m just going to borrow Audible’s summary:
In the North West criminal underworld, a deal goes tragically wrong, resulting in war between the two main organised crime factions in the region. Shockwaves rock the 30-mile gap between Liverpool and Manchester – with retired detective Brendan Foley right in the middle of it all.
For Brendan, six months after his resignation, life is all different. His marriage is a mess, he’s working as a nightclub bouncer, his brother is still missing and he just can’t stop searching for the crime family that destroyed his life. And at last, he’s found them – and he’s got them bang to rights.
Iona Madison, his one-time partner and now successor as a DI in Warrington Police, is tasked with a body pulled from the River Mersey – a teen-age boy that went missing the previous year, which might bring her own conduct into question. Not only that, Brendan is feeding her information whether she likes it or not – and his unsanctioned activities are causing her headaches.
And now, there’s a price on his head. A million pounds, dead or alive.
And Your Enemies Closer is a serpentine race against time as Brendan and Iona must stay one step ahead of criminals at every corner, while trying to bring justice – in whatever form it takes, and whatever loyalties it might burn.
Things Change
When I posted about Far from the Tree, I’d said:
Foley comes across as the kind of cop you want to read about, the kind that you like to think you can find in police forces all over the world—sure, he needs some marriage counseling and needs to do some serious work when it comes to his kids. But who doesn’t have problems?
In the six months since he retired, all that has changed. Very understandably, Foley isn’t that guy anymore. He’s the kind of guy you fear you can find in police officers all over the world. Sure, that makes you wonder if he ever really was that guy—but I think he was, through sheer act of will maybe, but he was that guy. But that’s over—his marriage is on the ropes (to speak optimistically), he’s not the father he used to be. All he has room for is a mission—take down that crime family that had taken so much from him.
D.I. Madison’s changed, too. She’s still trying to prove to her superiors that she deserved the promotion. I really thought I got to know her as a character in the previous book, and I didn’t feel that way this time. Yes, she’s in it just as much—but it’s almost all work, no reflection. The time-frame for this book is much shorter than the last one, so we don’t have time to see her off-the-clock or in a quiet moment to think.
Another reason I think I might have had that reaction is the number of Point of View Characters is larger than the last time out, and those who aren’t Foley and Madison get more time. I could be very wrong about that—I’ve listened to a lot of books in the 16+ months between these two—but that’s the impression that I had. It makes for a richer and more developed story, but it came at the cost of at least Madison’s character.
Warren Brown
I don’t know much about Brown’s acting—he hasn’t done much widely available in the U.S. (at least legally), but I’ve really liked him when I have seen him. But, his work on this series is enough to make me start petitions for streaming services to start showing his stuff.
He brings these situations and people to life in a way that you can practically see them, it’s like you’re in the room with them. Getting the right narrator is always important when it comes to audiobooks—doubly so with things like Audible Originals that have no text version. Whoever got Brown to do this series did us all a favor.
So, what did I think about And Your Enemies Closer?
I didn’t enjoy this quite as much as the predecessor—but I’m pretty sure that has everything to do with this being the second installment in a trilogy. It’s just the way I am with trilogies.* I do wonder if some of it is also the way D.I. Madison was used here. On both counts, I fully expect that the close of this trilogy is going to leave me impressed and maybe even liking this a bit more than I do right now.
* With the possible exception of The Empire Strikes Back
Parker’s a great storyteller, and that’s on full display here. One example of that, I’ll try to keep it vague. Still, spoilerphobes might want to skip to the next paragraph. There’s someone early one that you realize is going to die before this book ends. Really, they might as well have been named Corpsey McCadaver. In just about every scene with them, I liked them more and more and grew more and more certain they’d die soon. But when it happened—I was totally caught off-guard, bolted upright in my char, and apparently made a sound audible in the next room. That’s storytelling.
I thought that the image of the mass grave from the beginning of Far from the Tree was the apex for disturbing images for the series. A big shock to get the ball rolling, and it’d be all down here from there. I don’t remember being that naïve and foolish, but man…Parker outdoes himself in creating one location in the book. I’m just glad the Smell-O-Vision technology hasn’t made its way to smartphones. Also, there’s a method of murder used here that I’ve never run across before, I’m dying to know if it’s real, but I don’t even know how to search for it online without going on the FBI’s radar. Seriously, the book is worth your time just to hear about it. I’m not sure the book is also worth the poor sleep you’ll get if you think too much about the method, however.
As I said before, there are many point-of-view characters running around in this novel, and I wouldn’t have complained about having more time with any of them. Other than Madison, we got enough time with them all, but I enjoyed each perspective enough that I could have taken at least one more scene with them all. I typically think less is more on the multiple-perspective novels, but this isn’t one of them. Both Parker and Brown handle all the voices really well.
Outside of Corpsey McCadaver, I couldn’t predict anything about this story. Parker keeps you on your toes and on the edge of your seat—he zigs when you expect him to zag. Or, he zags when you expect, but in a way that turns your expectations upside down.
Once again, Parker and Brown have delivered something brutal, unrelentingly gripping, and full of the unexpected. I can’t wait to see what they’ve got in store for #3.
