Tag: Audiobooks Page 13 of 23

Catch-Up Quick Takes: Dash & Lily’s Book of Dares; Undeading Bells; Paranormal Bromance; My Calamity Jane

The point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Dash & Lily's Book of Dares

Dash & Lily’s Book of Dares

by Rachel Cohn, David Levithan, Ryan Gesell (Narrator), Tara Sands (Narrator)
Series: Dash & Lily, #1
Unabridged Audiobook, 6 hrs., 40 min.
Listening Library, 2010
Read: November 14-17, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I picked this up as the result of “I need something to listen to and the library’s app just happened to have it at the top of the list.” This was about the time that the Netflix series was about to launch, so a good part of my Twitter feed was talking about it. I’d read something by Levithan years ago and had good memories, figured I’d try it out.

It was adorable. It was sweet. Pure silly fun. The narrators did a pretty decent job convincing me that they were teenagers. I think Lily can do better than Dash, but that’s probably just me. I doubt I’ll continue on in the series, but I’m glad I gave this a shot.

3.5 Stars

Undeading Bells

Undeading Bells

by Drew Hayes, Kirby Heyborne (Narrator)
Series: Fred, The Vampire Accountant, #6
Unabridged Audiobook, 11 hrs., 34 min.
Tantor Audio, 2020
Read: November 9-13, 220
Grab a copy from your local indie bookstore!

(the official blurb)
The wedding is nigh—Fred’s just got a little to take care of first. He’s got to hire someone to help him deal with his rapidly expanding business, he has to submit to some tests from the Blood Council, Amy needs some help with her new business model, and so on. But the main event is the wedding—which brings out friends (old and new) and enemies (old) alike.

This is the same kind of book that I’ve come to expect—fairly episodic with a nice through-line, amusing stories, an overall “blue sky” feel, with some fun situations for our Vampire Accountant to get himself out of.

I appreciated the new hire on the accountancy side, her particular supernatural type was a lot of fun. I also was impressed by what we learn about the Sheriff of Boarback. That was a simply great idea. I’ll also admit to being touched by the last few pages of the book, Fred’s in uncharted territory for him, and he does it well—public Displays of Affection and a little bit of rebelling.

I’ve spent most of this year dipping into this series when I needed a fun palate cleanser, and now I’ve caught up. Apparently, he’s working on the next book now, so I know I’ll be able to come back at some point, but…man…what am I supposed to do in the meantime.

3.5 Stars

Paranormal Bromance

Paranormal Bromance

by Carrie Vaughn, Neil Hellegers (Narrator)
Series: Kitty Norville, #12.5
Unabridged Audiobook, 2 hrs., 11 min.
Tantor Audio, 2018
Read: October 26, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Three guys who never should’ve been turned, and likely wouldn’t have survived as vampires if they weren’t in Rick’s Denver, are the focus of this novella. Since they’ve been turned, they camp out in their basement apartment and live largely human-ish lives. Basically, they’re the kind of guys who need advice from Kitty Norville, but who’ve never called into her show (or even listened)

Because they’re clearly the weakest, most pathetic excuses for Vampires (one sells collectibles online, another reviews video games) they’re targeted as a way to Rick by an enterprising reporter. While dealing with that, Sam starts to fall for a mortal—exactly the kind of woman he would’ve dreamed about dating as a human, but now he’s still feeling like she’s out of his league.

Watching Sam and his roommates deal with his friendship with the woman on the one hand and then the reporter on the other brings out the kind of fun that Vaughn didn’t often get to show in the Kitty-verse. It was a pleasant way to spend a few hours while packing/cleaning—and like I’ve said, any time in the world of Kitty Norville is a pleasant time.

3 Stars

My Calamity Jane

My Calamity Jane

by Cynthia Hand, Brodi Ashton, Jodi Meadows, Sophie Amoss (Narrator)
Series: The Lady Janies, #3
Unabridged Audiobook, 13 hrs., 28 min.
HarperAudio, 2020
Read: August 31-September 3, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Man…of all of these in this post, this is the hardest to not write a lot about. I’m not sure this is my favorite of the series, but in many ways, it’s stronger—definitely an improvement over My Plain Jane (which I liked, don’t get me wrong).

Wild Bill’s Traveling Show is just a cover for him, Calamity Jane and Frank Butler to hunt garou throughout the Wild West. Annie Oakley is unaware of this, but is a crack shot and needs to make money (or get married off to someone she can’t stomach). She ends up signing on to the show, just in time for it all to fall apart. The group ends up in Deadwood, where a supposed garou-cure is being peddled.

Sure, Calamity Jane is the focus of the book, but for me, it’s all about Annie Oakley, she was a delight, and her stumbling romance was as sweet as you could ask for. I also loved that we got an Al Swearengen who never made me think of Ian McShane once.

These goofy supernatural alt-history books are just a lot of fun, and I’m eager to see what they do with Mary, Queen of Scots.

3.5 Stars

2020 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Venators: Legends Rise (Audiobook) by Devri Walls, Daniel Thomas May: The Venators Have Their Hands Full in this Packed Adventure

For the last part of my Tour Stop, I’ll be talking about the Audiobook version of Venators: Legends Rise, as I have with the first two books in the series this year as part of The Write Reads Tours for them. And, as before, I largely copied what I said about the paperback-but tweaked things a little bit and added something about the narration (just in case you read the earlier post and think I’m repeating myself, you’re right, I absolutely am.)


Legends Rise

Venators: Legends Rise

by Devri Walls, Daniel Thomas May (Narrator)
Series: Venators, #3

Unabridged Audiobook, 18 hrs. 9 min.
Tantor Audio, 2020

Read: October 6-9, 2020
Grab a copy from your local indie bookstore!

“How long ago were we here?” she asked.

“I don’t know. Two weeks? Three? I’ve lost track of the days.”

She sat with that for a moment, trying to reconcile the timeline. “Why does it seem like forever ago?”

“Because it was.” Grey rested his forearm across the saddle horn, face pensive. “We’ve lived a lifetime since then.”

I’m glad to see that I’m not the only one who couldn’t believe how little time went by in the first two books.

What’s Legends Rise About?

At the end of Promises Forged, Tate is taken by the Fae and is sent back to the Gladiator games that he’d escaped from not that long ago. He’s doing this so he can get his wife and son to safety (and maybe see them for the first time in years, too).

But our heroes, Grey and Rune, need to get him free from thatpreferably without letting the Council know he’s been taken. So while they’ve been assigned to go rein in the remnants of the Werewolf pack they let get away in Magic Unleashed, and maybe bring another pack to order, they’ll use that assignment as cover for their real concern.

A neat trick if they can pull it off.

Along the way they get to train, they get to experience more of their new world and abilities than they’ve been able to thus far in their crash-course introduction to the ways and mores of Eon. The training, obviously, is really important if we’re to continue to believe their success in combat. A couple of lucky breaks like we’ve seen so far is one thing, but at a certain point, we need to see some competence out of them.

Venator Development

This book sees Rune and Grey getting to know each other betterGrey shares a lot with Rune and she responds as she ought. They both settle into roles as partners, their individual personalities helping them support the other in weak spots while working together.

Grey continues to be the character I’m most invested in and most interested in for this serieshis strengthscompassion, empathy, concernare seen even more clearly than before. He’s quite the contrast to the Venators of legend on Eon. Yes, it gets him into trouble. Yes, he has flaws and stumbles into being someone I really don’t like during the final battle of the book. But assuming he can keep himself from that in the future, and stay true to who he is, he’ll be the hero that Eon needs and will keep me reading the series.

Rune on the other hand…I change my mind about her repeatedly in each book. As a character, Walls keeps developing her along the lines we’ve seen so farparticularly in Promises Forged, building on those traits and showing herself, her trainers, Grey, and the Council what she’s capable of. I’m not crazy about some of her choices and actionsbut I think most of them will be good for the series, and one of them will lead to melodrama and problems (and will be a source of delight for most readers).

I’m glad that I’m not all-in with either characterit makes them feel more real, more grounded that I like aspects of them, and am troubled by others. It also points to the tendency Walls showed in Promises Forged for the Venator powers to shape the thinking and attitudes of the individuals and how much these two need to strive against that. Give me a complex protagonist any day.

Some Skin in the Game

Zio makes a move herea lot sooner than I expected her to, too. It’s not a big attack, it’s more of a surgical strike, just to sound out her opponents and test out her pet Venator. If more happens and she gains some big advantages while she’s at it, all the better.

She’s craftier than I gave her credit for and I think that this was a smart move by Wallsboth for the progression of the story and for the development of Zio as a character. It’d be easy to write her off as a Skeletor-type, just a power-hungry magic-user trying to cause chaos and destruction for her own gain. And, yes, I still think she is thatbut I think there’s more to her than that.

A Bonanza of Backstory

Two of the most important figures for our Venators are Beltran and Verida. We know there was some sort of romance in their past, and that it didn’t well at all. We get that filled in a little bit, which is good. But more than that we get looks into their pastswhat brought them to the point they were at when we first encountered them.

We see a lot of what motivates Verida in her desire to train these Venators, to aid the resistance. We get some insight into what drove the wedge between her and her father. We even meet some of her family and can see that she could very easily have been a different kind of person. I walked away from this book liking Verida a lot more than I did before.

We see more of Beltran’s story, too, and come a lot closer to understanding himI think Walls is keeping a surprise or two about him up her sleeve, though. I’d like to think that someone with his centuries of experience would possess a little more maturity, and not be quite so emotionally adolescentbut maybe for his species you don’t hit that for a few more hundred years.

An Almost Entirely Frivolous Sartoirial Question

Does anyone on Eon wear loose clothing? Every time* someone’s pants are described, the words “tight” and “leather” appear. From just about everything I’ve ever read, leather pants are really uncomfortable. Maybe society would be better, people would be more prone to get along if Rune introduced them to denim? Could Grey get people to wear chinos and with the improved blood flow help cooler heads to prevail?

* No, I haven’t done a search on e-copies of this to verify this, there may be exceptions—roll with the hyperbole here.

At the very least, from this point can’t we just take it as read that every time Walls says “pants” that she means “tight” and “leather” and trim 1-2% of her word count?

Is this petty? Sure. But Walls spends enough time talking about clothing that questions arise. If I were so inclined (and someone would have to pay me to be), I think I could do an entire post on the clothing of Eon.

My Big, Not-Frivolous Question

What are people (the Council/Zio/Resistance) fighting for? Control of Eon? Power? Sure, that’s obvious. But Power for the sake of Power is dull and hard to care about as a reader. If you look at Panem, you can get an idea why people are fighting for it (on either side), ditto for The Society in Red Rising, Luna from The Lunar Chronicles—you get the idea.

What are the ideals of this society? What has the Council betrayed? Are they pretending to uphold something from the past that they’ve actually abandoned and that the resistance are trying to restore? (see the Rebel Alliance in Star Wars)—while at the same time, Zio has another idea entirely?

What’s the point of this Resistance movement? What are their goals? When are we going to finally meet them?

Where’s the joy in this world? Where’s The Good (or just good)?

We spend some time in a city and in a village here—they couldn’t be less similar, so we’re getting two separate looks at Eon society. The city puts Mos Eisley to shame, and the poor village is just…well, poor. Even before tragedy hits (thanks to the Venators, in a way) this village, I don’t see that there’s a lot going for it or its citizens.

I guess that I was just struck by the question, “why?” Why are these factions working so hard to gain control of this place? I don’t doubt for a moment that Walls has a handle on this question—she knows it. I just hope she clues her readers in soon.

How was the narration??

Daniel Thomas May really impressed me this time. He balances the action and emotion well, keeping the focus on the characters. Walls gave him a large cast of characters to work with in these pages and he handles it well. I feel like I should have more to say, but I really don’t. He does a good job and kept me entertained.

So, what did I think about Legends Rise?

This was by far the most ambitious of the Venators novels (I know it’s only book 3, but I read two versions of book 1, so I’m counting this as the fourth), and I applaud Walls for taking a big swing here. I wonder if she maybe tried to do too much, though. I’ve tossed this idea around a lot over the last few weeks and I’m undecided. I’m hoping that listening to the audiobook for the upcoming Book Tour will help me decide.

We got some good backstory on pivotal characters, we see a lot more of the world and have a better understanding of parts of it, the Earthlings get a chance to acclimate a bit more to Eon and spend some time with citizens. And, yeah, there are some pretty great action sequences. There’s even some romance for those who want that sort of thing—and I’m certain almost every reader of this series will be very pleased by it (I actually don’t mind a romantic subplot, I just can’t stand this one and think it’s a bad move for everyone involved).

Regardless of what the stars may suggest—I enjoyed this book and recommend it. Furthermore, I like this series, I’m really curious about what’s going to happen next and I think anyone who reads them will, too.


3.5 Stars

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Murder by Other Means by John Scalzi, Zachary Quinto (Narrator): When You Can’t Kill Someone Anymore, Criminals Have to Get Creative

Murder by Other Means

Murder by Other Means

by John Scalzi, Zachary Quinto (Narrator)
Series: The Dispatcher, #2

Unabridged Audiobook, 3 hrs., 33 min.
Audible Studios, 2020

Read: September 18-19, 2020

A Sequel to The Dispatcher?

I think the last thing on my mind as I finished The Dispatcher was that there’d be a sequel. It seemed fairly stand-alone (but, I guess, I can see that the door was open). But now that I’ve heard this? It seems only natural that there’d be a follow-up to The Dispatcher and the door is open for more.

What’s Murder by Other Means About?

So, in this world 99.9% of the time, if you’re murdered, you come back to life in your home/somewhere you feel safe. If you die of natural causes, in an accident, from suicide—you stay dead. But if someone intends you harm and you die, you’re most likely safe. This started a few years before this book is set, and no one knows why.

But that doesn’t stop people from taking advantage of it. There’s a new industry, our protagonist/narrator is part of it, Dispatching. Licensed killers who shoot people when death is all but certain to give them another chance at life. In the time since The Dispatcher, it seems that some new and creative uses for them have become common. Most of them straddle the line between legal/illegal or moral/immoral.

Tony Valdez starts this book hurting for money, and takes one of those not technically illegal jobs. Soon after, people around him—loosely connected, but not really friends or colleagues—start dying from unnatural causes. Not murders, obviously, because they stay dead. But as the bodies start to accumulate, the police have to look at the one common denominator—Tony. Tony starts investigating himself—if only because he figures it’s going to be long before he’s one of the dead that doesn’t come back.

How was the Narration?

Quinto makes Tony come to life, and is able to humanize this licensed executioner enough that you don’t think of him as a killer for hire, you think of him a beleaguered private contractor on hard times. Quinto’s great at the rest of the job, too—I’d absolutely listen to more audiobooks he narrates.

So, what did I think about Murder by Other Means?

I was less than enthusiastic about The Dispatcher back in 2016—which I didn’t remember until I just glanced at my post. I’m not over the moon about this, but I enjoyed it, and hope there’s more to come (I’m not sure I want to wait four more years, however). If there is? I’m jumping on it eagerly.

It was clever, it is honest about the human condition and the ways we find to hurt and destroy (and comes up with a few that are custom-made for this no-murder reality), yet remains a very human, very real thriller. It’s a good way to spend a couple of hours.


3.5 Stars

Velocity Weapon (Audiobook) by Megan E. O’Keefe, Joe Jameson: A Brother, A Sister, A Battleship, and the War that Unites Them

Veloctiy Weapon

Velocity Weapon

by Megan E. O’Keefe, Joe Jameson (Narrator)
Series: The Protectorate, #1

Unabridged Audiobook, 18 hrs., 22 min.
Audio, 2019

Read: July 9-15, 2020

What’s Velocity Weapon About?

There are two primary storylines—either one of them would have been a decent basis for a novel on their own. Combine them and you’ve got something special.

Sergeant Sanda Greeve is flying a fairly routine patrol when she’s attacked—a rare burst of heat in a long Cold War. She wakes up in a ship from the fleet that attacked her. Alone. Except for the AI that runs the ship (is the ship?). Bero, the AI, shows Sanda footage and evidence that the Icarions that build him wiped out all life in the system except Sanda 230 years ago.

The second primary storyline features her brother, Biran. Biran’s speaking at his graduation ceremony when his sister (and others) are attacked. The news disrupts the ceremony, and Biran uses finds himself in the position of having to calm those who are watching (live or on the news). In the days and weeks following, he rises to a prominent position—becoming the government’s spokesman, reassuring and leading the populace through this time.

We bounce back and forth as Biran tries to stave off a war, and to Sanda dealing with its results. It’s a great concept and you just don’t know what to expect even though Bero has told Sanda what’s happening.

And then another escape pod shows up and all bets are off.

The Stuff I Should’ve Paid More Attention To

There were some flashbacks to the invention of the Gate technology that makes interstellar travel possible, which was pretty interesting, but there was something about it that I just couldn’t focus on for very long.

Similarly, there was a tertiary story to the main two. This one focused on a street gang involved in some pretty petty crimes, but they stumbled onto something pretty big. This was interesting, but I couldn’t keep most of the characters straight and had a hard time following it. This was solely due to my focus, and as many times as I told myself to pay attention, I didn’t. I predict that this is going to come back pretty significantly in the sequel—I’m just hoping I can play catch up. If you read and/or listen to this book—learn from my mistake and pay attention.

How was the narration?

I liked it. Bero in particular is hard to get right—and vital to get right. Jameson does it. Everything else came out good, too, don’t get me wrong, but for this, the AI is essential. He captured the tones, flavors, and diverse set of characters in an engaging and convincing way.

So, what did I think about Velocity Weapon

When this came out, it looked intriguing. When I started seeing it show up on my Goodreads feed and book blogs I follow, I really became interested. But I didn’t follow up on it. I spent pretty much e the entire time listening to Velocity Weapon berating myself for that.

This is the kind of thing I like in SF. A clever story, compelling characters, and great tech in space. I liked the humans, I really enjoyed the AI (I sort of figured this would be a variation on the AI in Rockwell’s Serengeti books, and wow, I was wrong). It was a SF adventure, but it was also a straightforward thriller (with SF frills). I had a blast with this and am looking forward to the sequel.


4 Stars

2020 Library Love Challenge

Far from the Tree (Audiobook) by Rob Parker, Warren Brown: A Disturbing Crime, A More Disturbing Investigation

Far from the Tree

Far from the Tree

by Rob Parker, Warren Brown (Narrator)
Series: Thirty Miles Trilogy, Book 1

Unabridged Audiobook, 8 hrs., 53 min.
Audible Studios, 2020

Read: August 11-13, 2020

What’s Far from the Tree About?

I’ve tried several times to try to come up with a summary, and I just can’t without ruining something. So, let’s just appropriate the Publisher’s Summary, shall we?

Brendan Foley has worked to balance the responsibilities of a demanding job and a troublesome family. He’s managed to keep these two worlds separate, until the discovery of a mass grave sends them into a headlong collision. When one of the dead turns out to be a familiar face, he’s taken off the case.

Iona Madison keeps everything under control. She works hard as a detective sergeant and trains harder as a boxer. But when her superior, DI Foley, is removed from the case, her certainties are tested like never before.

With stories of the Warrington 27 plastered over the news, they set out to solve the crime before anyone else. The local constabulary is small and under-funded – Brendan knows they can’t crack this case alone, and he’s not letting a rival force take over. Not with the secrets he fears are lurking. Their investigations lead them into the murky underworlds of Manchester and Liverpool, where one more murder means little to drug-dealing gangs, desperate to control their power bases.

But as Madison steps into the ring for the fight of her life, the criminals come to them. It’s no coincidence that the corpses have been buried in Foley’s hometown. The question is, why? Foley might not like the answer….

Is There Anything I can Add to That?

Foley’s family is messed up, and he doesn’t do a lot to improve things (actually for most of this book he seems to be making it worse—while trying to help, I should add in his defense). Typically, the families of fictional police are either near-picture perfect or are pretty dysfunctional. Parker starts off making you think it’ll be the former, and then he changes course and leaves dysfunctional in the dust. Still, Foley comes across as the kind of cop you want to read about, the kind that you like to think you can find in police forces all over the world—sure, he needs some marriage counseling and needs to do some serious work when it comes to his kids. But who doesn’t have problems?

Madison’s boxing (and what drives her to it) is a great touch. It’s such a different character choice, and it really works. It gives her the right mix of self-destructive impulses, aggression, and self-discipline. On-duty, Madison’s just as interesting—seeing her torn between loyalty to Foley, devotion to duty, and wanting to solve the crime. She’s a great character, and I really hope that she plays a large role in the next two books.

What About the Narration?

This was an Audible Original, so the Audiobook experience is a big part of it. Brown was a great choice of narrator—he’s the perfect voice for this material. He captured and shaped the tone as he needed to, and gave the right performances for each character.

I can’t help feeling like I need to say more, but I just don’t know what else to say. If I had problems with the performance, I’d probably be able to go on longer, but when a narrator gets it right, like Brown does here, what else is there to say?

So, what did I think about Far from the Tree?

This was just brutal—and I mean that in the best possible way, because I can’t imagine that Parker and Brown were going for anything else. Every time—and I don’t think I’m exaggerating here—that I thought I knew where the story was going, what Parker was trying to do with one of the characters (except maybe Madison), what surprises he had up his sleeve, I was just minutes away from being proven wrong.

It was shocking—repeatedly—it was the textbook definition of gripping, unrelentingly so. Get your hands and ears on this one.


4 Stars

Catch-Up Quick Takes: Skeleton Key by Anthony Horowitz, Simon Prebble; Deadly Assessments by Drew Hayes, Kirby Heyborne

The point of these quick takes posts to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Skeleton Key

Skeleton Key

by Anthony Horowitz, Simon Prebble (Narrator)
Series: Alex Rider, #3
Unabridged Audiobook, 6 hrs., 57 min.
Recorded Books, 2013
Read: August 21-24, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
So for two books now, we get this outline: Alex does something gusty and dangerous, which transitions into him taking on a case for MI-6 that’s as risky as you could want.

This time he runs afoul of a Chinese criminal organization at Wimbledon before he’s loaned out to the CIA who really needs a teen to sell a couple of agents as a family unit, out for vacation near the Caribbean. They’re actually hunting for a nuclear weapon and some ex-Soviets wishing for a comeback for the USSR.

I honestly found his antics around Wimbledon and that more interesting than the main story, but it wasn’t bad. Silly fun stuff that undoubtedly works better for the target audience (MG readers of a decade ago) than me, but it’s good enough for me to keep going.

3 Stars

Deadly Assessments

Deadly Assessments

by Drew Hayes, Kirby Heyborne (Narrator)
Series: Fred, The Vampire Accountant, #5
Unabridged Audiobook, 9 hrs., 9 min.
Tantor Audio, 2018
Read: August 5-6, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Hayes is really getting better at bringing books together as a novel. Still, it’s basically four serialized short stories pretending to be a novel, but this one was a whole lot closer to being a whole.

While Krystal is off doing something to get her released from her prior engagement (Fae contracts aren’t that easy to break), Fred gets a visit from the ruling Council for vampires to see if he and his clan are up to snuff. While they’re at it, their representative is going to fill Fred in on all the stuff he should’ve learned from his sire.

Stuff ensues. Fred learns a lot but doesn’t change fundamentally. He’s still the same mild-mannered guy, even if he’s determined he’s going to have to be a bit more. There’s some really good stuff about his ex-employee, Alfred, coming into his own.

This light UF series keeps getting better.
3.5 Stars

2020 Library Love Challenge
This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Dark Jenny (Audiobook) by Alex Bledsoe, Stefan Rudnicki: Eddie LaCrosse Meets a Legend

Dark Jenny

Dark Jenny

by Alex Bledsoe, Stefan Rudnicki (Narrator)
Series: Eddie LaCrosse, #3

Unabridged Audiobook, 8 hrs., 45 min.
Blackstone Audio, 2012

Read: July 24-28, 2020
Grab a copy from your local indie bookstore!

What did I say about Dark Jenny the first time I read it?

I have only the vaguest of memory of what actually happened in the first Eddie LaCrosse novel (The Sword-Edged Blonde), and only somewhat better recall about the second (Burn Me Deadly). That’s a reflection on the amount of stuff I’ve read in that time, and is in no way a reflection on Bledsoe. I do have a very clear recollection about what both books told me about Alex Bledsoe’s talent and that I enjoyed them a lot. I’m equally certain that Dark Jenny won’t suffer from that same fading from memory/excuse to reread them. This one is gonna stay with me for a while.

Essentially, this book is a variation of an Arthurian story—ideal king, queen rumored to be less than ideal, noble knight corps with a few rotten apples thrown in, a wizard figure, wicked half-sister, and a whole lotta intrigue—with a few unique twists of Bledsoe’s own thrown in for good measure. Not a sour note to be found here—some notes that were hard to listen to, sure, but…okay, there’s a metaphor that went awry. I was trying to say that yes, there were things that were less pleasant than others—this book goes to some dark, nasty places–but it all worked well.

We get this Arthurian tale via an extended flashback—in the middle of a nasty winter storm, with nothing else to occupy the attention of his neighbors, Eddie receives an interesting package. One so interesting, there has to be a great tale that goes along with it—which he ends up telling to the crowd at his favorite tavern (with only the tiniest of breaks to remind us that this is all in Eddie’s past). By making this all an extended flashback, Bledsoe is able to give us a slightly different version of Eddie—one on the way to being the guy we’ve seen in the last two books. It also gives him the excuse to have a great femme fatale to grab Eddie’s attention without having to write around his lovely lady.

A great, riveting fantasy noir. Can’t wait for the next one already. A decent jumping on point for those new to the series, and a great third installment for those who’ve been around for awhile.

Thoughts this time through

In the nine years or so since I read Dark Jenny I held on to a vague recollection of the plot, I remembered it was a clever twist on an Authurian Legend, and that it knocked me for a loop. But that’s really all I remembered.

So when I started it on my Eddie LaCrosse re-listen, I was excited. And spent a lot of time pretty disappointed. I couldn’t see why it knocked me for a loop.

It was a very clever way to tell an Authurian story while critiquing the Authorian stories. Bledsoe got the best of both worlds there, he got the utopia, the glory, the all the trappings. And he got to show the inherent problems with them, how short lived the utopia was (and if that’s the case, just how “eu” was the topia?)

And it was a fun story about a younger Eddie LaCrosse, sword jockey at large. I wasn’t blown away, but I was having a good time.

And then I got to the part that I must’ve been thinking about when I wrote my original post about it years ago. It’s not long after we learn why the book is called Dark Jenny, if you’re curious. And then I remembered exactly what I felt in 2011 and why the impression lingered even if the details had faded.

What about Dark Jenny as an audiobook?

Once again, Stefan Rudnicki, isn’t who I’d have guessed was a good fit for LaCrosse. But I’d have been wrong, he’s a great voice for this series and I can’t imagine anyone else doing it now. I can’t put my finger on why, but I think this novel works better in print than in audio (which is not a reflection on Rudnicki, it’s something about the story)—but I have no complaints about this as an audiobook.

So, what did I think about Dark Jenny?

I guess I kind of gave it away earlier. At this point in the series, Bledsoe has locked it in. He knows who Eddie is and how to tell his stories. There’s the right mix of fantasy elements (including the Arthurian material) and hard-boiled PI elements; humor and grit; violence and sympathy.

I don’t know if this is that much better than it’s predecessors—but it is somewhat, at least. And it resonates on an emotional level for me far more than they did. I’m completely sold on it.


4 Stars

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Grit: The Power of Passion and Perseverance (Audiobook) by Angela Duckworth: The Key is Passion and Perseverance, not Talent

Grit

Grit: The Power of Passion and Perseverance

by Angela Duckworth

Unabridged Audiobook, 9 hrs., 22 mins.
Simon & Schuster Audio, 2016

Read: August 18-21, 2020
Grab a copy from your local indie bookstore!

…as much as talent counts, effort counts twice.

What’s Grit About?

I’m afraid I’d get lost in minuate or that I’d overcorrect and not give an adequate idea if I tried to give a thumbnail, so let me borrow from Duckworth’s website:

pioneering psychologist Angela Duckworth shows anyone striving to succeed—be it parents, students, educators, athletes, or business people—that the secret to outstanding achievement is not talent but a special blend of passion and persistence she calls “grit.”
Why do some people succeed and others fail? Sharing new insights from her landmark research, Angela explains why talent is hardly a guarantor of success.

Angela has found that grit—a combination of passion and perseverance for a singularly important goal—is the hallmark of high achievers in every domain. She’s also found scientific evidence that grit can grow.

Angela gives a first-person account of her research with teachers working in some of the toughest schools, cadets struggling through their first days at West Point, and young finalists in the National Spelling Bee. She also mines fascinating insights from history and shows what can be gleaned from modern experiments in peak performance. Finally, she shares what she’s learned from interviewing dozens of high achievers—from JP Morgan Chase CEO Jamie Dimon to Seattle Seahawks Coach Pete Carroll.

It’s a fascinating mix of psychological research, case studies, and personal anecdotes. Duckworth structured this in such a way that not only it was informative and educational, it was enjoyable and motivational.

How about the narration?

I thought Duckworth herself was a great choice for narrators—she gives an energetic reading, that feels all the more authentic because it’s based on her research and experiences*. She talks at one point about the work she put in to make her TED Talk more successful and probably carried over that work to this. In the end, it was one of the more compelling non-fiction narrations I can remember.

* Not that another narrator would’ve felt inauthentic…

So, what did I think about Grit?

I loved this—I was entertained, educated, and a little inspired. The subject was interesting, the approach challenging, and didn’t always give the answers you expected. Duckworth made it clear that with the right mindset and time, it was possible to increase your own grit and find a measure of success. It’s not a one-size-fits-all solution, nor is it a promise of instant success. Just a reassurance that smart work can pay off.

I couldn’t stop thinking of different friends/family members that I wanted to share insights from this with—I think one son, in particular, should be very happy that he was busy with school while I was listening to this so I didn’t force him to listen along (it probably would have done him some good, but he probably wouldn’t have appreciated it in the moment).

The associated PDF was a nice supplement to the audiobook (so I can see charts/graphs and whatnot). Still, I think I’m going to have to get a hold of the hard copy for easy reference (it’s just easier to flip through to find something, or to use the index, than skipping through an audio file) and probably give out a copy or three.


4 1/2 Stars

2020 Library Love Challenge

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The Answer Is . . . (Audiobook) by Alex Trebek, Ken Jennings: The Living Legend Reminisces

The Answer Is

The Answer Is . . .: Reflections on My Life

by Alex Trebek, Narrated by: Ken Jennings, Alex Trebek

Unabridged Audiobook, 4 hrs., 35 mins
Simon & Schuster Audio, 2020

Read: August 3-4, 2020
Grab a copy from your local indie bookstore!

What’s The Answer Is . . .: Reflections on My Life About?

Trebek starts off talking about why he wrote the book at this time, how it’s not an exhaustive autobiography, and really too brief to be a memoir, instead, it’s some sort of French term that I didn’t catch—little vignettes about his life, some brief stories or impressions of a time/place, some are longer reflections about something.

He talks about his childhood, his parents, his education (including feuds with particular teachers—including a petty-sounding beef with a priest he in prep school that he hasn’t totally gotten past), his early days in TV in Canada, moving to the US, and starting on Jeopardy!. He even talks a bit about the impressions that Eugene Levy and Will Ferrell did of him. Beyond that, Trebek discusses the charity works he does, his family, and, of course, his cancer.

He talks a little about American culture and the state of the nation right now (exacerbated by COVID-19), and gets a little more political than we’re used to him being (more political than I think he’s used to being). While I think if he got more detailed and in-depth with his analysis, I’d probably differ with him on the details—but he didn’t, so I could only nod along with him. We need a few million more people saying what he said (and living the way he seems to).

You get a little bit of everything—some is lighthearted, some is heavier, a lot just comes across as a humble and grateful older man reminiscing. Which is exactly what this is.

A Little About the Narration

Ken Jennings was a great choice for narrator—it’s hard to think of either of them without thinking of the other (well, since 2004, anyway). He sounds like a natural doing this and I’d enjoy listening to him narrate other audiobooks (he did the audiobook for his own, Planet Funny, and I bet it sounds pretty good).

But Trebek read a few chapters himself—the one about why he swears so often (it surprised me, too), the one talking about notable Jeopardy! contestants (like Jennings), the one about his wife (Trebek didn’t like the idea of someone else talking about his wife that way), and the last chapter, where he discussed his cancer and coming to terms with his impending death. I understand why he couldn’t do the entire book himself, but I’d have preferred it (nothing against Jennings—I’d have been content with Jennings doing the whole thing). But I’m so glad he did those chapters, you could hear the sincerity in his praise for Jennings, Eddie Timanus, Cindy Stowell, and others; his love for his wife; and the resolution and contemplation he’d put into his final days (hopefully there are many more of them).

I’m still tempted to grab a copy of the hardcover, just so I can see the pictures. But, I’m so glad I got to hear parts of this in Trebek’s own voice.

So, what did I think about The Answer Is . . .: Reflections on My Life?

You can argue that my evaluation of this book is all about sentiment, fanboy-ness, and is devoid of any sense of judging the skill of writing, the depth of insight, or anything like that. I won’t disagree. Trebek’s been a fixture in my life/consciousness for longer than I can really remember. Every time I’ve heard/seen an interview with him (which, admittedly, isn’t often), I’ve been more and more impressed with him. I won’t say he’s a hero/role model or anything, but I admire the guy, respect his work ethic and attitude. I’ve got his Funko Pop figure in my cubicle at work. He’s just…well, like a said, a fixture. So listening to stories about his life tapped into that sector of my subconscious that’s been labeled “Alex Trebek” since I was a pre-teen and he started on Jeopardy!.

This book would’ve had to have been really bad for me not to love it. Thankfully, it wasn’t.

And if you can hear him talk about his wife, his children, his cancer—and the effect that the cancer’s having on his wife and children as he prepares for death without being moved? There’s something wrong with ya. At that point, any thought I had about pretending to be objective and analytical went out the window.

My sole complaint is that it’s four-and-a-half hours long. It’s just not long enough. I get that he wasn’t trying to be exhaustive—and I don’t necessarily want that—but when you start to hear these quick stories about his growing up, his getting established in the business (either in Canada or the States), his friendships…and of course, Jeopardy!—you just want it to keep going for hours and hours. So I dinged it half a star (but it deserves all 5).

I loved this book, I laughed, I was surprised, I chuckled, I learned a little, I got choked up. Can’t ask for much more.


4 1/2 Stars
2020 Library Love Challenge

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Luck and Judgement (Audiobook) by Peter Grainger, Gildart Jackson: Death at Sea, Corruption and Destruction on Land

Luck and Judgement

Luck and Judgement

Peter Grainger, Gildart Jackson (Narrator)
Series: A DC Smith Investigation, #2

Unabridged Audiobook, 11 hrs., 57 min.
Tantor Audio, 2016

Read: June 10-12, 2020
Grab a copy from your local indie bookstore!

…this was, when you thought about it, typical of the places that Smith brought you to, of the situations that you could find yourselves in when working with him…He had these ideas which somehow seemed to be more than hunches and a way of making things happen before you realized it. Half suggestions would have momentum before you could blink.

I’ve said it before, and I’ll keep saying it until it’s no longer true* but there’s a certain magic, an ineffable alchemy about Jackson narrating Grainger’s work. It’s just fantastic, I think I’d have liked these audiobooks with another narrator (or in print), but I don’t think I’d have liked them as much. I’ve enjoyed Jackson’s narration before, but it was (no offense intended) good, not great. But you put the two of them together? It’s fantastic.

* I expect that will be roughly the time that one of them retires.

The downside here is, that I don’t have a lot to say beyond that. And it kind of drives me crazy. I made a couple of notes, but I’ve misplaced them (which is pretty annoying).

What’s Luck and Judgement About?

We start off with Smith and Waters taking a helicopter to an oil rig with some other police to investigate a death/missing person (the helicopter rides inject a much-needed bit of levity to keep the beginning of this novel from being too dark). Smith and Waters are really along for the ride, most of the work will be done by the others, but the victim was in Smith’s jurisdiction—as it the rig. Or close enough, so they have to come along.

The higher-ups and the executives on the rig are willing to write it up as a suicide, but are leaning on an unfortunate accident as the explanation. Smith, shockingly, isn’t convinced. Suicide seems unlikely for several reasons, and one would have to work really hard to get around all the safety measures, guard rails, fences, gates, and whatnot in order to have an unfortunate accident. It makes him no friends, but Smith is convinced (and is more so by the hour) that this is a homicide.

As bad as it is for the victim, their suffering is over—but for their survivors, the crime (if there was one) will affect their lives for years to come. In this case, we’re talking about his wife and a small child. They didn’t have a lot of money coming in before his death, but now, there’s nothing. A small apartment, little financial security, and nothing else. Without becoming maudlin, or focusing on them too much, Grainger does allow us to see how these events will alter their lives and what the future may hold for them. We got a little bit of that in the previous novels, but it plays a larger role this time. It’s a small thing, but one that’s too often over-looked in Crime Fiction.

There’s a new detective on the team, a transfer, and one that Smith has a hard time relating to—he’s trying to be cautious and make sure she’s acclimating. At the same time, he’s worried that he’s not using her, and that the best way to get her acclimated is to throw her in. With the rest of the detectives (including those he doesn’t appreciate), you don’t see him uncertain or reflective. So watching Smith trying to figure out how to manage someone is a new side to him.

That same detective plays a role in an undercover operation that Smith undertakes to follow a lead—it’s possibly the most comedic part of the series to date—while not really being that funny at all. Judge for yourself.

As much as Smith’s hunches, his intuition, might start his team down a road, or help him to see a connection that others miss, once he makes that intuitive leap to start an investigation, procedure takes over. I can’t think of another “police procedural” where the procedure is as effective as it is in these books. Smith and the team (mostly the team) grind and grind and grind, doggedly going through all the steps before them, and it pays off—at least to a degree. I really respect that as a narrative choice—sure, Smith’s (or someone else’s) intuition (experience guided by intelligence, as Nero Wolfe would put it) will sometimes help set the direction, but it’s legwork that gets it done.

What’s Going On Other than the Main Case?

Smith continues to work with the True Crime writer on that previous case of his, and a friendship develops between the two As an ongoing arc, this is a real slow burn, and I’m enjoying it, as much as I don’t understand what Grainger is up to. I’m assuming instead of a B (or C) story, this will eventually become the A story for a novel—maybe the last in the series? But unless this is just going to demonstrate that Smith’s biggest case ever was his biggest failure and he’s going to have to find the real killer now, I’m not sure I see how.*

* Okay, I just came up with a half-baked idea where it would work, but I’ll hold off on that idea until it can get solidified.

Lastly, it’s time for Smith to be recertified as physically fit to carry on his duties. He’s missed two previous opportunities to qualify and he has no choice but to show up for this one. It feels pretty personal, the DCI who’s had it in for him since before the series started seems to be using this to force him out. The reasons he missed the previous two are legitimate reasons, and the DCI just looks petty for forcing his hand like this. But then when doesn’t this guy look petty? In the last book, he tried to get Smith to transfer to another office, and that didn’t work, so this is his new attempt. It’s short-sighted and small-minded to force Smith out, but the dies have been cast. While the new assignment was being dangled in front of Smith, a private-sector job was also offered—the lengths (the questionable, reckless, and likely illegal) that Smith goes go to pass this test demonstrates how un-tempting he actually found the offers last time, no matter what he may have thought. Smith loves this kind of police work and will have to be forced into retirement, kicking and screaming.

So, what did I think about Luck and Judgement?

So much for the three paragraphs that I was hoping to come up with for this post, I guess, eh?

I pretty much gave that away in my first paragraph, didn’t I? There is something about the combination of Grainger’s novels and Jackson’s performance that make these books so satisfying. Are they the best written, most exciting and suspenseful Police Procedurals? No. But they are just about the most satisfying, most immersive, most effective that I can think of—even when the ending isn’t what you’d want. There is a strong sense of humanity in these books, not just in the protagonists, but in the victim, the killer, the witnesses, the people who aren’t the killer but who aren’t up to anything legal/moral/ethical…everyone. There’s no one cartoon-y or over the top (in any direction). You just don’t see enough of that.

I was sucked into the intricacies of this case and thoroughly enjoyed spending time with Smith and the rest of the team—and I can’t wait to return to this world.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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