Tag: Audiobooks Page 4 of 22

The World Record Book of Racist Stories (Audiobook) by Amber Ruffin & Lacey Lamar: Records No One Should Want to Hold (but too many vie for)

DETAILS:
Publisher: Grand Central Publishing
Publication Date: November 22, 2022
Format: Unabridged Audiobook
Length: 4 hrs., 54 min.
Read Date: November 28-29, 2022

An Issue with Sequels/Follow Ups

As I’m sitting here thinking about what to write, I keep comparing this to last year’s You’ll Never Believe What Happened to Lacey: Crazy Stories about Racism. This is intentional because this is very much a Part II to that book. But it’s different, too. So it makes sense to contrast it so I can give an idea of how it’s different.

At the same time, I run the risk of sounding dull—”You’ll Never Believe did X, The World Record Book did Y,” “The World Record Book is more Z than…,” and so on.

I don’t know how to avoid that—so I guess this is an apology in advance? I’ll try to limit the comparisons and keep this interesting, if only because the book deserves to give a good impression, even if I’m not able to do that.

What’s The World Record Book of Racist Stories About?

Because they got to share a bunch of stories in the first book—primarily about Lacey—the sisters wanted to give the rest of their family, and some friends, the chance to get their stories told. Or, as they put it, “air out [their] dirty racist laundry.”

Ruffin warns:

FYI: You’ll be able to tell the difference between this book and the last book. This one’s gonna be a bit heavier. A touch more serious. The reason for that is with the first book, Lacey and | got to giggle through silly racism stories, and it felt great. So, if the family wants to share their stories too, however they want to share, we welcome that. We want them to feel great and heard and blah, blah, bloo. There’s plenty of silliness, it’s just that the rest of the family is less likely to remember the funnier racist stories. They have not been keeping journals. But those terrible, scary racist stories? Maaaan, they remember those like a mug. So, to emotionally prepare you, I’d call this book fifty-fifty silly-scary racist stories. Okay? So, don’t come to me talking about “It wasn’t like the first book” ‘cause you’ve been warned.

To balance out these stories, the interplay between the sisters seems a bit sillier than before (in the print version, each has their own typeface so you can see it)—up to, and including, them singing their own little ditties in the audio. The authors also include some pictures for illustration of the ridiculousness of the story or for a little burst of joy or cuteness to alleviate the heaviness of the stories they’re telling.

I should add there are a couple of anecdotes that really silly or scary, just heartbreaking.*

* Granted, there’s a sense in which all of these are heartbreaking, humanity’s inhumanity always is. So I guess those stories are extra-heartbreaking. Heartbreaking cubed.

The Organization of the Book

So, the theme of this book is there in the title—it’s a Guinness World Records collection, but no one wants to get their stories told here (names have been changed to protect those involved—according to the authors, at Lamar’s insistence over Ruffin’s intentions). The anecdotes are arranged under broad topics (or for the person they’re about), and they are each given a title like “Most Confusing Racist Phrase,” “Worst Car Service,” “Most Racist Pilot,” “Worst Celebrity Look-Alike,” “Worst Teacher,” and so on. Several of the category names are clearly exercises in creativity by the authors, like “Most Regular Degular, Day-to-Day Racism” or “Most Racist Comment I Was Not Part Of”

These Worsts and Bests, it must be remembered, apply to their family and circle of friends. Most minorities in this country can probably come up with their own “Worst Nursing Home Experience,” “Second Worst Bar Patron,” or “Worst Interview.”

A Variety of Storytellers

In the previous book, the stories were predominately told about things that happened to Ruffin or Lamar, as I’ve said. This time out, they bring in stories about their mother, father, all their siblings, a sibling-in-law, a former Nebraska state senator, and even a couple of white people (for contrast).

In fact, the book opens with an anecdote from a white, male friend about a traffic stop. It’s really atypical encounter, and one that this white, male would enjoy having. But, Ruffin says that it’s the story that shocked her the most. I don’t blame her if what follows is what she’s used to. Roughly midway through the book, we get another five quick anecdotes from a friend that Ruffin trades “opposite stories” with:

Stories where I’m suffering some racist nonsense and she’s getting away with everything but murder. It’s so shocking to me. I can’t believe this is happening to my little bud. Being white is hilarious. So, as you read these next five stories, try to think about how out of place they are in this book. Try to imagine a Black man getting away with any of this. It’s fun because you can’t!

With at least four of these, I agree—I can’t imagine that. Probably not the other, either.

They also include some anecdotes from state senator Tanya Cook, a nice (?) reminder that it’s common to find this kind of behavior anywhere.

So, what did I think about The World Record Book of Racist Stories?

Lamar writes in her closing remarks:

I’m glad our family and people from the community got the chance to share these stories with you. No matter how you feel about them, they have happened and are happening out there to not just a small group of people in Omaha, Nebraska, but to absolutely anyone at anytime, anywhere. I personally feel that by sharing these stories we are shining a light on racism, ignorance, and just some all-around hilarious shit.

That’s a pretty good way to summarize this book. And it’s a light that needs to be shone in a way that the masses will take it in. In our culture, for better or worse, the best way to do that is to make it funny and chopped up into digestible bits*. Which is what Ruffin and Lamar did here.

* See Planet Funny by Ken Jennings for more on that.

I didn’t enjoy this as much as the first—no offense to the authors and contributors, but it wasn’t as fun. If only the Introduction had warned me… But the authors worked hard to make it enjoyable—it’s just hard to do with the subject matter. As it grawlix-ing should be. The fact that they succeeded at all is remarkable.

Pretty much, you can read what I said about You’ll Never Believe and apply it here, just with a little less laughter. But I did laugh audibly at a few points, so there’s that. I also shook my head enough in unbelief/despair/denial that I’m surprised I didn’t pull something.

It may not be my favorite non-fiction read of the year (but it’s close), but it might be the most important one. Pick this (and the predecessor) up, folks.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Catch-Up Quick Takes: Two Educational Satires and One Memoir

By HCNewton

On November 28, 2022

In Audiobook

I didn’t have enough mental bandwidth for a full post today, thankfully I had a couple of Catch-Up posts started that I could wrap up and get out. As always, the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Tracy Flick Can’t Win

by Tom Perrotta, Lucy Liu (Narrator), Dennis Boutsikaris (Narrator), Jeremy Bobb (Narrator), Ramona Young (Narrator), Ali Andre Ali (Narrator), and Pete Simonelli (Narrator)

DETAILS:
Series: Tracy Flick, #2
Publisher: Simon & Schuster Audio
Publication Date: June 6, 2022
Format: Unabridged Audiobook
Length: 6 hrs., 2 min.
Read Date: September 6-7, 2022

(the official blurb)
I didn’t realize this was a sequel to Election until I was about halfway through when some of the backstory matched up with the trailers I’d seen about the movie (I also didn’t realize Election was a Perotta novel until that point). I’d have taken a pass on this otherwise. It’s not the kind of sequel that depends on you knowing the original, but still…

Anyway, this is a meandering novel that didn’t really feel like it knew what story/stories it was trying to tell. If it was a comedy, a dramedy, or something more serious. I didn’t connect with any of the characters, and couldn’t care if they got what they wanted or not. I think I came close a couple of times, but it never took. The conclusion was even worse.

None of this is the fault of the narrators—they were fine. Any one of them could’ve carried the whole book (or, if you insist, one male and one female—preferably Liu and Boutsikaris). The book didn’t need all six and having them didn’t add enough to justify it. But it wasn’t bad on that front.

2 Stars

Adequate Yearly Progress

by Roxanna Elden, Roxanna Ortega (Narrator)

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: February 10, 2020
Format: Unabridged Audiobook
Length: 11 hrs., 5 min.
Read Date: September 7-9, 2022

(the official blurb)
I might have gotten into this a bit more if I hadn’t just finished Tracy Flick Can’t Win, even so, this was a much better look at a school and various employees there struggling to get by and to do their jobs.

Adequate Yearly Progress is one of those books that’s been on my radar for years—I think I even heard Elden on a podcast after I’d had it on my radar for some time (probably Author Stories). But I’d never moved it to the front of the line—which is a shame, because it’s better than most of the school satires I’ve read (which is probably what kept me away). Thankfully, my library just added a copy and I was reminded of it.

This is set in a Texas High School that’s seen better days—the staff struggles to connect with the students, with each other, and to meet the rapidly changing (and largely useless) demands of the District. A consulting company comes in to improve things (and totally, honestly, not to sell the school new textbooks, technology, etc. to support their for-profit Charter Schools), and things get even worse.

There’s a whole lot to like about this book, and little to dislike. I think the satire could’ve been a bit sharper, but not much. It was maybe a tad too long. It didn’t click with me the way I’d expected/hoped, but I found it satisfying and I do recommend it—and think many people will like it more than I did (and even if you don’t, you’ll still enjoy it enough to be glad you picked it up).
3 Stars

Heads in Beds:
A Reckless Memoir of
Hotels, Hustles, and
So-Called Hospitality

by Jacob Tomsky

DETAILS:
Publisher: Random House Audio
Publication Date: November 19, 2012
Format: Unabridged Audiobook
Length: 8 hrs., 3 min.
Read Date: September 29-30, 2022

(the official blurb)
This memoir about working in higher-end hotels in Atlanta and NYC has a good moment or two and is occasionally amusing, but I kept waiting for Tomsky to get to a point. I’m not sure he did—I enjoyed a lot of this book. But there’s an emptiness to the narrative that left me dissatisfied.

2 1/2 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

For We Are Many (Audiobook) by Dennis E. Taylor, Ray Porter (Narrator): Who Knew that Finding a Replacement for Earth Was the Easy Part

By HCNewton

On November 7, 2022

In Audiobook, Fiction, Science Fiction

For We Are Many

by Dennis E. Taylor, Ray Porter (Narrator)

DETAILS:
Series: Bobiverse, Book 2
Publisher: Audible Studios
Publication Date: September 18, 2017
Format: Unabridged Audiobook
Length: 8 hrs, 59 min.
Read Date: September 28-29, 2022

What’s For We Are Many About?

It’s been around 40 years or so since the Bobs started their mission of finding a place for the tiny sliver of humanity that’s still eking out a survival on Earth. They’ve started colonizing one planet and continue to look for others.

On Earth terrorists upset with the evacuation priorities—and some that think humanity should die off—harass the efforts and cause a little trouble. Extra-terrestrial life (some sentient and some others) cause other problems for the Bobs. The Brazilian probes are still trying to attack, too.

Then they encounter an alien space-traveling species—their first. This group (soon dubbed the Others) are enough to make Star Trek‘s the Bord look warm and fuzzy. Naturally, the Bobs quickly annoy them.

But really, the biggest problem comes from within. The Bobs are having a hard time coping with their virtual invulnerability as they deal with humans (and others) who aren’t so long-lived. Some of the Bobs begin calling them “ephemerals” as they try to find ways to cope. Whatever the problems that come from their opponents throughout the universe, it looks like this one may be the biggest challenge.

Ray Porter’s Narration

Porter was the deciding factor for me trying out the series in the first place, and he’d be enough of a reason to stick around. I don’t need him to be—the story and characters are really what are keeping me around—but him doing narrating is a nice bonus.

I really don’t know what to say beyond that—I’m becoming a real Porter fan here (and got excited a couple of days ago when I saw he’s done some work on another series I just started).

So, what did I think about For We Are Many?

This is exactly what a sequel to We Are Legion (We Are Bob) should be—the action picks up right where we left off, the stories continue to develop well and we get some good resolution, the stakes get raised, and the characters develop in ways that are natural yet unanticipated. The laughs are still there as is the tension—and maybe both are a little sharper. I love how all these Bobs are variations of each other, and yet come across as so distinctive (while Porter barely does anything different for almost all of them)—that’s in the writing and the performing, and it’s just great.

The last hour or so was the best writing and character work in the two books and made me eager for the next one.

This is great popcorn fun, and something tells me that I’m going to spend a lot of time with Mr. Taylor over the next few months (at least) (and hopefully more time with Mr. Porter, too).

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Ophelia Network (Audiobook) by Mur Lafferty, Khristine Hvam: A Cute (?) Dystopian Thriller

By HCNewton

On October 17, 2022

In Audiobook, Fiction, Science Fiction

The Ophelia Network

by Mur Lafferty, Khristine Hvam (Narrator)

DETAILS:
Publisher: Audible Studios
Publication Date: May 26, 2022
Format: Audible Original
Length: 2 hrs., 42 min.
Read Date: October 13-14, 2022

What’s The Ophelia Network About?

Under a dystopian U.S. government, a group of resistance workers coordinate through encoded messages in newspapers—but when the government sends censors to those outlets, they have to find a new way to spread the word to their operatives.

Which is where Libby comes in—it’s a children’s TV show—sort of a Where in the World is Carmen Sandiego?, but with puppets. The show’s new intern (a recently laid-off newspaper reporter) is using nonsense lyrics in their songs to communicate these messages.

We join the story when the actor playing the human character on the show is being interrogated, and get flashbacks catching us up to the present.

All of this happens under the watchful and helpful gaze of the “unhackable” Alexa/Siri-esque electronic assistant, Ophelia, that’s in every office, interrogation room, and restaurant.

Khristine Hvam

I’ve listened to something like twenty audiobooks narrated by Hvam—all reading Faith Hunter works (I thought I listened to a non-Hunter book, but can’t prove it). I enjoy what she does, she can deliver solid character work and accents, and evoke the right emotions. What I didn’t know is that a cartoon voice from her can crack me up—there’s a giggle we hear in this that would be worth the purchase price (if Audible didn’t include it for members). There’s one other character voice that doesn’t sound like someone from Hunter’s works, which is almost as good, too.

I had a blast with this.

So, what did I think about The Ophelia Network?

A novel-length version of this story might be too much—but I think this novella isn’t quite enough. It’s just a little too short, the story doesn’t get to be fully played out. Yes, Lafferty closes things off cleverly (especially if she didn’t want to get detailed about the ending), and no, I don’t think we needed to see the government fall/change for this to be an effective story. But we needed something a little more.

I am not complaining about what Lafferty and Hvam gave us, though—I just wanted more of it. I don’t know if a sequel is planned, but I’d welcome it. It’s a good Orwellian-ish story but with just enough humor to keep it from being entirely oppressive and dark. There’s a lot more to explore, but if that doesn’t happen, I’m satisfied with what we received.

This caught my eye after I read Lafferty’s Station Eternity, and seeing Hvam’s name on it sealed the deal. I’m going to keep an eye out for more from Lafferty, there’s something that she’s doing that just clicks with me. The Ophelia Network isn’t perfect, but I enjoyed this glance at a dystopian future, the characters and plot worked, and Hvam knocked it out of the park. If you have the means, give it a shot.

3 Stars

Roxanne (Audiobook) by Peter Grainger, Gildart Jackson: The Murder Squad Wades Through a Pool of Lies

By HCNewton

On September 30, 2022

In Audiobook, DC Smith & Kings Lake, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Roxanne

by Peter Grainger, Gildart Jackson (Narrator)

DETAILS:
Series: A Kings Lake Investigation, #3
Publisher: Tantor Audio
Publication Date: March 2, 2021
Format: Unabridged Audiobook
Length: 10 hrs., 13 min.
Read Date: August 19-23, 2022

What’s Roxanne About?

Gregory “It’s not lupus” House, MD’s guiding dictum was “Everybody lies.” Every police officer/detective knows and expects this, too. But there are cases where the lies fly thicker than others—this is one of those.

DS Chris Waters and DCI Cara Freeman are called to sign off on an apparent suicide/accidental overdose. But because this isn’t a short story, they both notice some things that make those scenarios highly improbable/impossible, and the Murder Squad takes the case (incidentally, they haven’t had a lot of work to justify their existence, so it’s coincidentally good for them). They soon discover that the victim was a sex worker. This alone pretty much guarantees that everyone is going to be lying to them—her roommates, clients, the people at her former booking service.

Some good breaks, some lucky leaps of intuition—and a little advice from a certain retired detective—help the team get to the truth. A very nice touch was seeing how Waters being a decent guy with a good memory from a previous case or two pay off now. His training served him well.

Just Enough

We get a little more backstory for DCI Freeman here—rounding the character out a bit. It’s nice, but I don’t know that her character needs to be humanized or anything. She’s a driven and highly compartmentalized person, and if we really only see her at work, I think that’s enough. I clearly don’t think that’s the case for all characters in this series (I’m a huge fan of the current romantic subplot for Waters, can’t get enough of John Murray as father, etc.), but for her, I’m content as is.

But hey, if Grainger wants to shed some light on her? I’ll take it—and I thought it was a good way to show what made her into the person she is today.

I’m Not So Sure About This…

This could be spoiler-ish, but I’ll try to keep this detail-free. So when Grainger introduced a whole lot of new characters in On Eden Street, I wondered how he was going to serve them all—and so far, the answer is sparingly. But he’s not ignoring them, and they seem like better people to work with than the characters on the other side of the office back in the DC Smith series. We got to know some of them in On Eden Street, but there was one character Grainger didn’t do much with, but he addressed that this time.

I think it was better to ignore her. Her activities land Waters in some hot water—and it could’ve been interesting to see this play out. It also could’ve been annoying because there’s no way that any reader would believe Chris did something that questionable, and Grainger really couldn’t afford to damage the character at this point. At the same time, it seemed almost too easy for Waters to get out of that hot water. I knew he’d be okay, but he should’ve had to work a little harder for it.

Unless this storyline circles back in a future book, I just don’t understand why it happened. It’s the first time in 11 books that I’m really questioning something that Grainger did.

Gildart Jackson’s Work*

I don’t have anything new to say about Jackson at this point. I thoroughly enjoy his work, I can’t imagine listening to one of this series with anyone else, nor do I think I’d enjoy reading one on my own half as much.

* Yes, I’m just plagiarizing myself at this point—and will likely do so in the future, I’m not creative enough to find a new way to talk about how good he is.

So, what did I think about Roxanne?

This is another winner from Grainger and Jackson. Grainger has this gift for taking what looks like a “small” case, an everyday kind of thing—no grand conspiracy, serial killer, or especially violent death like we so often get in procedurals—the kind of case you expect the police to deal with on a pretty regular basis, and turning it into something as interesting for the reader as a “flashier” case would be in other series.

There’s not a lot of character development going on here—these are all adults who are good at their jobs—they’re gaining experience, getting better at them, and are progressing through their careers/personal lives as we all do. So at this point, it’s about us getting to know them better (this is not, in my mind, contradicting what I said about not needing to know more about Freeman outside of work), understanding them better, and seeing how the past builds on itself. Grainger is able to do this while telling stand-alone stories in a way that few others can. It’s one of the surest pleasures in my life watching him do this.

Not surprisingly to anyone who’s read me before—I strongly recommend this, and all of Grainger’s DC Smith/King’s Lake Investigations series. Solid, entertaining mysteries; characters that will endear themselves to you; and a reliably clever narration (the text itself and the audiobook narrator).

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Directed by James Burrows (Audiobook) by James Burrows et al: Behind the Scenes of the Best Sit Coms

By HCNewton

On September 29, 2022

In (Auto)Biography, Audiobook, Non-Fiction

Directed by James Burrows
Five Decades of Stories
from the Legendary
Director of Taxi,
Cheers, Frasier, Friends,
Will & Grace, and More

by James Burrows, with Eddy Friedfeld; Narrated by James Burrows and Danny Campbell

DETAILS:
Publisher: Random House Audio
Publication Date: June 6, 2022
Format: Unabridged Audiobook
Length: 12 hrs., 18 min.
Read Date: September 23-26, 2022

What’s Directed by James Burrows About?

This is largely a professional memoir about the long and storied career of TV director/producer James Burrows.

The book starts with a chapter and a half (or so) describing his childhood, early family life, and so on—talking about his father’s Broadway writing and directing a bit and how that did/didn’t influence his career choices. Then we get about a half-chapter talking about his education/theater work. Which is all a lead-up to his TV career. We get a little more of his personal life sprinkled in throughout the following chapters, but not much—Burrows knows the interest in his own story is in the stories he told—and more importantly—helped others to tell. That’s where the focus of the book is—he’s giving the people what they want.

And it feels like a pretty a fairly exhaustive tale of the various shows he worked on and his involvement in them, with an occasional interlude to talk about something like screwball comedy and why one would use it, with some examples from his own career. There’s no way it can be exhaustive—and it sure isn’t detailed by any means*—he’s got too much under his belt, but he comes close.

* That’s a description, not a criticism. Burrows gives plenty of details, but not blow-by-blow kind of stuff too often.

He starts with a discussion of his time on The Mary Tyler Moore Show where he learned from some of the best around how to do what he does—and a lot about comedy. Then he moves on to where he becomes a driving influence on the show—and that’s the majority of the book. Which is what’s named in the subtitle: Taxi, Cheers, Frasier, Friends, Will & Grace. There’s plenty covered in the “and More” for sure—including many things I hadn’t realized he’d worked on (but make a lot of sense knowing that he did). The book does cover what he did in 2020 and 2021, so it’s about as up-to-date as you could want.

The stories of these shows include a lot of how they came about in terms of writers and networks and what kind of story they were going to tell before moving into casting, shooting the early episodes, audience reception, and success. The bulk of the material is behind-the-scenes, but there are a lot of descriptions of what ends up on-screen (including short-to-lengthy portions of the script), and how it landed. Most of his work is done with a live studio audience, so the immediate audience reception is almost more important than the TV audience’s.

There are stories of failure, things not working out quite right—and how he/the show recovered—either immediately or long-term. But almost all of the book is about the successes (why give more than a few sentences, for example, to a pilot episode that less than 100 people have seen/will see?)

The Narration

Burrows has some performing in his background, but not a lot. And that’s pretty evident in the narration here. He’s just not that good—there’s very little feeling in it—even when he’s telling a story he clearly (and correctly ) thinks is funny, you don’t hear it. When it’s an emotional moment for him, you don’t hear it. His affect is pretty much the same no matter what he’s talking about, and that really hurts the book.

Also, when he’s reading dialogue from a scene? You wonder how an actor will listen to him and come up with a good way to deliver a line. That feels harsh to say, but that’s the way it struck me. I think here it’s a deliberate choice—my gut tells me it’s a desire not to try to do an impression of an actor (especially one that would come across as unflattering) or he could be avoiding trying to give a different/competing take on the line. I don’t know—it comes across as flat, and these lines shouldn’t.*

* See We Had a Little Real Estate Problem for where a similar approach to narration worked better.

I know Burrows can tell a good story—I’ve heard and seen him interviewed. But here, he just comes across as wooden.

So, what did I think about Directed by James Burrows?

It’s clear to readers of this blog that I read a lot, but I could’ve easily done a TV-watching blog—and started one about the same time as this (but that’s another story). James Burrows is one of the first non-actors whose name I recognized as creating the TV I watched back in elementary school, and his involvement in a show will definitely get me to watch at least an episode or two if I’m at all interested in the premise. I’m the target audience for this book, no doubt.

The material overcame the narration—the first chapter and a half were really rough, I couldn’t connect with it at all, and was thinking about giving up. But once he moved into TV, I got over the fact that I didn’t care for the narration and had a blast with the book. The man has many insights, anecdotes, and memories that TV fans will eat up, and shares many of them.

Directed by James Burrows is full of trivia, insights, and just great stories. If not hampered by the narration, I’d be gushing about this. Instead, I’m just giving a hearty recommendation. TV junkies? You’re going to want to get your hands on this one.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Movies (And Other Things) (Audiobook) by Shea Serrano, Mario Toscano: The Answers to Pressing Movie Questions

By HCNewton

On September 27, 2022

In Audiobook, Non-Fiction

Movies (And Other Things)

by Shea Serrano, Mario Toscano (Narrator)

DETAILS:
Publisher: Twelve
Publication Date: October 7, 2019
Format: Unabridged Audiobook 
Length: 11 hrs., 7 min.
Read Date: September 21-23, 2022

What’s Movies (And Other Things) About?

Serrano discusses movies from the point of view of a massive fan—he knows what he’s talking about, he can discuss them objectively, critically, and as a fanboy—mostly a combination thereof. In this collection of essays, he approaches films of the mid-80s (largely) to today, answering burning questions such as:
bullet Who’s the better tough guy movie dog owner? (Will Smith in Legend, Tom Hardy in The Drop, or Keanu Reeves in John Wick?)
bullet Which Movie had the more intense opening, Face/Off or Finding Nemo?
bullet When did you know Booksmart was special?
bullet Who’s in the perfect heist movie crew
bullet Which race was white-saviored the best by Kevin Costner?
bullet When did Michael B. Jordan break your heart into the most pieces? (which was immediately followed by)
bullet When was Diane Keaton the most charming in Something’s Gotta Give?

The mental whiplash between those last two shows the range that Serrano is capable of. He also ranks the deaths/trauma in the Kill Bill movies, discusses adjusting recent Academy Award nominations/wins after making sure Romantic Comedies are given their credit due, what movie villains would be fun to hang out with, and how aN NBA post-game style press conference with Michael Myers would go.

There’s a great combination of movie knowledge/insight, social commentary, and humor mixed throughout each of these. Even when it came to movies I’ve never seen, have no interest in seeing, or saw ages ago and don’t remember well, Serrano kept me pretty engaged and entertained.*

* Except maybe with the Fast and the Furious discussion, I don’t know why…I just can’t care about this franchise.

A Word About the Narration

I’ve heard Serrano as a guest on podcasts, and would’ve assumed his natural ability, experience, and passion would’ve made him a natural to read his own audiobook. But for whatever reason, Mario Toscano got the nod instead.

And I can see why—I had no problem believing I was hearing Serrano himself read these (maybe if I’d pulled up a podcast to listen to first, that wouldn’t have been true)—which is important when I’m hearing something so personal or passionate as this often is (see Black Nerd Problems, for example). Toscano sounds like a knowledgeable film geek going off on various topics—I think he could’ve put a little more energy into some of the quotations, but I’m sure there are good reasons for not doing that.

Ohh, man…

While researching this post, I saw that the ebook has three additional exclusive chapters…I might have been able to resist, but one of the chapters is “When Was Hans Gruber’s Subtlety the Most Threatening?”

So, I’m going to have to buy a print copy of this, too. I have to read this take.

So, what did I think about Movies (And Other Things)?

I had a blast with this—it’s the equivalent of sitting around with a bunch of friends talking about movies for far too long, which is one of my favorite ways to spend a lot of time. Even when I think he was out to lunch or arbitrary in some of his choices, I could get behind them for the sake of argument or be entertained by them.

Man, I wish I knew where he came up with some of the topics. If I spent a year doing nothing more than coming up with the chapter titles (never mind the content), I couldn’t be half this creative.

I didn’t need anyone reminding me of Opie Winston’s death scene—ever. But especially not in a book about movies where I didn’t know to be emotionally prepared for such a thing. Serrano lost a star from me for that one.*

* Not really, but it was cathartic to say that.

That incredibly important quibble aside, if you’re a current/former/would-be movie geek, grab this, you’ll have a blast.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Catch-Up Quick Takes: A Few Remaining August Titles

By HCNewton

On September 23, 2022

In Audiobook, Don Winslow, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Urban Fantasy

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. Except for the two books that I want to do full posts on, this wraps up August. I’m in danger of catching up. (insert the obligatory “Narrator: He will not” joke here)

The Alchemist and an Amaretto

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #5
Publisher: Tantor Audio
Publication Date: January 27, 2020
Format: Unabridged Audiobook
Length:  6 hrs., 55 min.
Read Date: August 24-25, 2022

(the official blurb)
This series is the trunk that the others branch out from, it’s the anchor for the whole thing—and I’m just about at an end with it. It feels like Marie’s discovered a template and is just following it.

That said…I’m not leaving this because I want to see how the others unfold, I really like Tori, I want to see how things turn out with her brother, and the books are entertaining enough, while still being exasperating (to illustrate, Cobra Kai Season 5 is just on the other side of that line). But man…I’m tired of the non-romance romantic story and I’m fed up with the Ezra storyline (that I think is what the whole series is going to be ultimately about, so I’d better get used to it).

Putting my gripes aside—the alchemy stuff here is great, and I really liked the way all of it developed. This approach to werewolves is great and I’d really like to see more (but am pretty sure we won’t because of the whole template thing…but maybe in the Warped series?)

Also, I’m really hoping that at one point the protagonists from these series will figure out they should be allies and friends for one final, climactic battle before living a life of relative peace and routine.
3 Stars

Her Last Breath

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #5
Publisher: Macmillan Audio
Publication Date: June 17, 2013
Format: Unabridged Audiobook
Length: 9 hr., 46 min.
Read Date: August 25-26, 2022

(the official blurb)
I truly had a hard time with this one because so much of the book is about this police chief that we’re supposed to be rooting for going around and manipulating a case, lying to other law enforcement officers, and pressuring her siblings into lying to cover up what will be a clear case of self-defense so that she can keep her job.

The other storyline about the hit and run that turns out to be vehicular homicide? That was pretty good—a touch predictable, sure. But only because Castillo did everything but name the killer McMurderer, because this one needed to be about Kate figuring it out and the reader seeing what that put her through.

If we can put the self-defense cover-up story behind us now, I can keep going. Otherwise, this series becomes Dexter with a really low body count, and I’m just not going with that.

3 Stars

The Heron

by Don Winslow, Ed Harris (Narrator)

DETAILS:
Publisher: Audible OriginalsT
Publication Date: July 28, 2022
Format: Unabridged Audiobook
Length: 1 hr., 6 min.
Read Date: August 12, 2022

(the official blurb)
This is only an hour long, so it’s really difficult to talk about. But that’s a shame because I want to go paragraph by paragraph and talk about it—a live-blog running commentary seems to be the best way to talk about it, but who has the time for that?

I’m going to start with Ed Harris rocking this one—the dude is perfect and I want nothing else out of life than a new Winslow story every month or so read by Harris. That’s hyperbole to make a point, but it feels like one of the most honest sentences I’ve uttered recently.

This is short fiction at its best—a great premise, some good twists, a great conclusion, and a perfect ending. It just made me happy. I was about to say that there’s a great villain, but I’m not sure which character I’d attribute that to. There are a good number of great criminal characters running around committing crimes against each other—it’s just a matter of who comes out on top and how they do so. Grab some popcorn and enjoy.

Also, as I look back at what I noted when I listened—only 4 stars? I remember it better than that. Maybe it was the length? I’m going to trust my initial reaction, but as I write this, 4 seems like I’m underselling it.
4 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Blood Sugar (Audiobook) by Sascha Rothchild, Allyson Ryan: She Didn’t Kill Her Husband, But…

By HCNewton

On September 9, 2022

In Audiobook, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Blood Sugar

by Sascha Rothchild, Allyson Ryan (Narrator)

DETAILS:
Publisher: Penguin Audio
Publication Date: April 18, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 38 min.
Read Date: August 31-September 1, 2022

This is one of those books that grabbed my interest and then I immediately forgot about it for months. Thankfully, the library system here had it in their audiobook catalog where I stumbled on it. Knowing what I know about it now, I’m pretty annoyed that I took this long to get to it.

The Hook

The book opens with the protagonist/narrator in a police interrogation room. Ruby Simon is being questioned about her husband’s death. She’s innocent–100% guiltless–it’s clear from the get-go, that she did not murder her husband.

But…there are three other people that Ruby has killed over the last couple of decades. She’s never even been looked at as a suspect in these deaths–they’d previously been judged to be accidental, in fact.

But after death #4, it’s hard to believe that with all this smoke, there might not be a fire.

What Comes After the Hook

The first part of the book focuses on the events in the interrogation room–the detective presses for details on these four deaths, and as Ruby dances around her answers, we get to see her life story in flashbacks. Her childhood (punctuated by a murder), her party days as a teen (punctuated by a murder), her college years and training as a psychologist (punctuated by a murder), and then her falling in love with her husband and beginning their life together (punctuated by his death by natural causes).

The rest of the book focuses on the legal battle that ensues–the investigation that follows, her eventual arrest, the decimation of her career and reputation that results, and the eventual resolution of it all.

Conflicting Impulses

Ruby is a completely horrible person, she’s a murderer–and in two of the three cases, it’s entirely unjustified. The motives behind those two are so…pointless is the best I can come up with. The third murder probably wasn’t necessary, Ruby could’ve found a non-lethal solution to the situation–but you can understand and appreciate why she did it. She deserves to be behind bars (at least), she needs to be tried, convicted, and punished. It’s the right thing.

And yet she’s innocent here. She loved her husband, would never have killed him, and shouldn’t be dragged through the mud over this. The reader/listener constantly finds themselves rooting for this character that in normal circumstances you want to be pursued by a dogged investigator.

It’s similar to Dexter or Hannibal–with them, we embrace their homicidal acts and desires while rooting for them. There’s part of you that wants Dexter to get away with it so he can take down another serial killer. A similar part of you wants Hannibal to slip away from custody because he’s disturbingly charming. But it’s different in Blood Sugar–we have an actual injustice, and we instinctually recoil from that and want her exonerated.

But…you can’t get away from the injustice of her getting away with the other murders.

At the same time, you resent Detective Jackson for doing his job. He’s absolutely wrong about Jason’s death and shouldn’t be in Ruby’s life. But in any other book/series, we’d be rooting for him. He might as well be Harry Bosch or a similar character–he’s got all these pieces before him and is assembling a case that’s 75% correct. He’s doing everything right, and has an actual killer in his sights–and you want him to fail. Not only that, you probably are angry with him and have some active distaste for him.

But if this book was told from his perspective? You’d love him and admire his ingenuity and intuitive leaps.

For a long-time reader of detective fiction, this is a great twist on the conventions.

Ruby’s Antagonist

Someone has to be behind all her problems right? Det. Jackson isn’t going to look into Jason’s death without someone or something prompting him. Once you figure that out–which will probably happen before the actual reveal–it’s delicious. This might be my favorite thing that Rothchild does in this book.

For a book that’s full of confusing impulses for the reader, it’s nice to have an adverse reaction to someone that’s straightforward and uncomplicated.

A Brief Thought about the Narration

Ryan did a great job of this–she made Ruby Simon a human being. Her portrayal helps you identify and embrace Ruby as the innocent–with a shady past. You want to believe her when she says that she’s not a sociopath.

There were a couple of scenes (with one of Ruby’s patients in particular, and some involving Ruby’s dog) where I was moved because of the narration. I don’t know if they’d have been as effective (or affective) if I’d read the book, but with Ryan’s work, I was absolutely gripped.

So, what did I think about Blood Sugar?

I thought this was a great listen–a great experience.

I relished this approach to the story and characters, and the way you were forced time and time again to re-evaluate the characters, their actions, and your reactions to them.

Do I want a steady diet of this? No. Do I hope that a future Rothchild novel is either more conventional–or tweaks conventions in a different way? Absolutely. I can see Rothchild being a Lisa Lutz-type of writer. With stand-alones where you never know what you’re going to get–other than some wry humor, deep characters, and an approach to Crime Fiction that you hadn’t considered before.

I strongly recommend you pick this up in audio or print.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Travel by Bullet (Audiobook) by John Scalzi, Zachary Quinto: The Dispatcher is Back Again

By HCNewton

On September 8, 2022

In John Scalzi, Urban Fantasy

(and clearly, I can’t think of anything to put in the headline)

Travel by Bullet

John Scalzi, Zachary Quinto (Narrator)

DETAILS:
Series: The Dispatcher, #3
Publisher: Audible
Publication Date: September 1, 2022
Format: Audible Original
Length: 3 hrs., 44 min.
Read Date: September 2, 2022

What’s Travel by Bullet About?

A recent pandemic* has resulted in all Dispatchers being strongarmed into working long and hard shifts in hospitals. Their work isn’t that effective in light of the disease, but that doesn’t change the requirement. In the middle of a shift, Tony Valdez is called to the ER.

* It was never named, but you’re probably not wrong to assume it’s one you recognize.

A friend (or a reasonable facsimile thereof) and colleague, who spends a lot more time on the morally ambiguous side of the vocation, is in the ER after throwing himself out of a moving vehicle and getting hit by a car. Clearly, things aren’t going well for him. He looks to Tony for help, and well…things go bad from there.

The duo finds themselves mixed up with a handful of the city’s richest and most powerful, who are busy trying to get the best of each other while staying off the radars of both the Chicago Police and the FBI.

As much as Tony might try to fool the reader/the police/himself, he’s no stranger to the morally ambiguous—sure, he tries not to stray as far as his friend does, but still. Making this book, like the others in the series, another bit of Urban Fantasy Noir.

The Urban Fantasy-ness

I’ve always thought there was a vaguely SF feel to this series like it’s set a couple of decades in the future or something. In retrospect, I don’t know why. It was just an impression I picked up. This one struck me as incredibly contemporary and made me feel pretty silly for thinking that about the others.

When I wasn’t kicking myself for getting the chronology wrong, I spent a little time admiring the simplicity of Scalzi’s approach to Urban Fantasy and how it makes The Dispatcher stories really stand out. In most UF, you get something like magic, or a lycanthrope, or a vampire—and then before you know it, you’ve got all of those. But here, this world is just one tweak away from our world—no wizards, no Fae, no were-anythings—just that murder almost always doesn’t work (see earlier posts about this series for details if you want them, I don’t want to reinvent the wheel here).

The number of changes that this one butterfly wing flap makes in this world—health care, law enforcement, and crime (and who knows what else…)—is pretty monumental. You don’t need the Fae or a Council of Mages or anything to radically reshape the world. Yet it still is very recognizably our world.

Zachary Quinto

Quinto really needs to do more audiobook narration—I’m not sure how he got attached to this series, but it’s such a good thing that he did. He’s really able to embody Valdez and bring the stories to life. I really enjoyed this performance, and look forward to more.

So, what did I think about Travel by Bullet?

This was a blast—this world has always felt realized, but I felt more “at home” in it this time than I remember. I enjoyed this ride more than I remember enjoying the last one (not that I had any real problems with it). I don’t know if those two sentences are all that related, and if so, which came first—I also don’t think it matters.

This is a tight thriller—no wasted moments, but nothing’s rushed, either. Just settle in and enjoy the ride.

I feel like I should have more to say, but I don’t. All I can think to add at this point is that I want more of these, and hope that Audible and Scalzi provide them. Providing more soon would be a great bonus.