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My Favorite Non-Fiction Books of 2025

Covers of Algospeak, Class Clown, Food for Thought, Enshittification, Everything Is Tuberculosis, Killer Conversations with Rex Stout and John McAleer, Pronoun Trouble, How to Stand Up to a Dictator, and Robert E. Lee and Me, next to an image of an anthropomorphized Pilcrow and the words 'My Favorites of 2025 Non-Fiction'
My 2025 Wrap-up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Cover of Algospeak by Adam AleksicAlgospeak:
How Social Media Is Transforming the Future of Language

by Adam Aleksic

My original post
Language in general—but English particularly—is a constantly-changing thing, and these changes are happening faster and faster all the time. Algospeak is a great look at the hows and whys of a lot of the current evolutionary processes. It is about more than language—it’s also about how the Internet changes the way we think and express ourselves in general. And therefore, how society changes (which leads to Internet changes, and other circle-of-life things).

Aleksic has obvious expertise and passion for the subject (look at just one of his videos). He’s also active in these areas. It’s a great read, informative and entertaining. Hard to ask for more.


Cover of Class Clown by Dave BarryClass Clown: The Memoirs of a Professional Wiseass—How I Went 77 Years Without Growing Up

by Dave Barry

My original post
It comes as no surprise to any that I loved a Dave Barry book. It takes something pretty lackluster by him to get that reaction (and he doesn’t do that often–but I can prove it if you want). But this is something else–it’s insightful, it’s touching, it’s (seemingly) honest, and human. It’s a look at his childhood, his professional humorist origin story, and then scattered accounts of some of the very strange things that his profession has let him do.

I don’t say this about many authors–but I really don’t know that I’ve wondered anything about Barry’s personal life. But now that I know? I am more than happy to get some understanding about it. Does it necessarily help me understand his work better? No (but we’ll see the next time I take up his work, I guess). But it makes me like Barry the person a bit more.


Cover of Food for Thought by Alton BrownFood for Thought: Essays and Ruminations

by Alton Brown

Like any good fan of a TV show/personality, I like to know how they got started, how the show was developed, etc. Brown talks about how he got into food education media–and it’s not really how you’d expect. How he moved on from Good Eats to other things. There’s some great stuff about his education. But perhaps the most rewarding portion of the book is his musing and observations on the place of food/eating to human society (writ large or on an individual level).

Really, there’s so little to not appreciate from this book. Alton Brown has spent decades thinking and writing about food. This is the result of all that.


Cover of Enshittification by Cory DoctorowEnshittification: Why Everything Suddenly Got Worse and What to Do About It

by Cory Doctorow

I don’t know how to talk about Doctorow’s screed against Big Tech, the policies that led to these platforms that have taken over the internet and made it less-good than it used to be. Even that sentence is not a great way to talk about the book. The book wowed me. I wouldn’t say it radicalized me on some of this, but I sort of wish it did. The Ressa book below really struck me as a giant proof for Doctorow’s case (good idea to read the two of them around the same time). It’s a great–and terrifying–read.


Cover of Everything Is Tuberculosis by John GreenEverything Is Tuberculosis: The History and Persistence of Our Deadliest Infection

by John Green

I never imagined I would appreciate a book about an infectious disease. And despite all the good things I heard about this book, I didn’t rush to pick it up. But I’m so glad I did.

First of all, you could probably pick any number of things to use in place of Tuberculosis to trace human history, seemingly at major turning points and shaping societal developments. Say…bread, or writing, or…I dunno this is a sentence I regret starting. But from a certain point of view–you can buy the theory posited at the beginning of this book, that Tuberculosis shaped human history.

Green talks about the treatments that have been tried (and failed), the way it impacted population sizes, the devastation it’s left in it’s wake, and how things are going in the battle against the disease now. Interwoven with these is the story of one particular patient in Sierra Leone that Green met years ago. We follow his personal struggle–ups, downs, way downs, and more.

Green can relate these facts–even the bleak ones–in an engaging way that will stick with the reader. But then he drives it home and makes it gets you emotionally involved through the patient’s story.

You just can’t help but being taken in by the book and it’ll leave a lasting impression.


Cover of Killer Conversations with Rex Stout and John McAleerKiller Conversations with Rex Stout and John McAleer

My original post
Granted, there is a very limited audience for this kind of thing. But for that audience (and I’m part of it), this is catnip.

These snippets of conversations between Rex Stout and his biographer and friend are just wonderful. Quick back and forths on any number of topics–life, death, love, reputation, writing, Stout’s characters, his career, and more–it’s fun to read. It’s fun to think about. You’ll wish you were half as clever as Stout.


Cover of Pronoun Trouble by John McWhorterPronoun Trouble: The Story of Us in Seven Little Words

by John McWhorter

So, sure–this looks like it’s nothing but a screed on one side or the other about the problem we’re having with third-person pronouns the a socio-political front in English. And, yes, it is about that, (but only from a linguistic point of view), but there’s more to it. There’s also that pesky second-person plural.

Like in his book, Nine Nasty Words, McWhorter gives a quick look at the history of English pronouns one at a time–looking at various forms, usages, spellings, and assorted trivia. When appropriate, the then talks about some of the contemporary challenges and controversies with them.

Completely entertaining–McWhorter’s a great narrator–and very educating. I heartily commend this to you (no matter what you think of using “they” for the third-person singular).


Cover of How to Stand Up to a Dictator by Maria RessaHow to Stand Up to a Dictator: The Fight for Our Future

by Maria Ressa, read by Maria Ressa & Rebecca Mozo

Maria Ressa’s story is fascinating. It’s just that simple. I mean, you rarely find a Nobel Peace Prize recipient without an interesting backstory of some sort.

Like I said above, when you add this to Doctorow’s book and you see how everything he said is entirely possible and how it can work against someone.

There’s, of course, more than just Ressa’s story and struggles reflected here. There’s a call to action, a call to do the necessary work, and a call to hope, when it comes to oppressive governments or platforms.


Cover of Are Women Human by Dorothy L. SayersAre Women Human?

by Dorothy L. Sayers

These are two essays by Sayers on the subject of women in society–with a particular look at academia. They are pointed, clear, and witty.

I’m not sure what else to say, really.


Cover of Robert E. Lee and Me by Ty SeiduleRobert E. Lee and Me:
A Southerner’s Reckoning with the Myth of the Lost Cause

by Ty Seidule

My original post

This is a powerful read. This very-Southern, Lost Cause adherent, West Point history professor starts looking at what he’d been raised believing, and the systemic racism of the culture he’d been raised in. The book then recounts example after example after example of the racism everywhere and the excuses made for covering up the treason of the Confederacy everywhere, including the U.S. Army–the army he left and fought against.

I thought Seifert made a compelling case in an engaging read that will stick with you for a long time.


My Favorite Audiobooks of 2025

My Favorite Audiobooks of 2025

It’s time to talk about my favorite Audiobooks. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

As always, re-reads don’t count for these lists.

(in alphabetical order by author)

Cover of Food for Thought by Alton BrownFood for Thought: Essays and Ruminations

by Alton Brown

If you’re a fan of Brown, this is essential. It’s part memoir; it’s part behind the scenes of Good Eats, Iron Chef America, and more; it’s part musings on the state of cooking, food television, eating, etc.; and there’s even some cooking tips. I wouldn’t be surprised to learn a little more than that is covered.

The audiobook brings his signature style, snark, and passion to the material–which really doesn’t need anything to raise the level–but it doesn’t hurt. I had a blast reading it–I don’t know how many people I’ve pushed it on, either.


Cover of Sunrise on the Reaping by Suzanne CollinsSunrise on the Reaping

by Suzanne Collins, read by Jefferson White

I thought I was over the whole Panem/Hunger Games thing. I loved the original trilogy, but just couldn’t bring myself to read the prequels. A review or two and a co-worker convinced me to try this one.

As messed up as you may think that Haymitch was when we first met him…he deserved to be. He earned that–and more. Collins made that clear in the book, but Jefferson White brought that to life–with all the heartbreak, anger, and grief.

It was the audiobook that kept this from being something I checked off to satisfy an itch (and that itch would’ve been greatly satisfied, don’t get me wrong), and turned it into an experience that unsettled me in all the right ways.


Cover of Chitty Chitty Bang Bang by Ian FlemingChitty Chitty Bang Bang

by Ian Fleming, read by David Tennant

I remember precious little about the movie version of Chitty Chitty Bang Bang, and most of that is just the car. But some fellow-blogger mentioned Tennant doing this audiobook (and I’ve lost track of who that was, I feel lousy for it). Curious, I gave it a shot.

I came away with this with two firm impressions: when Fleming let his hair down, he could spin a fun tale. Not one that necessarily makes a lot of sense–but it’s fun. Second–David Tennant was as fantastic at this as I imagined.

I don’t know what else to say–I’m sure I’d have been entertained by just about anyone reading this book. But very few (if any) could’ve made me relish the experience the way I did.


Cover of Future Boy by Michael J. Fox and Nelle FortenberryFuture Boy:
Back to the Future and My Journey Through the Space-Time Continuum

by Michael J. Fox and Nelle Fortenberry

My original post

I was a huge Michael J. Fox fan at the time this book is set (okay, I’ve pretty much been a huge Michael J. Fox fan since then, too),  I was definitely part of the target audience for this. Throw in Fox as narrator, and you know I’m in.

As far as the narration goes, age and disease have impacted his voice—but it’s still Fox, and he delivers it well. The quick audio clips from others involved in the productions Back to the Future and Family Ties are fun bonuses.

This is a fun—and fast—look at a madcap time in Fox’s life with enough of the behind-the-scenes stuff. Fox’s trademark self-deprecation is on display as well.

The only problem with this book is its brevity. Beyond that, I have no complaints—fans of the actor or the film should enjoy this book. I sure did.


Cover of I See You've Called in Dead by John KenneyI See You’ve Called in Dead

by John Kenney, read by Sean Patrick Hopkins

My original post

Hopkins did a great job of bringing this very strange book to life and convinced me that an outrageous character like Bud Stanley could not only exist, but be someone I wanted to spend several hours with. Not just Bud Stanely, either–there’s a pretty diverse and wide cast of supporting characters that Hopkins did an equally convincing job with (the little neighbor boy was one of his best).

It’s not just the performance, obviously, I really got into this funny and heartfelt novel about friendship, mortality, and thinking about mortality. But it’s what pops to mind as I’m talking about audiobooks.

This was the whole package.


Cover of Songs for Other People's Weddings by David LevithanSongs for Other People’s Weddings

by David Levithan with songs by Jens Lekman, read by Jefferson Mays

I found the resolution of this novel disappointing, but I enjoyed a lot of the journey worth the time. This is a novel about a pop musician of some (small) renown who is much sought after as a Wedding Musician–it’s more than I can get into here, but alone is a charming story.

A bonus to this book is that Jens Lekman wrote and performs songs to go with the weddings. I don’t know what this looks like in the text version of the book–maybe just the lyrics, which is nice enough. But a novel about a singer that contains actual songs (purportedly by this singer) is a great bonus and adds something to the book.

Sure, I’m not crazy about most of the songs–just not my vibe. But that they’re there is really nice.


Cover of The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnonThe Millicent Quibb School of Etiquette for Young Ladies of Mad Science

by Kate McKinnon, read by Kate McKinnon & Emily Lynne (Narrator)

My original post
(Edging out the sequel, Secrets of the Purple Pearl, by a hair–I did go back and forth on it a bit)

Would I enjoy this in print? Yeah—especially the illustrations. But the performance by McKinnon & Lynne makes these things you have to listen to. And likely re-listen to.

These are silly, silly, silly adventure novels about three sisters who wind up at The Millicent Quibb School of Etiquette because they can’t manage to stay in other schools without being disruptive by being themselves. Quibb introduces them to a world of pizza, self-expression, curiosity, mystery, danger—and the chance to save the world from mad scientists.

I cannot say enough good things about this book. The plot is insane, the text are ridiculous, and the jokes are a great balance of silly enough for children but clever enough for adults. They’re perfect for young or young-at-heart readers. McKinnon and Lynne make a good book a great audio experience.


Cover of How to Stand Up to a Dictator by Maria RessaHow to Stand Up to a Dictator: The Fight for Our Future

by Maria Ressa, read by Maria Ressa & Rebecca Mozo

Ressa’s story–from childhood up through the present–is mind-blowing, and the kind of thing one might be skeptical about in a novel. And I’m not going to say more about it now.

But it’s her delivering this material–the raw emotion, the pride, the anger, the conviction–that makes this audiobook. It’s a great story, it’s a powerful call to action–and a strong dose of hope for the future.


Cover of The Accidental Joe by Tom StrawThe Accidental Joe

by Tom Straw

It is difficult to explain just how entertaining this is–and I’m not sure if the narration or the text gets the majority of the credit. Tom Straw did both, so he gets all the credit.

This is the story of a celebrity chef with a travel show who is recruited by the government to use his show as a way to conduct espionage. Which totally makes sense, right? Well…with an iron-clad plan like that, things get out of control.

The book is a hoot. The jinks are hi. And Straw’s narration is perfectly suited to the material.


Cover of The Bang-Bang Sisters by Rio YouersThe Bang-Bang Sisters

by Rio Youers, Kristen Sieh (Narrator)

My original post
So, this is a story about a touring rock band–and after their shows at various bars around the country, they occasionally slip away to kill some criminals that the judicial system can’t put away. Totally normal, stuff right.

Youers fills it with humor, heart, and so, so much violence. It’s fast, it’s furious, it’s bloody, it’s raw emotion, it’s dangerous. It is so much fun. It is Rock and Roll.

And Kristen Sieh? She’s just the lead vocalist that this album needed. I believed the music, I believed the vigilantism, I believed the sisterly-tie between the bandmates/friends/allies; I believed every second of the trap they were caught in and the way they got out of it.

It’s the kind of audiobook that leads me to overhyping.


Samurai! by Saburo Sakai with Martin Caidin and Fred Saito: The War in the Pacific from the View of a Japanese Cockpit

Cover of Samurai! by Saburo SakaiSamurai!

by Saburo Sakai with Martin Caidin and Fred Saito

DETAILS:
Publisher: Bantam Books, Inc.
Publication Date: May 1978
Format: Paperback
Length: 315 pg.
Read Date: July 17-22, 2025
Buy from Bookshop.org Support Indie Bookstores

In the Imperial Japanese Navy I learned only one trade—how to man a fighter plane and how to kill enemies of my country. This I did for nearly five years, in China and across the Pacific. I knew no other life; I was a warrior of the air.

What’s Samurai! About?

The inside page of my edition puts it this way, and I can’t do much better (although I might tone down the language a bit, but it’s not bad for the late 70’s)

The Outcast Who Became Emperor of the Skies

He was a school dropout, juvenile delinquent, and family disgrace—until he first stepped into an airplane. From that moment he soared into legend as Japan’s deadliest ace, and the most feared pilot of World War I.

SAMURAI! is the unforgettable saga of Saburo Sakai—a story of explosive action, violent victory, and personal agony that is absolutely true and vividly real . . . from the roaring of winged cannons in aerial combat, to the anguish of a defeated nation.

The Foreword Alone

The foreword to the book gives an abbreviated biography of Sakai and is the only point that Caidan and Saito are mentioned, to emphasize the “autobiographical” nature of the book*. It also describes some of the research that went into the book.

Honestly, you don’t have to read the whole book to get the idea that Sakai is an impressive figure. Just read the foreword. His post-ward activities alone are pretty impressive—possibly more so than the feats during the war, given the context.

If you’re at all curious about the book, read the foreword. If you’re still curious—dive in. If you decide, “I’m good,” at that point, you probably are. (Although you might want to take a glance at chapters 2 and 3 to see what his military training was like. If you’re similar to me, you’ll think that Full Metal Jacket‘s Gny. Sgt. Hartman wasn’t so bad after all.)

* There might be one or two mentions of Saito’s research in footnotes, but I’m pretty sure Caidin isn’t mentioned again. Like a good ghostwriter, he disappears.

Incredibly True

The back cover of my edition claims that this is “an incredibly true, powerfully moving story of glory, defeat, and ultimate victory—told by the man who lived it.”

Maybe it’s just me, but anytime you put a qualifier on “true,” my skepticism kicks in a little. I’d prefer something “credibly true” any day. Yes, this is an incredible story. And yes, I think it’s based on truth. Probably truth that’s grown a little in the telling.

Is this just fallible memory? Is it the story of someone whose accomplishments get embellished by himself/others a little over time to the extent they don’t remember the actual details? Is this the case of a ghostwriter goosing the facts to make for a better, more exciting read in the States? Possibly all of the above—I lean toward a combination of the latter two (my instinct to favor the third option is helped by the fact that this book wasn’t published in Japan).

It should be stated that the foreword claims that in addition to the hours and hours of interviews with Sakai that Fred Saito, an Associated Press correspondent, researched military archives (from multiple nations) and interviewed associates to authenticate this. How much of that ended up in the final product is beyond my ability to state.

The text points out some places where there are discrepancies between official records and witnesses and what the text states happened. So, it’s not like Caidin and Saito are unaware of some discrepancies.

On the Other Hand…

In April of 1944…With the secret reports available to me as an officer, I had been able to maintain a true appraisal of the war. The secret documents were a far cry from the drivel shouted over the radios to the unsuspecting populace. Everywhere in the Pacific our units were being forced back. Incredibly powerful American task forces, fleet units the size of which staggered the imagination, roamed the Pacific almost at will.

… We were still hanging on at Rabaul, but no longer did that once-mighty bastion threaten Moresby and the enemy’s other bases. Rabaul suffered in more ways than one. The Americans were using it for bombing practice, to break in their new replacements.

From the war in China, the reports internal to the Japanese military, what the civilians heard, and what American military/news reported, one thing that Sakai is clear about for almost the entire book—everyone was lying, exaggerating, hiding, and spinning facts.

So it’s no wonder at all that it’s hard to document or “prove” all of what he says. Probably everything we read about the War in the Pacific should have an asterisk following it, not just this book.

Sakai’s Mistakes and Injuries

No longer was I myself inviolate. It had been the enemy’s turn then, and no less than a miracle had brought me here on this train as it swayed along the tracks leading to Sasebo. A man sees the war differently after the doctors have scraped away rotten flesh from his skull, have dug jagged steel splinters from his body, and comforted him with the staggering living-death sentence, “It is not so bad, Sakai, you will be only half blind.” Only half blind!

Sakai is pretty upfront with mistakes, blunders, and times that his ego led him and others into trouble (although he was rarely alone in letting ego get the best of him). His first arial combat was just…ugly, and he got chewed out for it—as he should’ve, from what I can tell.

He sustained his share of injuries throughout the conflicts he was in—obviously, the worst was the injury that cost him most of the sight from his right eye. I’m not going to go into details about that incident—you really want to read about it yourself, even more than the hint you get in the Foreword.

But when you read about the medical care he received, you have to wonder a little bit what 2025 doctors would do differently. It’s not quite as bad as reading about Civil War surgeons dealing with injuries—but it’s not unlike it, either.

Still, that he came back from that at all to take to the air again says a lot about him. It probably also says a lot about how Japan was doing in the War at that time, and how much they needed pilots.

So, what did I think about Samurai!?

But to fly is just like swimming. You do not forget easily. I have been on the ground for more than ten years. If I close my eyes, however, I can again feel the stick in my right hand, the throttle in my left, the rudder bar beneath my feet. I can sense the freedom and the cleanliness and all the things which a pilot knows.

It’s easy to think of this—in part, anyway—as Sakai telling stories that make him look good (with a few exceptions for the sake of true or perceived humility). But he’s quick—and consistent—to praise others. He makes some of these other pilots sound really amazing, and I appreciated Sakai singing their praises and lamenting their deaths (as appropriate).

Like any good narrative about war*, Sakai does wonder about the costs to both sides.

…that night, for the first time, I thought of the enemy pilots I had shot down as other human beings like myself, instead of unknown entities in their planes. It was a strange and depressing feeling, but, as with every other facet of war, it was kill or be killed.

He doesn’t forget that—but in kill or be killed, survival comes to the forefront.

More than once, I realized that when I was pleased to hear about a close escape, or a great victory for him, that I was cheering against the U.S. in the War. And that feels more than a little strange, I have to say. It’s one thing in a work of fiction to get invested enough to cheer for an enemy or opponent. But in non-fiction?

I didn’t even get into the strange but sweet love story about Sakai’s first wife, and wish I knew more about what happened to her after the War, although it’s clear it’s not a happy story for anyone.

From his horrific days in training; through the combat in China; through hearing about how Dec. 7, 1941 could have had more infamy to live in; through his injuries and triumphs; through the end of the war—this was a riveting read. Yes, I have many questions about some of the details—but as a reader, not a professional historian, I can let those go and appreciate what we have.

I recommend this book, with some obvious caveats. But as someone rapidly approaching the time in life when I’m legally obligated to read WWII histories and watch hours of documentaries about it a week, this is a decent place to start. Fellow Gen Xers approaching the same deadlines would do well to give this a glance.

People who just love an exciting first-person account should do that, too.

* Maybe that’s my personal preference shining through.


3.5 Stars

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20 Books of Summer 2025 logo

Grandpappy’s Corner: Martin Luther by Simonetta Carr, Troy Howell (Illustrator): A Brief and Compelling Look at the German Reformer’s Life

Yes, this is going to sound a lot like last week’s post about Patrick of Ireland—hard not to when you have a good, consistent writer∞you’re going to think similar things.


Grandpappy's Corner Logo with the Cover of Martin Luther by Simonetta Carr

Martin Luther

by Simonetta Carr, Troy Howell (Illustrator)

DETAILS:
Christian Biographies for Young Readers 
Publisher: Reformation Heritage Books
Publication Date: October 25, 2020
Format: Hardcover
Length: 63 pg.
Read Date: August 3, 2025

What’s Martin Luther About?

It’s all there in the title, simply put—it’s a biography of Martin Luther written for young readers.

Carr begins with Luther’s family and education, as well as his early career, before moving into his work as a Reformer. Recounting the tumultuous days of his earliest work and time in hiding before moving on to the slightly-less tumultuous times of success and raising his own family.

This is more detailed than the Patrick of Ireland book I discussed last week, both in describing the events of Luther’s life and his teachings. This is easily explained by the fact that we have many, many, many more documents about and by Luther than we do of Patrick (particularly contemporary to him).

By Luther Himself

Carr reproduces a little bit from Luther’s Small Catechism so the reader can hear from the man himself. This must’ve taken some effort to decide what to choose. Given the audience, this is probably the best—it’s Luther at his most basic, bringing the core of his teachings to the forefront.

As it should’ve—especially for older readers—it drove me to dip into the catechism as a whole. Naturally, it has its flaws (as Luther was 1. Human and 2. Not Reformed*), but that was an unexpected bonus from reading this work. Almost always a reward to re-read some Luther.

* That’s mostly a joke

Let’s Talk about the Art for a Minute

Howell’s art is warm and approachable. While not leaning into the whole “children’s book” feel of art, it really works that way. But his illustrations would be fine in a book for older readers, too (those that use colored illustrations, anyway). It did make me go check his website and add at least one book to my to-buy list.

The rest of the illustrations are photographs of European landmarks, reproductions of contemporary depictions of some of the major players in this story. It really reminds me of the kind of things that illustrate textbooks (for children or college students, and in-between). It solidifies the impression that this is a book for children to take seriously, and not just some fluffy bit of entertainment (see below).

How is it to Read Aloud?

It’s fine. It’s not really written to be read aloud—any more than any book for children of reading age and up are. There’s nothing wrong about the text for reading to someone else, but it’s not desiged for it like books for younger children are.

It’s a little dry for that, really—possibly dry for reading to yourself, too. Which is probably good considering the aims of the book.

So, what did I think about Martin Luther?

I really enjoyed and appreciated it. Carr had a lot of material to choose from when deciding what to write about, and tackled not only the typical “main items” but also addressed some of the murkier things in his life/writing as well. I was surprised, for example, that she touched upon his late-in-life anti-Jewish writings (and relieved/encouraged that she was so clear about the problems with that). I was also not expecting her to bring forth the controversies with Karlstadt, either.

There are nuances and details she had to leave out due to space and the maturity of her audience—but she does a good job in keeping the clear details clear and laying the groundwork for reading/learning as her readers grow.

Yes, it is a bit dry. It’s not a book written to talk down to a child, or even written to appeal through a gimmick. It takes the material seriously and expects the audience to, too—I’m pretty sure that’s the point. I found this a rewarding read, and I’m eager to introduce the grandcritters to it when they’re a little older, and would recommend it to any reader 7-12 (the target range), and even older.


3.5 Stars

Grandpappy Icon

Grandpappy’s Corner: Patrick of Ireland by Simonetta Carr, Matt Abraxas (Illustrator): A Brief Look at the Evangelist’s Life

Grandpappy's Corner Logo with the Cover of Patrick of Ireland by Simonetta Carr

Patrick of Ireland

by Simonetta Carr, Matt Abraxas (Illustrator)

DETAILS:
Series: Christian Biographies for Young Readers 
Publisher: Reformation Heritage Books
Publication Date: December 8, 2022
Format: Hardcover
Length: 61 pg.
Read Date: July 27, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Patrick of Ireland About?

Simply put—it’s a biography of Patrick of Ireland written for young readers.

It talks about his younger life, his time as a slave, his escape, and his decision to return to Ireland as an evangelist. It looks at his education, work in Ireland (and some of the controversy around him), and his lasting legacy.

Let’s Talk about the Art for a Minute

There are illustrations—mostly in paintings by Matt Abraxas—that are gorgeous. I don’t know how to describe them—but honestly, they’re things you’d easily hang on your wall. I want to say the style makes me think of a modern take on Impressionism, but I’m not convinced that I’m using the term correctly.

The rest of the illustrations are photographs of old Irish artifacts, reconstructions of them, or Irish scenery. It really reminds me of the kind of things that illustrate textbooks (for children or college students and in-between). It solidifies the impression that this is a book for children to take seriously, and not just some fluffy bit of entertainment (see below).

How is it to Read Aloud?

It’s fine. It’s not really written to be read aloud—any more than any book for children of reading age and up are. There’s nothing wrong about the text for reading to someone else, but it’s not designed for it like books for younger children are.

It’s a little dry for that, really—possibly dry for reading to yourself, too. Which is probably good considering the aims of the book.

So, what did I think about Patrick of Ireland?

It is a bit dry. It’s not a book written to talk down to a child, or even written to appeal through a gimmick. It takes the material seriously and expects the audience, too—I’m pretty sure that’s the point.

It’s a pretty good biography, with some of the ambiguity about Patrick’s education and details of his life smoothed out (although they’re acknowledged). Sure, it’s short. Sure, it’s written for children—but an adult wanting a quick take on his life isn’t going to be disappointed. (I’m reminded of hearing that James Holzhauer read children’s reference books in preparation for his appearance on Jeopardy!—this would be a good book for that kind of thing.)

I found it rewarding. I particularly appreciated the little excerpts from Patrick himself being included. I’m eager to introduce the grandcritters to it when they’re a little older, and would recommend it to any reader 7-12 (the target range), and even older.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Surprised by Joy: The Shape of My Early Life by C. S. Lewis: A Portrait of a Reader/Thinker as a Young Man

Further Up and Further In A Year with C.S.Lewis


Cover of Surprised by Joy by C. S. LewisSurprised by Joy: The Shape of My Early Life

by C. S. Lewis

DETAILS:
 Publisher: Harcourt Brace & Company
Publication Date: 1984
Format: Paperback
Length: 238 pg.
Read Date: May 10-25, 2025
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The reader who finds these three episodes of no interest need read this book no further, for in a sense the central story of my life is about nothing else. For those who are still disposed to proceed I will only underline the quality common to the three experiences; it is that of an unsatisfied desire which is itself more desirable than any other satisfaction. I call it Joy, which is here a technical term and must be sharply distinguished both from Happiness and from Pleasure. Joy (in my sense) has indeed one characteristic, and one only, in common with them; the fact that anyone who has experienced it will want it again. Apart from that, and considered only in its quality, it might almost equally well be called a particular kind of unhappiness or grief. But then it is a kind we want. I doubt whether anyone who has tasted it would ever, if both were in his power, exchange it for all the pleasures in the world. But then Joy is never in our power and pleasure often is.

What’s Surprised by Joy About?

This is a look at the early part of Lewis’ life—his childhood, education (in boarding schools primarily), his acceptance to Oxford—and taking time off to serve in WWI—then returning and his eventual conversion to Christianity.

As he puts it in the preface,

This book is written partly in answer to requests that I would tell how I passed from Atheism to Christianity and partly to correct one or two false notions that seem to have got about. How far the story matters to anyone but myself depends on the degree to which others have experienced what I call “joy.”…The book aims at telling the story of my conversion and is not a general autobiography.

He’s not striving to be exhaustive, but to tell us enough that we understand what he was going through and how his education/experiences helped shape his mind for converting.

Endless Books

I am a product of long corridors, empty sunlit rooms, upstairs indoor silences, attics explored in solitude, distan; noises of gurgling cisterns and pipes, and the noise of wind under the tiles. Also, of endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents’ interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.

Just about anyone who takes the time to read this post is going to resonate with that quotation. Possibly be envious of that kind of childhood.

That’s one thing that comes through in clarity through this book—he is the product of so many books. So much of his experiences are shaped by, illustrated by, and reflected in what he reads—particularly what he returns to.

Yes, there’s some creative work. Some dry education. A lot of emotional development (largely phrased in other terms). Even a little socialization outside of his father, brother, and instructors—but really not much outside of that until Oxford.

What’s there throughout it all? Books. Hard not to identify with a guy like that.

So, what did I think about Surprised by Joy?

I was at this time living, like so many Atheists or Antitheists, in a whirl of contradictions. I maintained that God did not exist. I was also very angry with God for not existing. I was equally angry with Him for creating a world.

Sure, it’s about his early years. But I think the emphasis was on the wrong bits. I know, it’s not my life, he knows what got him to the point he was trying to focus on better than I do. But if the book “aims at telling the story of my conversion,” I really don’t see it.

It happens so quickly, with little fanfare leading up to it—it reminded me of one of those books where you stop a sentence or two after something happens, “Wait, did X just die?” That’s an exaggeration in this case, but not by much.

More of his WWI experience, more about the wrestling with ideas in Oxford. More showing the kind of thinking he encourages others to do about their faith/lack thereof, would be a plus.

Is it a good look at Lewis’ early life? Yes. Does it contain some of his best turns of phrase? Yeah, I think so. Does it deliver on what he aimed to? I really don’t think so. I recommend it for someone who wants to know more about the man—just come in with the proper expectations.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Class Clown by Dave Barry: A Chuckle-Filled Peek Behind the Curtain

Cover of Class Clown by Dave BarryClass Clown:
The Memoirs of a Professional Wiseass: How I Went 77 Years Without Growing Up

by Dave Barry,

DETAILS:
Publisher: Simon & Schuster
Publication Date: May 13, 2025
Format: eARC
Length: 256 pg.
Read Date: May 4-6, 2025
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What’s Class Clown About?

It’s really all there in the subtitle: it’s Dave Barry’s memoirs about his career as a professional wiseass—primarily through his humor column, but he’s found other outlets for it, too.

Here’s some of the jacket copy to help beef that up:

America’s most beloved wiseass finally tells his life story with all the humor you’d expect from a man who made a career out of making fun of pretty much everything.

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people?

In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties).

He began his journalism career at a small-town Pennsylvania newspaper where he learned the most important rule of local journalism: never confuse a goose with a duck. His journey then took a detour into the business world, where as a writing consultant he spent years trying, with limited success, to get corporate folks to, for God’s sake, get the point. Somehow from there he wound up as a humor columnist for The Miami Herald, where his boss was a wild man who encouraged him to write about anything that struck him as amusing and to never worry about alienating anyone…

Class Clown isn’t just a memoir; it’s a vibrant celebration of a life rich with humor, absurdity, joy, and sadness. Dave says the most important wisdom imparted by his Midwestern parents was never to take anything too seriously. This laughter-filled book is proof that he learned that lesson well.

His Origin Story

The first four chapters are the most autobiographical part of the book—a little less than 50% of it. Here we cover his parents, his childhood, schooling, and early career—from his first newspaper job, his detour through business education, and then finding his way back to journalism and becoming a humor columnist.

This is all the nitty-gritty stuff—what were his parents like? (nothing like you’d guess) What did his childhood entail? (bad jokes and throwing things) What did he write before making money with booger jokes? And so on.

This was the more educational—in a good way, I stress—part. He wrote about is parents, in particular, with warmth and humanity. He was open about some of their struggles, but with sensitivity. I really appreciated the way he talked about his marriages—past and present—very briefly, yet definitively. There is some humor, but it’s largely self-directed, or at the culture he and his parents were in.

This is really the kind of thing you come to a memoir for, and Barry did it well. He quotes some of his more serious (and some of his less-serious) columns here to show what he’s said about these things in the past.

Topical Memories

A little over half the book is devoted to what I’m describing as “Topical Memories”—he has a chapter on things like “My Readers,” “Politics,” and “Books, Music, and Movies.” In these, he relates a collection of stories and anecdotes from all over his career along these lines.

So we get stories about the great things his readers have sent him—and some of the less positive things they’ve said. Scandals he created—inadvertently or not. How he was involved in Obama’s first inaugural parade, or had Bruce Springsteen sing backup for him, how he accidentally offended an audience of Russians by screening one of his films. I particularly enjoyed him talking about his feud with his Neil Diamond-loving readers (I’m a pretty big Diamond fan, but thought Barry’s jokes were good and deserved, for what it’s worth)

There are several extended quotations from his columns here—and we get a lot of the stories behind the columns, too. Not the nuts-and-bolts of how he wrote them, but what led to them.

If the Origin Story chapters were educational—this was recess. Just a lot of fun and goofing off, telling wild stories and recounting past glories (and blunders). It was exactly the kind of thing that Barry readers pick up his books for.

The Appendix

I don’t frequently talk about appendices; they’re supplemental material, and I prefer to focus on the main portion of the book, but every now and then, one comes along that demands attention.

For example (as you might have guessed), this appendix. It was a hoot—its title is “A Good Name for a Rock Band.” Barry (like many of us) will frequently pick up on a phrase from something he quoted and say it would be a good name for a rock band (also known by the super-easy and memorable acronym WBAGNFARB). After discussing this practice a bit, Barry gives a non-exhaustive, but extensive list of some of those bands.

I think reading them in context is best—but you definitely can appreciate them in a different way with no context whatsoever. They are definitely more ridiculous that way.

It’s worth picking the book up from the shelf at your local bookstore/library just to read those few pages. (Of course, you’d be better served by reading the whole thing). Even people who don’t have a background with Barry will find some laughs there.

So, what did I think about Class Clown?

I’m fairly certain at this point in my life that I’m hardwired to enjoy Davy Barry’s writing, and that I don’t have the neuroplasticity to change that. No matter what apps for seniors I try. So maybe take this with a softball-sized grain of salt.

I really enjoyed this book. A lot—and on several levels.

Part of me would’ve liked a little more depth, a little more digging into details of his life, maybe his approach to writing. But it’d just feel strange knowing that much about Barry—and we all know what happens to a joke when you dissect it, knowing too much about how his sausage is made might not be that entertaining. Really, for Dave Barry—this is about as deep as we want. Every time I started to say “I wish he’d given us more about X,” I stopped myself and realized that no, this was just the right amount.

So no, it’s not as self-revealing as say, Patrick Stewart’s or Matthew Perry’s books—and that’s good.

This is a great way to get to know Barry a little better—given the nature of his work, a lot of us have had a para-social relationship with him before that was a phrase people used. It’s nice for us to deepen that relationship to a degree—before we get back to jokes about exploding cows, questionable song lyrics, or whatever.

I heartily encourage readers of Dave Barry to pick this up—even casual readers will have fun with this, you don’t have to be a die-hard like me. He’s one of a kind, and it’s great to bask in that for a little while.

Disclaimer: I received this eARC from Simon & Schuster via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOST: Grandpappy’s Corner: Saint Patrick the Forgiver by Ned Bustard: Patrick’s Story Told for Wee Ones

Pretty much have to do this today, right?


Grandpappy's Corner logo featuring the cover of Saint Patrick the Forgiver by Ned Bustard

Saint Patrick the Forgiver:
The History and Legends of Ireland’s Bishop

Written and Illustrated by Ned Bustard

DETAILS:
Publisher: IVP Kids
Publication Date: February 21, 2023
Format: eARC
Length: 32 pg.
Read Date: February 17, 2023
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What’s Saint Patrick the Forgiver About?

Drawing on both legends about him and Patrick’s Confessions, this book tells the life story of Patrick of Ireland for the youngest set.

It starts off with his childhood and touches briefly on his period of slavery before moving into his return home and the call to Ireland. It doesn’t gloss over the hard parts of his life, but it doesn’t dwell on them, either. The focus is on Patrick forgiving those who wronged him, spreading the gospel—and even teaching the Trinity via the shamrock.

The book even covers some of the myths that arose around Patrick—baptizing a giant, driving out the snakes, etc.—working that in seamlessly with the book and not distracting from the main point.

Let’s Talk about the Art for a Minute

This art is great—it’s friendly and cartoonish, with great colors and details. Bustard also weaves in traditional Celtic knots and Christian art (like elements seen in The Book of Kells, etc.). So we’ve got a pretty modern feel with a lot of Irish elements thrown in to ground it in Patrick’s history.

Are kids going to get that? Nope. Will the adults reading it with/to the kids? Quite likely. And if not, I think they’ll still appreciate it the art, even if they’re not familiar with the influences Bustard is drawing from.

Click here for a two page sample (picture and text) on the Publisher’s site. I’m not sure it’s the image I’d have used, but it’s representative.

How is it to Read Aloud?

It’s pretty fun—the rhythm is easy and the rhymes are nice (and only one or two of them seemed like stretching things to make the rhyme).

The Grandcritter isn’t around yet to listen to me read this, but I still read most of it aloud just to see how it went—I think it went pretty smoothly and I could have some fun with it.

So, what did I think about Saint Patrick the Forgiver?

This was a great way to give an age-appropriate lesson in forgiveness while telling the story of one of the heroes of the faith. I was entertained, and even chuckled a couple of times.

It’s a great combination of story, art, rhyme, and lesson. I can see this winning over little audiences as much as it did me. Hopefully, it’ll lodge in their minds enough that they’ll want to learn more about Patrick as they grow older and through him the Three-in-One that Patrick spent his life teaching about.

I strongly recommend this quick little read.

Disclaimer: I received this eARC from InterVarsity Press via NetGalley in exchange for this post—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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My Favorite Non-Fiction Books of 2024

My Favorite Non-Fiction Books of 2024
My 2024 Wrap-up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 9 instead of the nigh-obligatory 10. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

42: The Wildly Improbable Ideas of Douglas Adams42: The Wildly Improbable Ideas of Douglas Adams

edited by Kevin Jon Davies

My original post
This collection of material from the 60 boxes of personal artefacts, compiled by a longtime collaborator is moving (which I didn’t expect), funny (duh), strange (more duh), and fascinating (of course). I found this to be mind-bogglingly delightful. Which is pretty much what I expected, true. But there’s expecting to appreciate a book and then getting to experience it and discover that you were right. It’s is kind of a doubling of pleasure.

If you’re a fan of Adams, you’re going to find at least one thing here that will interest you more than you anticipated. If you’re a big fan of Adams, you’re in for a treat. He was the hoopiest of hoopy froods, and this book gives you a glimpse into just how hoopy that is.

5 Stars


Cover of Comedy Book by Jesse David FoxComedy Book: How Comedy Conquered Culture–and the Magic That Makes It Work

by Jesse David Fox

I ended this book thinking if Fox doesn’t know something about stand-up comedy, it’s probably not worth knowing. That doesn’t mean I agree with all of his opinions about it, but, wow. It’s like listening to an encyclopedia of stand-up. He talks history, he talks current stars, political humor (and the role of comedic news programs), lowbrow, how minority comics can help their communities–and how those communities can make new comics, he talks about some big names, some big names that fell apart, cancel culture (and how long that’s been a thing. Hint: ages.). He runs the gamut with insight, wit, and some third thing that I can’t think of at the moment, but is impressive.

4 1/2 Stars


Cover to Mystery Science Theater 3000: A Cultural History by Christopher J Olson and Matt FoyMystery Science Theater 3000: A Cultural History

by Matt Foy and Christopher J. Olson

My original post
This is the second year in a row that I’ve had a book about MST3K in my favorites. This is the more academic version of the book I featured last year, essentially. It’s geared more toward media studies and the impact the show has had on culture–media culture, in particular, as well as Internet commentary–as it was/is shaped by it.

I felt smarter after reading this, appreciated the show in a new angle or two, and was driven to watch an episode or three. (sure, it’s not a perfect book, it gave me an allergy to the term “intertextuality” for a couple of months)

4 1/2 Stars


Cover of Soundtrack of Silence by Matt HaySoundtrack of Silence: Love, Loss, and a Playlist for Life

by Matt Hay

WOW, this was fascinating. Both the way he talked about music, referenced music, did his best to pound certain songs and sounds into his brain so that when we went deaf, he’d be able to play them in his brain–such a great idea, you couldn’t help but get inspired by that.

And then when he describes the medical treatments, the agonzing process of ups and downs he went through to work on the tumor/side effects? It got even better–and I couldn’t stop talking about it. Hay describing this in his own voice adds so much to it all.

I’m so, so, so glad I listened to this one. (I don’t remember why I only gave it 3 1/2 Stars, I won’t argue with past me, but present me would rate it higher. Maybe you have to sit with it for awhile.)

3 1/2 Stars


The Body's KeepersThe Body’s Keepers: A Social History of Kidney Failure and Its Treatments

by Paul L. Kimmel, M.D., read by Lane Hakel

My original post
I have been learning about Kidney Disease, Transplants, Dialysis as an interested observer since my 20 year-old-son was 3 days old. But listening to this book made me feel like I’d never heard of any of it those things before. Granted, Kimmel focuses on other types of Kidney Disease (seemingly every other kind than he had), but still, a lot of what he wrote applies.

Just hearing about the early work on what we now call dialysis made this book worth it. (looking at a dialysis machine in 2024 and thinking about those passages is a little freaky). But then again, so is almost every chapter.

I have referenced this book in my own thoughts, conversations with family, friends, and coworkers so many times since I listened to it that I feel like I owe the author/narrator some royalties, and if I don’t move on to the next book on this list, I’m going to end up writing another 8 paragraphs on this book.

4 Stars


Cover of Red Dead's History by Tore C OlssonRed Dead’s History: A Video Game, an Obsession, and America’s Violent Past

by Tore C. Olsson

My original post
Fantastic idea for a class. Fantastic idea for a book. Taking a look at the historical setting and historical accuracy of a game that had the reputation of realism is so smart. It’s not a critique (generally), it’s an exploration of all the things that are shown, giving the background, showing all the things it got right (and would’ve got righter if they’d changed the year). Showing the ways that the real history was even worse–and occasionally better–than the game depicts.

It does so in an engaging way, too. American History buffs and/or video game aficionados should give this a read. Or people who get the appeal of either, but don’t have the energy for them (like me).

4 Stars


The Secret Lives of Booksellers and LibrariansThe Secret Lives of Booksellers and Librarians:
Their Stories Are Better Than the Bestsellers

by James Patterson and Matt Eversmann; Read by: Tom Force, Nancy Peterson, Jenn Lee, Jennifer Pickens, Amy Jensen, Deanna Anthony, Jane Oppenheimer, Susan Hanfield, Marni Penning, Daniel Henning, Rob Reider

My original post
Is this an overly-romanticized look at bookselling/being a librarian? Yes. Do I care? Not one whit.

This is an inspiring and entertaining look at the people who connect others with the books they want or need—whether they realize they want or need them or not. For a booklover, this is great to hear. They sound like what you want them to sound like.

The big problem with this book is that you’re going to fight the impulse to quit your job and go get your MLS or start working as a clerk in a bookstore as soon as you finish (or by the mid-point). As downsides go, it’s a pretty tame one, but it’s there.

4 Stars


Cover of Making It So by Patrick StewartMaking It So

by Patrick Stewart

My original post
I think I said it all yesterday (oops, should’ve left a little something) or in my original post. So, I’ll just repeat myself.

First off, any audiobook narrated by Patrick Stewart is worth your time. And then some. That’s a given, right?

When it’s him recounting events from his life–especially when he makes it clear that he was in the wrong, or foolish, or less-than-ideal in some way? It makes it even better.

I was captivated, I hung on to every word (as much as I could while working/driving). I annoyed my family (only some of who are fans of some of his work, the others don’t really care one way or the other) by retelling the stories. Oddly, none of them found them as entertaining as I did. Not that it stopped me…

If you’re a fan of any one of Stewart’s roles, it’s worth the listen just to hear him talk about that role. If you like multiple roles, you’ll have even more fun. If you listen to the whole thing, you’ll be a fan of the man, not just the actor.

4 Stars


Cover of Planet Narnia by Michael WardPlanet Narnia: The Seven Heavens in the Imagination of C. S. Lewis

by Michael Ward, read by Nigel Patterson

I honestly don’t know if a week has gone by since last January that I haven’t thought about this book (probably, but not many). One of my reading goals for the year is due to it (more on that soon). I don’t know that I accept Ward’s thesis (which I won’t restate here, go click on the links above). I do know that I can’t discount it. I also know I’m not smart enough to go further than that, I also don’t know Lewis well enough to argue one way or the other.

I discovered new depths to the beloved series here, regardless of what I think of Ward’s argument. It inspired me to think about this series more. I also clearly need to re-read the first two-thirds of his Space Trilogy (and to actually read the last third) as well as some of Lewis’ other work.

It’s dense. It’s thorough (at least it seems to be). It’s provocative. It’s absolutely worth your time, and I probably should’ve given it more stars just because of the space it’s taken in my brain since.

3 1/2 Stars

My Favorite Audiobooks of 2024

My Favorite Audiobooks of 2024

I’m about 30 hours behind with this 2024 wrap-up. Hopefully, I can pick up the pace so we can move on to 2025 soon. But for now, let’s talk about my favorite Audiobooks. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

As always, re-reads don’t count for these lists.

(in alphabetical order by author)

Cover of No Two Persons by Erica BauermeisterNo Two Persons

by Erica Bauermeister, read by a full cast

My original post
I don’t want to say that I had low expectations going into this, but they certainly weren’t high. But by the end of the first of the interconnected short stories, I was really hooked on it and wasn’t ready to move on. The second story didn’t do much for me…until I was convinced it was far more intersting (and the new narrator was just about perfect), and I didn’t want it to end. A phenomenon I repeated almost every time the story/narrator switched. The cast and Bauermeister’s text together turned me into a raving fan.

4 1/2 Stars


Cover of The Blacktongue Thief by Christopher BuehlmanThe Blacktongue Thief

by Christopher Buehlman

My original post
First, Buehlman is a dynamite narrator. He brought this to life in a way that few could. This is a great fantasy story filled with characters you don’t come across all the time. There’s a strange and sweet love story as a subplot that blew me away. The magic, the worldbuilding, the protagonist’s voice. . . just about everything made this possibly the best audiobook I listened to last year.

4 Stars


Cover of the audiobook for Erasure by Percival EverettErasure

by Percival Everett, Sean Crisden (Narrator)

The first half of this blew me away. The second half was almost as good. But Crisden’s narration kept me hooked the whole time. This satirical look at books, critics, academia, and more in the middle of a family story was nothing like I expected and almost never failed to impress.

4 Stars


Cover of Comedy Book by Jesse David FoxComedy Book: How Comedy Conquered Culture–and the Magic That Makes It Work

by Jesse David Fox

This really just feels like you’re sitting down with an acquaintance who knows a lot about comedy and enjoys talking about it. Fox’s delivery–as well as his material–is like cat nip to a comedy nerd. I love hearing stand-ups talking about performing, writing, and reacting to other comedians–this was very similar to it. I mis-read a description of the book before I picked it up and expected it to be something like Ken Jennings’ book on humor. I was a little disappointed when I saw that wasn’t it–but I got over it quickly. This was just a blast to listen to.

4 1/2 Stars


Another GirlAnother Girl

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Serena Butler takes center stage here and her UC work makes this entirely different from any of the other books in this series. The level of danger she’s in for significant portionns of the book is also a change of pace for the books. Jackson’s narration somehow conveyed that danger credibly, while remaining the steady and calm presence that he fills Kings Lake Central with.

I know it’s probably not a suprise to find a Grainger/Jackson collaboration on this list–they keep showing on it. But they keep belonging on it.

4 Stars


The Body's KeepersThe Body’s Keepers: A Social History of Kidney Failure and Its Treatments

by Paul L. Kimmel, M.D., read by Lane Hakel

My original post
A Social History of medical treatment of many kinds of Kidney Disease doesn’t really sound like a gripping listen. So the fact that it’s showing up here should underscore just how impressed I was with this. Hakel keeps the listening experience accessible and interesting–even when the text seems just to be a list of names and acronyms. He maintains the appropriate tone and seriousness to the subject, but with simple and subtle changes in inflection and so on to help maintain the listener’s engagement, while helping the little flahses of personality that Kimmel shows shine through.

Also, man, I learned so much…I probably annoyed everyone in my family with sharing little bits and pieces over and over.

4 Stars


Cover of Marvel: What If . . . Wanda Maximoff and Peter Parker Were Siblings by Seanan McGuireMarvel: What If . . . Wanda Maximoff and Peter Parker Were Siblings

by Seanan McGuire, read by Allyson Voller

A Spider-Man story written by McGuire? Take my money, please. Sure, I’ll put up with some Wanda Maximoff stuff (I never really dug her outside of the movies/show, but I never disliked her, either). But in the hands of Voller and McGuire I became a fan. There wasn’t enough Spider-Man for my taste, but I didn’t miss him. And the Doctor Strange content was a great bonus. There’s a case to be made for this being my favorite version of the Web-head, actually. Peter with a sister is a great spin on the character–and this version of Wanda is pretty cool, too. Voller sold me on the heart of the story in a way I may not have been sold had I read this on paper.

4 Stars


Cover of Making It So by Patrick StewartMaking It So

by Patrick Stewart

My original post
First off, any audiobook narrated by Patrick Stewart is worth your time. And then some. That’s a given, right?

When it’s him recounting events from his life–especially when he makes it clear that he was in the wrong, or foolish, or less-than-ideal in some way? It makes it even better.

I was captivated, I hung on every word (as much as I could while working/driving). I annoyed my family (only some of who are fans of some of his work, the others don’t really care one way or the other) by retelling the stories. Oddly, none of them found them as entertaining as I did. Not that it stopped me…

If you’re a fan of any one of Stewart’s roles, it’s worth the listen just to hear him talk about that role. If you like multiple roles, you’ll have even more fun. If you listen to the whole thing, you’ll be a fan of the man, not just the actor.

4 Stars


Cover of I Hope This Finds You Well by Natalie SueI Hope This Finds

by Natalie Sue, read by Nasim Pedrad

I haven’t written anything about this yet, which really bugs me. Was the story predictable? Almost completely. Was the “hook” hard to believe? Yes. Did I enjoy this more than I expected to, even with only moderate expectations? YES.

Nasim Pedrad gets a lot of credit for that (I just now looked her up, and realized I’m a fan of her acting work, no surprise she pulled this off so well). No two ways about it. But Sue’s text, characters, and the way she told the predictable story provided Pedrad the material necessary to get that credit.

Sue’s pacing wasn’t at all what I expected, reaveals happened earlier than I thought they would, the complications were handled in ways I didn’t necessarily see coming, and the resolution wasn’t nearly as tidy as I predicted. And Pedrad had me beliving I was listening to/reading each person.

I thought this would be a nice diversion, and would’ve been satisfied with it. But I got invested pretty easily and didn’t check out until it was over. This also features one of my favorite protagonists of the year. I wish we could hang out sometime.

4 Stars


Cover of Zero Stars Do Not Recommend by MJ WassmerZero Stars Do Not Recommend

by MJ Wassmer, read by Stephen R. Thorne

I really don’t know if I’d have stuck with this if I read it in print. But the combination of Thorne and Wassmer kept me going–and I’m so glad I did.

It is funny–both in highbrow and lowbrow ways (well, maybe midbrow and lowbrow). The action is great. The satire is insightful and pointed in just the right ways. The emotional beats were just spot-on. The protagonist is…I don’t even know what to say. I listened to an interview with Brett Goldstein about casting Jason Segal in Shrinking because you need someone you can love even when he does horrible things. Well, if they make a movie based on this book, Segal had better be the first call they make. Or Thorne–because he pulled it off. I was pulling for Dan Foster the whole while, even when he was being a whining jerk (or worse)

This was simply pure entertainment from beginning to end–and it easily couldn’t have been.

4 Stars


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