Tag: Cat Caliban

A Few Quick Questions with D. B. Borton

Can you describe your initial path to publication with these books, and why are you reissuing them now?

I had been reading a mystery featuring an older woman detective, and the stereotypical portrayal just made me angrier and angrier. I threw the book against the wall and told myself, “I can do better.”

I wrote the book and signed on with an agent, who told me that she’d found the first chapter so hilarious that she’d read it to her sister over the phone. A year passed and I didn’t hear anything from my agent. Meanwhile, my cherished 18-year-old feline companion died (the book is dedicated to her). The grief opened a hole in my life that swallowed everything, including my writing aspirations, and I asked myself why I’d ever thought anyone would want to read my writing. The day after I hit bottom, I pulled myself together, sniveled my way over to the bookstore, and bought a book called How to Write a Mystery. The next day, my long-lost agent called to say that she was very close to selling the book to Berkley. I think the same first chapter sold the book to my editor at Berkley, who, as it turned out, also edited the series about an older woman detective that had made me so angry to begin with.

The first chapter never appeared in the final book. In it, the 59-year-old protagonist got her period in a department store dressing room, and had an epiphany: if Mother Nature couldn’t provide her with the Change of Life, she would have to make her own change. Some early readers advised Berkley against including it.

As for why I’m reissuing the series now, the economics of independent publishing has a lot to do with it. Series tend to be more profitable than single books. That’s the economic answer. But this series has always inspired a strong loyalty in many readers, who seem to identify with the protagonist. Over the years, I’ve continued to receive the occasional inquiry from a fan (or a fan’s daughter) looking for a complete set.

The community that Cat builds (or finds building around her?) in the apartment that ends up giving assistance and support to her is a frequent feature in female P.I. novels. Is there a particular reason for that, what is it about a female P.I./P.I.-type protagonist that lends itself to that in a way that your typical male P.I. doesn’t? How did you pick your residents of Catatonia Arms?

Interesting question. Women have, of course, traditionally done the cultural work of community building, so I suppose their take on detective fiction reflects that. But when I think of the classic writers, that strong sense of community isn’t there. Miss Marple is strongly identified with St. Mary Mead, and she often finds mystery when she’s off visiting friends, but the recurring characters are few. Girl detectives, on the other hand, have been embedded in communities since the modern girl detective emerged in L. Frank Baum’s Mary Louise series. At first, girls weren’t taken seriously as readers (or purchasers of detective novels), but when they were, publishers wanted to reflect the experiences and interests of their readers. So like Nancy Drew, Bess, and George, girl detectives have always traveled in packs, or at least in pairs.

I’m not really sure how I picked the residents of the Catatonia Arms, except to say that they all bring special knowledge and skills with them. Adding a retired cop at the end of the first book really completed that skill set while giving Cat an older ally against the young people.

There are a number of characters I’d like to ask you about, but I’m going to limit myself to Phyl Stinger, was there a particular historical inspiration for her? If not, just where did she come from?

I guess she’s a composite of several Hollywood screenwriters I’d read about and my imagination — writers like Frances Marion, Anita Loos, and June Mathis. I imagined that they’d have to have been tough as nails to survive in Hollywood.

I loved the way that Cat drew from her reading to guide her through her investigation/expectations of the P.I. job/wardrobe. Unless I’m mistaken, Spenser was the most prominent source of inspiration—is that because of something about the character himself, or given the time period, was he just the easiest to reference? Is there someone you wanted to work in a reference to, but couldn’t quite fit in?

I’d say that Robert B. Parker was a big influence on me.  He’s a male writer who created the kind of community you were talking about around his male P.I. Spenser. The Spenser books have a lot of heart, and they’re very funny. Later books in the series reference other fictional detectives, like Kinsey Millhone, V. I. Warshawski, and Kinky Friedman.

Let’s play “Online Bookstore Algorithm” (a game I’ve recently invented). What are 3-5 books whose readers may like One for the Money?

Oh, I like this game! As someone who’s always looking for comparable authors for advertising purposes, I’d love to hear what other people would say. A recent reviewer said that fans of Dorothy Gilman’s Mrs. Pollifax and Sue Grafton’s Kinsey Millhone would like it, and I’d agree. Also fans of Elizabeth Peters’s Amelia Peabody and, of course, Christie’s Miss Marple. Jana Deleon’s Miss Fortune series features some older women detectives who are a lot of fun.

What’s next for D. B. Borton?

I’ve been working on a standalone about a librarian who inherits a fortune, a valuable library, and a dangerous mission to return a handful of library books. I’m also planning to reissue the rest of the Cat Caliban books. And I’ve started thinking about a new Cat Caliban.

Thanks for your time, and this fun read, I’m looking forward to working my way through the rest of the series


One for the Money by D. B. Borton: This Would-Be Gumshoe Gets By on Her Charm, Wit, Gumption, Friends and a Healthy Dose of Expletives

Later this morning, I’ll be posting a Q&A with the author–be sure to check it out.

One for the Money

One for the Money

by D. B. Borton
Series: Cat Caliban, #1

eARC, 224 pg.
Boomerang Books, 2020

Read: December 1-3, 2020
Grab a copy from your local indie bookstore!

What’s One for the Money About?

Cat Caliban’s a recent widow, who is ready for a change (since she is still waiting on the Change), and takes the bull by the horn and gets herself her change. She buys an apartment complex, moves herself and her cats into one of the apartments there, and pursues a new career—becoming a Private Investigator. Between the suspicious nature and investigative abilities raising three kids has gifted her with and the extensive research she’s done into the P.I. lifestyle (read: reading plenty of P.I. Novels, from Nancy Drew to V. I. Warshawski).

Most of her kids, and most people from her old life, don’t approve of this new stage of her life—and she could not care less. Instead, she assembles a new group of friends who are on board with this change—with one carryover from her old life. And the tenants of her apartments end up being a strong base for those friends.

Of course, there’s a snag there—when showing a vacant apartment to a couple of potential renters, they discover a murdered woman. Almost immediately, Cat begins annoying the investigating officers by trying to look into the death herself. When it’s discovered that the victim is a homeless woman, the priority that the police put on solving the murder drops, but Cat’s drive to find justice for the woman increases.

Sure, she’s still learning the basics of investigating, but she catches a couple of lucky breaks and makes good progress. She also connects with people—friends of the victim, people she worked with, an activist group she was involved with, and someone who probably saw the victim and the killer minutes before the murder—in a way that the police don’t. People respond to this older woman who cares about the woman—not just her death, but the life she led.

One thing leads to another, and Cat’s hot on the trail of both the killer and what could have prompted the killing in the first place.

I’m a Sucker for this Kind of Thing

I am a sucker for fictional PI/PI-types who largely (or entirely) learn their way through detecting via PI novels like Lee Goldberg’s Harvey Mapes (in The Man With The Iron-On Badge, now called Watch Me Die) or Jim Cliff’s Jake Abraham (in The Shoulders of Giants)—Bobby Saxon, from The Blues Don’t Care, took a similar approach with Bogart movies.

Maybe it’s because this is the kind of detective I would be if I had the gumption to try. At the very least I can easily identify with these people, they’ve read the same things I’ve read. We think along the same lines. Watching them draw upon their fictional examples to try to decide how to deal with their cases is just fun.

Naturally, Cat (and Borton), get extra credit from me for the number of times they invoke Spenser. But it works no matter what character she’s referencing.

The Supporting Cast

Cat’s the focus—and she should be—but she wouldn’t be anywhere without the other characters that she bumps up against (we’ll ignore the principles/suspects in the investigation). The book might still be good with just Cat and the suspects, but what frequently makes a book worth reading are the secondary and tertiary characters—and Borton fills the novel with people worth reading about.

The people that fall into her life in this novel almost seem too convenient—wow, Cat makes a friend who happens to be able to help her learn to shoot. One of the first people she rents an apartment to happens to be a lawyer who can help her get through the city’s legal system, what a crazy coincidence! But once you shrug that off (what novel isn’t filled with that kind of thing)

There’s an elderly screenwriter character who is a delight. She adds a crucial detail or two that Cat needs to put everything together, but more than anything else, she’s just fun to read. Borton brings in a few characters like that—they’re around for one or two conversations, but it feels like Borton spent as much time and energy into developing the character for those conversations as she did for the killer or one of the other prime suspects.

I want to talk about the witness to the crime—and his family—but I just don’t think I can do them justice without ruining something. But Borton’s choices in including him, and the way she did so, are a real strength of the novel.

Even the cats are well-written and likable (long-time readers of this site will recognize how odd that is for me to say)

So, what did I think about One for the Money?

Last year, I wrote about Luna Miller’s The Lion’s Tail (apparently now called Looking for Alice), about a sexagenarian rookie P.I. Sure, Gunvor Strom is a little older than Cat, and the novel’s darker—but it’s along the same lines.* I really appreciated the way that neither of these women are allowing themselves to be held back by their age, their sex, their past—their utter lack of experience—they can make a difference, they have something to contribute, and they have the drive.

* I mostly bring it up in case readers are asking themselves, didn’t he talk about this before? Also, because readers of one of these are really going to want to read the other.

Cat and the team she assembles do the one thing the police are unwilling/unable to do: they can focus on the victim and her life to the exclusion of all else. She can get people to talk to her who wouldn’t talk to the police out of principle or intimidation. They open up to her, they tell her things they wouldn’t tell others.

She’s also smart enough and driven enough to keep going until the facts she uncovers fit together in a way that makes sense.

And Borton delivers all this in an engaging, easy style that makes you want to keep turning the pages. It’s a fun story, with a great group of characters that you can’t help but root for, and you not only want to find out what happens but you want to know what happens next. I’ll be back for the rest as soon as I can, but in the meantime, I’m glad I got to read this one and think you will be, too.

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinion and this post.


3.5 Stars

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