Fantasy with Friends is a weekly meme hosted by the good people over at Pages Unbound. Fantasy with Friends poses questions each Monday about fantasy, either as a genre as a whole or individual works.
This week’s prompt is:
Fae have been popular in fantasy the past couple years. Do you have a favorite portrayal of Fae? What aspects do you think are important to Fae characterization? Do you prefer traditional representations or unique takes?
As with many things, my favorite is the one I’m reading or most recently read. I’ve read so many Dresden Files recently that that’s my answer for now. The Fae Courts that Harry has to navigate (and now represents one of) are a great setup, ripe with drama; to learn (as we do in drips and drabs) what the Courts are up to—and aren’t telling people about—and the details about their inner-workings are just delicious.
But I have a large soft-spot for Toby McGuire’s world, too. And the…oh, wait, the prompt says favorite, not favorites.
What aspects of the Fae are important in a depiction? The impossible beauty, the power (obviously), the inability to lie (and the ever-so-fun ways they devise to deceive with the truth, or carefully selected portions of it), and the danger of iron.
It’s tough to say if I prefer “traditional representations” or something unique. Because I honestly don’t know anymore what’s a “traditional” representation anymore. Everything I can think of falls into unique.* But I’d probably say something unique anyway. That’s the fun thing, isn’t it? Butcher’s take on Wizards, Fae, Vampires, Werewolves, etc. are different than Faith Hunter’s, Drew Hayes’ or Patricia Briggs’. Or, let’s focus on fae: Seanan McGuire’s, Patrick Rothfuss’, and Heather Fawcett’s couldn’t be more different—throw in George MacDonald and you might as well be talking completely different species. It’s great to see the commonalities that all of these share, and the distinctives, too. The idiosyncrasies of each depiction are where the magic lays. You take the “traditional” approach, shave off those aspects you aren’t interested in (or don’t help the story you’re trying to tell), add whatever bits of contemporary feel you want…and bang. You’ve got yourself a wonderful world for story telling.
* This means, as soon as I hit “Schedule” on this post—or, at best, within 24 hours of this posting, I’ll think of at least a half-dozen things I should’ve said here about traditional representations.
I’m sure some of the other posts in response to this prompt will be more thoughtful. I’m looking forward to reading them. Do you have responses to this? (either for the comment section below or from your own post)
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