Tag: Fantasy Page 7 of 40

BOOK SPOTLIGHT: The Thirteenth Hour by Trudie Skies

I’m very pleased today to welcome The Write Reads Blog Tour for Book One of The Cruel Gods series by Trudie Skies, The Thirteenth Hour. I’ve been hearing almost universally great things about this book since it was released (if not before), and it drives me crazy that I didn’t have time to read it for this Tour. Do yourself a favor and check out https://twitter.com/WriteReadsTours over the next few days to see a lot of bloggers write interesting things about it. The Thirteenth Hour was a finalist for the 2022 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to the spotlight for it, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists and one overall winner. If you are an author and wish to learn more about the BBNYA competition, you can visit the official website http://www.bbnya.com or Twitter @bbnya_official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

The Thirteenth Hour Tour Banner

Book Details:

Publisher: Self-Published
Genre: Fantasy, Gaslamp Fantasy, Steampunk
Age Category: Adult
Release date: October 13, 2021
Format: Hardcover/Paperback/Ebook/Audiobook
Length: 535 pages
The Thirteenth Hour

About the Book:

When the saints fail, the sinners step up.

Cruel gods rule the steam-powered city of Chime, demanding worship and tribute from their mortal subjects. Kayl lost her faith in them long ago, and now seeks to protect vulnerable and downtrodden mortals from their gods’ whims. But when Kayl discovers powers that she didn’t know she had—and destroys a mortal’s soul by accident—she becomes Chime’s most wanted.

Quen’s job was to pursue sinners, until the visions started. Haunted by foreboding images of his beloved city’s destruction, Quen hunts soul-sucking creatures made of aether who prey on its citizens—and Kayl is his number one target.

To ensure Chime’s future, Kayl and Quen must discover the truth of Kayl’s divine abilities before the gods take matters into their own hands.

For a city that bows to cruel gods, it’ll take godless heathens to save it.

Book Links:

Amazon.ca ~ Amazon US ~ Amazon UK ~ Goodreads

About the Authors:

Trudie SkiesTrudie Skies is a British indie author who has been living inside fantasy worlds ever since they discovered that reality doesn’t quite live up to the hype. Through the magic of books, they wish to share these worlds of hope and heroes with other weary souls. You can chat with Trudie on Twitter @TrudieSkies, or to find out more about Trudie and her fantasy worlds, visit www.TrudieSkies.com.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

RE-ISSUE DAY REPOST: The Part About the Dragon Was (Mostly) True by Sean Gibson: A Hilarious Fantasy Filled with Adventure and Shenanigans. Definitely Shenanigans.

The Part About the Dragon Was (Mostly) TrueThe Part About the Dragon Was (Mostly) True

by Sean Gibson

DETAILS:
Publisher: The Parliament House
Publication Date: December 10, 2020
Format: Kindle Edition
Length: 358 pg.
Read Date: March 10-12, 2022

            

I am, if not the most well-known bard in Erithea (yet), arguably the most talented, and unarguably the cleverest. I also wouldn’t quibble if you suggested that I’m the most beautiful, but that’s just because I’m very agreeable (and beautiful)…

Decades ago, I was sworn to secrecy regarding the true story of the great and terrible “Dragonia,” but recent developments have released me from that promise, and so I can finally tell the tale.

A Quick Bit About the Re-issue

You should probably just read what Sean Gibson said over on his website, but I’ll share a snippet:

Bibliophiles the world over know there’s nothing quite like the feel of a hardcover book in your hands, especially when it’s nattily attired in a gorgeously illustrated dust jacket. It’s so much more than a book—it’s an experience. The story pulsating between the covers, a mystical alchemy of ink and imagination exponentially greater than the sum of its parts, guides you on a journey to an infinity of impossible destinations. When you’re reluctantly ready to return to reality, the stolid feel of those very same covers, just one design element of a marvel of engineering that can’t possibly be improved upon, slowly draws you back—changed, bettered, by the experience, somehow made more whole.

With that spirit in mind (or, perhaps, despite that spirit), Parliament House Press has re-issued this novel in hardcover and brought along Mateusz Wisniewski to provide this dazzling new cover. I liked the original cover, but this one is the kind you want on a hardcover.

I’d love to tell you exactly how snazzy this cover looks in person, but for two days now the tracking information says, “The shipping label has been created. Your package will be picked up by the carrier soon. Check back for updates on your delivery, or sign up for notifications.” Woe is me. You should head over to your local bookstore, Bookshop.org, or wherever you get your books and get your hands on this edition* today!

* Or, like me, an annoying and nowhere-near-as-attractive status update.

Enough about that, let’s talk about what’s behind the cover—as great as the cover is, this is the best part:

What’s The Part About the Dragon Was (Mostly) True About?

This is that true story about Dragonia, told alongside the “official” account so the reader can see how the details were adjusted and tweaked to create the story everyone knows.

The town (or village, depending on who you ask) of Skendrick is being terrorized by a dragon—crops are being ruined, trade is disrupted, and the town is about to fall apart. Desperate, they put out a call for adventurers to come and kill the dragon. But they get no takers—so they go to Plan B. The villagers (or townspeople) pool their meager resources to hire a bard. This bard is to compose a song to make the attempt to kill the dragon sound appealing enough—and its treasure (which may or may not actually exist) enticing enough—to get a band of adventurers to come.

This is where Heloise comes in. She takes the gig and soon gets a new and yet unaccomplished band of adventurers to take up the call to action. I don’t want to get into describing the group, you want to meet them in the book.

They encounter difficulties from without and within; nasty, malodorous geography; orcs and other creatures; and, well, the dragon.

Heloise the Bard

“You’re not half as funny as you think you are, as I suspect you have a very high opinion of yourself.”

“My opinion of myself is in direct proportion to my amazingness,” I said sweetly.

The half-elf, Heloise the Bard is our narrator—as you can tell from the quotations above, she has a fairly high opinion of herself and her abilities. She’s also rather impressed with her hair and certain other physical attributes. Probably her greatest skill is self-promotion.

She decides to accompany the adventurers, to chronicle their journey and the outcome of their clash with the dragon. Her wit and quick thinking prove valuable to their effort and her particular set of skills make all the difference.

She is a hoot. It’d be easy for Heloise to be an annoying, over-the-top character, but somehow Gibson keeps her as an entertaining, over-the-top character. I’ve been trying to come up with a character to compare her to, and I’m failing. Maybe she’s the Fantasy version of Evanovich’s Lula, except Heloise has the skills that Lula thinks she has. Maybe she’s the equivalent of High Fidelity‘s Barry. Somewhere in the Venn Diagram featuring Fantasy, Lula, and Barry, I guess.

She appears in a couple of other books by Gibson, and I’m eager to spend some more time with her.

The Humor

The section could easily be merged with the previous one because the humor displayed in the book is primarily Heloise’s. The jokes are pretty much non-stop—even in the middle of fight scenes, or when death is nigh. The danger is still present, and the combat (and so on) is as deadly as it would be in another book—it’s just surrounded by laughs.

It didn’t take me long before I’d highlighted too many lines to quote—not that it stopped me from going on. My notes on this one are ridiculous. I kept chuckling throughout the reading. I probably would’ve finished the book in 2/3 the time, if reacting to the jokes didn’t make me stop reading for a moment.

If you’ve read The Tales of Pell, you’ve got a good idea for the pace of the jokes—and tone of the book, too.

There’s slapstick, there’s scatological humor, a great Meatloaf (the singer) line, some fantastic bursts of alliteration for the sake of a laugh, some general silliness, clever dialogue, and…honestly, I’m having a hard time thinking of a kind of humor that’s not in there. There’s a running gag (that I’ve alluded to) throughout about whether Skendrick is a town or a village—I can’t tell you how often it’s brought up. And the joke works every time—I should’ve gotten sick of it, and I never did. I don’t know how Gibson pulled that off, but that alone is the mark of a fantastic humor writer.

In addition to The Tales of Pell, if you’ve enjoyed Christopher Healy, Dave Barry, K.R.R. Lockhaven, Peter David, Scott Meyer, Joe Zieja, Jim C. Hines’ Jig the Goblin series, or John Scalzi—you’re going to dig the humor here. And if you dig the humor, you’re going to really enjoy the book. It’s that simple.

So, what did I think about The Part About the Dragon Was (Mostly) True?

You know by this point that one of my main goals in telling this story is to show that the adventuring life isn’t all it’s thought to be. It’s mostly boring, frustrating, dangerous (though not excitingly dangerous), smelly (dear gods, so smelly), and not particularly lucrative. Occasionally, however, it’s exactly how the songs make it sound, and in those moments, it’s easy to see why people—even smart, capable people like Nadi—would devote their lives to doing something so irrational. Let the record show that entering a dragon’s lair for the first time is one of those moments, and it’s fair to say that each member of our intrepid band experienced more than a frisson of excitement as we crept across that threshold.

I think it’s pretty clear that I had a blast with this book, but I should probably make that explicit. I had a blast reading this book.

I think I should not that this is not a book to read if you’re in a “find out what happened and get to the end of the story” frame of mind. This is a “enjoy the trip, not the destination”/”stop and smell the roses” kind of book. The destination/what happens is fully satisfying, but the getting-there is so much better.

In addition to the jokes and the dragon, there is a running commentary on what “the adventuring life” is like outside of the glamorous or exciting bits. A lot of fantasy novels will show bits of it, but not enough of them do—and most don’t do it this way. For example, The Part About the Dragon Was (Mostly) True contains more description of various odors than every 99% of the fantasy novels I’ve read by a significant factor. If this were a scratch and sniff book…well, I can’t imagine anyone would stock it—you just don’t want that in your warehouse/store. Sure, it’s silly talking about realism in a book featuring orcs, halflings, elves, etc.—but this factor does ground the book and give it a seriousness (for lack of a better term) that makes this more than a collection of jokes.

This is the funniest book I’ve read in 2022, and I can’t imagine it’ll face much competition. It’s got it all, go get your hands on it.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

COVER REVEAL: Down Below Beyond by T.A. Bruno

Down Below Beyond Cover Reveal Banner

I’m very pleased to welcome the Escapist Book Tour’s Cover Reveal for T.A. Bruno’s Down Below Beyond to The Irresponsible Reader this morning! Before we get to revealing the cover, let’s learn a little bit about the book and author, shall we? It’ll just take a moment, and then we can all feast on the cover.

Book Details:

Book Title: Down Below Beyond by T.A. Bruno
Series: N/A, Standalone
Genre: Sci-Fi Fantasy
Intended Age Group: General Audience (PG-13)
Length: 260 (unofficial)
Release date: Forthcoming, tentative June/July 2023
Publisher: Feathersong, LLC. (Self Published)

About the Book

Levort Aatra is a prospector on a planet named Tayoxe. While scavenging the wastes of the abandoned world, he discovers a mysterious starship and stakes his claim on it. Little does he know; he just put a big target on his back.

DOWN BELOW BEYOND is a sprawling sci-fi fantasy adventure filled with aliens, planets, and portals set in a universe crafted by T. A. Bruno, author of the award-winning Song of Kamaria trilogy.

See Also:

Stick it to the Man! • Now You’re Thinking with Portals • 99 Red Balloons

Book Links

The Song of Kamaria trilogy

About the Author

T.A. BrunoT. A. Bruno grew up in a suburb south of Chicago and moved to Los Angeles to pursue a career in the film industry. Since then, he has brought stories to life for over a decade as a previz artist. At home, he is the proud father of two boys and a husband to a wonderful wife. He wrote his first trilogy of novels in the early 2020’s, the Song of Kamaria (In the Orbit of Sirens, On the Winds of Quasars, and At the Threshold of the Universe).

Website ~ Twitter ~ Instagram ~ Facebook ~ Youtube ~ Goodreads

and now…

The Cover

Down Below Beyond Cover

That’s an eyecatching cover right there…I know I’d take a double or triple-look at it on the shelf.

Be sure to check out the website of the cover artist, Lance Buckley.



My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

A Few Quick Questions about…The Mrs. Covington’s Kickstarter

I posted about the novel earlier, and now I have the wonderful opportunity to talk about the Kickstarter campaign and the novel with the author, K.R.R. Lockhaven. Lockhaven is no stranger to the readers of this blog (and I anticipate that will continue to be the case). I hope you enjoy this and decide to contribute. This is a selfish request on my part–I want this cover on my shelves. Even if you’re not that interested, kick in for my sake, will you?

Here’s another quick look at the camptaign

And now…a few quick questions about The Mrs. Covington’s Kickstarter:


I think the big question that everyone who’s read your twitter feed and/or your last two books has—and the curiosity will only grow once they’ve read this one—what’s with your fascination about the capybara?
The easy answer is that I just love them. But the deep, philosophical answer delves into how capybaras behave, and how they can be seen as examples that people might want to emulate. You may be shocked to hear this, but I’ve never actually seen a capybara in real life (yet!). But from what I can gather, they are the kindest animals on the planet. I love seeing pictures of a monkey riding a capybara’s back or a bird standing on a capybara’s head. Capybaras have a very chill vibe and seem to get along with everyone who isn’t trying to eat them. I just really dig that vibe and think it has a ton of crossover potential with the cozy fantasy genre.

You’ve talked in various places lately about cozy fantasy, but what I don’t think I’ve seen is you talk about why you wanted to write one now? Is the draw toward cozy for you as a writer different than the draw for you as a reader?
I’m currently in the middle of writing a fantasy series called The Azure Archipelago. There are two books out now, with the third to be published early next year. Those books have been described as having cozy elements, but not being cozy stories, and I totally agree with that assessment. I found while writing the series that I got the most enjoyment out of writing the cozier parts. I love writing characters getting along and being nice and supportive to each other. So, like many writers, I started formulating an idea when I probably should have put it on the backburner until the series was finished. But the idea grew and grew and forced its way to the front of my mind, so I wrote it.

I think the draw toward cozy is the same for me as a reader or a writer. There’s just something about characters being decent to each other that checks some kind of box for me.

It’s got to be quite the balancing act trying to decide what parts of contemporary “bar culture” (for lack of a better term) to import into your fantasy world, and what would be a step too far. I’m only going to mention nachos as an example because you’re using them in your pitch for the book—were there things you thought about and then rejected because it would be a step too far? Similarly, why were nachos used? I’d think part of it would be from how low-tech they are—really easy for any generic fantasy world to make. Are you just a big nacho eater in the first place? (I hope so, because I’m pretty sure you’re going to have to be in the future, they’re part of your brand now)
The Occam’s Tortilla Chip explanation is that, yes, I just like them. And if I have a brand, I’m glad it includes capybaras and nachos! But, yeah, I find that the balancing act is always difficult in my writing. I have a silly side that just doesn’t care if a fantasy world could possibly have nachos and/or karaoke, but my more serious side wants to make sure that, at the very least, the things in my books are believable. Walking that line is tough, but my editor on this project, Nathan Hall, really helped me ground the story. There were several things that he found to be a step too far in terms of silliness, but as far as innovations in a fantasy world, I stuck to just nachos and karaoke. He helped me show these things being invented organically and believably.

This is similar to my first question, but far-less-tongue-in-cheek. I know (and am relieved by it) that I wasn’t the only reader who had to look up ciguapa when you introduced the species to your Azure Archipelago series. Of all the various fantasy races out there to choose from, what about them made you want to feature them? Now that you’ve started using them, are they going to be around as much as the capybara?
Because my books are set in a very Caribbean-like world, I wanted to have a fantasy race based on Caribbean folklore. I loved the name “ciguapa,” but the actual ciguapa of folklore ended up being far from the ciguapa people you’ll see in my books. My writing often has a multiverse element to it, and originally, I wanted to have ciguapa as a misunderstood race from another world that interacted with Earth from time to time. This evolved over time until the beautiful ciguapa people I write about were born. If I ever write something that isn’t in the same world, I’ll probably leave the ciguapa behind to live in peace.

Can you take a minute to talk about the cover art for this book and the artist behind it? You’ve always had good covers in the past, but…wow. This is a giant leap forward.
The cover artist is Daniel Wekellis, who I met at my one and only book signing when he attended with his wife, Lilly from the Fiction Fans Podcast. My wife and I hung out with them that night. They gave us two bottles of wine from their little home operation that had these wonderful labels that we came to find out Daniel had made himself. I either asked him about doing cover art sometime during that night, or after they had gone home. My memory of our night out is a little fuzzy. He agreed and I couldn’t be happier with the result!

The whole point of this Q&A was to help promote the Kickstarter campaign, so we’d better talk about it a little — How’s the campaign going (especially compared to what you’d expected/hoped)? What do you want people to know about the campaign that you haven’t already said?
At the time of this interview, it’s sitting at 57% funded with 75 backers and 18 days to go (72% with 92 backers and 13 days to go when I put the last touches on this post). To tell the truth, I really didn’t know what to expect. I hoped it would be one of those Kickstarter projects that gets funded in a matter of hours, but it appears I’m going to have to grind this one out. I’m optimistic, though. In the coming weeks, it’s going to be featured on several blogs and a local newspaper, so I hope that can build a little momentum. The main thing I want people to know is that there are many different options available—from eBook to naming a capybara in the story—and that I don’t think they’ll be disappointed if they join me on this journey. I am SO thankful to the 75 backers who have joined so far and look forward to getting across the finish line with them!

Why did you decide to go with Kickstarter this time around? Are you thinking about using it in the future (or does that depend on how the next couple of weeks go?). What have you learned about crowd-funding that you wish you knew a month ago?
I’ve wanted to try a Kickstarter project for a while. I think it’s a good idea to diversify as much as possible, and running a Kickstarter seemed like a good way to put my work out there where it may not have been before. I figure if people like Mrs. Covington’s, they might be interested in my trilogy, and vice versa. When (I’m using the power of positivity) this project gets funded, I think I’ll have to strongly consider doing another one someday.

I wish I would have prepared a little better. I wish I would have fought the relentlessly positive, don’t-worry-this-will-get-funded-in-a-matter-of-days side of my brain a little harder. I didn’t reach out to book bloggers/YouTubers/podcasters (besides the people I knew really well, like you) until the campaign was 10 days in! That kind of air-headedness is probably best avoided. I also thought that the “Project We Love” label was the golden ticket to success. It turns out, unfortunately, that it isn’t. When I got that news, I was jumping up and down thinking that I had been blessed by the Kickstarter gods and that it would be smooth sailing from there on out. It’s hard to determine how much of a boost it gave me, but it didn’t catapult me to the finish line quite yet.

Thanks for your time—and I do hope to see that campaign reach the magic number so we can see Mrs. Covington out in the wild!
Thank you for this interview and the wonderful continued support you’ve shown me throughout my writing career! I really can’t express enough gratitude to you


Mrs. Covington’s by K.R.R. Lockhaven: Friends, Nachos, Friendly Rodents, and an Utter Absence of Crow Noodle Soup. What More Could You Want?

When I took part in the Cover Reveal for this novel, I warned you that I’d be talking a lot about it (and have lived up to that). I’m putting a big push in today. I’ve got this post about the book as well as a Q&A with K.R.R. Lockhaven coming up about the Kickstarter campaign and the book itself (you really need to check it out. I might have another post about the book to come today, too—but no promises, I’m running into a creative issue. Keep your eyes peeled, though.

Before I blather on a bit, let’s focus on the main thing: to get this book funded.

And now…let me blather:


Mrs. Covington'sMrs. Covington’s

by K.R.R. Lockhaven

DETAILS:
Publisher: Self
Publication Date: TBD
Format: Beta Version
Read Date: March 6-16, 2023
Kickstarter Page

First things first

I read a Beta copy of this—but a late-stage one, I think—so not a lot will have changed between what I read and what you’ll hopefully read. Still, there’s a chance that some things will have improved by the time you get to it.

What’s Mrs. Covington’s About?

This is a cozy fantasy, and as holds true for most of them, the plot could be summarized in a sentence or two. So I’m going to try to do that in a way that leaves some mystery.

Jacob is the son of one of the wealthiest businessmen in the Archipelago*, and is being pressured to join the family business, groomed to take it over, and so on. But he wants his own life. He wants something more than just carrying on his father’s work. Possibly even adventure. A life at sea perhaps?

* Yes, it takes place in the same world as the Azure Archipelago series, but it’s independent of that series and you don’t need to know anything about it to read this.

He’s dissuaded from pursuing that by someone he respects and looks for a new way to establish his own path. While doing so, he stops by a quiet pub in the city he’s visiting for a drink. While there the owner (mostly) jokingly offers to sell him the place. After thinking it over a bit, Jacob does that.

The bar is named for its resident capybara—Mrs. Covington—at sea, the capybara is supposed to bring good luck. She hasn’t seemed to do much for the pub yet, but maybe soon.

The first thing he has to do is find a way to make a profit—he offers the two employees there (a human, Tadrick, and a cigupa, Cora) full partnerships if they help him get this place in shape. Together they come up with a new business plan, redecorate, and start to devise new ways of bringing in customers (not all at once and not necessarily in that order, but I’m trying to summarize). The other thing Jacob does is befriend his neighbor, a widowed faun trying to raise two children and run a restaurant.

These four become friends and start to collaborate in a handful of ways.

When he bought Mrs. Covington’s, Jacob also received the parchment describing a local treasure hunt that belonged to the pub. People have been looking for the treasure for a while, and there’s no reason to think that Jacob and his new friends will have more success than anyone else. But like Wade Watts and his chums, they might as well try, right?

Platonic Relationships FTW

There are plenty of romantic relationships in this book, but none of them are the focus (as much as Cora’s parents try to steal focus with theirs). There’s even a nice past romance and the promise of a potential future one by the end of the book. But the relationships between the core characters are entirely platonic.

I don’t mind romantic stories or arcs—I think they’re a great way to show character, develop character, advance a plot, etc. But a good platonic friendship is one of those things that I admire more and more all the time—particularly between people who’d likely be coupled up in other books.

If the studies and stories I read hold true, friendships between adults are less and less common, and (American, at least) adults are more and more lonely and isolated. So maybe books about good friends are a new form of aspiration/fantasy? We don’t need to read books about swooning over someone we fancy anymore, just stories about falling into deep like?

Whatever lies at the root of it—I liked these friendships. All of them—the mutual support and encouragement in whatever configurations of characters were solid. Mrs. Covington’s sounds like a great place to hang out—maybe if you can’t hang out there with your own friends, reading about others doing it is a handy substitute?

Interludes

Something I should’ve mentioned in my beta feedback are the Interludes.* Three times we walk away from the story to get a glimpse of what’s going on with good old Mrs. Covington.

* Whoops. Sorry, K.R.R.! I’ll make it up to you next time.

These don’t advance the plot, give insight into the other characters, or anything like that—I’m not even sure they give insight into Mrs. Covington, because that would require a level of self-awareness that the rodent doesn’t seem to possess.

They are simply interludes. Nice, short, and quiet breaks from the novel. They’re the literary equivalent of taking a brief break to watch nature videos on Youtube or something. I’m just theorizing here, but it wouldn’t surprise me to find that they’re largely inspired by Lockhaven taking writing breaks to watch capybara videos.

I’m not sure why I used the term “quiet” there, it’s not like I’m talking about an audiobook here, but it fits. I guess it felt to me like there’s a film score playing quietly in the background (except when the band, Bilge Rat, is performing), and then the music dies for these interludes and all you get is crickets in the background or the sound of birds in the distance.

I’ve spent far more time than I originally intended to trying to describe the effect of these breaks. All I meant to say is that they’re an unexpected (unless you just read this) and thoroughly pleasant little addition to this book—and the kind of thing that most authors wouldn’t have thought to throw in.

I doubt that Lockhaven would be able to find enough of a story to justify a novella or novel along these lines. But a collection of scenes/episodes/random days in the life of the titular capybara would be something I’d jump on and probably return to often. Especially if he could get a great illustrator on board.*

* There’s your next Kickstarter, K.R.R. You’re welcome. Maybe this evens the score?

So, what did I think about Mrs. Covington’s?

I joked earlier about the plot being minimal—although it’s true. That’s not to say that the plot is inconsequential or bland. It’s a fun little story–Treasure Hunts have been a tried and true story engine since at least the time when Jason and his pals went on that cruise. And who can’t relate to a group of friends coming together to build something special? There’s enough plot to get your teeth into even while it’s not likely to be what you focus on.

I’ve made it this far and haven’t even talked about the villain of the piece. Ugh. You can tell how much importance I put on him. Think Charles Durning’s Doc Hopper from The Muppet Movie or Chris Cooper’s Tex Richman from The Muppets, or a good number of the men behind the masks in the original Scooby-Doo series. I’m not sure why I’m stuck on examples like them instead of something more highbrow, but that’s the frame of mind I’m in. He’s mean (actually, I don’t think he cares enough to be mean…maybe spiteful?), he’s power- and money-hungry, and doesn’t like anyone not acceding to his whims. He’s perfect for this story—and not that important ultimately. Yes, he’s standing in the friends’ way, so they have to do something—but he’s not as present as other obstacles.

I do have some quibbles about the timing of some of the elements. I think some of the relationships develop too quickly, and I wonder about the timeline for a couple of things. I don’t know if Lockhaven’s able to massage that a bit before the final version comes out, but I do think it needs some tweaking. That said—they’re only quibbles. I liked where every relationship went, how they developed, and so on. And all the events that happen too suddenly for my comfort? I enjoyed them all and understand why he put them where he did. So ultimately, I don’t care if that kind of thing works well because I enjoyed the results. To paraphrase Joel Hogson, “repeat to yourself, “It’s just a book, I should really just relax.”

And it’s easy to relax with this book—because it’s such a pleasant, comfy atmosphere. A treasure hunt with the staff of the friendliest bar this side of Cheers! might be the plot of this cozy fantasy novel. But the book’s core is kindness, community, optimism, and helping. Brought to you in a great fantasy world with a light and engaging voice, Mrs. Covington’s will leave you snug and content.

The book delivers on what it promises—comfort. Warm fuzzies. Kindness. Good times. It’ll brighten your day, and make the world feel like a better place for a bit.

Read it when you can. And pitch in to the Kickstarter before April 13!


4 Stars

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BOOK SPOTLIGHT (and GIVEAWAY): The Haunted Lost Rose by C.L. Bauer

Today I’m very pleased to welcome the Book Tour for C.L. Bauer’s new Paranormal Cozy Mystery/Romance novel, The Haunted Lost Rose. Along with this spotlight post, I have an excerpt from the novel to share in a little bit. If you scroll down to the bottom of this post (or, you know, read it), you’ll find a nifty giveaway for fans.

First, let’s take a look at The Haunted Lost Rose.
The Haunted Lost Rose Banner

Book Details:

Book Title: The Haunted Lost Rose by C.L. Bauer
Genre: Paranormal Cozy Mystery/Romance
Release date: March 17, 2023
Format: Ebook/Paperback
Length: 352 pages
The Haunted Lost Rose Cover

About the Book:

Some secrets should stay hidden. If they come to light, darkness could weaken even the strongest of families.

Real estate agent Charlotte O’Donohue never looks forward to Mondays. Usually, a couple cups of coffee will fix her mood, but today an unexpected voice directs her to a dead body. She’s going to need a bigger cup, and it better be caffeinated!

When the dead body happens to be your client, the scandal could jeopardize her brother’s business, but Charlotte is more worried about a mysterious stranger who decides she’s the number one suspect. He seems familiar and dangerous. He knows she has a secret, and Charlotte will do anything to keep the truth from him. How could he possibly understand that she can hear the dead?

Ghostly whispers from a spirit who haunts the large Kansas City mansion warns of more danger to come for Charlotte, her family, and for the stranger. But as Charlotte discovers a key to one mystery, another one appears…one that could reveal more than a murderer but a long-forbidden love.

The haunted and the living seem to be conspiring against the spunky real estate agent, throwing her into a love of her own that shakes her to the core.

When long hidden secrets expose lost loves, two intertwined families are placed in jeopardy in Charlotte’s Voices of Mystery.

Purchase Links

https://mybook.to/HauntedLostRose ~ https://books2read.com/u/3Joj5E/

About the Author:

C.L. BauerKansas City, Missouri native C.L. Bauer is the author of three series in mystery genres. Originally a reporter, Bauer worked through jobs in marketing and advertising, to eventually take over the reins of her family’s century old business, Clara’s Flowers. Many of the stories used in her books are based on true events from years in the wedding and event flower world.
You can reach C.L. Bauer on all social mediums, Goodreads, and through her website, www.clbauer.com. You can check out her flower designs at www.clarasflowers.com.

GIVEAWAY:

a Rafflecopter giveaway


If the Widget isn’t showing up, just click here: http://www.rafflecopter.com/rafl/display/9751c04278/

Psst Promotions
Let's Talk Promotions
My thanks to Psst…Promotions for the invitation to participate in this Book Tour and the materials they provided.

A Few Quick Questions with…Andi Ewington

A couple of hours ago, I belatedly posted about Ewington’s Comedic Epic The Hero Interviews, and now we get to hear a little from the author himself. I’ve had very few less-than-completely pleasant interactions with authors on this side, but some really stand out on the positive side. Andi Ewington fits into that category–in all our interactions over the last few months, Ewington has been kind, patient, gracious, generous, and funny. So it brings me a great deal of pleasure to share a little bit more of him with you all.

Andi EwingtonAndi Ewington is a writer who has written numerous comic titles including Forty-Five45, Campaigns & Companions, S6X, Sunflower, Red Dog, Dark Souls II, Just Cause 3, Freeway Fighter, and Vikings. Andi lives in Surrey, England with a plethora of childhood RPGs and ‘Choose Your Own Adventure’ gamebooks he refuses to part with. He’s usually found on Twitter as @AndiEwington.


Why don’t we start with a quick introduction—who is Andi Ewington, and how did he get into writing? What made him jump from comics to novels?
I’m a creative at heart; initially, I was a graphic designer for over 30 years, designing computer game packaging, advertising and branding. I got into comics with my critically acclaimed debut novel (Forty-Five), published in 2010. For nearly ten years, I built a small comic-writing side hustle alongside my day job, writing for IPs such as Just Cause, Dark Souls, World of Tanks, Vikings, and Pac-Man. In late 2018, I switched from design to writing games full-time before being promoted to Game Director. During this time, I was finding it harder and harder to secure regular comic work, so I published a series of funny tweets about cats and dogs playing Dungeons & Dragons called ‘Campaigns & Companions’. After that, my desire to see my words published as a complete novel consumed me—thus, ‘The Hero Interviews’ was born.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to it? What’s the appeal to you as an author about the interview structure?
I have a huge affinity for fantasy (having spent endless hours playing Dungeons & Dragons, Middle Earth RPG, Fighting Fantasy, Talisman, and Warhammer) and comedy (watching endless repeats of Blackadder, Father Ted, Alan Partridge, Monty Python). The idea slowly came to fruition after influences from The Incredibles, Creature Comforts, and World War Z—all of whom employed the Q&A format in their narrative. With so many epic fantasy yarns on the market, I wanted to publish something a little different that gave readers small nuggets of information that, when pulled together, create a bigger picture. Plus, you don’t have to believe everything in an interview—sometimes, what’s being said is only one side of a gold coin. I had done something similar with my debut graphic novel, Forty-Five—but The Hero Interviews resonates more with me because it’s written from the heart, with a plethora of personal experiences thrown in.

Between this and Campaigns & Companions, it’s pretty obvious that D&D is a pretty big influence in your mind. Do you trace your interest in storytelling to the game, or was it the other way around (assuming you can trace that in the first place)? What, for you, is the draw of that kind of game?
First and foremost, Dungeons & Dragons was the perfect social game growing up—it allowed me to stay up late with my mates, eat pizza, drink bottles of coke, and roll with laughter at the stupid situations we found ourselves in. Those were amazing days back then—and certainly a massive influence on where I am now. I especially loved subverting a carefully crafted adventure by doing things the DM hadn’t planned. Much of my storytelling spawned from Choose Your Own Adventure/You Are The Hero gamebooks (Fighting Fantasy, Way of the Tiger, Falcon, Lone Wolf). Being an only child meant I needed an escape from the boredom of solitude; those books did more to forge my love of narrative than anything else—especially as they put me central in the story as an active participant rather than a reader dragged along for the ride.

How do you approach humor in your books? Do you work to maintain a balance between it and the action/tension? Does it come naturally? Do you have to come back on a later draft and insert or delete jokes to get it right? (or I guess, insert other material to balance out the jokes?)
I find humour comes naturally; I’m always thinking of funny conversations, gags, one-liners, retorts, or situations—I love making people laugh! So, when it came to The Hero Interviews, it was a very organic process. I’d start with an overall idea, then try to subvert it somehow in a funny way—usually, as I’d work out the scene, I’d find the jokes would write themselves. Sometimes, I’d massage a joke more if I felt I hadn’t stuck the landing or cut it altogether if a beta reader didn’t respond well to the gag. As for action versus comedy, there’s always a delicate balancing act to ensure the jokes don’t get in the way of the plot or the action—killing a funny moment. So, I approached action in two ways—with what information was being shared in the interview and what was happening during the interview. This way, I’d have two opportunities for comedy to appear during an action scene, either through observations or slapstick.

I love a novel with comic footnotes. Can you talk a little about the choice to use that technique—in general, and how you decide when to use a footnote to deliver the joke rather than keeping it in the text? Do you add the footnotes while writing the “main” text or do you go back and add them later?
The footnotes came about after finishing the main draft of the story; I was struggling to further Elburn’s personality, using only questions—but I had just been reading ‘Tales From Small Planets’ by Nate Crowley, and I enjoyed the banter between the editor and the author which developed through the footnotes. I reasoned I could do something similar but have Elburn’s personality shine through the footnotes as off-the-cuff commentary. I know there are over 1700 footnotes, which can be quite a task to negotiate through—but I felt just incorporating them into the Q&A would weaken Elburn’s voice and potentially lose some of the joke’s impact (especially jokes that ran across several other footnotes). Ultimately, I feel it was the correct choice—even though I’m sure a few don’t enjoy the way it pulls them out of their reading experience*.

*If that happened to you, I’m really sorry—but I’m not sorry enough not to do it all again!

This was a long novel—even by the standards of Fantasy novels. Did you consider releasing it in smaller books (like whatshisname did with the thing about the ring)? Did you spend time thinking about the length at all, or was it a case of “this is what it took to tell my story, so that’s as long as it is”?
Oh, for sure, I knew it would be a beast of a book—and the idea of breaking it down into smaller volumes briefly crossed my mind. But, I think if I had, then it would severely hamper the whole experience of cross-referencing interviews with one another. I also wanted ‘The Hero Interviews’ to be the spiritual successor to my debut novel ‘45’, which spanned forty-five interviews—as you probably know, that’s the same number of interviews found inside ‘The Hero Interviews’.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like The Hero Interviews?
The Hitchhiker’s Guide to the Galaxy (Douglas Adams)
Notes from Small Planets (Nate Crowley)
World War Z (Max Brooks)
Guards! Guards! (Sir Terry Pratchett)

What’s next for Andi Ewington, author?
I’m currently editing a book for a friend of mine; after that, I will start work on the sequel to The Hero Interviews—The Hero Diaries!

Thanks for your time—and thanks for The Hero Interviews, I had a blast with it and I hope you have plenty of success with it.


The Hero Interviews by Andi Ewington: A Thoughtful Fantasy Adventure Shares the Page with 900 Fireball Jokes, 750 Quips about Useless Clerics, 600 Ways to Mock Paladins, and Plenty of Other Comedic Bits

So this is like a month overdue. I feel really bad about that because Andi Ewington got his Q&A responses back to me in record-time and I paid him back by dithering with this. It’s one of those I started and abandoned several times because it wasn’t right. This isn’t either, but I forced myself to actually finish it—it’s just going to get worse the more I tinker with it.

Oh, yeah, and do check in later this morning for a very nice Q&A with Ewington.


The Hero InterviewsThe Hero Interviews

by Andi Ewington

DETAILS:
Publisher: Forty-Five Limited
Publication Date: December 1, 2022
Format: eBook
Length: 925 pgs.
Read Date: January 20-February 11, 2023

What’s The Hero Interviews About?

The child and sibling of heroic adventurers, Elburn Barr, has taken a different path in life—one fit for someone with his particular set of skills (or lack thereof). He is a Loremaster—no spells, weapons, or danger for him, thank you very much. At this point in his life/career, Elburn has set out to understand what makes a hero tick—what is it that drives them, what early influences molded them, how do they keep going on? Does it vary from type to type? Are Barbarians made of different stuff from a Cleric or a Thief? What about a Ranger or a Wizard?

In addition to interviewing various leading examples of each type of hero, he talks to non-heroes, too. Like a farmer whose farm was saved(?) by some heroes from a dragon, the curator of a hero museum, people who run/design dungeons, etc.

We get these interviews in transcript form—with a little introduction from Elburn at the beginning of each, and maybe a little narrative about what’s going on around them during the interview, or what he does after. But primarily, it’s transcriptions of the interviews.

In addition to trying to understand the heroic psyche in general, Elburn’s hoping to understand and maybe connect with his adventurer-filled family. But he has an ulterior motive for all this—his older brother went off adventuring ten summers ago, and Elburn would like to know what happened to him. He’s hoping to find him alive somewhere but will settle for just knowing what happened.

This sounds heavy—but I should stress that this is a comedy. There’s a serious story (or three) being told, sure. But the book is a comedy.

Comic Footnotes

I’m a long-established fan of comic footnotes in novels—see what I’ve said about Josh Bazell, Lisa Lutz, Thomas Lennon, and K.R.R. Lockhaven for example. But Ewington puts them all to shame.

At least in terms of volume—there are almost 2 per page, although I’d have wagered it was higher than that (that’s an average—there are pages with several). Occasionally, it feels annoying to stop the flow of what you’re reading to check it. All I can say is that if you’re feeling that way, just keep reading and then circle back for the footnote after that bit of dialogue or at the end of the chapter—it’s not going anywhere.

On the whole, they work better in the moment without doubling back, so click the link if you’re not at the annoyed point. I did it both ways depending on my mood and can vouch for both methods. Whatever you do, don’t skip them.

You get a good sense of Elburn’s personality and attitude toward his interview subjects from the main text—but it really shines forth in the footnotes. To really understand the protagonist, you need to read them.

But your comedy-per-word ratio is higher in the footnotes, too. In the main text, comedy has to come out of the words, situations, and characters. In the footnotes, Ewington doesn’t have to do that—he can just make the joke. Frequently, that’s all it is—the joke. Neither is a superior joke-delivery method, it’s just easier to get to the funny bit in the footnote.

Audience

Anyone who’s into Fantasy to one degree or another is going to be able to appreciate most of what Ewington’s doing here. There is a pretty solid D&D-basis to everything, however, so the more you understand and/or have been exposed to the game.

The Length

There’s no getting around this point, The Hero Interviews is long. One might argue that it’s too long. I’m not sure I’d agree—but I wouldn’t disagree.

Early on (maybe around the 20% mark), I started to wonder if this thing wouldn’t work better as a trilogy. Break this into (roughly) thirds, add a 1-3 page Epilogue/Prologue to each to connect them and it’s a lot easier to digest. I think it’d work. Check out my Q&A with Ewington to see why he disagrees with that idea. I’m not entirely convinced, but at the end of the day, it’s not that important.

I do wonder how many readers will find their patience pushed by the length—I’d tell them to stick with it because it’s absolutely worth it (but taking a break every few chapters isn’t the worst idea).

A practical downside to the length is that it’s likely cost-prohibitive to publish this in paperback. This is a real shame because everyone I can think of to give this to won’t read it in ebook. (but I’m trying to think of a way to work around that)

So, what did I think about The Hero Interviews?

I hate when people drag out Douglas Adams or Terry Pratchett when talking about humorous SF/F, but I can’t get away from this one. For a long time, I’ve said that Life, the Universe, and Everything by Douglas Adams isn’t so much a novel as it is a series of comic episodes/scenes/bits trying to look like a novel.* As I’ve been trying to come up with a succinct way to talk about this book the last few weeks, I’ve decided that it’s the opposite—it’s a novel trying to look like a series of comic episodes/scenes/lines.

* I feel compelled to add at this point that I love the book, some of my favorite lines/paragraphs/ideas from Adams are in it. But it’s not a good novel.

It takes a while to see the plotlines emerge—it really does seem to be a light-hearted look at D&D clichés, stereotypes, tropes, etc. at the beginning, but eventually, you start to see the story arcs emerging and even start to see Elburn grow and develop. That’s something I didn’t expect to see when I started reading this.

If only because I have memories of interview transcripts and fantasy humor (and sadly, not much else), I expected this to feel like Off to See the Wizard by Clay Johnson, but it really doesn’t. Ewington’s ambitions are larger—and he packs more jokes into his pages. Ewington is also more interested in playing with the tropes and types of the genre, while Johnson was working within pretty well-established types.

Once I got to the interview with Gwenyn, the poor farmer with a field ruined by a dragon corpse left behind by heroes, I knew this book was for me. The Mime Warrior interview was so ridiculous that I had to love it—and I even came around to the least-Conan-like Barbarian (I admit I had a hard time with that one at first blush). Ewington both seems to embrace and relish going for the obvious joke—but the way he gets there, or what he surrounds the obvious joke with—that’s pretty special and creative. I’m not sure that makes a lot of sense, you’re just going to have to read it to see what I’m trying to communicate.

It’s really easy to see why Jodie recommended this one to me for the 12 Books Challenge, and I’m so glad she did (I wanted to, but hadn’t gotten around to buying it until she did). You should pretend that she recommended it to you, too (here, read her post about it). I mean, I’m recommending it to you—but maybe you’ll listen to both of us more than you’d listen to just me.

You’ll laugh; you’ll chuckle; you’ll grin; you’ll shake your head and roll your eyes while wondering, “Did he just find another way to make the same fireball joke?”*; and you’ll have a lot of fun. No better time than the present to go grab this, you’ll be glad you did.

* Yes, yes he did.


4 Stars

Mrs. Covington’s: A Cozy Fantasy Novel Kickstarter

I told you yesterday that you’d be hearing a lot about this book over the next few weeks–and I’m starting to make good on that promise now. I’ve said plenty of good things about Lockhaven’s previous books, we’ve asked each other Qs and As on our respective sites, and so on. So it’s not a huge surprise that I want to encourage you to support this Kickstarter.

I’m currently beta-reading this book (I hope to finish it tonight) and I’m doing a lousy job of taking notes for feedback, because I keep getting sucked into the story. This novel, “Set in a capybara-themed pub, this book includes a clue-based treasure hunt, found family, kindness, empathy, and nachos,” is going to charm readers–but it needs to get out into the world for that to happen. As of the moment I’m writing this, the campaign is 20% of the way to the goal–help it get a little closer.

Check out the video:

What do you know? I’ve been pronouncing the “o” in Covington wrong…anyway.

Look into the book and then pitch in to help Lockhaven put this out there in the world. I think you’ll be glad you did. I won’t be so bold as to suggest that the publication of Mrs. Covington’s will make the world a better place, but it will brighten the day of whoever reads it. So it’ll feel like the world is a better place for a while.

Go kick that start.

Mrs Covingtons Full Wrap Cover

COVER REVEAL: Mrs. Covington’s by K.R.R. Lockhaven

Mrs. Covingtong's Cover Reveal Banner

I’m very pleased to welcome the Escapist Book Tour’s Cover Reveal for K.R.R. Lockhaven’s Mrs. Covington’s to The Irresponsible Reader this morning!

You’re going to be hearing a good deal about this book over the next few weeks around here, and what better way to start than with this very spiffy cover? But first, let’s talk about things. Do not, I repeat, do not cheat and jump down to the cover below. Let the suspense build.

Book Details:

Book Title: Mrs. Covington’s by K.R.R. Lockhaven
Series: N/A, Standalone (but the world might feel familiar)
Genre: Cozy Fantasy
Intended Age Group: Adult
Length: 276 pages
Release date: Forthcoming, Kickstarter launches 3/14
Publisher: Self-published

About the Book

When Jacob Bright strikes out on his own and moves to a new island, he quite unexpectedly finds himself the owner of a failing, capybara-themed pub named Mrs. Covington’s. He quickly learns that he’s going to have to make new friends and innovate if it’s going to succeed. But when he learns that a neighboring Faun food restaurant, run by his kindhearted new friend, might have to close its doors, his priorities change. 

Years ago, a reclusive wealthy woman lived on the island, and she wrote a clue in poem form which leads to a mysterious buried treasure. The treasure may be just the thing they need to save the restaurant, but they aren’t the only people seeking it.

Mrs. Covington’s is a cozy fantasy book brimming with kindness, empathy, found family, and nachos.

Book Links

Kickstarter (Launches 3/14–hey, that’s tomorrow!)

About the Author

K.R.R. LockhavenKRR (Kyle Robert Redundant) Lockhaven started out writing humorous fantasy (hence the stupid pen name) but now finds himself being pulled in the direction of cozy fantasy.

[N.B.: “Stupid” is the verbiage supplied to me by Escapist Book Tours, and (it seems) the author. I happen to like the pen name.]

Website ~ Twitter ~ Facebook

and now…

The Cover

Mrs. Covington's Cover

That’s a cover that’d make me stop and take a second and third look. Everything about that just pops off the screen. It’s the kind of image that begs for a full wrap-around cover, right? Like this:
Mrs. Covington's Cover Wrap Around
I’d buy a (reasonably priced) print of that one! (to see it in its full glory, click the image or here.)

Be sure to check out the website and/or Instagram page of the artist, Daniel Wekellis.



My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

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