Tag: General Fiction Page 10 of 45

Dirt Road Home by Alexander Nader: From the Motor City to Small Town Tennessee

Dirt Road HomeDirt Road Home

by Alexander Nader

DETAILS:
Publisher: Winding Road Stories
Publication Date: April 15, 2022
Format: eARC
Length: 268 pgs.
Read Date: June 1-2, 2022

What’s Dirt Road Home About?

After a succession of horrible boyfriends (abusive, addicts, etc.) over the years, Rose Davis started seeing someone online. And things were going pretty well for them—so well, in fact, that Rose and her adolescent sons move from Detroit to a small Tennessee town to be with him.

Her sons, Logan and Dex, aren’t crazy about this move. Logan (who is the protagonist, by the way) is 6 weeks away from high school graduation and turning 18. Dex is a year behind him. They’re Detroit through-and-through, comfortable on the streets there, they live and breathe internal combustion engines, and cannot imagine living anywhere else, but they have no choice*.

* Okay, that part rang a little false for me. He’s close enough to 18, that Logan could’ve stayed behind. He could’ve crashed with some friends—or a series of friends—or something. Child Services isn’t going to swoop in and put someone his age into the system. But suspend disbelief for it and it’s fine.

On their first night in town, Logan and Dex get into a tussle with a couple of local high school football stars, and instead of simply being the new kids in school, they’re those guys. They’re trouble. The fight video is online, putting a giant target on their back.

Logan’s ability with cars helps him find a niche, a way to fit in. He and Dex take part in some street racing and find some friends—or at least people who aren’t instinctually antagonistic toward them.

More importantly, Logan meets Leah there. She’s a stunning, confident, and charming young woman in his class who will turn his life upside down. Maybe life in the South won’t be that bad after, all.

Greg McCarter

The MVP of this book has got to be Rose’s new boyfriend, the one they move to Tennessee to be with. With only one major character flaw (which, granted, is debatable and a minor spoiler, so that’s all you get), he’s about to perfect as you’re going to get. And sure, those characters are unrealistic, but every now and then, coming across one is fine.

He’s exactly the kind of guy that Rose needs to be with (even if, like Logan, the reader doesn’t understand her appeal to him). He’s absolutely the right kind of adult make for Logan and Dex to have in their lives. You can’t help but wonder how things would’ve turned out for all four of them had they moved to Tennessee a year or two earlier.

Still, he’s the kind of guy that would improve almost any novel—if Nader had put him as the central character of a book, he’d be just as appealing—maybe more so. I know my appreciation for this novel went up a notch or two when he was in a scene.

A Problem that Only I’m Going to Have

Back in April, Pay Dirt Road was published, and about that time Winding Road Stories reached out to me about Dirt Road Home. I cannot tell you how often I’ve conflated the two titles since then. They couldn’t be more different in any way, but those titles? I have been and am forever going to refer to them both as Pay Dirt Road Home.

So, what did I think about Dirt Road Home?

This is tagged as a coming-of-age story. And technically it is, sure. But I’d want to call it something else. It’s a coming-home story, which is tricky because Logan’s really never had one. But that’s what separates this from so many coming-of-age stories, it’s about more than Logan maturing—it’s about the atmosphere that gets him there.

My only complaint with this book is that everything happens too quickly. I’m not saying it’s too fast-paced, I’m just saying that if Logan had been 3 months away from graduation instead of 6 weeks, and that the events that happened between the fight their first night and the Event That Changes Everything right before the dénouement had taken more weeks, I’d have bought everything a little easier.

I bought it all in the moment, although there was a voice in the back of my head saying, “Slow down and think about things, kid.” The problem for me came when I put the book down and thought about it. I’m not saying what happens to—and within—Logan and the rest couldn’t happen like that, I just could have accepted and liked it more. Also, I wanted to see the relationships between Logan and those new to his life more—I really liked Greg and Leah’s parents, in particular, and more scenes with them would’ve improved this already good novel.

Tossing that aside—this is a fun story. It’s sweet, it’s hopeful, and it’s heartfelt. It’s a giant departure from the rest of Nader’s work (judging by the 120 seconds I spent researching him). It’s reminiscent of James Bailey‘s YA novels and Headphones and Heartaches. I need to read things like this from time to time—things that focus on growth, improvement, and contentment/happiness. That’s what this book’s premise promises and that’s what it delivered.

Disclaimer: I received this eARC from Winding Road in exchange for this post, the opinions expressed are my own.


3 Stars

The Friday 56 for 6/3/22: Adult Assembly Required by Abbi Waxman

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
Adult Assembly Required

Adult Assembly Required by Abbi Waxman

“Is that why you have a limp?” Polly asked, mildly ashamed of being nosy, but not enough to not want to know. It’s not the kind of thing you can ask about immediately, at least not once you leave preschool, but she’d wondered.

Laura nodded.

“What kind of accident was it?” continued Polly, hoping for something interesting like being crushed by a falling piano, or attacked by a tiger.

“Car crash,” said Laura, laughing when she saw Polly’s disappointed expression.

Nothing to See Here (Audiobook) by Kevin Wilson, Marin Ireland: This Family Drama Hits All the Right Notes

Nothing to See HereNothing to See Here

by Kevin Wilson, Marin Ireland (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: October 29, 2019
Format: Unabridged Audiobook
Length: 6 hr., 40 min.
Read Date: May 16-17, 2022
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What’s Nothing to See Here About?

Over a decade ago Lillian and Madison were roommates at a boarding school for the upper crust (or scholarship kids like Lillian). They were incredibly close until Lillian was expelled. Even then, Madison wrote Lillian regularly and Lillian responded sometimes. They didn’t see each other, only corresponded.

Madison’s gone on to success in politics—first as a campaign staffer, now as the wife of a Senator, who is likely to be tapped for a Cabinet position. Lillian…well, she’s not done really well for herself. The controversy over her expulsion followed her through school—she didn’t get the scholarships she needed to get out of her situation. She’s still living with her mother—which is a pretty contentious relationship.

Now Madison writes with a job offer/plea for help. The Senator’s previous wife has recently died and he needs to take custody of their children. Madison would like Lillian to act as a governess (Lillian keeps saying “nanny,” much to Madison’s consternation) for them, at least until her husband’s nomination is confirmed by the Senate.

There’s a catch. The twins will sometimes burst into flames. Like Johnny Storm without the flying or the trip into space that goes horribly wrong.

They won’t suffer any injury from it, but the same can’t be said for their clothing or anything near them. Lillian needs to keep them out of the press, away from Madison’s son, and hopefully under control. They want to/need to take care of the twins, but really don’t want to have anything to do with them.

This will be the best-paying job Lillian ever has held. She knows nothing about working with kids—and the only models she’s ever had for it are horrible. But she’ll do whatever Madison asks (and she could use the money). Also, she knows what it’s like to be a kid who needs a break—maybe she can help these kids out.

A Pleasant Twist

So you have a couple of kids who burst into flames from time to time. 97% of authors are going to devote the novels to the rest of the characters spending the bulk of the book trying to figure out how or why that happens, and what they can do to stop it/duplicate it/fight crime with it.

Wilson’s in that other 3%, thankfully. Yes, there are some efforts to learn why it happens, but that’s never the focus—and most of the time, those who are investigating aren’t characters who were supposed to be that sympathetic.

The focus remains on the kids as kids—how does Lillian help them feel safe? Wanted? Normal? She does work with them on not bursting into flame—but it’s not so much about the ability/affliction, but about helping them to be comfortable in their own skins—whatever temperature it is. It’s about self-acceptance (which leads to control).

How Was the Narration?

Normally, it takes me a chapter or two to “get into” a new-to-me narrator, or at least to decide what I think of the narration overall. But Ireland won me over within the first couple of minutes—as a certain janitor says, “I don’t know what IT is, but [s]he’s got it.”

She’s a narrator I’ll keep my eyes out for. I don’t know that I’ve seen her in anything, but I saw today that she’s going to be in the Justified revival—I’m looking forward to that.

So, what did I think about Nothing to See Here?

One of the reasons that I put off reading/listening to this book for so long, was that I remember The Family Fang falling apart in the end—or at least not ending as good as the first 80% or so of the book was*. I was more than a little apprehensive that the same thing would apply here. Thankfully, I was wrong.

* My memory of it is hazy, that’s just the sense I have—I could be wrong.

This book started strong and kept getting better—it didn’t end like I thought it would but ended the only way it could’ve (in retrospect). The only way it could’ve been better is for the middle bit to be longer and more detailed. These are fantastic characters, and the concept is just as fantastic. These kids belong in a speculative work of some kind—SF or Fantasy (Urban or otherwise). But no, Wilson puts them in the middle of a family drama. And it’s great to see. Funny, warm, and heartfelt—Nothing to See Here scored on all fronts for me.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Cartographers by Peng Shepherd: Will Take You Somewhere You Didn’t Expect

The CartographersThe Cartographers

by Peng Shepherd

DETAILS:
Publisher: William Morrow
Publication Date: March 14,2022
Format: Hardcover
Length: 387 pg.
Read Date: May 4-7, 2022
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“What do you know about that?” she asked.

“Not much,” Nell lied. “Ramona told me it was destroyed a long time ago.”

Eve grimaced. “It was dangerous, that thing. Cursed. Everyone who touched it got hurt.” Her eyes drifted back to the compass rose symbol. “And it’s still not over.”

What’s The Cartographers About?

This is hard—I tried to describe this to some friends earlier, and I tripped over myself so many times while trying to make this sound enticing while not giving anything away. I’d call that conversation a rough draft of this section, but it was so bad that Anne Lamott’s going to have to revise the section in Bird by Bird about sh***y first drafts.

Nell Young has had a life-long obsession with maps—her parents have doctorates in cartography and it might as well have been encoded in her DNA. She and her boyfriend had internships in the New York Public Library where her father works, too. Then one day, she finds a couple of maps in a forgotten corner of the Library, one of which is an old gas station map. Her father flips out over what she found, for reasons she can’t really understand—a major argument ensues and she’s fired. So is Felix, her boyfriend. Not just that, but her father goes on to wage a war on their reputations—they’re finished in academia.

Felix leaves the field and Nell goes to work for an Internet company making faux historical maps. Years pass without Nell speaking to her father, then he dies suddenly. While looking through his office, Nell finds that gas station map and is flabbergasted. Why would he keep that thing?

Nell starts asking questions and learning things about her family, and a whole lot more.

Visual Aids

As is fitting for a book about maps, the novel has some. Not many, most of the ones in the book are described, not seen. But there are just enough—the important ones—to ensure the reader can visualize what’s going on—we see what Nell and the rest see.

It’s a great touch—I love that Shepherd included those—I’m one of those fantasy readers who rarely glances at the maps in those books—but I spent time on these.

I Couldn’t Stop Thinking About…

Last week, I quipped that this book was “very Mr. Penumbra-esque.” This was too blithe and flippant. And yet…I couldn’t get it out of my mind.

Shepherd doesn’t write anything like Sloan, the worlds are completely different, and the way they approach character and narrative don’t really overlap. Really I think the only thing I can point to that is a demonstrable similarity is the way that they approach Big Tech companies—but this novel’s Haberson Global is more like the company in Sourdough, anyway, so I’m not sure it counts.

Again, I couldn’t stop thinking about Mr. Penumbra’s 24‑Hour Bookstore. It’s about some dedicated and brilliant people whose passion for and pursuit of something that everyone else in the world pretty much takes for granted. There’s a little more to it, but I’d have to spoil stuff about both books, so I’m not going to get into it.

So, what did I think about The Cartographers?

I never, not for one minute, thought that a book about maps and mapmakers would be this riveting. And I was wrong. Not that I’ve spent that much time thinking about books about mapmakers, but you get the idea.

I’ve read some pretty strong thrillers that weren’t as gripping as this. Shepherd paced this perfectly and kept building the tension in just the right manner. Even when I got to the point where I’d figured everything out—even the mind-bendy bits—and was just waiting for Nell and the rest to catch up, I was on the edge of my seat. That tension extends to things that happened before the novel’s present time—we’d get chapters of first-person narration from some of Nell’s father’s friends from when she was a toddler. I knew where certain characters would end up because you’d met them already—but that didn’t make the uncertainty about what was going to happen to them in the memory much easier to take.

But this isn’t just a thriller—it’s a story about a family. One of the sweetest, strangest, and saddest found families you’re going to run into. A mantra that runs throughout this book the way Uncle Ben’s “With great power…” runs through certain movies* is that the purpose of a map is to connect people. The way that these people are connected would be difficult to map out—the routes certainly are intricate and varied—but the connections are strong and lasting.

* Yes, I know it’s from the comics first—but the comics rarely, if ever, beat that drum the way some of the movies do.

I was less than satisfied with the ending—because I thought it was headed somewhere else, and then it seemed to aim in a different direction, and it ended up in a third. I think the expectation problems are all mine, they’re not from the text. I’m also sure that the ending we get is stronger than what I expected. Still, it’s hard to for me accept what we got since I’d spent 100 or so pages sure we were getting something else.

None of that changes the bottom line of this post—you’re going to want to read this book. I strongly recommend it. There are few books like it in the world, and that’s a shame. But it means that there’s every reason to read this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Ordinary Grace by William Kent Krueger: A Summer In the Valley of the Shadow of Death

Ordinary GraceOrdinary Grace

by William Kent Krueger

DETAILS:
Publisher: Atria Books
Publication Date: March 26, 2013
Format: Hardcover
Length: 307 pg.
Read Date: April 19-20, 2022
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All the dying that summer began with the death of a child, a boy with golden hair and thick glasses, killed on the railroad tracks outside New Bremen, Minnesota, sliced into pieces by a thousand tons of steel speeding across the prairie toward South Dakota. His name was Bobby Cole. He was a sweet-looking kid and by that I mean he had eyes that seemed full of dreaming and he wore a half smile as if he was just about to understand something you’d spent an hour trying to explain. I should have known him better, been a better friend. He lived not far from my house and we were the same age. But he was two years behind me in school and might have been held back even more except for the kindness of certain teachers. He was a small kid, a simple child, no match at all for the diesel-fed drive of a Union Pacific locomotive.

What’s Ordinary Grace About?

It’s the summer of 1961, and thirteen-year-old Frank and his younger brother, Jake, are going to be irrevocably changed over the next few months. Their small Minnesotan town of New Bremen, will be rocked by five deaths and some near-deaths, as well.

Frank and James live there with their older sister, Ariel—eighteen and about to leave their parents’ home. Nathan and Ruth married before Nathan went to serve in WWII—when he came home, he became a Methodist minister instead of the lawyer he’d planned on being before the war changed him. Ruth hasn’t entirely forgiven him for that but does her best to take part in congregational life, and to make do with his small salary.

Ariel is their golden child, Julliard-bound. Jake stutters, and is clearly fearful of almost everything—and everyone—around him, drawing what little confidence he has from his proximity to Frank. Frank is the family rebel—by most standards, he’s only slightly mischievous, but compared to the rest of the Drum family, he’s the equivalent of Bart Simpson.

The first death (see the quotation of the novel’s first paragraph, above) is that of someone that Frank and Jake knew–even played with. The boys discover the second body, a stranger to them. Those two are enough to alter the course of their development to a degree—but the next three (and the accompanying events) are what will leave an indelible mark on the entire family.

God’s Awful Grace

Krueger likes to use the phrase “the awful grace of God,” and makes other references to it, he wants that idea in your head as you read about the horrible things and deaths the reader and the characters encounter. You’re supposed to think about the (apparent) contrast between “awful” and “grace”, as well as catch the references to Aeschylus and Robert F. Kennedy (and, by extension, Martin Luther King’s death).

As far as the Aeschylus/RFK allusions go—yes, think about those. I think there’s a lot to chew on there. Sure Kennedy has yet to cite that poem, but the narrator has heard it–he’s writing from the perspective of four decades later.

But the former suggestion? I’m sure that Krueger, and many/most of his readers, know the phrase isn’t to evoke something extremely bad or shocking/saddening, but the archaic definition of awe-inspiring or enormous. But the reflex for contemporary readers isn’t to go with the lesser-known/used understanding but to think of the surface and the tension between the ideas, and it bothers me that we’re supposed to spend time on that understanding, even if it’s only a little bit. I’m not sure why it does, but it does.

But while I’m here on the subject of God’s grace, can I just say that the one sermon that we get all of from Nathan Drum, during the darkest part of this book, is one of the best I’ve read in a long time. Drum doesn’t understand grace the same way that RFK or Aeschylus does—grace to him is the unmerited sort, the kind that will come to someone in loss, in misery, in despair, and will cause them to believe, hope, and love. The book was worth the effort for this sermon alone, the rest is just gravy.

Krueger’s Prose

On the one hand, the prose is gorgeous—Krueger’s one of those authors that feels like he’s writing, perpetrating hooptedoodle. He breaks most of Leonard’s rules for writing all over the place, notably, “If it sounds like writing, I rewrite it.” But, as Leonard notes himself, there are authors who can skip them–Krueger’s one of those authors.

Still, there are a couple of things that got under my skin and would frequently take me out of the moment. For one, Krueger is sparing in his use of commas—a couple of times, I’d read a sentence out loud the way it’s in the book, and then with the missing commas; and I think I could get close to understanding why he made the choice. I didn’t agree, but I could maybe see what he’s going for.

But the thing that really bothered me was the dialogue. It really reads like someone wrote it, everyone (or almost everyone) is almost constantly sounding like they’re making a profound point about whatever. Particularly when it comes to Frank and his brother—I don’t need prepubescent boys uttering sentences with layers of meaning and dripping with wisdom nearly every time they say something.

That doesn’t mean that some of those sentences aren’t great and readable and even quotable. It just means it bothered me.

So, what did I think about Ordinary Grace?

“… He’s a vet. Korea. Had a tough time over there. It’s eating at him, I believe. He drinks. He’s hard on his family…”

“Sometimes, Nathan, I think it wasn’t as what we took into the war. Whatever cracks were already there the war forced apart, and what we might otherwise have kept inside came spilling out.”

Once I’d gotten on board with the hooptedoodle, I was able to appreciate what Krueger was about. This really brought Tiffany McDaniel’s The Summer That Melted Everything to mind (and Betty to a lesser extent). I also was reminded of Songs In Ordinary Time by Mary McGarry Morris, A Prayer for Owen Meany by John Irving, and early Richard Russo, as I read this. None of which would ever be considered for the Edgar, Anthony, Macavity, or Barry Awards like Ordinary Grace won. I know those awards mean I should think of this as a Mystery or Crime novel, but I just don’t. It fits with the others better, I think (but I do see why it won those).

It’s a book that will get its hooks into you, if you let it, just not the way that most Mystery novels do. It will make you think, it will make you feel, and it may cause you to think deeper (or more shallow, I suppose) thoughts about God and His grace. But mostly, it’ll make you think about humanity and many of the ways we can harm each other, intentionally or not.

I won’t say that I enjoyed 98% of this book—but the entire time I spent reading it I was fully aware that I was reading something of quality–something that deserved my attention, and I was glad to give it. I also had no trouble seeing why my friend recommended it to me–and I owe her a solid recommendation in return.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: Some Audiobooks from Feb. & March 2022

Here are some audiobooks that I’ve listened to in the last couple of months, and I really don’t have much to say about them—all are worth the time to listen to (or read, if you prefer), I just don’t have enough to say to make up a typical post.


Hard RebootHard Reboot

by Django Wexler, Morgan Hallett (Narrator)

DETAILS:
Publisher: Recorded Books
Publication Date:  May 24, 2021
Format: Unabridged Audiobook
Length: 3 hrs., 57 min.
Read Date: March 14-15, 2022
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(the official blurb)
This just seemed like a lot of fun when it was published last year, so when I saw it on the library site, I had to jump on it. And it was fun.

But it was a bit too shortI know that’s by design, but it felt too abrupt. You got fighting robots on the cover, I want more than two major fights. Sure, the fights we get are pretty cool, but I wanted more.

If this was 20 percent longer, I’d have been happy. As it was? I was satisfied.
3 Stars

Demon Magic and a MartiniDemon Magic and a Martini

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #4
Publisher: Tantor Audio
Publication Date: April 22, 2019
Format: Unabridged Audiobook
Length: 7 hrs., 15 min.
Read Date: March 9-10, 2022
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(the official blurb)
So, um…yeah. This was okay.

For the second book in a row, we get to peel back the mysterious backstory of one of Tori’s new best friends while they’re battling a new magical threat. This time it’s demonsand rival guilds. One of which is pretty ethically challenged.

It was a bit too similar to the previous book for me. But it delivered the same kind of quippy UF action that characterizes the series. It’s entertaining enough to keep going with the seriesand to recommend themI just want to see a little more out of them.
3 Stars

Finlay Donovan Knocks 'Em DeadFinlay Donovan Knocks ‘Em Dead

by Elle Cosimano, Angela Dawe (Narration)

DETAILS:
Series: Finlay Donovan, #2
Publisher: Macmillan Audio
Publication Date: January 31, 2022
Format: Unabridged Audiobook
Length: 9 hr., 20 min.
Read Date: February 25-28, 2022
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(the official blurb)
I was a little worried how the premise would carry over to a sequel, and I clearly shouldn’t havelargely because Cosimano didn’t just repeat the way the first book went. It was very much an “okay, so now with that finished, what comes next?”assuming that Finlay and Vero don’t just wholly abandon their new revenue stream.

We get some important new information about Veromaking a lot of what she did in the first book make sense. Finlay makes some smart romantic movesand there’s some decent movement on the divorce front.

All in all, a solid sequel that shows that this can be a series with legs, not just a quirky one-off.
3 Stars

Fuzz: When Nature Breaks the LawFuzz: When Nature Breaks the Law

by Mary Roach

DETAILS:
Publisher: Brilliance Publishing
Publication Date: September 13, 2021
Format: Unabridged Audiobook
Length: 9 hrs., 17 min.
Read Date: January 31-February 1, 2022
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(the official blurb)
So this is about what happens when animals and humans have a hard time co-existingwhich basically means when animals being animals inconvenience (or worse) humans. Was that hiker killed by an animal, or did they die of other causes and become food for an animal? What happens when we put a building where an animal expected to be able to be?

I don’t think it was as amusing as Roach tried to make it. It was interesting, but it went on too long and therefore became less-interesting the longer it went on. I don’t remember anything more specific than thatwhich says something about the book. It just didn’t hold my attention for long.

This is my first Mary Roach bookand maybe would’ve been my last if I hadn’t run into a couple of other bloggers who are Roach fans that were as tepid as I was about the book. Still, I’m going to get a bit more distance between this book and my next.
3 Stars

Murder Under Her SkinMurder Under Her Skin

by Stephen Spotswood, Kirsten Potter

DETAILS:
Series: A Pentecost and Parker Mystery, #2
Publisher: Random House Audio
Publication Date: December 6, 2021
Format: Unabridged Audiobook
Length: 9 hrs., 40 min. hrs and 40 mins
Read Date: March 28-29, 2022
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(the official blurb)
The circus that Will used to be in is in troubleone of their performers has been killed and another has been arrested. Will’s mentor, to be specific. So she and Lillian Pentecost head down south to see what they can do.

It’s a culture clash (both the South and the circus) for the duoWill learns the hard way that maybe she’s been gone too longas well as a fish out of water kind of thing for Pentecost. Although not as much as Will and the reader might expect.

I enjoyed this one a lot more than the predecessorit’s still a bit too much about Will and her current love interest than it is about Pentecost and the case they’re supposed to be working on. The mystery was clever, the character arcs were solid and Will’s narrative voice is strong enough to keep the reader/listener locked in.
3 Stars

Free BillyFree Billy

by Don Winslow, Ed Harris (Narrator)

DETAILS:
Series: The Dawn Patrol 
Publisher: Audible Originals
Publication Date: 2022
Format: Audiobook
Length:1 hr., 6 min.
Read Date: March 30, 2022

(the official blurb)
This is a silly, fun, and sweet story in the world of The Dawn Patrol (one of my top 5 All-Time books), all our favorites get a quick appearance and we’re introduced to a couple of new characters.

Despite being in the same world as the crime novels that introduced Winslow to me, there’s no crime to be found here.

Which is fineit’s not needed in this short story. It’s just a fun story about one of Boone’s friends. I laughed audibly more than once, and just enjoyed the story as a wholeI just wish it was longer so I could spend more time in this world. The story didn’t require it.

Ed Harris gives exactly what you’d expect from him in an audiobook narrationnear perfection. I thought his stuff was great.
5 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: These Walls Were Never Really There by Bryan Blears

I’m very pleased to welcome The Write Reads Blog Tour for by Bryan Blears to the blog today. I couldn’t fit this into my schedule on time, sadly, but you should absolutely check out some of the posts about it at https://twitter.com/WriteReadsTours to see why you should give it a read. But before you go there, let’s learn a little about this book, shall we?

These Walls Were Never Really There Tour Banner

Book Details:

Book Title: These Walls Were Never Really There by Bryan Blears
Publisher: 2qt Limited
Release date: April 1, 2022
Format: Paperback/Ebook
Length: 286 pages
These Walls Were Never Really There

About the Book:

Based on the author’s own experiences of leaving home and traveling across Europe on less than a pound a day, These Walls Were Never Really There is a compelling true story described by publishing editors as ‘immersive and moving’ and ‘a potential prizewinner in the making’.

Initially set in the heart of Manchester’s homeless community, These Walls follows twenty-year-old Cameron, who is propelled on a physical and spiritual journey which will take him far from the life he once knew.

A surprising story about mental health, friendship, and redemption, this compelling debut will take you on a journey across Europe and beyond, as Cameron and his traveling companion Jacob navigate perilous border crossings, packs of wolves, and the harsh realities of life on the road.

Set against the backdrop of the emerging Arab Spring, Cameron and Jacob will have their friendship pushed to its limits as they find themselves trapped thousands of miles away from home…

Book Links:

Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Bryan BlearsBryan Blears is an author of contemporary literary fiction from Salford, Manchester. He has written for the Huffington Post, the New Statesman, and the Philosophical Society of England, among others.

Focusing on social issues, mental health, and overcoming personal adversity, his fiction has been compared to George Orwell, Sylvia Plath, and Donna Tartt. His debut novel, These Walls Were Never Really There, has been described by critics as an ‘immersive and moving true story’ and ‘a fantastic talent, and a potential prizewinner in the making.’

Author Links:

Website ~ Twitter

 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

The Jackals by Adam Shaw: Maybe You Can Go Home Again, But Should You?

The JackalsThe Jackals

by Adam Shaw

DETAILS:
Publisher: Moonshine Books
Publication Date: January 11, 2022
Format: Kindle Edition
Length: 288 pg.
Read Date: January 28-31, 2022
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What’s The Jackals About?

Years ago, Jack was in a band with his brother and two close friends from school. They were playing regularly, and had a big event coming up. A major fight occurs between Jack and Mark, his best friend since childhood and bandmate. Jack leaves town, the band falls apart, and they don’t speak for seven years.

Now Jack’s living in a new town, has a career on the verge of going somewhere, a girlfriend out of his league, and a dog that the author doesn’t spend enough time on.* Which is when he gets the news that Mark was killed.

Robbed of the chance to make amends, Jack joins his brother and another bandmate to help clean out Mark’s house and attend the funeral. Hopefully giving him the opportunity to mend fences with everyone still living.

It does not go according to plan.

* It’s been a while since I got to geek out over a dog, and I thought for a minute that this would be my chance.

Proportional Response

Around the time that Jack left town, Mark’s life took a turn. The next several years were marked by a series of poor choices and their ramifications (I’ll keep it vague on that point). Many/some of those close to Mark blamed Jack for this direction in his life. When presented with the opportunity to pay Jack back for this, they do so.

But it’s not a proportional response—what’s done to Jack is over the line, and will have long-reaching consequences for Jack’s life.

I found Jack’s response to this both hard to believe and disappointing. The more I think about this part of the novel, the less I like it. No matter what Jack’s ultimate response to everything that happens may be, no matter what personal development may be triggered by this—ultimately for the good (quite possibly)—I just don’t buy this part of the book.

So, what did I think about The Jackals?

I’m not 100% that the official description is correct, and I wonder if the novel was revised a bit after it was written. But that’s okay, the things that didn’t quite match up were better this way.

The ending wasn’t what I expected from this story—both from the way the novel was moving and from the kind of story Shaw was telling. It was a little unsatisfying in the moment, but the more I thought about it, the more I appreciated what Shaw did. He went against expectations provided the kind of ending that was most fitting for Jack.

The best takeaway from this novel was what it had to say about friendship—the real, enduring kind. Both the friendships that were forged in childhood/adolescence and how they morph into something different in adulthood—whether or not there’s frequent contact.

It had comedic moments, but could’ve been funnier. It had some good drama, but could’ve used some more depth. I thought the characters were well-thought-out, but we needed a little more from each one. I liked the story, but I wasn’t sure it was resolved right. Essentially, on just about every front I can think of the novel missed the promise it shows. Just by a hair. I wanted to love this, but in the end, I could only like it.

However underwhelmed I was with the book as a whole, and whatever issues I might have with parts of the plot—I did enjoy the book and am glad I read it. I’m curious to see what Shaw will do next, and I’ll definitely grab it. Your results may vary, of course, and I can easily see readers enjoying this more than I did (and I did like it!).

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Ban This Book (Audiobook) by Alan Gratz, Bahni Turpin (Narrator): A Young Reader is Pushed into Action

Ban This BookBan This Book

by Alan Gratz, Bahni Turpin (Narrator)

DETAILS:
Publisher: Blackstone Audio
Publication Date: August 29, 2017
Format: Unabridged Audiobook
Length: 5 hrs., 17 min.
Read Date: February 1-2, 2022
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What’s Ban This Book About?

Amy Anne is a big reader—to those who don’t know her that well, that’s all they know about her. She spends a lot of time every day in her school library—they appear to have set certain rules because of her (there’s a limit to how often she can check out certain books in a row). One day she goes to check out her favorite book, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, yet again, but it’s not there. Not because someone checked it out, but because one mother of another fourth-grader has got the school board to remove it—and a few others—from the library.

Now, it’s been a few decades since I read From the Mixed-Up Files of Mrs. Basil E. Frankweiler, but I don’t remember it really being the kind of book that ends up on banned lists. But maybe I’m naive—is this really a challenged book? I can understand why some groups want other books removed from required reading lists, etc.–I almost never agree, but I can see where someone might get the idea.

Also, I should note that this really does seem to be set in/around 2017 from some of the other titles, even if the book that sets the whole thing off is from 1968.

Amy Anne is livid, she’s confused, she’s bewildered—why would someone do this? She sets out to go to the next school board meeting, gets her parents to rearrange their schedule to get her there, writes up a statement, and then…is far too timid to read it, leaving the school librarian, Mrs. Jones, as the only opposition. (I’m less than impressed with her father’s reaction to this, but I understand it)

Amy Anne is mad at herself, mad at the school board, mad at that mother—and sets out to read every book on the list (although she changes her mind when she sees that one of them is a non-fiction work about s-e-x). A friend has access to one of the books, and she spends her savings on a couple of others. Apparently, Public Libraries aren’t an option? Her friends want to read those, and soon most of that challenged list is circulating in her social circle. Then the same mother gets another batch of books pulled—and Amy adds more to her list.

Eventually, she’s running a small, independent—and covert—lending library from her locker. Naturally, that can only last so long, or the book would be missing some conflict…and well, enough said about that.

The Role of Parents

The presence and role of parents in MG novels (YA novels, too) is tricky—especially when it comes to the protagonists doing things that aren’t approved of—for good or ill. Do you write the parents off somehow, do you make them incredibly authoritarian so that part of what the protagonists are rebelling against is that authority, do you get them to buy into/cheer on the activities? Those are, by and large, the options that authors seem to have to choose from. Few do what Gratz accomplished—you make them human, with regular strengths and flaws, supportive, but exercising actual authority in responsible ways.

The other aspect of parental authority in this book revolves around the reading material of the students. Amy Anne and Mrs. Jones are constantly repeating that parents should decide if their kids should read something for recreation. But the decision of one parent shouldn’t dictate what other kids can read. That’s an important distinction—and one this parent can get behind.

That Reminds Me:

Actually, Mrs. Jones and the kids support the idea that the librarian/school board/administration can choose to pull a book from circulation or not even let it start in the first place—but there’s a process. It shouldn’t just be one/a few parents demanding a book be removed—there needs to be consideration, deliberation, and thought involved. And then a book can be pulled—one at a time, after a process.

Gratz and his characters never call for an “all books are appropriate” approach, they just want it to be a careful process with input from various parties. I think that’s important to remember (and practice).

How About the Narration?

Bahni Turpin rocked this narration. I totally believed I was listening to a 4th grader recount the events of her life. She did a good job with the supporting characters, too—but she shined when she was giving us things from Amy Anne’s perspective. She captured the frustration of someone who was always fighting against her impulses to say what she wanted to say rather than what she thought was the right thing to say, or didn’t feel brave enough to do the right thing publicly. Yes, that’s clear in the text, but Turpin delivers it so that you don’t just know that’s what Amy Anne’s going through—you feel it and you believe it.

There’s a joy to Amy Anne and a sadness to her, and Turpin delivered the goods on both aspects.

I admit to a little confusion

Early on, Amy Anne rationalizes that it’s not the school lending them—these books haven’t been banned from the premises, it’s just that the school can’t provide them. A lot of the books in her library are privately owned, I don’t see why she gets in trouble for having and circulating them.

There are other, clear legal infractions involved—and I agree with the administration for coming down on her for that. But the rest? That feels a little wrong, and Amy Anne’s parents should have fought that.

So, what did I think about Ban This Book?

Beyond the message about banning books, this book is a celebration of what books can do—how they can inspire as well as entertain, comfort those who need it, rattle the perspective when necessary—to affect the reader in ways they can’t fully articulate or understand. All of that and more. The core of this book comes from the love Amy Anne has for some books, and that love grows to more as soon as she’s exposed to it.

I loved that—as well as the message about not allowing the conscience of one parent dictate to them all. The solution that Amy Anne and her friends come up with for the final encounter with the school board was pretty clever, and I really liked the way that Gratz set up and resolved the major hurdle to their plan.

Yes, it’s a little simple. Yes, the solution is a little pat and easy. Yes, the whole thing comes across like an after-school special (or whatever the contemporary equivalent is—I’d say a Disney Channel movie, but I guess that’s not a thing. A made-for-Disney+ movie?). But it’s not trying to be careful and nuanced, it’s a story directed at 8-11 year-olds (my guess), trying to inspire them in a certain direction as well as entertain. I got a very strong Lemonade Mouth-feel from this (the movie, not the book—I never got around to reading that), I realize that’s a reference that only works for readers/parents of a certain age, but I don’t know anything more contemporary.

It’s a celebration of freedom, of literature, of learning from your mistakes and sticking up for what you believe (even if you do it poorly at first). It’s about finding the courage to do the right thing, even when not expedient.

I’m guessing it was the apparent upsurge in School Book Bans that led my library to getting this audiobook, and I’m glad they did. It’s something that people should be reading about/thinking about/talking about. Hopefully, this book kicks off some of that in our area.

I really enjoyed this and figure most book lovers will, too.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Non-Crime Fiction of 2021

2021 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s almost 40% Crime/Thriller Fiction, and Urban Fantasy has only topped 20% once in the last decade—it was 16% the last two years, SFF combined for about 14% in 2021.

Which is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

We Could Be Heroes

by Mike Chen

My original post
A super-hero and a super-villain become friends after meeting (as civilians) at a support group meeting and delve into their shared past to figure out how they got their powers and who they used to be. That old story. 🙂 In typical Chen fashion, the SF/super-hero elements are just an excuse to tell a story about friendship, memory, and identity. It’s a story about people, who just happen to be super-powered.

4 Stars

LoveLove

by Roddy Doyle

My original post
This is about as close as you can get to a novel without a plot. You’ve got a pair of old friends, getting together for drinks (many, many drinks) and to catch up on each other’s lives. They end up revisiting their past (as you do), arguing about what really happened then, and seeing how it’s impacted where they are now. There’s more to it, but that’ll do for our purposes. The novel is primarily told through dialogue (although we do get memories and internal commentary from one of the men). As is to be expected from Doyle, that dialogue sings. You can practically hear it jump off of the page–I’m not sure I could conjure up a mental image of anyone in the book, but I know exactly what they’d sound like.

4 Stars

Tom Jones Original CoverThe History of Tom Jones, A Foundling

by Henry Fielding

My wrap-up post for the project
I read most of this in 2020, but didn’t finish it until 2021, so it goes on this list. Just for the (mostly rewarding) time spent on this book, it deserves a spot on this list. It’s not really the kind of book I thought it would be, but it’s so much more interesting. I’ve said enough about this book, I don’t really have it in me for more–it’s a classic, anyway, what can I say that hasn’t been said for hundreds of years?

5 Stars

All the Lonely PeopleAll the Lonely People

by Mike Gayle

My original post
This is nothing but an all-out attack on the cockles of your heart. I described it to a friend, “Imagine a book by Fredrick Backman–but instead of a crotchety old Swedish man, it’s about a lonely man who left Kingston for London in the 50s.” It’s so heartwarming, so Capra-esque, so…eh, you get the point.

5 Stars

Not AwkwardNot Awkward

by Matthew Hanover

My original post
Hanover’s third Wallflowers novel came out last year and shows real growth as a writer, while not losing any of the charm, heart, and likability of his previous novels. Just before his wedding, Scott goes to the funeral for his ex’s father, and somehow ends up spending a few days with the family. Not Awkward is a warm and heart-filled story about revisiting the past, finding healing (whether or not you thought you needed it), and embracing a future that doesn’t look like you expected it would (and is probably better). It’s the kind of book that’ll make you feel a little better about life for a while—and who doesn’t want to read something like that?

4 1/2 Stars

RisenRisen

by Benedict Jacka

My original post
The twelfth and final book in the Alex Verus series blew me away. It’s one of the best series finales I remember reading. It was hard to say good-bye to this world and these characters, but Jacka did such a satisfying job with this novel that it took some of the sting out of it.

5 Stars

When Sorrows ComeWhen Sorrows Come

by When Sorrows Come

by Seanan McGuire

My original post
If (and that feels like a big “if”) October Day is going to get a Happily Ever After, it’s going to be years down the road. Thankfully, she got a “Happy Right Now” by marrying Tybalt. That’s pretty much what this novel is–a big dollop of happiness (with Toby putting down a palace coup along the way). It was so nice seeing that.

5 Stars

Headphones and HeartachesHeadphones and Heartaches

by Wesley Parker

My original post
Percy’s a teen who gets put into Foster Care after his mother’s latest OD. While she’s in a treatment program, Percy comes to trust and love his foster mother–a woman with a huge heart, who takes in this boy and gives him a safe place to be for the first time in his life. This is a sweet book, a touching book—an occasionally hilarious book (with some truly cringe-worthy beats)—I guess it’s best summed up as a very human book. Parker got me to feel all sorts of things for these characters, to a degree I didn’t expect or was prepared for.

5 Stars

PurePure

by Jo Perry

My original post
(sure, you could make the case that this is Crime Fiction, but I don’t buy it) After Ascher gets quarantined in her late aunt’s retirement condo during the early days of COVID. She sneaks around volunteering for a Jewish Burial Society, and then becomes convinced that one of the women she helped with was the victim of foul play. So Ascher tries to figure out what happened and who is responsible–again, while sneaking around the retirement community’s quarantine. This is a mystery novel about something—it’s more than a whodunit (assuming there was something for a “who” to have “dun”). It, like pretty much everything Perry writes, is about death and how we deal with it as humans (and one neurotic and grieving Mini-Pinscher). THere’s more to chew on, too, but that’d be telling…

This is one that’s going to stay with me for a while.

4 Stars

In Ten YearsIn Ten Years

by Ian Shane

My original post
A contemporary When Harry Met Sally that makes me just as happy as the movie ever did. Tried and true plotlines that felt fresh thanks to Shane’s light touch and ear for dialogue. It contains what’s probably my favorite chapter of 2021–and more than a couple of my favorite lines. I wanted to race through it to see how it ended, and I wanted to slow down to savor it (the impulse control side lost–what do you expect from someone who tagged himself “Irresponsible”?).

5 Stars

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