Tag: General Fiction Page 2 of 45

BBNYA SEMI-FINALIST SPOTLIGHT: Excavating the Buried Heart by Estelle Tudor

I’m very pleased today to welcome The BBNYA Semi-Finalist Spotlight Tour for Estelle Tudor’s Excavating the Buried Heart! This book has made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 (17 in 2025) finalists and one overall winner.

The Book Bloggers’ Novel of the Year Award 2025 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.

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Book Details:

Title: Excavating the Buried Heart by Estelle Tudor
Genre: Contemporary Fiction, Romance
Age Category: Adult
Format: Hardcover/Paperback/Ebook
Length: 365 Pages
Publication Date: June 26, 2024
Cover of Excavating the Buried Heart by Estelle Tudor

About the Book:

It only takes a moment for life to change forever…

Archaeologist Mia Davenport could never have guessed her boyfriend was cheating on her. So, when she catches him in the act, the choice to cast off love is an easy one. As is moving to career-central New York.

But settling in to new life isn’t all she expected – especially once she meets the handsomely alluring Josh. Mia still can’t forget the hurt of her past, but when she starts to uncover the truth about him, she must hide behind her walls or excavate the ruins of her heart.

She buried her feelings once, but maybe it’s not too late …

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Authors:

Estelle TudorEstelle Tudor is an award-winning, multi-genre author from the true land of myth and legend: Wales, where she lives with her husband, four children and doggy writing companion. When not writing or reading, she loves exploring castles and even worked in one for six years. There sparked a love of history and the grandeur of the past, which she now loves to weave into her own stories.

Website ~ Twitter ~ Instagram


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

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BBNYA SEMI-FINALIST SPOTLIGHT: Love Awaits: A Tale of Unbroken Promises by Harshita Nanda

I’m very pleased today to welcome The BBNYA Semi-Finalist Spotlight Tour for Harshita Nanda’s Love Awaits: A Tale of Unbroken Promises! This book has made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 (17 in 2025) finalists and one overall winner.

The Book Bloggers’ Novel of the Year Award 2025 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.

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Book Details:

Title: Love Awaits: A Tale of Unbroken Promises by Harshita Nanda
Genre: Romance, Contemporary Fiction, Women’s Fiction
Age Category: Adult
Format: Hardcover/Paperback/Ebook
Length: 176 Pages
Publication Date: January 29, 2025
Cover of Love Awaits: A Tale of Unbroken Promises by Harshita Nanda

About the Book:

FA tale of enduring love that triumphs over adversity.

Mira is on a carefree holiday to a hill town when she stumbles upon Sunshine Coffeehouse, where she meets Raghunath Sharma. Every morning, Raghunath, an ex-professor, waits for someone in the coffeehouse. Intrigued, Mira wonders who Raghunath is waiting for and why. The revelation that Raghunath has waited for years fuels her curiosity.

The only person who can tell Mira Raghunath’s story is Manan. But will he reveal the story of the one person he loves most to a stranger?

Moreover, will Mira be able to ignore the attraction she feels for Manan and what her heart desires?

In a world filled with violence and negativity, Love Awaits, A Tale of Unbroken Promises reminds us of simpler times, evoking emotions through its heartfelt narrative.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Authors:

Harshita Nanda Harshita Nanda is an author, blogger and book reviewer based in Dubai, UAE. An engineer by qualification, she changed tracks to become a full-time writer. Her stories have a strong emotional quotient with a streak of feminism. Avoiding unnecessary drama, she focuses on the universal appeal of human emotions.

One of the shortlisted candidates for the Rama Mehta Writing Grant, 2023, her short stories have found a home in many anthologies such as The Blogchatter Book Of Thrillers, The Blogchatter Book of Love, and Lightning Strikes, An Anthology of Flash Fiction by Indian Writers. Her words have appeared on websites like Kitaab, Porch Lit Mag and Roi Faineant Literary Press.
An author of four books, Love Awaits: A Tale of Unbroken Promises is her fourth book.

Twitter ~ Instagram


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

The Book Bloggers’ Novel of the Year Award 2025 Semi-Finalist badge

Front Desk by Kelly Yang: An MG Novel about an American Dream

Cover of Front Desk by Kelly YangFront Desk

by Kelly Yang

DETAILS:
Series: Front Desk, #1 
Publisher: Scholastic Press
Publication Date: June 25, 2019
Format: Hardcover
Length: 286 pg.
Read Date: October 28, 2025
Buy from Bookshop.org Support Indie Bookstores

My parents told me America was this amazing place where we could live in a house with a dog, do whatever we want, and eat hamburgers till we were red in the face. So far the only part we’ve achieved is the hamburger part, but I was still holding out hope. And the hamburgers here are pretty good.

What’s Front Desk About?

I’m not sure where I got the idea—I thought I read it somewhere, but I can’t find it, but I want to say the year is 1993*, and Mia Tan and her parents have been in the U.S. for some time now—having left their family, friends, and lives back in China. Now in Anaheim, they’ve stumbled into a decent job—her parents will manage a motel not that far from Disneyland and they’ll get a place to live, in addition to what the owner has agreed to pay.

(we’ll ignore the way he changes that agreement unilaterally and without warning).

Despite only being ten, Mia starts working the front desk—and really enjoys it—when she’s not in school. She meets and befriends a group of “weeklies” (those who live in the motel). Basically, she’s enjoying life. Until she has to go to school—she can’t bring herself to tell anyone where her family lives, what she does when she’s not in school, etc.

The novel is about Mia becoming comfortable in the U.S., helping her family stabilize themselves in their work, and connecting with a community around them. This comes from the way her parents help immigrants (of multiple nationalities), the weeklies, and other connections she makes by being her irrepressible self.

* The technology used throughout the book fits, for what it’s worth.

The MG-Ness of It

This is very clearly an MG novel—other than the protagonist, the characters are rarely more than an inch deep. This doesn’t mean that I didn’t like them—you just have to know going in that they’re going to have the depth of Candace Flynn.

With few exceptions (and those are very clear), these characters are supportive, encouraging, and wise—except for when they need to do something unwise/foolish for plot reasons.

It’s fine—it’s to be expected for the target audience, really. But I’ve been on a streak of some pretty deep reads lately, and it felt really light to me.

On the plus side—there’s no nuance to either the depictions of the xenophobia or racism or to the reactions to it. Yang kept that nice and clear—you help people no matter who they are? You get the white hat. You show prejudice against immigrants, Asians, Hispanics, and/or African Americans? You get the black hat—and very likely are forced to eat your just desserts. And honestly? That’s a relief—I needed something with that kind of clarity.

So, what did I think about Front Desk?

Sometimes, I wondered what it would be like to have an American mom. Just for a day. I could eat all the chocolate chip cookies I wanted because American moms on TV were always baking them. Or making casseroles. Or organizing birthday parties with themes.

I’ll tell you what they were not doing. They weren’t pestering their kids to do more math.

Although the novel is clear about problems in America—particularly when it comes to economics, xenophobia, and racism. But it loves Americans and American ideals, and while it gets shaken—Mia and her parents cling to some version of the American dream. It’s enough to give a cynic hope.

Speaking of hope—the book is full of it. Not all of it is grounded—but, I’m not sure I care. Mia’s hope and optimism are contagious. You see it in the way she sets about everything she does, the way she changes others, and the way those who have been changed start thinking and doing. Again, it’s only the black hats who seem impervious to this—although they are sometimes compelled to change their actions.

It’s sweet. It’s hopeful. It’s cheerful. It is honest about the flaws (and there are more than a few) of the protagonist/narrator, but it shows how she perseveres in light of them—and grows.

It’s really hard to find things to complain about, so I won’t. Pick it up—if not for yourself, at least for the MG reader in your life (assuming you’re fortunate to be blessed with one).


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BBNYA SEMI-FINALIST SPOTLIGHT: Worth It by Amy Nielsen

I’m very pleased today to welcome The BBNYA Semi-Finalist Spotlight Tour for Amy Nielsen’s, Worth It! So, this book has made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 (17 in 2025) finalists and one overall winner.

The Book Bloggers’ Novel of the Year Award 2025 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.

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Book Details:

Title: Worth It by Amy Nielsen
Genre: Contemporary Fiction, Issue-Driven
Age Category: Young Adult
Format: Paperback/Ebook/Audiobook
Length: 350 Pages
Publication Date: May 24, 2024
Cover of Worth It by Amy Nielsen

About the Book:

Seventeen-year-old Angela Carter intended to pick out prom dresses with her best friend and fill out college applications during her senior year. But her father abandons the family, and her addict mother kicks her out. The now pregnant teen’s new normal is keeping her pressure cooker older boyfriend, Dale, from erupting.

When an intoxicated Dale loses control of her car one night, Angela fears she’ll never hold her unborn child. Desperate for what little stability he provides and for fear of his retaliation, Angela lies to the police when questioned about the accident. Her lie not only protects him from a DUI but also conceals a darker secret—what happens behind the closed doors of their single-wide trailer.

Set in Central Florida in the late 80s, Worth It is a story of courage, redemption, and the power of becoming your own hero.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Amy NielsenAmy Nielsen spent nearly twenty years on the other side of the writing aisle as a youth librarian, sharing her love of books with eager readers. Daily immersion in story took root, and she penned her YA debut, Worth It, behind her circulation desk. She is also the author of It Takes a Village: How to Build a Support System for Your Exceptional Needs Family and Goldilocks and the Three Bears: Understanding Autism Spectrum Disorder. Amy currently works as a literary agent with The Purcell Agency. When not reading or writing, she and her family can be found boating the waters of Tampa Bay with a canine co-captain in a mermaid life vest. You can find Amy at http://www.amynielsenauthor.com and on X @AmyNielsen06.

Website ~ Twitter ~ Instagram ~ BlueSky


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

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The Irresponsible Reader On…Self-Published “General” Fiction

(updated 7/21/25)
Self-Published Author Appreciation Week '25 Banner. Banner has a gray bird on a black disk. Around the disk are the words, 'Self Published Authors Appreciation Week.' In the top left corner, it says, 'July 21-27, 2025.' In the bottom right corner it says, '#SPAAW'

From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility and doing all the work to get their words, their dreams, their blood, sweat, and tears. This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

As part of this week-long celebration, I’m continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years (or meant to blog about, but at least read)—just a sentence or two. Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today we’re going to be looking at General Fiction (for lack of a better term)—there’s some Lad Lit, a dash of historical fiction, some humor, a couple of things I don’t know how to categorize beyond “Fiction”, and a bit more. Hopefully, you can find something that tickles your fancy.

bullet Dispatches from a Tourist Trap by James Bailey—Jason (see below) and his mother move from Seattle to a small town in the middle of Washington to stay with her parents as she establishes a life away from her husband. Hilarity and conflict ensue. (my post about it)
bullet The First World Problems of Jason Van Otterloo by James Bailey—an epistolary novel (through emails) from a 13-year-old whose life is turned upside down in 2003 Seattle. A lot of heart and a few laughs. (my post about it)
bullet This Is Who We Are Now by James Bailey—he doesn’t just write YA, Bailey attacks coming-of-Middle-Age, too. This not-so-young man, deals with changes to his parents’ lives, his younger siblings’ successes (and struggles) and coming to grips that his life may not end up just the way he wanted it to.
bullet The Glamshack by Paul W. Cohen—A lifestyle reporter’s obsessive love for a woman and the havoc it wreaks on his life. (my post about it)
bullet Ways And Truths And Lives by Matt Edwards—this is tough to summarize in a sentence, but let me try, because this is more about the internal life. James Dall is a struggling writer and reporter, who is still trying to figure out what he thinks about life, love and meaning. This is about him on the verge of making a big move for his life and career, and those things that move him to it.
bullet The Chronicles of Iona: Exile by Paula de Fougerolles—The first novel in a series about the founding of Iona. Some historical fiction with a hint of Fantasy. (my post about it)
bullet Love Stories by Robert Germaux—based on actual events, the story of a love that might have been, and one that is. (my post about it is forthcoming)
bullet Not Awkward by Matthew Hanover—a young man attends the funeral of his ex’s father and gets roped into staying during shiva in the days leading to his wedding. Nah, not awkward at all. (my post about it)
bullet Not Dressed by Matthew Hanover—Hanover’s (seemingly) effortless charm makes this “romantic comedy of how love goes wrong—and right—when you’re a twenty-something still figuring out how to adult” a real winner. (my post about it)
bullet Not Famous by Matthew Hanover—Hanover’s first novel is about a guy who falls for a socially awkward musician. It will steal your heart. (my post about it)
bullet Not Prepared by Matthew Hanover—a bachelor takes in his eleven-year-old-goddaughter when her mother skips town, and maybe finds love, too. Great stuff. (my post about it)
bullet The Flight of the Pickerings by John Grayson Heide—a heart-warming story about an older couple dealing with dementia and the end of their life together get their world turned upside down when their rebellious teenage grandson comes to live with them. (my post about it)
bullet Didn’t Get Frazzled by David Z. Hirsch, MD—a bildungsroman following a 20-something through his 4 years of medical school: from Gross Anatomy to the verge of residency. (my post about it)
bullet Love and Other Monsters in the Dark by K. B. Jensen—I could probably put this on most of my Self-Published Fiction lists, so I’ll limit it to this one. It’s sort of the same genre as The Twilight Zone—SF, Fantasy, Horror, Crime. Sudden Fiction and Short stories that’ll knock your socks off. (my post about it)
bullet XYZ by William Knight—A mature, old-school programmer has to start his career over at a 21st Century Startup as his family life falls apart in every way imaginable. Clearly a comedy. (my post about it)
bullet Dirt Road Home by Alexander Nader—A lot of charm fills this YA(ish) Coming of Age story about a teen forced to move from Detroit to a small town in Tennessee before graduation. (my post about it)
bullet Coffee and Condolences by Wesley Parker—A widower tries to begin recovering from the deaths of his wife and children by reconnecting with his step-sister and maybe finds love. (my post about it)
bullet Detours and Do-overs by Wesley Parker—A sequel to the next on the list. This follow-up had a lot of heart. (my post about it)
bullet Headphones and Heartaches by Wesley Parker—A teen finds home, safety, and love in a Foster Home, but is torn about leaving his mother behind. One sentence doesn’t do it justice, I simply loved this one. (my post about it)
bullet The Worst Man by Jon Rance—Ollie’s desperately in love with the girlfriend/fiancée of the man who’s been his best friend since childhood. And now he has to be the best man at the wedding he wants to derail. (my post about it)
bullet The Summer Holidays Survival Guide by Jon Rance—an out-of-shape teacher tries to prepare for a half-marathon while surviving the summer with his three kids, a marriage on the rocks, and his father (with dementia) moving in. (my post about it)
bullet However Long the Day by Justin Reed—A Depression-era take on The Prince and the Pauper, an impressive debut (my post about it)
bullet The Crescent and the Cross by Kurt Scheffler— the story of The Battle of Tours (in 732) and events leading up to it, told through the lives of people close to Charles Martel and Charles on the one hand and a couple of the leaders of the Muslim forces involved in the Arab invasion of France. (my post about it)
bullet In Ten Years by Ian Shane—The reductionist description is “A 21st Century When Harry Met Sally“. We watch a couple of college friends over 18 years start to figure out that they’re in love. Hilarious and sweet. (my post about it)
bullet Postgraduate by Ian Shane—When your life falls apart, why not take your college radio show and turn it into an Internet radio show? And then, why not attend a reunion with the old college radio gang, including “The One That Got Away” (because you foolishly dumped her)? (my post about it)
bullet Radio Radio by Ian Shane—A maverick DJ is forced to get creative when a corporate radio management team takes over his station. A love letter to what radio used to be as much as anything else. (my post about it)
bullet The Jackals by Adam Shaw—A local band on the verge of making it big/big-ish falls apart after high school due to a love triangle that shouldn’t have happened. When one member of the band dies, the group has to get together for a funeral and to clean up his stuff. (that’s a bad summary, but best I can do in a sentence) (my post about it)
bullet KA-E-RO-U Time to Go Home by B. Jeanne Shibahara—I’m so glad the blurb contains a one-sentence description because I couldn’t write one: “Desert-dweller Meryl travels to Japan, returns a WWII flag, and brings home an understanding of life that opens her heart for the unexpected.” (my post about it)
bullet Lingering by Melissa Simonson—It’s sort-of SF, sort-of a Thriller, but not really either, so I put this here. This is a novel about grief, about dealing with death—while telling the story about an effort to design an AI to mimic a dead loved one in order to help a survivor cope. (my post about it)

If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

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I See You’ve Called in Dead (Audiobook) by John Kenny, Sean Patrick Hopkins: Friendship and Funerals

Cover of I See You've Called in Dead by John KenneyI See You’ve Called in Dead

by John Kenney, read by Sean Patrick Hopkins

DETAILS:
Publisher: Zibby Publishing    
Publication Date: April 1, 2025
Format: Unabridged Audiobook
Length: 7 hrs., 33 min.
Read Date: June 6-9, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s I See You’ve Called in Dead About?

One night after a disastrous blind date (oh, and the word disastrous seems inadequate), obituary writer Bud Stanley gets drunk and accidentally publishes his own obituary. This earns him a suspension (once you get to the part where it’s revealed why he can’t be fired, you’ll roll).

During this suspension, he’s inspired to attend the funerals of strangers. He drags his close friend with him to these, and the two of them gain some new perspectives, new insights, etc.

I should add—before the drunken mistake, during the date itself, is when I decided I liked Bud and couldn’t wait to spend seven hours and change with him.

It’s, of course, after he published the greatly exaggerated reports of his own death that Bud finally has the opportunity to learn how to live. Will he take advantage of it?

Is He Maybe Too Perfect?

I’m not talking about Bud here. No one is going to spend more than a half a paragraph before they start finding flaws with him (love the guy…but man, is he a work in progress). But his landlord/friend, Tim, just might be too perfect.

He’s kind. He’s generous. He’s wise. He’s…well, really, you’re going to have to look long and hard for a problem with the character. And that, of course, is hard to swallow for a primary character in a work of fiction. As in life, so in fiction, pobody’s nerfect.

But…and here’s the thing that applies to a lot of Mary/Marty Sues (and I don’t think Tim is one, but he might be their first cousin)—he’s so fun that you get over it. He works as Bud’s Jiminy Cricket as well as the guy he can joke around with. It’s likely that Bud just doesn’t give us a lot of Tim’s flaws in his narration, because he doesn’t see them.

Friendship

Which leads us to one thing (there are others, but this dominates the novel) that Bud seems to be pretty good at, friendship. Sure, frequently being a selfish jackwagon, he’s not great at being a friend—but the bonds he’s made are strong enough that they can take it.

There’s Tim, Bud’s office-mate (a strange friendship, but one that’s deeper than one might think), the friendship between Bud and his editor/boss, and then a sweet friendship with a lonely and eccentric little boy* who lives nearby. Bud may not have figured out how to successfully adult, but he’s assembled a great group of friends to help him navigate through it.

I’ve read/listened to a lot of people (in fiction/non-fiction) talk about how close male friendship has really taken a hit in the current culture—it’s not emphasized, it’s not modeled, and almost never discussed after a certain age. Take or leave that argument, it’s rare enough to see a decent portrayal. Bud has four of them—of various strengths and circumstances. But all are wonderful to watch.

* That kid (his name escapes me, and that bothers me) deserves a book of his own. I need someone like Wesley King, Victoria Willimason, or R.J. Palacio to buy the rights.

What did I think about the narration?

Well, there were a couple of location names that I wondered if Hopkins was pronouncing correctly (he probably was). But beyond that, he nailed the work. He got the humor, he got the heart, he got the…strange mental place that Bud spent most of the book in.

I don’t believe I’ve heard him in action before, but I’d like to.

So, what did I think about I See You’ve Called in Dead?

I assumed this would be a fun read from the premise. I wasn’t prepared for something that would make me care so much.

I did think the humor around the millennial HR employee felt overplayed, and that Kenney should’ve dropped it (or skipped it entirely). There might have been one or two other jokes that he could’ve skipped—but on the whole? Some of the best comedy I’ve encountered this year—and some of the dumbest, too. Bud, Tim, and Tuan (his office-mate) don’t seem to think there’s a joke to dumb to make. I don’t disagree, but I figure I should warn you. They also aren’t afraid of being awfully clever in their jokes as well.

There’s an extended bit in a Greek funeral that Tim and Bud attend, for example, that will make you roll your eyes—and then you’ll end up really loving as it continues.

I haven’t talked about the strange friendship/romance at all between Bud and the woman who starts him attending the funerals of strangers. It’s the kind of quirky thing that filmmakers used to give Zach Braff, Michael Cera, Joseph Gordon-Levitt, and the like. But it rarely feels forced, and she’s definitely not manic. I don’t think her storyline is nearly as well-done as the others, but it’s satisfying enough that I’m not going to complain.

And of course—we need to talk about death and life. Bud and his circle spend a lot of time witnessing death and grief—and how it looks for various people. And from that, they all take different lessons about death and what can—and should—come before. Sometimes it feels a little heavy-handed, or rather, it feels like it’s going to be—you can feel the “special episode” atmosphere building. But it typically is delivered subtly and almost seamlessly. Kenney does it the right way.

This is a funny, wise, and heartfelt book—affirming, challenging, and downright entertaining. What’s not to like?

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Amazing Twin Chicken Freedom Fighters by Zephaniah Sole: The Revolution Will Not Be Pasteurized

I’m incredibly dissatisfied with this post. But I don’t think I’m possible of doing better. I want to, the book deserves better than this. But I’m punching above my weight-class with this. Give me a couple of weeks doing nothing else, 15-20 pages, and a few consultations with one of my old university professors, and I might come up with something I liked. Since that’s not going to happen, I’ll just go with this.


Cover of The Amazing Twin Chicken Freedom Fighters by Zephaniah SoleThe Amazing Twin Chicken Freedom Fighters

by Zephaniah Sole

DETAILS:
Series: The Amazing Twin Chicken Freedom Fighters, Book 1
Publisher: Run Amok Crime
Publication Date: May 5, 2025
Format: ARC
Length: 204 pg.
Read Date: June 7-9, 2025
Buy from Bookshop.org Support Indie Bookstores

A Couple of Content Warnings

I don’t normally do these kind of things, but it seemed like a good idea for this book. First, there’s some active suicidal ideation at the beginning of the book. It’s (first chapter, so not a spoiler) not effective. Also, it’s rapidly moved on from, and if the characters bring it up again, it’s briefly (I don’t think they do, but I failed to track it). In some books, the way the characters leave it behind would be a problem, and worthy of some discussion. But here? It works.

Secondly, Sole gets pretty close to sacrilege with a number of religious figures—Christian, Jewish, Muslim, and Buddhist (and likely some others). Particularly with a certain Tibetan Buddhist. I tend to have a hair trigger on this kind of thing, but I think Sole landed pretty firmly on the right side of the line. If for no other reason than his depictions of the persons in question are so far from the way the religions think about them or they’re depicted in their texts, it’s hard to take the identification seriously.

(except for that Tibetan Buddhist, but even there, it’s a stretch)

What’s The Amazing Twin Chicken Freedom Fighters About?

Jake and Joy meet one night under poor circumstances and do not get along at all. But then they find themselves in an unfamiliar and possibly hostile situation dressed in chicken suits (that not everyone sees but also they can’t get out of).

Before they can fully wrap their heads around that, they find themselves running for their lives and involved in a cosmic struggle for the fate of humanity. As they were prophesied to be.

No, really. That’s the plot.

Jake, Joy, and their new mentors/companions vs. Hip Gnosis* and his bickering subordinates. What follows is zany, action-filled, profound entertainment.

* Readers of Justice League comics of the late 80s may be interested to know that Gnosis reminds me of Lord Manga Khan, and his associate, Madelyn has a certain L-Ron quality to her, too.

The Book’s Humor

This book is hilarious—it’s more than that, but let’s start with that. But what kind of humor is it?

There’s word play—some very clever and sophisticated, and some painful puns. There’s some scatological humor (including one of the all-time greatest scatological jokes). There’s philosophical humor. There’s some jokes that are fit for an elementary school playground. There are some that are fit for a New Yorker cartoon.

Basically, the humor is all over the place. I mean that as a compliment and a description—definitely not a criticism. Primarily because every, and I stress every joke* lands. The book was so funny that you could miss everything else going on (and you shouldn’t) and you’d have a wonderful time.

* I should probably note that I may have mistaken a few lines for jokes that weren’t (but I laughed anyway), and I may have missed a few (which annoys me to admit).

That Hideous Strength

Somewhere along the way…either in the last two-thirds of the book, or maybe when I was finished (I can’t tell from my notes, and I can’t remember), it struck me that this book is a strange, non-Christian version of C.S. Lewis’ That Hideous Strength.

That’s not a spoiler—because Sole doesn’t resolve things in a way that resembles Lewis at all (and frankly, I think Sole’s is more narratively satisfying, which is odd for a book that is so messy). This isn’t a hill that I’d fight to possess, but I think the parallels are clear. In essence, you’ve got the same two opposing forces and similar groups to take action on Earth—for very similar ends. I’d be more specific, but you need to read the book to appreciate it. Do that and come back, and we can talk.

Maybe it’s That Hideous Strength mixed with Dirk Gentley’s Holistic Detective Agency. I should take a day or two to develop that idea into a few paragraphs, but I won’t.

So, what did I think about The Amazing Twin Chicken Freedom Fighters?

This book is just absurd—and I mean that in both the technical and the vernacular uses. I’m struggling to find words to describe it beyond that.

By page three, I was smitten with this book. By page 60, I wrote that, “This is either brilliant or the ravings of a madman. Possibly both.” And stuck with both of those reactions until the last sentence.

I talked about the humor above—and that would be enough to get me to recommend this book. But there’s so much more going on in these 204 pages. Things I haven’t begun to fully unpack yet. Things I’d probably need three or four reads to glimpse.

Sole doesn’t just play with narrative rules here. Nor does he simply experiment with them. He ties them up, tosses them in the trunk of his sedan, and goes for a joy ride. Less violently, you could say that Sole treats them as if he were Bugs Bunny after too many espressos and they were Elmer Fudd.

Then you throw in the prophecies, the philosophy, the semi-spirituality discussions, the action, the whale, teleporting via bathrooms/port-a-potties, the…I don’t know how to finish this sentence.

The plot is solid and interesting—but only somewhat important. The primary characters are three-dimensional, but only by the skin of their teeth. It’s not that important that they’re incredibly well-developed (as much as I hate to say something like that, it’s true here). What’s important is why things are happening and how Sole describes it.

Toss your suspension of disbelief in the trunk with Sole’s narrative rules, and dive in. You’ll be glad you did.

People who’ve read this site much know that I’m a huge Jo Perry fan. After I read the book, I noticed she’d provided a quote for the Publisher about it. As I’d fully expect, she put everything so wonderfully. I can’t match it, so I’m just going to close with what she said.

The Amazing Twin Chicken Freedom Fighters is the deep, learned, bookish, illogical, profound, effervescent, scatological, otherworldly, etymological and hilarious history of a shift in Joy’s and Jake’s (not their real names) ways of being and ours after they leap as one from a bridge and become heroic, pizza-eating—not just any pizza, but The Pizza Eternal-soul-yoked chickens. Enchanters, clicking and singing cetacean metaphors, the-down-and-out, lambs, assassins, the sorrowful, the faceless, the brain-on-fire, the ego-mad, the blind and seers inhabit Sole’s audacious and ambitious soul-adventure. This is a wild novel as sweet and hot as a from-the-oven lemon rosemary scone. Onward to Book Two.

Disclaimer: I received this ARC from the Publisher in exchange for my honest opinion and this post. They got short-changed in this deal.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Great Gatsby: Alphabetised Centennial Edition by F. Scott Fitzgerald, edited by Chris McVeigh: A Classic Reorganized

Cover of The Great Gatsby: Alphabetised Centennial Edition by F. Scott Fitzgerald, edited by Chris McVeighThe Great Gatsby: Alphabetised Centennial Edition

by F. Scott Fitzgerald; edited, with an introduction by Chris McVeigh

DETAILS:
Publisher: Fahrenheit Press
Publication Date: May 14, 2025 
Format: Paperback
Length: 197 pg.

What’s the Deal with The Great Gatsby: Alphabetised Centennial Edition?

I could (should?) save myself a bunch of time and just point you to The Publisher’s Explanation of the book and its background. Seriously, skip most of what I write here and just read it.

But because I feel compelled to say something about this unique offering, I’m going to plow on.

Inspired by Concrete Poetry (which is something I don’t think I’d heard of until I read the above from Fahrenheit Press) and the centennial of The Great Gatsby, Chris McVeigh has taken the classic, and as you should assume from the subtitle, alphabetized it.

As McVeigh writes in the introduction:

…this alphabetised edition of The Great Gatsby is not a puzzle to be solved, or a parody to provoke. It is rather, a re-seeing of language in the raw – a confrontation with the building blocks of a story we think we know.

Removed from their narrative scaffolding, Gatsby’s words fall into new patterns, unexpected rhythms, and visual clusters. “Daisy” “dream” and “death” no longer emerge from plot, but jostle for position in a flattened, democratic field. The result is a text not about the American Dream, but made of it—its’ language laid bare, its’ seductions and emptiness exposed with surgical neutrality.

What would T.G. Eckleberg have to say?

Who knows, but those giant eyes of his would probably enjoy taking this in.

You really don’t even have to read the words, you can just open any page and take in the visual impact, the shapes that emerge from just bare words—limited punctuation (mostly apostrophes), no paragraphs, just a word-space-word-space-word sequence for 197 pages.

It’s striking, mesmerizing, and can even evoke an emotional response somehow.

So, what did I think about The Great Gatsby: Alphabetised Centennial Edition?

I honestly don’t know. But I can say I’ve thought about it a lot since getting it.

McVeigh asks:

Is story found only in sequence? Can meaning survive fragmentation? Might new meanings emerge—accidental, ambient, and poetic—from the ruins of arrangement?

At this moment, my answers are: Yes. Possibly? (pronounced with a heavy question mark) Yes, just don’t ask me what any of them are.

I’ve picked this up and read through a few pages several times in the week or so since I got this, and each time I start to think I’m getting something. Like Dirk Gentley said, I felt like I could “grapple with the ineffable itself, and see if we may not eff it after all.” But I’ve fallen short each time, but I’m going to keep trying.

But this is not a book for everyone, I should stress. For example, I showed this to my wife, who I thought might appreciate the idea. She looked through it and gave me one of those looks and asked, “You spent money on this?”

Yes, I did. Happily so—and am still glad I did. Not just for the novelty (which probably drove the purchase, to be frank), but because it’s giving me the opportunity to ask those questions I started this section with. This might not be much of a review, but I think it’s the heartiest endorsement I could give of the project.

I spent money on this, you should consider doing the same.

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BOOK SPOTLIGHT: The Lights of Shantinagar by Nidhi Arora

I’m very pleased today to welcome The Write Reads Ultimate Blog Tour Nidhi Arora’s The Lights of Shantinagar! If you take a look at the feed for https://twitter.com/WriteReadsTours over the next few days, you’ll see a lot of bloggers who did find the time to write interesting things about it (or, check out the banner below).

The Lights of Shantinagar by Nidhi Arora Tour Banner

Book Details:

Title: The Lights of Shantinagar
Genre: Contemporary, Family Saga
Age Category: Adult
Format: Paperback/Ebook
Length: 272 pages
Publication Date: June 5, 2025
Cover of The Lights of Shantinagar by Nidhi Arora

About the Book:

The Lights of Shantinagar is a warm and lively portrait of family life set in modern India where new philosophies are reshaping old traditions and one woman’s astute observations can change everything.

Aspiring quantum physicist Sumi is newly married and has moved into her husband’s family home. Here she observes that the beguilingly tranquil middle-class town of Shantinagar is not very different from her beloved quantum world: the happenings in one house are cryptically entangled with things next door, objects mysteriously disappear and unexpected interactions reveal surprising truths.

As the line between right and wrong begins to blur, new discoveries force the residents of Shantinagar to reflect on what they truly know about themselves and the ones they love. Meanwhile, Sumi must blend logic with love to make sense of her new circumstances.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Nidhi AroraNidhi Arora’s stories and essays are featured in international journals and anthologies including Best New Singaporean Short Stories, Out of Print, The Hooghly Review, QLRS, Cha, and Popshot. She has self-published two books on Secure Attachment: A parent-child bonding series and edited a third. More at www.nidhi-arora.com.


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

My Documents by Kevin Nguyen: Who will survive in America?

Cover of My Documents by Kevin NguyenMy Documents

by Kevin Nguyen

DETAILS:
Publisher: One World
Publication Date: April 8, 2025
Format: eARC
Length: 352 pg.
Read Date: April 7-9, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s My Documents About?

Soon after the fall of Saigon, but not soon enough, a woman named Bà Nội manages to escape Vietnam with her four-year-old son—she’d been able to send two of her children to the U.S. earlier. Sadly, her husband was unable to leave with them. As the novel opens in the mid-2010s, we meet four of this son’s children—Ursula, Alvin, Jen, and Duncan.

These siblings and cousins are on the cusp of adulthood. Ursala is trying to make it as a journalist in NYC, Alvin is starting an internship (that will hopefully/likely turn into something more) at Google, Jen is enjoying the freedom that comes from being away from home at NYU, and Duncan’s passion is playing on his high school football team—and he’s pretty successful at it. All in all, this is a pretty good realization of Bà Nội’s American Dream (even if most of the family had hoped for something more lucrative for Ursala than being a writer).

Then the U.S. is rocked by a series of coordinated terrorist attacks that result in the overwhelming majority of Vietnamese-Americans being placed in various internment camps. Jen, Duncan, and their mother are placed in Camp Tacoma, while Ursula and Alvin are able to get exemptions.

The novel traces the lives of these four (as well as some of their relatives) through this dark time—showing how technology, business, the media, the government, and prejudice collude to create and maintain this system, as well as the public reaction and eventual distraction (with sporadic moments of attention and protest). But beyond that, we see how those most impacted by these policies survive this—and how they try to adjust, cling to their humanity, and try to do more than survive.

The Cousins

First, I should note that we also get some time with their shared father (who was not really involved in their lives growing up), Dan. Without getting into it, Dan took a very different path than his children—or the majority of Vietnamese-Americans—during this time. His actions—which we check in on sporadically—serve to contrast what the rest go through.

But I want to focus on—as the book does—the cousins. These are fantastically drawn, deeply flawed, and relatable characters. They all react very differently to their circumstances, and grow (or at least develop) through them in ways that are completely believable. In much the same way that the fall of Saigon and escape to the U.S. shaped the lives and psyches of their grandmother and father, this period does that to them.

More than Survival

In the beginning—even for those outside the camps—it’s just about survival. You do what you’re told, you make sure to obey the men with guns, you keep your head down and just hold on to whatever you can. But in time, you find ways to breathe, to relax, to find community and support, you even find ways to help others.

The guards organize football games for the detainees, which are attended by most of those in the camp. It allows Duncan to thrive. Jen gets work on the camp’s official newspaper—which, yes, is basically a propaganda machine (everyone knows this), but it helps her hone her writing and gets her exposure to most of the camp, as well as access. Because of her access, she’s brought into the circle of a smuggling operation that brings in some forms of food, life-saving medicine that the camp won’t bring in, and even digital copies of TV, movies, and music.

It’s through these temporary escapes from their daily circumstances—authorized or not—that the detainees are able to remember that there’s more to living than existing. There are flashes of joy and relief in the midst of their tense, precarious, and tragic circumstances.

It’s in this part of the novel that the reader is able to find more than just a frighteningly possible dystopia; it’s what elevates this.

So, what did I think about My Documents?

One of the more chilling aspects of this book is how most Americans move on from the internment. It makes headlines and creates some scandal for a bit, and then the attention of the public shifts to something else. Every now and then, something will come up that gets people riled up a little bit, but nothing sticks for most of the public. This is a dystopia—but not for everyone. Not that many people suffer. And while things could be better for people like Ursula and Alvin, outside of their own missteps and failings, their lives are pretty good.

The more I think about that, the more terrifying it is. The more realistic and possible it seems, too.

There’s a moment toward the beginning of the book where Ursula is attending a lecture from a working journalist, who says that a good story tells us something about people—how they live and how they are self-deluded. It seemed like a pretty obvious spotlight on one of Nguyen’s themes. And it happens so early, I don’t feel bad getting that specific. Not only is that a good way to think about stories (true and fictional) in general—it’s a key to this work.

Every person we spend extended time with—and several that we don’t—are under one or more forms of delusion—some external, but many come from within. This, too, is Nguyen’s realism shining forth. The way these four fool themselves is so relatable and so pitiable. It may sound like I’m criticizing the characters (and maybe I am a little), but this is a testimony to the way Nguyen depicts them, they come alive in their failings more than in their strengths.

I would’ve liked to see a little more of the relationship between Duncan and Alvin. But the way we—and they—were denied that is one of the stronger elements, the more I think about it. Once they’re unable to communicate after the internment (which, naturally, comes with a total lack of mobile phone/internet access), they themselves think about the ways they missed out.

I do think some readers will be put off by how fun this book sometimes is. Jen has a similar thought when the underground starts distributing TV shows and people get so into them—but her smuggler acquaintance assures her that this is good. There’s a little bit of enjoyment in these people’s lives now—they’re doing more than just existing.

Also, the moments of lightness do a great job of setting you up for the next gut-punch of a development. Nguyen’s is good at lulling his readers into that.

This is a gripping, well-plotted read that keeps moving along, too. There’s a momentum that slowly builds, almost like a thriller, until you’re barreling toward the conclusion.

This is a powerful, haunting, uncomfortable (purposefully) read that will also charm you. I’ve been having a hard time moving on from this book in the days since I read it. I keep finding ways to talk about it or think about it—and the more I do either, the more I appreciate this work. This is definitely one of the best—both affective and effective—books I’ve read in some time.


5 Stars

Disclaimer: I received this eARC from Random House Publishing Group – Random House via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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