General Fiction - The Irresponsible Reader

The Book That No One Wanted to Read by Richard Ayoade, Tor Freeman, Jarvis Cocker, Lydia Fox: In Print or Audio, It’s Just Delightful

On May 10, 2023

In Audiobook, Fiction, Humor, YA/MG/Children's Books

I am fully aware that the following post overuses the word “delightful.” I wanted to use it at least a dozen more times. This is both a sign that my working vocabulary needs expansion and that this book is a delight. More the latter than the former.

The Book That No One Wanted to Read

(Hardcover/Audiobook)
by Richard Ayoade
Narrated by Richard Ayoade, Jarvis Cocker, Lydia Fox
Illustrated by Tor Freeman

DETAILS:
Publisher: Walker Books US (hardcover); W.F. Howes, LTD. (audiobook)
Publication Date: March 14, 2023
Format: Hardcover/Audio
Length: 108 pg./49 min.
Read Date: April 4, 2023

What’s The Book That No One Wanted to Read About?

This is tricky without giving the whole thing away…but I think I can get close to it. Maybe more idea of the flavor?

We’re told at the very beginning that this book isn’t like others—other books are written by authors, while this book is written by a book. A book with opinions. For example, about authors:

Take it from me, authors can be quite annoying. They go on and on, filling up up page after page, but they have no idea what it’s like to be a book.

or these parts of Top Five Things That Grate My Gears (I’m only giving selections, but I want to give the whole thing):

1. People who fold the corner of the page to save their place.Have these savages not heard of novelty bookmarks? Or paper?…Which part of your body would you most like to have folded back on itself?*

2. People who underline certain words. ALL THE WORDS ARE IMPORTANT!

3. People who skip to the end. If the end was meant to come sooner, it’d be called “the middle.”

and don’t get it started on Ipswitch.

* The accompanying illustration of examples of ways to fold a body is delightful.

This book then goes on to tell a story in the second person about someone (presumably a middle-grade child, but really it could be anyone) who is going through a very large library and comes across the shelf holding The Book That No One Wanted To Read. That book then begins having a telepathic conversation with the “you” about being a book, the book’s plight as being so ignored, and how “you” can help it.

I’m not sure that makes sense—but it should give you an inkling of what you’re in for.

The Narration

Jarvis Cocker handles the bulk of the narration—he’s the voice of the opinionated Book telling the story, and as such is the voice that describes the “you” walking around. I could listen to his portions on repeat for a few hours at a time and be quite content (when I wasn’t laughing).

Richard Ayoade is the voice of the titular book and brings his distinguishing style to that narration. If you don’t smile listening to him as this character, you’re doing something wrong.

Lydia Fox provides the voice for the middle grader in conversation with the book. She’s just as fantastic as the others, and I only mention her last as I went in order of appearance.

This is one of those multi-narrator audiobooks where all the narrators are equally good—capturing the spirit and tone of the text and bringing it to life. I’d say that Cocker is the best narrator of the three, unless you asked me in the middle of one of Ayoade’s lines. Or while Fox was reading. I just loved all the audio aspects of this book.

The Illustrations

Oh, wow. I love the illustrations—they are absolutely great. It’s a sketchy kind of art, immediately relatable (think Jules Feiffer). They grab you right away and are just delightful—as funny as the text, without overshadowing it. They have the same voice, the same kind of humor, but don’t just retell the jokes in the book—sometimes they riff off them, expand them, and sometimes the humor is just adjacent to the jokes in the text.

I don’t normally recommend this kind of thing, but you can pick up the book and just look at the pictures (and read the captions) and have a good time without bothering with anything The Book is trying to convey.

So, what did I think about The Book That No One Wanted to Read?

When I heard about the book a few months ago, I was intrigued and made a mental note to look into it when it was released. Then I promptly forgot about it until I saw it on my library’s app. I’d intended on getting the text version, but I needed something short, so I jumped on it.

I was charmed instantly and loved the experience so much that I ran out to get the Hardcover so I could see the text, re-read portions—and check out the pictures. I haven’t found the time to read the whole book yet—but I have looked at every illustration and read bits of it a few times. This is why I’m giving you this strange hybrid format post.

If you’re going to encounter this book without the vocal stylings of Fox, Cocker, or Ayoade, you need the illustrations to make up for them. If you’re going to read the book without the benefit of the illustrations, you need narrators as strong as those three.

In case you haven’t noticed, I’m doing much better at conveying my reaction to the book than I am the book itself. The voice and tenor of the book are great—it’s goofy and strange, the humor is occasionally dry, it’s imaginative, it’s affirming and encouraging, it wraps you in a blanket of fun and makes you feel good. The characters all three of them—”you”, The Book That No One Wanted to Read, and the Book telling the story—are the perfect way to convey the contents. You don’t want a lot of characters wandering in and out of this one—keep it simple. But you don’t want this to become a monologue or an essay (although judging by the first and final chapter, it’d be great as one of those), so you need the three voices.

The best thing that comes to mind to compare it to is The Phantom Tollbooth. But shorter. And with the humor dialed up by a factor of 50.

I have one reservation. I’m not sure that the style of humor or the content of all the jokes are going to land right with an American Fifth Grader. It feels, perhaps, too British for that. But then again, American Fifth Graders are exposed to more than I was. Also, this could be the kind of thing that trains an 11-year-old’s sense of humor in the same way that stand-up albums I didn’t fully understand did mine. So what do I know?

Bookish adults are going to have a blast with this. Middle-Grade readers who are into slightly off-kilter books will really enjoy this. Most middle-graders, as far as I know, are slightly off-kilter themselves, so maybe they’re all the right audience. Just give them this book in their preferred format and you’ve likely got a winner.

I adore this book—and think it’s going to be a favorite of mine for years to come. I can’t wait to introduce my grandson to it—and frankly, a few older friends and relatives, too.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah: Are You Not Entertained?

By HCNewton

On May 4, 2023

In Fiction, General Fiction/Literature, Mystery/Detective Fiction/Crime Fiction/Thriller, Science Fiction

Chain-Gang All-Stars

by Nana Kwame Adjei-Brenyah

DETAILS:
Publisher: Pantheon
Publication Date: May 2, 2023
Format: eARC
Length: 348 pg.
Read Date: April 24-29, 2023

Before I begin, let me just say that you are wasting your time reading this post when you could be out buying or borrowing and reading this book.

If you’ve made the mistake of sticking around, I’ll go ahead and talk about the book, I guess. But really, your priorities are wrong.

What’s Chain-Gang All-Stars About?

In the not-too-distant future, laws regarding the incarceration of serious felons have been adjusted, and the Criminal Action Penal Entertainment program is born. Under CAPE, convicted murderers (many with other convictions as well) can be set free before the end of their sentence if they agree to participate. Participation however, could result in their violent death.

Under CAPE, these felons will face off one-on-one (sometimes two-on-two) against other felons in a fight to the death. If you survive a bout, you score some points and progress to the next fight (in a week or so). As you gain victories, you can earn points to be used for weapons, better food, clothing, equipment, etc. After three years, you will be released.

These felons are organized in Chain Gangs associated with the participating prisons. Links (as the fighters are called) in the same Chain do not face off against each other, and become (to varying degrees depending on their chain) teams—encouraging each other, giving tips, etc.

This has become the largest sports entertainment in the U.S. Throngs show up for live events or to watch a stream. You can also subscribe to almost constant live feeds of the Links between fights. Some fighters become superstars, with corporate sponsors, merchandise, inspiring their own fashion trends, etc.

Over the course of the novel, we follow (primarily) one Link from her initial bout to the final weeks of her time. We get to know her Chain—a couple of Links in particular—as well as Links from other Chains, so we can see how people join, survive, and (usually) die through this entertainment. We also get to know some of the executives and sportscasters becoming rich from this, some fans and subscribers—as well as some of the protestors trying to stop the program.

The Links

Most of the time we follow Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker. LT’s on the verge of freedom, and Staxxx isn’t far behind. They try (with some success) to get their Chain to act differently, to help each other in ways others don’t. At the same time, they’re dealing with the emotions of LT not being around for much longer (one way or another) and Staxxx moving into the leadership role. We get to know them and their team, what brought them to this point in their lives, and what might be around the corner.

But we don’t just focus on those two—there are other Links, in other Chains, that we watch. Some as they make the transition from prisoner to Link, some in their early (and final) bouts. As horrible as the fights to the death are—and they are—it’s the time with these other Links that really cements the horror of what is happening to and through all the Links. There’s one man who spends a lot of time in solitary confinement and some of what he goes through made a bigger impact on me than the bloodiest death.

None of these links would claim to be a good person—well, there’s one wrongly convicted man, but his innocence doesn’t last long as a Link. They know they’re criminals, killers, and most would say they don’t deserve life or freedom. But none of them deserve this.

Everyone Else

As fantastic as the portions of the novel about the Links are, I think it’s these characters and seeing how they relate to CAPE that is the genius of the novel. A society cannot spend so much money (and earn it, too) on something like this without it shaping it and the people in it. Think of how so much of the US economy, news, and entertainment in January/February is devoted to the Super Bowl. Now magnify that, make it year-long, and add some serious ethical and moral issues.

The corporate figures are easy enough to write off as villains. And Adjei-Brenyah does that really well—but he makes sure we see them as human villains. The kind of people it’s easy to imagine existing given the right circumstances—these are not cartoons.

The protestors we see are complex as well—they’re smart, passionate people, who are trying their best to put an end to this modern slavery. They make bold moves, some stupid ones, too. But they also have to wrestle with the ramifications of their positions. One in particular is the child of a Link—she doesn’t have a relationship with him anymore, she doesn’t want anything to do with him but doesn’t want him killed in this way. But she doesn’t want him roaming around outside of a prison, either. There’s an honesty to the portrayal of these protestors that I find admirable—they may not have the answers about the right way to deal with serious criminals, but they do know what’s wrong and are willing to take their stand.

The portrayal that’s going to stay with me the longest is of a young woman who finds the matches distasteful—not necessarily morally repugnant, but not the kind of thing she wants to watch. But goes along with her boyfriend to placate him—he’s a giant fanboy with strong opinions and facts to back them up. He’s reciting them to her constantly, but she tries not to pay attention. She does start to get involved in the live streams about the out-of-combat lives of these Links—think Survivor meets Big Brother. She eventually becomes invested in some Links through those streams and that opens a can of worms.

The Endnotes

The Endnotes are a particularly interesting feature of this book—so interesting I’ll bite back my default complaint about choosing to use endnotes when footnotes exist.

In this novel, the notes are a fascinating combination. The first type are notes about the characters and events in the novel—a little more background, or other detail that doesn’t fit in the text proper. I don’t remember seeing this kind of footnote in a book as serious as this one, but Adjei-Brenyah pulled it off well.

The second type of endnote material cites laws (real and fictional), studies, and actual history surrounding the contemporary American penal system. In addition to being valuable information for the reader to have in general—or when it comes to talking about this book—this is a clever device for Adjei-Brenyah to keep it fresh in the reader’s mind that while this is a novel, it’s a novel well-grounded in things that matter—things he wants the reader to care about and hopefully take action in response to knowing this material.

So, what did I think about Chain-Gang All-Stars?

This is going to be one of the best books I’ve read in 2023. It’s well-written, the characters are fantastically drawn and depicted, the pacing is perfect—the story doesn’t stop moving, and the perspective jumps just draw you in closer. The moral and ethical questions are real, but not all of the answers are. I don’t know how you walk away from this book unmoved and unprovoked to think and perhaps act. There are moments when Adjei-Brenyah makes it clear that you can enjoy yourself with these characters—but there are many more that will make you hate this world. Most of those will remind you how easily it could be ours.

But you won’t stop turning the pages until the end.

There’s so much that I want to talk about, so many things that Adjei-Brenyah did that many writers don’t—or wouldn’t have thought of. But I just don’t have the time to get into it (or I’d ruin the experience for you).

Here’s one example. At some point around the 20% mark, we’re given an (well-executed and seamless) infodump, that largely serves to tell the reader that anything they’ve surmised about the CAPE program is correct (or to adjust any misunderstandings, I guess) and to give a few more details. A well-timed and well-executed infodump is great to find—one that’s largely a reaffirmation is even better. That affirmation is welcome so that you can move on with certainty.

The author talks about changes in his outlook on the American penal system during the writing and research he did for this book. I don’t know that I can agree with him on those, but it’s something I had to consider because of the novel. And I can certainly empathize with his thinking. I can’t imagine there are many who don’t think our penal system needs reformation of some kind—there’s little agreement on what needs reform, and less on how it should be done. But a side-benefit of this novel is that the reader will have to think about their own positions some. It’s not all a diatribe about our prisons—it’s a book that you can just read for the story—but you’ll not want to.

Lastly, for a book that’s about death—violent death at the hands of violent people who only hope to go on so they can kill again—the book is really about life. It’s a celebration of life, a call to protect it, a call to see it for what it is. It’s a reminder that “where life is precious, life is precious.”

Disclaimer: I received this eARC from Knopf, Pantheon, Vintage, and Anchor via NetGalley in exchange for this post—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Catch-Up Quick Takes: Some Overdue Audiobook Takes

By HCNewton

On April 20, 2023

In (Auto)Biography, Audiobook, Fiction, General Fiction/Literature, Mystery/Detective Fiction/Crime Fiction/Thriller, Non-Fiction, Science Fiction, Urban Fantasy

This is a post I’d hoped to get up the first week of February, making it…very late. But here we go…

As always, I want to say that the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Destructive Reasoning

by Scott Meyer, Luke Daniels (Narrator)

DETAILS:
Series: The Authorities, #2
Publication Date: November 16, 2022
Format: Unabridged Audiobook
Length: 9 hrs., 21 min.
Read Date: January 5-10, 2023

(the official blurb)
This sequel starts off with a sequence as silly, but slightly less cringe-worthy, as the first book before shifting to the major storyline. This one takes the team to Los Angeles to investigate a series of killings. The common thread amongst the victims is that they were playing a version of Dr. John Watson in a movie/TV series.

Not only have there been some killings, but there are three actors in the area who are currently playing Watson (or a Watson-figure), and the team has to investigate and keep them alive.

We get some mocking of the Entertainment Industry, general silliness when it comes to the team, and even a little more backstory on a couple of characters.

Overall, I didn’t like this quite as much, it felt like Meyer was trying too hard to be funny rather than tell a story in his signature way. Still, it was enjoyable enough to finish and want to see more.

Luke Daniels did his typical bang-up job. Ending the audiobook with bloopers was a fun bonus.

3 Stars

Ms. Demeanor

by Elinor Lipman, Piper Goodeve (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: December 27, 2022
Format: Unabridged Audiobook
Length: 7 hrs., 27 min.
Read Date: January 17-18, 2023

(the official blurb)
I saw this a few times on my Libby app and decided I wasn’t that interested as cute as it sounded, but at some point, I saw a cover blurb from Richard Russo. So, why not?

Jane Morgan is under house arrest and newly unemployed thanks due to a minor crime, a nosy neighbor, and a judge wanting to make an example of her. She’s forced to try to do things to help the time bearable—including making the acquaintance of someone else in her building also under house arrest.

There’s some romantic comedy here, some self-discovery, and just some warm-hearted fun. It’s not fantastic, but it’s a good way to spend some time. It’ll keep you engaged and entertained.

3 Stars

The Wizard’s Butler

by Nathan Lowell, Tom Taylorson (Narrator)

DETAILS:
Series: The Wizard's Butler, #1
Publisher: Podium Audio
Publication Date: April 20, 2021
Format: Unabridged Audiobook
Length: 12 hrs., 10 min.
Read Date: January 25-27, 2023

(the official blurb)
I feel like I should have a lot to say about this one, but I don’t (which kind of bugs me). It’s the story of a man being hired to be a butler/caretaker of an older man for a year. After that year, the unscrupulous relatives that hired him will pay Roger a disgusting amount of money and will ship Joseph Perry Shackleford off to a retirement home and take control of his money and property.

What is going to make this easier is that Mr. Shackleford forward thinks he’s a wizard. Roger could use the money and likes Mr. Shackleford, so he doesn’t care what the old man thinks he is. Roger wants to help him—and he’s pretty sure that his new bosses are up to no good, maybe he can cause them some trouble.

It turns out, however, that the old man actually is a wizard. Roger gets introduced to a world he couldn’t have imagined was real if he tried.

This book was charming as all get out. I really enjoyed the story, the world, the magic system, the characters (I really enjoyed the characters), and the way that Lowell put this together—Taylorson’s narration was effective and engaging, too.

This is the slowest-paced Urban Fantasy I’ve ever read—with stakes that are so far smaller than we’re used to, which doesn’t stop it from being something that holds your attention. It could probably be safely described as Cozy UF—Fred, the Vampire Accountant books have more violence, and it’s typically tame 90% of the time. And I’m more than ready for more of this kind of story.

3 Stars

Really Good, Actually

by Monica Heisey, Julia Whelan (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: January 17,2023
Format: Unabridged Audiobook
Length: 10 hrs., 13 min.
Read Date: January 20-25, 2023

(the official blurb)
This is a look at the ups and downs—and further downs, and deeper downs–of a young woman in the year after her divorce. It’s about grieving her relationship, friendship, dating (we’ll be generous/prudish and call it that), and accepting yourself–and accepting help.

I thought the prose and inventiveness in certain scenes were spot-on. There’s a lot of cleverness displayed throughout. But while there are some great moments, but I just didn’t think the journey was worth the destination—and I’m not that crazy about the journey, either.

It’s an utterly fine book.

3 Stars

How to Astronaut:
An Insider’s Guide to
Leaving Planet Earth

by Terry Virts

DETAILS:
Publisher: Workman Publishing Company
Publication Date: July 15, 2022
Format: Unabridged Audiobook
Length: 11 hrs., 23 min.
Read Date: January 27-31, 2023

(the official blurb)
This is exactly what you want in an astronaut memoir—he talks about his interest in the program and why he wanted to become an astronaut, his training–both for the Space Shuttle and ISS—actual service on both—(obviously spending more time on the ISS because he spent more time on it and there was more to talk about), as well as what it’s like after returning to Earth. It’s not glowing about NASA or any space program—he’s frank and honest about problems, his own errors, and difficulties as well as what a fantastic opportunity it was for him.

He’s witty, thoughtful, and reflective throughout (in both the writing and his audio narration). I thoroughly enjoyed it and can see myself returning to this one in the future.

3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, my opinions are my own.

PUB DAY REPOST: Foundations by Abigail Stewart: Three Eras, Three Women, and The House that Connects Them

By HCNewton

On March 7, 2023

In Fiction, General Fiction/Literature

Foundations

by Abigail Stewart

DETAILS:
Publisher: Whisk(e)y Tit
Publication Date: March 7, 2023
Format: eARC
Length: 153 pg.
Read Date: February 22, 2023]

What’s Foundations About?

This is a novel about a house in Dallas, TX. It’s told in three eras—early 50s, early 80s, and something relatively recent. Those dates are pretty vague (and precision isn’t that important), but those are my best guesses based on details mentioned in the text.

In each of these eras, the house is owned (or lived in) by three different women, and we spend a little time with each of them and see their relationship (for lack of a better term) with the building.

Bunny

Bunny should give the reader a very Betty Draper vibe—but without quite as many issues. Essentially, she’s a lonely housewife whose husband spends more time at his club or on the road for his company than he does at home. Her sister lives nearby and the two do spend time together, but it doesn’t appear there’s a strong bond between them.

She spends time regularly at the library—secretly, it should be added—reading a variety of things for pleasure and education. At some point, she begins dabbling in things like palmistry, which leads one of the librarians to befriend her and introduce her to people and ideas Bunny hadn’t encountered before.

There’s a great paragraph where Bunny imagines her house as a museum and her as one of the exhibits. I don’t know that we learned much about her in that paragraph, but it crystalizes everything about her that her portion of the novel was saying in just a few lines.

Jessica

Jessica is an actress who (to paraphrase her), has passed her opportunity to be seen as a sexy star and has become eligible only for Lady Macbeth parts (since we’re not given details about her age, I do wonder a bit about that, considering the ages of some of the actresses she alludes to, but it’s not that important).

Now she wants to be away from L.A., where everyone recognizes her as someone who “used to” be in movies or on stage. So she moves to Dallas, buying the home.

She lives a very solitary life—which is her plan, after all—but it doesn’t take long for the shortcomings of that kind of life to become clear to her.

Amanda

Amanda buys the house to flip it as a competitor on a Reality TV show where she’ll be competing against people from across the country doing the same thing.

This is an outreach of work she’s done to make her brand—she’s done a little interior decorating and is striving to be a life coach—and this show could put her on the map.

We watch her chronicle her work to refresh the house on her own social media and the show’s filming. At the same time, she’s dealing with parental pressure to settle down and her boyfriend’s ambivalence toward her activities.

So, what did I think about Foundations?

I honestly don’t know what to think of the book as a whole. I think one of the pieces of art that Amanda picks for the house does a really good job of describing what the novel aspires to (a ceramic statue of three intertwined women), but I’m not particularly sure that the novel intertwines them that much. Their connection feels much more coincidental and circumstantial.

Considered separately, I have some definite thoughts on each woman’s story. It felt to me that Bunny’s story was the most realized, the most developed, and really showed more of the spirit the novel seems to want to show. Her life of quiet desperation feels familiar—like one we’ve all seen time and time again, but Stewart’s depiction of it is as fresh as it ever was.

Jessica’s segment of the book is the least developed, and possibly more of a cliche than Bunny’s. It also felt rushed with an ending that was too pat—I think if we’d had more time with Jessica, I might have reacted better to her and her situation. While I appreciated the character, I thought she got short shrift and it was hard to connect to her.

Amanda, on the other hand, was easy to relate to and connect with. Part of that comes from her living in the present, with immediately identifiable struggles, complaints, and interests. But there was more than that—Bunny just exists until she finds her new friend, and Jessica is running away from things—Amanda has hopes and dreams—she may not be certain about where she’s going long-term, but for the short-term, she has a plan and is focused on it. I think that’s what I appreciated most about her. Still, I think we could’ve gotten a little more time with her, too, to fully flesh her out (but it wouldn’t take much more)—but Jessica needs those pages more than Amanda did.

You can consider the book to show the changing face of feminism through the years, and as such, it’s successful. But I don’t know that it actually says anything about those faces beyond just helping the reader to see them.

Obviously, setting the book in Dallas plays a role in what’s expected for each woman—how they should act, how they should relate to the world around them, how they should feel about spending their days in this house. But I wonder if the danger in stereotyping Dallas is as great as some of the preconceptions of how a woman should comport themselves is.*

* Of course, I realize that coming from a man, that notion could be problematic. So I do want to stress that’s something I wonder about, and don’t have a firm opinion on. Stewart and her characters are apt to reach a conclusion that doesn’t match mine.

It’s a quick read—only 150 pages or so—with some passages and phrases that will knock you out. Different readers will walk away with varied impressions of the three women than me (obviously), and some will likely see something in the whole novel that I’ve missed (I’m hoping someone can show me what I’m not seeing). But I don’t think many will be able to walk away unaffected.

I do recommend this book—I think the small investment of time required will pay dividends for the reader above that.

Disclaimer: I received this eARC from the author and Lori Hettler of The Next Best Book Club in exchange for this post—thanks to both for this.

3.5 Stars

Foundations by Abigail Stewart: Three Eras, Three Women, and The House that Connects Them

By HCNewton

On February 23, 2023

In Fiction, General Fiction/Literature

Foundations

by Abigail Stewart

DETAILS:
Publisher: Whisk(e)y Tit
Publication Date: March 7, 2023
Format: eARC
Length: 153 pg.
Read Date: February 22, 2023]