Tag: Humor Page 10 of 15

My Favorite Non-Crime Fiction of 2018

When I was trying to come up with a Top 10 this year, I ran into a small problem (at least for me). With 44 percent of my fiction, Crime/Thriller/Mystery novels so dominated the candidates, it’s like I read nothing else. So, I decided to split them into 2 lists — one for Crime Fiction and one for Everything Else. Not the catchiest title, I grant you, but you get what you pay for.

I do think I read some books that were technically superior than some of these — but they didn’t entertain me, or grab me emotionally the way these did. And I kinda feel bad about leaving them off. But only kind of. These are my favorites, the things that have stuck with me in a way others haven’t — not the best things I read (but there’s a good deal of overlap, too). I know I read books that are worse, too — I don’t feel bad about leaving them off.

Anyway…I say this every year, but . . . Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1. Also, none of these are re-reads, I can’t have everyone losing to my re-reading books that I’ve loved for 2 decades.

Enough blather…on to the list.

(in alphabetical order by author)

Lies SleepingLies Sleeping

by Ben Aaronovitch

My original post
I’ve read all the comics (at least collected in paperback), listened to all the audiobooks, read the books at least once . . . I’m a Rivers of London/Peter Grant fan. Period. Which means two things — 1. I’m in the bag already for this series and 2. When I say that this is the best of the bunch, I know what I’m talking about. Aaronovitch writes fantastic Urban Fantasy and this is his best yet. The series has been building to this for a while, and I honestly don’t know what to expect next. Great fight/action scenes, some genuine laughs, some solid emotional moments . . . this has it all. Everything you’ve come to expect and more.

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5 Stars

The Fairies of SadievilleThe Fairies of Sadieville

by Alex Bledsoe

My original post
I was very excited about this book when Bledsoe announced it was the last Tufa novel. Then I never wanted it to come out — I didn’t want to say goodbye to this wonderful world he’d created. But if I have to — this is how the series should’ve gone out. It’s the best installment since the first novel — we get almost every question we had about the Tufa answered (including ones you didn’t realize you had), along with a great story. It’s just special and I’m glad I got to read this magical series.

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5 Stars

Dragon RoadDragon Road

by Joseph Brassey

I haven’t been able to get a post written about this — I’m not sure why. It’s superior in almost every way to the wonderful Skyfarer — the idea behind the caravan, the scope of the ship and it’s culture are more than you might think anyone has done before. A fantasy novel about wizards and warriors (and warrior wizards) in a SF setting. I had a blast reading this and I think you will, too.

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4 1/2 Stars

Kill the Farm BoyKill the Farm Boy

by Delilah S. Dawson and Kevin Hearne

My original post
Probably the best comedic/parody/satire fantasy since Peter David’s Sir Apropos of Nothing. The characters are fun, well-developed and pretty strange. This is a great fantasy story, it’s a great bunch of laughs, but there’s real humans and real human reactions — it’s not all laughs but enough of it is that you won’t have to work hard to thoroughly enjoy the book.

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4 Stars

Kings of the WyldKings of the Wyld

by Nicholas Eames
Like Dragon Road, I’ve been trying to write a post about this book for months. An epic story about brotherhood, about family, about heroism, about integrity — but at its core, it’s a story about Clay Cooper. Clay’s a good man trying to stay one. He worked really hard to get to where he is, but he has to get back on the road to help his friends’ daughter. It’s a fantastic concept and set up, with an even better follow-through by Eames. Possibly the best book I read last year — and I don’t say that lightly.

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5 Stars

All Those Explosions Were Someone Else's FaultAll Those Explosions Were Someone Else’s Fault

by James Alan Gardner

My original post
A Superhero story, a SF story, an Urban Fantasy, a story about friendship and destiny told with just enough of a light touch to fool yourself into this being a comedy. From the great title, all the way through to the end this book delivers.

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4 Stars

Smoke EatersSmoke Eaters

by Sean Grigsby

My original post
I started my original post about the book like this: Really, the case for you (or anyone) reading this book is simply and convincingly made in 13 words:

Firefighters vs. Dragons in an Urban Fantasy novel set in a futuristic dystopia.

That could’ve been my entire post, and it’s all I’m going to say now.

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4 1/2 Stars

Dark QueenDark Queen

by Faith Hunter

My original post
This could have been the series finale and I’d have been satisfied. I’m thrilled that it’s not. Hunter’s been building to this for a few books now — and it absolutely pays off the work she’s been doing. Better yet, there’s something else she’s been building toward that doesn’t get the attention it needed — and it’s devastating. The series will be different from here on out. Hunter’s as good as the genre has, and this book demonstrates it.

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5 Stars

Jimbo YojimboJimbo Yojimbo

by David W. Barbee

My original post
I don’t have words for this. I really don’t know how to say anything about this book — especially not in a paragraph. Click on the original post and know that even then I fail to do the book justice. It’s strange, gross, funny, exciting and thrilling.

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4 Stars

Beneath the Sugar SkyBeneath the Sugar Sky

by Seanan McGuire

My original post
As much as I appreciate McGuire’s Toby Daye, Indexing and InCryptid series, her Wayward Children books are possibly the best things she’d done. This allows us to spend time with characters I didn’t think we’d see again and the family — and world — of my favorite character in the series. It’s like McGuire wrote this one specifically for me. But it’s okay for you to read it, too. I’m generous like that.

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5 Stars

My Favorite 2018 Non-Fiction Reads

Like every single year, I didn’t read as much Non-Fiction as I meant to — but I did read a decent amount, more than I did in 2016-17 combined (he reports with only a hint of defensiveness). These are the best of the bunch.

(in alphabetical order by author)

Lessons From LucyLessons From Lucy: The Simple Joys of an Old, Happy Dog

by Dave Barry

My original post
So, I figured given the tile and subject that this would be a heavier Dave Barry read, with probably more tears than you anticipate from his books — something along the lines of Marley & Me. I was (thankfully) wrong. It’s sort of self-helpy. It’s a little overly sentimental. I really don’t know if this is Barry’s best — but it’s up there. Lessons From Lucy is, without a doubt, his most mature, thoughtful and touching work (that’s a pretty low bar, I realize — a bar he’s worked hard to keep low, too).

5 Stars

 The War Outside My Window The War Outside My Window: The Civil War Diary of LeRoy Wiley Gresham, 1860-1865

by Janet E. Croon, ed.

My original post
LeRoy Wiley Gresham was 12 when he started keeping a diary. LIttle did he know at that point that he was about to witness the American Civil War (and all the desolation it would bring to Georgia) and that he was dying (he really didn’t figure that out until the very end). Instead you get an almost day-by-day look at his life — what he does, reads, hears about (re: the War) and feels. It’s history in the raw. You have never read anything like this — it will appeal to the armchair historian in you (particularly if you’ve ever dabbled in being a Civil War buff); it’ll appeal to want an idea what everyday life was like 150 years ago; there’s a medical case study, too — this combination of themes is impossible to find anywhere else. This won’t be the easiest read you come across this year (whatever year it is that you come across it), but it’ll be one of the most compelling.

5 Stars

TimekeepersTimekeepers: How the World Became Obsessed With Time

by Simon Garfield

My original post
I, for one, have never thought that much about my relation to time, my relation to clocks/watches, etc. I know they govern our lives, to an extent that’s troublesome. But where did that come from, how did we get hooked on these things, this concept? These are brief studies/historical looks/contemporary observations — and I’m not selling it too well here (trying to keep it brief). It’s entertainingly written, informative, and thought-provoking. Garfield says this about it:

This is a book about our obsession with time and our desire to beat it. . . The book has but two simple intentions: to tell some illuminating stories, and to ask whether we have all gone completely nuts.

He fulfills his intended goals, making this well worth the read.

4 Stars

Everything is NormalEverything is Normal: The Life and Times of a Soviet Kid

by Sergey Grechishkin

My original post
If you grew up in the 80s or earlier, you were fascinated by Soviet Russia. Period. They were our great potential enemy, and we knew almost nothing about them. And even what we did “know” wasn’t based on all that much. Well, Sergey Grechishkin’s book fixes that (and will help you remember just how much you used to be intrigued by “Evil Empire”). He tells how he grew up in Soviet Russia — just a typical kid in a typical family trying to get by. He tells this story with humor — subtle and overt. It’s a deceptively easy and fun read about some really dark circumstances.

4 Stars

Planet FunnyPlanet Funny: How Comedy Took Over Our Culture

by Ken Jennings

My original post
Half of this book is fantastic. The other half is … okay. It’ll make you laugh if nothing else. That might not be a good thing, if you take his point to heart. We’ve gotten to the point now in society that laughter beats honesty, jokes beat insight, and irony is more valued than thoughtful analysis. How did we get here, what does it mean, what do we do about it? The true value of the book may be what it makes you think about after you’re done.

3.5 Stars

The Subtle Art of Not Giving a F*ck (Audiobook)The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life

by Mark Manson, Roger Wayne (Narrator)

My original post
This is an enjoyable, amusing, call to re-examine your priorities and goals. It’s not about ceasing to care about everything (not giving a f^ck), but about being careful what you care about (giving the right f*cks). Manson’s more impressed with himself than he should be, but he’s a clear and clever writer displaying a lot of common sense. Get the audiobook (I almost never say that) — the narration is worth a star by itself (maybe more).

4 Stars

Dear Mr Pop StarDear Mr Pop Star

by Derek & Dave Philpott

My original post
If you read only one book off this list, it should probably be the next one. But if you pick this one, you’ll be happier. This is a collection of correspondence to pop musicians/lyricists picking apart the lyrics, quibbling over the concepts, and generally missing the point. Then we get to read the responses from the musician/act — some play with the joke, some beat it. Sometimes the Philpott portion of the exchange is better, frequently they’re the straight man to someone else. Even if you don’t know the song being discussed, there’s enough to enjoy. Probably one of my Top 3 of the year.

5 Stars

ThemThem: Why We Hate Each Other – and How to Hea

by Ben Sasse

My original post
My favorite US Senator tackles the questions of division in our country — and political divisions aren’t the most important, or even the root of the problem. Which is good, because while he might be my favorite, I’m not sure I’d agree with his political solutions. But his examination of the problems we all can see, we all can sense and we all end up exacerbating — and many of his solutions — will ring true. And even when you disagree with him, you’ll appreciate the effort and insight.

5 Stars

Honorable Mention:

Henry: A Polish Swimmer's True Story of Friendship from Auschwitz to AmericaThe Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century

by Steven Pinker

I started this at a bad time, just didn’t have the time to devote to it (and the library had a serious list waiting for it, so I couldn’t renew it. But what little I did read, I thoroughly enjoyed and profited from — am very sure it’d have made this post if I could’ve gotten through it. I need to make a point of returning to it.

Mr. Pizza by J. F. Pandolfi: A Winsome Tale of a Rookie Teacher

(WordPress is doing that thing again where it messes up the html in my post header. I think I’ve fixed it, but if the beginning of the post looks ugly, sorry, I’m doing my best)

Mr. Pizza
Mr. Pizza

by J. F. Pandolfi


ePUB, 298 pg.
L&A Publications, 2018

Read: December 4 – 5, 2018

On the verge of graduating from college, Tony Piza (long “I”, and yes, he’s heard all the jokes), decides he’s not ready to head to law school and would like to take a year off. Inspired by a suggestion from his roommate, he applies to teach at a Roman Catholic school near his home. He figures that it’ll be pretty easy — spout some facts and figures from the text-book, assign some homework, do a little grading, catch up on his reading. All while living rent-free with his parents and sister. Despite never having taken an education class, nor showing any previous interest in education, and some iffy interview questions, he’s hired.

Early on, he performs his duties just as he planned — and it’s as successful as you imagine. But before long, he starts to see his students as individuals, not some faceless mass. It’s just a few steps from there to caring about their education and trying to do something about it. Tony also makes some friends with fellow teachers — two other lay teachers (including the other male staff member), and one nun. They start to rub off on him — and even inspire him.

But that doesn’t mean he turns into Professor Charles W. Kingsfield Jr or George Feeny, he’s more like a version of Gabe Kotter or Charlie Moore. Unconventional, off-kilter, and comical — yet challenging. Both his lectures and his assignments bring out the strengths and weaknesses his students (and their parents) were unaware they possessed. They also get Tony in trouble with parents, school administrators and school board members.

Essentially, the novel is a bildungsroman, watching Tony’s development from someone who sees teaching as a vacation from his real life to someone truly invested in it. I don’t want to say that it’s a smooth transition or that he flips the switch and becomes the World’s Greatest 6th Grade Teacher ™. That would make for a very dull novel.

Pandolfi writes in a very smooth, assured style. There’s not a lot of artistic flourishes — that’s not a critique, just an observation. It is charming, frequently amusing, and pretty earnest. I was a little afraid after reading the description that this would be a satire that tried too hard, one of those books where you can see the writer trying to be funny (which almost never works) — but I’m pleased to say that it wasn’t. Tony seemed to try too hard, but not Pandolfi — a character doing that is annoying, but it’s a character trait; a writer doing that is frequently a a deal breaker.

Tony’s antics and judgement are a mixed bag, as I mentioned. Early on, some of his jokes/behavior didn’t seem like fun, they seemed capricious and even mean — but so did M*A*S*H‘s Hawkeye and Duke Forrest (the book and movie versions, anyway). From the get-go the 1973 setting and sensibility put me in that frame of mind, so that’s where my mind went. And sure, part of the book is to show his growth from that, but it’s pretty off-putting. Similarly, I had trouble swallowing how tone-deaf he was when it came to jokes about Roman Catholics (even after being warned), yet he was reflexively sensitive to other people/problems (frequently in a way that seemed at least somewhat anachronistic).

Ultimately, I was able to get past that — and it’s possible that without me putting something about that in my notes, I’d have forgotten to mention it. Because of his growth, by that last third or so of the book, you see almost no signs of this (except when his past comes back to haunt him). So, I guess I’m saying, if you’re put off by some of his early behavior, give him a chance.

His sister, Patty, has Down’s Syndrome. I really appreciated the way that Pandolfi treated her. She’s simply a character — there’s no After-School Special moment with her, she’s not an object of pity — she’s simply Tony’s little sister. There are funny moments with her, some sweet moments with her — just like there are with Tony’s mother and father.

Tony’s students, fittingly, come close to stealing the novel from Tony. As is the case with the Bad News Bears, the Sweathogs, Fillmore High’s IHP class, etc., you have to want to see the kids do well to care about their teacher. They’re a diverse group, each having some distinctive characteristics and/or problems. They come to believe in their “Mr. Pizza” long before the staff, or even Tony — and stay his biggest supporters through the ups and downs that ensue. If you don’t like at least most of the students, there’s something wrong with you and you should seek professional help. Or just re-read the book, because you probably missed something.

The rest of the cast of characters are well-drawn and believable. There are a few that I’m glad we didn’t get much time with (Tony’s extended family, for example). His friends, fellow teachers and principal are strong characters, a couple of them are better developed. But that’s simply due to time spent with them. Pandolfi has a gift for good characters, which is half the battle in a novel.

Mr. Pizza is a charming tale of a young man maturing at a turning point in his life. There’s some good laughs, some uncomfortable moments, and some earnest emotional beats. The book is a pleasure to read and it — and it’s protagonist — will win you over and get you rooting for them both.

Disclaimer: I received this book from RABT Book Tours in exchange for this post and my participation in the book tour.

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3.5 Stars

✔ Read a book with your favorite food in the title.

RABT Book Tours & PR

BOOK SPOTLIGHT & GIVEAWAY: Mr. Pizza by J. F. Pandolfi

I’m very happy to host a Book Tour stop for J. F. Pandolfi’s Mr. Pizza (and not just because it satisfies a category for the 2018 While You Were Reading Challenge). Be sure to click the link below for the Rafflecopter giveaway — but do read the book/author info, too –and then come back later this morning for my thoughts about the book.

 photo Mr Pizza cover 10-9-18_zpslvuumrse.jpg

Mainstream Fiction
Date Published: August 3, 2018
Publisher: L&A Publications
 
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Most people make at least one really harebrained decision in their life. Just ask Tony Piza. Deciding he needs a “paid vacation” for a year after college, Tony lands a job teaching at a Catholic elementary school. Talk about the Moby Dick of miscalculations. His pathetic effort is making him look bad, crimping his love life, and leaving him feeling guilty. A new approach, fueled by his irreverent humor, makes him a hit with his students. But it riles the powers that be. A showdown seems inevitable. Whether he can survive it—well, that’s something else.
About the Author

 photo Joe author photo - close cropped 8-13-18_zpsscfrcfkf.jpg

J. F. Pandolfi went to Fordham University as an undergrad, then taught at a Catholic elementary school before attending Fordham Law School.

Practicing law certainly had its moments, but to call it “utter euphoria”—well, that was a stretch. Plus, the voices that had taken up residency in his head (rent-free, the deadbeats) kept insisting that he share his writing with the world. An award for his flash fiction piece, “Psychology for Dummies”, convinced him that the voices might be on to something. And so he called upon his fond memories as a teacher, which served as a backdrop to his debut novel, “Mr. Pizza”.

J. F. also briefly believed he had won the New York City Marathon. Alas, it turned out to be a dream, apparently brought on by an acute case of restless leg syndrome.

A staunch supporter of the fight to eradicate adult illiteracy, J. F. was accorded a Special Recognition in Literacy Award for his efforts.

Contact Links

Purchase Link

RABT Book Tours & PR

The Summer Holidays Survival Guide by Jon Rance: Heart-warming and Funny Bone-Tickling

The Summer Holidays Survival GuideThe Summer Holidays Survival Guide

by Jon Rance

Kindle Edition, 262 pg.
2018

Read: November 14 – 15, 2018

‘Oh, Dad, how little you know,’ said Liv, her head returning to her phone.

How little I know. I have a feeling this one cold, hard sentence, uttered from my twelve-year-old daughter’s lips, might sum up my life.

Ben Robinson is an art teacher, in his mid-40s, and is trying to figure out how he’ll survive the upcoming summer holidays — 6 weeks with his three kids, and a marriage who’s spark is gone out (possibly for good). Oh yeah, and an aging father with dementia moving in with them, rather than a nursing home. Meanwhile, he’s trying to prepare for a half-marathon, which is about a whole marathon more than he’s ready for.

We get a day by day (or close to it) account of how this goes for Ben. The short version is: not very well. Particularly in the beginning. Ben meddles in his fifteen year old son’s love life (with some really bad sex tips — all of which I’m considering passing on to my kids), cannot understand his twelve-year-old daughter’s social media life (and nascent pubescence), and derails his eight year old son’s summer plans without trying. Things go downhill from there, really.

His dad is having trouble remembering that he doesn’t live in the same home, or that his wife has been dead for a few years — this is a source of strain for both Ben and his father — and the relationship becomes strained. Ben is having trouble seeing his father this way, and his father is having trouble being this way. Both are trying their best, but this

Speaking of a strained relationship, the number of things wrong with his marriage keeps growing, and every thing that Ben tries to do to fix it just makes things worse. He and his wife aren’t communicating well — one of those problems that keeps feeding itself and growing worse.

Throw in an accidental participation in an anti-Brexit demonstration, a road rage incident leading to social media notoriety for one member of the family, teen romance problems, summer-altering injuries, and well — clearly, someone needs to write a survival guide.

As Ben and his family try to get through their struggles intact — and maybe even better than that — there’s plenty of fodder for humor. There’s a lot of heartwarming material, some real laughs and more than a few chuckles. There’s some really effective writing and characterization.

However, there’s also Rance’s need to go for the big laugh. And here, he basically turns Ben into Basil Fawlty — with all the wild schemes, failing schemes, shouting, misunderstandings and slapstick involved. I don’t think any of these scenes or moments worked for me. When he’s going for subtle laughs, or those that grow from character, I really enjoyed it. When the subject matter is serious (or at least non-comedic), Rance is really strong. It’s when he’s obviously trying that he falters.

‘Marriage,’ said Dad. ‘There’s always ups and downs. You just keep riding it, son. It’s like a rollercoaster. You can’t get off, so you just hold on, and do your best to enjoy it.’

‘I’m holding on for dear life, but life is harder than it was, Dad. The world has changed. The rollercoasters are bigger and scarier now. The drops are bigger, the hills higher.’

‘Oh tosh. The world might change, but people don’t. Love is still love, clear and simple. Don’t blame the world for your problems, son. Hold on tighter. Love stronger.’

That’s one of the more earnest moments — and there are plenty of them in the latter part of the novel, all set up well in the early part — and it shows the heart of the book — and there’s plenty of heart. Rance won me over, and got me to put more of his books on my list because of these kind of moments, and the genuine laughs I got from the smaller moments, I’ve got more of his stuff on the TBR.

It’s a nice, pleasant book that’ll tickle your funny bone and warm your heart.

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3 Stars

Dry Hard by Nick Spalding: Who needs to drink when you can have this much fun reading?

Dry HardDry Hard

by Nick Spalding

eARC, 293 pg.
Amazon Publishing UK, 2019
Read: November 19, 2018

Kate Temple’s in PR, Scott Temple’s a marketing director for a distillery. Both of them rely on alcohol to get through their days (and nights). They used to have each other to rely on and curb their use, but as they’ve become more successful, they have to do more things away from each other and they really don’t have anyone to watch out for them. Also, because they spend less time with each other, both have a hole they need to fill throughout their days — which usually involves more drinking.

Things are getting bad enough that they both endanger their jobs (not to mention the property and safety of others) thanks to drunken escapades. But this doesn’t give either of them much pause — if anything it drives them to the bottle even more. Their teenaged daughter, Holly, can’t understand why these two can’t see how bad their drinking is, how much it’s hurting their marriage, how much it’s affecting her life. So, at Christmas, she decides to secretly film them at their drunken worst (which starts pretty early in the evening) and then she shows it to them, hoping this video intervention will awaken them to their problem.

It doesn’t work — her parents defend their drinking, downplay the mortifying things they do on video and generally blow her off. So in a fit of adolescent pique, she uploads the video to YouTube so her friends can see it. But the video catches the attention of a couple of popular YouTube celebrities and next thing they know, Kate and Scott are a viral sensation.

This very public shaming convinces them that they need to make some changes, and decide to cut out drinking totally. Holly tries to get them public support by uploading videos chronicling their efforts to live dry for a year, attaching the hashtag #DryHard. Things do not go well — well, maybe well, but not smoothly.

Now, here’s where Spalding distinguishes himself from almost every other writer on the planet — he makes all of that hilarious. Yes, Holly’s going through a lot because of her parents, but even in the way that Spalding describes it, her hardships are funny. At the 14% mark, I wrote in my notes “I have no idea if he can tell a story, but Spalding can make me laugh!”

I can thankfully report, he can tell a story — and still makes me laugh. The comedy comes from the situations, from the slapstick-y way his characters navigate the situations, and just the way he narrates (typically through the protagonists’ voices). It’s not just one thing that he does well — he can bring the laughs through multiple channels. Yes, the couple are careening toward rock bottom, but you laugh about it; yes, they’re dealing with very serious life and death issues — but Spalding makes you find the humor in the situations; they have monumental struggles that don’t go away just because they sober up, but you’ll ber chuckling and chortling while watching them flounder.

Oh, also, this has nothing to do with the plot, but Spalding’s description of Gin Fawkes — a flavored gin using orange peel and cinnamon produced by Scott’s distillery — is enough to make me consider becoming a teetotaler. Fantastic stuff. Funny and horrifying in equal measures.

This is the story of a family in crisis and the great lengths they go to to preserve that family. That right there sells me on the book — everyone wants the same thing — Kate and Scott’s marriage to recover. There’s not one person in the family thinking of pulling away, there’s not one more committed than the rest — both spouses are flawed and fallible, even Holly makes mistakes and loses her way, however briefly. No one’s blameless, no one’s to blame, Scott and Kate have got themselves to this point together, and together they’ll make it out. Too many books like this will take the “side” of one spouse — one is committed, one is faithful, one is stupid and blind to their own faults and one is the bigger/wiser person, etc., etc. Spalding doesn’t do that — he presents the Temples as mutually dysfunctional, mutually aspirational, and human.

Unlike a lot of similar authors, if Spalding had the opportunity for an honest, heartfelt emotional scene or a series of laughs — he’d pick the laughs 99 times out of 100. Thankfully, if he could go for a fairly honest and quite heartfelt scene with laughs, he’d go for that too. If he’d gone for fewer laughs and more of the honest and heartfelt moments, he might have a more complex, realistic, and substantive novel. Something more akin to Jonathan Tropper or Nick Hornby at their best. Instead, Spalding produced an entertaining, funny and frequently hilarious novel. The substance is there — but it’s hidden and easy to miss between the chuckles.

If you take the time to look for the substance/depth — you’ll find it and appreciate its presence. If you don’t and just laugh, you’ll be fine and have a good time — either way, you win.

This was my first Nick Spalding book — it will not be my last. Fast and funny — I had a blast reading this and laughed out loud more than I can remember doing in a long time. Read this. You’ll enjoy it.

Disclaimer: I received this eARC from Amazon Publishing UK via NetGalley in exchange for this post — thanks to both for this.

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3.5 Stars

Pub Day Repost: Lessons From Lucy by Dave Barry: America’s Funniest Human Tries to Learn a Few New Tricks from an Old Dog

Lessons From LucyLessons From Lucy: The Simple Joys of an Old, Happy Dog

by Dave BarryeARC, 208 pg.
Simon & Schuster, 2018
Read: July 19, 2018

Before I say anything else, Barry has set up an Instagram page (well, probably not him, actually — he states in the book he doesn’t understand Instagram) for his dog, Lucy. You should absolutely check it out and then come back to read what I have to say about the book. Dog Pictures > my blog. Pretty near always.

With that out of the way . . . Dave Barry has been a dog person for most of his life, one of the many reasons I like him. I distinctly, and fondly, remember columns and/or references to Earnest and Zippy (the emergency backup dog) years ago. Those two make a brief appearance in this book, but they aren’t the focus. The focus (if you can’t tell from the title) is his dog, Lucy. At the time of writing, Barry and Lucy are the same age — 70 (or 7 times 10 in her case), which means that both of them have many fewer days ahead of them than behind — which sounds awfully morbid for Dave Barry to talk about, but he does so frequently and purposefully.

As they’re at similar stages in life, Barry notices a huge difference between the two — Lucy is far happier and seemingly better adjusted than he is. So he sets out to try to learn a few lessons about life from her, which he passes on to his readers. Things like Pay Attention to the People You Love; Don’t Let Your Happiness Depend on Things; and Don’t Stop Having Fun. None of these, Barry knows, are original or ground-breaking — they’re pretty much common sense. Yet, they’re the kind of common sense things that he (like many/most humans) doesn’t actually do a great job at.

The result is a mixture of a Self-Help book and a Humor book — humor about himself, his life, as well as dogs. Sometimes the swing between the two genres can be jarring, but that’s pretty rare. For the most part, he moves easily between the two, taking the readers along with him on this ride. I can’t tell you how many times I went from grinning, chuckling or laughing out loud to getting misty-eyed within a couple of pages. It seems that Barry has learned a little bit about writing over the decades.

I’ve loved Barry’s humor longer than either of us would probably care to admit. One of his strengths is finding a way to take an old joke, or at least a joke everyone’s made before — like, say, I dunno, dogs sniffing each other’s hind-quarters — and make it feel fresh and new. More importantly, funny. He’s also able to make jumps from premise to punchline that no one expects. There is, for example, a Hugh Hefner joke where one doesn’t even come close to belonging — and it works perfectly. Even knowing that, you won’t see it coming until you’re snickering at it.

As for the heart-felt material? It works pretty well, too. I don’t think anyone will walk away from this book thinking “Wow! That was insightful. I never would have thought of it on my own!” Nor do I think Barry was trying for it. But, readers will appreciate the reminders to live like Lucy (or their own dog), and the way Barry phrases things might add some freshness to the concept. Which is all anyone can really ask.

I really don’t know if this is Barry’s best — but it’s up there. The ratio of Attempted Joke to Funny Joke is pretty high, I’m not sure if I can think of a higher one in his ouvre. Lessons From Lucy is, without a doubt, his most mature, thoughtful and touching work (that’s a pretty low bar, I realize — a bar he’s worked hard to keep low, too). Couple that with me being a sucker for a Dog Book — even if it is a semi-Self Help book — and I can’t help but give it 5 Stars. This is a winner, no matter what.

—–

5 Stars

Disclaimer: I received this eARC from Simon & Schuster via NetGalley in exchange for this post — which is my honest opinion and pleasure to give — thanks to both for this.

Looking for Calvin and Hobbes (Audiobook) by Nevin Martell, Jeremy Arthur: A close-up look at the Cartoonist and His Creation

I’ve spent 20 minutes trying to get this header to look decent — and I give up. It’s just going to look awkward given the length of the title.

Looking for Calvin and Hobbes (Audiobook)Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip

by Nevin Martell, Jeremy Arthur (Narrator)
Unabridged Audiobook, 7 hrs., 9 min.
ListenUp Production, 2014
Read: September 25 – 27, 2018
Nevin Martell, like just about everyone who ever read him, is a Calvin and Hobbes fan — what’s more, he discovered the strip at the right age and was able to appreciate it as only a child can — without being self-conscious about reading a comic strip and with devotion. Years later, when trying to write something more meaningful to him than another book about a pop star, he decides to write about that strip and its reclusive creator.

The reclusive part of that sentence is the key — Watterson had (and has) pretty much dropped off the face of the earth as far as your typical person is concerned. A few select friends, business acquaintances and family members can get in touch with him, but no one else can. This isn’t crippling to a book about his comic strips or himself, but it sure hampers it (especially because those people who can get in touch with him are just about as reticent as he is to talk about him or his work). Unencumbered by access to Watterson himself, and his perspective on his life and career was like, what his influences were, what made him make the creative decisions, etc. Martell dove into research — things written about and by Watterson, archives of his previous work (when and where available) and interviews with colleagues, editors and the like.

In the kind of detail only a scholar or a fan can appreciate, Martell describes Watteron’s childhood, college, and pre-Calvin and Hobbes career; then he discusses that comic strip — major themes — and its publishing history; Watterson’s battle to keep control of the strip, its merchandising/licensing; then he describes Watterson’s retirement. As much of that as he can, which isn’t much. Following that, Martell focuses on things like the impact of Watterson on the industry, his relationships with other cartoonists and is influence on those who followed.

I wish he’d given us more (and maybe he gave us all he could, but I don’t think so) from Watterson’s contemporaries/those he influenced in the field of comics (or related fields — he spoke with a novelist and Dave Barry, too). Martell spoke to many and gave us a lot of what he was told — but I’d have appreciated more coming from professionals about Watterson’s strengths, technique, stories — whatever. Sure, it might have gotten a little redundant, but something tells me that it wouldn’t have been too bad. These were my favorite parts of the book, and I could’ve listened to another hour of them easily.

I’m not convinced that I was ever as invested in Martell’s journey as he seemed to think his readers would (should?) be — and I’m okay with that. I know I tend to overshare here a tad myself — so I understand the impulse. Or maybe I’m just callous, and everyone else got into it.

As far as Arthur’s work narrating — there’s not a lot to say. This isn’t a work of fiction where he can play with characters, pacing, and whatnot. It’s a straightforward text and he does a capable job of reading it in a straightforward manner. I did have to remind myself a couple of times that I was listening to someone Martell’s words rather than listening to him — which I guess is a good thing.

It was a pleasant book, nothing too challenging — and it reinvigorated an impulse to go read a collection or two of Watterson again on my part (and some of Larson’s The Far Side, too — I’m sure there’s an interesting book to be written there, too). It’s not a must-read, but it’ll scratch an itch for those who have an interest in the subject.

—–

3 Stars

2018 Library Love Challenge

Pub Day Repost: Dear Mr Pop Star by Derek & Dave Philpott: Hilarious, Unique, Addictive are some Adjectives I use to describe this Incredibly Entertaining Book

Dear Mr Pop StarDear Mr Pop Star

by Derek & Dave Philpott
eARC, 412 pg.
Unbound, 2018
Read: July 24 – August 7, 2018<br/

In my intro post for this Tour Stop, I said that this book was “almost indescribable” and I really mean that — the blurb for the book says, “deliberately deranged letters to pop stars from the 1960s to the 90s to take issue with the lyrics of some of their best-known songs.” And that’s right, but it doesn’t seem to get to the heart of it. The answer to the first question in the Q&A is a pretty good description, though. But if you don’t want to read that (which I get, you’re wrong — but I get it), I should probably try to convey what you’ll find here.

Let’s take a look at the letter they wrote to Starship. I don’t feel too bad about talking about this letter in detail because their take on their song “We Built this City” is common (I used to own, for example, a t-shirt that made the same joke, just in briefer form). Now, their letter goes into a great amount of detail about the nature of foundations, different types of them, etc. and how this makes their “design project” the “most ludicrous” in the history of architecture. This kind of thing is funny, and a collection of these sort of letters — as well-written as these are — would be worth the time to read and would make you laugh — I’d give it a pretty high rating, encourage you to get it, etc.

But what separates this book from similar tomes, what makes it special is that on the very next page, you get to read a response from Martin Page, who co-wrote the song. Page mounts an impassioned defense of the song — full of references to Rock classics as proof. I’ll spare the details so you can appreciate Page’s inspired choise in response. Each letter printed in this collection is answered by a songwriter, musician, or other representative of a musical act. Some of these responses debate the premise of the Philpott’s letter, some answer in the same vein, others take the premise and run with it in their own way — some appear to be in on the joke, others appears to be flummoxed that anyone would take their lyrics in this insane manner.

In particular, Tears for Fears, The Knack, and NuShooz/J. Smith had great responses — Kimberly Rew (of Katrina and the Waves) is my current favorite. EMF must have either absolutely loved or utterly hated writing their response, I cackled at it. The Human League and Wang Chung composed very long responses — some are as short as a paragraph or three. I really could keep listing some other distinctives about the responses, and great ones to look for — but this is already getting pretty long.

They also include some lIttle notes or postcards like the one to ELO, talking about the impossibility of their name; to “Mr. John” about the unacceptability of violence on any night; or to John Parr (involving canonization of a particular Muppet, and the danger of exposing him to flame) — I just reread that one and cracked up, again. These probably couldn’t support being stretched into a letter of any length, and there are no responses printed — but are very likely the most funny parts of the book.

There’s an elevated vocabulary used by the Philpotts — this isn’t an uneducated reaction to lyrics. The letters are frequently erudite and earnest. The letters don’t come across as something written for comedic effect — yes, they’re funny. But that’s not the intention. Somehow, that happens without turning the joke back on them for misunderstanding the lyrics, either. They’re a strange kind of tribute, but this kind of close reading of a lyric is a form of flattery.

Many of the acts haven’t made much of an impact in the States, and I clearly don’t know enough about British Pop Music to understand each of these — but thanks to youtube and lyrics websites, I was able to get the gist of what I was supposed to be reading about (and I was able to enjoy those I was feeling too lazy to look up). But by and large these are acts and songs that are well-known enough that this book is accessible to readers from around the English-speaking world (and maybe larger, I’m not an expert on music listening habits). The acts run the gamut from Herman’s Hermits to Judas Priest and many, many points in between.

I cannot stress enough how much fun I had with this book — I read whole letters or notes aloud to family members, and/or forced them to read one for themselves. These are the perfect literary equivalent of potato chips, you can eat a handful at a time and then leave the bag for later (along those lines, it’s possible to read too many at once). The letters are short enough that you can just dip in and out of the book. And, I can assure you, these are the kind of thing you can return to later and still enjoy — not unlike a good pop song (huh, wonder where I got that imagery?) A combination of satire, analysis, tribute and comedy — without any meanness or cruelty — Dear Mr Pop Star will appeal to music lovers from all sorts of eras. Do yourself a favor and grab this today.

Disclaimer: I received a copy of this book from the authors in exchange for my participation in this tour stop.

—–

5 Stars

Dear Mr Pop Star by Derek & Dave Philpott: Hilarious, Unique, Addictive are some Adjectives I use to describe this Incredibly Entertaining Book

Dear Mr Pop StarDear Mr Pop Star

by Derek & Dave Philpott

eARC, 412 pg.
Unbound, 2018
Read: July 24 – August 7, 2018<br/

In my intro post for this Tour Stop, I said that this book was “almost indescribable” and I really mean that — the blurb for the book says, “deliberately deranged letters to pop stars from the 1960s to the 90s to take issue with the lyrics of some of their best-known songs.” And that’s right, but it doesn’t seem to get to the heart of it. The answer to the first question in the Q&A is a pretty good description, though. But if you don’t want to read that (which I get, you’re wrong — but I get it), I should probably try to convey what you’ll find here.

Let’s take a look at the letter they wrote to Starship. I don’t feel too bad about talking about this letter in detail because their take on their song “We Built this City” is common (I used to own, for example, a t-shirt that made the same joke, just in briefer form). Now, their letter goes into a great amount of detail about the nature of foundations, different types of them, etc. and how this makes their “design project” the “most ludicrous” in the history of architecture. This kind of thing is funny, and a collection of these sort of letters — as well-written as these are — would be worth the time to read and would make you laugh — I’d give it a pretty high rating, encourage you to get it, etc.

But what separates this book from similar tomes, what makes it special is that on the very next page, you get to read a response from Martin Page, who co-wrote the song. Page mounts an impassioned defense of the song — full of references to Rock classics as proof. I’ll spare the details so you can appreciate Page’s inspired choice in response. Each letter printed in this collection is answered by a songwriter, musician, or other representative of a musical act. Some of these responses debate the premise of the Philpott’s letter, some answer in the same vein, others take the premise and run with it in their own way — some appear to be in on the joke, others appears to be flummoxed that anyone would take their lyrics in this insane manner.

In particular, Tears for Fears, The Knack, and NuShooz/J. Smith had great responses — Kimberly Rew (of Katrina and the Waves) is my current favorite. EMF must have either absolutely loved or utterly hated writing their response, I cackled at it. The Human League and Wang Chung composed very long responses — some are as short as a paragraph or three. I really could keep listing some other distinctives about the responses, and great ones to look for — but this is already getting pretty long.

They also include some little notes or postcards like the one to ELO, talking about the impossibility of their name; to “Mr. John” about the unacceptability of violence on any night; or to John Parr (involving canonization of a particular Muppet, and the danger of exposing him to flame) — I just reread that one and cracked up, again. These probably couldn’t support being stretched into a letter of any length, and there are no responses printed — but are very likely the most funny parts of the book.

There’s an elevated vocabulary used by the Philpotts — this isn’t an uneducated reaction to lyrics. The letters are frequently erudite and earnest. The letters don’t come across as something written for comedic effect — yes, they’re funny. But that’s not the intention. Somehow, that happens without turning the joke back on them for misunderstanding the lyrics, either. They’re a strange kind of tribute, but this kind of close reading of a lyric is a form of flattery.

Many of the acts haven’t made much of an impact in the States, and I clearly don’t know enough about British Pop Music to understand each of these — but thanks to youtube and lyrics websites, I was able to get the gist of what I was supposed to be reading about (and I was able to enjoy those I was feeling too lazy to look up). But by and large these are acts and songs that are well-known enough that this book is accessible to readers from around the English-speaking world (and maybe larger, I’m not an expert on music listening habits). The acts run the gamut from Herman’s Hermits to Judas Priest and many, many points in between.

I cannot stress enough how much fun I had with this book — I read whole letters or notes aloud to family members, and/or forced them to read one for themselves. These are the perfect literary equivalent of potato chips, you can eat a handful at a time and then leave the bag for later (along those lines, it’s possible to read too many at once). The letters are short enough that you can just dip in and out of the book. And, I can assure you, these are the kind of thing you can return to later and still enjoy — not unlike a good pop song (huh, wonder where I got that imagery?) A combination of satire, analysis, tribute and comedy — without any meanness or cruelty — Dear Mr Pop Star will appeal to music lovers from all sorts of eras. Do yourself a favor and grab this today.

Disclaimer: I received a copy of this book from the authors in exchange for my participation in this tour stop.

—–

5 Stars

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