Tag: Literary Locals

Literary Locals
Idaho is not known for being home to many authors—we’ve produced Carol Ryrie Brink and Marilynne Summers Robinson (although both moved away), and Anthony Doerr resides here. But really, our greatest claim to literary fame is that Hemingway shot himself here.

This is a shame in many ways.

Now, I do know that Idaho has a good number of independent authors toiling away—either self-publishing or putting out their work through independent presses. And it occurred to me this summer, that I’ve done a lousy job of promoting them. I’ve blogged about the books of Devri Walls, J.C. Jackson, and Jeremy Billups, but that’s pretty much it. But I knew there are others out there.

Sure, my talking about their works isn’t going to turn them into best sellers or anything, but every little bit helps, right?

So, I started working on a little project that I’ve decided to call Literary Locals. I’ll be reading and posting about works from local authors I spot (and the works that I think I’ll like), I’ll be spotlighting some titles, and doing some Q&As with these authors—both about their own works and being a writer in Idaho. I’ve got a few authors who’ve graciously agreed to take part in this, and I think it’ll be fun.

Before I realized that I should attach a label to this project, I started with Danielle Higley, the author of The Stories Behind the Stories: The Remarkable True Tales Behind Your Favorite Kid’s Books, posting about her book and the first of the two Q&As I hope to do with her.

Then I did something that really shows I didn’t think much before proceeding, and sent Q&As to a bunch of independent authors less than a week before November. Also known to many as NaNoWriMo. “Hey, would you interrupt the big time-consuming event that you’ve been gearing up for to spend some time on my project?” is really not a great move. Thankfully, I’ve gotten some responses and I’m going to be able to really get things underway next week.

So stay tuned and get to know some of the people in my neighborhood.

I should add that if any Idaho writer stumbles across this post and wants to get in on the action, let me know! The more, the merrier!

My Brain Trust (wife and kids) put some work into this series, too, and I’d like to thank them. But really, we could’ve saved our effort and turned to my friends. After we’d struck out at a logo, I asked Micah Burke if he would help us brainstorm some ideas—instead, he produced a handful of images that led to the above logo. I’m telling you, every blogger needs a friend like him—or better, should hire him. And then Jodie from Witty and Sarcastic Book Club spent 10 minutes thinking before coming up with a much better series title than we had after three months of bouncing ideas off of each other. The day before a hurricane made landfall in her home state—again, my gift of bad timing shines forth.

A Few Quick Questions with…Danielle Higley

By HCNewton

On October 20, 2022

In A Few Quick Questions With..., Literary Locals, Non-Fiction, YA/MG/Children's Books

Earlier today, I gave my take on Danielle Higley’s great book, The Stories Behind the Stories, and now I’m very excited and pleased to share this Q&A with her. I hope you enjoy

What was the genesis of this project? How did you select the authors to feature?
This book came about in a somewhat unconventional way. In my spare time, I proofread and copy-edit for publishers and independent writers. I was referred to Bushel & Peck via another publisher and began proofreading for them in late 2020. I guess they liked my work, because shortly thereafter, they came to me with an idea for a nonfiction children’s book: The Stories Behind the Stories.

They gave me free rein to come up with what titles would be included and how those stories would be told. We did go back and forth on a few of the chapters—Peter Pan or Peter and Wendy was particularly challenging to write—but they gave me a lot of creative freedom. I chose the stories inside, initially, based on the books I’d consider the most famous or influential children’s classics. I then filled out the list by looking at other lists. I did consider diversity in my selection process, but looking back, I wish I would have included more books by authors of color.

I compare my publishing journey to that of The Magic School Bus creators, where Craig Walker, an editor for Scholastic, recruited Joanna Cole and Bruce Degen for the project. Walker believed that if someone could find a way to combine curriculum science with fun fiction, kids would be more engaged with the subject matter. He was challenged to find an author who could do all the research and writing, and an illustrator who could meld creativity with scientific sketches, but of course we know that the end result was a huge success. As a Magic School Bus enthusiast, I’m secretly very pleased to be in the same camp as Joanna Cole and all the other writers out there who’ve been gifted with this sort of incredible publishing opportunity.

I loved the design of this book—both the cover and interior—did you have a hand in that? If so, what can you tell us about that process?
Thank you! I’ve received so many kind comments about the art in this book! Alas, I don’t have that sort of talent. The art in The Stories Behind the Stories was all created by David Miles. He and his wife are also the founders of Bushel & Peck—an incredibly talented and busy power couple. David used a collage of images in the public domain, I believe, to create the artwork for each story.

Undoubtedly, there were facts/stories that you couldn’t work in—any spring to mind? How about authors that you’d wanted to cover, but because of time/space you had to cut? Any chance of a volume 2 to get those?
Oh man, it’s absolutely impossible to tell someone’s whole story in such a brief number of words. And also, in many cases, the story behind a book. The challenge, for me, was trying to keep all the stories fun. I knew children would be reading them—not just their parents. And that meant I had to leave out the gruesome details of Peter Pan’s history, and the somewhat boring (but really fascinating to English majors like myself) connection between The Golden Compass and Paradise Lost.

I did write a piece for The Hunger Games, but the quotes I used from Suzanne Collins were a bit dark. She talked about seeing Iraq war updates on the nightly news, interspersed with reality TV shows, and how unsettling it was when those two things fused together as entertainment. I thought that was really interesting, as well as her perspectives on “just-war theory,” but I have to say that after doing in-person readings with small children and seeing my book in elementary school libraries, I’m glad that story didn’t make the final cut.

I don’t know if there will be a volume 2 in the future, but I hope so!

What was the biggest surprise about the writing itself? Either, “I believe X is so easy” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV.”
I think the biggest surprise, for me, was finding that I could do it—on multiple levels. From the beginning, I knew this was a topic I wanted to write about, but I was also nervous. My baby was weeks old when Bushel & Peck sent the proposal. I didn’t know how I was going to write a book and take care of a newborn. I felt very much like I only had half a [mom] brain, and I was getting like two hours of consecutive sleep a night. Not exactly ideal conditions for being smart and creative.

But I also knew that if I didn’t say yes, I might be missing out on the biggest opportunity of my life. Book deals don’t just drop into people’s laps—believe me, I’ve been rejected by editors and agents many times. I’m so glad I said yes, though. I learned that I can write a lot of words in just a few months (provided they’re split into bite-sized chunks). I also learned that I can write, even under the most challenging circumstances. I feel like I’m stronger for that experience.

Given your subject, I have to ask: What’re your personal Desert Island Top 5 Children’s Books?

The Watsons Go to Birmingham – 1963 for sure; that book makes me laugh and cry every time, and the characters would make great company on a desert island!
The Mysteries of Harris Burdick because each page is so intriguing; I could spend the rest of my life coming up with stories for every illustration.
Harry Potter and the Goblet of Fire because it’s Harry Potter and the Goblet of Fire.
The Adventures of Mrs. Pepperpot because it’s perfectly nostalgic for me.
Some kind of nonfiction survival book, because the thought of being on a desert island gives me anxiety haha!

What’s next for Danielle Higley, author?
I’ve recently been asked to be on the jury for the Lee Bennett Hopkins Poetry Award for Children. Because of that, I’ll be doing a ton of reading between now and the end of the year. Still, I’m hoping to write more when I can. I’m working on some children’s picture books right now, and also an adult novel that needs some serious love and attention.

Thanks for your time—and thanks for The Stories Behind the Stories!

The Stories Behind the Stories by Danielle Higley, David Miles (Illustrator): Behind the Scenes of Some Childhood Favorites

By HCNewton

On October 20, 2022

In Literary Locals, Non-Fiction, YA/MG/Children's Books

I’ve got a Q&A with the author, Danielle Higley, coming up a little later this morning–be sure to come back for that!

The Stories Behind the Stories:
The Remarkable True Tales
Behind Your Favorite Kid’s Books

by Danielle Higley, David Miles (Illustrator)

DETAILS:
Publisher: Bushel & Peck Books
Publication Date: November 2, 2021
Format: Hardcover
Length: 90 pgs.
Read Date: September 24, 2022

What’s The Stories Behind the Stories About?

It’s right there in the subtitle, isn’t it? “The Remarkable True Tales Behind Your Favorite Kid’s Books.” Higley takes 29 well-known and well-loved children’s classics—most from the Twentieth-Century, with a couple from before and a few after it.

We get roughly two pages on each book, with a full page of art to go along with them—although one of those pages will be heavily illustrated, too. The text will give a little biographical information about the author and then talk about the book itself—maybe how it was written, or received, or what inspired it. There’s also a sidebar with a little trivia about the book, too.

The books discussed range from Curious George to The Boxcar Children to Percy Jackson and the Lightning Thief, books written for children too young to read through books for Middle Grade readers.

The Design and Art

This is a wonderfully put-together book—let’s start with the cover design, a giant “Little Golden Book” look is an inspired choice for this. The collages used to illustrate the rest of the book are equally well done. They jump off the page and are well-paired with each book discussed.

Sure, the text of the book is my focus—and it should be here, too. But when it comes in a package this great to look at? That’s just a bonus.

So, what did I think about The Stories Behind the Stories?

I sat down to read about one or two of the books before starting something else one day, and read five before I realized it and had to force myself to stop. I ended up reading the rest of the book in one sitting. It’s the literary equivalent of Lay’s Potato Chips, “bet you can’t read just one.”

I’ve read 24 of the books talked about, and meant to read most of the others, so I was primed and ready for this—many readers in the target range (7-11 will be familiar with at least half, and this might inspire them to read more of them).

I think I learned a little about each of the books selected for this—except maybe Harry Potter and the Sorcerer’s Stone, because that’s been covered so well for so many years. Some of what I learned surprised me—The Boxcar Children was controversial? (okay, I probably should’ve guessed that one) Rawls almost didn’t get Where the Red Fern Grows published, and once it was, it took a lot of work to get it read—or put another way, I almost didn’t get my heart ripped out by it.

It’s engaging with a little dash of mild humor, nothing over-the-top—just enough to bring the occasional grin while not distracting from the point. It’s written in such a way that the target audience will have no problem reading it, and it’ll keep the attention of older readers, too—anyone who likes children’s books will find something to enjoy here. And you put that in an attractive package? It’s a win all the way around. I strongly recommend this book.

4 Stars

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