Tag: Marshall Karp

Snowstorm in August by Marshall Karp: Retired Cops Face Off Against a Cartel to Save NYC

Snowstorm in AugustSnowstorm in August

by Marshall Karp

DETAILS:
Publisher: Blackstone Publishing
Publication Date: June 6, 2022
Format: Hardcover
Length: 279 pg.
Read Date: September 12-13, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Snowstorm in August About?

Joaquín Alboroto is the head of Mexico’s largest drug cartel—and is a character straight out of Winslow’s Cartel Trilogy (and, likely, reality). He’s powerful, ruthless, calculating, and vengeful—and right now, he’s angry. His anger is directed at New York City and the family of one judge from NYC, and he goes after both.

The first step in this process is blanketing Central Park in cocaine—it looks like a snowstorm swept over the park. Horses, dogs, squirrels, birds, children, and adults out for a fun day in August are killed or hospitalized—countless lives are irrevocably damaged at once. And Alboroto promises more to come.

The NYPD is totally unprepared for this—the current commissioner isn’t the right man for this moment, he’s better known for working the political and bureaucratic sides of things. Preventing attacks of this type isn’t in his wheelhouse.

A former counter-terrorism officer in the NYPD is recruited to head up a group of retired officers to confront Alboroto and similar threats. This is a vigilante group with private funding, but in their hearts, they’re still NYPD and want to serve the city. Using old contacts (on both sides of the law), liaising with the Mexican government, and armed with the best hackers and technology that money can buy—plus their own experience and grit—this small group just may be able to stop Alboroto before his next strike.

The Baltic Avenue Group

This right here might be my favorite idea in this novel. So you’ve got a non-governmental anti-terrorist strike force—you need to fund them if they’re going to be effective at all. So, sure, you could have one of them be a super-genius inventor/entrepreneur (like Tony Stark), an orphaned heir of a super-rich man (Bruce Wayne), a group of thieves and con artists turned Robin Hood (Leverage), or a Powerball winner. Something.

Karp gives us a group of billionaires who know the economic impact that a terrorist attack can bring on the city—and on themselves. They don’t want to go through that again, so they’re willing to spend a lot of money to keep them from losing much more. They’re benevolent and out for themselves at the same time. That’s as close to a perfect description of heroes for our time as you’re going to find anywhere.

So, what did I think about Snowstorm in August?

This book made me flashback to a book that I hadn’t thought of in years—I posted about it on October 25, 2013, so probably the last time I gave it any thought was the 26th (though probably the afternoon of the 25th)—Dick Wolf’s The Intercept. There’s a very similar elite group of cops ready to take down terrorist threats with all the fancy tech and everything. That group, however, was part of the NYPD and should’ve been controlled by things like the Constitution, the courts, and the city’s budget. This book, however, features retired cops acting as vigilantes with a budget that probably shames even all of The Big Apple’s. Also, the writing is crisper, the characters aren’t cardboard, and it’s more entertaining. My intent wasn’t to find another excuse to disparage The Intercept, but because the books were similar in so many ways, I had to figure out why I really liked one and had little good to say about the other.

Sometime after 9/11 I remember reading about (and I think I heard one or more of the participants discuss this), some governmental agency brought together some thriller writers, movie makers, etc. to think up some possible, but unlikely attacks that could be launched on the U.S. so contingency plans could be thought up as well as ways to deter this. Does anyone else remember this? Anyway, a lot of what Albortoro gets up to in this book feels like the product of those meetings—possible, but unlikely. Still, if you picked up your phone tomorrow morning and whatever social media feed gives you your news described the attack on Central Park (or any of the other things in this book), you’d believe it. I’m not so sure how willing I am to believe that a handful of ex-cops and federal agents could stop it. But I’d like to think it could happen. (I clearly have more confidence in the ingenuity of criminals and killers than I do in people who’d want to stop them).

There’s an incredibly cinematic feel to this—if your brain doesn’t project a lot of these scenes onto a mental movie screen in your head, something’s wrong. That cover shot alone deserves a Wagner score (although that seems overused, maybe substitute Harold Faltermeyer*). That cinematic feel lets Karp get away with a few things that I’m not sure that other thriller writers could get away with (and some thriller writers use all the time)

* Composer of Top Gun‘s score.

Combine all of those two paragraphs, and what Karp has given us is a blockbuster novel with a very realistic grounding, but it doesn’t necessarily play out that way. But Karp hooks you quickly and keeps on hooking you—he’s not content to get you invested just once, he wants it all. There’s a romantic subplot that works well and rounds out Danny’s character, but I wondered a couple of times if it messed up the pacing a bit (and made me wonder about Danny’s priorities at least once). Aside from that, the pacing was spot-on, and the novel kept picking up speed as it goes and you barrel into the conclusion—I don’t know how someone is supposed to put this down during the last 50 pages (it’s slightly easier in the 50 before that—slightly).

Satisfying action, well-executed plot twists and turns, characters you want to see again, and very believable villains. Snowstorm in August is the action-adventure novel you need to read.

Disclaimer: I received this ARC from the author in exchange for this post and my honest review.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Marshall Karp Appreciation Day

This was all supposed to go up last Tuesday, but Life Happened. Then it was supposed to be Thursday—and more Life. Then I realized that today was Publication Day for Karp’s new novel, NYPD Red 7: The Murder Sorority, so why not do this today? I’ve already posted my Pub Day Repost about that book, so this introduction is going up out of order, but…oh, well.

Marshall Karp
I’ve mentioned before that there was a time in my life when I didn’t let myself read a lot of fiction—I had my goals set on other things. Marshall Karp is one of those authors I discovered around the time I refocused things and started reading fiction The Rabbit Factoryagain. His book, The Rabbit Factory, jumped off the New Release shelf at the local library and worked for me on so many levels—I was absolutely hooked by it and I’m not really sure how many times I’ve read it—a minimum of four times.

That Lomax and Biggs series has gone the way of all things and Karp has moved on to other things—notably co-authoring a stand-alone novel and a series with that up-and-comer, James Patterson (really hope things work out for him). 2022 has brought us his first solo novel in years, Snowstorm in August, and, as of today, the first in the NYPD Red series without Patterson’s involvement.

This past summer, I got an email out of the blue from Karp asking if I’d be interested in reading Snowstorm in August. And I went all fan-boy in my response. The level of fan-boy where I misspelled the name of the Lomax and Biggs series and didn’t notice it until I received his reply. Thankfully, Karp was still interested in sending me the book and participating in a Q&A with me—he also sent me today’s release.

I’ve exchanged emails/DMs/tweets, etc. with quite a few authors since I started this here blog—but my Karp fandom predates it, so our exchange hits me in a different spot, you know? Thankfully, his correspondence is as entertaining for me as his novels are (just in a different way). It has been a blast for me to work with him.

So I wanted to take a little extra time to thank him for his gracious emails, his time these last couple of months, and the books he mailed me. That box included a signed hardcover of The Rabbit Factory, which I assure you is in a very prominent place in my library.

And now, I urge you to track down his books. The Lomax and Biggs series, NYPD Red (especially NYPD Red 7: The Murder Sorority as I discuss here), and Snowstorm in August. I’ll be posting my take on the latter in a little bit, and my Q&A with Karp will be coming up a little bit later (read it if only to be inspired to contribute to his great charity).

PUB DAY REPOST: NYPD Red 7: The Murder Sorority by Marshall Karp: Is This Elite Squad Ready for Their Latest Challenge?

NYPD Red 7: The Murder SororityNYPD Red 7: The Murder Sorority

by Marshall Karp

DETAILS:
Series: NYPD Red, #7
Publisher: Blackstone Publishing
Publication Date: November 21, 2022
Format: ARC
Length: 352 pgs.
Read Date: November 8-9, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s NYPD Red 7: The Murder Sorority About?

Part of this feels like too much to say, but it’s right there in the title (also, the publisher’s description), so…

Practically simultaneously, two wealthy and well-known producers are killed. One was shot by a sniper pulling off an incredibly difficult shot. The other was killed by a knife attack in broad daylight with no witnesses. These two were brothers, and each had given some people clear motives to kill them. But both at the same time? It’s difficult to tie them together. The NYPD Red squad—with Kylie MacDonald and Zach Jordan in the lead—is assigned to these cases and they want to consider that there’s one person behind the killings—with two accomplices doing the killing. But can they actually establish a link?

During their investigation, a theory begins to surface about a team of assassins operating under the name of a sorority—Kappa Omega Delta. KOD—Killers On Demand. It sounds farfetched to the partners (and their captain), but they keep running into the idea. And soon, they might start to find some actual evidence pointing to it.

Meanwhile, in a probably unrelated incident, Kylie’s boyfriend is shot. Officially barred from investigating (and she is front-and-center on a case the media and City Hall are focused on), Kylie is mostly watching this from the sidelines—but manages to help the detectives on the case while worried about his recovery.

The KOD Story

I’m both annoyed and glad that the description of the book tipped its hand so much about the assassins. I prefer to discover that kind of thing in my mystery novels—don’t tell me what the characters are going to figure out, let me do it with them. But knowing it was coming did make it easier to buy into.

Up to the point that Zach and Kylie really start to take the notion seriously this novel had the feel of a pretty by-the-book procedural. They were being methodical, beating the bushes, checking off the things they needed to—and that’s the kind of thing I really appreciate seeing in detective novels. I’ve said it before, I’ll keep saying it, too.

Then there’s a shift in the way the novel worked once we get to that point, though, and it takes on a heightened reality*-sense as the detectives try to work out the details of the KOD group—how they operate**, who they are, and how to track them down. The shift isn’t a qualitative one, really, it’s more subjective—it’s a different feel to the book. One that is probably more in line with the rest of the series. The transition jarred me a bit, but not so much that it took me out of the book—but it reminded me what kind of book I was reading.

* I really need to find or develop a synonymous phrase for that, because I use it too often in this post. Sorry about that.

** I fought off the temptation to really dig into this part here, you should read it for yourself.

Looking back over this whole thing, I’m really impressed with it—at several points Karp plays against what you believe is happening. I don’t think he ever pulls the rug out from beneath the reader—but he gives it a good, strong tug, and makes you stumble a bit. It may not be as flashy as a huge twist but can leave the reader just as discombobulated and unprepared for what’s next.

The Personal Subplots

I thought these were handled pretty well. There were elements of Zach’s story that seemed like pretty large coincidences, but if a reader isn’t willing to accept a convenient coincidence here and there, it might be time for a new hobby. I do think that story was handled pretty well.

The same goes for the plot about Kylie’s boyfriend and the shooting (and what that suggests about the ongoing story about her now-missing husband). I think this shooting, the investigation, and the resolution was actually the strongest storyline in the novel and Karp developed it well. Especially in the heightened reality of this series, this came across as pretty grounded.

I’d have to go and look at my posts about the first two books in this series to see if I say anything about it—but I don’t want to. I’m pretty sure that at the time I thought the books spent too much time on the personal lives of these two detectives. To an extent, it made sense while establishing the characters, but I still thought the balance was off. Perhaps it’s because this is a later book in the series, perhaps it’s the shift in authors, maybe it’s just the way things worked out here in NYPD Red 7—I’m not sure I care—but that problem is gone. I even paused to note a couple of times how compared favorably to my memories of the first two books.

So, what did I think about NYPD Red 7: The Murder Sorority?

I went into this book with apprehensions—I dropped this series after two books and while I don’t remember being opposed to coming back, I sure wasn’t in a hurry to. But when someone mails me an ARC, I tend to read it. And I’m really glad I did—it won me over pretty easily, I got invested and caught up in the story, and generally had fun reading the book.

The best thing I can compare this to is an episode of Castle—but with two Detective Becketts and no novelist. Detectives—and their friends, lovers, contacts—who are impossibly attractive and extraordinarily bright on the trail of implausibly effective and skilled killers. And it’s just as entertaining as that series was at its best.

The heightened reality of this series works well in the cases these detectives are involved with—Entertainment personalities and the super-rich. I’ve always liked the idea of a squad like NYPD Red (see also, The Closer‘s Priority Homicide), and halfway assume something like this actually exists. Given media scrutiny and politics, it makes sense for cases of this profile to be handled differently (as long as no one’s ignoring other cases per Bosch’s maxim). I enjoy seeing detectives work in this world as much as I do seeing them in more “everyday” settings belonging to the middle and lower class.

There’s part of me that wants to harp on the implausibility of KOD. But I don’t know why I would—it’s a fun idea and works well in this novel. Karp’s version of this thing that we’ve seen and read about in other books/shows/movies/comics is as successfully conceived and executed as I’ve seen it. And as I said before, if you accept the world of this series, the outlandish nature of the KOD works well. So, I don’t know why I feel like I have to make excuses for it or justify it, but I do feel that way. The KOD is a good challenge for Kylie and Zach and the way they confront it is entertaining. Which is what this book is about. He’s not attempting to tell a gritty story like Winslow’s The Badge (which has parts that are just as implausible)—this is an action-adventure story.

This is a fun read—I raced through it because Karp’s writing and pacing wouldn’t let me put it down until I had to. I thought the novel was stronger than the first two in the series and I’m tempted to go back and see where the series started improving. I’m definitely interested in NYPD Red 8, assuming that Karp gets to do another one and I hope the sales without Patterson’s name on the cover allow it.

Even if you’ve never read this series (maybe particularly), pick this up if you’re in the mood for an adventurous Police Detective novel, I think you’ll be glad you did.


4 Stars

Disclaimer: I received this ARC from the author unexpectedly in conjunction with another, this had no bearing on the opinions offered above.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

NYPD Red 7: The Murder Sorority by Marshall Karp: Is This Elite Squad Ready for Their Latest Challenge?

This was originally intended on being one of three or four Marshall Karp-centric posts today. But I could only get one finished on time—you’ll be seeing more about this author soon.

NYPD Red 7: The Murder SororityNYPD Red 7: The Murder Sorority

by Marshall Karp

DETAILS:
Series: NYPD Red, #7
Publisher: Blackstone Publishing
Publication Date: November 21, 2022
Format: ARC
Length: 352 pgs.
Read Date: November 8-9, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s NYPD Red 7: The Murder Sorority About?

Part of this feels like too much to say, but it’s right there in the title (also, the publisher’s description), so…

Practically simultaneously, two wealthy and well-known producers are killed. One was shot by a sniper pulling off an incredibly difficult shot. The other was killed by a knife attack in broad daylight with no witnesses. These two were brothers, and each had given some people clear motives to kill them. But both at the same time? It’s difficult to tie them together. The NYPD Red squad—with Kylie MacDonald and Zach Jordan in the lead—is assigned to these cases and they want to consider that there’s one person behind the killings—with two accomplices doing the killing. But can they actually establish a link?

During their investigation, a theory begins to surface about a team of assassins operating under the name of a sorority—Kappa Omega Delta. KOD—Killers On Demand. It sounds farfetched to the partners (and their captain), but they keep running into the idea. And soon, they might start to find some actual evidence pointing to it.

Meanwhile, in a probably unrelated incident, Kylie’s boyfriend is shot. Officially barred from investigating (and she is front-and-center on a case the media and City Hall are focused on), Kylie is mostly watching this from the sidelines—but manages to help the detectives on the case while worried about his recovery.

The KOD Story

I’m both annoyed and glad that the description of the book tipped its hand so much about the assassins. I prefer to discover that kind of thing in my mystery novels—don’t tell me what the characters are going to figure out, let me do it with them. But knowing it was coming did make it easier to buy into.

Up to the point that Zach and Kylie really start to take the notion seriously this novel had the feel of a pretty by-the-book procedural. They were being methodical, beating the bushes, checking off the things they needed to—and that’s the kind of thing I really appreciate seeing in detective novels. I’ve said it before, I’ll keep saying it, too.

Then there’s a shift in the way the novel worked once we get to that point, though, and it takes on a heightened reality*-sense as the detectives try to work out the details of the KOD group—how they operate**, who they are, and how to track them down. The shift isn’t a qualitative one, really, it’s more subjective—it’s a different feel to the book. One that is probably more in line with the rest of the series. The transition jarred me a bit, but not so much that it took me out of the book—but it reminded me what kind of book I was reading.

* I really need to find or develop a synonymous phrase for that, because I use it too often in this post. Sorry about that.

** I fought off the temptation to really dig into this part here, you should read it for yourself.

Looking back over this whole thing, I’m really impressed with it—at several points Karp plays against what you believe is happening. I don’t think he ever pulls the rug out from beneath the reader—but he gives it a good, strong tug, and makes you stumble a bit. It may not be as flashy as a huge twist but can leave the reader just as discombobulated and unprepared for what’s next.

The Personal Subplots

I thought these were handled pretty well. There were elements of Zach’s story that seemed like pretty large coincidences, but if a reader isn’t willing to accept a convenient coincidence here and there, it might be time for a new hobby. I do think that story was handled pretty well.

The same goes for the plot about Kylie’s boyfriend and the shooting (and what that suggests about the ongoing story about her now-missing husband). I think this shooting, the investigation, and the resolution was actually the strongest storyline in the novel and Karp developed it well. Especially in the heightened reality of this series, this came across as pretty grounded.

I’d have to go and look at my posts about the first two books in this series to see if I say anything about it—but I don’t want to. I’m pretty sure that at the time I thought the books spent too much time on the personal lives of these two detectives. To an extent, it made sense while establishing the characters, but I still thought the balance was off. Perhaps it’s because this is a later book in the series, perhaps it’s the shift in authors, maybe it’s just the way things worked out here in NYPD Red 7—I’m not sure I care—but that problem is gone. I even paused to note a couple of times how compared favorably to my memories of the first two books.

So, what did I think about NYPD Red 7: The Murder Sorority?

I went into this book with apprehensions—I dropped this series after two books and while I don’t remember being opposed to coming back, I sure wasn’t in a hurry to. But when someone mails me an ARC, I tend to read it. And I’m really glad I did—it won me over pretty easily, I got invested and caught up in the story, and generally had fun reading the book.

The best thing I can compare this to is an episode of Castle—but with two Detective Becketts and no novelist. Detectives—and their friends, lovers, contacts—who are impossibly attractive and extraordinarily bright on the trail of implausibly effective and skilled killers. And it’s just as entertaining as that series was at its best.

The heightened reality of this series works well in the cases these detectives are involved with—Entertainment personalities and the super-rich. I’ve always liked the idea of a squad like NYPD Red (see also, The Closer‘s Priority Homicide), and halfway assume something like this actually exists. Given media scrutiny and politics, it makes sense for cases of this profile to be handled differently (as long as no one’s ignoring other cases per Bosch’s maxim). I enjoy seeing detectives work in this world as much as I do seeing them in more “everyday” settings belonging to the middle and lower class.

There’s part of me that wants to harp on the implausibility of KOD. But I don’t know why I would—it’s a fun idea and works well in this novel. Karp’s version of this thing that we’ve seen and read about in other books/shows/movies/comics is as successfully conceived and executed as I’ve seen it. And as I said before, if you accept the world of this series, the outlandish nature of the KOD works well. So, I don’t know why I feel like I have to make excuses for it or justify it, but I do feel that way. The KOD is a good challenge for Kylie and Zach and the way they confront it is entertaining. Which is what this book is about. He’s not attempting to tell a gritty story like Winslow’s The Badge (which has parts that are just as implausible)—this is an action-adventure story.

This is a fun read—I raced through it because Karp’s writing and pacing wouldn’t let me put it down until I had to. I thought the novel was stronger than the first two in the series and I’m tempted to go back and see where the series started improving. I’m definitely interested in NYPD Red 8, assuming that Karp gets to do another one and I hope the sales without Patterson’s name on the cover allow it.

Even if you’ve never read this series (maybe particularly), pick this up if you’re in the mood for an adventurous Police Detective novel, I think you’ll be glad you did.


4 Stars

Disclaimer: I received this ARC from the author unexpectedly in conjunction with another, this had no bearing on the opinions offered above.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Friday 56 for 9/16/22: Snowstorm in August by Marshall Karp

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
Snowstorm in August

Snowstorm in August by Marshall Karp

“How did you know what I…”

“I have eyes everywhere—human and electronic,” Quintana said. “I saw you kill him. What I don’t understand is why you gave him a fighting chance. You could have slit his throat in his sleep.”

“No, sir. He had to know it was me. So I waited until I was strong enough to go against him mano a mano. Also, today is my birthday. Five years ago, my father was murdered on this day. Now we are both at peace.”

Quintana took another puff on his cigar. “Are you done wreaking vengeance, or should I be concerned that more of my men will end up with their head on a stake?”

“No, sir. Justice has been done. Whatever you do to me, please tell my mother that my father’s death has been avenged.”

“Tell her yourself. And come back tonight.”

Joaquin looked puzzled. “Señor?”

“Suffering is bitter, but its fruits can be sweet. The stupidity of one of my men has caused you great pain, But that pain has helped you find a new life.”

NYPD Red 2 (Audiobook) by James Patterson, Marshall Karp, Edoardo Ballerini, Jay Snyder

NYPD Red 2 NYPD Red 2

by James Patterson, Marshall Karp , Edoardo Ballerini (Narrator), Jay Snyder (Narrator)
Series: NYPD Red, #2

Unabridged Audiobook, 8 hrs, 8 min.
Hachette Audio, 2014

Read: October 6 – 7, 2016


Yeah, I was underwhelmed by NYPD Red, but thought that maybe this series would pick up a little, with everything established in the first. Wow, was I wrong.

This is basically a Dexter retelling — murderers who got off thanks to good lawyers, bad prosecutors, etc being kidnapped, tortured and killed. Before they’re killed, they record a video confession to their crimes, which is uploaded to YouTube shortly after their body is discovered.

Of course, one of the victims is the campaign manager for a mayoral candidate, and the body is discovered 8 days before the election — making the whole investigation a political issue in addition to a pressing crime. Given the prestige and notoriety of the latest victim, the case is bumped up to the NYPD Red team.

From there, it’s pretty much a paint-by-numbers affair — I called the whole thing, even the twists, early on. There’s so little to commend in this book that I can’t think of a positive way to finish this sentence.

I guess I understand why you’d have two narrators for the audiobook — one for the first person detective narration, one for the other perspectives. But I think we’re all smart enough to follow things with just one voice. Both narrators did a decent job, but nothing remarkable. They probably did the best they could with the flat prose and dull dialogue.

Dull, predictable plot with personal side-stories that made me like everyone less. Both authors are capable of such more — I don’t know why they aren’t delivering with this series.

—–

2 Stars

NYPD Red by James Patterson, Marshall Karp, Edoardo Ballerini, Jay Snyder

NYPD RedNYPD Red

by James Patterson, Marshall Karp, Edoardo Ballerini (Narrator), Jay Snyder (Narrator)
Series: NYPD Red, #1

Unabridged Audiobook, 7 hrs 7 min.
Hachette Audio, 2012

Read: May 24 -25, 2016


I am a huge, unabashed Marshall Karp fan. His Lomax and Briggs books are long-time favorites of mine (the best part of writing this post is that I learned that a month and a half ago, he self-published a new one! The fact that I haven’t dropped everything — including this post — to go read it is somewhat of a shock to me). They have humor, heart, clever stories, great characters, and a crackling good voice.

I have read several James Patterson novels. They are complex, tightly written, and move at a good pace (until they get to the point where they’re a little long). Yeah, I think he plays the super-smart psycho villain a bit too frequently, and that he enjoys the torture/violent aspects a bit too much. On the other hand, he sells books like almost no one else alive. So what do I know?

So when you put the two of these together, what do you get? Well, you get something that sells pretty well.

The NYPD has special task force to deal with high-profile cases, cases involving the rich, powerful and famous — particularly with the entertainment industry (and the money it brings in). This task force is nicknamed NYPD Red (as in red carpet, get it?). It’s a cushy, elite post for the crème de la crème. The crème-iest is Det. Zach Jordan, who’s getting a new partner (probably temporarily), Det. Kylie MacDonald. Kylie MacDonald is smart, ambitious and gorgeous (a word that describes pretty much every woman in this book) — and she dated Zach for a bit before she got married. Getting over Kylie has been on his To-Do List ever since.

NYC is in the middle of a big week hosting Hollywood’s best and brightest, trying to get more movies and TV made there. But some whack-job has started killing bigwigs in a very public, very noteworthy way. So it’s up to Jordan and MacDonald to stop them.

I have got to admit, most of the murders are pretty clever, if unnecessarily elaborate.

It was okay, well constructed, moved things well — there’s a little personal stuff mixed in, too. The killer’s a very Patterson-esque killer. The cops are a watered down Karp type. I’m not chomping at the bit to get to the next one, but I’m not opposed to it, either. So, yeah, I didn’t dislike it. Let’s go with that.

The narration was capable, it didn’t add anything to the experience — and maybe detracted a bit once or twice. Like the book as a whole, the narrators got the job done.

—–

2 1/2 Stars

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