Tag: Mystery/Detective Fiction/Crime Fiction/Thriller Page 3 of 61

The Broken Detective by Joel Nedecky: The Lost. The Broken. The Missing.

Cover of The Broken Detective by Joel NedeckyThe Broken Detective

by Joel Nedecky

DETAILS:
Publisher: Runamok Books
Publication Date: October 15, 2025
Format: ARC
Length: 262 pg.
Read Date: October 29-30, 2025
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What’s The Broken Detective About?

Our protagonist-narrator is a PI who just lost his license (a felony conviction will do that to a guy) and who is headed to prison in a couple of weeks (a felony conviction will do that to a guy). Jake’s major concern at this moment is his mother—she’s disabled and addicted, and cannot be trusted to pay her bills or feed herself anything but alcohol. Jake’s it—but Jake’s thrown all that away (also, related to his mom, but mostly because of dumb choices).

So Jake needs to make as much money as he possibly can over the next two weeks—he has a figure in mind, one he probably can’t meet. But he has a goal—bank robbery is probably the most likely way to meet it, but there are problems there (aside from the legality)—he’d probably get caught (I should mention that he’s a barely functional addict—which led to the dumb choices above) and then things would be worse for mom.

Thankfully, someone has a case for Jake, and she doesn’t care about the licensing. Her sister has been missing, she can’t go to the cops, but her sister needs to be found before it’s too late for her. This woman wasn’t even referred to Jake because of his skills (which is probably good). She’s sent to see Jake because Jake will go to the wretched hives of scum and villainy that this woman’s sister traveled in, because he belongs there, too. He won’t stick out like a sore thumb, and people will talk to him.

One broken detective looking for a missing and broken woman.

This will lead him into the paths of drug dealers, questionable authorities, a cult (or is it?) that the sisters once belonged to, other questionable associates of both sisters, and possibly a shot at hope for Jake and the missing woman.

The Title

I have several thoughts about the title—first, it’s incredibly fitting. On the other hand…

There’s part of me that wonders who the definite article is referring to—obviously, Jake’s the “The” in view, we know he’s broken from the get-go, and we never get anything but reinforcement of that fact. However, over the course of the novel, we meet more than one detective who fits that description. A Broken Detective or The Broken Detectives would work just as well as a title

But really, that just means the detectives we encounter are just like everyone else in the book. Everyone is broken (yes, like in reality, but it’s a bit easier to see here). From the witnesses, the bystanders, the victims, the complicit, and the guilty—from the first page to the last, this book could—and possibly should—simply be called The Broken. Don’t mistake broken for morally bent (or worse), but life and others have taken these people and have left them as other than they started, other than they could’ve been. Not whole, not intact, but broken.

But it’s not, it’s The Broken Detective, and it’s probably up to the reader to decide if it’s Jake or another candidate.

So, what did I think about The Broken Detective?

I hemmed and hawed about if I should say more about the plot and characters—but after a few tries, I opted not to. Everything I tried to say felt like a spoiler—it’s best if you learn about all involved the same way Jake does (or when he tells you about them, in the case of people he knows already). Because, sure, the book is about Jake looking for this woman. But really, it’s about Jake figuring out who he is, who he wants to be, and if he wants to do the required work to get from here to there. So it’s best for the reader to take the journey with Jake and come in with few preconceived notions.

Or so I think, anyway.

One critique I have is that I’m not sure that bringing in an church/cult from “the real world” as a comparison/parallel to the one in this book was necessary—or that the stone that Jake turned over as a result of his research was necessary. It turned a murky and questionable group (up to some horrible, repugnantly illegal stuff) into a creepy murky and questionable group (up to some horrible, repugnantly illegal stuff). Just a step too far. There was no ambiguity about the church already—I don’t see what he gained by making them worse.

Early on, I noticed something—and then backtracked to check to make sure I was right, and then watched for it going on. Nedecky cares about the last line/paragraph of a chapter. Obviously, he cares about every line and paragraph, but it feels like he puts extra care into those. Not in the way that some do to propel you into the next chapter (not that there’s anything wrong with that), but it’s like he knows that a chapter end is likely to be where someone puts the book down for one reason or another—and Nedecky wants to leave his reader with something to think about. It’ll either be an emotional punch or a line to chew on.

I had things I needed to accomplish the night I started this, so I forced myself to put it down—but this could’ve easily been a one-sitting book. This novel got its hooks in me and didn’t want to let go.

The ending—and the final revelations—will not make anyone happy. Well, it shouldn’t. But it will satisfy and gratify you—because of the storytelling involved, because it’s fitting, because it’s as noir as you can get. You won’t walk away with a smile on your face and a song in your heart, but you’ll walk away with that satisfaction that comes from a near-perfect execution.

I highly recommend this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BBNYA SEMI-FINALIST SPOTLIGHT: Saving Grace by Jon McConnell

I’m very pleased today to welcome The BBNYA Semi-Finalist Spotlight Tour for Jon McConnell’s Saving Grace! So, this book has made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 (17 in 2025) finalists and one overall winner.

The Book Bloggers’ Novel of the Year Award 2025 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.

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Book Details:

Title: Saving Grace by Jon McConnell
Genre: Horror, Thriller
Age Category: Adult
Format: Paperback/Ebook
Length: 357 Pages
Publication Date: October 31, 2022
Cover of Saving Grace by Jon McConnell

About the Book:

Middle school English teacher Gabriel Walker always joked that his students were going to kill him; he never thought it might actually happen. After a mysterious epidemic turns children into psychotic killers, the world descends into chaos.

Gabriel and a small group of survivors are alive because they hide in plain sight; they broke down their own door, busted in their windows and they don’t take risks. The survivors have a system. And it works. But when they run into Grace, the rules change.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Jon McConnell is a high school English teacher at Nipomo High School in California. He makes his home in Orcutt, nestled in the Central Coast with his wife/co-author, Dayna, and two rambunctious sons, Declan and Ezra. He has loved the zombie genre ever since he stayed up with his brothers to watch George Romero’s Night of the Living Dead, but enjoys a good romantic comedy as well.

Website ~ Twitter ~ Instagram


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

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Catch-Up Quick Takes — Some Recent Mysteries

It’s been a while since I’ve done one of these (have another two in the pipeline). This time, I’m looking at a few mystery novels that I just don’t have the time/will to do a “full” post on, as deserving as they are. I recommend all of these, and you’d do well to pick them up in one format or another. As always, the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Cover of The Keeper of Lost Causes by Jussi Adler-OlsenKeeper of Lost Causes

by Jussi Adler-Olsen, read by Erik Davies

DETAILS:
Series: Department Q, #1
Publisher: Penguin Random House Audio Publishing Group
Publication Date: August 23, 2011
Format: Unabridged Audiobook
Length: 15 hrs., 36 min.
Read Date: August 22-26, 2025
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(the official blurb)
This is a novel about a broken—psychologically, emotionally, and physically—detective obsessed with remaining professionally active. He’s assigned to a new cold case squad and hampered bureaucratically at every turn. Saddled with what seems to be the worst assistant possible (but turns out to be anything but), he starts looking into the cold case surrounding the disappearance of a politician five years ago.

The characters are really well drawn, the story seems to meander a bit—but really never does (something you can only know in retrospect), and the pay-off is really satisfying. I didn’t love it, but I couldn’t stop listening, either.
The accents used by the narrator seem to fade in and out at times—and I wonder what someone from that part of the world would have to say about them (I’m prepared to be informed that [narrator’s name] is a native and this American doesn’t know what he’s talking about).

So obviously, this is significantly different than the adaptation—and in a way that makes me both admire the adaptation more, and realizing the way this was a stronger work, too. (I’m probably more interested in the second series of the show than in the second book, but I’ll probably give it a shot, too.)
3.5 Stars

Cover of Lloyd McNeil's Last Ride by Will LeitchLloyd McNeil’s Last Ride

by Will Leitch, read by Chris Andrew Ciulla

DETAILS:
Publisher: Harper 
Publication Date: May 20, 2025
Format: Unabridged Audiobook
Length: 8 hr., 59 min. 
Read Date: August 27-28, 2025
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(the official blurb)
This Better Off Dead-influenced Police Procedural didn’t really match my expectations. This is both good (the novel was much more rewarding and emotionally-rich than I’d anticipated), and bad (while definitely amusing and sometimes downright funny, I’d been hoping for more ridiculous humor rather than the grounded stuff the book delivered).

Absolutely worth the time. The most feel-good police procedural I can think of (unless you count Backman’s Anxious People, which I don’t).
3 Stars

Cover of Death at the White Hart by Chris ChibnallDeath at the White Hart

by Chris Chibnall, read by Jessica Gunning

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: June 10, 2025
Format: Unabridged Audiobooks
Length: 9 hrs., 32 min.
Read Date: September 5-9, 2025
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(the official blurb)
I have two big take-aways from this book.

  1. Let Chibnall do this kind of thing—murders in a small town without much violent crime.
  2. Keep him away from things like Doctor Who.

This is such a rich book—the setting was fantastic. Chibnall populates this town with a wonderful assortment of characters from several walks of life—and you feel like you get to know them well. The police characters are the kind I’d like to see again (but, I just don’t see a sequel working). The mystery at the book’s heart was so cleverly laid out and the reveal was as good as you could hope for.

There’s a young girl character who will break your heart, and you will want to adopt her. Even if I didn’t so much like the book, I’d have been glad for her storyline alone.

3.5 Stars

Cover of The Silver State by Gabriel UrzaThe Silver State

by Gabriel Urza

DETAILS:
Publisher: Algonquin Books
Publication Date: July 8, 2025
Format: Hardcover
Length: 304 pg.
Read Date: September 17-19, 2025
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(the official blurb)
Ohhhh, there’s so much to talk about with this one. There’s the discouraging, disheartening, troubling behind-the-scenes at the Public Defender’s Office material. All of which feels so true-to-life that I can only imagine that the reality is worse. What it says about our Criminal Justice System is even worse. The personal story about this one lawyer is pretty stark, too. You hope that things get better for him and his family, too.

Then there’s the murder, the court maneuverings, the way the lawyers’ lives are changed by this. It’s just so…bleak. Wonderfully done—it’s supposed to be bleak, it’s supposed to make you wonder about what we’re doing with criminals/the accused/those defending them right now. The author pulled off what he set out to here, but you’re going to want something light on-deck to read after this.

So why am I covering the book in a quick-take instead of a longer post where I can expand all that? Honestly, I just don’t care enough. That’s not a slight on the book, it’s just my energy levels and picking what I want to invest energy in. I’ll definitely pounce on anything else Urza puts out and recommend you do the same.
3 Stars

Cover of The Edge of the Crazies by Jamie HarrisonThe Edge of the Crazies

by Jamie Harrison, read by Justin Price

DETAILS:
Series: Jules Clement, #1
Publisher: Highbridge Company  
Publication Date: November 5, 2024
Format: Unabridged Audiobook
Length: 9 hrs., 43 min.
Read Date: September 18-19, 2025
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(the official blurb)
This is a very odd book, and hard to pin down. I like that about it, but it’s difficult to talk about. This is possibly the least effective, least qualified, small-town sheriff I can think of. It doesn’t matter how small his community is (still a sprawling metropolis compared to Longmire’s), he really shouldn’t have anything to do with law enforcement. Yet, I really like him—he seems like a decent guy, who’ll probably grow into the job (based on the number of books in the series)—assuming he can stay sober and keep his pants zipped.

The county and its residents…boy howdy. A great setting, that’s going to be rewarding. I don’t know if I have much else to say—maybe after another couple of books in the series.

Entertaining, puzzling, a nice mystery (hidden beneath so many wonderful misleading clues and red herrings), a good cast (decent narrator, too, I should add). Check it out.
3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

BBNYA SEMI-FINALIST SPOTLIGHT: The Night Counsellor by L K Pang

I’m very pleased today to welcome The BBNYA Semi-Finalist Spotlight Tour for by L K Pang’ The Night Counsellor! So, this book has made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 (17 in 2025) finalists and one overall winner.

The Book Bloggers’ Novel of the Year Award 2025 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.

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Book Details:

Title: The Night Counsellor by L K Pang
Genre: Fantasy, Science Fiction
Age Category: Young Adult
Format: Hardcover/Paperback/Ebook
Length: 256 Pages
Publication Date: February 23, 2023
Cover of The Night Counsellor by L K Pang

About the Book:

When silence dawns, only dusk will break it.

In the shadowy corridors of The Beaumont, a mental hospital haunted by its dark history as an asylum, a disturbing mystery unfolds when in 1953, a woman is found mute, naked, and drenched in blood on the outskirts of West Yorkshire. With no memory of her past and no one to claim her, she is dubbed Patient A and placed under the care of the institution’s staff.

Counsellor Jane Galloway, is drawn to Patient A’s case with a resolve to restore her ability to speak, no matter how unorthodox her methods appear to be. However, her efforts to penetrate the silence meet with stark opposition from the hospital’s rigid hierarchy. The situation takes a spine-chilling turn when whispers in the night link Patient A to a recently discovered corpse.

As Jane edges closer to unravelling the eerie connection between her patient and the mysterious death, she must challenge a web of institutional resistance and hidden agendas. With time running against them, Jane’s quest to help Patient A reclaim her voice grows desperate. But in the harrowing halls of The Beaumont, speaking up can be deadly.

Will Patient A find her voice before the shadows of her past come to silence her forever?

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

L K PangL K Pang is a writer whose works are deeply influenced by the gothic classics of Jane Eyre, Rebecca, and Wuthering Heights. She made her debut in 2023 with Moat Hill Hall, a romantic thriller published by Chronos Publishing. It was during this debut that she discovered her passion for exploring the darker corners of the human psyche.

In 2024, she released The Night Counsellor, a gripping 1950s thriller set in a mental hospital in West Yorkshire, which further solidified her love for psychological suspense.

Formerly an architect, L K Pang now dedicates her time to writing, painting, and caring for her family in North Yorkshire, where the haunting landscapes often inspire her creative work.

Her Instagram and Facebook profile handles are @lkpang.author

Facebook ~ Instagram


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

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PUB DAY POST: Righteous Trash by Nick Kolakowski: A Chaotic Family Reunion

Cover of Righteous Trash by Nick KolakowskiRighteous Trash

by Nick Kolakowski

DETAILS:
Series: Jake Halligan, #3
Publisher: Rock & a Hard Place Press
Publication Date: October 23, 2025
Format: eARC
Length: 232 pg.
Read Date: September 24, 2025
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What’s Righteous Trash About?

Jake Halligan’s sister, Frankie, has come back to Idaho after a time in Mexico. She wants to start her business again—there’s always a market for guns, right? Especially of the extra-legal variety. But first, she wants to take care of some business for an old friend. With Jake’s help, of course. It’s messy and…well, never mind that.

But before they can really get into that, they find themselves at the scene of the nuttiest (gutsiest?) robbery—that promises to wreck Jake’s life. There’s some involvement with the FBI, some political corruption and cover-ups, and so many people pointing guns at the siblings that it’d be too hard to count.

All in all, a good time.

Action

One thing you expect from a Jake Halligan novel is some good action scenes—and boy howdy, does Kolakowski deliver here. There are some intense—almost cinematic—action scenes here.

But the first big gun fight in particular is the one I want to focus on for just a moment—there are multiple groups, with varying alliances (the exact number is hard to determine in the moment). You need someone like John Woo or Chad Stahelski to bring this to life—you’ve got the bullets, the quips, some stupid and useless deaths, and a couple of good twists. If you haven’t been fully engaged in the novel to that point, you will be after it.

The other action scenes are more grounded. I’m not saying they’re all that realistic, I don’t think (who reads these novels for hyper-realism?). But they seem a little more like what would happen to actual people, not stuntmen, in the situations. Just as compelling, just a little less eye-candy.

Stand By Your Man

One of the more interesting things through this series has been tracking the relationship between Jake and his wife. Or maybe it should be phrased as the relationship between Janine and her husband and sister-in-law’s lifestyle. She’s not comfortable with it (to undersell it), she doesn’t want it anywhere near their daughter, she’s barely tolerant of Frankie at all. And who could blame her for any of that? The number of bullets I want flying anywhere near my spouse is far lower than what Jake sees in the first book—never mind the others. And as for their kid? Forget it.

That’s not to mention how often Janine’s life has been in danger. That alone should drive her away.

Nevertheless, she stands by her man. I’m not sure if she should be admired or pitied, really. Either way, it makes her the kind of character you want to watch, and gives you something to think about in the midst of everything else.

The Missing Sequel?

Back in 2018, the first time I got to ask Kolakowski some questions, he mentioned a sequel to the first Jake Halligan book set in New Orleans. We ended up getting a very different sequel. Now in book three, we get a flashback to an adventure that Jake and Frankie had in The Big Easy.

I don’t know if any of the material he’d prepared for that would-be sequel ended up as that flashback, but it’s fun to think about (and fun to imagine what would happen after it). Obviously, it could just be a coincidence, and he needed a non-Idaho place for the siblings to get into trouble—and New Orleans works well for both of those criteria.

So, what did I think about Righteous Trash?

Again, Kolakowski nails the local geography. I really think I could drive to each location he describes—and for those who aren’t from around these here parts, he describes them in a way that conveys a good feel for the place. The fact that I could give a tour of the series locations to a reader who dropped by is just a bonus. (and I can absolutely see the Idaho political scene function the way he depicts it, although I think that could be easily ported into the other 49, too).

I enjoyed both the change—and utter lack of it—that we see in Frankie. She’s aged a bit, got some perspective (maybe wisdom), and knows what she wants. She’s also enough of a realist to understand what’s possible for her (you might read a little pessimism into that, too—but she’d deny that).

I’m a little worried about our friend Jake, at least where he was at the beginning of the novel. He’s a survivor, and he has Janine and his daughter to worry about, so I assume he’ll find a way to get it done. These novels have taken their toll on him (and everyone else), which I appreciate because these kind of books can gloss over that kind of impact. But, he’s such a nice guy (most of the time), that you hate to see it.

Great action, a clever story, characters that you just can’t get enough of. This is a fast-moving novel that will keep you turning pages longer than you should (plan your sleep accordingly; the adrenaline can only do so much). This is a fun thrill ride that will satisfy fans of the series and probably create some new ones, too. (It is absolutely not necessary to read the earlier novels before this, but you will appreciate some things more if you have.)


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BBNYA SEMI-FINALIST SPOTLIGHT: The Strange Grey Everything by Rebecca Crunden

I’m very pleased today to welcome The BBNYA Semi-Finalist Spotlight Tour for Rebecca Crunden’s The Strange Grey Everything! So, this book has made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 (17 in 2025) finalists and one overall winner.

The Book Bloggers’ Novel of the Year Award 2025 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.

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Book Details:

Title: The Strange Grey Everything by Rebecca Crunden
Genre: Romance, Fantasy, Mystery
Age Category: Adult
Format: Paperback/Ebook
Length: 256 Pages
Publication Date: January 8, 2025
The Strange Grey Everything by Rebecca Crunden

About the Book:

Damien Giles hasn’t seen his husband in twelve years. Not since Carlisle left him on their honeymoon. All Damien got was his father-in-law telling him that Carlisle wasn’t coming back. (Twice.) And yet divorce papers never arrived.

Now Carlisle’s back in town for his brother’s wedding and keeps crossing Damien’s path. More baffling to Damien is how little Carlisle’s changed – and how much he still seems to care for Damien. Which, after twelve years of silence, is more than a little ridiculous.

As tensions rise and secrets resurface, Damien begins re-examining their relationship for all the things he missed and soon learns that there is far more to his husband and their history than he knows. But the more he learns about the reasons behind his husband’s disappearance, the more Damien realises that leaving him the first time might just have been the kindest thing Carlisle could have done for him.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Rebecca Crunden is an indie author of fantasy and science fiction who lives in Ireland.

Website ~ Twitter ~ Instagram ~ BlueSky


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

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PUB DAY REPOST: Death at the Door by Olivia Blacke: This Odd Couple of Sleuths is a Little Less Amateur and a Little More Fun

Cover of Death at the Door by Olivia BlackeDeath at the Door

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #2
Publisher: Minotaur Books
Publication Date: October 21, 2025
Format: eARC
Length: 352 pg.
Read Date: September 15, 2025
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What’s Death at the Door About?

I almost hit “Publish” with this part blank. Which would’ve been pretty enigmatic. Possibly too enigmatic, even for a mystery novel.

In the months since we left them, Ruby and Cordelia have continued to build their friendship as Ruby becomes acclimated to Boston. Cordelia is even teaching Ruby to cook! In that strange way of communicating that they have. Yes, it does involve some hijinks at a grocery store and freaking out a fellow shopper who is silly enough to think that glass jars shouldn’t move from the shelf to a cart without anyone holding them.

I probably should’ve mentioned that Cordelia is the ghost of the woman who lived in Ruby’s apartment—I forgot for a moment that not everyone reading this post has read the first book—or remembers what I said about it last year. So, yeah. The ghost of a 40-something woman is “rooming” (for lack of a better word, she’s certainly not haunting) with a woman who can’t legally drink yet. They’re chummy and have solved a murder together. Now you’re caught up.

Until one fateful day, when Ruby discovers a body in the restroom at work. Naturally, given that this is a mystery novel, it was not a natural death. Nor a supernatural one, I feel that I should add, given the nature of this series. It’s a plain ol’ murder. Yes, the restroom in an office building on a floor occupied by a tech company is not where you’d expect such a thing. Especially if you’re a young woman who’s still a little naive about life in a major city.

Both Cordelia and Ruby liked the delivery driver and were uncomfortable with the way the police didn’t seem to care about his death (criminal record, and apparently a criminal present). So, Cordelia decides she’s going to look into things to make sure that Ruby’s safe. Ruby decides that the two of them are going to look into things because they were successful last time, and Ruby feels bad for his family. Eventually, they compare notes and Cordelia begrudgingly involves her roommate.

And well, after that…things happen, as they often do when amateur detectives decide to solve a crime. But with a ghostly twist

Growth

A New Lease on Death was our introduction to this world, these characters—and their introduction to each other. Death at the Door shows how much the characters and their relationship has grown since then (the world is pretty much stagnant, that kind of change is outside the possibility of cozy mysteries).

It’s strange to think of a ghost growing/developing. That’s the point of death, right? But many ghost stories do show us that kind of growth, that’s how in some works that the ghost gets to move on. Or in others, they just grow and develop just like the living. I’m thinking particularly of the Charlie and Rose Investigations—but with a little thought, I could likely add some other titles here. But that series seems pretty apt here, so I won’t belabor the point.

That’s too many words to say that Cordelia isn’t quite the same person we met in the last book. She’s adjusted to some of Ruby’s quirks and developed a strong mothering/big sister approach to her. Teaching her how to cook, looking out for her when it comes to friends, and so on. She’s also much better at being a ghost. She’s learned a couple of new tricks—and learns one in these pages, too.

Ruby’s a lot more independent now—not just the “I’m going to prove to everyone I can live on my own” kind of attitude that we met before, now it’s more of a—she’s working it out (with some help from her roomie). She’s comfortable in the neighborhood, in her job, and with herself. She still can’t handle alcohol, but it’s not a problem (long-term), and is kind of cute. She’s able to be assertive when she needs to, too. She’s better at thinking on her feet, too. And on at least two occasions, she demonstrates that in a way that she couldn’t have in the first book.

The affection between the two is real, and you can’t help but feel (and share) it. They’re better at understanding each other’s intentions and communicating with each other—although you’d have thought they’d have used a little of Ruby’s Dunkin’ money for some more fridge magnets or something. Both their communication—and miscommunication—are just fun to watch. There’s an interrogation scene near Ruby’s office (to keep it free of spoilers) where Cordelia and her ghost friend “warm up” the interrogate-ee before handing it off to Ruby, and the way these two trust each other and interact (mostly by not interacting) here is something to warm the reader’s heart.

None of this is to say that these two don’t make mistakes—because, boy howdy, do they.

A comparison I thought of just before I published—Ruby/Cordelia give a very Janine/Barbara from Abbott Elementary-vibe, with a similar arc. If you’re looking for oversimplification.

Ghosts

Like Cordelia herself, I expect more ghosts—especially in a city as historic as Boston.* We’ve seen three, that I recall. And only two have stuck around—and other than giving Cordelia a conversation partner, I’m not all that happy to see him.

Where is everyone else? I’m not looking for millions of them—or even hundreds (although I’d like to think that hundreds exist). But there have to be a few others in the parts of town that our duo spends their time in. Or, when Cordelia travels to a part of the city she’s never been in—why can’t she run into someone new? Even under the rules that Blacke has established for her ghosts, a city like Boston has to have a few more. Heck, just the ones that Hawk, Spenser, and Patrick Kenzie have left in their wake (unintentionally or not) would give Cordelia someone to wave at. And those are the good(ish) guys!

This isn’t really a short-coming of the book/world. It just sticks out as an oddity. Also, it makes me worried about Cordelia’s long-term prospects. How long does she have left? Ruby needs to do better on the flesh-and-blood friends and independent living fronts.

* At least by U.S.-standards. As the book notes a couple of times.

So, what did I think about Death at the Door?

I had no complaints about A New Lease on Death (or, if I did, they were minor and fleeting enough that I don’t remember them, and I’m not going to go check to see if I did), but Death at the Door is a much more satisfying read. Everything that Blacke did well, she repeated here—and improved on most/all of that. And the rest? Didn’t show up here.

We get two new characters for the pair to interact with—well, we get a handful, but there are two that mean more to the series overall. And I thought they were great. Blacke does a good job of giving us reasons not to totally trust either of them, but spends the majority of the book making us really like them and wanting to trust them. Which is a nice trick—and only occasionally frustrating. It’ll be so satisfying, and maybe a relief, when we learn which way to eventually fall on that point. They are really well-drawn characters, regardless, and are just what this series needed (even if I didn’t realize that until I was done with the book).

Given the location of the murder—and most of the pair’s investigation—we spend a lot more time in Ruby’s current/Cordelia’s former office and interacting with their co-workers. This does two things—it teaches us a lot more about what Cordelia was like when she was living, and really helps us understand the people and culture of the office. As Cordelia’s murder was almost-certainly due to something work-related, this is important for us. Also, it’s pretty fun to see what Black is doing. Anyone who’s suffered from team-building activities will appreciate that portion of the book, if nothing else.

The mystery itself (I probably should focus on that, right?) was cleverly told. The herrings were just the right shade of red, and were very convincing. The antics our duo get up to along the way are the right combination of illuminating and goofy. I’m not an expert on Blacke’s work, but this is the fifth (!) novel of hers that I’ve read, and her character-driven mystery game has never been better.

I’m tempted to speculate about the arc of the series at this point, but most of what I expect is around the corner was what I suspected for this book. So I won’t go further than to say, Blacke’s got something great in store for us. And as she prepares her readers for it, she delivers a satisfying and enjoyable mystery.

Disclaimer: I received a copy of this book from St. Martin’s Press & Minotaur Books via NetGalley—thanks to all for this (particularly the associate publicist—who might not want me broadcasting their name to the world—that got me into Olivia Blacke’s work a couple of years ago).


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Death at the Door by Olivia Blacke: This Odd Couple of Sleuths is a Little Less Amateur and a Little More Fun

Cover of Death at the Door by Olivia BlackeDeath at the Door

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #2
Publisher: Minotaur Books
Publication Date: October 21, 2025
Format: eARC
Length: 352 pg.
Read Date: September 15, 2025
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What’s Death at the Door About?

I almost hit “Publish” with this part blank. Which would’ve been pretty enigmatic. Possibly too enigmatic, even for a mystery novel.

In the months since we left them, Ruby and Cordelia have continued to build their friendship as Ruby becomes acclimated to Boston. Cordelia is even teaching Ruby to cook! In that strange way of communicating that they have. Yes, it does involve some hijinks at a grocery store and freaking out a fellow shopper who is silly enough to think that glass jars shouldn’t move from the shelf to a cart without anyone holding them.

I probably should’ve mentioned that Cordelia is the ghost of the woman who lived in Ruby’s apartment—I forgot for a moment that not everyone reading this post has read the first book—or remembers what I said about it last year. So, yeah. The ghost of a 40-something woman is “rooming” (for lack of a better word, she’s certainly not haunting) with a woman who can’t legally drink yet. They’re chummy and have solved a murder together. Now you’re caught up.

Until one fateful day, when Ruby discovers a body in the restroom at work. Naturally, given that this is a mystery novel, it was not a natural death. Nor a supernatural one, I feel that I should add, given the nature of this series. It’s a plain ol’ murder. Yes, the restroom in an office building on a floor occupied by a tech company is not where you’d expect such a thing. Especially if you’re a young woman who’s still a little naive about life in a major city.

Both Cordelia and Ruby liked the delivery driver and were uncomfortable with the way the police didn’t seem to care about his death (criminal record, and apparently a criminal present). So, Cordelia decides she’s going to look into things to make sure that Ruby’s safe. Ruby decides that the two of them are going to look into things because they were successful last time, and Ruby feels bad for his family. Eventually, they compare notes and Cordelia begrudgingly involves her roommate.

And well, after that…things happen, as they often do when amateur detectives decide to solve a crime. But with a ghostly twist

Growth

A New Lease on Death was our introduction to this world, these characters—and their introduction to each other. Death at the Door shows how much the characters and their relationship has grown since then (the world is pretty much stagnant, that kind of change is outside the possibility of cozy mysteries).

It’s strange to think of a ghost growing/developing. That’s the point of death, right? But many ghost stories do show us that kind of growth, that’s how in some works that the ghost gets to move on. Or in others, they just grow and develop just like the living. I’m thinking particularly of the Charlie and Rose Investigations—but with a little thought, I could likely add some other titles here. But that series seems pretty apt here, so I won’t belabor the point.

That’s too many words to say that Cordelia isn’t quite the same person we met in the last book. She’s adjusted to some of Ruby’s quirks and developed a strong mothering/big sister approach to her. Teaching her how to cook, looking out for her when it comes to friends, and so on. She’s also much better at being a ghost. She’s learned a couple of new tricks—and learns one in these pages, too.

Ruby’s a lot more independent now—not just the “I’m going to prove to everyone I can live on my own” kind of attitude that we met before, now it’s more of a—she’s working it out (with some help from her roomie). She’s comfortable in the neighborhood, in her job, and with herself. She still can’t handle alcohol, but it’s not a problem (long-term), and is kind of cute. She’s able to be assertive when she needs to, too. She’s better at thinking on her feet, too. And on at least two occasions, she demonstrates that in a way that she couldn’t have in the first book.

The affection between the two is real, and you can’t help but feel (and share) it. They’re better at understanding each other’s intentions and communicating with each other—although you’d have thought they’d have used a little of Ruby’s Dunkin’ money for some more fridge magnets or something. Both their communication—and miscommunication—are just fun to watch. There’s an interrogation scene near Ruby’s office (to keep it free of spoilers) where Cordelia and her ghost friend “warm up” the interrogate-ee before handing it off to Ruby, and the way these two trust each other and interact (mostly by not interacting) here is something to warm the reader’s heart.

None of this is to say that these two don’t make mistakes—because, boy howdy, do they.

A comparison I thought of just before I published—Ruby/Cordelia give a very Janine/Barbara from Abbott Elementary-vibe, with a similar arc. If you’re looking for oversimplification.

Ghosts

Like Cordelia herself, I expect more ghosts—especially in a city as historic as Boston.* We’ve seen three, that I recall. And only two have stuck around—and other than giving Cordelia a conversation partner, I’m not all that happy to see him.

Where is everyone else? I’m not looking for millions of them—or even hundreds (although I’d like to think that hundreds exist). But there have to be a few others in the parts of town that our duo spends their time in. Or, when Cordelia travels to a part of the city she’s never been in—why can’t she run into someone new? Even under the rules that Blacke has established for her ghosts, a city like Boston has to have a few more. Heck, just the ones that Hawk, Spenser, and Patrick Kenzie have left in their wake (unintentionally or not) would give Cordelia someone to wave at. And those are the good(ish) guys!

This isn’t really a short-coming of the book/world. It just sticks out as an oddity. Also, it makes me worried about Cordelia’s long-term prospects. How long does she have left? Ruby needs to do better on the flesh-and-blood friends and independent living fronts.

* At least by U.S.-standards. As the book notes a couple of times.

So, what did I think about Death at the Door?

I had no complaints about A New Lease on Death (or, if I did, they were minor and fleeting enough that I don’t remember them, and I’m not going to go check to see if I did), but Death at the Door is a much more satisfying read. Everything that Blacke did well, she repeated here—and improved on most/all of that. And the rest? Didn’t show up here.

We get two new characters for the pair to interact with—well, we get a handful, but there are two that mean more to the series overall. And I thought they were great. Blacke does a good job of giving us reasons not to totally trust either of them, but spends the majority of the book making us really like them and wanting to trust them. Which is a nice trick—and only occasionally frustrating. It’ll be so satisfying, and maybe a relief, when we learn which way to eventually fall on that point. They are really well-drawn characters, regardless, and are just what this series needed (even if I didn’t realize that until I was done with the book).

Given the location of the murder—and most of the pair’s investigation—we spend a lot more time in Ruby’s current/Cordelia’s former office and interacting with their co-workers. This does two things—it teaches us a lot more about what Cordelia was like when she was living, and really helps us understand the people and culture of the office. As Cordelia’s murder was almost-certainly due to something work-related, this is important for us. Also, it’s pretty fun to see what Black is doing. Anyone who’s suffered from team-building activities will appreciate that portion of the book, if nothing else.

The mystery itself (I probably should focus on that, right?) was cleverly told. The herrings were just the right shade of red, and were very convincing. The antics our duo get up to along the way are the right combination of illuminating and goofy. I’m not an expert on Blacke’s work, but this is the fifth (!) novel of hers that I’ve read, and her character-driven mystery game has never been better.

I’m tempted to speculate about the arc of the series at this point, but most of what I expect is around the corner was what I suspected for this book. So I won’t go further than to say, Blacke’s got something great in store for us. And as she prepares her readers for it, she delivers a satisfying and enjoyable mystery.

Disclaimer: I received a copy of this book from St. Martin’s Press & Minotaur Books via NetGalley—thanks to all for this (particularly the associate publicist—who might not want me broadcasting their name to the world—that got me into Olivia Blacke’s work a couple of years ago).


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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You’ll Never Walk Alone by Troy Lambert: An Espresso Shot of Literary Caffeine

Cover of You'll Never Walk Alone by Troy LambertYou’ll Never Walk Alone

by Troy Lambert

DETAILS:
Publication Date: July 25, 2025
Format: e-Book
Length: 26 pg.
Read Date: September 1, 2025

Panic wouldn’t help. The hospital had trained her for high-pressure situations, teaching her to compartmentalize fear and act decisively. But this—this was different. The darkness wasn’t a patient to be stabilized or a diagnosis to be made. It was a thing, vast and unknowable, and it clung to her skin like the rain.

What’s You’ll Never Walk Alone About?

I’m not sure how to talk about this short story without giving it all away. So I’m going to just quote part of the author’s description. I don’t know if I’d have said everything he did (then again, he’s sold more books than I have, so what do I know?)

…nurse Grace Whitmore is caught in a storm—both outside and within. As she trudges through rain-soaked streets after a long hospital shift, every shadow threatens to pull her back into a childhood terror she’s tried to forget.

When Grace senses an unseen presence tracking her steps, paranoia and dread begin to twist her reality. Is it her imagination, or is there truly someone lurking in the dark? Each echo of footfalls drives her deeper into a maze of fear and doubt.

So, what did I think about You’ll Never Walk Alone?

This is a short, intense read. Atmospheric doesn’t begin to describe it–I read this in the middle of the afternoon on a sunny day, and I thought about turning a light on when I was halfway through it.

It’s hard to look at a 26 page story and think, “You know, I think it could’ve been tighter.” But I kind of do–there were a couple of beats to this story that felt repetitive, they didn’t do quite enough to crank up the suspense to justify that repetition.

But that’s just picking at nits. This story starts dark and tense and Lambert keeps ratcheting up both until the last line. And because he’s done such a good job at that, even though you know it’s the last line–and a good and effective one at that–you want the next 20 pages. Not eventually–you want the next 20 pages now. Knowing that you’re just never going to get them is frustrating as well as a relief.

If that doesn’t make sense, just go read the story and come back, it will then.

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Maria’s Shadow by D.L. Cary: An Ambitious Debut Thriller

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Cover of Maria's Shadow by D.L. CaryMaria’s Shadow

by D.L. Cary

DETAILS:
Series: The Veil Chronicles, Book One
Publication Date: April 19, 2025
Format: Paperback
Length: 241 pg.
Read Date: September 1-2, 2025

What’s Maria’s Shadow About?

A young El Salvadoran woman takes a big risk and hires a coyote to bring her to L.A. so she can try at Hollywood (with limited, at best, English skills at this point). This coyote instead delivers her to a sex and drug trafficking organization. After some time, Maria Hernández, escapes—taking along some evidence sure to rattle the organization as insurance.

Some time later, she encounters a Sheriff’s Detective by the name of John Jefferson in Matthews, NC. Shortly after this, Maria’s past catches up to her, and Jefferson is tasked with finding out what happened to her. He has to turn to an FBI Agent he has a rocky connection to for help—and before you know it, the two of them are trying to unravel a conspiracy that goes from the poorest neighborhoods of Latin America to the heights of power in Washington D.C.

Editing?

I didn’t see any information about cover art or design—but I thought the cover was really well done. I think Cary would’ve been better served to skimp a little on it and spend more money on editing.

I’m not talking about proofreading (although the double commas, repeated words, and the like would’ve been good to catch), that happens to the best books in publication. I’m talking about structural edits, developmental edits–someone to work with Cary on things like plotting, details, character development.

Why would an FBI agent in Washington, D.C. hear about the miscarriage of the wife of a Sheriff’s Deputy he didn’t have a relationship with in Mathews, NC? Why would said Deputy’s inner monologue reference something that happened to a murder victim’s body pages before he heard about it? More than once, it appeared that Cary forgot he had mentioned something, so he’d repeat it a chapter or two later. Why, when he was still collecting evidence in the early days of the investigation, did Jefferson start to wonder about a connection between this case and a murder in a completely different jurisdiction from years before (with no similarities to the present case)?

For that matter, why didn’t he ever decide how he was going to refer to Special Agent Marcus Carter or Detective John Jefferson? Why, even late in the book, did he give us their full name and title when referring to them in the narration sometimes and other times just as Carter or Jefferson?

Why does the book jacket describe Maria as being from Mexico, but the novel says El Salvador?

I could keep going, sadly—but you get the gist. Someone coming along and helping Cary to smooth this kind of thing out could’ve gone a long way into improving this thriller.

So, what did I think about Maria’s Shadow?

Cary clearly has some ambitious plans for this book and series. I hope in future volumes that he can live up to them—I don’t think he did that here.

I think it may have been wiser to focus on some small-town/small-city crimes for his first book or two. Let us see Det. John Jefferson deal with murders—or bank robbery, maybe some drug dealers—in Matthews, NC, before trying to tackle an international crime syndicate that has been around for generations.

It took Sheriff Walt Longmire a few books before he dealt with something this big, or, closer to NC, Quinn Colson’s first few cases were within the bounds of Tibbehah County, Mississippi. That allowed Craig Johnson to get some experience under his belt before he tried for something bigger—and, sure, Atkins had that experience, but he still kept things close-to-home to let Colson’s character settle.

It’s entirely possible–even likely–that if I’d encountered this series at a different time, my reaction would be different. But now? I didn’t find this terribly engaging—I don’t think my interest in the plot got higher than mild curiosity. My main interest for most of the novel was to see if Cary could pull off a convincing ending, or even get good momentum going.

The characters weren’t fleshed out, the criminals—in particular—were cardboard cutouts, the pacing seemed to have trouble taking off, the sequencing didn’t make complete sense.

Your results may vary–and I hope they do.

Cary swung for the fences here—like an MLB player going for some late-game heroics. Sadly, the best you could say about this is that it’s a single. I’m totally fine with authors (or teams) playing small-ball, and a single is getting on base. But I don’t think that’s what Cary was going for.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided (including the book).

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