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I’d like to take this opportunity to thank you for all the support you’ve given me and the thoughtful and open minded reviews you’ve written. Without good people like yourself indie presses wouldn’t exist. We can write as much as we want but it’s down to people like you to get the word out.
Finally you the reader. If you’ve got this far you’ve given up your precious time to find out a little bit more about what I think. But it’s just my opinion and you must feel free to take or leave as you wish. In a world of billions to have your time to listen is a very rare privilege. One I don’t take for granted. Many thanks for all your support.
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by David Nolan
Series: Manc Noir Book 1
Kindle Edition, 291 pg. Fahrenheit Press, 2018
Read: Febryary 11 – 12, 2019

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Danny had never been out here before. He’d heard the moors were bleak, but he wasn’t prepared for the sheer unrelenting nothingness of the area. It was like the world had been horizontally cut in two –sky at the top, moor at the bottom, with nothing to provide any form of relief from the two themes. Not even a tree. Not one. In any direction. Bleak. |
David Nolan’s debut novel is one of those that I’m having a hard time gauging how much to say about the plot. If I don’t keep a foot on the brake pedal, I know I could easily go on and on and quickly give away everything — and where’d the fun be in that for you?
Not that “fun” is a good word for about 96% of the experience of this book. This isn’t one of those books (not that there’s anything wrong with that).
Half of this book is told in April of 1990. Rookie radio reporter Danny Johnston is assigned to cover a murder miles away from the story that he wants to cover (and that just about every other reporter in the Manchester area is covering), the real-life riot at Strangeways prison. As Danny is watching the police fight the wind, he sees the body they’re trying to cover with a tarp. It’s a young boy, clearly the victim of murder. A few days later, he’ll learn just how brutal the killing is — but it doesn’t matter. From the moment he saw the body, Danny was committed to making sure the killer is caught.
The other half takes place in 2016, when noted television report Daniel Johnston wraps his car around a tree. He’s drunk — he usually is, it turns out — and this is the last time. The iPhone video of his exit from the car and the drunken ranting and falling that ensues doesn’t do his image any favors. He’s facing criminal charges, the collapse of his career and therapy. Between some great medication, someone to listen and a lot of free time, he makes some progress on putting himself back together and decides to go back to Manchester to try to complete the quest he started so long ago. He also explores some of his own demons along the way — we don’t spend that much time with that, but enough to get a better idea what’s behind a lot of his own behavior.
In addition to Danny/Daniel, there’s a small-town newspaper reporter, three police detectives, several Radio Manchester employees, an MP and some residents of a children’s home and the woman who runs the place that serve as the major characters in 1990. In 2016, we still see most of these characters — just at new stages in their lives. Some of them have moved past this crime, others remember it as much as (if not more than) Danny. None of these characters are the kind of splashy or obviously entertaining individuals that many mystery novels are peppered with — they’re simply well-rounded people. Flawed, with obvious issues and strengths.
From the first chapter (see the quotation above) to the end — there is a bleak feeling pervading this work. Between the geography, the situation, and the weather that’s the best word for it. I don’t describe the feel of books often enough — but this is one of those books that the adjective “atmospheric” was invented for. There’s an atmosphere, a mood, an undercurrent running through this book. Hopelessness surrounds the so many of these characters. Wretched also works to describe the feeling.
Which isn’t to say that this is a book you trudge through — you don’t. You really don’t notice the time you spend in this book, it swallows your attention whole and you keep reading, practically impervious to distractions. Yes, you feel the harsh and desolate atmosphere, but not in a way that puts you off the book. You want to get to the bottom of things with Danny and his friends/allies.
The mystery part of this book is just what you want — it’s complex, it’ll keep you guessing and there are enough red herrings to trip up most readers. As far as the final reveal goes, it’s fantastic. I had an inkling about part of it — but I didn’t see the whole thing until just a couple of pages before Nolan gave it to us. Yet when the reveal is finished you’re only left with the feeling of, “well, of course — what else could it have been?”
And then you read the motivation behind the killing — and I don’t remember reading anything that left me as frozen as this did in years. There’s evil and then there’s this.
This is a stark, desolate book (in mood, not quality) that easily could’ve been borrowed (or stolen) straight from the news. Nolan’s first novel delivers everything it promises and more. You won’t be sorry if you give this one a shot, you’re not going to read a lot of books better — or as good — anytime soon.
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by Michael RN Jones
Series: The Victor Locke Chronicles, #1
Kindle Edition, 252 pg.
Fahrenheit Press, 2017
Read: March 23 – 30, 2017

I have this section of my Kindle, a corner area, where I put Fahrenheit Press titles to gather dust after I buy them (I imagine the drive like a big patch of land — I know that’s not how things work, but I like it). Only Jo Perry and Charles Kriel have managed to avoid that area (Duncan MacMaster’s Hack never ended up there, because FP gave it to me to read — his other book, however . . . ). There are a handful of books there, and on adjacent plots, that I was going to actually read in January of this year, but well, that didn’t work. Maybe by July? (feel free to pause for laughter here).
I bring this up because The Accidental Detective was purchased on release and placed their next to the other titles and was only FP’s releasing of HER: The 1st Victor Locke Story back in March that got me to read this one so quickly. I didn’t realize at the time that HER was the first story in this collection, I thought it was more of a prequel to this novel. Whoops. Still, HER was a fun story and I had to find out more about Victor Locke and his buddy, Dr. Doyle quickly, so I was able to rescue this from FP corner.
Essentially, this is a short story collection — or a very episodic novel, depending how you want to look at it — about a convicted hacker and his formerly court-mandated psychologist solving mysteries. The stories are very much in the updating-Sherlock Holmes vein. Basically, the stories are a Sherlock-like update featuring a Holmes (Locke) with a demeanor more akin to Elementary‘s Holmes while living a Mr. Robot lifestyle (at least early Season One Mr. Robot — look, don’t go examining these comparisons too far, all right?). Some of the ways that the Locke stories are updates of/tributes to/etc. the Holmes canon are obvious, some are subtle, and some are blatant — and all work wonderfully. I’ve read most of the Holmes stories and all the novels at least once, but I’m not an expert by any means; still, I’m familiar enough to catch most of them without work. I laughed hard at this version of Mycroft in his first appearance.
All that’s background — now to the book itself, HER kicks off the collection with Locke (and his not-sidekick Doyle) being drafted into working for the FBI. The story doesn’t end the way the FBI agents would like, but it seems to give Locke the idea that he could do more of this detecting thing. Unofficially, of course. So he goes looking for further opportunities like this. Most of his work is for friends and acquaintances from his neighborhood, but he does get pulled into doing some work for the police.
Locke’s personality pretty much demands that he will have conflict with whatever authority/official-types he encounters, but, like every good Sherlock, most will recognize his talents and let him get away with it. Doyle is more than a sidekick and chronicler of his adventures, but he’s no Joan Watson. Yet. I don’t think Brown will leave him in his current role. Doyle is brilliant, he’s a great observer of people and things, he thinks and talks fast and doesn’t suffer fools gladly (unless he likes them). This doesn’t mean that he won’t have a blind spot or two, that he can’t use some help from others occasionally, either. He usually knows when he needs the help, too.
Few of the stories result in any public success — Locke gets the solution, but sometimes he can’t do anything with it, or has to keep it under wraps. I love this — it’s be so easy to make him some publicity-seeking type. Or someone who doesn’t seek it, but gets it nonetheless. But Jones lets his hero have public failures pretty regularly, keeping him as a struggling detective, not a superstar of deduction.
Fast-paced, clever, charming, funny, clever, and I should repeat clever. I thoroughly enjoyed these stories and gobbled them up pretty quickly. I know Volume 2 is on the way, and it won’t end up in the dusty and ignored FP corner. You should go grab this one if you’re a fan of Holmes or any of his modern incarnations. Even if you’re not a fan of Holmes, you might find yourself changing your mind after reading Jones’ take on the character.
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by Joe Ide Series: IQ, #3Hardcover, 340 pg. Mulholland Books, 2018 Read: October 19 – 22, 2018 
At the end of Righteous, Isaiah meets a girl — I don’t remember much about it, but there’s something about her that clearly makes an impression on IQ — and his dog. It was enough to give us a little hope for our intrepid hero after everything he’d just gone through as we wrapped up the book. This book starts with the three of them bumping into each other again — this time IQ definitely is attracted to her and his dog and the woman clearly enjoy each other’s company. Which is great for them, but you feel a little bad for Isaiah.
Before long, Grace comes to Isaiah with a case. Her mother disappeared a decade ago — under a cloud, it should be added — and Grace saw her on the street near her home. Can Isaiah find her? She’s a painter trying to get a start and really can’t afford much — but gives him a painting as payment.
The catch is, Isaiah and Dodson have recently become partners and Dodson is determined to make Isaiah’s business legitimate. They’ve got a web presence, a Facebook page, and a strict policy on minimum fees. These fees have to be money. No lawn care services, cooking, et cetera. Dodson has a wife and child to provide for and he is inflexible on this point. Isaiah makes an exception and ignores Dodson’s complaints, once Dodson figures out Isaiah’s motivation to take the case, he acquiesces — like a good friend would.
What makes this case complicated is that Sarah, Grace’s mom, is trying to blackmail some very dangerous people. It takes a long time for us to get all the details behind the blackmailing (it’s absolutely worth the wait, and Ide does a great job revealing things to us in drips), but what’s important isn’t the why — it’s the reaction to the blackmail. Isaiah, Dodson and their clients have been in dangerous and tough spots before — but I promise you, those pale in comparison to this. These people bring a level of danger, a level of callousness, a level of professionalism, that will demand more from Isaiah than he’s used to — and he’ll have to find new ways to approach things to survive.
Meanwhile, there’s another blackmail story afoot. One of the darkest episodes of the partners’ (and Deronda’s) past comes back to bite them — a criminal act that they’ve gotten away with, primarily because no one knew they got away with anything. Somehow, word has gotten out, and someone wants money from them to stop him from going public with what he knows. If the victims of this crime — a couple of notorious drug dealers — find out, it will likely prove fatal. Dodson attempts to take care of this on his own, with a little help from Deronda.
Clearly, the partnership isn’t off to the strongest start.
There is a drink described here — not that anyone you’re supposed to like drinks it — that is possibly the most disgusting thing I’ve read this year, it’s a mix of vodka, Coke, and things that shouldn’t be consumed with each other. There are scenes of physical violence and torture in this book, horrible things really, but it’s Parks Punch that left scars.
Actually, there is something more painful, now that I think of it. Junior, one of the drug dealers that IQ, Dodson, and Deronda stole from before years ago appears frequently. He’s got the right idea — a better vocabulary can be tied to greater success in business and life in general. Sadly, Junior is better at acquiring words than he is using them. Resulting in sentences like:
My domicile has been exfoliated! Excavate the premises!
(when he discovers that his home has been broken into) or
Did you discover anything irrelevant?
(to Isaiah after searching for clues). Say what you will about waterboarding or Parks Punch — for me, those lines hurt (and I gave tame examples).
Well, they make me crack up — but they’re also painful.
The action is taut, the twists don’t stop and you have to hold on tight so the pacing doesn’t throw you from the vehicle in the last few chapters. But not only is this the best suspense that Ide’s given us, we have the some of the best emotional moments and character growth so far in the series. Some real trauma is visited on Isaiah, and it’ll be interesting to see how this impacts him going forward (there’s some indication that ide has something in mind along these lines). Similarly, I don’t think I’ve liked Dodson more than I did in this book and his character keeps growing and maturing — I am eager to see how Ide helps him grow in the future.
Unlike IQ or Righteous, we only have one timeline in Wrecked. This is such an improvement — that worked in IQ seemed a drawback in Righteous — but one timeline allows the reader, the pace and the action to focus on Grace and her case.
I’ve been a fan of Ide’s writing and this series since the moment I finished chapter 2 of IQ, but this book worked for me more than his previous work. I don’t know if it’s because I appreciate the characters and style more — or if it’s that Ide has grown with his experience and is delivering something better, I’m not sure. (my money is on the latter, but you never know) This is a fantastic entry very strong series that everyone should hop on board with (start at the beginning, it’s only 3 books — you have plenty of time to catch up).
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by Jordan Harper Hardcover, 257 pg. Ecco, 2017 Read: August 7 – 8, 2018 
This is one of those books where you want to sit and talk about it for a couple of hours — recapping and dissecting the events, analyzing, and speculating about what happens after the book ends; or you don’t want to say anything beyond “just read it, I don’t want to ruin anything for you.” I could absolutely relish the former, but I’m going to hew closer to the latter. Harper’s better to read on this than me, anyway.
So, here’s the official blurb to keep me from slipping:
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Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school into a world of robbery, violence, and the constant threat of death. And he does it to save her life.
Nate made dangerous enemies in prison—a gang called Aryan Steel has put out a bounty on his head, counting on its members on the outside to finish him off. They’ve already murdered his ex-wife, Polly’s mother. And Polly is their next target.
Nate and Polly’s lives soon become a series of narrow misses, of evading the bad guys and the police, of sleepless nights in motels. Out on the lam, Polly is forced to grow up early: with barely any time to mourn her mother, she must learn how to take a punch and pull off a drug-house heist. She finds herself transforming from a shy little girl into a true fighter. Nate, in turn, learns what it’s like to love fiercely and unconditionally—a love he’s never quite felt before. But can their powerful bond transcend the dangerous existence he’s carved out for them? Will they ever be able to live an honest life, free of fear?
She Rides Shotgun is a gripping and emotionally wrenching novel that upends even our most long-held expectations about heroes, villains, and victims. Nate takes Polly to save her life, but in the end it may very well be Polly who saves him. |
The thing to remember about Nate — he might be trying to be a good father, he may want to be a good father and act a certain way for Polly. But he’s not a good guy. He’s not a paragon of virtue, he’s not a reputable citizen. He’s a criminal — and not an entirely successful criminal, with almost zero parenting skills. But man, he wants to try. Expect some heroics, but remember he’s no Nick Mason, Jack Reacher or the like.
Polly? I don’t know what to say about her. If you can read a few chapters of this and not fall in love with this little girl, want to adopt her and protect her from all this madness? Something’s broken in you. She’ll win your affections, you’ll root for her, you’ll pity her, you’ll hope she survives this all intact.
There were a couple of other stand-out characters — I’d get into them, but it doesn’t matter. Your appreciation for this book comes down to this: what do you think about Nate and Polly and what they go through?
This is a tense thriller, with more than your typical emotional moments for the genre. Harper delivers both with equal skill and aplomb. As horrible as so much of this plot was — this was a real pleasure to read, from cover to cover.
I first heard about this novel — and author, come to think of it — on Episode 33 of Two Crime Writers And A Microphone, you might want to check it out.
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One of the first Book Tours I ever participated in was for The Cleansweep Conspiracy by Chuck Waldron. Today I’m glad to welcome the Book Tour for the follow-up, The Cleansweep Counterstrike. Along with this spotlight post, I have a Q&A with the author (in which he uncovers the fact that I never read advertisements in books) and then I’ll wrap things up today by giving my take on the novel.


Book Details:
Book Title: The Cleansweep Counterstrike by Chuck Waldron
Series: A Matt Tremain Technothriller Book 2
Category: Adult Fiction, 312 pages
Genre: Thriller / dystopian
Publisher: Bublish Inc.
Release date: April 21, 2018
Content Rating: PG-13 + M (Adult language)
Book Description:
In this sequel, Matt Tremain is back, facing an even deadlier threat. Deceit and intrigue lie hidden behind the collapse of Operation CleanSweep. It’s time for revenge.
Instrumental in exposing the evil behind Operation CleanSweep—a diabolical “cultural cleansing” plot masterminded by Toronto billionaire Charles Claussen—investigative blogger Tremain now faces the madman’s desire for vengeance. Claussen intends to settle the score personally by luring Matt into a deadly trap.
But the clock is ticking for Claussen, too. Fraternité des Aigles, The Brotherhood of Eagles—a shadowy group that secretly financed Claussen’s Operation CleanSweep—wants answers and their money back. Consumed with rage, Claussen risks everything to get to Matt before the Brotherhood gets to him. Tremain is once again partnering with a police detective, Carling. Knowing they are being lured into a possible trap, they decide to face their nemesis, Charles Claussen.
Across four continents, Claussen sets traps, pursues Tremain, and continues to execute his signature brand of global chaos. When his fiancé’s life is on the line, can Tremain stop Claussen’s madness and still avoid getting killed?
To read reviews, please visit Chuck Waldron’s page on iRead Book Tours.
Buy the Book:
Amazon ~ Barnes & Noble ~ Chapters Indigo
Indiebound
Add to Goodreads
Meet the Author:

Chuck Waldron is the author of four riveting mystery, thriller and suspense novels and more than fifty short stories. Inspired by his grandfather’s tales of the Ozark Mountains and local caves rumored to be havens for notorious gangsters, Waldron was destined to write about crime and the human condition. Those childhood legends ignited his imagination and filled his head with unforgettable characters, surprising plots and a keen interest in supernatural and historical subplots.
With literary roots planted in the American Midwest and South, and enriched by many years living in the fertile cultural soil of metropolitan Ontario, Waldron now resides on Florida’s fabled Treasure Coast with his wife, Suzanne. While keeping an eye out for hurricanes, alligators, and the occasional Burmese python, visitors will find Waldron busy writing his next crime thriller.
Connect with Chuck: Website ~ Twitter ~ Facebook
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