Tag: Opening Lines Page 1 of 6

Opening Lines: All the Best Dogs by Emily Jenkins

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

Ask anyone who has a dog and they’ll tell you that their dog is the best. Really, truly, the best dog in the world. Theirs is the best dog that ever lived, ever, ever, in the history of the known universe.

“But what if the person has two dogs, three dogs, eight dogs?” you ask.

Well, each one is still the best.

That’s how it feels. They are all the best dogs. You need to say “best” to be expressing what you feel about your dog.

Yeah, it’s not logical.

from All the Best Dogs by Emily Jenkins

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Opening Lines: Something Wicked This Way Comes by Ray Bradbury

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part). Today seemed like a good day for this.

from Something Wicked This Way Comes by Ray Bradbury:

First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away.

But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.

But one strange wild dark long year, Halloween came early.

One year Halloween came on October 24, three hours after midnight.

At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands.

And that was the October week when they grew up overnight, and were never so young anymore….

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Opening Lines: Billy the Kid: The War for Lincoln County by Ryan C. Coleman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. I have 1.2 books to get through before I can read this one, but when I uploaded it to my e-reader tonight, I caught a glimpse of this and have had to remind myself of deadlines (and the need for sleep) so I didn’t press on.

Fort Grant, Arizona Territory
August 1877

He’d never killed a man. Didn’t know what it would feel like. Didn’t know if it would turn his insides out. Turn him inside out. He didn’t know if he’d lay awake long into the night, afraid of what may come in his sleep, in his dreams. He didn’t know if he’d forever be followed by that dark cloud, a harbinger of his soul’s inevitable damnation.

He’d find out though.

Turns out killing a man doesn’t change you.

It just reveals the real you.

from Billy the Kid: The War for Lincoln County by Ryan C. Coleman

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Opening Lines: The Blacktongue Thief by Christopher Buehlman

I need to re-read this book, which I remember quite enjoying, but I was a little fuzzy on the details. Well, it took me just this long to remember how much I enjoyed it.

I was about to die.

Worse, I was about to die with bastards.

Not that I was afraid to die, but maybe who you die with is important. It’s important who’s with you when you’re born, after all. If everybody’s wearing clean linen and silk and looking down at you squirming in your bassinet, you’ll have a very different life than if the first thing you see when you open your eyes is a billy goat. I looked over at Pagran and decided he looked uncomfortably like a billy goat, what with his long head, long beard, and unlovely habit of chewing even when he had no food. Pagran used to be a farmer. Frella, just next to him in rusty ring mail, used to be his wife.

Now they were thieves, but not subtle thieves like me. I was trained in lock-picking, wall-scaling, fall-breaking, lie-weaving, voice-throwing, trap-making, trap-finding, and not a half-bad archer, fiddler, and knife-fighter besides. I also knew several dozen cantrips—small but useful magic. Alas, I owed the Takers Guild so much money for my training that I found myself squatting in the Forest of Orphans with these thick bastards, hoping to rob somebody the old-fashioned way. You know, threaten them with death.

from The Blacktongue Thief by Christopher Buehlman

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Opening Lines: The Bright Sword by Lev Grossman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part). In these few paragraphs, you’re immediately into this Arthurian world, you get a hint of the combat, and an idea of the tone/humor of the rest of the book. I thought this was a good opening and the book got better from here.

from The Bright Sword by Lev Grossman:

Collum punched the other knight in the face with the pommel of his sword gripped in his gauntleted fist, so hard the dark inlaid metal dimpled under his knuckles, but his opponent showed absolutely no sign of falling over or surrendering to him. He swore under his breath and followed it up with a kick to the ankle but missed and almost fell down, and the other knight spun gracefully and clouted him smartly in the head so his ears rang. He would’ve given a thousand pounds to be able to wipe the sweat out of his eyes, not that he had a thousand pounds. He had exactly three shillings and two silver pennies to his name.

The two men backed off and circled each other, big swords held up at stiff angles, shifting from guard to guard, heavy shards of bright sunlight glancing and glaring off the blades. They’d dropped their shields after the tilt to have both hands free. No mistakes now, Collum thought. Circles not lines, Marshal Aucassin whispered in his mind. Watch the body not the blade. He threw a diagonal cut that glanced harmlessly off the other knight’s shoulder. The inside of his helmet was a furnace, sharp smells of hay and sweat and raw leather. He’d come here to test himself against the flower of British chivalry, the greatest knights in the world, and by God he was getting what he came for. He was getting the stuffing beaten out of him.

They stepped lightly, testing, offering, up on the balls of their feet. Every tiny movement made their armor squeak and clank and jingle in the quiet of the meadow; even the tips of their swords made tiny whips in the stifling air. Why—why had he thought this was a good idea? Why hadn’t he stayed back on Mull? Heatstroke prickled at the back of Collum’s neck. They weren’t fighting to the death, but if he lost he’d lose his horse, and his armor, which he hadn’t gone through all the trouble of stealing it from Lord Alasdair just so he could hand it over to some nameless knight who probably had half a dozen spares waiting for him back at his cozy castle.

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Opening Lines: The Troubled Deep by Rob Parker

This was a mistake, I knew I didn’t have time to read this book anytime soon. But I sucummbed to temptation when I took it out of the package. Now I’m kicking myself–I need the next 360 pages.

Mum and Dad really like parties. They go to three or four a week sometimes, but we are never allowed to go with them. Me and my big brother, that is. They say it’s because the parties always finish too late. That there are no party games, no ice cream, no musical statues. That we’d be home too late for school the next day.

They are probably right about this, but that doesn’t mean I don’t want to go. Getting all dressed up the way Mum does in her sparkly frocks and jangling earrings. My brother could get cleaned up like Dad does too, handsome in a suit or a leather jacket. Mum and Dad always look so special as we wave from the window, watching them leave Brindley Hall in their super cool Jaguar car.

Dad taught me an old-timey rhyme about it and I like the way it rolls off the tongue. Father’s car is a jaguar, and pa drives rather fast. I am going to tell the other children at school on Monday.

If I get to school on Monday.

Because tonight, it has all been different. This time, when it went dark, the babysitter didn’t come, and Mum told us both to get dressed smartly instead. This time, we got to go with them in the Jaguar car, named after a big cat, because it goes so fast.

I wish it had been faster. I wish we’d gone far away from here.

I wish it hadn’t gone into the water.

I wish I wasn’t stuck in it, me and my brother looking at each other in the back as freezing water comes up through gaps in the floor.

I wish we were at home.

I wish we’d never gone to that party.

from The Troubled Deep by Rob Parker

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Opening Lines: The Lies of Locke Lamora

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit. This is coming up next for my Fantasy Book Club, and I’m more than excited for the excuse to read it again.

At the height of the long wet summer of the Seventy-seventh Year of Sendovani, the Thiefmaker of Camorr paid a sudden and unannounced visit to the Eyeless Priest at the Temple of Perelandro, desperately hoping to sell him the Lamora boy.

“Have I got a deal for you!” the Thiefmaker began, perhaps inauspiciously. “Another deal like Calo and Galdo, maybe?” said the Eyeless Priest. “I’ve still got my hands full training those giggling idiots out of every bad habit they picked up from you and replacing them with the bad habits I need.”

“Now, Chains.” The Thiefmaker shrugged. “I told you they were shit-flinging little monkeys when we made the deal, and it was good enough for you at the—”

“Or maybe another deal like Sabetha?” The priest’s richer, deeper voice chased the Thiefmaker’s objection right back down his throat. “I’m sure you recall charging me everything but my dead mother’s kneecaps for her. I should’ve paid you in copper and watched you spring a rupture trying to haul it all away.”

“Ahhhhhh, but she was special, and this boy, he’s special, too,” said the Thiefmaker. “Everything you asked me to look for after I sold you Calo and Galdo. Everything you liked so much about Sabetha! He’s Camorri, but a mongrel. Therin and Vadran blood with neither dominant. He’s got larceny in his heart, sure as the sea’s full of fish piss. And I can even let you have him at a … a discount.”

The Eyeless Priest spent a long moment mulling this. “You’ll pardon me,” he finally said, “if the suggestion that the minuscule black turnip you call a heart is suddenly overflowing with generosity toward me leaves me wanting to arm myself and put my back against a wall.”

The Thiefmaker tried to let a vaguely sincere expression scurry onto his face, where it froze in evident discomfort. His shrug was theatrically casual. “There are, ah, problems with the boy, yes. But the problems are unique to his situation in my care. Were he under yours, I’m sure they would, ahhhh, vanish.”

“Oh. You have a magic boy. Why didn’t you say so?” The priest scratched his forehead beneath the white silk blindfold that covered his eyes. “Magnificent. I’ll plant him in the fucking ground and grow a vine to an enchanted land beyond the clouds.”

“Ahhhhh! I’ve tasted that flavor of sarcasm before, Chains.” The Thiefmaker gave an arthritic mock bow. “That’s the sort you spit out as a bargaining posture. Is it really so hard to say that you’re interested?”

The Eyeless Priest shrugged. “Suppose Calo, Galdo, and Sabetha might be able to use a new playmate, or at least a new punching bag. Suppose I’m willing to spend about three coppers and a bowl of piss for a mystery boy. But you’ll still need to convince me that you deserve the bowl of piss. What’s the boy’s problem?”

“His problem,” said the Thiefmaker, “is that if I can’t sell him to you, I’m going to have to slit his throat and throw him in the bay. And I’m going to have to do it tonight.”

from The Lies of Locke Lamora by Scott Lynch

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Opening Lines: Return to Sender by Craig Johnson

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. In these few paragraphs, you’re immediately in Walt’s world, knowing you’re in for some good conversations and a slower pace. I’m starting this one tonight, but took a sneak peak.

from Return to Sender by Craig Johnson:

“Nobody smiles anymore.”

“Excuse me?”

“Have you noticed? Nobody smiles anymore.” Mike adjusted himself in the tiny postal Jeep, setting his back against the passenger-side door as he sat on the floor beside Dog so no one would see him in the September early morning light. “Remember when we were growing up how you were taught that when you walked down the street and you met a stranger, that you smiled or said hello?” He sighed, staring at the plethora of mail and packages in the back as if it were a weight he could no longer bear. “People don’t do that anymore.”

Mike Thurman, my late wife’s cousin, was in a bad mood, but that didn’t mean he didn’t have a point.

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Opening Lines: A Scanner Darkly by Philip K. Dick

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great–or strange–opening for getting a reader to commit.

Once a guy stood all day shaking bugs from his hair. The doctor told him there were no bugs in his hair. After he had taken a shower for eight hours, standing under hot water hour after hour suffering the pain of the bugs, he got out and dried himself, and he still had bugs in his hair; in fact, he had bugs all over him. A month later he had bugs in his lungs.

Having nothing else to do or think about, he began to work out theoretically the life cycle of the bugs, and, with the aid of the Britannica, try to determine specifically which bugs they were. They now filled his house. He read about many different kinds and finally noticed bugs outdoors, so he concluded they were aphids. After that decision came to his mind it never changed, no matter what other people told him… like “Aphids don’t bite people.”

They said that to him because the endless biting of the bugs kept him in torment. At the 7-11 grocery store, part of a chain spread out over most of California, he bought spray cans of Raid and Black Flag and Yard Guard. First he sprayed the house, then himself, The Yard Guard seemed to work the best.

from A Scanner Darkly by Philip K. Dick
Cover of A Scanner Darkly by Philip K. Dick

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Opening Lines: Miracles by C.S. Lewis

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. In these few paragraphs, you see exactly how he argues for the rest of the book.

from Miracles by C.S. Lewis:

In all my life I have met only one person who claims to have seen a ghost. And the interesting diing about the story is that that person disbelieved in the immortal soul before she saw the ghost and still disbelieves after seeing it. She says that what she saw must have been an illusion or a trick of the nerves. And obviously she may be right. Seeing is not believing.

For this reason, the question whether miracles occur can never be answered simply by experience. Every event which might claim to be a miracle is, in the last resort, something presented to our senses, something seen, heard, touched, smelled, or tasted. And our senses are not infallible. If anything extraordinary seems to have happened, we can always say that we have been the victims of an illusion. If we hold a philosophy which excludes the supernatural, this is what we always shall say. What we learn from experience depends on the kind of philosophy we bring to experience. It is therefore useless to appeal to experience before we have settled, as well as we can, the philosophical question..

If immediate experience cannot prove or disprove the miraculous, still less can history do so. Many people think one can decide whether a miracle occurred in the past by examining the evidence “according to the ordinary rules of historical enquiry.” But the ordinary rules cannot be worked until we have decided whether miracles are possible, and if so, how probable they are. For if they are impossible, then no amounnt of historical evidence will convince us. If they are possible but immensely improbable, then only mathematically demonstrative evidence will convince us: and since history never provides that degree of evidence for any event, history can never convince us that a miracle occurred. If, on the other hand, miracles are not intrinsically improbable, then the existing evidence will be sufficient to convince us that quite a number of miracles have occurred. The result of our historical enquiries thus depends on the philosophical views which we have been holding before we even began to look at the evidence. The philosophical question must therefore come first.

Here is an example of the sort of thing that happens if we omit the preliminary philosophical task, and rush on to the historical. In a popular commentary on the Bible you will find a discussion of the date at which the Fourth Gospel was written. The author says it must have been written after the execution of St. Peter, because, in the Fourth Gospel, Christ is represented as predicting the execution of St. Peter. “A book,” thinks the author, “cannot be written before events which it refers to.” Of course it cannot–unless real predictions ever occur. If they do, then this argument for the date is in ruins. And the author has not discussed at all whether real predictions are possible. He takes it for granted (perhaps unconsciously) that they are not. Perhaps he is right: but if he is, he has not discovered this principle by historical inquiry. He has brought his disbelief in predictions to his historical work, so to speak, ready made. Unless he had done so his historical conclusion about the date of the Fourth Gospel could not have been reached at all. His work is therefore quite useless to a person who wants to know whether predictions occur. The author gets to work only after he has already answered that question in the negative, and on grounds which he never communicates to us.

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