Tag: Raina Nightingale

Heart of Fire by Raina Nightingale: A Mixed Bag with Cool Dragons, Some Good Characters, and a Lot of Promise

DETAILS:
Series: Dragon-Mage, Book One
Publication Date: April 16, 2023
Format: eBook
Length: 278 pg.
Read Date: August 12-14, 2024

What’s Heart of Fire About?

I can’t quite talk about the story of the book without saying something I shouldn’t, so, I’ll let Nightingale describe it:

Camilla has always been told that humans are inferior. They cannot use magic. If they bond to dragons, they will doom the creatures to extinction. She has never believed a word of it. She has always known that she can use magic, and she suspects it is the elves who harm the dragons by keeping them to themselves. Now, she is presented with the opportunity of a lifetime: a dragon’s clutch is hatching and while she will earn the wrath of her captors if she is caught, she has the chance to see a dragon hatch and perhaps even to Recognize.

Kario’s people have feared dragons since time immemorial. When an unrealistically huge black dragon flies in while she is hunting, she is certain she will die. Instead, her life is changed when Nelexi, Obsidian Guardian of Areaer, chooses her as her final rider. Kario takes the name Flameheart, but she is soon homesick and afraid that she is insufficient to be the partner of a god.

The Good

First off, the dragons are cool. You give me cool dragons and I’m going to let you get away with a lot.

I think this world is fantastic. I love the relationships between dragons and riders—the bonds between them, and how they communicate with one another. I like a lot of the suggested ways that dragons and riders change and evolve over time.

I think the geo-political and racial relationships are intriguing—and how people on different continents relate to dragons (and many other creatures, likely). The elven-human dynamic is something I really want to see developed.

I think Kario is a fasctinating character and I relished the bits of time we got with her and Nelexi—I wanted more.

The Bad

I don’t think that Nightingale brought everything in her mind onto the page. She clearly has a lot of this world worked out in details that there’s no way to communicate. Every author has those—that’s not what I’m talking about. But in the Preface, she talks about having two of the characters in her mind since childhood—she knows them well, she understands their story in a way that many authors would likely envy. But—this is just a guess—I think she knows the story so well that I don’t think she realized she didn’t give her readers all the details we needed to follow.

I stopped writing things like “so, I missed something?” or “how did we get here?” after a bit. I just couldn’t follow good chunks of both storylines—but Camillla’s more than Kario’s.

Although—and this gets us on to the other “Bad” topic—I’m okay with not following Camilla’s because I just couldn’t like her. She was petulant, self-centered, egotistical, and short-sighted. All these are things that can be grown out of, and I’m not suggesting protagonists have to be likable. But I didn’t want to spend time in her head—it’s just a nasty place. Her dragon, Radiance, was fine. Her brother seemed okay—as did the other dragon rider with them (I’m going to leave names out because it feels like something you need to learn as you read)—although there’s room for some personal growth there, although I think that character has made the right kind of strides on that front so you can root for them.

But Camilla? I really hope in the next book in the series, she’s grown up a lot.

So, what did I think about Heart of Fire?

Nightingale swung for the fences with this one, you can practically see the effort on the page as you read. But I think she missed too many of the pitches she took, and foul-tipped pretty frequently when she made contact. But she got on-base enough to stay in the game, and even to chalk up a win. That’s the end of the baseball metaphors, I promise.

There’s so much promise in this book—and enough delivery on them to come back for the second volume. But not enough to be enthusiastic about it. I do want to know what happens, and I think most who read this will share in that.

Also, cool dragons. Can’t overlook that.

The parts of the book that worked—worked pretty well, and made me want to keep going. Still, I can only give this the most lukewarm of recommendations—I know I’m in the minority when it comes to this book—go read what others had to say about it.

3 Stars

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The Inside Scoop—A Q&A with Raina Nightingale About Self-Publishing

By HCNewton

On July 27, 2023

In A Few Quick Questions With..., Self-Published Authors Appreciation Week

Inside Scoop logo
Earlier this morning, I featured a Guest Post from Raina Nightengale, Self-Publishing Freedom. Now we get to chat with her about some other aspects of self-publishing. Nightengale’s another author who came my way from JCM Berne and has been super-easy to work with, and has been very enthusiastic about these posts. I really appreciate her time for this.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
Hello. I’m Raina Nightingale, and I like trees, volcanoes, the night sky, dragons, and lightning storms – and deep explorations of (usually non-romantic) relationships. Not necessarily in that order. I’ve been writing ever since I learned how to read in about one week when I was eight years old, and I call my writing dawndark high fantasy as a kind of umbrella term, since while it sometimes gets dark, there’s always the promise of hope and when I explore the darkest places, it’s in order to find a deeper hope that can overcome them.

Epoch of the Promise: Dawn Unseen and Epoch of the Promise: Vision’s Light are my darkest books. I’ve since discovered they’re less unique than I thought they were when I wrote them (I hadn’t encountered epic grimdark fantasy yet), but I think they are still very unique, since – though they are not at all gory – they are saved from being grimdark only by scandalous redemption, and explore religion and the impact that can have on people’s lives from the perspectives of some very theologically-inclined characters at times.

Heart of Fire, which is the first book of the Dragon-Mage series, is basically classic high fantasy with a twist: instead of focusing on fight scenes, the focus is on relationships and personal struggles. It’s also set in a world reviewers have praised for its ancient and lived-in feel, and a fresh, unique magic system and take on dragons. If you’ve read lots of dragonrider books, but you’ve always wanted the dragons to be a bigger part of them, Heart of Fire may be the book for you (that, by the way, is how I feel about a lot of dragon books).

And if you’d like something a little cozy, Kindred of the Sea is about two men, platonic lovers, forced to desert the army and become traitors when the dreams of an enchanted forest show them that their nation’s war is unjust – and eventually fall through a portal onto an ocean world where they’re befriended by magical dolphins.

You can find me on Twitter (https://twitter.com/Areaer_Novels) and my website (https://enthralledbylove.com) where I post lots of art, as well as reviews of books I read, and occasionally other musings as well.

You can find all my books here, from whichever retailer you’d prefer, (https://books2read.com/raina_books) and be advised: I’ll usually have a discount of some sort going on one book or another if you like Smashwords.

And you can check out my books Goodreads (https://www.goodreads.com/book/show/79130352-heart-of-fire).

What are some of the biggest misconceptions you find that readers have about self-published books?
That because we have different priorities than a traditionally published authors, and we don’t want to give up control over our story, that somehow means we care about it less. Care less about making it the best it can be. I might have a different idea of what ‘perfect’ or ‘best’ is than other people do. I think all artists have their own vision of ‘perfect’, and this is part of what makes art art: the attention to the thing I see and I want to share. But that doesn’t mean I’m any less rigorous in seeking that vision.

I’m not self-publishing because I’m afraid I’m not good enough for a traditional publisher. I’m self-publishing because I’m not letting anyone change my story to be any less than what I want it to be. I’m not letting anyone change my story so that it appeals less to me and those I want to reach, because that might make it marketable to a wider audience or whatever the reason is. That’s how art loses it soul, and in the end it can’t win the world either. And I’m not willing to take the risk of not being able to publish later, dependant works because the first ones don’t do well enough or my publisher otherwise doesn’t want to pick them up.

Do you do your own cover design, or have you found people to help with that? It seems almost as difficult as writing the novel itself–talk about the process a bit.
When I was just a child, I saw these covers on traditionally published books that did not have the details inside the book right (if it was only the MC having the wrong color hair). I didn’t like that, and promised myself I’d do my own book covers when I published my books. So for a long time I did that – gradually getting better at it. And some of my pieces I really love – Vision’s Light, Heart of Fire, and the two new Legend of the Singer covers are among these.

Design-wise, it’s always been pretty easy. I’m a very visual thinker, and by the time I’m done writing a book, I usually know what kind of scenes and elements I want on the cover. The hardest ones were probably the Legend of the Singer books though, because I didn’t have a good scene or image from Children of the Dryads that I just sensed had to be the cover, and I wanted most of them to match. So the current image is kind of representative. The scene it depicts probably happens, but is not described in the story.

Doing the actual art, however, is quite a lot more difficult. And now that I’ve discovered Midnight Rose’s art, I might have most of my covers done by Midnight from now. Midnight’s art just makes me want to have it so much, and it was a delight working with Midnight on the new cover for The Gifts of Faeri.

Odds are, you’re doing this from love/passion, not to pay the bills. What keeps you going? I’m assuming there are more “who”s than “what”s, actually–who is it?
I have to write. Stories are how I think, challenge my thoughts and convictions, and develop them. How I explore new ideas. I can’t sleep if I don’t tell my stories, one way or another. So writing … that’s always going to be a part of my life.

Publishing is a bit different. That’s a lot more costly than just writing, and the time and energy I have to put into publishing – and marketing/PR stuff – can take away from the art I love. So what’s keeps me going here, are the occasional comments of readers, and perhaps even more the fact I know I have stories that people need to hear, and I know there are people out there who want my stories, just like I would have wanted them – and want to find more that are like them. The struggle is finding them, making it so that they can find me, and it’s a struggle some of them probably share from the other end. And if I give up, we won’t ever connect.

Self-publishing tends to have less external deadlines keeping one accountable. How do you maintain your work process or work ethic?
One of the first reasons I knew I could never be a traditionally published author is that external deadlines are the bane of my creative process. In fact, even the kinds of planning and deadlines that self-publishing can involve are tricky for me to handle and figure out.

My work process thrives off entirely internal energy: I love art, and I love making my thing whatever I think is perfect/the best it can be. So I do that. And not having deadlines means that when one story isn’t flowing, but a new one shows up in my head, I don’t have to be worried about giving that one my energy and attention. And I think that is the trick to how productive I can be.

Thanks for your time and participation! Hope you enjoyed it! And do know that there are many of us out here who appreciate and applaud what you do (and our number is growing)!

Be sure to check out all of her work!

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The Inside Scoop—Guest Post: Self-Publishing Freedom by Raina Nightingale

By HCNewton

On July 27, 2023

In A Few Quick Questions With..., Self-Published Authors Appreciation Week, Writing

Inside Scoop logo One of the first things that Raina Nightingale said to me was that she wanted to do a Guest Post about the freedom of self-publishing. This sounded perfect to me, that freedom is one of those things that defines self-publishing to me. I’ll be posting the Self-Publishing Q&A with Nightengale a little later this morning, be sure to come back for that.

One of my favorite things about being a self-published author is my freedom to do pretty much whatever I choose. When I first started looking into publishing, one of the things I noted that was that traditionally published authors are sometimes constrained by deadlines. And deadlines – even if they seem comfortable – are never something I can handle or that works with my creative process. A book can be flowing smoothly, I can have two or three chapters left to write – and then I can hit the end of my inspiration for that story for months. But without a deadline, with full ownership to all the rights, I can write whatever story I feel like at the moment. I can jump between different works-in-progress in half-different genres, and just enjoy my stories.

I can enjoy my stories and write them to be whatever I feel like. I can (deliberately, or by accident) subvert plot expectations, or ignore conventional story arcs and use completely different ones. I can write about common themes, or ones that are rarer. I’m not guaranteed to sell; I’m not guaranteed that everyone, or very many people – or strictly speaking, anyone – will like how I decide to do things. But I can do them however I like, take or ignore advice as I choose, and see how it works. Which suits me, as I write first and foremost for myself, because these are the stories I’d want to read.

And the ones that won’t leave me alone in my head. Some of them are more conventional in plot type and arc, but they’re all the stories of people, living in a world, and sometimes those stories don’t line up with very many of the conventions. As a self-published author, I can let my stories and my characters be themselves, and share those stories and characters.

I can publish them however I choose, on a time-table I set. I don’t have to wait many years to publish something unless I want to, and I don’t have to be incredibly rushed either unless I choose. And one thing I’ve recently discovered is that I really enjoy doing interior art and formatting. The design, that is. The implementation is tedious and not my favorite thing at all, but I love designing my book to be just the way I like it, and making little drawings or art pieces to fit it. It really makes me feel like this is my book, my artwork in which I can revel.

And which I hope to share with many, many others. Maybe not as many as if I were more inclined to follow conventions, but I know there are others out here who like things that are a bit – or a lot – different. I know that, as big of a seller as the romance genre is and as romantic subplots are, there are people who’d like to read high fantasy with a focus on not-so-romantic relationships front and center. A lot of people might like to be able to know what the story’s going to be before they buy the book, even if they don’t want the specific spoilers. Other people would like to be surprised, though (like me) they might not mind the specific spoilers – or even seek them out.

So, that is it. Self-publishing can be a lot of work, and one of the hard things can be finding those readers who are meant for you – or perhaps better to say your book is meant for them! But it can be very rewarding.

Be sure to check out Nightengale’s books and website!

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The 2023 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club