Tag: Reread Project Page 3 of 8

Fletch and the Widow Bradley (Audiobook) by Gregory McDonald, Dan John Miller: An oddly contemporary-feeling Fletch novel that’s good but not really good.

Fletch and the Widow Bradley (Audiobook)Fletch and the Widow Bradley

by Gregory McDonald, Dan John Miller (Narrator)
Series: Fletch, #4 (#3 Chronologically)

Unabridged Audiobook, 5 hrs., 28 min.
Blackstone Audio, 2018

Read: April 1 – 4, 2019

Fletch checks in to his office before returning from a few days away to find out that he’s fired. He’d filled in for an injured colleague to write a profile on a small local business that the Gazette had written an exposé about a few years before, just to see how they were doing in the aftermath. They were doing fine, and Fletch had quoted recent memos from the CEO demonstrating that. The teeny tiny problem there is that the particular CEO had been dead for a couple of years. Quoting corpses is generally frowned upon (unless you’re writing about voters’ views on Chicago politicians, I guess), and so Fletch is fired. Not only that, he’s probably finished forever as a journalist.

Understandably, Fletch is incensed. He’s angry. He’s also mystified — he knows what he read. He knows he did good work — how did they fool him? More importantly, why? If his career is over, he’s going to know why it happened. So he starts interviewing those nearest the dead man — his business associates, family, and so on — he eventually flies across the country a couple of times (and up to Alaska, too).

At this point in Fletch’s life, he is notoriously dead broke — recently divorced (again) with attorneys looking for alimony payments, and (as mentioned) fired. So how does he afford the gas and airline travel? Well, he found a walled with a whole lot of money in it and cannot find the owner. So he borrows a little bit. This is a very odd little storyline that I honestly have never fully understood. Not the events in it, but the reasoning behind its inclusion in the book. Other than to give Moxie (more about her in a moment) and Fletch something to talk about, and to give Fletch money for plane tickets.

Now, close readers might pick up a thing or two (if they haven’t read the books anyway) — I said Gazette (the paper that Fletch was almost certainly fired from after Fletch) and “at this point in” his life and “recently divorced.” This is the first time where Mcdonald bounces back in time for a novel — this is why I’ve noted publication order and chronological order in my post headings for this series. Mcdonald needs Fletch to have a newspaper job to tell this story — and post Fortune, that’s not really likely (it’s not like he needs the money). This chronological flexibility is both rare in a series like this one, and will become a hallmark of the books.

The best reason to read this book is the introduction of the character Moxie Mooney. Moxie’s an actress — daughter of the legendary Freddie Mooney — a major acting star of both stage and screen. Moxie’s still struggling to make it at this point, but she’s got talent. She’s also a long-time on-again/off-again romantic partner to Fletch. There’s more chemistry between the two, more genuine feelings and more obvious compatibility between Moxie and Fletch than there is between any two people in this series. She’s funny, she’s quirky, she’s driven — not unlike Irwin Maurice himself. I’m not sure how often I would have re-read the book without her

At the end of the day, this one doesn’t have the same impact and entertainment value most of the rest of the series does. There are some great moments — and I love Moxie — but there’s something missing from this one. Still, Fletch books are like that old line about pizza — when it’s good, it’s really good; and when it’s bad, it’s still pretty good.

—–

3 Stars
2019 Cloak & Dagger Challenge

Fletch’s Fortune (Audiobook) by Gregory McDonald, Dan John Miller: Possibly the Most Entertaining Entry in this Great Series

Fletch’s Fortune (Audiobook)Fletch’s Fortune

by Gregory McDonald, Dan John Miller (Narrator)
Series: Fletch, #3 (#7 Chronologically)

Unabridged Audiobook, 5 hrs., 51 min.
Blackstone Audio, 2018
Read: March 26 – 29, 2019

           “I.R.S.,” the man said.

Fletch slid the door open. “How do you spell that?”

“Internal Revenue Service.”

. . .
“As a matter of personal curiosity, may I ask why you have not filed returns?”

“April’s always a busy month for me. You know. In the spring a young man’s fancy really shouldn’t have to turn to the Internal Revenue Service.”

“You could always apply for extensions.”

“Who has the time to do that?”

“Is there any political thinking behind your not paying taxes?”

“Oh no. My motives are purely aesthetic, if you want to know the truth.”

“Aesthetic?”

“Yes. I’ve seen your tax forms. Visually, they’re ugly. In fact very offensive. And their use of the English language is highly objectionable. Perverted.”

“Our tax forms are perverted?”

“Ugly and perverted. Just seeing them makes my stomach turn.”

It’s conversations like this that make this possibly the most entertaining Fletch novel. My memory suggests there’s a one or two challenges to that coming up, but at least one of them gets too preachy and disqualifies itself (I’ll try to mention that when we get there). Fletch, shed of his fiancé from the previous book, is enjoying life in his home on the Riviera and puttering along on his biography of Edgar Arthur Thorp, Jr. One day, he’s accosted by a pair of CIA agents who blackmail him (using the above referenced lack of tax filing) into bugging the rooms of the most influential journalists in the US at a journalism convention.

He’s not crazy about this assignment, but at the very least he figures there’s a good story in there somewhere. So he heads back to the States and plants his bugs and starts to tape many of the most illustrious members of the press. The catch (of course there’s a catch) is that the president of the American Journalism Association and owner of many, many major newspapers is murdered the morning as conventioneers start to arrive.

So, not only does Fletch have to put up with attending a convention, and–under duress–to listen in on his colleagues — but he also has to compete with some of the most story-hungry people in the US to be the first to break the story unveiling the murderer.

We also meet for the first time Fredericka “Freddy” Arbuthnot — one of my chief complaints about this series is that we don’t get more time with her. She’s fun here, and her fans should rest assured that we see her again soon — used in a better way, too (not a complaint about her appearance in Fletch’s Fortune, I rush to say). She’s just one of the incredibly colorful characters assembled at this convention — which allows McDonald to skewer all the foibles and weaknesses of the contemporary media (at least for the late 70’s, which just sets the stage for now). I couldn’t guess how many times I’ve read this book, and I still find them all wonderfully fun to watch.

There’s a blink and you missed it moment that’s incredibly important for the future of the series, and it can’t have been planned. But decades later, McDonald is able to use to open up whole new avenues for telling his sores.

It’s so easy to get distracted by the fun conversations, the satirizing of the press and the general Fletch antics, to the point that you miss just how clever McDonald is to pull off one of his most clever whodunits. I’d rank this among the best mysteries that McDonald penned, too.

Once again, Miller delivers this one just right. I don’t know what else to say — he was the perfect choice for this series and I’m so glad I gave them a chance.

I’m just repeating myself now, so I’ll stop. Between entertainment value, construction of the mystery, social/media satire, and audiobook narration I can’t say enough good things about this audiobook. McDonald is at the height of his powers here and it’s a sheer pleasure to pick up again (no matter the format).

—–

4 1/2 Stars

2019 Cloak & Dagger Challenge

The Great Brain (Audiobook) by John D. Fitzgerald, Ron McLarty: A frequently pleasant stroll down memory lane

The Great Brain (Audiobook)The Great Brain

by John D. Fitzgerald, Ron McLarty (Narrator)
Series: The Great Brain, #1

Unabridged Audiobook, 4 Hours, 41 Minutes
Listening Library, 2002

Read: February 25 – 26, 2019


Growing up, these stories about a pre-teen con artist in late 19th Century Utah were among my favorites. I remember stumbling on a box set at a Yard Sale after I’d read them from the Library a couple of times and just about wore out the set reading and re-reading them. Even then, I remember that I had problems with some of the characters, and recall that my favorite was always the narrator, John D., not the titular Great Brain himself, Tom D. About 10 years ago, I read the series to my kids, and enjoyed it (possibly more than they did), but not as much as I remembered. Still, when I saw it listed as a new addition to my library’s catalog, I took a second glance and when I saw that Ron McLarty did the narration, I had to try it.

This book is a series of episodes from over a year or so in the life of three brothers, Sweyn D., Tom D. and John D. Fitzgerald. Sweyn is around a little bit as the more mature eldest brother, John’s the youngest (8 or 9, I believe) and Tom is 10 and the star. He’s Greedy, conniving, and ambitious — and his ego is bigger than the rest of his attributes combined. They live in a small, largely LDS, town in Utah during the last decade of the 1800s. The episodes feature different ways in which Tom’s Great Brain works to make him money and/or notoriety in the community, especially with the kids.

Some of these antics are silly, some are serious. Almost all of them are profitable for Tom. The strength of the stories is the humanity of the rest of the community — the traveling Jewish merchant, the local farmers, the Greek immigrant family, for starters. The weakness comes from the very laissez-faire approach to parenting the Fitzgeralds take — allowing Tom D. to pretty much get away with everything he wants.

There is some charm, some heart, throughout — even from Tom. That part appeals to me, the ego-driven greedy exploits of the Great Brain don’t. John’s narration occasionally will critique Tom’s motives, but mostly John’s a little brother thinking his big brother is fantastic no matter what. I know John becomes more disillusioned later, but for now, it was annoying. I want better for him.

How’s the narration you ask? Honestly, the chance to listen to Ron McLarty narrate was half the reason I had for grabbing this. McLarty will always be Sgt. Frank Belson to me, despite the many other things he’s accomplished in life. He did a fine job, at times a great job. Something about him reading the contraction-less dialogue bugged the tar out of me. George Guidal can make it work when he reads Henry Standing Bear — although it helps that no one else does it. McLarty can’t make it work, probably because despite the fact that slang is used, time appropriate language — but not a contraction from anyone? I don’t lay the fault at McLarty’s feet, it’s just a prominent feature.

I still recommend the books and enjoyed them. It’s just a tempered enjoyment. I’ll probably keep chipping away at the series over the next few months — waiting to see John’s disillusionment grow, and the brothers develop a conscience.

—–

3 Stars

2019 Library Love Challenge

Confess, Fletch (Audiobook) by Gregory Mcdonald, Dan John Miller: Fletch, Flynn, A Murder or two and a Heist. What more can you want?

Confess FletchConfess Fletch

by Gregory Mcdonald, Dan John Miller (Narrator)
Series: Fletch, #2 (#6 Chronologically)

Unabridged Audiobook, 6 hrs., 23 min.
Blackstone Audio, 2018
Read: January 25 – 30, 2019

           Fletch dialed “0”.

“Get me the police, please.”

“Is this an emergency?”

“Not at the moment.”

The painting over the desk was a Ford Maddox Brown – a country couple wrapped against the wind.

“Then please dial 555-7523.”

“Thank you.”

He did so.

“Sergeant McAuliffe speaking.”

“Sergeant, this is Mister Fletcher, 152 Beacon Street, apartment 6B.”

“Yes, sir.”

“There’s a murdered girl in my living room.”

“A what girl?”

“Murdered.”

Francis. Xavier. Flynn.

Those three words are really all I have to say. This is a clever book, with a few good mysteries and Fletch doing his thing. There are antics galore, witty dialogue, yada, yada, yada. As much as I love I. M. Fletcher, Gregory Mcdonald’s greatest creation was Flynn — Blackstone Audio will be releasing those soon and I’ll talk more about him then — but for now, let’s just say that I loved meeting him again and Dan John Miller nailed the character. I was worried about Flynn, really, but I was so relieved that the character came to life as he should.

But let’s put Reluctant Flynn aside for a minute. Fletch is visiting Boston — taking part in a home-share kind of program, staying in a nice apartment while the owner is staying in Fletch’s Italian villa (you know there’s a story behind that, but we don’t really get it at this point). He comes home from dinner the first night to find body lying on his rug. She’s very naked and very dead.

Naturally, Fletch is the prime suspect.

Meanwhile, Fletch is trying to track down some stolen art work on behalf of his fiancé, the daughter of a recently kidnapped and (apparently) murdered near-destitute Count. His recently stolen art collection is the only real inheritance she’ll get. Assuming her current step-mother isn’t named in the will. Fletch is working with the owner of a private gallery to track down what he can of this collection while his fiance and her step-mother wrangle. Fletch’s interest in, affinity for and expertise in art is established here and will show up again a few times in the series.

Of course, Fletch is also busy investigating the murder and reconnects with a former editor of his, from before he worked for Frank Jaffe. He uses this connection to dig u information on the man whose apartment he’s in, the gallery owner, and just about everyone else he comes across in Boston. Inspector Flynn of the Boston PD makes plenty of investigative headway, too — but he and the rest of the police are too focused on Fletch as suspect to do much beyond that. So Fletch uncovers the other viable suspects, if for no other reason than to give Flynn someone else to look at.

This is the first mention of I.M. being from Seattle, incidentally. I never remember that.

It’s a great plot, with all the twists that you can want. There’s so much to enjoy in this book — Fletch’s observations, odd way of approaching his investigation, and banter with Flynn, his editor-friend and anyone else he cares to befuddle is the kind of thing that led me to read this book a few dozen times before now.

As I said, Miller does a great job — he’s good with every character, with the narration and everything. I do think he’s a bit slow, but at 1.25 speed his rhythms match what I expect from Mcdonald. This guy is rapidly becoming one of my favorite audiobook narrators — I expect by the end of this series, he’ll be near the top.

—–

5 Stars

2019 Cloak & Dagger Challenge

Fletch (Audiobook) by Gregory Mcdonald, Dan John Miller: A Strong Audio Version of One of My All-Time Favorites

Fletch (Audiobook)Fletch

by Gregory Mcdonald, Dan John Miller (Narrator)
Series: Fletch, #1 (#4 Chronologically)

Unabridged Audiobook, 5 hrs. and 57 mins.
Blackstone Audio, 2018

Read: November 27 -28, 2018


I re-read the paperback of this a few years ago (with intentions of reading the whole series again, which never went anywhere), before this blog started — for some reason (probably brevity), I didn’t repost what I put on Goodreads here. Until now.

What an outstanding read. Funny, satirical, with a lot of heart, crackling dialogue…oh yeah, and a pretty solid mystery.

It has none of the goofiness, and better plotting than the Chase flick (which I really do enjoy as its own entity)

The first–and possibly best–of a great series. Worth reading again and again.

Yeah, that’s all that I wrote. Who knew I could be so non-rambling? Anyway, I really don’t have much more to say about this one (other books in the series, probably).

Why do I bring this up? Well, Blackstone Audio started releasing new audiobook versions of the series last year. I’ve listened to Fletch and it was really, really good.

Dan John Miller does a bang-up job with the narration. I’ve read every book in the series multiple times — some of them several. I’m going to give a conservative estimate of 15 reads of Fletch before the audiobook. I know each sentence, I know how these people should sound, I’ve “heard” them more times than I can remember and there was little chance that some new voice in my head was going to be able to compete. And Miller did pretty good — I don’t agree with every choice he made, but I liked almost everything he did.

That may seem like faint praise, but think of it as never knowing that Darrin Stevens had ever been portrayed by anyone but Dick York, you’d watched York’s 170 episodes a handful of times and then one day you stumble onto a one of Dick Sargent’s 80 episodes. You instantly react, “hey, that’s not Darrin!” and then by the end of the episode, you’ve accepted him. That’s a fairly tortured analogy, but it’s the best I can do.

I’ll be honest, I’m a little worried about Miller’s take on Francis Xavier Flynn ruining my appreciation for him, but once we’re past that, I think he’ll win me over again (and who know, I might tolerate it).

If you’ve never read a Gregory MacDonald Fletch novel — trust me, they’re better than the movies. They’re a dynamite series — and seem to be in very capable hands with Miller’s narration, which would be a great way to meet I. M. (Irwin Maurice) Fletcher, your favorite investigative journalist.

Thanks to Brian at Brian’s Book Blog for exposing me to the audiobooks — I owe ya one!

—–

5 Stars

A Few Thoughts on Changes (Audiobook) by Jim Butcher, James Marsters

Changes (Audiobook)Changes

by Jim Butcher, James Marsters (Narrator)
Series: The Dresden Files, #12

Unabridged Audiobook, 15 hrs., 28 mins.
Penguin Audio, 2010
Read: October 4 – October 10, 2018

Spoilers to follow. This isn’t one of my typical posts, so my typical rules don’t apply.

After starting a few months back, I’ve pretty much stopped posting about listening to the Dresden Files audiobooks — there are only so many ways to say, “I’d forgotten how much I like this story” and “Wow! James Marsters did a fantastic job!” Not only does it get dull to read, it gets pretty dull to write. (okay, there is a challenge on finding a new way to say it, but . . . I’m too lazy to find that enticing).

But I listened to Changes this week and how can I not talk about that?This is one of my favorite novels ever — Top 10, Deserted Island Must-Have kind of thing — highs, lows (and things lower than lows), laughs, tears, anger, shock, joy. Changes has it all (at least for those who’ve been with Harry for a few books — preferably 11).

Listening to the book was a great way for me to experience it again — if for no other reason, I couldn’t race through it and accidentally skim over things in my haste to get to X or Y plot point.

It’s silly as I’ve read everything that comes after this a couple of times, but seeing all the compromises and deals Harry made as his life is dismantled piece by piece really hit me hard. Yet, Harry makes his choices freely and for the best reason imaginable. All for Maggie. The ramifications of his choices and agreements are wide, huge and so-far we don’t know all of them — and Harry’d do it all again, and there’s not a fan in the world that would blame him.

And Marsters? He gets better and better with every book — and this was fantastic. I loved where Mouse got to “talk” — it was the next best thing to reading it for the first time. And, when he got to those lines? You know the ones I’m talking about:

And I . . .I used the knife.

I saved a child.

I won a war.

God forgive me.

I had to hit pause for a couple of minutes before I could keep going.

Sometimes as a book blogger, you get wrapped up in numbers, ratings, book tours, promotion, and all the other stuff — but every now and then it’s great to remember what it is about fiction that gets you into it in the first place. This treat by Butcher and Marsters did just that for me — I was entertained, I was moved, I was a little inspired.

—–

5 Stars5 Stars

Opening Lines – Dead Beat

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I’ll throw it up here. Dare you not to read the rest of the book.

On the whole, we’re a murderous race.

According to Genesis, it took as few as four people to make the planet too crowded to stand, and the first murder was a fratricide. Genesis says that in a fit of jealous rage, the very first child born to mortal parents, Cain, snapped and popped the first metaphorical cap in another human being. The attack was a bloody, brutal, violent, reprehensible killing. Cain’s brother Abel probably never saw it coming.

As I opened the door to my apartment, I was filled with a sense of empathic sympathy and intuitive understanding.

For freaking Cain.

from Dead Beat by Jim Butcher

Clemency…

I just removed 32 books from my “To Blog About” List. 32. Most of these were re-reads, and a good number of them were audiobooks. For the most part, with the audiobooks, I’ve written something on the text version and have nothing really to add other than a comment or two on the narration — and there are only so many ways I can say that George Guidall has really grown on me (and I can’t imagine anyone else doing the Walt Longmire books now), or Kobna Holdbrook-Smith is the perfect match for Peter Grant, or that Lorelei King and Luke Daniels just blew me away with their work.

Another example would be my re-read of The Rook by Daniel O’Malley — I took pages of notes on my re-read of that in preparation for the release of the sequel, Stiletto. Then my life got busy and not only did I not get around to taking those notes and making them into a longer-than-normal post, Stiletto sits on my shelf, unread. That’s driving me crazy.

There were a couple of non-re-reads on that shelf, too — but I never figured out how to take my one or two thoughts on the books and turn them into something interesting to read/write, and enough time has passed that I have to admit that it’s just not going to happen.

I still have too many books on that list, but I’ve gotta tell you, the (totally self-imposed) burden being lifted feels great.

Tilt-a-Whirl (Audiobook) by Chris Grabenstein, Jeff Woodman

Tilt-a-Whirl (Audiobook)Tilt-a-Whirl

by Chris Grabenstein, Jeff Woodman (Narrator)
Series: John Ceepak Mystery, #1
Unabridged Audiobook, 8 hrs., 18 min.
Audible Studios, 2007

Read: July 18 – 20, 2007


Danny Boyle grew up in Sea Haven, NJ — a tourist trap of a town on the Jersey Shore. He likes the life — hanging out with the friends he’s had since high school, goofing around, eating and drinking more than he should. He’s got a nice Summer gig — working as a Part-Time police officer. The downside is his partner — John Ceepak, an Iraq War vet and former MP. He’s so by the book, he might as well have written it. The Sea Haven chief served with Ceepak and offered him a job when he was done with the Army. After an incident (IED-related), Ceepak can’t drive anymore — which is where Danny comes in.

It’s not an ideal working relationship, but Danny can put up with Ceepak’s eccentricities well enough. Until one day their pre-shift breakfast is interrupted by a girl covered in blood, standing in the middle of the street screaming. Ceepak jumps into action, and Danny tries to keep up. The girl takes them to the local amusement park, to the Tilt-a-Whirl ride, where her father lies shot dead. They’d snuck in before the place opened and had been held up by some junkie hiding near the ride. Or so she reports later. Her father owns half the real-estate in NY and NJ (or so it seems), sort of a would-be Trump, so his murder is big, big news.

Ceepak and Danny have to deal with media attention, annoying lawyers, gang members possibly trying to go straight, local politics, a Crime Scene Investigator that’s more of a hindrance than a help, and Danny’s inexperience if they’re going to solve this murder and let Sea Haven get back to what it does best in the summer — taking in every tourist dollar that it can.

The book is told with a light touch — Danny’s a smart-aleck and is (truthfully) too immature for his job; which is bad for the populace of Sea Haven, good for the reader/listener. But the lightness never gets in the way of the seriousness of the initial murder, and the crimes that follow.

Woodman is exactly the narrator that this book needed — he’s able to sound the right age for Danny, the right attitude, everything (apparently, he does a lot of YA Audiobook work, that makes sense to me). Until I heard Woodman, I hadn’t thought what a challenge it might be to get just the right narrator for this. Thankfully, I noted that with a strong sense of relief, because man…he was so good.

The Ceepak books were one of those series I fully enjoyed, and had forgotten how much I had liked them since I (apparently) finished the series. This audiobook helped me remember how much I missed reading them. If you haven’t gotten around to them, you should — either as an audiobook or text — Ceepak and Boyle are some of the most entertaining police officers around.

—–

3.5 Stars

Open and Shut (Audiobook) by David Rosenfelt, Grover Gardner

Open and ShutOpen and Shut

by David Rosenfelt, Grover Gardner (Narrator)
Series: Andy Carpenter, #1
Unabridged Audiobook, 6 hrs, 50 min.
Listen & Live Audio, Inc., 2008

Read: August 21 – 22, 2017


I honestly can’t believe I’ve talked to little about Andy Carpenter and David Rosenfelt here — it works out, when you look at timelines and whatnot, I’ve been reading him a long time before I started blogging. Still, it’s hard to believe since it’s one of my favorite series, and has been going for so long. Yeah, maybe the series is getting too long in the tooth, but for something to get to book 16+, it’s got to have a pretty solid foundation, right? That foundation is Open and Shut, where Rosenfelt introduces the world to Andy Carpenter, dog lover extraordinaire and pretty decent defense attorney.

Carpenter is a hard-working lawyer, taking on many cases that don’t pay much, but do some good. He’s obsessed with New York sports and his golden retriever. He’s going through a divorce — and has started dating his investigator. He’s got a great sense of humor, is known for a hijink or two in court, and seems like the kind of guy you want in your corner. His father is a big-time D. A., the kind of Prosecutor that people hope/assume theirs is — honest, hard-working, tough on crime. So it shocks Andy when his dad asks him to take on a client for a retrial on a murder case — a murderer his dad put away and his currently on Death Row.

Andy goes ahead with the case, not sure that he should. But it doesn’t take long before he starts to believe in his client’s innocence. About that time, things get interesting and maybe even a little dangerous.

Almost all the elements that go into a typical Andy Carpenter novel are here — even if they’re just being introduced at this point. The jokes are fresh, the clichés have yet to be developed. It’s a good mystery with some good non-mystery story elements. And, best of all, some really fun courtroom moments — not just antics on Andy’s part, but some good depictions of legal/trial strategy and the like. I’ve been thinking lately that the latter Carpenter books have been giving the courtroom short shrift, and seeing what Rosenfelt does here just solidifies that thinking.

Gardner’s narration didn’t blow me away or anything, but it was good work. I can easily believe him as Andy’s voice and can see him really growing on me (not unlike George Guidall and Walt Longmire). He’ll keep you engaged in the story, and deliver a line or two in a way that will bring a smile to your face.

Give this one a whirl, folks — text or audio — you’ll enjoy yourself.

—–

3.5 Stars

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