Tag: Robert Petkoff

Wild Thing (Audiobook) by Josh Bazell, Robert Petkoff

Wild ThingWild Thing

by Josh Bazell, Robert Petkoff (Narrator)
Series: Dr. Peter Brown, #2

Unabridged Audiobook, 8 hrs and 40 mins
Hachette Audio, 2012

Read: May 5 – 10, 2017


If you don’t think of this as a sequel to Beat the Reaper, this is a tolerable thriller. If you think of this as a sequel to Beat the Reaper, it’s a tragedy.

The plot was okay, the but outside of that, it’s unnecessarily preachy — the screeds about global climate change and evolution/religion were a big turn-off. They were too long (frequently distracting from the point), and were directed at straw-man opponents. Speaking of straw-men, I’m not a fan of Sarah Palin, really. But she (or anyone else) shouldn’t be treated like this — it’s okay if an author has a problem with her politics or religious views and expresses it in fiction. But to invent nutty religious views and put ’em in her mouth that’s just wrong and off-putting.

There are some good action scenes, and I enjoyed the paleontologist that Peter was hired to travel with (not enough to remember her name, mind you . . . ), and there’s no denying that Bazell can spin a story. So I’m not saying it’s a bad book. It just doesn’t belong in the same conversation as its predecessor.

I’ve got absolutely no complaints about Petkoff’s work — he does everything he can with the material.

Save your time — re-read or re-listen to Beat the Reaper — or try Shane Kuhn or Hart Hanson. This isn’t worth it.

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2 Stars

Beat the Reaper (Audiobook) by Josh Bazell, Robert Petkoff

Beat the ReaperBeat the Reaper

by Josh Bazell, Robert Petkoff (Narrator)
Series: Dr. Peter Brown, #1

Unabridged Audiobook, 6 hrs and 48 mins
Hachette Audio, 2009

Read: April 19 – 21, 2017


Dr. Peter Brown is having a rough day — he’s fighting to keep a patient alive long enough for someone competent to diagnose him properly — he’s also fighting to get someone to diagnose him properly. And he’s a got a new patient that recognizes him from his past life, who makes a threat — keep him alive, or someone will divulge that Brown’s got a new name and can be found at this hospital.

Peter Brown is the new name for someone in the Witness Protection Program — he was a contract killer who flipped on his employers and got sent to medical school. He’d been doing a pretty good job of moving on, but . . .

The novel tells Brown’s story in flashbacks through his childhood, becoming a criminal and what forced the break from that, um, atypical career path. Then we get to see him scrambling to stay alive in the present, and maybe keep some of his patients in the same state.

A first-person narrator describing how he’s killing someone with medical precision, and a touch of humor is just so much fun. This is a very visceral book — whether describing what a patient is suffering, what Peter is inflicting on someone, what someone’s inflicting on Peter, or even the drugs he takes to maintain alertness — he describes in the kind of detail you just don’t see anywhere else. You can feel it.

Peter’s got a great sense of humor — dark, sure, but what else can he have in is position? But if you don’t find yourself at least grinning a a few times, there’s something wrong with you.

Robert Petkoff narrates this in a hyper-masculine tone of voice, which fits perfectly. He embodies Peter in a way that you hope an audiobook narrator can. I liked the audiobook by him I heard last year, but this one seems like he got into the story more, like he was having fun (of course, this is a much more “fun” book than Before the Fall wants to be). Basically, he does a great job.

Part of me wants to go into more detail — but I find myself being restrained. Beat the Reaper is visceral, witty, intelligent and violent — this has all the elements of a thriller that’ll appeal to me. The plot and characters are pretty decent, too — that’s more than you can ask, really.

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4 Stars

Before the Fall (Audiobook) by Noah Hawley, Robert Petkoff

Before the Fall Before the Fall

by Noah Hawley, Robert Petkoff (Narrator)

Unabridged Audiobook, 12 hrs, 59 min.
Hachette Audio, 2016
Read: August 25 – 30, 2016


A small, but luxurious, private plane goes down between Martha’s Vineyard and New York — two passengers survive, a painter (a guest of one of the other passengers) and a 4-year old boy. The boy is the son of two of the passengers — a man who runs a FOXNews doppleganger and his wife. The painter is a recovering addict named Scott Burroughs who’s on the verge of his big break. Thanks to a childhood obsession with swimming, Scott is able to swim he and the boy to safety — catapulting them both into a level of celebrity that nobody wants.

The investigation into the plane crash begins even before Scott makes it to shore — and looks into the background of everyone on the plane to find the responsible party. As the investigation — and the narration — gets into their pasts, it’s easy to believe that many of the people on board are responsible for the tragedy (either as perpetrator or target).

The other primary storyline follows the lives of Scott and the boy in the days following the crash. Their lives are forever changed — and intertwined. This was the heart of the book — by far the best part of it, while there was no suspense, no danger, just picking up the pieces of their life while under intense and unwanted media scrutiny.

The commentary this novel makes about the role of the Twenty-Four News Cycle in commenting on, shaping, and twisting whatever story it chooses to focus on needs to be heard. On the one hand, it’s nothing that many haven’t said before, but the way Hawley says it should help his message to resonate with people.

I read Hawley’s first novel, A Conspiracy of Tall Men, when it was first released and it blew me away — and I lost track of him after that until his show, The Unusuals premiered (still annoyed with ABC for canceling that too soon). This book has convinced me that I need to go back and read the books I missed — this isn’t as good as his debut, but it’s easier to believe. Hawley has a great way of getting into his character’s heads — and bringing the reader with him. These are all clearly drawn individuals with intricate and distinct backstories and voices, throw in an equally intricate plot that kept me gripped (even after I stopped really caring about “how did it happen” — I’m not sure that makes sense).

Petkoff’s narration is pretty good — he’s able to keep the story moving and deliver convincing characters (although I’m not crazy about his kid-voice, thankfully, he didn’t have to use it often). Petkoff’s a name that I’ll keep an eye out for.

A novel with two (main) stories — one that’s really good, and another that’s ultimately disappointing, while gripping up until that point. Hawley delivered here, and I look forward to reading more of his work (almost as much as I look forward to another season of his TV work). I recommend this — either in text or audio — it won’t be the best thing you read, but it’ll reward the time.

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3.5 Stars

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