Tag: Science Fiction Page 24 of 34

My Favorite 2017 New (to me) Characters

A few weeks ago, I started to describe someone as one of the best characters I met this year. Which got me to thinking about and honing this list. I’m limiting myself to characters I met this year, otherwise I don’t think there’s be much room for anyone — Spenser, Hawk, Scout, Harry Dresden, Toby Daye, Ford Prefect etc. wouldn’t really allow anyone else to be talked about. These might not be my favorite people in their respective books (although most are), but they’re the best characters in terms of complexity, depth and story potential I doubt I’d like most of them in real life (and can’t imagine that any of them would enjoy me), but in novels? I can’t get enough of them.

(in alphabetical order by author)

  • Aimee de Laurent from Skyfarer by Joseph Brassey (my post about the book)– she’s smart, she’s driven, she’s compassionate, she’s powerful, she’s fallible. She also flies around in a spaceship and does magic.
  • Lori Anderson from Deep Down Dead by Steph Broadribb (my post about the book)– She’s more than Stephanie Plum without the Lucy Ricardo DNA. She’s a tough lady, a dedicated mom, and more. This bounty hunter will impress you with her guts, get your sympathy with her plight, and make you cheer as she bests her opponents (I should probably add “make you wince as she takes some brutal beatings).
  • Ali Dalglish from In the Still by Jacqueline Chadwick (my post about the book)– Ali is a certified (and possibly certifiable) genius. She’s a criminal profiler working in Vancouver, BC after nearly a couple of decades away to raise her kids. But when a serial killer’s victim is found near her home, she’s drug back into the professional world she left with the investigation. She has the most creative swearing this side of Malcom Tucker, a fantastic and fast mind, a jaded look at life, and a sense of humor that’s sure to please. Early in In the Still, she asks questions of a police officer in a public forum and pretty much ruins the poor guy — it’s one of the best scenes I read all year. If you can read that far in the book and not become a Ali fan at that point, there’s something wrong with you. If I was ranking these, I’m pretty sure she’d be #1.
  • Nick Mason from The Second Life of Nick Mason by Steve Hamilton (https://wp.me/p3z9AH-2NI)– A convicted non-violent criminal gets released early from an Illinois prison only to find himself in a different type of prison to work off his debt for being released, making him lose the “non-” in front of violent. He’s a great character, on the verge (always on the verge) of redemption and falling further.
  • Dervan du Alöbar from A Plague of Giants by Kevin Hearne (my post about the book is forthcoming) — I could’ve named about half of the point-of-view characters from this book, but Dervan eked out a win. He’s a widower in mourning. A former soldier, wounded in duty, turned scholar, turned . . . well — that’s a long story. There’s something about his coming to grips with the new reality, his new vocation, his self-awareness and growth in his personal life just really clicked with me. He’s basically an unqualified fantasy hero, forced to step up and play a role in saving civilization (which actually describes many people in this book, but that’s for another day).
  • Isaiah Quintabe from IQ by Joe Ide (my post about the book)– South-Central LA’s answer to Sherlock Holmes. We meet IQ early in his career and, via flashbacks, see him begin to develop the gifts that will make him the super-detective he’s destined to become. He’s such a great take on this character, I can’t believe no one beat Ide to the punch.
  • Anci from Down Don’t Bother Me by Jason Miller (my post about the book) — yeah, her dad, Slim, is the series start and protagonist. He’s the one that goes trough all the hardship, the beatings, the investigative moves, not his 12-year-old daughter (who isn’t a young Veronica Mars clone, or Rae Spellman). But Anci is the heart and soul of the books — she’s why Slim goes to work in this field, and why he comes back. She’s smarter and wittier than any 12-year-old has any right to be (but believably so), she’s Slim’s conscience, and his reason for doing what he does.
  • LeAnne Hogan from The Right Side by Spencer Quinn (my post about the book)– comes back from Afghanistan after near-fatal injuries, and isn’t fit for the civilian life she’s thrown back into. She begins to deal with her grief and anger while hunting for the child of a dead friend with the help of a stray dog. She’ll break your heart.
  • John Rebus from Knots & Crosses by Ian Rankin (my post about the book)– Wow. How do I sum up Rebus? 2017 was the 30th anniversary of Rebus’ creation and the first year I read him. He’s a wonderful, complex character. He smokes too much, he drinks too much, he ignores the rules and regulations (and maybe even the laws) in his ongoing effort to forget about himself and his life by pouring himself into his work. Tenacious with a capital “T”, he may not be the smartest police detective you ever read, but he makes up for it through not giving up (although he’s pretty smart — especially when not drinking).
  • Hob Ravani from Hunger Makes the Wolf by Alex Wells (my post about the book)– Tough does not begin to describe this biker. She’s all about surviving on this planet that’s not at all conducive to survival — from the environment, to the economics, to the politics — there’s just nothing on the planet that wants her or her fellow Ghost Wolves to survive. But somehow she does.

Artemis by Andy Weir

ArtemisArtemis

by Andy Weir

Hardcover, 305 pg.
Crown Publishing Group (NY), 2017

Read: November 16, 2017

“You all right? You look kind of pale.”

I was about ready to puke. Lying to Dad transported me back to my teen years. And let me tell you: there’s no one I hate more than teenage Jazz Bashara. That stupid bitch made every bad decision that a stupid bitch could make. She’s responsible for where I am today.

“I’m fine. Just a little tired.”

We’ll get back to older-than-teenaged Jazz Bashara in a minute, I just wanted to start with that . . .

Can you imagine the pressure that Andy Weir was under following the success of The Martian? Just knowing that whatever he put out would be compared to that phenomenon would cripple most people. Proving that he has the Right/Write Stuff, he was able to put the pressure aside and give us Artemis. I’d like to say I’m not going to compare the two, but why lie to you?

Artemis is the first city on the Moon — made up of 5 domes with levels of living quarters under the surface (by the way, we get some nifty maps in the front of the city and its environs), a small city (for now) that’s primarily a tourist destination. There’s a great pseudo-currency set up to handle things, and a history and raison d’être for Artemis — just part of the wonderful job of world-building that Weir did. Papers should be written about how well he did here, by people who have more time than me. Not only did Weir do a great job of building this world, but he introduces it very well — showing us what he created while introducing us to Jazz Bashara, so we get to know them together. A lot of Hard SF comes across as slow, ponderous, and unapproachable — Weir manages to avoid all that and actually entertains.

It’s not as essential to like Jazz as it was Mark Watney to enjoy this book, but it’s close. She’s a young woman of Saudi descent who grew up on Artemis, and rebelled against the high hopes that her father and teachers had for her and became a petty criminal. Primarily Jazz is a smuggler — getting those creature comforts for residents of the Moon that just can’t get past Artemisian security. She’s crafty, wily, angry, and uses profanity in an incredibly creative way (we don’t have to endure most of that, we’re just treated to the occasional profane neologism, e.g., “fusamitch”). I think you can still think she’s an annoying little twit who should be arrested and enjoy the book — but it’s so much easier to just like her.

Once we meet Jazz and are treated to some pretty cool world-building, Artemis stops being so much a SF novel and focuses on being a Heist/Caper/Thriller (in a hard SF setting). One of Jazz’s regular customers approaches her with a job that she can’t turn down — it’ll make her rich, allow her to pay off all her debt and leave her with a lot of money. She almost has to take the job. Being a heist/caper novel, you know things will get off to a good start and then things will go horribly awry. That’s exactly what happens. The fun is watching things go awry and then watch her (and her eventual allies) react.

Artemis is a pretty small city and it doesn’t take too long for word to spread that she was behind the Big Thing (even if she denies it every chance she gets). The company she tried to interfere with is not the kind of group you want to interfere with, they’re not really that concerned with things like “criminal law” when it comes to protecting their investments. Nor it doesn’t matter if the small law enforcement force is small — so small there’s only one man — if that one man starts investigating you the instant something wrong happens. The list of “the usual suspects” doesn’t necessarily begin and end with Jazz, but she’s sure a large component of that list.

So Jazz is on the run from her victims, the fuzz, and she’s still needs to finish the job. Meanwhile the body count starts to get higher and the pressure is mounting. We’re told that young Jazz had a lot of potential — she might even technically be a genius — and in watching her think on her feet, adapting to the catastrophes that keep befalling her and her schemes we get to see just why that was said about her. I don’t think it’s wrong to see shades of Slippery Jim diGriz here (but she’s not nearly as experienced, or as devoted to crime, as The Stainless Steel Rat).

There are other characters, this isn’t just the Jazz show — she interacts with other people (allies, enemies, antagonists, potential victims, friends — a father that I’m not sure what group he belongs in) — again, compare to Watney. This is done really well — there’s a spark to all of them, they’re all well-rounded and fleshed-out. The emotions are real and relatable, the setting might be as alien as you can get for most of us — but at the end of the day, people are people and we all want pretty much the same things.

One thing we all know that Andy Weir does well is the science. And I’m not just talking about the big things like how to construct a lunar city or how to power it, etc. There’s all the little touches, like:

Lunar dust is extremely bad to breathe. It’s made of teeny, tiny rocks, and there’s been no weather to smooth them out. Each mote is a spiky, barbed nightmare just waiting to tear up your lungs. You’re better off smoking a pack of asbestos cigarettes than breathing that shit.

or the 4-second lag time for Internet traffic to route down to Earth and back before you get your search results., or the efforts of Jazz’s bartender friend to successfully reconstitute whiskey.

I feel like I could keep going (I’ve only used half of my notes at this point), but my point’s been made, why belabor it? This SF/Thriller/Heist with a lot of heart and a lot of laughs is not just a great follow-up to The Martian, but a great read period. One of my favorites of the year, and I’m already looking forward to rereading it soon.

—–

5 Stars

Paradox Bound by Peter Clines

Paradox BoundParadox Bound

by Peter Clines

Hardcover, 369 pg.
Crown, 2017

Read: November 8 – 9, 2017


Sanders is a typical American small-town, so typical, I felt like I grew up there. Thankfully, unlike Sanders, the place I grew up in has moved on, Sanders has not. There’s still a Video Rental Store there, for crying out loud. Those who work with computers, or want to have much of an idea about contemporary pop culture, have to move away — or at least commute.

Eli Teague is just such a person — but before he commutes to his IT job from his apartment above the Video Rental Store, he grows up in a pretty typical way. With one exception: twice while growing up, he encounters a young woman dressed incredibly oddly while working on an old Ford Model A, which seems to be fueled by water. They spend a little time conversing each time — typically leaving Eli more confused than he’d have thought possible — then she drives off and disappears. This instills in him an obsession with historic cars, that spills over into American History in general.

As an adult, he encounters her again and inadvertently puts her in danger. He abandons everything he knows in an effort to save her from this and ends up joining her on a hunt through history. Harry (this mysterious woman) travels through history — she’s not a time traveler, she’ll be quick to point out, she travels in history. She’s not crazy about bringing Eli along with her, but literally has almost no choice in the matter.

Harry . . . she’s a great character, and I would’ve appreciated a lot more focus on her, and getting to see much more of her past. Maybe not getting to actually helps, because it makes the reader more curious about her — but I’d still have rather had a better look at her life before Eli became a regular part of it. She’s tough, loyal, cunning — but no superhero, just a strong person.

Short of spoiling the whole thing, this is one of those I have to be very vague about the details, but then why should you read it? I’ll leave it to you to read the book to get more about the hunt they’re on, but I’ll just say that it’s a great idea, a wonderful concept. The other hunters (and allies) we meet are interesting, but man, I’d love more of all of them — there’s some great historical cameos, too. Naturally, we need an opposing force to make things more tense — and we have one of the creepiest around in these pages. They’re not evil, not corrupt, not anything but driven (and with a skewed way of looking at things).

There’s a nostalgic, hopeful tone throughout — despite the sharp critique of the status quo in America. There’s an evident wit behind the words, too, but this isn’t what you’d call a funny novel. I do think that Clines and I would differ a bit on some of the ways he interprets parts of the national character/psyche, but I can appreciate what he was going for (that’s one of those things that’ll make more sense after you read the book). The characters — whether we like them or not — are very human, very relatable, and pretty sympathetic. Clines has again taken some tropes, concepts, ideas that we’re familiar with — some we know very well, but skewing them just a hair and resulting in something we haven’t seen before.

I expected this to be a pretty good read after The Fold a couple of years ago, but I wasn’t expecting something as fresh feeling as this (but with the skill of someone who’s written a few novels). There’s a dash of civics lessons, some cultural commentary, and a lot of hope — things you don’t always get in light(ish) SF. I “bought into” this book much more quickly than I did The Fold, I’m not sure if that’s because Clines earned my trust in the previous book, or if there’s something more accessible about this one — either way, it’s something for the “Plus” column.

Give this one a whirl — you’ll be glad you did.

2017 Library Love Challenge

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4 Stars

Communication Failure by Joe Zieja

Communication FailureCommunication Failure

by Joe Zieja
Series: Epic Failure, #2

ARC, 325 pg.
Saga Press, 2017

Read: October 31 – November 2, 2017


So, Captain Rogers has escaped with his life after saving the 331st Meridian Fleet from a takeover from almost all the droids on board, now he’s been made acting admiral and is faced with a potentially bigger threat: the Thelicosan fleet — the very fleet that Rogers’ ships are to keep on their side of the border — has informed him that they are about to invade. Given the size of the fleets facing off, this is an invasion that will not go well for the 331st.

So how is this would-be con-man, former engineer, and current CO going to survive this? He hasn’t the foggiest idea.

Clearly, for those who read Mechanical Failure (and those who haven’t have made a mistake that they need to rectify soon), whatever solution he comes up with is going to rely heavily on Deet and the Space Marines (the Viking/Captain Alsinbury and Sergeant Malin in particular) will be heavily involved. Malin has taken it upon herself to help Rogers learn some self-defense (even if that’s primarily various ways to duck), the Viking is questioning every decision her new CO is making, and Deet is continuing his exploration into human behavior/consciousness (he’s exploring philosophy and spirituality at the moment — which is pretty distracting). Basically, if Rogers is looking for a lot of support from them, he’s going to be disappointed.

It turns out that the Thelicosans didn’t intend to send that message at all, what they were supposed to communicate was very different, actually. But before Rogers and his counterpart can find a way to de-escalate the situation, shots are fired, milk is spilled, and events start to spiral out of control. Which isn’t to say that everyone is doomed and that war is inevitable, it’s just going to take some work to keep it from happening. There are forces, groups, entities — whatever you want to call them — hawkish individuals who are working behind the scenes to keep these cultures at odds with each other, hopefully spilling over into something catastrophic. Which is something too many of us are familiar with, I fear — and something that someone with Zieja’s military background is likely more familiar with. The Thelicosans and Meridians discover who these people are — and how they are attempting to manipulate the fleets — and the big question is how successful they’ll be.

We focus on three Thelicosans, but spend almost as much time on their flagship (The Limiter) as we do the Meridian flagship (Flagship). Grand Marshall Alandra Keffoule is the commander of the border fleet — at one time, she was a star in the special forces, and now she’s been assigned to the border fleet as a last chance. She fully intends on taking full advantage of this opportunity to make history and restore herself to her position of prominence in the military. Her deputy, Commodore Zergan, has fought alongside her since the special forces days and is now trying to help her rebuild her reputation. Secretary Vilia Quinn is the liaison between the Thelicosan government and the fleet. Quinn’s development through the book is a lot of fun to watch — and is probably a bigger surprise to her than it is to the reader, which just makes it better. Thelicosan culture is saturated in science and math, and is full of rituals that are incredibly binding and incredibly difficult for outsiders to understand. In many ways, the culture is hard to swallow — how a society develops along those lines seems impossible. But if you just accept that this is the way their society functions, it ends up working and stays consistent (and entertaining).

Lieutenant Lieutenant Nolan “Flash” “Chillster” “Snake” “Blade” Fisk, the best pilot the 331st has is a great addition to the cast — yeah, he’s probably the most cartoonish, least grounded, character in Rogers’ fleet — but man, he’s a lot of fun (and I think it’s pretty clear that Zieja enjoys writing him). think Ace Rimmer (what a guy!), but dumber. Mechanical Failure‘s most cartoonish character, Tunger, is back — the would-be spy/should-be zookeeper finds himself in the thick of things and is well-used (as a character) and is well-suited to his activities. Basically, I put up with him in the last book, and enjoyed him here. I’d like to talk more about Deet and the other characters here — I’ve barely said anything about Rogers (he develops in some ways no one would’ve expected) — but I can’t without ruining anything, so let’s just say that everyone you enjoyed in the previous installment you’ll continue to enjoy for the same reasons.

Mechanical Failure didn’t feature a lot of world-building outside life on the ship. Zieja takes care of that this time — we get a look at the political situation between the various governments, and the history behind the four powers. Which isn’t to say that we’re drowning in details like George R. R. Martin would give us, it’s still breezy and fast-paced. Still, there’s a handle you can grab on to, some context for the kind of madness that Rogers finds himself in the middle of.

One of my personal criteria for judging books that are heavy on the humor in the midst of the SF or mystery or fantasy story is judging what the book would be like without the jokes. The Hitchhiker’s Trilogy, for example, would fall apart in seconds (and few rival me for their devotion to that series). Magic 2.0 would hold up pretty well, on the other hand. The Epic Failure series would be another one that would hold up without the jokes. I’m not saying it’d be a masterpiece of SF, but the story would flow, there’d be enough intrigue and action to keep readers turning pages. However, you leave the humor, the jokes and the general whackiness in the books and they’re elevated to must-reads.

There are too many puns (technically, more than 1 qualifies for that), there’s a series of jokes about the space version of The Art of War that you’d think would get old very quickly, but doesn’t — at all; and Rogers has a couple of bridge officers that make the pilot Flash seem subtle. Somehow, Zieja makes all this excess work — I thought the humor worked wonderfully here, and I think it’ll hold up under repeated readings.

I thoroughly enjoyed this book and can’t wait to see where Zieja takes us next.

Disclaimer: I received this book ARC from the author, and I can’t thank him enough for it, but my opinion is my own and wasn’t really influenced by that act (other than giving me something to have an opinion about).

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4 Stars

The Complete Circuit Trilogy by Rhett C. Bruno

http://rhettbruno.com/the-complete-circuit-trilogy/The Complete Circuit Trilogy

by Rhett C. Bruno
Series: The Circuit Trilogy, #1-3

Kindle Edition, 750 pg.
Diversion Books, 2017


Well I messed up — I got started on this late, but work has been so busy that I haven’t had time to read as much the last couple of weeks. Add in a cold that’s rendered me incapable of reading anything for the last 3 days (which is driving me crazy). Long story short, I didn’t finish this.

My not-finishing isn’t anything against the book — like it usually is — it’s all me. I want to stress that. I messed up, I let my schedule get away from me, I agreed to take on a book I didn’t have time for (this isn’t the only book I had to stop at this time — there are two I didn’t finish reading so I could have a shot at reading this one, this is just the only one with a deadline).

Here’s the publisher’s blurb (or at least some of it):

Earth is a dying planet. To survive, humanity founds the Circuit, a string of colonies across the solar system, dedicated to mining resources vital to preserving what remains of mankind.

The New Earth Tribunal, a powerful religious faction, rises to rule the Circuit. They believe a Spirit within the Earth will one day appear and welcome humanity back home. But following a string of seemingly random attacks, the Tribunal suspects its mortal enemy, the Ceresians, have rallied to once again challenge their absolute rule.

Join an unlikely band of would-be saviors–the Tribunal’s best spy, a roguish Ceresian mercenary, a subservient android and a disgraced general–as they are drawn into a conspiracy destined to change the Circuit forever.

A new, sinister threat has arisen–and it plans to bring down the Tribunal once and for all.

The spy is interestingly written, the mercenary . . . I’m ambivalent about, the android rocks, and the general is likely to be a good character that’ll keep the reader guessing (even if he comes across as a know-it-all). This was originally put out in three volumes, but now is published in one collection.

The writing is crisp, it moves along well, and Bruno does a good job of getting the reader into the world he’s created without making it lose any of its alienness. If I had more time on my hands, I’d dig into this — but I just don’t. I feel terrible about that. I did delete the free version Bruno sent me and bought another copy — by the way, it’s on sale this week. I think it’s be worth your time to give it a shot.

If you want more about the books, check out Brad Horner’s reviews on The Circuit: Executor Rising, The Circuit: Progeny of Vale, and Earthfall: The Circuit.

Pub Day Repost: Skyfarer by Joseph Brassey

SkyfarerSkyfarer

by Joseph Brassey
Series: Drifting Lands, #1
eARC, 352 pg.
Angry Robot Books, 2017
Read: August 11 – 14, 2017

I’ve read a few interesting mergers of SF and Fantasy this year — some that were just that, interesting, some that were good — a couple that were more than good. Thankfully, Brassey’s Skyfarer was in that latter camp. Even in those early chapters where I was still trying to figure out the world, remember which name lined up with what character, and get a handle on the plot, I had a sense that this was going to be one of those books I talked about very positively — and very often. That sense just only got stronger as the book went on.

I feel like could go on for pages about this book — but won’t let myself (so I can avoid the wrath of Angry Robot and you can actually get something out of reading it yourself — which you have to go do as soon as it comes out).

So you’ve got this group called the Eternal Order — a group committed to death, destruction, power, and plunder. When it comes to numbers, they can’t stand up to the civilizations around them, at least when they ally themselves against the Order. But when they (rarely, it seems) can come in with a quick strike against one people they can wreak much havoc. Which is exactly what they do here — they come in and demand that the rulers of Port Providence hand over the Axiom Diamond, or they will wipe them out — and it’s clear that Lord Azrael, the commander, isn’t being hyperbolic. The royal family responds with armed resistance, which has some measure of success, but is primarily fighting losing battles.

Into the midst of this looming genocide comes a wayward spacecraft, the Elysium. The Elysium is a small carrier with more weapons than one should expect (we’re initially told this, anyway). The crew has just welcomed an apprentice mage, fresh from the academy, to complete her studies with her mentor/professor. Aimee de Laurent has been pushing herself for years to excel, to be the best — if there’s a sacrifice to be made for her studies, she’s made it. All leading up to this day, where her professor, Harkon Bright has taken her as an apprentice on his exploration ship to complete her education. She joins a crew that’s been together for years and is eager to find her place within them.

When the Elysium arrives in the middle of this, it doesn’t take anything approaching calculus for them to figure out what this particular crew is going to do. There’s The Eternal Order on one side, civilians and the remnants of the military on the other. There’s a ravaged civilization on one side and the ravagers on the other. There’s a group trying to prevent The Eternal Order from getting something they want and there’s, well, The Eternal Order. So our band of adventurers tell the remnants of the royal family that they’ll hunt down the Axiom and protect it.

This isn’t exactly a revolutionary idea for a story — but man, it doesn’t matter. There’s a reason everyone and their brother has tried this — it’s a good story. Especially when it’s told well. And, I’m here to tell you that Joseph Brassey tells it really well. Not just because of his hybridization of SF and Fantasy, but because he can take a story that everyone’s taken a shot at and make it seem fresh, he can deliver the excitement, he can deliver the emotion. There is some horrible stuff depicted — either in the present or in flashbacks; there’s some pretty tragic stuff; and yet this is a fun read — the pacing, the tone, everything makes this feel like the adventure films and books that I grew up on. You want to read it — not just to find out what’s going to happen next, but because it’s written in such a way that you just want to be reading the book, like a having a glass of iced tea on a summer’s day.

The characters could uniformly use a little more fleshing out — which isn’t a weakness in the writing. Brassey pretty much points at the places where the reader will more details (especially when it comes to Aimee and Harkon), making us want more than he’s giving us. What we’re given, though, is enough to make you root for or against them, hope that they survive (or are subjected to painful and humiliating defeat), or simply enjoy the camaraderie. The good news is, that there’s more to learn about everyone — about their past and their present — and how those shape their future.

You’ve got magic — various schools of magic, too, each with its own understanding of what magic is and how it can be used; you’ve got swords and lasers (and similar kinds of weapons); you’ve got space ships running of magic (not just hyperspace drives that act like magic); objects and persons of prophecy; beings and intelligences that aren’t explicable — tell me why you wouldn’t want to read this? Especially when you throw in epic sword fights, magic duels, and spacecraft action all written by someone who writes like a seasoned pro. Sign me up for the sequel!

Disclaimer: I received this eARC from Angry Robot Books via NetGalley in exchange for this post — thanks to both for this.

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4 1/2 Stars

Double Lives by Matt Cowper

Double LivesDouble Lives

by Matt Cowper
Series: Johnny Wagner, Godlike PI, #1

Kindle Edition, 380 pg.
2017

Read: August 23 – 26, 2017


Double Lives takes place in a world as overloaded with super-heroes and super-villains as The Tick (comic or cartoon), Powers (comic) or Powerless (TV). But our protagonist isn’t a super-hero, at least not any more. Now, he’s a P. I. — with a twist. A minor deity (whose name I will not try to type), nicknamed Dak has been merged with him and acts as his right arm.

Dak is a god of destruction, and will use power beams, super-strength and the like to achieve this destruction, as often as possible — even when it works against his host, Johnny Wagner, professionally or personally. He will also, at whim, start an argument with Johnny or anyone nearby, threaten them, or just sound off about whatever he wants to — again, even when it works against his host. Dak is really annoying, but will (mostly) grow on you. I did enjoy his origin story, I should add.

Johnny’s a typical down-on-his-luck P.I., there’s really nothing about him early on that will make you think hes anything but a comic book version of Marlowe-clone. Which is fine to start with, and thankfully Cowper doesn’t leave him that way. He is interesting enough to keep the reader engaged and interested.

The hero Captain Neptune has recently been killed by a laughable member of his rogues gallery, Gray Squirrel. The killing was very public, very definite, and very, very filmed. As such, Gray Squirrel is going away for a very long time. Until Neptune’s widow hires Johnny to investigate. She just doesn’t think that Gray Squirrel intended to kill him, and wants Johnny to uncover the truth about what happened.

Sadly, Johnny just doesn’t uncover that, but he unearths many things that people’d prefer were kept under wraps. There’s a decent bit of investigation that goes on, punctuated with some very well-written comic book fight scenes. I was less than impressed with the dialogue, which was frequently problematic, and the romantic storyline. The rest worked, in a heightened-comic book reality way. Which is not a slam, it’s a description — I’m a comic fan, I wish I could read more. I enjoyed the other characters — minor, allies, villains of various degrees of power, heroes (most of whom come across as real jerks), too.

The climactic battles were really well-executed, and even if I hadn’t been won over by the book by this time, I’d probably recommend the books just for them. Thankfully, I can say that there’s a lot more going for Double Lives than those two battles. It’s a lot of fun, and super-hero fans should find plenty to reward their time if they read this.

Disclaimer: I received a copy of this book from the author in exchange for this post. I appreciate the opportunity.

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3 Stars

Skyfarer by Joseph Brassey

SkyfarerSkyfarer

by Joseph Brassey
Series: Drifting Lands, #1

eARC, 352 pg.
Angry Robot Books, 2017

Read: August 11 – 14, 2017


I’ve read a few interesting mergers of SF and Fantasy this year — some that were just that, interesting, some that were good — a couple that were more than good. Thankfully, Brassey’s Skyfarer was in that latter camp. Even in those early chapters where I was still trying to figure out the world, remember which name lined up with what character, and get a handle on the plot, I had a sense that this was going to be one of those books I talked about very positively — and very often. That sense just only got stronger as the book went on.

I feel like could go on for pages about this book — but won’t let myself (so I can avoid the wrath of Angry Robot and you can actually get something out of reading it yourself — which you have to go do as soon as it comes out).

So you’ve got this group called the Eternal Order — a group committed to death, destruction, power, and plunder. When it comes to numbers, they can’t stand up to the civilizations around them, at least when they ally themselves against the Order. But when they (rarely, it seems) can come in with a quick strike against one people they can wreak much havoc. Which is exactly what they do here — they come in and demand that the rulers of Port Providence hand over the Axiom Diamond, or they will wipe them out — and it’s clear that Lord Azrael, the commander, isn’t being hyperbolic. The royal family responds with armed resistance, which has some measure of success, but is primarily fighting losing battles.

Into the midst of this looming genocide comes a wayward spacecraft, the Elysium. The Elysium is a small carrier with more weapons than one should expect (we’re initially told this, anyway). The crew has just welcomed an apprentice mage, fresh from the academy, to complete her studies with her mentor/professor. Aimee de Laurent has been pushing herself for years to excel, to be the best — if there’s a sacrifice to be made for her studies, she’s made it. All leading up to this day, where her professor, Harkon Bright has taken her as an apprentice on his exploration ship to complete her education. She joins a crew that’s been together for years and is eager to find her place within them.

When the Elysium arrives in the middle of this, it doesn’t take anything approaching calculus for them to figure out what this particular crew is going to do. There’s The Eternal Order on one side, civilians and the remnants of the military on the other. There’s a ravaged civilization on one side and the ravagers on the other. There’s a group trying to prevent The Eternal Order from getting something they want and there’s, well, The Eternal Order. So our band of adventurers tell the remnants of the royal family that they’ll hunt down the Axiom and protect it.

This isn’t exactly a revolutionary idea for a story — but man, it doesn’t matter. There’s a reason everyone and their brother has tried this — it’s a good story. Especially when it’s told well. And, I’m here to tell you that Joseph Brassey tells it really well. Not just because of his hybridization of SF and Fantasy, but because he can take a story that everyone’s taken a shot at and make it seem fresh, he can deliver the excitement, he can deliver the emotion. There is some horrible stuff depicted — either in the present or in flashbacks; there’s some pretty tragic stuff; and yet this is a fun read — the pacing, the tone, everything makes this feel like the adventure films and books that I grew up on. You want to read it — not just to find out what’s going to happen next, but because it’s written in such a way that you just want to be reading the book, like a having a glass of iced tea on a summer’s day.

The characters could uniformly use a little more fleshing out — which isn’t a weakness in the writing. Brassey pretty much points at the places where the reader will more details (especially when it comes to Aimee and Harkon), making us want more than he’s giving us. What we’re given, though, is enough to make you root for or against them, hope that they survive (or are subjected to painful and humiliating defeat), or simply enjoy the camaraderie. The good news is, that there’s more to learn about everyone — about their past and their present — and how those shape their future.

You’ve got magic — various schools of magic, too, each with its own understanding of what magic is and how it can be used; you’ve got swords and lasers (and similar kinds of weapons); you’ve got space ships running of magic (not just hyperspace drives that act like magic); objects and persons of prophecy; beings and intelligences that aren’t explicable — tell me why you wouldn’t want to read this? Especially when you throw in epic sword fights, magic duels, and spacecraft action all written by someone who writes like a seasoned pro. Sign me up for the sequel!

Disclaimer: I received this eARC from Angry Robot Books via NetGalley in exchange for this post — thanks to both for this.

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4 1/2 Stars

A Few Quick Questions With…Russ Colchamiro

This is the longest, and strangest, “Book Tour” I’ve done — it’s actually three separate events, but it’s all been promoting the book, Love, Murder & Mayhem. There was the book blurb and review for the original tour stop, then a Book Blitz post, and now we get to ask a the editor, Russ Colchamiro a few questions. Sure, it’s been irregular, but I’ve enjoyed it. If for no other reason, than I get to keep talking about this really fun anthology.

Anyway, on with the questions…

I really enjoyed Love, Murder & Mayhem, best anthology I’ve read in quite a while. What was the genesis for this project — particularly the theme. How did you recruit this collection of contributors?
Thanks! Glad you had so much fun with it. I appreciate that.

While writing Genius de Milo, the second book in my Finders Keepers scifi backpacking comedy series, I introduced—briefly—the character of Angela Hardwicke. Though her portion takes place in the fictional setting of Eternity, she’s a private eye in that classic Sam Spade tradition. I bumped up her role considerably for the third and final book, Astropalooza, and knew that I wanted to spend a lot more time with her, with plans to write a spin-off series, which I’m actually working on now. But before I jumped into a full book, I wanted to write a short story with Hardwicke in the lead, to get a better sense of who she was, her rhythms, and the kinds of stories I wanted to tell.

So I started the Love, Murder & Mayhem anthology through my publishing group—Crazy 8 Press. Including the other six core Crazy 8 members, I reached out to other writer friends to contribute, with every story containing at least one act of love or romance, at least one murder, and lots of mayhem. I initially thought I’d get nothing but private stories—I did a get a few—but the anthology contains superhero and supervillain stories, off-world and space cruiser stories, as well as A.I., private eyes, sleep surrogates, time travel, an aliens/monsters mash-up and … one DuckBob!

My story is “The Case of My Old New Life and the One I Never Knew,” where Hardwicke investigates a case of arson in a rock n club she visited the night before to see her favorite band. It was a lot of fun to write.

If Hardwicke ever gets herself a novel, I’ll be first in line to read it! That’s great to hear.

I know there’s a bunch of information about Finders Keepers on your website to lure in readers — and it’s worked for me, I should add. But other than that, how would you best entice someone to give the series a shot?

Finders Keepers is one of those books that readers either seem to love or want nothing to do with it! LOL! But if you like to have fun … it’s loosely based on a series of backpacking trips I took through Europe and New Zealand and is centered on a quest for a jar that contains the Universe’s DNA. If you like Douglas Adams, Christopher Moore, Third Rock from the Sun, Harold & Kumar go to White Castle, Groundhog Day, Hot Tub Time Machine, and Bill & Ted’s Excellent Adventure, it might be up your alley.

You can also check out this book trailer – http://russcolchamiro.com/books/finders-keepers/animated-trailer/

What is it about the Science Fiction that brings you back — or for that matter, what brought you to it in the first place? Is there a genre you particularly enjoy, but don’t think you could write?
Science fiction allows me to dream as big as I want. Nothing is off limits. Once you open up your worlds like that, your stories can go in directions that other genres simply can’t sustain. And it’s fun! As for other genres, I like a good political thriller now and then, but I’m not the guy to write one. I’ll definitely be writing more crime fiction, but I don’t have the bandwidth—or the desire—to get into geopolitical conspiracies. I’ll let other talented writers handle those!
What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
Ready Player One is a great book which I loved. I never could have written it—there’s so much detail in there with all of that great 80s nerd pop culture—but I’d be more than happy had it been mine! Breaking Bad for TV. Great show and the kind of writing and character arcs that are more my style. I’m leaning more in that direction anyway these days.
I’ve often heard that writers (or artists in general) will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
LOL! I say up front that Finders Keepers is a bit raunchy (Genius de Milo and Astropalooza much less so), but I warn readers up front so that they know what they’re getting. In the middle of all the backpacking and cosmic lunacy, the characters—good natured but bumbling—are drinking beer, smoking some weed, having sex, and dropping some F bombs here and there. And yet I’ll still get a reader now and then who will say something like “The author says it’s a raunchy book, which I hate, but the premise sounded so cool that I read it anyway. I hated it! There’s sex and language and drinking and drugs and college humor. Why did he ruin it?”

Ugh. It’s like someone saying they hate horror, gore, and violence, watching The Chainsaw Massacre despite knowing the plot, and then complaining about the horror, gore, and violence! LOL! Eh. But what can you do? I don’t worry too much about it.

Between this series, Love, Murder & Mayhem, the various anthologies I’ve contributed to, and my space adventure Crossline, there’s plenty of options for readers to choose from. ☺

I want to thank Russ Colchamiro for taking time for this.

I was asked to add the promotional info about the book and editor to this, and sure, it’s been here already, but, hey — if this helps the book get some more eyeballs, why not?

About the Book:

Love science fiction stories that all include elements of Love, Murder & Mayhem?

Then welcome to the latest anthology from Crazy 8 Press! This amazing collection from 15 all-star authors will delight you with superheros and supervillains. AIs, off-worlders, and space cruisers. We’ve also got private eyes, sleep surrogates, time travelers, aliens and monsters—and one DuckBob!

With tales ranging from wild and wacky to dark and gritty to heartbreaking and fun, take the deadly leap with authors Meriah Crawford, Paige Daniels, Peter David, Mary Fan, Michael Jan Friedman, Robert Greenberger, Glenn Hauman Paul Kupperberg, Karissa Laurel, Kelly Meding, Aaron Rosenberg, Hildy Silverman, Lois Spangler, Patrick Thomas, and editor Russ Colchamiro.

You’ll never look at Love, Murder & Mayhem the same way again—and that’s just the way we like it.

About the Editor:

Russ Colchamiro is the author of the rollicking space adventure, Crossline, the hilarious sci-fi backpacking comedy series, Stephen OramFinders Keepers, Genius de Milo, and Astropalooza, and is editor of the new anthology, Love, Murder & Mayhem, all with Crazy 8 Press.

Russ lives in New Jersey with his wife, two children, and crazy dog, Simon, who may in fact be an alien himself. Russ has also contributed to several other anthologies, including Tales of the Crimson Keep, Pangaea, and Altered States of the Union, and TV Gods 2. He is now at work on a top-secret project, and a Finders Keepers spin-off.

As a matter of full disclosure, readers should not be surprised if Russ spontaneously teleports in a blast of white light followed by screaming fluorescent color and the feeling of being sucked through a tornado. It’s just how he gets around — windier than the bus, for sure, but much quicker.

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Saul by Bradley Horner

SaulSaul

by Bradley Horner
Series: The Great Curve, #1
Kindle Edition, 182 pg.
2017
Read: July 13 – 14, 2017

It just wasn’t fair. This whole fucking situation was downright ironic. The last eighty years had been a non-stop panic about righting all of their ancestor’s wrongs, a comeback after the nearly complete catastrophic dieback right before the turn of the last century.

Hadn’t they’d re-seeded the plains and the oceans? They had tried to make amends, hadn’t they? And apparently, the Earth was just a tiny bit slow on the uptake if this an attempt to punish them, that no, they weren’t forgiven, and no amount of flowers would ever be accepted. It was like the Earth was out to destroy their gardens just because they’d destroyed hers.

It turns out, no matter what kind of political, economic, scientific, or social utopia you create, the natural world around you isn’t obligated to pay attention or cut you some slack.

Saul describes what Saul Rothe goes through in the 28 minutes where the Earth experiences an earthquake more widespread than anyone’s experienced, resulting in devastation I can’t describe. Saul’s basically wrapping up professorial duties for the day, chatting with his wife while she’s at work, checking on his daughter and preparing to go home when the quake hits. Basically, at this point, the infrastructure that humanity depends on fails, all of it.

Saul does everything he can to get to his daughter and ensure her safety, but just before he can, their apartment building collapses with her in it. Saul, who’s been coming from a tower far above throws himself down, following her, doing what he can to save her. Ignoring the wide-scale destruction and suffering all around him (maybe even adding too it unintentionally). To do so, he has to pull out every technological/future science trick he knows, invent a couple of new ones, violate standards, regulations, etc. By doing all this, he becomes a global celebrity and example to others — leading many to mount their own rescue attempts to save those around them from the calamity.

Clarke’s Third Law states, “Any sufficiently advanced technology is indistinguishable from magic.” We’ve all heard that a million times, and while reading this book, I realized how handy that is for SF writers (I’m sure I’m not the first to realize this). You just imagine a technology impossibly advanced, and you can use it like magic. That’s precisely what Horner does here — and it works out pretty well for him.

Saul does so many things that defy physics (well, as I understand them — apparently, Montgomery Scott was wrong, and you can change the laws of physics), especially time. I had so many notes along the lines of “too much talky-talk, and not enough rescuing here,” only to see that a couple of seconds had passed — part of the tech allows Saul and others to have long conversations about . . . . well, all sorts of things, while he falls, taking no time at all.

The world-building was amazing — it’s very easy to see, from the world he describes, the language he uses (much of which is defined in the very necessary glossary), to the technology, to . . . seriously, everything. There are very few SF novels with as fully-realized worldbuilding as Horner has pulled off here. That said, he could’ve done a better job communicating it all (or even a substantial portion of it all) to his readers. I’m not saying I need pages and pages, or even multiple paragraphs, detailing the history of why object X developed in this way. But a line or two here and there just to fill out our understandings would’ve been nice. Could I follow it enough to stick with the story? Yeah. Could I easily describe it to anyone else? No.

In the end, the SF story just wasn’t my cup of tea — I got it, well most of it, anyway — but I just didn’t like it. The Science was too abstract, too . . . “sufficiently advanced” for me to really enjoy. However, and this is the important part, the story about a father throwing everything he had at saving his daughter — not caring for his health, reputation, safety, future, or society as a whole’s health, future, safety — I absolutely liked. There are going to be scads of people that eat this up — and plenty of people that will muddle through the Science-y bits for the really good characters and story.

Give this a shot folks, it’s worth the effort — and, while I always want to hear what you have to say about a book, I’m extra curious about what others think of this one. Let’s fill up the comment section.

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3.5 Stars

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