Tag: Science Fiction

Dusted Off: Insurgent by Veronica Roth

Insurgent (Divergent, #2)Insurgent

by Veronica Roth
Hardcover, 525 pg.
Katherine Tegen Books, 2012

A solid follow-up to a great book–not as good as its predecessor, but close enough.

I thought the plot meandered a bit, and several scenes between Tris and Four seemed to just be a repetition from the earlier. But the rest of the book was so good, those minor gripes are completely forgivable.

Am not sure what to do with what we learn in the last 3 pages or so–but I’m pretty sure we’re not expected to know what to do with it, so I’m okay with that.

—–

4 Stars

Steelheart by Brandon Sanderson

Steelheart
Steelheart

by Brandon Sanderson
Hardcover, 386 pg.
Delacorte Press, 2013
Series: The Reckoners, #1

This blurb was enough to get me excited about this book:

Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics.

But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his will.

Nobody fights the Epics . . . nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them.

If the book description doesn’t sell this book, I can’t imagine anything I say will. But the story of young David Charleston, orphaned during the takeover of this world by the Epics, fueled by a thirst for vengeance and justice, is one you’d do well to read.*

I wish I could remember what podcast I was listening to recently where they started discussing the difference between DC and Marvel heroes — but I thought of it when I was reading Steelheart. DC heroes, they claimed, jumped at the chance to use their powers to fight evil. Marvel heroes, on the other hand, were reluctant heroes — they have no other choice to do what they do with their powers. In Sanderson’s world, on the other hand, no one with powers wants to do anything for anyone but themselves. Basically, Steelheart is the embodiment of Lord Acton’s maxim, “Power tends to corrupt and absolute power corrupts absolutely.”

This is the YA thriller done right — a lot of action, a hint of romance (no triangle, for which we all owe you thanks, Mr. Sanderson), a solid group of characters, a very bleak looking world, and a central character that doesn’t really fit in — but is driven, more capable than anyone thinks, and in the right place at the right time.

This band of rebels David finds himself working with isn’t as rag-tag as you’d expect — which is an interesting way to approach it. But the Reckoners are rag-tag enough, that even if they weren’t going up against nigh-invulnerable people, you’d still see them as the underdogs. Which you have to see them as, or you won’t be able to root for them. It also helps that we don’t get a good look at the Epics as anything but “The Other” or “The Enemy.” We don’t get the chance to sympathize, to understand, to care about them.

One quibble — some of David’s humor, his references, don’t feel quite right — they don’t seem like the kind of thing a kid who’s been living the kind of life he’s been living for ten years. Actually, most of the humor in the book feels out of place coming from the Reckoners.

That said — David’s wit (as bumbling as it is), Cody’s self-aware eccentricity, the voice this story is told in is what moves this book from “engaging super-hero distopia” to “zowie!” It doesn’t ring true, but it doesn’t matter — Sanderson sells it while you’re reading.

I’m eager to see what Sanderson has for us in this series — where did these powers come from? What are the other groups of Reckoners like? Are we going to see [redacted] again? Is David ever going to figure out how to use figurative language?

—–

*Unless you don’t like super-hero stories, YA adventure, distopian novels, or books that rock, if that’s the case, I can’t help you.

—–

5 Stars

Dusted Off: Redshirts by John Scalzi

RedshirtsRedshirts

by John Scalzi
Hardcover, 217 pg.
Tor Books, 2012

This warmed the cockles of my Geek Heart like no book since Ready Player One. I’m not sure how much I can say without getting into spoiler territory, but I’ll try.

It starts off as a funny–but obvious–Star Trek parody, where all the lower ranking crewmen are terrified to go on away missions, for fear of getting killed in stupid and/or horrible ways. Entertaining enough, but…after a couple of chapters, I started to worry this gag was going to get really old over 300 pages.

Which is when Scalzi shook things up by a clever spoilery twist, which he followed quickly by another spoilery twist. And before I knew it, this had become a serious SF book with a comic flair. The codas at the end turn this from a fun adventure into something with a lot of heart and soul–and even more cleverness than the large amount displayed in the main body of the novel.

I so less-than-three this book. Go and read.

—–

5 Stars

The 5th Wave by Rick Yancey

The 5th Wave
The 5th Wave by Rick Yancey
Series: The 5th Wave, #1

My rating: 5 of 5 stars

There were two things that kept running through my mind: Noah Hawley‘s A Conspiracy of Tall Men and Suzanne CollinsThe Hunger Games (maybe you’ve heard of it). I’m not really suggesting that Yancey’s created some sort of Hawley-Collins hybrid, but this affected me the same way those two did.

I remember very little about Hawley’s book (it was 1999, in my defense) — I remember enjoying it and being really creeped out and feeling paranoid. A feeling that lasted a little longer than the book, as I recall.

I remember Collins better, obviously. And whatever issues and problems the first of Katniss’ adventures had, it grabbed me by the throat and wouldn’t let me go until well after the runaway freight train of a story had come to it’s adrenaline-fueled conclusion.

I really don’t know how to discuss the story of The 5th Wave without spoiling the heck out of it. But I can tell you that it hit me like those two books did. The various storylines are gripping, and fast-paced and make you wish you could turn the pages faster. And once you get your brain wrapped around the devastation being unleashed on earth, the creepiness and paranoia are the order of the day.

This isn’t one of the better books I’ve read lately — in terms of character, craft, literary value, etc. — but it’s just about the most effective and affecting. Hawley gets under your skin with the skill of a seasoned pro, makes your emotions and reactions dance like a marionette for him, and leaves you hungry for more.

I have to admit, I miss the Yancey of Alfred Knopf and The Highly Effective Detective books — they just felt different. They were fun — as enjoyable as this is, it wasn’t fun. And I liked the characters (most of them), wanted to spend time with them. Not so sure I like these characters as people. But, until Yancey gets around to it (if he does), I’ll gladly take pulse-pounding excitement and mind-bendy plots.

Clean by Alex Hughes

Clean
Clean by Alex Hughes
My rating: 2 of 5 stars

This was a totally adequate book. This is a futuristic police procedural featuring a telepath who acts as an interrogator, a case of “You’ve got Urban Fantasy in my SF,” “No, you’ve got SF in my Urban Fantasy.”

The telepath in question is a recovering drug addict on his last second chance — and that was pretty well done. I work with a log of people in Recovery, and this rang true. But beyond that, he was sort of a stock PI-type down on his luck. The same goes for his tough, driven and beautiful Homicide detective partner, and the various superiors they have — even his sponsor. They’re all characters we’ve seen dozens upon dozens of times before. To an extent, that’s forgivable in a first novel in a series, you’re building a world, setting up everything, you can skate by with mostly stock characters, as long as you flesh them out later. But there wasn’t a single original character.

The plot wasn’t much better once you strip away the Mindspace parts of the equation.

At the end of the day, for all it had going for it, Clean just wasn’t all that well-written. Too often it read like something I’d write on my best day (and I’m fully aware of my limitations) — sure, it its moments, and the last 40 or so pages, really delivered. But that was more plot than execution, by that point, as long as she wasn’t being incoherent, it would work — it was just getting to that point that was the struggle. It was the setup and curiosity that got me to that point.

It wouldn’t surprise me a bit if one day I really liked Hughes’ stuff, but today wasn’t that day.

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