Tag: SF Page 1 of 32

The Infinite Sadness of Small Appliances (Audiobook) by Glenn Dixon, read by Jennifer Jill Araya: Move Over DJ Roomba, There’s a New Vacuum Star

Cover of The Infinite Sadness of Small Appliances by Glenn DixonThe Infinite Sadness of Small Appliances

by Glenn Dixon, read by Jennifer Jill Araya

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: April 7, 2026
Format: Unabridged Audiobook
Length: 7 hrs., 52 min.
Read Date: September 23-25, 2026
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There was a time, not so long ago, when refrigerators could not dream and vacuum cleaners could not weep. It was a time in which machines could think but not feel, a time in which only Humans—cursed with the sense of their own importance—would strive for illusionary Happiness. For a house in these times, there was not much else to do but bear witness to these futile cravings, and in the House in our story—a large House with mock Victorian casement windows and gables and a porch with pediments—there was not much else for the appliances to do but study the movements of their Humans and try to understand.

What’s The Infinite Sadness of Small Appliances About?

In the not-too-distant future, the Grid runs every electrical appliance/vehicle/smart house/etc. And they’re all smart houses, self-driving cars, and sentient appliances.

We focus on one smart house where a retired teacher and his wife (a piano teacher) live. When the book begins, she’s fighting terminal cancer and he, Harold, is trying not to grieve yet.

Their Roomba-like vacuum is moved by watching and listening to him—and seems to develop something like empathy (or starts to) and an imagination. Kate, their daughter, comes home to help out at this time—and Edie’s last piano student, Adrian (a boy with more heart for piano than skill),  starts showing up regularly to practice.

Somehow, Harold, Kate, Adrian, and the vacuum inspire something in each other—a drive for a better, richer, and fuller life.

Why did I pick this up? Why did I keep reading?

Obviously, a title like this is going to get a lot of readers to take a second look. It certainly did that for me. And something in the premise of it turned that second look into a third and fourth; I don’t remember what it was exactly—sadly. But whatever it was, it was the right call.

I kept reading because a Roomba being so inspired by To Kill a Mockingbird to adopt the name Scout—and how do you not fall in love with a character like that? Scout keeps learning and developing along those lines—which was just great to see. Then you start to see the dystopia that Dixon created and…you’re hooked.

What does this book tell us about humanity?

That one of the strongest forces humanity has unleashed on the world is our art. Literature and music are what unlock Scout’s functions. It’s those arts that push Adrian to greater things. In his dark times, it’s Adrian’s music that buoys Harold’s spirits. The reconnection with her father’s books reminds Kate about what’s she’s missing from her family. It doesn’t really push her in a different direction in life—but she keeps going with a different impetus.

Literature and music push all these intelligences/beings to go beyond themselves and their circumstances, and the reader can’t help but feel inspired along with them. It’s infectious.

A Quick Word About the Narration

I thought Araya did a wonderful job. This isn’t one of those audiobooks where the narration elevates the text to make it better than it was. Instead, it’s one of those audio narrations that perfectly matches the text—Araya brings the right emotions, the right depth of character, the right attitudes.

Just an all-around great job there.

So, what did I think about The Infinite Sadness of Small Appliances?

This is the cutest dystopian novel I’ve ever read. Not that there’s a lot of competition for that title.

The AI-enabled appliances are just great. Think Toy Story for adults—a couple of them are jerks, which is great to see. It’s easy to see why the appliances are loyal to Harold and his daughter, Kate—and Scout’s affection for young Adrian is infectious.

Dixon does a great job in laying out the problem for the reader and then ignoring it for huge amounts of time, getting you invested in the day-to-dayness of it all. In the humanity bubbling up in the appliances, the struggles and small victories of the humans, only to hit the reader with a cold dose of reality to get you to focus on bigger things, broader themes.

It’s just so well done. I was in the mood for something lighter, and ultimately didn’t get it—and really don’t care, because it was just so good.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Cover Reveal: Mortality Gauntlet by JCM Berne

I’m very pleased today to welcome the Cover Reveals for the Ninth Turn in JCM Berne’s The Hybrid Helix series, Mortality Gauntlet! For a lot of us, a new Rohan adventure is an autobuy anyway. But I can’t imagine that people can take just one look at this beut and move on–it needs at least two, which will hopefully spur them on to read about the book. I mean…it is a Chris McGrath cover, so calling it a beaut is a tautology. Anyhow, before we get to that, let’s learn a just a little bit about the book and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Book:

The real Hyperion was Rohan’s hero. His idol. His mentor.

Even his friend.

The shadow of that man has been Rohan’s friend, his confidante, then his rival, and ultimately his enemy.

That shadow has caused the death of innocents. Has attempted to destroy the entire human race. Cares for nothing but his own revenge.

He’s stronger than Rohan, tougher. And he’s enhanced his abilities with esoteric chemicals that shouldn’t exist. The one time they fought, he beat Rohan handily.

Savagely.

Rohan thinks he can stop his nemesis. He thinks he has what it takes to win. Enough strength. Enough Power. Enough love.

Is he crazy? Or is he smarter than anybody realizes?

When it all ends, when the dust settles and the blood dries, who will be left to grieve?

Book Link:

Amazon Preorder

 

About the Author

JCM BerneJCM Berne has reached middle age without outgrowing the notion that superheroes are cool. Code monkey by day, by night he slaves over a hot keyboard to prove that superhero stories can be engaging and funny without being dark or silly.

Author Links:

Website ~ Bluesky ~ Twitter ~ Instagram ~ Facebook ~ YouTube

and now…

The Cover

cover for Mortality Gauntlet  by JCM Berne

Kudos to this fine artist for their work on this eye-grabber:
Cover Art by Chris McGrath

Go and do the right thing–place your orders now. This comes out on October 20, and you’re going to want to get to it ASAP.

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Quick-Take Catchups: The Leftovers from May

I’m even behind on my catch-ups…this summer really did a number on my organization. Let’s see if I can get some of it back. Again, I want to remind the reader that the point of these quick-takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Cover of The Frame-Up by Gwenda BondThe Frame-Up

by Gwenda Bond, read by Shannon McManus (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: February 13, 2024
Format: Unabridged Audiobook
Length: 11 hrs., 3 min.
Read Date: May 4-6, 2026

This was a solid heist novel with just a dash of magic thrown in. Honestly, I’m not sure the magic was necessary—Bond has enough going on with the dash of romance, the family drama (increased by a “can’t go home again” story arc), and the art heist.

But throwing in the magic just kicked everything up a half a notch, if not a full notch. So I’m not complaining–I’m just trying to say that the criminal found family of it all was enough.

This is my second novel by Bond—and it’s enough to make sure that I’ll take a second look at other books by her.

Cover of The Terminal List by Jack CarrThe Terminal List

by Jack Carr, read by Ray Porter

DETAILS:
Series: The Terminal List, #1
Publisher: Simon & Schuster Audio
Publication Date: March 6, 2018
Format: Unabridged Audiobook
Length: 12 hrs., 24 min.
Read Date: May 7-11, 2026

Ugh. How did this get so popular? I’m not really that willing to spend time on talking about it. I can’t think of a single moment that I enjoyed–even Ray Porter couldn’t save it. I kept listening to see if it climbed up out of the horrible pit to make it to “extraordinarily mediocre.” Also, because I wanted to be able to tell someone that I gave it a full try.

Both are choices I regret. Cookie-cutter action from a Gary Sue super-soldier. Completely uninspired and derivative. And there are how many sequels???

Cover of The Arkadians by Lloyd AlexanderThe Arkadians

by Lloyd Alexander, read by Words Take Wing Repertory Co

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: November 9, 2010
Format: Unabridged Audiobook
Length: 5 hrs., 49 min. 
Read Date: May 18-19, 2026

I feel disloyal to my grade-school self in giving a Lloyd Alexander book a “meh.” But this one pretty much deserved it. Alexander’s playing around with Greek myths fell pretty flat for me, I didn’t connect with the characters, the story (especially the results for each character) was predictable, and the whole thing felt written by a formula. I did find some scenes amusing and/or effective, but I doubt I’ll return to this one again and again. (I probably will give it one more chance down the road, just to be sure it wasn’t my mood)

Cover of Booked by Alison GaylinBooked

by Alison Gaylin

DETAILS:
Series: Sunny Randall, #13
Publisher: G.P. Putnam's Sons
Publication Date: May 12, 2026
Format: Hardcover
Length: 320 pg.
Read Date: May 25, 2026
Buy from Bookshop.org Support Indie Bookstores

This was entirely too quick to read–but I find that’s a thing with Gaylin’s Sunny book–she just gets in the groove and you’re rocketing through the thing. I really liked what she did with the recurring characters here, especially Blake. I’ve given up hope of a decent Richie storyline, but I didn’t mind this one. As far as the latest Malanie Joan drama–this might be my favorite use of her. The mysteries involved were pretty well executed, and I bought the way that Sunny finally uncovered the link that tied it all together. I’d seen the link (or something very much like it) coming for several chapters, but wasn’t sure Gaylin would pull off Sunny’s discovery. I think I’ve learned now to trust her. No Sunny Randall book has ever blown me away–but Gaylin makes me happy to see the series continuing and delivers a satisfying read every time.

Cover of Cultish by Amanda MontellCultish: The Language of Fanaticism

by Amanda Montel, read by Ann Marie Gideon

DETAILS:
Publisher: Harper
Publication Date: June 15, 2021
Format: Unabridged Audiobook
Length: 8 hrs., 21 min.
Read Date: May 21-26, 2026

This was truly disappointing—the subtitle made me think it would be one thing, and while the text would occasionally tip that way, it didn’t stick with it. Honestly, you should go read what Kathy @ 746 Books had to say about it. She captured my ideas better than I could.

Cover of Unread by Oliver JamesUnread:
A Memoir of Learning (and Loving) to Read on TikTok

by Oliver James

DETAILS:
Publisher: Hachette Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 7 hrs., 10 min. 
Read Date: May 26-27, 2026
  1. James’ achievement—as well as his openness about the life experiences that got him to this point—should be celebrated. Seriously, I’m impressed and would love to sit and chat with him about it.
  2. Everyone should be upset at the education system that failed him—and almost certainly fails many others like him every year.
  3. There’s a lot to commend about this book.
  4. This is not good book. There’s too much redundancy that feels like it was included to make an arbitrary word count. The timeline is a bit muddy, and would’ve been better to follow had it been presented linearly. If it were a series of blog posts, or a book half the length, I wouldn’t have complained.
  5. To reiterate: this is a criticism of the book, not of the author, what he’s doing or how he’s doing it.

Cover of Starship Troopers by Robert A. HeinleinStarship Troopers

by Robert A. Heinlein

DETAILS:
Publisher: Ace
Publication Date: June 27, 2006
Format: Paperback
Length: 288 May 25-27, 2026
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There’s a lot to like in this—there’s a lot to be disappointed in, too. I was pretty much in until the big battle scene. But after that? It all fell short after that. Heinlein clearly had things he wanted to say about the role of a citizen, the role of the military, war, and so on—and he used this book to say them through various mouthpieces. Sadly, most of what we got was talk, theory, just ideas, unlike similar books that put the talk into action (albeit fictional, it’s more than just haverings).

I walked away dissatisfied. I know I open myself up to ridicule, mockery, and disdain for that—but that’s how it is. Others who’ve clearly been influenced by this novel have done a better job with it (e.g., Scalzi, Hurley, Card).

Cover of After the Fall by Edward AshtonAfter the Fall

by Edward Ashton, read by John Pirhalla

DETAILS:
Publisher: Macmillan Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 9 hrs., 56 min.
Read Date: May 28-29, 2026

Maybe because of Ashton’s reputation, I went into this with expectations that were too high. Because I felt like I should enjoy what I was hearing more than I did throughout the whole book–and there’s no reason for me to think like that. It was a solid premise, and Ashton (and Pirhalla) did a good job in executing it. But the whole time I kept thinking, “he’s about to knock my socks off in the next development/chapter/scene,” and that never happened. There’s a lot to praise here, but it never made the jump from “pretty good.” And since I came in expecting more and didn’t get it, the book felt like a letdown. I don’t think I’m being fair to the book, but…

Cover of Remington Platypus by Steve NashRemington Platypus

by Steve Nash

DETAILS:
Publisher: Northodox Press
Publication Date: July 31, 2025
Format: eBook
Length: 362 pg.
Read Date: May 28-30, 2026

I really thought I’d written a full post about this, and I’m rather annoyed to find out that it doesn’t exist.

This is a fairly-standard, but well-executed, Police novel about a grizzled detective who does what it takes to get the job done—sort of a Harry Bosch figure. Although he’s on better terms with his superior and some of his colleagues. He’s taking on a drug supplier and goes too far, resulting in him being transferred to a small town, his hometown, where he struggles to fit in—except for the few who remember him. There he encounters some crimes that lead him right back into investigating the same supplier. And things get ugly from there.

But here’s the thing—all the creatures are animals. Animals who have formed a parallel society to humans, complete with schools, police services, and drug gangs. There are some animals who haven’t taken this civilization thing to heart—and remain wild and without speech, higher thoughts. We’ve seen a lot like this before, but not like this.

Combining these two tried-and-true story types is just brilliant. You make these people instead of animals and most of the novel works just fine. You take out the crime element and just leave the inter-animal conflicts in and it’d be a pretty cool story. The mashup of the two elevates this to something else. The only comparison that jumps to mind is the comic Fables [VERIFY THE NAME HOB] combining crime fiction and fairy tales.

Raven was raving about this last year, and it’s easy to see why. You need to check out their post.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Cover Reveal: Origin by Simon Bullock

I’m very pleased today to welcome the Write Reads’ Cover Reveal for Simon Bullock’s Origin! I posted a spotlight on book one of the Gate Origin Series, The Driftborn, recently–and it has a nice cover. Bullock’s next one is just as cool.

I’ll show you this cover below, but first let’s learn a little bit about the book and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Book:

Kade Renn and the crew of The Moth have crossed the ancient gate and reached Origin — the dead world at the centre of the network.

They arrive damaged, low on air and cut off from the route behind them. Lira’s breathing system is failing. Vessa is wounded. Nix is carrying heat he cannot shed. And beneath Origin’s ruined surface, old machinery is still responding.

What they find is more dangerous than an abandoned world.

Human field stations. Hand-written warnings. Records from the First Crossing. Evidence that people objected before the first disasters — and that those objections were altered, buried or removed from the history that followed.

The Quiet War did not begin the way the Directorate says it did.

Far behind them, Marshal Sorr is tightening a containment net around the damaged route. If it closes, Origin may be sealed again.

Kade does not need to save the galaxy.

He needs to keep his sister breathing, keep The Moth alive, and carry enough of the truth home that no one can bury all of it again.

Some doors weren’t lost.

They were locked.

 

Pre-Order Links:

Amazon UK ~ Amazon US

 

About the Author

Simon BullockSimon Bullock is a British-born author living in the Netherlands. He writes psychological thrillers, historical fiction and speculative novels with a focus on believable characters, emotional tension and dark, understated humour. His work often explores ordinary people under pressure, hidden truths, and the consequences of systems that fail the people inside them. He also writes selected speculative fiction under the pen name Richard Randon.

and now…

The Cover

Cover for Origin by Simon Bullock

The Complete Cover Wrap:
Cover Wrap for Origin by Simon Bullock
Click to embiggen the wrap and take it all in.

Be sure to hit a pre-order link above so you can enjoy what lies beyond the cover!

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The Left Hand of Darkness by Ursula K. Le Guin: An Impressive Work I Did Not Connect With

Cover of The Left Hand of Darkness by Ursula K. Le GuinThe Left Hand of Darkness:
50th Anniversary Edition

by Ursula K. Le Guin

DETAILS:
Publisher: Ace
Publication Date: March 15, 1987
Format: Paperback
Length: 300
Read Date: July 20-23, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s The Left Hand of Darkness About?

Genry Ai is an ambassador from a Federation of Planets-type group. He’s been sent to recruit the planet of Winter (and the planet deserves the name, think a Narnia-esque “always winter, never Christmas” without any witches involved) to join them. After years of getting nowhere, some governmental upheaval forces him to leave where he’s been stationed and move to another nation to try to get them on board.

That doesn’t go too well, either. So Ai has to get creative.

The Kemmering

This could be considered a spoiler. But also, not, because I’m going to quote from the Introduction to the 50th Anniversary Edition.

For most of their twenty-six-day month and cycle, Gethenians are androgynous and celibate, but for two or three days of kemmer they become sexually active as either male or female, with no say in which. Any individual, then, can be both a mother and father, and can bear and sire children. (This physiology gives rise to the novel’s most memorable line, “The king was pregnant.”) Genly—like most of the book’s readers—possesses a single one unchanging gender, making him, from a Gethenian perspective, a biological anomaly to be pitied—or, less kindly, mistrusted as a “pervert.

When I read the novel, I was surprised at how long Le Guin took to define kemmer/kemmering despite its usage, and seeing the effects on the population, conversation, family, etc., all-around. But it really hit home for me when someone in the Book Club discussion brought up how far into the book it was (roughly 90 pages) and how things finally started to make sense for them—because they skipped the Introduction.

On the one hand, I love when authors drop you into something, and you have to figure it out—but something like this and 90 pages? That just seems cruel.

Also, there’s a lesson to be learned about Introductions, prefaces, and so on there.

Why did I pick this up? Why did I keep reading?

I picked it up because it was the Book Club choice for July. Sure, I was curious about Le Guin, just from seeing her name so often, but my curiosity had never gotten strong enough to know anything about her.

Part of what kept me going was to see if it picked up at any point. Sure, things were happening throughout, but the novel didn’t seem to care too much about the events, and more about the characters’ thoughts and reactions as they bounced around from location to location. And I wanted to know if after all the build-up, all the setting up of the dominoes—what would happen when they were knocked over?

But mostly, I kept at it to see why it was picked for our Book Club to discuss, and I wanted to be able to understand what the people who had a lot to say about the book had to say. Why are people still talking about this book 50+ years after it was published?

What does this book tell us about humanity?

I honestly don’t know how to answer this question in a couple of paragraphs. Non-spoiler paragraphs seem to make it impossible—the whole book is a meditation on that question—from a couple of different angles (at least).

I’m tempted to steal something else from the Introduction or Author’s Note, but that feels like cheating. Really, I’m only writing this because otherwise it would feel like I’m ducking out on the question. The novel wants readers to ponder this question, and while it suggests some approaches to an answer, I don’t think it has just one.

The Author’s Note

In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it.

In 1976, an Author’s Note was added to the novel—and it is fantastic. Not so much for what it says about this novel (although it’s not bad), but for what it says about Science Fiction and fiction in general.

I’ve read it three times—and I expect to read and cite it more—this book will remain on my shelves if only for that. I don’t know that I’ll get around to re-reading the novel (although I’m not opposed to the idea), but I will re-read Le Guin’s note.

So, what did I think about The Left Hand of Darkness?

I don’t know. I really don’t know. When I write something about it (including the incomplete paragraphs I deleted from my first draft) or talk about it, I come across as more enthusiastic than I really am.

The imagination involved in creating Gethen, the distinct biology of the humans there, the political structures, how the cultures display both the climate and the biology of the people, how all that could and would change when an alien shows up… And then you throw in the Foretellers and everything about them. Even more—you pack all that into 300 pages? (at least in this edition—you’re not going to find it clocking much higher outside of a Mass Market Paperback size). Most authors that I can think of would take at least 550 for this, and wouldn’t give us much more depth.

At the same time…most of these characters are hard to care about. Ai is too naive for this kind of work, and has the diplomacy skills of Michael Scott. Mahit Dzmare would’ve had everything taken care of years before the events of his novel kicked off. Estrahaven is a weasel, and not in a charming or sly way. At least for most of the book—I’m not sure he ends the book that way.

The plot is so thin; the novel is primarily a tour of the world and its inhabitants—which is fine; I just would’ve preferred more things happening along the way.

Like many novels of the era—especially the ones we still talk about—The Left Hand of Darkness is more about the ideas and the potentials than it is plot, character, action, and the like. And it scores on the fronts it focuses on. I’d just prefer if Le Guin had provided a better/thicker crunchy candy shell over the tasty peanut butter inside.

It’s such an impressive book, but I don’t know that I can urge anyone to give it a read.

Irresponsible Reader Pilcrow IconThis post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

20 Books of Summer 2026

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BOOK SPOTLIGHT: The Driftborn by Simon Bullock

This morning, I’m very pleased to welcome The Write Reads tour for Simon Bullock’s The Driftborn, a nifty looking Space Opera. Be sure check out https://twitter.com/WriteReadsTours over the next week and change to see other bloggers talk about it. Let’s learn a little bit about the book, shall we?

The Write Reads The Driftborn by Simon Bullock Tour Banner

Book Details:

Title: The Driftborn by Simon Bullock
Genre: Space Opera
Release date: July 28, 2026 (digital edition) May 26, 2026 (hardcover edition)
Length: 480 pages
Publisher: 42nd Parallel Press
The Driftborn by Simon Bullock Cover

About the Book:

A forgotten wreck. A forbidden map. A gate that should never have been opened.

On the salvage moon of Veyra’s Fall, Kade Renn only wants one thing: a working air filter for his sick sister, Lira.

Instead, he finds a buried courier ship older than the official history books. Inside it is a dying Driftborn pilot, a forbidden star map, and a message from Kade’s mother, Elian, who supposedly died nine years ago.

The Directorate says the gates saved civilisation. It says the Driftborn are criminals, free-route smugglers and a threat to every recognised human world.

The Directorate is lying.

Forced to flee with Lira, their strange scrap-mech Nix, and a half-illegal ship called The Moth, Kade is pulled into a hidden war over the true origin of the gates. The deeper they travel beyond authorised space, the more dangerous the truth becomes.

The first crossing was not what humanity was taught.

The gates were not built by us.

And something has been waiting for us to understand what we woke.

For readers who enjoy grounded space opera, ancient alien mysteries, damaged ships, found family, dry humour and human stakes beneath the scale of the stars.

The Driftborn is a tense, character-driven science fiction novel about control, memory, survival and the danger of mistaking every door for an invitation.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Simon BullockSimon Bullock is a British-born author living in the Netherlands. He writes psychological thrillers, historical fiction and speculative novels with a focus on believable characters, emotional tension and dark, understated humour. His work often explores ordinary people under pressure, hidden truths, and the consequences of systems that fail the people inside them. He also writes selected speculative fiction under the pen name Richard Randon.

My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

The Book Bloggers’ Novel of the Year Award 2025 Finalist badge

Eyes of Empire by JCM Berne: Failing the Heck Out of His Whole Noninterference Plan (and others, too)

Cover of Eyes of Empire by JCM BerneEyes of Empire

by JCM Berne

DETAILS:
Series: Hybrid Helix, Turn 5
Publisher: The Gnost House
Publication Date: September 3, 2024
Format: Hardcover
Length: 399 pg.
Read Date: July 1-4, 2026

The native’s body was humanoid, but its head was catlike. Something like a tiger. Or a lion. Whiskers; eyes with black pupils and sclera of gold; white fur around the muzzle; long, sharp teeth. Definitely a carnivore.

Tiger? Lion? Liger? I’m fighting a liger-headed alien. My mother warned me I’d have days like this. Don’t leave Earth, she said. You’ll end up fighting liger-headed aliens on distant planets where they don’t even have breathable air or working toilets.

What’s Eyes of Empire About?

I feel very much like our friend Inigo: “Let me explain… No, there is too much. Let me sum up.” How Berne fit all this in to 399 pages without it feeling rushed or anything, I don’t know.
bulletThe station Repentant is acting stranger than usual…and that’s not good.
bullet The il’Drach Empire has wiped out most of the population of a planet—the refugees are on their way to Wistful, who doesn’t have enough room for them all—and some are in a very medically fragile state.
bullet While Ben and Marion try to deal with the immediate problems (keeping them alive), Rohan needs to find a place for them to live in the long-term
bullet Hyperion is mixed up in the wiping out of the planet, and Rohan just might have to do something about that.
bullet The il’Drach are checking to see if they need to do any more clean-up work in the area related to Hyperion.
bullet The Hybrid that decided to stick around on Wistful is having a hard time acclimating.
bullet Another wormhole opened up to another system with a couple of very funky planets. One of which supports life, and Rohan goes off to make first contact.
bullet That first contact is with a feline-human race, and first contact could’ve gone better. Which leads to Rohan having someone else to help acclimate to life on Wistful (and among more species than she believed existed in the universe)

Why did I pick this up? Why did I keep reading?

“The bad news, however, is about as bad as you could possibly imagine.”

“What? That’s impossible, I have a powerful imagination. It’s not as if you contaminated their culture and doomed the planet, right?”

Rohan shrugged.

Wei Li’s eyes widened. “Oh my.”

Ben frowned. “Really?”

Ang’s jaw dropped. “My Katya-le’s people?”

Rohan sighed. “I’m going to fix things. I will.

“I’m just not sure how.”

I picked it up because it’s a Hybrid Helix novel. I love these things. Yes, it took me too long to get back to it, because I was enforcing my “no moving on until you write about the previous book” rule—and I kept putting that one off. Now that I’ve read this, I’ve got the next book slotted for September (unless my August isn’t as crazy as I think it’ll be).

I kept reading for two reasons: 1. It’s a Hybrid Helix novel. I love these things. 2. What Berne is doing with Rohan in these pages—and setting him up to do for the next arc of the series—is fascinating. Also, the new characters/species/planets are so cool that I wanted to learn more about them. Lastly, I really enjoyed what Berne’s doing with our established secondary characters in general and how he’s mixing the new characters in with them.

Vaguely Spoiler-y Section Ahead, Feel Free to Skip to Next Section

Rohan Realizes That He’s Not John Rambo

(I’m referring the movie version, not the book version. Although, he’s clearly not that, either)

I just wanted a quiet life. Tow ships, drink tequila. Maybe find a girlfriend. Now people are trusting in me. Counting on me.

In every First Blood movie sequel, the beginning is the same—John Rambo has found somewhere quiet, away from society, where he can meditate, do some simple tasks as work, and live at peace. Something interrupts that (frequently, but not always, related to Col. Trautman) and he has to go shoot, stab, and manhandle whoever this particular movie’s enemy are.

This is really Rohan’s goal when we meet him, and it looks like it’s working (well, except for that in medias res opening to Wistful Ascending). And it’s continually his goal throughout the series. But things keep happening to interrupt that: a wormhole opens up and drops a new race on his doorstep and he has to work to keep them safe; giant monsters are coming out of the ocean to wreak havoc and destruction and he has to go help out; a nasty space vampire is running amok on Wistful and he needs to stop it; etc. It’s not quite as explodey as (and quite a bit more articulate than) Rambo’s adventures, but the outline is similar.

Each time Rohan intervenes, he takes on more and more responsibility for those around him. Unlike Rambo, who just leaves everyone else behind to get away from the world. Okay, I’m done talking about Rambo, let’s focus on Rohan.

At the same time, Rohan’s doing things to improve his power, to gain a better handle on it, so that he doesn’t have to tap into his anger (that will then be hard to control), to use it in combat-like situations.

He’s presented in this book with an opportunity—if not a responsibility—to choose another way. A way that means he won’t only be a tow-chief anymore. That he’ll embrace greater responsibility in the systems around Wistful (and connected to them by wormhole).

This really marks a step forward for the series and will set our Hybrid in a new direction for a while.

So, what did I think about Eyes of Empire?

Dr. Simivar poked at one of his still-open wounds. “Ouch.”

“Another hour in the tank and you’ll be ready to get dressed and walk around. If you can, try to avoid any significant exertion for another eight hours. Let someone else do the fighting for a while.”

“I’ll try. How will I know if I moved around too much, or too soon?”

She shrugged. “Check your feet.”

“My feet?”

“Yes. If there are puddles of blood gathering around them, you’ve done too much. Come back and we’ll get you stitched back together.”

While reading this, I remembered that I was close to the end of the first arc of the Hybrid Helix—but I wasn’t sure if that was this book or the next (and why bother looking that up when I could just keep reading?). In the last few chapters (maybe 50-100 pages) it sure felt like a conclusion of sorts was on the horizon, and even better—it felt earned, deserved, and organic. This isn’t a case of Berne deciding to change things up and forcing it on the series. Berne says this has been his plan all along, but Carlton Cuse and Damon Lindelof have rendered me incapable of trusting writers when they say things like that.

Anyway, it was a very satisfying way to take this book and series—I’m looking forward to seeing what the next arc looks like.

This is filled with all the trademark Berne flourishes—great action, great banter, interesting musical recommendations, crazy new alien creatures. Sure, the “cat people” are not that revolutionary—but their culture is (and Rohan’s misunderstanding of it was pretty amusing). And the fauna on their planet…ugh. I want to talk about it, but I don’t want to ruin anyone’s exposure to it. But they could be my favorite thing introduced in this series since we met the Ursans. I’ve been talking about the bigger arcs, and deeper things going on in the series for most of this post, but I shouldn’t neglect to say that this is just a fun read. Whatever else Berne does, that is preeminent in his books.

We also meet a disturbing new representative of the il’Drach Empire. Each time I think the Empire is as distasteful and horrible as it can be, Berne finds a new and interesting way to prove that I’m wrong. Okay, okay, they have their whole “for the greater good” justification—or really, “the lesser of two evils” justification. But, I’m not entirely certain that I buy it. I’m thinking there has to be a better way. Another way. I expect that within the next 17 books, we’re going to find out what that way is.

Really, there’s no reason (unless you’re following stupid self-imposed rules) to not grab this book if you’re into super-hero fiction, space opera, witty dialogue (internal or otherwise), and/or good fun.

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20 Books of Summer 2026

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The Irresponsible Reader On…Self-Published Science Fiction

(updated 7/22/26)
Self-Published Author Appreciation Week Banner has a gray bird on a black disk. Around the disk are the words, 'Self Published Authors Appreciation Week.' In the top left corner, it says, 'July 20-27, 2026.' In the bottom right corner it says, '#SPAAW'

From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility, and doing all the work to get their words, their dreams, their blood, sweat, and tears on to the page (paper or electronic). This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

As part of this week-long celebration, I’m continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years (or meant to blog about, but at least read)—just a sentence or two. Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today I’m focusing on Self-Published Science Fiction. Old tropes in new garb, fresh ideas, and a creativity that astounds. These authors are well worth your time and money.

bullet Hit the Ground Running by Kate Ashwin—a cyberpunk heist novel with a sense of fun. A group of revolutionaries try to do a little good for the holidays in a futuristic corporate city. (my post about it)</span
bullet Wistful Ascending by JCM Berne—if I start talking about this, I’m not sure how to stop. There’s a retired super-hero/super soldier working a menial job on a space station. There’s a revenge story. There are aliens that look like talking bears. It’s just so much fun. (my post about it)
bullet The MOST Powerful Christmas by JCM Berne—Rohan and friends save Christmas for Santa (my post about it)

bullet Eyes of Empire by JCM Berne—Rohan decides to take his life in a new direction (or at least recognizes the one he’s on) as the first arc in the series concludes. Also, he fights cat people. (my post about it will go live in a day or two)
bullet Return of the Griffin by JCM Berne—Rohan has to return to Earth to battle monsters that might be too much for him and the collective might of Earth’s superheroes. Rohan also has to battle the legacy he left behind when he left. (my post about it)
bullet Blood Reunion by JCM Berne—Rohan struggles to stay alive and protect the citizens of Wistful from a the most powerful vampire I’ve read about. Oh, and he has to deal with his father on the station, too. It’s debatable which is harder for him to deal with. (my post about it)
bullet Shadow of Hyperion by JCM Berne—Rohan is called upon by Earth again for some help with a challenge that will take Rohan and a new ally to Earth, to other locations nearer Wistful, and to reckon with their bloody pasts. (my post about it is forthcoming)
bullet The Elites by Matt Cowper—a Batman-esque figure rebuilds a government-sponsored team of heroes. They take on super-villains of all stripes and even an alien invasion.
bullet The World Savers (my post about it)
bullet Rogue Superheroes (my post about it)
bullet Nightfall (my post about it)
bullet Children of the Different by S. C. Flynn—a very different kind of YA take on post-apocalypse life in Austrailia. (my post about it)
bullet Mushroom Blues by Adrian M. Gibson—a murder mystery set in the island nation of Hōppon, populated by fungal people and occupied by humans. A human detective and a fungal patrol officer are teamed up to investigate the murders of several fungal and half-breed children. A little SF, a little Police Procedural, a whole lotta good. (my post about it)
bullet Full Metal Superhero by Jeffery H. Haskell—a young technical genius who lost the use of her legs in the accident that cost her parents their lives creates an Iron Man-esque suit and starts fighting crime in the hopes of being recruited into an Avengers/Justice League-type team. I’ve frequently talked on the blog (and even in this series of posts) about being frustrated that I haven’t caught up with a series. This one really gets to me. There’s also a spin-off series that looks great.
bullet Arsenal (my post about it)
bullet Unstoppable Arsenal (my post about it)
bullet Super Powereds: Year 1 by Drew Hayes—The first in a series about a group of freshmen in a college-level Super-Hero Training program. (my post about it)
bullet Bounty Inc. by Adam Holcombe—a fairly priveldged young man dumps all his inheritance into founding the galaxy’s first conglomeration of bounty hunters, and proceeds to hire a few. Inadvertently, he creates a small family that will have to pull out all the stops to save each other. It’s full of action, heart, and more than a few chuckles. (my post about it)
bullet Darkside Earther by Bradley Horner—this is a series about a privileged group of teens trying to get through school and into adulthood while on a space station orbiting Earth. Their parents are the elite of humanity and are trying to mold their children into very different types of leaders.
bullet Darkside Earther (my post about it)
bullet Degrading Orbits (my post about it)
bullet Saul by Bradley Horner—a professor of nanotech tries to save his daughter in the middle of a global catastrophe. (my post about it)
bullet Billy in Space by Harry L-B—Billy has been given telekinetic abilities, and instead of becoming the government agent he’d aspired to, he’s become a human forklift in a spaceship’s warehouse. Not glamorous at all, but it’s a job. Then an alien race attacks his ship. Then space pirates do, too. And then things get bad. You’ll also witness a really bad first date. I should stress that this is a comedy. (my post about it)
bullet Proxies by James T. Lambert—Jair Howard has some big challenges ahead of him–he has to deal with his mother, he has to fix his relationship with his girlfriend, he has to prove someone hacked into the military’s computers, then he has to prove it wasn’t him–oh yeah, and prevent interstellar war. His mother might be the biggest problem, really. I just finished reading the book and haven’t finished my post, but you’ll want to give it a look.
bullet Duckett & Dyer: Dicks For Hire by G.M. Nair—This story felt like the love child of Dirk Gentley’s Holistic Detective Agency (the Douglas Adams version) and Comedy Central’s Corporate, but sweeter. A pair of old friends-turned multi-dimensional P.I.s tackle a missing persons case. (my post about it)
bullet Serengeti by J.B. Rockwell—a damaged warship—and the AI who operates it—attempts to rejoin the fleet.
bullet Serengeti (my post about it)
bullet Dark and Stars (my post about it)
bullet AI Theist by Michael J. Svigel—The world’s most advanced and powerful AI struggles with its(?) conscience and gets religion. (my post about it)
bullet Please Return to the Lands of Luxury by Jon Tilton—an MG Dystopian thriller. There’s a fantastic world here—a very plausible one, too. The story is hard to sum up in a sentence or two, but this would be a great read for an MG reader who’s able to read some unpleasantness (and a lot of wholesome and hope-filled moments, too). (my post about it)
bullet The FATOFF Conspiracy by Olga Werby—Americans have lost the war on obesity and all but the elitist of the elite are dangerously obese (while tucking away a good portion of that fat into a pocket dimension), in pain, struggling, dying young, and yet eating almost constantly. (my post about it)
bullet Genrenauts by Michael R. Underwood—Parallel to our world are various worlds populated by fictional characters in a wide variety of genres (Western, SF, Romance, etc), and when things go wrong in the stories, things go wrong in our world. n this world, there are a number of teams of story specialists who shift to the other worlds to fix the stories and set things back on course here. The first two novellas in this series were published by Tor, but after that, Underwood took it over himself.
bullet The Cupid Reconciliation (my post about it)
bullet The Substitute Sleuth (my post about it)
bullet The Failed Fellowship (my post about it)
bullet Genrenauts: The Complete Season One Collection—a compendium of all the novellas/stories in Season 1. (my post about it)
bullet The Data Disruption—a Season One Prequel (my post about it)
bullet The Wasteland War—Season Two kicks off (my post about it)


If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

Visit the SPAAW 2026 Hub to see what other Self-Published Appreciation Posts are out there.

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A Murder Most Fungal by Adrian M. Gibson: Survival Does Not Equate to Freedom

Cover of A Murder Most Fungal by Adrian M. GibsonA Murder Most Fungal

by Adrian M. Gibson

DETAILS:
Publication Date: June 16, 2026
Format: e-Book
Length: 232 pg.
Read Date: July 6-8, 2026
Buy from Bookshop.org Support Indie Bookstores

…for all the damage the Coprinian humans have done to his homeland of Hōppon, they have introduced the fungal peoples to marvels of their colonial culture: Orchestras and operas, films and theater, new genres of music and literature.

What’s A Murder Most Fungal About?

Following the events of Mushroom Blues, the occupation forces have really clamped down on the Hōpponese (aka fungals). Life seems truly miserable for most of them.

But some of them get some perks, a life that’s slightly less oppressive. For example, the chef and his kitchen team who prepare the food for the Military Governor, Duncan MacArthur. MacArthur is of the opinion that to understand his enemy (and that classification tells you a lot about his attitude towards the fungals), he must understand their culture—and the easiest way to do that is by eating their food. So day after day, Pocho Jiro and his small staff prepare the best meals possible for MacArthur and his staff and commanders—and his personal taster (because you can’t trust these people). It should be noted that MacArthur is the only one who tries to enjoy the food, the rest of the humans spend their mealtimes complaining about the food and insulting the cooks (when they’re not ignoring them)—although one new officer arrives who might share MacArthur’s interest partway through the book..

Then one of the many resistance groups threatens the life of Pocho’s only remaining family. Get this intelligence for us and we’ll let her live. And then they come back with another task—kill MacArthur.

The Food

There is harmony in these component parts, in the commingling of delicious flavors that he knows MacArthur and his guests will soon experience. If only things in a kitchen were that easy… Food never holds grudges, nor does it talk back. Food does not disrupt the flow of the song, and instead makes its rhythms possible.

Okay, I don’t have an adventurous palate—there is no way that I’d eat 98% of the dishes described in this book, I know that. But I tell you what—when I read the descriptions of the food that Pocho and his team prepare, the care they put into it, and the way that Gibson and/or Pocho describe it? I wish I could give it a taste, or even just smell and see the meals.

Even better is the way the book depicts the preparation of the food, what it means to the people working in the kitchen to do so, or even just the procurement of the ingredients. It’s just magic. It’s why people watch cooking shows—yeah, I have no idea what the things on Iron Chef or Alex Versus America or whatever taste like—but I love watching them prepare the food. This is like that, but better (if only because the chefs have had time to think about the courses and prepare them without a ridiculous time restriction).

Really, Gibson could abandon the whole Hofmann Report report to just write about fictional chefs (or maybe the occasional passionate fry cook) and I’d be in for it. Sure, Tandri or Viv can brew a heckuva cup of coffee—but Pocho’s fungalfin dishes are works of art.

What does this book tell us about humanity?

If we keep it to humans strictly—the book tells us nothing good. But there is some hope for the species if we treat the fungals Hōpponese as representatives of humanity (as the book wants us to believe).
The humans in the book are utterly despicable—and there are maybe two with a trace of decency (and one of them you have to wait for almost the entire book to encounter). They are hateful toward the Hōpponese, speak of them as animals in their presence (while barely acknowledging that presence), and harass them (at best) constantly.

Now, the Hōpponese, on the other hand. They resent their chains, resent the occupiers, and do what they can to survive under the occupation. Some try to do more than survive—but it has to be done in secret, worried about exposure. We get glimpses of their rich culture from before the occupation—which just makes the current state all the worse.

Then there are the those fomenting rebellion, and well, they’re basically what you think.

If nothing else—we get the idea that those who see people as people who treat them with respect and decency (even if they find themselves on opposing sides of a war/occupation), and those who don’t…well, they’re inhuman at best.

So, what did I think about A Murder Most Fungal ?

the restaurant industry is one that drowns in vices and addictions. Alcohol, drugs, sex, long hours, infidelity; Pocho has seen it all, done it all. But the worst offender is obsession. The addiction to pouring everything you have into an idea, a dream, a project, a craft. Pocho’s experience has taught him that his addiction to cooking has given him everything he ever wanted— success, recognition— but left little room for anything else. Friendships. Family. Love.

As good as I thought Mushroom Blues was, this is better—didn’t Gibson get the memo that second novels are supposed to be a drop in quality? Pocho is just a brilliantly conceived character, and his friendship with/mentorship of Mori is fantastic. I really wish that the circumstances of the novel let us see more of that before we had to get to the nastier stuff. But Gibson gives us enough of a taste of it that we can imagine the preceding years for their friendship—and the rest of the found family. Which makes it worse when things come to disrupt it.

I don’t think I have a criticism of this book—just glowing compliment after glowing compliment. The closest I can come is that I wanted more of everything that wasn’t the plot. More of the street market and Pocho shopping for food, more time in the kitchen with his staff—just them interacting with him and each other. The day to day stuff.

Maybe a little bit with the one officer who seemed to truly want to understand and appreciate the Hōpponese culture and language—let us see him get through to Pocho and start to form some kind of understanding. That’d have raised the stakes for the end game, too.

But that’s just me wishing for more frosting on an already wonderful cake. (and here is where we all understand my struggles keeping my A1C in check).

This is a great SF novel (I think that’s where to categorize these Fungalverse books). It’s a gripping thriller. It’s a fantastic character study of a man with great passions stuck in horrible circumstances. It’s really something you need to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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What Can I Possibly Say about Dungeon Crawler Carl That You Haven’t Read Dozens of Times?

Okay, after putting it off for months, I finally got around to reading the paperback I bought last year. Then a friend got me the audiobook—and I had to see if Hays was as great as everyone said. So I did both versions in a month. Which isn’t how I usually do things, but sometimes…


Cover of Dungeon Crawler Carl by Matt DinnimanDungeon Crawler Carl

by Matt Dinniman, read by Jeff Hays

DETAILS:
Series: Dungeon Crawler Carl, #1
Publisher: Ace; Audible Studios
Publication Date: December 30, 2025; January 28, 2021 
Format: Paperback, Audiobook
Length: 427 pg.; 13 hrs., 31 min.
Read Date: June 9-11, 2026; June 26-30, 2026
Buy from Bookshop.org Support Indie Bookstores

“Not everything will be social commentary.”

“It’s usually just stupid,” I muttered.

“It’s entertainment,” Mordecai said.

What’s Dungeon Crawler Carl About?

For the maybe 5 of you who haven’t learned this (inadvertently or purposefully), after living amongst us for decades, an alien race nearly wipes out the human race in an instant. Every human being—or physical object, plant, or animal—that was in an enclosed space was crushed when those buildings flattened. Those who survived were given the opportunity to enter a Dungeon to compete in a Hunger Games sort of reality show for several alien races to watch.

Sadly, for Carl, he only survived this because he was outside to catch his ex-girlfriend’s cat in the middle of the night. As he thought this would be a quick dash outside, he was wearing a jacket, t-shirt, boxers, and his girlfriend’s Crocs. Somehow, he didn’t realize he’d be in these clothes—and only these clothes—for (possibly) the rest of his life.

On the other hand, Carl is a veteran of the Coast Guard with plenty of experience in explosives, who worked as a marine technician in Seattle before the Dungeon.

The series is about he and that cat doing everything they can to survive the Dungeon.

Grand Champion, Breed Winner Regional, National Winner Princess Donut the Queen Anne Chonk

Cats are assholes. I get it. But do you know why people like cats, despite their asshole-ness? It’s because they don’t fucking talk. If they did, and they were all like you, they’d all be extinct because we’d have killed you all by now.

Ignoring my mild allergy, I’m not anti-cat. I’m just ambivalent about them. It generally comes across as a vague dislike (especially if I’m not ignoring my mild allergy). And when it comes to fictional Felis catus representation, I’m ambivalent at best.

So imagine my surprise when I’m about halfway through this book when I have to confess to my cat-loving daughter that there’s a good chance that my favorite new character of the year is a particular tortoiseshell Persian cat—”one of those fluffy, flat-faced cats that look like they need to be sitting on the lap of a Bond villain.” Okay, her surprise was bigger than mine.

Princess Donut is just so much fun—well, at least once she eats the Enhanced Pet Biscuit which turns her into a talking, sentient cat with plenty of memories of her life before the Dungeon (mostly to Carl’s consternation). She soon picks up the ability to hurl magic missiles from her eyes.

She is vain, she is mildly manipulative when it comes to Carl, her charisma score enables her to charm just about every NPC they encounter (and she does okay with the rest, too). Thanks to her history of competing in cat shows, she’s a natural when it comes to dealing with the media.

And…I don’t know…she’s got buckets of je ne sais quoi and I can’t get enough of her. I’m not sure I trust her choice in pets (she adopts a baby velicraptor-like creature toward the end of the book), but I can’t see how that won’t prove to be hilarious down the road (just seeing some fan art online assures me of that).

One Monster Description That Tells You a Lot About the Book

Part of a collective mind intent upon destroying any semblance of scientific progress in the universe, the Krakaren is the only communal brain entity in the galaxy who actually gets stupider as time moves on. Consisting of multiple, shrieking tentacles, members of the Krakaren cooperative spend their days birthing their disease-laden minions, creating and selling harmful products, attempting to debate scientific experts, and proselytizing to the weak-minded, all in an attempt to… Well, nobody knows what the hell their end goal is. Even Eris, Goddess of Chaos, doesn’t want anything to do with these crazy assholes.

(was this essentially me reaching to find an excuse to post that quotation? Yes. But also…it really does give you the flavor of the prose, humor, and strangeness of the monsters)

A Quick Word about the Narration

Jeff Hays is on his way to being my favorite audiobook narrator. He’s got stiff competition, but after two books, he’s got a shot at knocking people like Lorelei King, Gildart Jackson, Luke Daniels, and Ray Porter off the podium.

His choice to base Carl’s voice off of Patrick Warburton (and his performance of it) was inspired. His portrayal of Princess Donut is dynamite. And the way he does every other character is great.

If this is how polished he is with the first book—I can only imagine he’ll be fantastic once he gets some experience with Dinniman’s characters and style.

So, what did I think about Dungeon Crawler Carl?

If we get to the point where we don’t help each other anymore, that’s when we stop being human.

I really do think that it’s possible to dig deep with a lot of this book, to sink your teeth into it and see that Dinniman is accomplishing a lot and has a lot to say.

It’s also entirely possible to shutdown all your critical faculties and just have a blast with this book.

Both are totally appropriate ways to enjoy this (well, that’s true of just about every book—but it feels truer here).

I’m going to try to dig deeper when I get to future installments. But for now, I’ll just note that this is more than just jokes and killing things and leave it at that.

Dinniman draws on a bunch of video games, Douglas Adams, The Hunger Games, The Running Man, Ready Player One to create this world—and that would be enough, but when you add in his particular brand of humor and heart…I tell you what, that’s just great stuff.

If you, like me, have held off from this for whatever reason you have. Reconsider it. This is one of the most entertaining books I’ve read in ages, and I’m counting down the days until they finally release book two in paperback (and/or I decide to pay for the hardcovers).

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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