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Warriorborn by Jim Butcher: Butcher Serves Up Quite the Appetizer Before The Olympian Affair

WarriorbornWarriorborn

by Jim Butcher

DETAILS:
Series: The Cinder Spires, #1.5
Publisher: Podium Publishing Ulc
Publication Date: September 19, 2023
Format: eBook
Length: 146 pg.
Read Date: November 11, 2023
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What’s Warriorborn About?

A little time has passed since we met our heroes—training was completed, people have new jobs, promotions were given, the threat of war looms larger, and so on. The status quo, in short, is in flux and everyone’s trying to settle in before things get really messed up.

The mysterious and deadly Warriorborn, Benedict Sorellin-Lancaster, has been promoted to lieutenant—as one example. And, as you can guess from this novella’s title, we will be focused on him. The Spirearch is sending him on a mission to retrieve certain documents that the Spirearch seems to have misplaced at a colony that’s gone radio silent. As backup, Benedict is assigned three other Warriorborn for this mission—deadly criminals put away by Benedict, who will earn freedom in return for their help here. Not exactly a merry band, but they should be enough to tackle most threats they encounter.

But what they find when they arrive at Dependence isn’t what anyone figured, and “most” quite definitely doesn’t mean “all.”

The Development of the Series

There are a couple of notable things about this novella—first of all, we get a great look into the Warriorborn as a whole, not just what we learned about Benedict in The Aeronaut’s Windlass. The Warriorborn was one of the most intriguing concepts from that book, so getting to learn more about them was a treat. That right there is enough to justify the purchase price.

But even better is the little updates we get about many of the primary characters, setting the stage for where they’ll be in The Olympian Affair. I was already eager to dive in—seeing these flashes of their future, and the way that the war is progressing just makes me want to tear into The Olympian Affair.

So, what did I think about Warriorborn?

This was a fast-moving thrill ride. Yeah, there’s some character development and exploration of some of what makes the various characters (particularly the new ones) tick. Butcher knows how to write action—if you’ve read anything by him, you know this. Throw in some clever dialogue, and that’s enough to satisfy me.

The threat that they discover once they get to Dependence is as creepy as you want. The world of The Cinder Spires isn’t a kind world, and it’s hard for humanity (and felinity) in more than one way, as we’re learning now. But as long as there are people like Benedict and the crew of Predator, maybe there’s hope.

Despite this being a bridge between Books 1 and 2 of the series, this wouldn’t make a bad jumping on point—if you like this quick taste of this world, you’ll want to go see how Benedict and the rest got to this point just as much as you’re going to want to see what happens to them next.

In a podcast interview, Butcher described this as “an apology novella,” due to how long it took to get the second book of the series completed. In the eyes of this fan, apology accepted.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Curse of the Silver Pharaoh by Pip Ballantine & Tee Morris: A Little Steampunk, a Little Supernatural, A Lot of Fun

The Curse of the Silver PharaohThe Curse of the Silver Pharaoh

by Pip Ballantine & Tee Morris (Narrator)

DETAILS:
Series: Verity Fitzroy and the Ministry Seven, #1
Publication Date: October 15, 2016
Format: eBook
Length: 198 pg.
Read Date: July 4-5, 2023
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Placing the Book

It’s been too many years (and too many books) since I read the early books in The Ministry of Peculiar Occurrences series, so I’m a little fuzzy on the Ministry Seven. But from things said throughout this book—and my dusty memory—I’d put this book slightly earlier than that series (or maybe right after book one…but I’m pretty sure it’s earlier). We’re in your classic Victorian Steampunk area dealing with an agent for the Ministry dealing with fringe science and other weirdness and the street urchins that he uses for things he can’t do.

Think the Baker Street Irregulars. But with goggles.

What’s The Curse of the Silver Pharaoh About?

Verity Fitzroy’s primary focus in life is finding out what happened to her parents and why. She’s tracked down one person who she’s convinced could help her—and when she attempts to contact him, she disturbs a Ministry operation involving their Ministry contact, Agent Harrison Thorne. Because things go so wrong during this operation an Egyptologist is kidnapped and Verity’s contact is gone.

Thorne recruits the Seven to help him track down the kidnap victim. All tracks lead to the Delancy Academy—a school outside of London for students gifted in the sciences (most of whom come from money, obviously). The oldest two are enrolled (and, shine, it should be said) in the Academy to try to discover the tie between the Academy and the kidnappers.

The rest take up residence on a nearby farm to wait for their chance to help out. These children aren’t ready for life in the countryside—the work is different from what they’re used to doing (scrambling for scraps on the streets of London) and the environment as a whole takes some adjusting.

So, what did I think about The Curse of the Silver Pharaoh?

I don’t have a lot to say about this, and it kind of bugs me. Because it seems like I should. I had a real blast with this—it had a different flavor as a whole than the Ministry books—there’s more of a supernatural bent to things, and the whole sexual-tension thing between Books and Braun is absent (obviously).

There’s more of a YA-feel to it, too. Largely because the oldest two in the Seven are young adults. But it doesn’t ever scream YA—it’s just a fun fish-out-of-water adventure for a bunch of Steampunk kids.

I liked the devices that the Academy’s students cooked up and would’ve been very content to spend a few months watching things at the school before the main action of the novel kicked in. Verity’s new friend Julia McTighe is part Luna Lovegood, part whatever Amari Peter’s best friend was called (I can’t believe I can’t come up with it)—and all sorts of fun. I hope they find a way to bring her back for the second book.

It’s a short, fast, steampunkily fun adventure. That’s good enough for me.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Irresponsible Reader On…Self-Published Steampunk

(updated 7/25/23)
Self-Published Authors Appreciation Week

From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility and doing all the work to get their words, their dreams, their blood, sweat, and tears. This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

In addition to the Q&As and Guest Posts I have this week, I’m also continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years—just a sentence or two.  Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today we’re going to be looking at Self-Published Steampunk. This list doubled this year. Okay, sure, that’s still not a lot. It hardly seems to justify a separate list. But I kept these on their own so they wouldn’t get lost in the SF mix. Consider this an open invitation for people to fill up my comment section with recommendations so I can post a longer version of this list next time I run this.

bullet The Curse of the Silver Pharaoh by Pip Ballantine & Tee Morris—set in the same world as their Ministry of Peculiar Occurrences series, this puts the adventurous group of homeless kids the Ministry uses in a private school to find an Egyptian artifact. I still need to write my post on it, but it’s worth your time.
bullet Bartleby and James: Edwardian Steampunk Chronicle by Michael Coorlim—these short stories are a nice little dose of Steampunk with a thin coating of Victorian P.I. Light fun. (my post about it)
bullet Bodacious Creed: A Steampunk Zombie Western by Jonathan Fesmire—the reanimated corpse of one of the most-feared lawmen in the West roots out a criminal organization set to rule California. (my post about it)
bullet Bodacious Creed and the Jade Lake by Jonathan Fesmire—Creed heads to SF and tangles with a human trafficking ring. (my post about it)
bullet Bodacious Creed and the San Francisco Syndicate by Jonathan Fesmire—Creed has settled into San Francisco and is on the hunt for an outlaw who uses machines to alter the bodies and minds of his victims. I haven’t read this yet, but I can’t pass up the chance to talk about it. Really looking forward to diving in.
bullet Aether Powered by James T. Lambert—A UW Engineering student inherits a trunkful of steampunk goodies from a distant relative. Action ensues. (my post about it)
bullet The Silk Empress by Josef Matulich—a brilliant and reckless British orphan finds himself on an airship on the Silk Road (well, technically, above it). It’s a rollicking adventure. (my post about it)
bullet The Golden Spider by Anne Renwick—a steamy Kraken-filled Steampunk story, lots of good action, and great inter-personal moments. (my post about it)

If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

Self-Published Authors Appreciation Week Footer

The 2023 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club

BOOK SPOTLIGHT: The Thirteenth Hour by Trudie Skies

I’m very pleased today to welcome The Write Reads Blog Tour for Book One of The Cruel Gods series by Trudie Skies, The Thirteenth Hour. I’ve been hearing almost universally great things about this book since it was released (if not before), and it drives me crazy that I didn’t have time to read it for this Tour. Do yourself a favor and check out https://twitter.com/WriteReadsTours over the next few days to see a lot of bloggers write interesting things about it. The Thirteenth Hour was a finalist for the 2022 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to the spotlight for it, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists and one overall winner. If you are an author and wish to learn more about the BBNYA competition, you can visit the official website http://www.bbnya.com or Twitter @bbnya_official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

The Thirteenth Hour Tour Banner

Book Details:

Publisher: Self-Published
Genre: Fantasy, Gaslamp Fantasy, Steampunk
Age Category: Adult
Release date: October 13, 2021
Format: Hardcover/Paperback/Ebook/Audiobook
Length: 535 pages
The Thirteenth Hour

About the Book:

When the saints fail, the sinners step up.

Cruel gods rule the steam-powered city of Chime, demanding worship and tribute from their mortal subjects. Kayl lost her faith in them long ago, and now seeks to protect vulnerable and downtrodden mortals from their gods’ whims. But when Kayl discovers powers that she didn’t know she had—and destroys a mortal’s soul by accident—she becomes Chime’s most wanted.

Quen’s job was to pursue sinners, until the visions started. Haunted by foreboding images of his beloved city’s destruction, Quen hunts soul-sucking creatures made of aether who prey on its citizens—and Kayl is his number one target.

To ensure Chime’s future, Kayl and Quen must discover the truth of Kayl’s divine abilities before the gods take matters into their own hands.

For a city that bows to cruel gods, it’ll take godless heathens to save it.

Book Links:

Amazon.ca ~ Amazon US ~ Amazon UK ~ Goodreads

About the Authors:

Trudie SkiesTrudie Skies is a British indie author who has been living inside fantasy worlds ever since they discovered that reality doesn’t quite live up to the hype. Through the magic of books, they wish to share these worlds of hope and heroes with other weary souls. You can chat with Trudie on Twitter @TrudieSkies, or to find out more about Trudie and her fantasy worlds, visit www.TrudieSkies.com.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

A Few Quick Questions with…Josef Matulich

This morning, I talked about Matulich’s The Silk Empress and now I’m glad to bring you this Q&A with the author—great answers!


Let’s start off by introducing yourself to the readers—talk about your background, path to publication, etc.
I am a writer/artist that specializes in horror comedy, with a few interesting side-quests like make-up special effects artist and theater tech. My first publication was a humorous think-piece in Science Digest at eighteen. I had various small successes with short plays, RPG games and such until about eight years a small press published Camp Arcanum. Since then, I’ve published four novels through different publishers. When rights reverted for the Arcanum Faire trilogy (Camp Arcanum, Power Tools in the Sacred Grove, & The Ren Fair at the End of the World) I released them myself with Seth Lyons covers. The Silk Empress is my first original indie book released through both Amazon and Ingram. Not willing to just do what I knew I was safely capable of, this project included front and back covers by Seth, plus interior illos by him for each of the chapters. I think I broke my artist.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to writing it? It’s not like anything else you’ve done—was that part of the attraction?
There was a recurring situation at book events where I sat behind a table full of books suitable for the 16+ crowd filled sex, magick, and power tools and have to tell a 12 year old and his parents that these books really weren’t for them. I decided to write my next book without anything inappropriate for my 12-year-old hero. Several years ago, a local library had the vintage and costume shop my wife and I own present a Steampunk fashion show. The theme was an airship hauling silk from China to Europe and each model was a member of that crew. In my three years of Cancer, Chemo, and Covid lockdown I was able to mesh those two concepts.

Stephen King’s recent comments notwithstanding, let’s talk worldbuilding. In general, and with this book specifically, what’s your approach? Do you sit down and figure it all out ahead of time (setting, technology, culture(s), etc.?) or do you just make up most/all of it on the fly as you come across the need while writing?
I started with the concept of the High Silk Road and the industrial revolution that allowed China to win the Second Opium War and shrug off the colonial powers of Europe. Then the various technologies like the stiffened silk airship hulls, phlogiston, Liu Industries explosives, and karakuri automata were added to the mix. Then I started peppering the map of the old Silk Road with locations and notes while throwing in my revisions to history like the U.S. Civil War only lasting a few months after the introduction of German manufactured airships. Researching the Turfan caravanserai and the Uyghurs I found the perfect place for intrigue and adventure. On top of that, I liberally sprinkled Ship’s Cant, a patois of Chinese, French, and Portuguese, along with a bit of Asian folklore. Some swearing in Mandarin and Scots Gaelic added for taste. Backtracking to add new bits that I discovered ten or twenty chapters in was a constant process.

How do you approach humor in your books? I recall there being a decent amount in Camp Arcanum and there’s plenty here (including jokes that will likely fly above the target audience’s head). Do you work to maintain a balance between it and the action/tension? Does it come naturally? Do you have to come back on a later draft and insert or delete jokes to get it right?
Humor is something I naturally do; it kept me from getting flattened on the school yard and kept me sane in my adult years. The Silk Empress was always intended as a misadventure, which has all the elements of a great boy hero story, but things consistently go horribly wrong. Most of the jokes are baked in from the beginning. The majority of the rewrites involved improving description, character, and narrative. My editor had me remove a few remarks by the 19th century insular boy hero that were fitting for the character, but not acceptable for modern readers.

I don’t have a specific question here, but why don’t we take a moment to talk about finding and working with Seth Lyons—how much (in your mind) did those illustrations benefit the book?
Seth Lyons came to us through our store where we have a large Steampunk costume section, and he had a great collection of his steampunk art prints we carried. When I republished The Arcanum Faire books, he and I got our heads together for the covers. The original small press covers I had given specific input to the artist and the result was disappointing. With Seth, we got together at a Chinese restaurant and went over characters and visual elements, and then I let him run amok. The results were far superior. We did the same for Silk Empress, producing a great front and back cover worthy of the novel’s penny dreadful roots. Seth also created the logo, and then a few interior illos. I would have settled for a half-dozen, but he created one for each chapter. Some people disapprove of pictures in novels, but since this was written as an adult novel with YA sensibilities, I think it adds quite a bit.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Silk Empress?
I can’t really say with any confidence what books are like this one. I once pitched it as Scott Westefeld’s Leviathan X Jonny Quest. Those who enjoy the humor and wanton destruction of The Dresden Files might enjoy it. Or perhaps the free-wheeling adventure and criminality of The Stainless Steel Rat?

(A fantastic pitch, and the other comparisons are great. I’m very tempted to go back and make all these comparisons in my post…)

What’s next for Josef Matulich, author? A Silk Empress sequel, or do you have something else in the pipeline?
I’m still ruminating on where the Silk Empress will fly next on the High Silk Road, but I am returning to a supernatural Ohio with my WIP Dead People’s Houses. It’s the story of a man who makes his living from estate and tag sales, reselling some pieces and then renting out vintage props for advertising, TV, and film. Things get exciting when the hero begins to see the ghosts attached to those items. And there is still the threat of my Squirrel Apocalypse sequel: World War Squirrel.

Thanks for your time—and thanks for introducing me to Algie, Feng Po, and the rest. I had a blast hanging out with them.


The Silk Empress by Josef Matulich: A Rollicking Steampunk Adventure on the High Silk Road

Be sure to come back this afternoon for a Q&A with the author, Josef Matulich


The Silk EmpressThe Silk Empress

by Josef Matulich

DETAILS:
Publisher: Dalmatian Alley Books
Publication Date: December 11, 2022
Format: eBook
Length: 332 pg.
Read Date: February 2-6, 2023
Support Independent Bookstores - Visit IndieBound.org


N/B: After I wrote this post, I saw that Matulich calls this “an adult novel with YA sensibilities” in our Q&A. That is a great way to describe the book, but I read it under the impression given by a certain eBook seller who labeled it as for readers of 12-18, and judged it accordingly. Some of what I said below reflects that. So take those with a grain of salt.

Finally, the Captain spoke: “You’re insane.”

“And that’s what will save us all,”Feng Po said with a smile. “We have about ten seconds before our friends out here realize we aren’t going to fall out of the sky by ourselves. If you have a brighter idea, I will be glad to execute it.”

The Captain spent five of those ten seconds in silence. He came back on the wire with a grunt and an unhappy tone.

“This is what Mme. Streif hired you for. You’d better be right.”

“If I’m not, I’ll be dead and wrong, and that should make you very happy in the Afterlife.”

What’s The Silk Empress About?

Our hero is Algie Piggrem (not surprisingly, nicknamed “Pig” by many), a twelve-year-old First Mate’s apprentice on the airship Wu Zetian flying along the High Silk Road between China and Europe. In the first chapter he and the first mate, Feng Po McLaren, try out some experimental weapons to fight off some air pirates. Algie is fueled more by adventure stories from penny dreadfuls than by common sense or an instinct for survival and takes risks with a panache that will endear him to the reader immediately.

This attack, and the way that Algie and Feng Po succeeded, will bring them (especially Algie) to the attention of the owner of their company, a regional British governor, and others—before he knows it, Algie is in the middle of some high-stakes intrigue.

The Flashbacks

I am depending upon you to do something both brilliant and short-sighted.”

That comes late in the novel, but it’s in the flashbacks that we get to see how Algie develops this ability.

We get to see a little bit of what happened to Algie right after he was orphaned—how he reacts to that, both in good and unfortunate ways—in flashbacks scattered throughout, leading up to the time he joined the crew of Wu Zetian. The way his mother raised him and the books that he read shaping his mind to act in certain ways (or at least attempt to) tells us a lot about him in the present, and how he has grown and learned from those days.

He shows his gallant and would-be heroic impulses from the beginning—his impulsivity and creativity, too. He learns (the hard way) that he can’t win every time, but it doesn’t stop him.

The Worldbuilding

if you have problems believing that a man from Nigeria might be able to outdo the best minds of the British Empire, I could bring in Mister Liu to explain the science of these fire suppression spheres,” Mme. Streif said coolly. “His English is quite good and he can speak very slowly if you have problems with the larger words.”

The worldbuilding here is outstanding. The obvious thing to look at in a Steampunk book is the tech—I really enjoyed that, both the airship Wu Zetian (and the rest) as well as the smaller, everyday tech. The revolutionary stuff that Algie and the rest encounter—like the clockwork dragon, and similar automatons, is just fantastic. It’s precisely the kind of thing you go looking for in a Steampunk work—it sounds great and you get just a hint of the kind of science that would make it possible. It’s enough like your typical Steampunk technology to feel familiar, but Matulich puts his own spin (helped in large part by the setting) on it, so it feels fresh.

The setting and the people it’s populated with, however, are probably even better than the Steampunk-ness. In addition to the typical Victorian English that usually populate Steampunk, you have people like the Scottish-born (and accented), Feng Po McLaren. But beyond him, there are characters of ethnicities and nationalities like Uyghurs, Chinese, Nigerians, Americans, and French citizens. These all come from a variety of religious, social, and economic backgrounds and combine in this book with a mix of curiosity and acceptance—as well as a decent helping of elitism and racism (as is to be sadly expected). It’s a great way to show how the kind of transportation and technology in this world is bringing things together a little faster than it did in our reality—in addition to the diversity just making things entertaining.

The use of so many non-English phrases (translated in endnotes) is a fun—if occasionally frustrating—plus as well. There were times I was annoyed by having to break from the action to look up the translation—although context would carry you through a scene if you want to finish it before checking the note.

The Illustrations

There are a few illustrations by Seth Lyons (who also did the great cover) starting off each chapter. A few didn’t do much for me, most were pretty good—a few were excellent. I don’t know that the book needs them—but I certainly don’t think they hurt it. Overall, they’re a nice little touch and do a great job of capturing and reflecting the tone and gadgets of the book. They might be a real bonus to a young reader dipping his toe into steampunk for the first time and isn’t sure how to imagine some things.

So, what did I think about The Silk Empress?

“There is a picaroon cutter lying in wait for us about seven kilometers off the port bow.”

“Air pirates?”

“So they are called in Adventure Stories for Boys. I usually just call them well-armed layabouts. Less pressure to live up to expectations that way.”

I’ve tried to stay pretty vague above while talking about a few things that really stood out—because half of the fun of this novel is in the discovery of this world and learning with Algie just what he’s found himself in the middle of. It’s a bonkers adventure—fit for one of Algie’s adventure novels.

I’ve only read one other YA Steampunk—Westerfeld’s Leviathan trilogy—so that’s all I have to compare this to. Matulich’s world is just as intricate and volatile, this book is just a bit leaner than any of Westerfeld’s. Also, this is more fun. That’s not a knock on Leviathan—they’re in a war and trying to stop it. This is more of an action/adventure lark (at least initially). But fans of one should check out the other. Some of the humor is a bit more “adult” than YA—but it’ll either fly right over the heads of a reader or give them a grin.

It’s not just the action or antics that make this an entertaining read—Matulich’s a writer that you want to read. There is a subtle charm to his phrasing, for example—he can take a pretty straightforward sentence or sentiment and tweak it just a bit to make it something that’ll stand out.

I don’t know if there are more books in this universe planned—but man, I hope so. I could live with this as a stand-alone, but I’d really appreciate at least a duology. I’m betting you’ll feel the same way. But first, you need to read The Silk Empress, and I encourage you to do so (and then pass it along to a YA reader).


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Friday 56 for 2/3/23: The Silk Empress by Josef Matulich

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56% of:
The Silk Empress

The Silk Empress by Josef Matulich

He poured tea for both of them into little glass cylinders with fancy silver handles.

“The British, and perhaps the court of the Emperor, are not very wise. Because they have a problem with rats, they hunt down mice and squirrels.”

Algie thought on that as he took a sip of his tea, strong, sweet, and heavy with lemon and spices. “Is that a metaphor,” he asked Zdan, “or a problem of translation?”

Zdan laughed out, displaying his strong yellow teeth. “I will miss your visits, British boy!”

Bartleby and James: Edwardian Steampunk Chronicle by Michael Coorlim: Fun, Fast Steampunk Mysteries

Bartleby and James: Edwardian Steampunk ChronicleBartleby and James:
Edwardian Steampunk Chronicle

by Michael Coorlim

DETAILS:
Series: Galvanic Century, Book One
Publisher: Pomoconsumption Press
Publication Date: September 10, 2014
Format: Kindle Edition
Length: 123 pg.
Read Date: January 7, 2023
Support Independent Bookstores - Visit IndieBound.org

“Good news, James,” he said. “We are to be detectives.”

I looked up from my workstation, the jeweller’s loupe in my eye distorting his otherwise handsome face. “I’ve no desire to be a detective.”

“That’s unfortunate,” Bartleby said. “For it’s what we’re to be.”

What’s Bartleby and James: Edwardian Steampunk Chronicle About?

Alton Bartleby is something of an intellectual dilettante—he has some degree of brilliance and uses it to flit around from idea to idea, interest to interest, and so on. He gets very invested in some sort of project or occupation for a little while, and then plunges wholeheartedly into something else. Thankfully (for him) he has the wealth to indulge his flitting attention span.

James Wainwright is his friend—Wainwright’s a brilliant engineer, who is far more interested in whatever device he’s fiddling with than interacting with anyone. He seems to go along with Bartleby helping him out with whatever flight of fancy he’s on. But he’s not so sure about his latest idea—after meeting a certain retired Consulting Detective who now keeps bees, Bartleby wants to be a detective.

He sticks with it for longer than Wainwright or his fiancé expects—this book collects four short stories recounting some of their earliest cases. The Duo tangles with an automaton assassin, an out-of-control airship, a rogue spiritualist, and more.

The Tone

“I may be able calibrate my Forensic Viewers and attune them to his particular N- Ray signature.”

“I don’t know what that means.”

“My science goggles can track him.”

“Brilliant!”

These stories are told with a very light touch—they’re not comedic, but they have their moments, but they’re definitely not stories that take themselves too seriously.

That doesn’t stop them from brushing up against serious thoughts or emotions—and there is a little bit of character growth (and the “little bit” is solely a function of the brevity of the collection based on what I’ve read). Bartleby is largely the same man we meet in the beginning, except that he doesn’t seem to be tiring of being a detective. James, on the other hand, is definitely not someone he’d recognize from his pre-detective days.

So, what did I think about Bartleby and James: Edwardian Steampunk Chronicle?

Bartleby shook his head. “Look, can you invent… detective things?”

I raised an eyebrow. “Like what?”

“I don’t know. You’re the engineer.”

This was a fun, quick read—a nice little dose of Steampunk with a thin coating of Victorian P.I.

The stories were all a little too brief for me, I could barely get my teeth sunk into them—I’d prefer one story told over 120 pages rather than four.

But these were fun enough that I can see myself going on with the books. And think just about anyone would, too.


3 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Aether Powered by James T. Lambert: 21st Century Steampunk

Literary Locals logoI’ve got a fun Q&A with the author, James T. Lambert, coming up in an hour or so—be sure to come back for it!


Aether PoweredAether Powered

by James T. Lambert

DETAILS:
Publisher: Bert Books
Publication Date: January 18, 2022
Format: Paperback
Length: 224 pg.
Read Date: November 30, 2022

What’s Aether Powered About?

I feel like I’m in danger of just going full-bore “here’s everything that happened in the novel” or not really giving you enough to know what the book’s about. Let’s give it the ol’ college try, though.

Joseph is studying Electrical Engineering and is just scraping by—his gig in the bar can pay the bills and come close to treating his girlfriend, Carol, in the manner she is accustomed to. But there’s no wiggle room in his budget—so when he gets an inheritance from his weird uncle, he could really use some money. Instead, he gets an oddly heavy trunk. Which isn’t going to do much for the huge tax bill he just received that’s going to hit his financial house of cards like a bowling ball.

The trunk is full of odd-looking bits and pieces, strange devices, sketches, and notes from a distant relative who’d collaborated with Nicola Tesla. Joseph doesn’t know what to make of them. He plays around with one a little bit and discovers that it seemingly has anti-gravity properties. Anti-gravity? You don’t have to think too hard to realize this could be the solution to his money problems—and a few other problems as well.

But wait…what was that thing Uncle Harry said about “Malevolent powers are at work…would do anything to secure this…”? Maybe Joesph should’ve paid a bit more attention to that because before he can figure out how to use the device to his advantage, someone tries to take it.

Joesph and Carol find themselves on the run and looking for allies they can trust (and end up finding in the least expected places).

Carol

The charitable way of describing Joseph’s girlfriend is that she’s “a real piece of work.” You know that at one point there had to be something between Carol and Joseph beyond the fact that she’s attractive, but they’ve been together long enough that it’s not evident why. The relationship isn’t in a great place, but when Joseph calls for help—she answers.

She’s out for herself at the same time, but she’s there to help, too. She proves to be both resourceful and creative.

I cannot tell you, however, how much time I spent wondering why Joesph was with her. It’s an interesting choice on Lambert’s part because I can’t imagine a lot of readers are going to warm to her for long. A morally gray protagonist, an anti-hero, or that sort of thing is pretty easy to get behind—some readers are drawn to them. But an unlikeable love interest is harder to accept (at least as I’ve been thinking about it since I read the book, maybe I’ll think of exceptions to this later). I think it’s a gutsy move, and I think it pays off.

The Seafair Pirates

On the other hand, you have the Seafair Pirates…these guys are great. There’s never a moment of doubt about what the reader is supposed to think about them, and I can’t believe a reader isn’t gladly going to fall in line.

Without getting into details they’re a bunch of people from a variety of backgrounds and industries in the Seattle area who like to get together, cosplay as pirates, drink a lot, sing pirate songs (they probably would’ve really gotten into the sea shanty craze of a year or so ago), and generally have fun together. A series of events brings Joseph into contact with them and they also end up proving to be a great source of aid to him in his struggles.

I’m not going to say more from a risk of oversharing, but I’d sign up for another book featuring them with or without Joseph.

The Steampunk Science

Most (not all) Steampunk that I’ve read dips a toe into the science, and explains a little bit of what’s going on in their contraptions, but largely, it can be summed up as: there’s a thing and it works. Not unlike the way that Philip Marlowe turns on a lamp or Kinsey Millhone uses a pay phone—we don’t need to know how electricity lights a bulb or how you can deposit coins into a…you know what? Never mind, that might not be the best example anymore.

The point I was trying to make is that Lambert doesn’t get down into the nitty-gritty to give us an explanation for how the devices from the trunk function. There was a part of me that wondered how our Electrical Engineering major was going to explain everything, and I was a little disappointed that he didn’t. But I got over it quickly—it’d have interrupted the flow of the novel, and honestly, I really don’t care. I just want to know that if he flips this switch and turns that dial, things happen. No one wants a Steampunk à la Tom Clancy.

The trunk isn’t big enough to contain too many devices, so this novel is primarily filled with things we all know and use—but we get a little Steampunk mixed in with smartphones and the Internet. Frankly, I love this combination and would gobble up more like it—from Lambert or anyone else.

So, what did I think about Aether Powered?

I don’t know that I’d consider this book a “cozy” of any particular genre. Although I probably should—it delivers the same sense of fun and warmth. Almost immediately, I had this warm attraction toward the book and Joseph—and ultimately, just about everyone in the novel. I don’t know a better way to describe it. There’s been a lot of talk this year about “cozy fantasy,” “hopepunk,” and things along those lines—and I get the same kind of feel from this book.

There’s some good action, some tense moments, and some believably unsavory characters/groups. But most of the characters you spend time with are the kind you want to see succeed and want to spend more time with because you like them. More than that, this is a fun story—it won’t take you long to see the general outline of the book as a whole, you’ll be pretty sure where you’re going to end up at the end. But it’s a fun ride along the way, and that’s the important part.

Also, as I touched on above—Steampunk tech in our world? Why don’t we see more of this? I’m all for full-on Steampunk novels. But a dash of it in a contemporary setting? It’s a great idea. Aether Powered is worth picking up just for the conceit. That Lambert surrounds this conceit with a good protagonist, rollicking supporting characters, and a fun adventure is a great bonus.

Check this out, you’ll be glad you did.


3.5 Stars

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The Irresponsible Reader On…Self-Published Steampunk

(updated 7/26/22)
Self-Published Authors Appreciation Week

From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility and doing all the work to get their words, their dreams, their blood, sweat, and tears. This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

Because I completely forgot to plan, I didn’t have a lot of new-to-me Self-Published works to talk about this week, so primarily I’m dusting off and updating these posts from last year–highlighting the self-published works that I’ve blogged about over the last few years—just a sentence or two. Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today we’re going to be looking at Self-Published Steampunk. Yeah, this is only three books (and one is a sequel), which hardly seems to justify a separate list. But I kept these on their own so they wouldn’t get lost in the SF mix. Consider this an open invitation for people to fill up my comment section with recommendations so I can post a longer version of this list next time I run this.

bullet Bodacious Creed: A Steampunk Zombie Western by Jonathan Fesmire—the reanimated corpse of one of the most-feared lawmen in the West roots out a criminal organization set to rule California. (my post about it)
bullet Bodacious Creed and the Jade Lake by Jonathan Fesmire—Creed heads to SF and tangles with a human trafficking ring. (my post about it)
bullet The Golden Spider by Anne Renwick—a steamy Kraken-filled Steampunk story, lots of good action, and great inter-personal moments. (my post about it)

If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

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