Tag: Stefan Rudnicki

My Favorite Audiobooks of 2023

On January 4, 2024

My Favorite Audiobooks of 2023
How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

I’m very annoyed at how few of these I wrote about (if only because it means I had to think more about this post than I wanted to).

(in alphabetical order by author)

The Book That No One Wanted to Read

by Richard Ayoade
Narrated by Richard Ayoade, Jarvis Cocker, Lydia Fox

My original post The narration was great—Ayoade and Cocker were fantastic, Fox was probably as good, but didn’t get the best lines, so her work doesn’t stand out as much in my memory (although my original post suggests I forgot something great). This is one of those multi-narrator audiobooks where all the narrators are equally good—capturing the spirit and tone of the text and bringing it to life. This is a sweet little story “written by a book” about a lonely book in a large library. It’s goofy and strange, the humor is occasionally dry, it’s imaginative, it’s affirming and encouraging, it wraps you in a blanket of fun and makes you feel good.

4 1/2 Stars

Bookshops & Bonedust

by Travis Baldree

Of course, audiobook narrator-turned-author Baldree puts together a really strong audiobook. How could he do anything else? This is a sweet and (mostly) cozy little read taking place many years before Baldree’s breakout Legends & Lattes and sets the stage for Viv’s choices when she decides to retire from the mercenary biz. Here at the beginning of her career, she’s laid up for a few months in a small little town where she makes some friends, learns a lot, discovers that she can appreciate reading (when given the right book), and faces of against a deadly foe. It’s a very pleasant experience that will leave you wanting more like it.

4 Stars

Give the People What They Want and Other Stories of Sharp Wit, Cunning Women, and Wild Magic

by Alex Bledsoe, Narrated by: Stefan Rudnicki, with Alex Bledsoe and Gabrielle de Cuir

This collection of short stories and a novella is just a great time. You start with short pieces in two of my favorite series, an interesting sample of another series, a couple of other things, and then a Zombie story that I really got into (no, really). Rudnicki did his usual bang-up job, de Cuir didn’t get enough to do (but was good with what little she had) and it’s always nice to hear from the author. I don’t know if it’ll work for people who aren’t fans of a series by Bledsoe, but it just might convince the listener to try one or two of them (and I’d heartily encourage that, too).

4 Stars

Brokedown Prophets

by S.A. Cosby and a full cast too long to list here

Cosby is a name you should expect to see again before I finish with this look back at ’23 (and likely at least once more this year). The performances that bring the Audible Original to life are fantastic. This is a dark tale of hope, desperation, and the opportunity to make a new life for yourself. It’s also violent, bloody, and likely to end poorly for all involved. The Russian assassin is one of my favorite characters of the year—it’d be easy to have made him a joke, but the performer and Crosby won’t let you write him off like that.

4 Stars

The Third Eye

by Felicia Day, and a full cast including Sean Astin, Felicia Day, Neil Gaiman, LilyPichu, London Hughes, and Wil Wheaton (and many others)

This was simply gobs of fun. Gaiman is just fantastic (no surprise there, I realize), Day plays the adorkable card like only she can, although Astin’s vampire comes close. Wheaton can play a jackwagon like nobody’s business, and…okay, I’m going to go on too long here (I really should’ve written a full post on this by now so I could’ve). You’ve got fun ‘n games with The Chosen One trope, satire and celebration of Urban Fantasy tropes and themes, some good action, and strong friendships. And a cheerful, optimistic feel that makes you just want more time in this world—even if there’s no story to be told (it’s even better during these almost 7 hours, though, because there is one).

4 Stars

Like, Literally, Dude: Arguing for the Good in Bad English

by Valerie Fridland, Narrated by Valerie Fridland, Joniece Abbott-Pratt, Keylor Leigh, Andrew Eiden, Christopher Ryan Grant, Ellen Archer, Eileen Stevens, and Nicky Endres

I’m a sucker for entertaining books about language, grammar, etc. Fridland’s apologetic for “Bad” English drives my inner prescriptivist, up the wall—but she joins the growing number of writers who are sealing up that prescriptivit’s coffin. How good is this book? Her chapter (or maybe it was a section of a chapter) on “Um” and “Uh” was fascinating. If she can pull that rabbit out of a hat, imagine how good she can be when she talks about the use/overuse of “like,” the history of “Dude,” or the figurative use of “literally”—and so much more. I spent most of the time listening to this book just geeking out in a way that made me regret not becoming a sociolinguist myself.

4 Stars

The Camera Man

by Peter Grainger, Gildart Jackson (Narrator)

It’s not surprising to see a Grainger/Jackson pairing on this list—they’re behind what is probably my favorite audiobook series (I refuse to read a book in this series as long as Jackson is recording them). The Camera Man shows that the idea of DC Smith, PI has legs. The first book about him as a PI was very much a “Can he adjust to not being a police detective to help out a friend?” This is “Can DC act as a PI?” And the answer is a resounding Yes! There’s good material with Jo and the Diver siblings. But most of the joy just comes from Smith digging into the case. Just like the old days, but different. Loved it.

4 Stars

Nasty, Brutish, and Short:
Adventures in Philosophy with My Kids

by Scott Hershovitz

My original post
This was a great listen—Hershovitz is the kind of lecturer you want to pay attention to (or so imagine based on this). This book succeeded on multiple fronts: it was frequently amusing, if not downright funny; it was educational; it was insightful (even when I disagreed with what he did with the insights); it was thoughtful; it offered (largely by example, not being didactic) good parental advice; and kept this particular listener fully engaged throughout. Just what you want from an audiobook.

3.5 Stars

Magpie Murders

by Anthony Horowitz, narrated by Samantha Bond, Allan Corduner

This book has been on my to-read list for a long time, but I kept not finding time for it. I finally gave up on going with the paper version and picked up the audio from the library. What a fantastic book! The concept was great, the hook was gripping, the execution was dynamite, the narration was spot-on, the….the…ugh. I’m just listing superlatives at this point. Which is pretty much why I haven’t finished my post about it (despite starting 11 months ago)—words fail me. Just loved this.

5 Stars

The Only Truly Dead

by Rob Parker, Warren Brown (Narrator)

My original post
So Warren Brown is just a fantastic narrator and fits the material perfectly—one of the best matches of voice and text I can remember. Parker’s text was everything I could’ve hoped for—everything he’s been building up over the previous two books gets paid off in a dramatic and compelling fashion. It’s a mix of hope and darkness, and a reminder that both have lasting effects.

4 Stars

Catch-Up Quick Takes: Out of House and Home; Word by Word; Scarface and the Untouchable; Yearbook; Is This Anything?

By HCNewton

On October 22, 2021

In (Auto)Biography, Audiobook, Fiction, History, Humor, Non-Fiction, Urban Fantasy

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. Here are some recent-ish audiobooks (and one left-over from 2020!).

Out of House and Home

by Drew Hayes, Kirby Heyborne (Narrator)
Series: Fred, The Vampire Accountant, #7
Unabridged Audiobook, 11 hrs., 11 min.
Tantor Audio, 2021
Read: September 29-30, 221
Grab a copy from your local indie bookstore!

(the official blurb)
Wow, it’d been almost ten months since I’d listened to a Fred, the Vampire Accountant book. After a pretty steady diet of them for a while, the break was a little strange.

Anyway, the wedding’s behind him, so there’s another new challenge for Fred—someone’s coming for him, and the House of Fred. This isn’t new, but the openness, brazenness, and intensity of the attacks are.

Fred has to be his most creative to get through this challenge with both his ethics and clan intact. Not to mention his life.

For reasons that make sense (and make some of the drama possible), Krystal was not around for most of this book. That bugged me, I’d have liked to have seen a bit more about married life between the two. Oh, well, there’s time for that to come.

Gentle humor, just enough action to keep you going, and a bunch of pleasant characters. The seventh installment of this series proves there’s plenty of life left in this story of the undead.
3.5 Stars

Word by Word: The Secret Life of Dictionaries

by Kory Stamper
Unabridged Audiobook, 9 hrs., 48 min.
Random House Audio, 2017
Read: September 16-20, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
If you’ve ever wondered how a dictionary—at least Merriam-Webster dictionaries—is produced, this is the book for you. If you hadn’t but the idea sounds pretty good now that you know a book like that exists (like I was), good news. Kory Stamper’s book will satisfy.

As the blurb says,

She explains why small words are the most difficult to define, how it can take nine months to define a single word, and how our biases about language and pronunciation can have tremendous social influence. And along the way, she reveals little-known surprises—for example, the fact that “OMG” was first used in a letter to Winston Churchill in 1917.

I found her discussion about trying to refresh the definition of “bitch” in the twenty-first century, with all the history and varied usage to pair nicely with John McWhorter’s chapter on the word in Nine Nasty Words. I’d love to hear the two of them discuss it.

There’s some humor, some scholarship, and word-nerd fun. It’s an entertaining and enlightening book.
3.5 Stars

Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago

by Max Allan Collins and A. Brad Schwartz, Stefan Rudnicki (Narrator)
Unabridged Audiobook, 18 hrs., 36 mins
HarperCollins Publishers, 2018
Read: June 14-21, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
There is a lot of de-mythologizing in this history of Capone and Ness—not just of some of the myths that surrounded them during the 1920s and 30s—but of many of the “de-mythologizing” works that have been written about them since. According to Collins and Schwartz, both men—especially Ness—have been the victim of so much revisionist history that it’s almost impossible to really get at what these two did and were like.

Still, the authors think they’ve got it—or at least closer to it than others due to their research methods, etc. Hopefully, they have—I don’t know. They did tell a pair of compelling stories about Capone, Ness, and how they both rose to notoriety—and kept it.

I do think a text version of this would work a little better—I had a hard time tracking some of the not-as-important names/dates/events. It could be me, and probably is. I don’t think it was Stefan Rudnicki’s fault at all—he did a great job with the work (and it was nice to hear him doing something other than Alex Bledsoe novels).

3 Stars

Yearbook

by Seth Rogen (and a whole lot of other people)
Unabridged Audiobook, 6 hrs., 13 min.
Random House Audio, 2021
Read: September 7-8, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Simply put, this is a collection of stories from Rogen’s life—from doing stand-up as a teenager to his work on TV and in movies. There’s—no surprise at all—a lot of references to and stories about drug use.

I’m not a huge Rogen fan—have enjoyed some of his work, but not most of it. I have always appreciated his ability to tell a story in interviews, though, and that’s what we get here. Great literature? Nope. Insightful look into the human condition and/or the Entertainment Industry? Nope. Silly fun? Yup. I can’t imagine anyone picking up a Rogen book looking for more than the last option, anyway. So you get what you expect.

This was definitely a book to listen to on audio—listening to Rogen tell these stories adds a bit of humor and flavor to it that I think just reading it wouldn’t deliver.
3 Stars

Is This Anything?

by Jerry Seinfeld
Unabridged Audiobook, 6 hrs., 15 min.
Simon & Schuster Audio, 2020
Read: December 15-16, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Jerry Seinfeld keeps the notebooks he writes his jokes in and has always done so. Which made compiling this collection possible. This is a collection of what Seinfeld considers his best material.

It’s organized by decade, with a little narrative added to discuss his career/family. But it’s primarily joke after joke after joke after joke. As I recall, SeinLanguage was essentially the same thing, but the last time I read that was in the 1990s, and my copy is in a box. So I can’t verify that.

I’m not sure audio was the best method for me. It felt like listening to a comedy album recorded in a studio rather than in front of an audience. It just felt strange to hear it all without laughter or other audience reaction—or his reaction to the audience. Also, I think it’d work better taken in parts—not the whole 6 hours in a clump (I guess 2 clumps).

Still, it’s material from one of the best around—it’s an entertaining time.

3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

He Drank, and Saw the Spider (Audiobook) by Alex Bledsoe, Stefan Rudnicki: LaCrosse’s Break from His Vacation Changes History

By HCNewton

On March 1, 2021

In Alex Bledsoe, Audiobook, Eddie LaCrosse, Fantasy, Fiction, Reread Project

Like with the previous Eddie LaCrosse audiobook, The Wake of the Bloody Angel, I can’t think of much more to say than I did in 2014 when I read the book. But, this is the last one in the series, and I can’t just let this pass unremarked. So I shuffled it a bit, cleaned a couple of things up, and added bit here and there. That’s not cheating too much, is it?

He Drank, and Saw the Spider

by Alex Bledsoe, Stefan Rudnicki (Narrator)
Series: Eddie LaCrosse, #5

Unabridged Audiobook, 9 hrs., 6 min.
Blackstone Audio, 2014

Read: February 16-19, 2021

Grab a copy from your local indie bookstore!

I felt that little knot in my belly that meant a mystery was taking its irrevocable hold. Usually this was a good thing, because usually I got paid for it. But here and now I was on vacation, and the last thing I wanted to do was spend it unraveling the truth of the strange prince, his rotund protector, and the girl I’d once saved from a bear. But damn it, I knew that’s exactly what I was going to do.

What’s He Drank, and Saw the Spider About?

After a couple of adventures that aren’t quite typical in their nature, Eddie La Crosse gets back to basics with a fairly straightforward case. Well, that’s not exactly true—it’s just that the last was more grand-adventure-y, less LaCrosse-as-sword-jokey, and the one before that took on this epic nature by the end. This is Eddie doing what he does best. But still, there’s magic and monsters, and all the other trappings that keep this from being something that Sue Grafton or Dennis Lehane would’ve written.

Sixteen years ago, Eddie promised a dying man on the run that he’d take care of the baby that the other man was running to protect. He found a seemingly-trustworthy family willing to take the infant in, and went on his merry way, and actually forgot all about the incidents surrounding that. Years later, Eddie and his girlfriend, Liz, are on vacation in that area and suddenly it all comes back to him and he decides to try and track down the (now) young woman and see how she’s doing.

Naturally, things start to go poorly about there. He does find her—pretty easily, too—it is a small community, with an economy largely-based on sheep-herding and farming, so it’s not really a bustling metropolis where no one knows anyone else. But there’s a whole lot of interesting things happening around the young woman—royalty in disguise, a meddling sorceress, an untrustworthy mercenary-type, an over-protective mother, a dose of sibling rivalry, and some sort of articulate and super-strong inhuman creature with a healthy interest in the girl.

Even though he was just supposed to check on her and not interfere with her life—he had no intention of even introducing himself to her. Eddie can’t help himself, and before you know it, he’s neck-deep in intrigue and danger.

Biggest Magic Yet

When you think about Fantasy novels (or maybe I should just say “I”, who knows what you think) you think about magic all over the place. But if it’s really that ubiquitous, that takes away some of the special-ness of magic. In LaCrosse’s world, almost no one believes in magic. Eddie sure wouldn’t if magic, deities, and supernatural creatures hadn’t rubbed their existence in his face on repeated occasions.

That’s certainly the case here—most of the people that Eddie is around in this novel (and by most, I mean an overwhelming majority) refuse to admit that what they are seeing—some of them on multiple occasions—has anything to do with magic. I think this is a great choice—it’s another hurdle for Eddie and Liz to get over, it adds some real tension when you’d be tempted to think we’re done with tension, and it keeps the magic mysterious.

Rudnicki’s Narration

I think this is probably Rudnicki’s best work in the series. he nails every character—particularly the character of Billy Cudgel (the aforementioned untrustworthy mercenary-type). He captures the humor, the drunkenness, the misery, the madness, and everything else. I thought the choices he makes in the narration (he and/or the director) and tone were spot-on. He’s definitely a narrator I’m going to seek out in the future.

So, what did I think about He Drank, and Saw the Spider?

On the whole, this is a fun, brisk novel—a lot of humor, some good action, nice banter, and interaction between the characters (especially Eddie and Liz). Yet, even as the answers to the questions surrounding the girl’s mysterious origins become obvious, and some of the characters get to the point where they seemed irredeemable, Bledsoe (as he can every so well) keeps you completely drawn in and even tugs the heartstrings a bit as the truth is revealed to the characters. Just really, really well done.

There’s a lot of nice little touches along the way. For example, towards the end of the book, Eddie and those he’s traveling with encounter a preteen who joins their little band for a while. She’s pretty new to swearing and tries to get in as much practice as she can while with them. At first, I thought she was an odd (but entertaining) and pointless distraction. It didn’t take too long to see she was a perfect tension-breaker, just what that part of the novel needed to keep from being too tense and so much more serious than what had come before.

Eddie’s narration has never been better—humor-tinged and hard-boiled, a medieval Philip Marlowe or Elvis Cole. I liked all of these characters, and really wanted to spend more time with each of them—I don’t know how Bledsoe could’ve pulled that off without getting the whole thing too slow and ponderous (which would’ve sucked the fun out of 60-70% of these characters). This is really such a well-done and fully realized series.

Either Bledsoe or his publishers decided that was enough, and it doesn’t look like we’re going to get any more adventures from our favorite sword-jockey, but man, I’m glad we got what we did.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Wake of the Bloody Angel (Audiobook) by Alex Bledsoe, Stefan Rudnicki: A Search for A Needle in a Very Wet Haystack

By HCNewton

On January 27, 2021

In Alex Bledsoe, Audiobook, Eddie LaCrosse, Fantasy, Fiction, Reread Project

Small confession, before trying to write this post, I read my 2014 post from when I first read the novel, and it struck me that I didn’t have much else to say. So I shuffled it a bit, cleaned a couple of things up, and added bit here and there. That’s not cheating too much, is it?

Wake of the Bloody Angel

by Alex Bledsoe, Stefan Rudnicki (Narrator)
Series: Eddie LaCrosse, #4

Unabridged Audiobook, 8 hrs., 51 min.
Blackstone Audio, 2012

Read: November 27-30, 2020
Grab a copy from your local indie bookstore!

What’s Wake of the Bloody Angel About?

I looked up at the stars. Finding one pirate after twenty years was a lot like picking one star out of this sky. Just when you thought you had it, a cloud slid by and you had to start all over when it passed.

Yet that’s just what Eddie LaCrosse sets out to do—find the unfindable, track the untrackable. For those of you who don’t know—Eddie lives in a fairly standard fantasy realm, and makes his living as a “sword jockey”—what we’d call a P.I. in our world. These books are first-person narratives and read a lot like good detective novels—but with swords, horses, and the occasional dragon or whatnot.

Eddie doesn’t go alone on his search for a pirate—he brings along his old friend/colleague, Jane Argo. Jane’s a former pirate turned pirate hunter turned sword jockey and is as tough as that résumé suggests. Having her come along on this adventure as the Hawk/Joe Pike figure was a great addition to a series that I didn’t think required it. But now, I want more of her—back in Eddie LaCrosse #6, or in Jane Argo #1. I could be pleased either way, as long as it’s soon.

A Killer Line

Every now and then, in the middle of this fun read, Bledsoe reminds you he can do more than tell a fun action story, and drop a sentence, or phrase that shows he’s just a good writer, period. One such line that stood out to me, and I’ve tried to find excuses to use in the last couple of days is:

Hawk’s been called many things over the years, but you know what captures him best, in my opinion? That he’s simply a shiver looking for a spine to run up.

You get a real clear idea about this Hawk guy, the image is pretty creepy in and of itself, and yet, it looks and sounds breezy unless you think about it. I like Eddie and the rest of his world plenty—but it’s that kind of thing that keeps me coming back to Bledsoe.

What I found interesting as I re-read what I wrote years ago is this very line. I’d completely forgotten it in the intervening years, but when I heard it, I mentioned it to a coworker and at least one family member, and even tweeted about it. It struck me as a perfect line in 2014, and it did the same again in 2020. I clearly have a well-defined taste and will probably rave about it the next time I read/listen to this novel.

The Paranormal

The last thing I can think to note is that this book briefly features the creepiest little girl I can remember since Let the Right One In. I really can’t talk about her without ruining too much, but let me just say that absolutely loved the way that Bledsoe used her. And no, I’m not going to talk about why I mention her under “The Paranormal.”

For a Fantasy series, Bledsoe is very careful—almost stingy—with his use of magic and the paranormal. But when he uses it? It’s so effective. We get just a few incidents of it here and I love watching the choices Bledsoe makes regarding them.

The Narration

Obviously, as it was over 6 years ago that I read the book, I could be wrong about this, but I think that Rudnicki’s narration added another layer to the novel, and it struck a deeper chord with me. It’s not like I didn’t enjoy the book when I read it, but listening to it seemed to be more effective. I attribute that solely to Rudnicki. He just does a great job not only with Eddie, but with all the other characters—Jane Argo and the last new character we meet in particular.

So, what did I think about Wake of the Bloody Angel?

There’s adventure, piracy, sword-play, banter, friendship, and a bit of betrayal. That’s pretty much what you want in a novel like this, right?

Bledsoe did a great job of nailing the life of a ship (says the guy who gets too seasick to even contemplate a day-long voyage)—both the tedium of day-to-day and the excitement of boardings (or other adventures at sea).

I couldn’t have seen the ending coming, nor the details it revealed. But it worked, it absolutely worked both as interesting plot development, and as strong character moments. So well done.

I’ve only got one novel in this series to go, and I’m excited to get to it, but I don’t want things to end. That’s a good place to be.

4 Stars

My Favorite Audiobooks of 2020

By HCNewton

On January 6, 2021

In Audiobook, News/Misc.

Given the large number of audiobooks I listened to in 2020, I sort of felt like I had to focus on them for one of these posts. But how to keep this from being just a rehash of the other best of lists? Well, I focused on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance?

Truth be told, this was a harder choice than I expected. Also, a couple of books that were in my mental rough draft didn’t make it to the final version when all was said and done (I’m still not sure I made the right call on a couple of these).

(in alphabetical order by author)

Dark Jenny

by Alex Bledsoe, Stefan Rudnicki (Narrator)

My original post
Stefan Rudnicki brilliantly captures the humor, the confusion, the determination of Eddle LaCrosse and the situation he finds himself in—and then the horror, revulsion, and anger he has when he discovers what’s really going on. Starting with one of Bledsoe’s best books, Rudnicki goes on to bring it to life.

4 Stars

Dash & Lily’s Book of Dares

by Rachel Cohn, David Levithan, Ryan Gesell (Narrator), Tara Sands (Narrator)

My original post
For me, this book came along at the right time—its particular brand of silly and escapist sweetness was exactly what it turned out that I needed. Add in a couple of stellar performances from Ryan Gesell Tara Sands and it’s just a delight. They can make you believe (even temporarily) in the magic of Christmas and young love.

3.5 Stars

Luck and Judgement

by Peter Grainger, Gildart Jackson (Narrator)

My original post
I’ve said it before, and I’ll keep on saying it: there’s a certain magic, an ineffable alchemy about Jackson narrating Grainger’s work. It’s just fantastic, I think I’d have liked these audiobooks with another narrator (or in print), but I don’t think I’d have liked them as much.

I could’ve listed each book in this series here, but I limited myself to this one because it’s an atypical crime for a novel, the solution (and how Smith and his team come to it) is offbeat, there’s some great humor and great emotional beats, too. It’s Grainger at his best and Jackson delivers it perfectly. There is a strong sense of humanity in these books, not just in the protagonists, but in the victim, the killer, the witnesses, the people who aren’t the killer but who aren’t up to anything legal/moral/ethical…everyone. There’s no one cartoon-y or over the top (in any direction).

4 Stars

The In Between

by Michael Landweber, Brittany Pressley (Narrator), Mark Boyett (Narrator)

My original post
This is the story of what happens to a family when a young child goes missing during a teleportation trip that his parents make successfully (to put it too succinctly) It’s a gripping listen and wonderfully performed. As you may have guessed Brittany Pressley narrates the chapters from the mother’s point of view, and Mark Boyett takes the father’s. I don’t think I’d heard anything by either of them before—but I’ll keep my eyes peeled for their names when I browse for audiobooks in the future. They truly did wonderful jobs. They got the emotion of the moment, the tension—and occasional moments of fun, joy, or relief—as well as giving a real sense of the characters. It didn’t happen often, but even when a character usually only seen in a Lillian chapter showed up in a Jackson, you could recognize them (and vice versa)—which was nice. Landweber wrote a great story but Boyett and Pressley brought it to life.

5 Stars

Greenlights

by Matthew McConaughey

My original post
When Chris Hardwick interviewed McConaughey recently he described the audiobook as McConaughey playing McConaughey, which is a great way to put it, and I wish he’d posted this before I wrote about the book so I could’ve borrowed it then. But that’s it exactly, Yes, it’s his stories, but yeah, he’s performing. It feels like you’re sitting around the campfire or a table in a bar, listening to a great storyteller at work.

3.5 Stars

Crossing in Time

by D. L. Orton, Noah Michael Levine (Narrator), Erin deWard (Narrator)

My original post
Typically, when I post about an Audiobook, I close with a discussion about the narrator(s). But I started with it when I posted about this novel because Levine and deWard did such a great job, they’re the highlight of the experience for me. Typically, when there is a male narrator and a female narrator—the female will read all the narration and dialogue in the female character POV chapters, and the male will read all the narration and dialogue in the male character POV chapters. But here, deWard reads all the female dialogue, no matter the narrator (and vice versa). That’s a nice touch, and once I got used to it, I really appreciated it. Particularly, it helped the conversations between characters feel like conversations—there was a little bit of talking over each other, and so on. And when the two laughed together? That was either fantastic work by the narrators or by the editor (or both).

I’m not that sure how much I’d have enjoyed this book in print, but the way these two embodied the book made it one of the highlights of the year.

4 Stars

Far from the Tree

by Rob Parker, Warren Brown (Narrator)

My original post
This was an Audible Original, so the Audiobook experience is a big part of it. Brown was a great choice of narrator—he’s the perfect voice for this material. He captured and shaped the tone as he needed to, and gave the right performances for each character.

I can’t help feeling like I need to say more, but I just don’t know what else to say. If I had problems with the performance, I’d probably be able to go on longer, but when a narrator gets it right, like Brown does here, what else is there to say? It was a brutal, brutal experience, with more twists than I can count, and a plot so complex I’m not able to talk about it in this small space.

4 Stars

Back to Reality

by Mark Stay & Mark Oliver, Kim Bretton (Narrator)

My original post
This is sort of a Fringe-inspired take on a Back to the Future/Freaky Friday mashup, and it’s as odd, and fun as that description makes it sound.

I’ll frequently (maybe too frequently?) talk about an audiobook narrator bringing the text to life. And Kim Bretton does that. But she does more than that—she fills it with life. Dynamic, energetic, vibrant…are just some of the adjectives that spring to mind. I was very happy when I just looked over her other audiobook credits and saw a couple of titles I was already thinking about—if she’s doing them, I’m giving them a try. (although, if I never hear her do another American male accent, I’d be more than okay).

Funny, sweet, amusing, heartfelt, laugh-inducing, touching, comic, imaginative—and did I mention humorous? This is 606 minutes of pure entertainment. I really encourage you to put this in your ear-holes. It’d probably work almost as well in print—Bretton’s great, but she has to have something to work with—but in audio? It’s close to a must-listen.

4 Stars

The Answer Is . . .: Reflections on My Life

by Alex Trebek, Narrated by: Ken Jennings, Alex Trebek

My original post
Jennings was a great choice of narrator, since his time on Jeopardy!, the two are linked in the collective consciousness, and they clearly have a good relationship. He sounds like a natural when it comes to narration. But his work is overshadowed by the few chapters he didn’t read.

Trebek read a few chapters himself—the one about why he swears so often (it surprised me, too), the one talking about notable Jeopardy! contestants (like Jennings), the one about his wife (Trebek didn’t like the idea of someone else talking about his wife that way), and the last chapter, where he discussed his cancer and coming to terms with his impending death. I understand why he couldn’t do the entire book himself, but I’d have preferred it (nothing against Jennings—I’d have been content with Jennings doing the whole thing). But I’m so glad he did those chapters, you could hear the sincerity in his praise for Jennings, Eddie Timanus, Cindy Stowell, and others; his love for his wife; and the resolution and contemplation he’d put into his final days

4 1/2 Stars

Dawn Patrol

by Don Winslow, Ray Porter (Narrator)

Wow. Despite this being my first and favorite Winslow novel, I wasn’t inclined to grab the audiobook. But then it was on sale and a fellow Winslow-fan recommended Porter’s take on the book. I didn’t know that Porter did audiobooks before this, but he’s on my list to watch for now.

I don’t know how to describe this—I was blown away. I’ve read the book two or three times, but Porter made it feel like it was all new. I was gripped. I was entertained. I was heartbroken. It’s as good as you can ask for an audiobook to be.

5 Stars

Dark Jenny (Audiobook) by Alex Bledsoe, Stefan Rudnicki: Eddie LaCrosse Meets a Legend

By HCNewton

On August 25, 2020

In Alex Bledsoe, Audiobook, Eddie LaCrosse, Fantasy, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Reread Project

Dark Jenny

by Alex Bledsoe, Stefan Rudnicki (Narrator)
Series: Eddie LaCrosse, #3

Unabridged Audiobook, 8 hrs., 45 min.
Blackstone Audio, 2012

Read: July 24-28, 2020
Grab a copy from your local indie bookstore!

What did I say about Dark Jenny the first time I read it?

I have only the vaguest of memory of what actually happened in the first Eddie LaCrosse novel (The Sword-Edged Blonde), and only somewhat better recall about the second (Burn Me Deadly). That’s a reflection on the amount of stuff I’ve read in that time, and is in no way a reflection on Bledsoe. I do have a very clear recollection about what both books told me about Alex Bledsoe’s talent and that I enjoyed them a lot. I’m equally certain that Dark Jenny won’t suffer from that same fading from memory/excuse to reread them. This one is gonna stay with me for a while.

Essentially, this book is a variation of an Arthurian story—ideal king, queen rumored to be less than ideal, noble knight corps with a few rotten apples thrown in, a wizard figure, wicked half-sister, and a whole lotta intrigue—with a few unique twists of Bledsoe’s own thrown in for good measure. Not a sour note to be found here—some notes that were hard to listen to, sure, but…okay, there’s a metaphor that went awry. I was trying to say that yes, there were things that were less pleasant than others—this book goes to some dark, nasty places–but it all worked well.

We get this Arthurian tale via an extended flashback—in the middle of a nasty winter storm, with nothing else to occupy the attention of his neighbors, Eddie receives an interesting package. One so interesting, there has to be a great tale that goes along with it—which he ends up telling to the crowd at his favorite tavern (with only the tiniest of breaks to remind us that this is all in Eddie’s past). By making this all an extended flashback, Bledsoe is able to give us a slightly different version of Eddie—one on the way to being the guy we’ve seen in the last two books. It also gives him the excuse to have a great femme fatale to grab Eddie’s attention without having to write around his lovely lady.

A great, riveting fantasy noir. Can’t wait for the next one already. A decent jumping on point for those new to the series, and a great third installment for those who’ve been around for awhile.

Thoughts this time through

In the nine years or so since I read Dark Jenny I held on to a vague recollection of the plot, I remembered it was a clever twist on an Authurian Legend, and that it knocked me for a loop. But that’s really all I remembered.

So when I started it on my Eddie LaCrosse re-listen, I was excited. And spent a lot of time pretty disappointed. I couldn’t see why it knocked me for a loop.

It was a very clever way to tell an Authurian story while critiquing the Authorian stories. Bledsoe got the best of both worlds there, he got the utopia, the glory, the all the trappings. And he got to show the inherent problems with them, how short lived the utopia was (and if that’s the case, just how “eu” was the topia?)

And it was a fun story about a younger Eddie LaCrosse, sword jockey at large. I wasn’t blown away, but I was having a good time.

And then I got to the part that I must’ve been thinking about when I wrote my original post about it years ago. It’s not long after we learn why the book is called Dark Jenny, if you’re curious. And then I remembered exactly what I felt in 2011 and why the impression lingered even if the details had faded.

What about Dark Jenny as an audiobook?

Once again, Stefan Rudnicki, isn’t who I’d have guessed was a good fit for LaCrosse. But I’d have been wrong, he’s a great voice for this series and I can’t imagine anyone else doing it now. I can’t put my finger on why, but I think this novel works better in print than in audio (which is not a reflection on Rudnicki, it’s something about the story)—but I have no complaints about this as an audiobook.

So, what did I think about Dark Jenny?

I guess I kind of gave it away earlier. At this point in the series, Bledsoe has locked it in. He knows who Eddie is and how to tell his stories. There’s the right mix of fantasy elements (including the Arthurian material) and hard-boiled PI elements; humor and grit; violence and sympathy.

I don’t know if this is that much better than it’s predecessors—but it is somewhat, at least. And it resonates on an emotional level for me far more than they did. I’m completely sold on it.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Burn Me Deadly (Audiobook) by Alex Bledsoe, Stefan Rudnicki: LaCrosse’s Good Deed Goes Very Punished

By HCNewton

On June 19, 2020

In Alex Bledsoe, Audiobook, Eddie LaCrosse, Fantasy, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Burn Me Deadly

by Alex Bledsoe, Stefan Rudnicki (Narrator)
Series: Eddie LaCrosse, #2

Unabridged Audiobook, 8 hrs., 36 min.
Blackstone Audio, 2012

Read: June 1-2, 2020
Grab a copy from your local indie bookstore!

One night, riding outside of town on a routine job Eddie LaCrosse comes across a woman in pretty rough shape. She’s naked, bruised, cut and burned—many of the burns look skillfully inflicted, as are all the rest of her injuries. Whoever worked her over knew what he was doing. A damsel in a lot of distress and after a brief conversation, Eddie offers to help her get away from whoever did this and protect her.

Then he’s struck from behind and wakes up as someone’s captive—she’s there, too. Not long after that, he wakes up again, at the bottom of a cliff, barely alive. The damsel didn’t fare that well. Once he’s patched up well enough to move and think, Eddie sets out to find out who she was, who killed her—and nearly him—and get a little revenge.

His search puts him in the way of one of the strongest criminal figures in his neck of the woods (a man that Eddie would’ve been happy never to have crossed paths with) and a government official trying to stop his investigation. Then an old friend of Eddie’s is killed, and that may be related to his case. Which sends him off into several other directions—including a new dragon-worshiping cult that’s somehow tied to the crime boss.

Eddie scoffs at the idea behind this cult—who, in his enlightened age, still believes in dragons? Eddie’s skepticism (that word’s too mild, but I can’t come up with a better one) seems out of place for someone reader know has known both a deity and a man who has lived centuries. Whether or not he’s right to disbelieve, the worshipers seem more than a little out to lunch, and are clearly easily manipulated.

There are a few good fight scenes, some good character growth and development since the last book (noteworthy because Eddie seemed to be dead-set against growth and development at the beginning of that novel). Liz, the courier we met at the very end of the first novel, is still around and is a huge part of Eddie’s life. We get a taste of that, but not as much as I’d have liked (for good reasons, I should add, I’m not saying that Bledsoe wasted her).

I think this might be a better novel than The Sword-Edged Blonde—the story’s a bit tighter, Eddie doesn’t engage in any casual cruelty, the characters are better developed (just a bit). But I don’t like it as much (each of the three or so times I’ve worked through the). There’s a missing je ne sais quoi to this, however, that restrains my enthusiasm. Do I recommend it on its own merits? Yeah. Do I recommend it as a necessary installment in this series? Definitely—read them all.

I’ve only re-read the first two novels up to this point, when I move on to book three in a month or so, it’ll be the first time I revisit it, and I’m really looking forward to that. It’s possibly the best of the series—at the least, I remember it being a step above this.

3.5 Stars

The Sword-Edged Blonde (Audiobook) by Alex Bledsoe, Stefan Rudnicki: This Hard-Boiled Fantasy Mixes the Best of Both Genres

By HCNewton

On May 12, 2020

In Alex Bledsoe, Eddie LaCrosse, Fantasy, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Sword-Edged Blonde

by Alex Bledsoe, Stefan Rudnicki (Narrator)
Series: Eddie LaCrosse, #1

Unabridged Audiobook, 8 hrs., 28 min.
Blackstone Audio, 2012

Read: April 22-24, 2020
Grab a copy from your local indie bookstore!

I’ve read this novel at least twice (13 and 11 years ago), and apparently have forgotten almost all of it. In fact, what I did remember as the climactic scene must belong to the second novel in the series, Burn Me Deadly. I can do better with the rest of the series (and not just because I actually wrote something about them—but I’m looking forward to taking another look at them in the coming months.

But I’m getting ahead of myself, I should introduce you to Eddie LaCrosse and his world. It’s your basic Fantasy world—swords, rumors of sorcery, small kingdoms, and so on. Eddie’s an ex-soldier, ex-mercenary, now “sword jockey” (basically a private cop). He’s got a little more on his résumé, but you’ll learn more about that as you dive in yourself. He’s been hired by an old friend, the King of a neighboring country to clear his wife of the horrific murder of her son. She doesn’t remember him, but when he meets her, Eddie realizes that he knew the Queen long before the King did.

Eddie’s investigation takes him through multiple kingdoms, into the remains of a cult, and into a criminal network that rivals anything that Varys put together for efficacy or ruthlessness. At the same time he does this, Eddie takes a trip through his personal history, reliving the time he knew the Queen (and events leading up to that). The two storylines are interwoven to help Eddie solve what seems like a perfect crime.

Both in the narration, LaCrosse’s character and the kinds of people we meet along the way, Bledsoe channels Chandler. LaCrosse is casually violent in a way that Marlowe indulged in a bit too often for me, and the (for lack of a better word) grotesque (in physical appearance and morality) criminals Eddie deals with in the latter parts of the book felt particularly Chandler-esque to me.

There’s some things that happen at the end that point to Eddie coming to terms with parts of his past that he’s been unable/unwilling to acknowledge existed. The character won’t change as a result of this (at least not much), but I think it opens the door for some of his rougher edges to be rounded out. How well that actually happens, I’ll have to see (I don’t trust my memory enough right now)—but at the very least, Bledsoe made it possible for the character to grow and evolve here.

Rudnicki’s narration didn’t really work for me initially—there was a quality to his voice that just didn’t click with me. But, I kept going because I liked the novel. Before the halfway mark, however, he’d won me over. I can’t put my finger on it (either good or bad), but he sold the emotional moments, the humor, and Eddie’s general attitude. Which is good enough for me.

It’s hard for me to rate this one on its own terms—I remember liking it. I remember what Bledsoe does with the characters. And those things color my rating, leading me to probably giving this another half-to-whole star more than I would otherwise. But also, for the world. The merging of Fantasy and Hard-boiled genres in a way that’s seamless and well-executed. I recommend this one and will be back for more soon.

Bookstooge posted about this book yesterday. It’s probably worth a read (I’ll read it later today, I didn’t want his voice in my head as I wrote this).

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.