Outside, the air was thick and threatening rain. Spring in Tennessee. Peter strode across the wide concrete apron toward the road.
Go to Memphis, June had said. Eat some barbecue, listen to music, have some fun.
So far there had been no barbecue and no music.
Was it wrong that he might be having fun?
What’s Tear It Down About?
Peter’s been recuperating and rehabbing from his injuries from Light It Up at June’s—he’s about as recovered as he can be and is spending his time doing some upkeep and repairs on some of the buildings. But being in one place for so long is getting to him. He doesn’t see it, but June does.
June has a friend, Nadine, in Memphis. She’s a photographer who’s done a few tours in Iraq and Afghanistan, embedded with various groups. She’s back home in Memphis and has recently purchased a house at auction. Since then, she’s been harassed and could use some help. So June sends Peter off to lend a hand.
The morning before he arrives at Nadine’s, someone had driven a dump truck through the front of her house and then ran off. The truck is still there, which is what’s keeping some of the walls from falling. Clearly, he’s got his work cut out for him.
The work gets complicated the next day when Peter’s carjacked. No, really. A teenager with a pistol sticks Peter up, stealing his truck (with all his tools, food, and weapons) in the back. Peter likely could’ve stopped him, but chooses to let the kid get away with it for some pretty good reasons.
So now, he has to try to stop further attacks on Nadine, help her rebuild the house that she’s determined not to leave, and get his truck back. Oh, and immediately following the carjacking, Peter offended the drug lord who runs most of the crime in that part of Memphis—but you’ll want to read all that for yourself.
A Man Called Lewis
Lewis decides that Peter needs help (with a little input from June) and shows up just when things are getting hairy.
If I’ve noticed it before, I don’t remember—but Lewis here is essentially Robert B. Parker’s Hawk. There’s one conversation between Lewis and Peter that could’ve been lifted straight from a Hawk and Spenser conversation by Parker/Atkins, too.
It works, too, don’t get me wrong. I am kicking myself a little for not having seen it before, but I don’t think it was as strong—maybe that’s because of the themes/circumstances in this book that it stands out so much.
So, what did I think about Tear It Down?
There’s a significant racial component to the events and circumstances of this book. This added a little depth to the novel, it’s about more than people trying to get money and power, as is usual for these books. Sure, there’s money and power at the root of a lot of what’s going on here—but there’s a degree of hate that wasn’t around either.
There are also two characters who are just trying to survive in a world that seems hostile—and increasingly so—to them. They just need a break, a chance to do something, but it’s taken from them at every turn. The question for them is what they do in these circumstances—and what the results of their choices will be for those around them.
There is a significant toll on those who just happen to be near Peter and Lewis when things get ugly between them and those who are harassing Nadine. Peter notices this and it bothers him—it’s one thing in war for there to be collateral damage, but there was no reason for anyone injured (or worse) here to be in danger. It will be interesting to see if this experience has an impact on how he deals with things in the future.
This one had it all—great action, a compelling story, some good social commentary, and some time with characters I’m really growing attached to. Nick Petrie and Peter Ash continue to be a winning combination.
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