Tag: Tim Sullivan

The Dentist

by Tim Sullivan, read by John Heffernan

DETAILS:
Series: The DS Cross Mysteries, #1
Publisher: W. F. Howes Ltd
Publication Date: September 2, 2021
Format: Unabridged Audiobook 
Length: 10 hrs,. 12 min.
Read Date: February 10-12, 2026

What’s The Dentist About?

DS George Cross is called to a murder scene for what the uniformed officers are assuming is going to be a simple, probably unsolvable, murder of a homeless man at the hands of another homeless person. Cross almost instantly sees some things that tell him that’s not the case at all, and saddles up for a complicated case.

It is a complicated one, too (obviously, you don’t want your novel’s protagonist to be wrong at the first thing he concludes in the book). Cross and his not-very-willing partner, DS Josie Ottey, start learning a good deal about this homeless man—who not that long ago was a prominent dentist in the area. Cross becomes convinced that this murder is tied to an unsolved case from over a decade ago and sets himself to solving both crimes.

This sets him at odds with former police detectives who investigated the earlier case, the higher ups in the Service who are looking for a quick conclusion, and parts of the dentist’s own family. Ottley supports him in this, but gets the other side, too—and will try to guide him to the “safer” conclusion (while hoping his obstinacy will show that he’s not the person she should be partnered with for the next case).

I Have to Talk About Cross and the Spectrum

We meet George Cross having a very awkward introduction to a new coworker—it doesn’t go well for either of them (and only one of them understands why). And then he finds calm in leaving that conversation to focus on the murder victim in front of him. A crime to investigate, clues to notice, a puzzle to solve—that’s what Cross needs. Not a friendly (and we’ll learn, clever) new coworker.

In many ways, Asperger’s Syndrome* is what distinguishes Cross from his peers (on the force and in Police Procedural fiction). But Sullivan never makes this out to be a super-power (as so many tend to do), or a disability for him to overcome in some inspirational manner (phew). Nor—and this is the big one—is it played for comedy (think Adrian Monk’s OCD which is portrayed comedically, tragically, and with sensitivity—often in the same scene.)

It’s just who Cross is. He is off-putting, he is borderline rude, he only realizes how to better handle a conversation at work or in private after the fact (and almost never goes back to redress things). He is hyper-focused at times, to the point of obsession. He is very self-aware of his challenges and has done many things to ease his way through them (one would argue, not enough). His co-workers and superiors are also very aware of his challenges and have done things to ease his way through them (one would more easily argue, not enough).

He’s on the spectrum, just the way that Ottley is a black single mom. The way that his father is a hoarder. The way that their civilian aid is anxious to prove herself. The way their DCI is a better politician than a detective (but one who can see when he needs to get out of the way and let detectives detect). It’s just part of him.

That’s the way this should be handled.

* I realize that “Asperger’s Syndrome” is considered an outdated term, but it’s what the novel uses, so I’m using it, too.

How was the Narration?

Well, first I had to cope with Heffernan’s pronunciation of “Asperger’s” (well, the British pronunciation, its not just his). It doesn’t really matter to me, but it, more than anything, reminded me where this book takes place (I really didn’t register the accent otherwise).

Other than that—I really appreciated and enjoyed Heffernan’s work here. He got the tension just right (when appropriate) and captured the humanity of all the characters and Cross’ investigation. He conveyed the rigor of Cross’ style and thought process as well.

I don’t know if I can separate the Heffernan’s reading of the book from my appreciation of it—it’s likely a series that I’ll have to continue on audio, because the two are joined so solidly in my mind. (and, boy, do I hope Heffernan’s got a long-term contract).

Why did I pick this up? Why did I keep reading?

I picked this read “Mind and Matters of Crime: Meike Alana Lokos at the DS George Cross Mysteries” over at The Hard Word and the series seemed like something I should give a shot.

I kept going because I was right—this is totally my thing. Some great characters, a unique way to approach a criminal investigation, and a pretty twisty mystery.

What does this book tell us about humanity?

It feels like the obvious thing here is to talk about Cross being on the spectrum, and the way that others respond to him, avoid him, get frustrated with him, and yet respect his work. Or the way that has learned to make his way in the world. This is valid and important.

It also feels too easy—and like something I could copy and paste for the next however many books there are. More than that, it wasn’t the thing that jumped out at me the most.

What really rises to the top when I think about this book are the connections between the people—what forges them, what strengths (or weakens them), and how that plays out over the course of their lives. Cross and his father have a very solid relationship—it’s predictable, it’s reliable. Cross and Ottley have a…strained and awkward relationship—but one that Cross somewhat depends on, one that Ottley frequently resents (I think she softens a bit). The relationship between Cross and his superiors isn’t what you get from other procedurals—even with “the brass” isn’t wild about a particular detective who does things their own way.

And as for the relationships between the victims, suspects, and others that Cross encounters in this case—those are firmly in spoiler territory, but watching the web be revealed—and add layers as the book goes on was really intriguing. The book really is about human relationships and much of their diversity more than just about anything else—including the murders. (although, well, they’re rooted in them, too.)

So, what did I think about The Dentist?

I was charmed instantly, by the end of Chapter One—I was sold. My appreciation and enjoyment grew from there, and I wasn’t halfway through before I knew I was at least getting the sequel to this soon. And anticipated catching up on the series by the end of 2026.

This satisfied me on every front—mystery, character, storytelling, writing, and promise for things to come. I felt like I understood Cross and Ottley, and wanted to see them ply their craft with another case or twelve.

Lastly, while DS Cross isn’t DC Smith, and no one would confuse the Bristol police with King’s Lake Central—there’s something about this book (and Heffernan’s narration) that scratched a Peter Grainger-itch in my psyche. This is good, because now that I’ve caught up with Grainger’s series, he can’t produce things quickly enough to satisfy me. Also, it’s pretty high praise in my book for Sullivan.

For readers who are into British Procedurals, atypical Detectives, and/or quality fiction. I strongly encourage you to pick this up.

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