Tag: Twenty Palaces

DETAILS:
Series: Twenty Palaces, #4
Publisher: Radar Avenue Press
Publication Date: September 30, 2022
Format: E-book
Length: 390 pg.
Read Date: October 1, 2022

“My name is Ray Lilly,” I said to the empty room.

There it was. I’d remembered my name, and with it came the realization that I had come to this place, whatever this place was, to find someone—no idea who at the moment—and kill them.

Setting the Stage

It’s been a while since the last Twenty Palaces fiction was published (a novella 5 years ago, a novel more than twice that), let me give a quick review.

Magic is in the world, people who come across a book of it run the risk of opening a gate to another dimension and letting monsters (called predators) into our world. Once in, they won’t stop until our reality is gone.

Standing in the way is the Twenty Palaces Society—their peers track down the books and those who are using them and stop them. Almost always this is a lethal stopping. Annalise has been a peer for quite a while now, she gets the job done without really worrying too much about what stands between her and the target.

Ray Lilly is her wooden man. His job is to be a distraction, getting the attention of the troublemakers (human) and the predators focused on him, so Annalise can dispatch them. He’s not supposed to survive for long, but somehow he’s both lived and proven pretty effective when helping Annalise. Before this, he was a criminal—a car thief, freshly released from prison and trying to live a better life for the sake of the relatives who supported him.

What’s The Iron Gate About?

Annalise sends Ray into a building in a small coastal town to do some recon. They know a predator is in the building, but before she does something (probably destroying the building) he goes in—something happens and his ghost knife (the one spell Ray possesses) lands at her feet. Ray’s been taken by that predator but is still alive. She cancels the “apocalyptic tsunami of magic” she had planned for the building to wait for Ray to either die (which would get that tsunami rescheduled) or to escape.

Meanwhile, Ray finds himself in an Everytown, USA. Everyone calls him “Carl” and…ugh, I’m just going to copy and paste from the book description, because it’s more concise (and better) than what I’ve come up with:

[Ray] realizes that for some time now he’s been living as a puppet, his body and mind under the complete domination of an unknown power, and the townsfolk think this puppet is his real identity.

And that power can still seize control of Ray’s body at any time, forcing him and the people around him to playact in nonsense stories that center around a mysterious boy and his monster dog.

The town and its people shift and change, but only Ray seems to notice.

While she waits to find out what’s going on with Ray, Annalise devotes her time, energy, and money into keeping other people from getting access to that building. The last thing she wants is anyone else feeding that monster.

It’s the Little Things

Ray’s Ghost Knife could easily be the MVP of this series. Despite being a simple spell—and Ray’s version of it screams “bargain basement” in an endearing and charming way—is a surprisingly effective and reliable piece of magic. It turns out to be as versatile as a certain someone’s Sonic Screwdriver.

The way it’s utilized in this book is completely different than we’ve seen before, and is probably responsible for me spending more time thinking about it than I would’ve otherwise (although it’s always been a favorite thing in each book/story). As much as I enjoy the whole world and magic system that Connolly has given us, it might really be this tiny element—which almost seems to be a forgettable gadget when we first saw it—that could be his masterstroke. Just for what it’s allowed him to do in each setting.

Character Growth?

There are certain characters you run into in novels/series that are formed. They don’t display a lot of growth and development and that’s fine, they don’t need to. Most of the time, that’s a flaw in the writing/character design—but sometimes the character just is who they are and that’s good. Everyone around them changes and grows, but they remain a rock. Like a rock that Marcus Aurelias would talk about amidst the raging waves.

Annalise Powliss has always seemed like one of those characters to me—Ray and the civilians they were around would change, and Annalise would remain pretty much the same (maybe relaxing a bit and trusting Ray, but that’s it). But man, over the course of this novel, things happen to change her. The Annalise who drives away from this is not the one we met in Child of Fire.

I’ve liked her since the beginning, but this version takes less effort. More than that, I enjoyed watching the transformation (and how much she hated it when she noticed it happening, yet she rolled with it).

So, what did I think about The Iron Gate?

This book is everything I’ve thought this series could be—not that I thought the previous novels, novellas, short stories, etc. lacked anything, but this seemed to be a slightly better version of them. That’s probably because Connolly’s a better novelist now than he was when he started the series.

Given the set-up for this series, that extra-dimensional powers are about to break into this reality and devour everything—there’s an inherent darkness to the books. Ray, Annalise, and the rest of the Twenty Palaces are the equivalent of the proverbial little Dutch Boy, and they might be running out of fingers to hold back the destruction. There’s a sense of futility to what they’re about, every victory is Pyrrhic. That doesn’t take away from the gripping nature of the storytelling or the entertainment value of the novels—but you don’t shake the feeling of impending loss. I didn’t feel that this time—I have a few theories to explain it, but most feel inadequate, so I’m not going to share them. I don’t know if that’s a tweak Connolly’s making to the series, something tied to The Iron Gate‘s events, or if he’s setting us up for something. I’ll buy any of those explanations—or a combination.

I wonder a little bit if that makes this a more commercial novel than the previous ones. Hopefully—and hopefully word gets out about this book and it finds the audience it deserves.

There’s so much in this book to celebrate—the way Ray figures out what’s going on and how he tries to address it, everything Annalise gets up to, the way things wrap up, and the promise of the last chapter for what’s to come. Connolly is firing on all cylinders here, and it’s great to see. You’ve got unique magic, great action, flawed protagonists, unexpected humor, and a couple of compelling intertwined plots—what more can you ask for?

This would be a good jumping-on point for this series, Connolly gives you enough to get your footing in this world and overarching story while immersing you in this book’s plot (actually, he probably made this as accessible for new readers as the first book was). This is an Urban Fantasy for those who want something out-of-the norm, and is well worth your time.

4 1/2 Stars

A Two-Fer: Twenty Palaces and Child of Fire (Audiobooks) by Harry Connolly and Daniel Thomas May

By HCNewton

On February 17, 2021

In Audiobook, Harry Connolly, Twenty Palaces, Urban Fantasy

Twenty Palaces

by Harry Connolly, Daniel Thomas May (Narrator)
Series: Twenty Palaces, #0
Unabridged Audiobook, 8 hrs., 14 min.
Tantor Audio, 2020
Read: July 29-30, 2020
4 Stars

Child of Fire

by Harry Connolly, Daniel Thomas May (Narrator)
Series: Twenty Palaces, #1
Unabridged Audiobook, 10 hrs., and 9 min.
Tantor Audio, 2020
Read: September 8-10, 2020
4 Stars

What is The Twenty Palaces Series?

The Twenty Palace Society is a secretive and ancient group that has devoted itself to the regulation of magic in this world for the benefit of humanity. Those who use magic outside of the Palaces control have a tendency to unleash disaster—and by disaster, I mean things with the potential to destroy the world—and the Society stops them with extreme prejudice (and if collateral damage happens, so be it—we’re talking about the survival of the human race here).

Most of these threats come by way of unleashing Predators—beings from the “Empty Places” between dimensions. Their main drive seems to be coming into this (or any) reality and snacking on whatever life forms they can find. They typically begin by seeming to obey and/or help the humans who summoned them. But eventually, they turn on their summoners and exact a horrible price.

The Society’s methods, structure, and personnel largely lie in darkness, but we know a little bit—there are peers (magic users of impressive strength, but not as strong as others in the Society), investigators (whose purpose is to look for magical/Predatory activity), and wooden men. Wooden Men are cannon fodder. They’re the designated redshirts whose purpose is to draw the attention of the humans or Predators the Society is attacking so their peer can come in and eliminate the threat while they’re focused on the Wooden Man. It’s obviously not a place to be if you’re all that concerned with living a long and quiet life.

Our protagonist, Ray Lilly, is a Wooden Man (or becomes one in TP). In that book, he stumbles upon some unauthorized magic use, casts one spell himself (which would be enough to kill him over, but he proves useful to Annalise so she delays that), and then stumbles upon a group of predators and helps Annalise stop them from turning Seattle into a home base to bring in others of their kind and then to destroy humanity.

In Child of Fire, the two find themselves in a small town, where a man/company (it’s hard to tell at first) seemingly has made a deal with a Predator for some benefit to the town, but at the cost of the children of the town—and it happens in such a way that the memories of parents are affected enough that they don’t remember their children ever existed.

Publication/Listening Order

While I do think a good prequel can be fun, by nature they are wholly unnecessary. If you don’t have everything you need in the books/movies/whatever as they were published, the author/creators failed. Also, you probably don’t get something successful enough to generate a prequel.

Again, they’re fun. It can be entertaining to get an explanation for something in the original work (“Oh, so that’s why there’s a lampstand in the middle of the wood”), occasionally it gives you a new perspective on the series, that kind of thing. I was more than happy to read Twenty Palaces when the series had been mothballed, but I wasn’t clamoring for it.

But last year, when Tantor started putting out the whole series in audiobook form (the first book had been already, but the rest hadn’t been), I went with the order that Tantor published—Twenty Palaces first and then moving on to the rest.

I was surprised at how well it flowed. There’s very little time between Twenty Palaces and Child of Fire and it really felt like CoF was a sequel. There were just so many throwaway details in CoF that were there to make it seem like Ray had a past (not that we learned much about it), that there was a little bit of history with Ray and Annalise (but not much of one). As you read it (assuming you read in publication order), there’s a mysterious, violent past—one that it’s good to know Ray has, but we don’t need to know it.

Connolly did a great job of taking those details and building events in Twenty Palaces around them. I’m not saying this is the best way to listen to the books—but it makes them a lot more approachable. I can see why Tantor went the way they did.

Ray Lily

Yes, Ray Lilly is an ex-con with a violent streak. But he sincerely wants to live a straight life—while he admits to himself that he enjoys the rush of violence. He also likes the fact that his work for the Society matters. He tries to be a good, law-abiding citizen as much as possible. He works hard to prevent injury to those who have nothing to do with the Predators.

He’s incredibly loyal to Annalise—which is not a little twisted because Annalise has told him repeatedly that she will kill him.

He’s essentially what you expect in a male UF protagonist—but he’s as close to powerless as you can be in this world and yet survive. Which definitely marks him out as different. He also has a real talent for getting people (many people, anyway) to trust him and is better at inspiring bystanders to action than most UF protagonists (although most of them don’t need to recruit help, and Ray does). There’s a very human quality to Ray that makes you like him.

Annalise Powliss

Annalise is old (well over one hundred years old), but looks younger than Ray. She has a high voice and looks like she hasn’t had a decent meal in ages. But that’s deceptive—she’s supernaturally strong and magically powerful. While she doesn’t relish the prospect of collateral damage/fatalities—she’s familiar enough with the treat posed by Predators that she’s more than willing to let a town’s worth of citizens die to prevent all of humanity from being consumed. Still, she’s largely willing to indulge Ray’s compassion—up to a point.

Annalise has all the powers of your typical UF protagonist—maybe even more. But none of the wit, sarcasm, or optimism. For her, this is a duty, not one she particularly enjoys, but it’s something that has to be done.

Daniel Thomas May

I admit that I was worried about Daniel Thomas May as the narrator for these audiobooks. All I know him from is the Venators series, and this is about as far from a YA Portal Fantasy as you can get. But my worries proved groundless and he does a bang-up job portraying Ray Lilly and the horrors that this world holds.

More than that, I’m glad I listened to these if only for Annalise’s voice. It’s both exactly what Connolly says it sounds like—and is about 3.4 million miles away from what I’d imagined.

So, What Did I Think about these Audiobooks?

They’re just great—I thoroughly enjoyed being back in this world and I still don’t understand why the books weren’t bigger sellers. I hope they find a new audience in audiobook. I don’t know if I’ve ever talked about the series on this blog without using the phrase “criminally underselling,” (or words to that effect). It comes to mind once again, I just don’t get why readers didn’t get behind this.

They’re dark, they’re grim, they’re on the violent end of the UF spectrum (but I can easily find darker, grimmer, and more violent series)—but there’s a glimmer of hope throughout them all. Not just from Ray’s undaunted trust in humanity, but that’s where most of it comes from. Even with all the death and destruction, they’re entertaining reads and you get immersed enough in the world that you don’t want to come out of it.

You really should get these in your earbuds or in front of your eyes.

The Iron Gate (Break Kickstarter)

By HCNewton

On July 22, 2019

In Books, Fiction, News/Misc., Twenty Palaces, Urban Fantasy

Next year will see the publication of the next story in one of my favorite Urban Fantasy series, the criminally underselling Twenty Palaces. This is music to these ears, I will read just about anything Harry Connolly puts out, and will read Twenty Palaces until he stops. Kickstarter is trying something new, and Connolly is taking advantage of it. He’s running the campaign on a on a per-word rate.

So here’s the deal: the minimum pro rate for short fiction is five cents/word, so for every five bucks pledged to this campaign, I’ll write a hundred words. Upper limit… let’s say two hundred thousand words, which would be two new Twenty Palaces novels.

Not that I expect to reach that limit–to be honest, I’m half-expecting that I won’t make the basic goal.

The good news: he hit the bottom level of funding in less than an hour, and is over 600% of it right now. I’ve got to wait a couple of days to figure out how much I can kick in, but I’ll be sponsoring over 100 words. You should, too!

My Favorite Fiction of 2017

By HCNewton

On January 8, 2018

In Alex Verus, Audiobook, Benedict Jacka, Craig Johnson, Fiction, General Fiction/Literature, Ian Rankin, John Rebus, Kevin Hearne, Mystery/Detective Fiction/Crime Fiction/Thriller, Seanan McGuire, Steph Broadribb/Stephanie Marland, Toby Daye, YA/MG/Children's Books

Is he ever going to stop with these 2017 Wrap Up posts? I know, I know…I’m sick of them. But I’ve already done most of the work on this one, I might as well finish…Also, it was supposed to go up Friday, but formatting problems . . .

Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1. Also, none of these are re-reads, I can’t have everyone losing to my re-reading books that I’ve loved for 2 decades.

I truly enjoyed all but a couple of books this year (at least a little bit), but narrowing the list down to those in this post was a little easier than I expected (‘tho there’s a couple of books I do feel bad about ignoring). I stand by my initial ratings, there are some in the 5-Star group that aren’t as good as some of the 4 and 4½-Star books, although for whatever reason, I ranked them higher (entertainment value, sentimental value…liked the ending better…etc.). Anyway, I came up with a list I think I can live with.

(in alphabetical order by author)

In The Still

by Jacqueline Chadwick
My original post

Chadwick’s first novel is probably the most entertaining serial killer novel I’ve ever read. Without sacrificing creepiness, suspense, horror, blood, guts, general nastiness, and so on — she gives us a story with heart, humor and humanity. The second novel, Briefly Maiden is arguably better, but I liked this one a teensy bit more — and I’m genuinely nervous about what’s going to happen in book 3 (not that I won’t read it as soon as I possibly can).

Robert B. Parker’s The Hangman’s Sonnet

My original post

How do you possibly follow-up 2016’s Debt to Pay, especially with that ending, without dramatically altering the Jesse Stone flavor? I’m still not sure how Coleman did it, but he did — Jesse’s dealing with Debt to Pay in a typically self-destructive way, but is keeping his head mostly above water so he can get his job done, mostly by inertia rather than by force of will. Reflexes kick in however, and while haunted, Jesse can carry out his duties in a reasonable fashion until some friends and a case can push him into something more.

Coleman’s balancing of long-term story arcs and character development with the classic Jesse Stone-type story is what makes this novel a winner and puts this one on my list.

A Plague of Giants

by Kevin Hearne

This sweeping — yet intimately told — epic fantasy about a continent/several civilizations being invaded by a race nobody knew existed is almost impossible to put into a few words. It’s about people stepping up to do more than they thought possible,more than they thought necessary, just so they and those they love can survive. It’s about heroes being heroic, leaders leading, non-heroes being more heroic, leaders conniving and failing, and regular people finding enough reason to keep going. It’s everything you want in an epic fantasy, and a bunch you didn’t realize you wanted, too (but probably should have).

Cold Reign

by Faith Hunter

My original post
Hunter continues to raise the stakes (yeah, sorry, couldn’t resist) for Jane and her crew as the European Vamps’ visit/invasion gets closer. Am not sure what’s more intriguing, the evolution in Jane’s powers or the evolution of the character — eh, why bother choosing? Both are great. The growth in the Younger brothers might be more entertaining — I appreciate the way they’ve become nearly as central to the overall story as Jane. I’m not sure this is the book for new readers to the series, but there are plenty before it to hook someone.

Once Broken Faith

by Seanan McGuire
My original post

Poor planning on my part (in 2016) resulted in me reading two Toby Daye books this year, both just excellent, but this one worked a little bit better for me. Oodles and oodles of Fae royalty and nobility in one spot to decide what they’re going to do with this elf-shot cure leading to a sort-of closed room mystery (it’s just a really big, magical room) with peril on all side for Toby and her found family.

A Monster Calls

by Patrick Ness
My original post

There were so many ways this could’ve been hacky, overly-sentimentalized, brow-beating, or after-school special-y and Ness avoids them all to deliver a heart-wrenching story about grief, death, love, and the power of stories — at once horrifying, creepy and hopeful.

Black and Blue

by Ian Rankin
My original post

Rankin kicked everything into a higher gear here — there are so many intricately intertwining stories here it’s hard to describe the book in brief. But you have Rebus running from himself into mystery after mystery, drink after drink, career-endangering move after career-endangering move. Unrelenting is the best word I can come up with for this book/character/plot — which makes for a terrific read.

Sourdough

by Robin Sloan
My original post

This delightful story of a programmer turned baker turned . . . who knows what, in a Bay Area Underground of creative, artisanal types who will reshape the world one day. Or not. It’s magical realism, but more like magical science. However you want to describe it, there’s something about Sloan’s prose that makes you want to live in his books.

Do not read if you’re on a low carb/carb-free diet. Stick with Sloan’s other novel in that case.

The Hate U Give

by Angie Thomas, Bahni Turpin (Narrator)

My original post

This was a great audiobook –and I can’t imagine that the text version was as great, I just didn’t have time for it. It’s the story about the aftermath — socially, personally, locally, nationally — of a police shooting of an unarmed black male as seen through the eyes of a close friend who was inches away from him at the time.

I think I’d have read a book about Starr Carter at any point in her life, honestly, she’s a great character. Her family feels real — it’s not perfect, but it’s not the kind of dysfunctional that we normally see instead of perfect, it’s healthy and loving and as supportive as it can be. The book will make you smile, weep, chuckle and get angry. It’s political, and it’s not. It’s fun and horrifying. It’s . . . just read the thing. Whatever you might think of it based on what you’ve read (including what I’ve posted) isn’t the whole package, just read the thing (or, listen to it, Turpin’s a good narrator).

The Force

by Don Winslow
My original post

There may be better Crime Fiction writers at the moment than Don Winslow, but that number is small, and I can’t think of anyone in it. In this fantastic book, Winslow tells the story of the last days of a corrupt, but effective (in their own corrupt and horrible way), NYPD Task Force. Denny Malone is a cop’s cop, on The Wire he’s be “real police” — but at some point he started cutting corners, lining his pockets (and justifying it to himself), eventually crossing the line so that he’s more “robber” than “cop.” Mostly. And though you know from page 1 that he’s dirty and going down, you can’t help get wrapped up in his story, hoping he finds redemption, and maybe even gets away with it.

But the book is more than that. In my original post I said: “This book feels like the love child of Tom Wolfe’s The Bonfire of the Vanities and Nicholas Pileggi’s Wiseguy. You really feel like you understand how the city of New York is run — at least parts of it: the police, elements of the criminal world, and parts of the criminal justice system. Not how they’re supposed to run, but the way it really is. [Winslow] achieves this through a series of set pieces and didactic pericopes.”

A police story, a crime thriller, a book about New York — oh, yeah, possibly the best thing I read last year.

There were a few that almost made the list — almost all of them did make the Top 10 for at least a minute, actually. But I stuck with the arbitrary 10 — these were all close, and arguably better than some of those on my list. Anyway, those tied for 11th place are: <

The Twisted Path by Harry Connolly

By HCNewton

On December 22, 2017

In Harry Connolly, Twenty Palaces, Urban Fantasy

I had a hard time writing this one up — I’m not sure why. I tossed out 98% of what I prepared to post yesterday and came up with this instead. I think the book deserves something better, but this is what I have.

The Twisted Path

by Harry Connolly
Series: Twenty Palaces, #4

Kindle Edition, 109 pg.
Radar Ave Press, 2017

Read: December 20, 2017

Annalise Powliss is a powerful sorcerer who travels through the US on behalf of the Twenty Palace Society keeping magic out of the wrong hands — generally by killing the owners of those hands (and anyone standing too close to them). Ray Lilly is her Wooden Man — an assistant whose primary responsibility is to distract her foes, draw their fire, and die in her stead. It’s not the world’s best gig, but he’s an ex-con and doesn’t have a lot of prospects (there are other reasons, but you should read them for yourself). The thing is, Ray’s worked a lot with Annalise without dying, which makes him a remarkable example of a Wooden Man.

So the two of them have been called to the Society’s HQ in Europe so The Powers That Be can meet Ray, examine him and . . . well, he’s not really sure what to expect. Naturally, while they’re there, the pair have an opportunity to take out a supernatural bad guy in their spare time.

This is a very different kind of story for this series, the focus isn’t on the magical threat, but on the Society itself. Yes, there are Predators to be dealt with — but that’s almost a side-note. The Twisted Path gives Ray, as well as the reader, a much greater understanding of the Society. Not that I ever had a complaint about the focus in the earlier stories, but reading this pointed out what I wasn’t seeing before. Initially, you care about the Society’s mission in that, 1. they’re saving the world, blah, blah, blah; but primarily, 2. because you want Ray to succeed (or at least survive) and therefore you want to see the Society’s goals met. Now, I think I have a greater investment in the whole organization.

There’s just so many things I loved about this — Ray, the small-time crook from the Western U.S. being in Europe, trying to cope with all the differences that he never realistically expected to see. Just his reaction to walking on stairs that have existed for longer than the U.S. was a great paragraph. Ray’s initial response to the peers he’s called was so perfect, that I know it brought a smile to my face. Connolly did all the little things right, and that makes it so much easier for the reader to care about the bigger things. He’s probably done that throughout the series, but in a full novel, it’s easier to not pay attention to those details so you can get on with the story — so you can find out what’s going on. In a novella, you can feel like you can take your time.

Not only that, Connolly structured this novella in an atypical fashion — it allowed him to do some things with the story that were natural, organic, and not-cheating, but were able to take the reader by (some degree of) surprise that he wouldn’t have been able to in a straight-forward beginning-to-end structure. It’s possible, really, that this is the best writing of Connolly’s career — he’s had books that I liked a bit more, but I don’t know if he’s written anything better.

Short, fast, action-driven, but with a lot of things to chew on — this is a great UF novella for readers of this series. I don’t know how it’d work as an introduction to the series, maybe fine, but I think you’d be better off with Circle of Enemies. I bought it within minutes of hearing that The Twisted Path had been released and re-shuffled my week’s plans to read it as soon as I could — which were probably the best moves I made this week.

It’s been years since I last read one of the novels (or the novelette), so I spent a little more time than I’d have liked trying to remember why we encountered some of these characters before or how this compared to the style of the others. I’ve got to add the series to my re-read pile, I want to revisit this world soon. If you haven’t spent time with it — go grab Circle of Enemies (don’t read the prequel until after you’ve read #3, if you ask me), there are few, if any UF worlds like this.

4 1/2 Stars

Bad Little Girls Die Horrible Deaths by Harry Connolly

By HCNewton

On September 3, 2014

In Authors, Fiction, Harry Connolly

Bad Little Girls Die Horrible Deaths and Other Tales of Dark Fantasy

by Harry Connolly

ebook, 153 pg.
Radar Ave Press, 2014
Read: July 29 – August 23, 2014

By and large, I am not a fan of short stories. The length is typically frustrating for me — even when they don’t remind me of the various anthologies I had to use in Lit classes throughout my High School and College years. Still, I try every now and then to read some. Finding a good short story is as rewarding — if not moreso — than finding a good novel. This is a collection of ten short stories and one novelette — six of the stories are reprints, the others have been published for the first time in these pages. The novelette belongs to Connolly’s criminally under-appreciated Twenty Palaces series, and would be worth the purchase price for fans of that series. If you’ve never read that, but are interested in in trying out a variety of new fantasy worlds (including one that has some books to go with it), this is a great investment.

There was one story in the batch that I didn’t like. But even as I read it, and wasn’t enjoying it, I realized there was nothing poorly written/constructed about the story. It just wasn’t my thing. I don’t care who told the story, or how they did it, Don’t Chew Your Food wasn’t going to work for me. It’s a pretty straight-forward horror kind of thing, and that just doesn’t do it for me.

That out of the way, let’s focus on the pluses. This was a nice little variety pack of stories — the styles were all over the place, one (Hounds and the Moonlight) read like something the Brothers Grimm would’ve appreciated, another (Cargo Johnny) felt like it should’ve been introduced by Rod Serling, and another (Beyond The Game) demonstrated that Connolly can do funny — which is nice to see (also nice to have a little palate cleanser after all the mayhem and destruction).

The One Thing You Can Never Trust is a great introductory story — in just a few pages we have a political system (or two) unfolded for us, society’s way of (not) dealing with a racial divide and a new magic system. All while telling a tidy little crime story. Bad Little Girls Die Horrible Deaths is similarly a great short burst of world building with a fresh magic system — and some wonderful monsters, both human and not. Great opening paragraphs, grab you and make sure you’re along for the ride.

The main reason people are going to be picking up this collection is for the Twenty Palaces story: The Home Made Mask. And they are right to do so. I cannot get enough of this series (sadly, I’m a member of a very exclusive club). The fact that Ray and Annalise aren’t in the story much doesn’t affect that — this is the strange, creepy, capricious kind of magic at work that makes this series so compelling. Tempted to buy some Power-ball tickets just so I can commission some more of these.

I think my favorite story was Lord of Reavers, which is the closest thing to “traditional” fantasy. This tale of an almost super-human swordsman joining up with a band of raiders was great. I felt that I should’ve seen the conclusion coming sooner than I did, but it was so much fun I’m glad I didn’t. I’d read a novel or more starring this character — easy.

Most short story collections are uneven at best, full of ups and downs. Bad Little Girls . . . is an exception — 1 down, and 10 ups. Can’t ask for more than that. You’d do well to give it a try.

—–

4 Stars

Twenty Palaces by Harry Connolly

By HCNewton

On November 20, 2013

In Authors, Fiction, Harry Connolly, Twenty Palaces, Urban Fantasy

Twenty Palaces

by Harry Connolly
Series: Twenty Palaces, #.5

E-book, 250 pages
Radar Avenue Press, 2011

I’m not usually one for prequels — if the author/filmmakers have done their job, we know what we need to know already. Sure, it allows the creator to fill in some blanks, make the in-joke — but on the whole, they just seem to serve as red meat for fans^*, while offering little new.

But a well-done prequel can be a lot of fun — and in the end, if you’re not reading genre fiction for fun — what’s the point?

Between the rest of the books in this criminally-underselling series, we’re given a decent idea what happened between Ray and Annalise before Child of Fire, how Ray got his Knife (one of the coolest tools I can remember reading about), and about Wally getting Ray into this mess. So, I put off reading this one longer than I’d intended to. Glad I finally got around to it — this was a blast.

Ray Lilly is a messed up, broken, not-so-good guy trying to live straight — to become a “seat belt person,” as he puts it. He’s fresh from prison, but he knows he hasn’t finished paying his debt to society (his policeman uncle helps drive this home) and really wants to get on with his new life.

Naturally, his old life — particularly his old friends, are there to drag him off his new path. But this isn’t your garden-variety recidivism at work. There’s some otherworldly magic using his friends — and almost everyone around him — for ends that even a guy of Ray’s questionable morality can’t abide.

The new reality that Ray steps into here is unlike anything you’ve seen before — dark, scary, amoral, and uncaring — a lot like our world seems too often. The magic system that Connolly has created in this series is something special — I so, so wish we’d gotten to see more of it following Circle of Enemies.

This was fun, very satisfying — and most of all, it made me want to re-read the rest of the books, I’d forgotten just how addicting these books were.

If you’ve read the Twenty Palaces series, this is a nice little cherry on top — if you haven’t? Skip this for now, and run to your indie bookstore (or internet retailer, I guess) and grab them.

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^* Not that I’m against red meat for fans — as a fan of many things, including red meat, I like when creators entertain me.

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4 Stars