Tag: Urban Fantasy Page 30 of 42

Lost in Wonderland by Nicky Peacock

Lost in WonderlandLost in Wonderland

by Nicky Peacock
Series: The Twisted and The Brave, #1

Kindle Edition, 124 pg.
Evernight Teen, 2016

Read: November 30, 2016


This story focuses on Kayla — a young woman who looks years younger than she is (young enough to be appealing to the Humbert Humberts of the world as well as old enough to come across as a young co-ed), which is helpful in her vocation. She’s basically bait for serial predators (who the authorities can’t/haven’t done anything to) as part of her work with Wonderland. Wonderland is a group run by former federal agents bankrolled by a largely mysterious billionaire. Each “Wonderlander” goes by a code name derived from the Lewis Carroll book, and can quote sections relevant to their moniker (and recognize others quoting their parts). She and her colleagues — Rabbit and Chesire (Kayla’s Mouse) — lure the killers/molesters somewhere, take them out and then have someone come in clean up after them.

Her brother, Shilo, is locked up in a Mental Health facility for a handful of reasons, but the largest is his insistence that a man who dresses in orange is his constant companion who tells him what he should do. No one else can see or hear Mr. Custard, naturally, so Shilo is on the receiving end of all sorts of treatments. Neither the drugs, the talk therapy, or anything else seems to be working — Mr. Custard is still there, as much as Shilo might try to pretend he’s not.

Both siblings are reacting to the disappearance/abandonment of their mother while they were young and the suicide of their father not long after in very different ways, but both of their atypical lives can be traced to these incidents. Now it seems that someone is killing women near their childhood home, and there’s something drawing both of them back their to confront the killer.

The story is an interesting mix of Supernatural and Thriller stories, and once I saw that’s where she was going, I wasn’t sure that Peacock was going to be that successful with it — very few are. I’m not talking straight-up Urban Fantasy, I’m talking about a Suspense/Thriller that mixes in some sort of magic/monster where bullets and explosions should be. The last time I read a mystery where the author tried this, it ruined the book — it’s tricky. The heightened reality that she was using already helps, but it doesn’t guarantee success, Peacock tried a tricky thing and made it work, that’s no small feat.

Still, there’s only a little supernatural to this — there’s a human villain, human protagonists, human costs, human relationships at the core of this novel. Peacock’s up to the challenge of writing them, no doubt about it.

I liked the characters — especially Kayla. The story moved along well, the action was convincing — and the predators were just horrible enough that you didn’t really care that much that vigilante action took care of them rather than the law. Sure, the book could really have used one more thorough edit. More importantly, the facility that Shilo lives in draws more from One Flew Over the Cuckoo’s Nest or Gotham‘s depiction of Arkham than reality — and as annoying as that is, really, if you’re looking for realism, you’ve dropped this book before it gets to that.

Can she follow this up with an equally successful sequel? That might be trickier, but I’m looking forward to seeing her try.

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinions.

—–

3 Stars

The Last Dream Keeper by Amber Benson

The Last Dream KeeperThe Last Dream Keeper

by Amber Benson

Series: The Witches of Echo Park, #2

Paperback, 307 pg.

Ace, 2016

Read: March 25, 2016

Picking up right from where The Witches of Echo Park left off, Benson takes her coven deeper into the conflict with the mysterious forces threatening the Witches Council. The opening chapters of this book had me hooked soundly and almost immediately brought me right back to where I was when the first book ended. You want Lyse and the rest to really gel, to become the family they could be (and might have been before Eleanora’s death). Sure, you want them to get to the bottom of things, thwart evil and all that — but mostly you want to see them form a strong unit, maybe have a taste of happiness.

But circumstances won’t let that happen. Somewhere around the midway point (I think maybe a little beofre) the book takes a huge turn — the coven splits up. Some on personal missions, others off on an effort to enlist others to their cause, and some to keep things going at home. This was a risky move — these books are at their strongest when you have these women interacting with each other, drawing on each other’s strengths, augmenting their own weaknesses. So to eliminate this possibility takes real guts — I’m not sure I liked the move, but what Benson does with that kicks everything into a different gear — more action-packed and explosive. The magic that so defined the series up to this point is still there, it’s just used pretty differently.

And when I say that the plot takes this book in dramatically different directions than you expect, it is almost impossible to believe that the closing pages of this book and the closing pages of The Witches of Echo Park belong to the same series — much less are separated by only one novel. Somehow, however, Benson pulls it off — I really have no idea how. When I think about it, it doesn’t make any sense — but in the moment, it absolutely worked. I couldn’t turn the pages fast enough, and when it was done I started looking forward to whatever craziness Benson’s got in store for us.

—–

4 Stars

Hunted (Audiobook) by Kevin Hearne, Luke Daniels

Hunted Audiobook Hunted

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #6

Unabridged Audiobook, 9 hrs., 52 min.
Random House Audio, 2013

Read: November 21 – 23, 2016


I loved listening to this one this week — hated for it to end. I’m not sure why this volume works so much better for me than others in this series (not that there’s a bad one in the bunch), but it does. I’m still pretty satisfied with what I wrote the first time I read the book, so I’ll pretty much copy and paste it below with a few minor tweaks and a word or two about the audio performance.

Try as I might, I can’t figure out a way to get Goodreads to let me give this as many stars as it deserves — 6. I don’t think it’s possible for Hearne to write a bad book, but Hunted is beyond good. Not that Hearne has ever seemed anything but self-assured and capable (sorta like Atticus), but he’s really firing on all cylinders here — from the jaw-dropping and series-changing events of Chapter 1 through all the plot, twists, character moments, quips, action, and development that follows — Hearne delivers with verve and panache.

I don’t know how to describe the storyline without plunging neck-deep into spoiler territory, so let’s just say that this picks up minutes (if not seconds) from Trapped and keeps going from there. Virtually every character from the previous five novels makes an appearance (if only with a name-drop), and we get a few new characters from the pages of myth (Irish, Greek and Roman predominantly, but most of Europe is well-represented here) as well from Hearne’s own imagination. Our favorite Druids face off with a couple of new opponents, try to broker a peace with Greek and Roman pantheons, prepare for Ragnarok, and try to suss out who amongst the Tuatha Dé Danann might be working to bring about their untimely demise. (clearly, our heroes don’t get a lot of rest in these fast-moving 300 pages to get all that addressed)

Not that Atticus has had an easy go of it since the beginning of Hounded, but Hearne really puts the hurt on him this time around. He has two of the closest calls I can remember a first-person narrator dealing with in recent history — and he gets both of them in one book! Though honestly, the emotional and intellectual challenges he faces are probably harder for him to deal with — his Bear charm and tattoos can’t help him with those. Naturally, he rises to the challenges and even pulls off a couple of schemes that would make his buddy Coyote proud. While remaining Atticus at his core, there are flashes of a ruthlessness and hardness that we haven’t seen much of before. A good reminder that a Celtic warrior was formidable opponent (thankfully, there are things that still make him balk!)

While most of the book is told from Atticus’ POV as usual, we do get a few chapters from Granuaile’s POV — Daniels is able to pull these off well, I should add. I appreciated seeing things from her perspective (not just the parts that Atticus couldn’t relate, either) and I learned a lot more about a character I thought I knew pretty well already. I think she’s just about at the point where we could get Granuaile novels with minimal use of Atticus (see the Joe Pike novels) and not feel we were missing much — if anything, the fight scenes might be a bit more savage. There’s a danger here (I think Atticus himself sees this) in her becoming too much of an eco-warrior (think Captain Planet as told by Tarantino), and I think that could make for problematic reading if it went on too long or too extreme. But until then, I’m enjoying the heck out of this warrior woman.

If you’re already reading this series, you’re in love with Oberon (or have no soul). If you’re not reading it, you’ve probably not read this far — but if you have, just know that it’s worth buying the 6 books just to spend time with this most wonderful of Irish Wolfhounds. This is the best use of Oberon yet — of course, he’s hilarious and inappropriate as always — but he also gets to be heroic, inspiring and even moving. I’m not kidding, my eyes got misty a couple of times just because of him. I remembered — very clearly — Oberon’s response to Atticus’ shooting as very moving. Luke Daniels’ work made it heartbreaking (thankfully, I knew what happened afterwards, or I’d have been openly weeping at my desk). A couple of hours later, I did audibly crack up when Oberon used Mercury’s leg for a fire hydrant. Similarly to the way that the audio performance made Oberon’s grief more tangible, his joy in the Epilogue was incredibly contagious.

Any book that does all that while pulling off things like citing Wheaton’s Law within a few pages of quoting Dante (in the original!) needs to be celebrated. Add in Daniels’ outstanding performance? An absolute winner.

—–

5 Stars

Trapped (Audiobook) by Kevin Hearne, Luke Daniels

Trapped Audiobook Trapped

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #5

Unabridged Audiobook, 9 hrs., 2 min.
Random House Audio, 2012

Read: November 7 – 10, 2016


Huh. I apparently didn’t write up anything when I first read this. Not only that, but I couldn’t remember a thing about it. At least while I was downloading — chapter after chapter I kept saying, “Oh, that happens in this book?” Some fan I am.

Granuaile is finally bound to the Earth, Atticus starts making things up to Odin, Bacchus tries to get his revenge, Vampires and Dark Elves have similar ideas — as does a certain recently-freed Norse god. Well, many individuals seem to want Atticus dead — preferably before he can bind Granuaile. And well, many, many other things transpire — both positive and dangerous.

Oberon gets to be a hero, as well as comic relief. Which is all anyone can ask for, really.

The way Hearne ends this book is criminal, really — thankfully, I didn’t have to wait too long to get to the next book in the series this time through — I put up with the months of waiting once, I’m not sure I’d have been able to do it again.

I liked the way that Hearne describes the differences between Hermes and Mercury (which carries over to all Olympians both here and the next book) — it reminded me of some of Riordan’s takes in The Heroes of Olympus series, while not duplicating things.

I’ve run out of ways to describe Luke Daniel’s work — it’s just spot-on, not sure what else to say. Hearne’s writing is crisp, well-paced (although I think a couple of the stories from Norse figures drag a bit), and the fight scenes here are among his best. All in all, an important and entertaining installment in this series.

—–

3.5 Stars

Tricked (Audiobook) by Kevin Hearne, Luke Daniels

Tricked Audiobook Tricked

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #4

Unabridged Audiobook, 10 hrs., 30 min.
Random House Audio, 2012

Read: October 19 – 24, 2016


This novel is essential to pivot from the first books to the remainder of the series — after drawing attention to himself by killing Aenghus Óg and the other shenanigans in next books, Atticus needs to disappear for a while — but first he has a promise to Coyote to keep.

When I first read this, I summed up the book by saying, “Again, Hearne doesn’t just deal with one people’s pantheon–Tricked is a mashup of Irish, Norse and Navajo stories (with a side order of several representatives from other continents). Not to mention a returning cast of urban fantasy monsters, and plain ole humans. Of course, Oberon gets time to shine after being absent for so much of Hammered, and he steals every scene he’s in.” I think I’ll let that stand for this time through the book, too.

Once again, I love listening to Daniels’ Coyote — and his other Coyote is pretty good, too (it makes sense in context, really). I’ve really got nothing else to say — it’s typical Daniels, fun and easy to listen to — his narration and characters keep you listening and do a great job of bringing the story to life.

It’s not the best book in the series, but it moves the overall story along, provides some good excitement and proves that Atticus doesn’t need his home environs, and his readers can be entertained while he takes his show on the road (which will prove to be a very good thing for the series).

—–

4 Stars

Pub Day Repost: The Operator by Kim Harrison

The OperatorThe Operator

by Kim Harrison
Series: The Peri Reed Chronicles, #2
ARC, 468 pg.
Pocket Book, 2016
Read: October 17 – 20, 2016

I loved Peri Reed’s debut in The Drafter last year — it was one of my 10 favorites of 2015, so to say I was eager to read this is somewhat of an understatement. Sure, I was a little apprehensive, too — could Harrison pull it off again? Thankfully, yes she could. You may be able to jump in to the series with this point, but I really wouldn’t recommend it at all. Go read The Drafter.

The Operator picks up with Peri in a much better place (mentally, at least) than we left her in — she’s living out of the business, she runs a coffee shop that’s marketed towards the elite of Detroit — the moneyed, those wanting the most secure networks while sipping their morning caffeine fix, and those willing to spend an exorbitant amount on coffee.

She’s working really hard to convince herself that this is the life she wants when her past catches up with her. And before she knows it, she’s got the remnants of Opti trying to bring her back in — and the government’s version of a “clean” Opti doing their best to recruit her (and honestly, they’re taking more of a “stick” approach than a “carrot” approach).

Faces from her past — those she trusts, but not enough; those she trusts, but doesn’t want to; and those she’ll never trust — compete (on both sides) with people she doesn’t know and doesn’t trust. And, as always, Peri doesn’t even know if she can trust herself — but she’s very clear on what she wants: out. Out of the life, out of the spy business, out of everything that defines her. To get there, she’s going to have to rely on everything that she’s trying to get away from, but that’s a price she’s willing to pay. It may be Quixotic, but it’s all she’s got (other than her cat).

It is difficult to talk about the plot without giving too much away, so that’s as specific as I can get.

If there was a problem with The Drafter was that it was sometimes as confusing for the reader as it was for Peri to know what was going on (I’m not saying, it was poorly written — but as things were filtered through Peri’s perception, which were pretty in flux . . .). In The Operator, we don’t have that problem — Peri’s sometimes not sure what she’s doing, or that she’s doing it for the reasons she thinks that she is — but she’s very clear about what’s going on. Actually, sometimes, I think she’s the only one who sees the whole board and understands what’s going on. Which makes everything much easier for the reader to follow.

She had a clear objective, clear obstacles to overcome, and the gumption and skills to get the jobs done. The only question is: can she accomplish all she’s set out to accomplish before she’s killed or has her mind wiped?

Characters — again, this is tough. I’d like to say X at first seemed like a good antagonist — if not enemy — but then Y happens and X does Z and reveals that they can be a trusted ally and possible friend. But if I’m going to do that, I might as well reveal half the plot. There are some great new character, I’ll say instead, and every one that Peri ends the book trusting/befriending, I’d like to spend a lot more time with. A couple of decent new enemies/antagonists — I think we get enough of them. The people who survived The Drafter and made it to these pages, we learn more about them and pretty much cement our appraisals of from last time out. As always, Harrison gets almost every character note right, I think I’d have an easier time noting where she fumbles on that front.

If for whatever (very wrong) reason you ignore the story, this book is worth reading just for on a tiny little details that Harrison has filled this with to make a slightly futuristic future in this world. You can recognize it as our world, but it’s future-enough to be a totally new world so you don’t recognize everything. I’m not sure those sentences make sense, but you probably get my gist. I could do a post just on the future tech, culture, economics, etc. I’m not going to do that — just not enough time on my hands — but I could, because the world Harrison has surrounded Peri with is just that developed and detailed. And almost none of the details like that have any bearing on the plot beyond grounding the characters. I love that.

This may not be as well executed as its predecessor, but Harrison spent so much of The Drafter setting up the world while telling the story — where this time, she just gets to play in the world and tell the story. I think I enjoyed this one more, while I didn’t admire it as much. I have a few ideas what Peri and the rest will be up to in The Agent, but I’m more than prepared for Harrison to do something better than those. All I know for sure is that it’s too long before it’s released. The Operator is a slick, sleek, SF adventure novel that’s sure to satisfy on several levels.

Disclaimer: I received an ARC of this book from Pocket Books, and I thank them very much.

—–

4 1/2 Stars

The Hanging Tree by Ben Aaronovitch

I really hadn’t intended to make this a Rivers of London day, but I had notes and partial drafts for those other two, so I figured I might as well as a way to lead up to this. Which, sadly, is going up later than I wanted, but Dadding before blogging, right?

The Hanging TreeThe Hanging Tree

by Ben Aaronovitch
Series: The Rivers of London, #6

eARC, 336 pg.
DAW, 207

Read: November 11 – 15, 2016

I lost track of how many times a certain retailer let me know that my pre-order for this had been rescheduled, but now a little more than 2 years after The Rivers of London most recently flowed through these books, The Hanging Tree is out (in parts of the world, anyway). I’m firmly in the camp of those willing to let authors take their time to get the book right, but I’m just as firmly in the camp wanting authors of my favorite series to hurry up. Thankfully, whatever delayed this publication gave Aaronovitch the time he needed to deliver his best yet.

Peter’s pushed into investigating a drug-related death, which soon shows itself to actually need a man of his particular skills when one of the parties involved (perhaps very involved) is the daughter of Lady Tyburn herself. Mostly anonymous teens up to illegal things, an overbearing mother to a suspect/witness, and the natural teenage disinclination to telling the police anything and you’ve got yourself a mess — particularly when the overbearing mother isn’t your biggest fan, and is a deity of sorts.

Poor Peter.

Along the way, Peter and Nightingale find the trail of a lost Newton masterpiece, a couple of interesting allies, and the return of some familiar, but not recently seen, foes. Some of what happens with returning adversaries will surprise, please, and frustrate long-time readers.

For series like this, more important than the plot are the characters — and Aaronovitch did everything right on this front. A few notes on this Peter’s more confident — professionally and personally. He’s coming along pretty well with his magic — yay! At the same time, you can see the way that he’s bringing change to the Folly little mannerisms and activities with Nightingale and Molly that you know they weren’t going to be up to until Peter moved in. I liked how Bev was used — even if she wasn’t around as much as usual — and the way their relationship is developing; her sister Lady Tyburn is probably used better here than ever before. There’s a new assistant for Dr. Walid, Dr. Jennifer Vaughan — we don’t get a lot of her, but there’s promise (and I like the fact that this universe is expanding). Lastly, I need to talk about Guleed — I know she’s been around awhile, but I didn’t really click with her until this book (as much as I enjoyed her in Body Work) — I like the way she works with Peter, the flavor she brings to things — I hope we see a lot more of her.

Oh yeah, I almost forgot, there’s a brief appearance by an author of note early on in the book — I’d love for him to show up again in some context where Peter doesn’t have to be so diplomatic with him. I chuckled a lot, and would love to hear Aaronovitch talk about this character and any real-life models he drew upon.

Not only do we get the typical Aaronovich-level stories and action, we get a big expansion in the number, types, and nationalities of magic users in this book. Not only are there the official practitioners of magic that The Folly is aware of, there are those they’re not tracking (but probably should start). Just this shift alone in the universe makes this book a winner — adding it to the rest is just frosting.

I’m really glad, incidentally, that I recently listened to the first audiobook in the series — there’s some significant call-backs to it throughout this book. I’d probably have been okay relying on memory, but the connections worked better for me with everything fresh in my head. Ditto for the number of references to Body Work – I’d have been fine not understanding the references made to it, they’re not integral to anything, but it was fun knowing what Peter was talking about.

This took me too long to read — which isn’t Aaronovitch’s fault, it’s just been one of those weeks, every time I started to really get into this book, I was interrupted by something — and it drove me crazy. Do what you can — kill the phone, lock the door, grab some snacks and a beverage of your choice and settle in for Aaronovich’s best yet, you won’t want to put it down. I can’t say enough good things about this.

Disclaimer: I received this eARC from DAW via NetGalley in exchange for this post — thanks to both for this.

—–

4 1/2 Stars

Rivers of London: Body Work by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan

Body WorkRivers of London: Body Work

by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan (Artist)
Series: Rivers of London Comics, #1

Trade Paperback, 128 pg.
Titan Comics, 2016

Read: April 30, 2016


The Folly — Peter Grant and his boss, Inspector Nightingale — make their way to comics in this collection from Titan Comics. The two are facing a threat right out of a Stephen King novel: a homicidal car.

There’s more to it, of course, but that’s it in essence.

The story was entertaining, and fully captured the feel of the novels (easier with the writer of the books writing these). This seemed slight — a bit too brief. But it wasn’t — maybe it just flowed so smoothly I didn’t notice. Maybe there wasn’t that much of a story, I’m not sure. I’m willing to give Aaronovitch and the rest the benefit of the doubt.

The best part of this collection is that it solidified my mental image of Grant, clarified my idea of Molly, and reshaped/corrected my idea of Nightingale. The art wasn’t dazzling, but it was good.

It didn’t blow me away, but it scratched the Peter Grant itch and made me want to read more. If I sound like I’m not totally sold on this, it’s because I probably wasn’t, but I’m glad I read it and should be reading the next collection in a month or so — so there’s that.

—–

3 Stars

Midnight Riot (Audiobook) by Ben Aaronovitch, Kobna Holdbrook-Smith

Midnight Riot (Audiobook) Midnight Riot

by Ben Aaronovitch, Kobna Holdbrook-Smith (Narrator)
Series: The Rivers of London, #1

Unabridged Audiobook, 9 hrs., 57 min.
Tantor Media, 2012
Read: October 11 – 14, 2016


The best part about listening to this was being reminded just how good this novel was — sure, I remember liking it a lot (if for no other reason than I’ve read five more plus a collection of comics), but I didn’t remember it being this good.

Briefly — in this we’re introduced to a probationary constable named Peter Grant who’s approached by an odd witness to an odder (and disturbing) murder. What makes the witness odd? Well, he’s been dead for a couple of centuries. Soon thereafter, Peter’s meets a Chief Inspector who happens to be the last wizard in England. Peter’s transferred to his unit (doubling the size), taken on as an apprentice and thrust into a type of policing he wouldn’t have believed existed a week ago.

The investigation into this murder turns into an investigation for several murders — and a few other assorted crimes. Which, of course, involves diving into the history of London and brokering peace between competing river deities. That old yarn. It’s a great mix of magic and police work, basic Latin and advanced bureaucracy.

Holdbrook-Smith did a fine job with the narration, very engaging, often compelling — capturing the feel of the novel in just the way that everyone wants in an audiobook. I’d be more than happy to hear more from him.

It’s dark, it’s funny, it’s pretty complex — and, in retrospect, — does a much better job laying the foundation for the series than I’d remembered. A good amount of wonder and action combined.

—–

4 Stars

The Lost Child of Lychford by Paul Cornell

The Lost Child of LychfordThe Lost Child of Lychford

by Paul Cornell
Series: Witches of Lychford, #2

Kindle Edition, 144 pg.
Tor.com, 2016

Read: November 2 – 3, 2016


It’s been a few months since Reverend Lizzie Blackmore, Judith (the elderly witch), and Autumn (now her apprentice and her employer) fought off the supernaturally corrupt megastore (and probably mundanely corrupt, too, come to think of it) and life has moved on in a relatively normal way. The three have forged some sort of alliance — easy for Autumn and Lizzie, already close, but learning new things about each other; not so easy for Judith to be accepted and to accept them, I don’t think. Autumn’s learning from Judith, while getting some help in her shop (which seems like a small town version of Atticus O’Sullivan’s and Alex Verus’ shops combined). Judith’s got something to do, a way to pass on her knowledge, and Lizzie is super-busy with pre-Christmas activities in the church.

But given everything we learned about Lychford, it’s not terribly surprising that things won’t stay that way, it’s just a question of what kind of other-worldly strangeness will come calling first.

In this case, it’s a ghost — or ghost-like apparition — that came to Lizzie at church. A small child looking frightened and worse for wear, with a simple request of: “No hurting.” Now, our trio can’t all agree on what the apparition is, but they can all get behind the idea of “No hurting.” They just have to figure out if that’s something they can stop — and then they’ll worry about the how. Neither piece of that plan works the way that it’s supposed to, but it seems these three are pretty good at improvising. Autumn, in particular, seems particularly adept at that.

I appreciated the fact that each of these women make one significant mistake (and probably some smaller ones) — two that come from inexperience, one that proves that experience doesn’t equal infallibility. They’re all believable, they do more than just advance the plot, they are honest with the characters and situation. Too often in novels you’re left wondering why a protagonist would be so stupid as to do X — when really it comes down to they have to do X or the really cool Y thing can’t happen at the end. That doesn’t happen here — sure, the attentive reader might be able to see the blunder coming around the corner, but there’s no reason to think that our protagonists should until it’s too late. Because while these three are fictional characters, Cornell imbues them with a genuineness, a substantial-ness that’s fitting for a real person (sadly, not always present with them, however).

Man, I had to use DuckDuckGo a lot to get all the cultural details in these pages — I know next to nothing about Anglican Christmas festivities, and less about British Christmas Pop Music. I’m not sure how much I’ll benefit long-term from this research, but it was interesting. I might have been better off not knowing anything about Greg Lake and his song, though.

If there was such a thing as magic, it wouldn’t look like anything from Harry Potter, Harry Dresden or some other fantasy series starring a Harry. It’d look like this, I wager. Quiet; shadowy; right out in the open, yet somehow unseen. All substance, no flash. Oh, yeah, and creepy — can’t forget creepy and inexplicable. Which is pretty much everything that happened in this book — up to and including most of the things the trio does to prevent things from getting really out of hand. It’s hard to talk about realism in a fantasy novel, but Cornell’s one of those that make you do that.

The Witches of Lychford was thoroughly entertaining and did a great job of establishing this world. This novella took full advantage of that to tell a more compelling story. I don’t think it’s absolutely necessary to read Witches first, but it’d help a lot. “I Believe in Father Christmas,” notwithstanding, I thought The Lost Child of Lychford lived up to its predecessor and left me eager to return to this little village.

—–

4 Stars

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