Tag: Urban Fantasy Page 39 of 42

Dusted Off: Team Human by Justine Larbalestier, Sarah Rees Brennan

By

On June 16, 2014

In Fiction, YA/MG/Children's Books

Team HumanTeam Human

by Justine Larbalestier, Sarah Rees Brennan

Hardcover, 352 pg.
HarperTeen, 2012
Read: Jul. 19-21, 2012

Much more than a Twilight spoof (although, that’s there) this is a heckuva read. Mel’s a spunky high schooler with a lot on the ball, her friends see her as a fixer, the one who can help them deal with whatever crisis they’re dealing with. It’s a role she relishes, it’s her way of identifying herself. Particularly this time, when she’s trying to stop one friend from falling for a vampire, while another is coping with her dad abandoning the family for a vampire lover. Vampires are pretty low on Mel’s list.

Mel’s a flawed hero, in an endearing way. She’s bullheaded, fierce, dives into things without looking, she makes mistakes, but picks herself up and charges back into the fray with a minimum of self-doubt.

The rest of the cast are almost as well-rounded, were I in high school, I’d love to hang out with them (they’d probably be a bit too wild for me, honestly).

A fun, emotionally-satisfying novel for teens and adults who don’t mind reading below their grade level.

—–

4 Stars

Hot Lead, Cold Iron by Ari Marmell

By

On June 10, 2014

In Fiction

Hot Lead, Cold IronHot Lead, Cold Iron

by Ari Marmell

Trade Paperback, 311 pg.
Titan Books, 2014
Read: May 19 – 27, 2014

This is the way to start a series, I mean, wow. Mick Oberon is a P.I. in the rough and tumble days of late-Prohibition-era Chicago. He mixes with the mob, political figures,and other assorted low-lifes, while eking out a living — just enough to afford milk, rent and the cheap suits he wears. He can take a beating like nobody’s business, and packs a wand rather than rather than a gun. Oh yeah, and he’s fae.

I’ve got a mental checklist that I use to evaluate a new (to me) Urban Fantasy: 1. Is there a strong voice? 2. Do I like the characters/world? 3. Is the magic system interesting? (you can replace vampire/werewolf/etc. system where applicable)

Hot Lead, Cold Iron passes this test easily. Oberon’s smart, snarky — a little disdainful of humanity (but it’s not like you can really disagree with him). This Chicago is right out of The Untouchables, and when you add in the supernatural to the world (plus the Seelie/Unseelie Courts) — this world is a riot. There is so much raw material here that Marmell is set for several books. The magic system? I don’t have it all worked out after just one book, but what I’ve seen, I’ve liked. Oberson plays with luck — he takes good luck from people and uses it to power his own, he magnifies people’s bad luck to cause mishaps/mayhem, and so on. No big fireballs, or dramatic spells, just little bits of luck here and there going his way. I think that’s pretty nifty — especially the way it’s working out so far.

I’ve enjoyed Marmell’s prose in the past, and this is no different, even as it doesn’t feel like his other books. The novel is filled with great lines that are the epitome of hard-boiled P.I.s like Phillip Marlowe or Dixon Hill such as, “clad in shirt and trousers creased sharp enough to trim hedges.” Or this description of the fae world:

The colors. . . They’re intense, impossible, almost painful; entities unto themselves, rather’n mere traits of other objects. They’re stark, standing out against each other, the richest greens, the sharpest reds, the deepest browns, the brightest yellows. you could try to capture ’em in a painting, but nobody’d buy it: too fake-looking. There’s no gradation, nothing muted; the dark and light emeralds of a leaf don’t blend into each other, but sit side-by-side with clear demarcation — as if no one color here would ever lower itself to blend with another.

I hope future books spend more time in the fae world (and there’s every indication that they will), it’s slightly bent/twisted hyper-reality was truly imaginative, and unlike anyone else’s take on it. The fae camera, for example, was sort of a mix of something you’d find in a store on Diagon Alley and in Bedrock. I realize that analogy probably makes no sense — read the book and it will.

Good action, good plot, strong protagonist, strange world and intriguing magic system — everything a series’ first novel needs. Bring on the next!

—–

4 1/2 Stars

Night Broken by Patricia Briggs

By

On June 3, 2014

In Authors, Fiction, Mercy Thompson, Patricia Briggs, Urban Fantasy

Night Broken (Mercy Thompson, #8)Night Broken

by Patricia Briggs
Series: Mercy Thompson, #8


Hardcover, 341 pg.
Ace Hardcover, 2014
Read: March 19 – 20, 2014

Yay! Mercy’s back! She’s back and she’s facing off with her most potentially destructive foe . . . Adam’s ex. Oh, sure, there’s some sort of Gray Lord threatening her, a supernatural super-baddie that Mercy and her pals have never heard of, and an escaped felon who has powers a lot like Mercy . But the big danger comes from Christy.

This wasn’t a “big” novel in any real sense — seeds were planted/characters were introduced tha will be important, and I wouldn’t want to say that nothing significant happens. But, no epochal shifts, no game changers here — just straightforward case of bad guy comes to town, and Mercy et al. stop it. And along the way the final confrontation with the bad guy, we get to spend sometime with the Tri-Cities pack, as well as see some of the fallout from the last couple of books in this or the Alpha-Omega series. And that’s fine. Not every book needs to be an even, some just need to have a fun story, and maybe even move the chess pieces around a bit.

Initially, the villain of the piece looks fairly disappointing, just some stalker jerk making life difficult of Christy. But it soon becomes clear that there’s more to this guy, and it doesn’t take long to see that he’s one bad customer — creepy, dangerous, and powerful in a way I don’t think I’ve seen before. All in all, a worthy competitor for Mercy and the pack.

As always, the interplay between Mercy and the various members of the pack — or just between the pack without regard to Mercy — is fascinating. At once familial, yet competitive, not necessarily all that affectionate, yet more loyal than a troop of Marines.
The more the Jesse/Mercy relationship develops, the more I like to see it — particularly here, where much of the book can be seen as mother v. step-mother, watching Jesse maturely navigating those treacherous waters was quite satisfying.

My main (only?) quibble with the book was the way that Adam was depicted. He was continually utterly clueless about the way that Christy’s actions would/did affect Mercy. A lot of that, to be fair to the guy, can be attributed to how much he’s moved on from Christy and how devoted he is to Mercy — he doesn’t even see his ex as a potential threat. But, 1. Adam’s smarter than that and 2. given how territorial werewolves are in Briggs’ universe (and as seen in this book), it’s almost impossible to believe that he wouldn’t pick up on the territorial incursions Christy’s making.

Not the best thing that Briggs has written in this series, but not the worst. It had a good story, it was good to spend time with these characters, and I enjoyed the introduction of the new forces at play. A fun way to spend a few hours. Just about everything you could ask for.

—–

4 1/2 Stars

Dusted Off: Blue Diablo

By

On March 10, 2014

In Fiction

Blue Diablo (Corine Solomon, #1)Blue Diablo

by Ann Aguirre
Mass-Market Paperback, 336 pg.
Roc, 2009
Read: June 3-5, 2012

Ann Aguirre starts the 4th (or so) chapter by quoting the show, Coupling, which I’m pretty sure means I have to buy every book she’s written/will write. Doesn’t hurt that her heroine, Corine Solomon, has the same power as Anton Strout‘s Simon Canderous–psychometry (just a grittier version than Simon’s).

The book starts off in a nice, homey setting–but it’s clear that Corine has a dark backstory. It’s not too long before we meet a shadowy guy from her past and we’re off and running through a murky mix of various types of magic/magic-users, human trafficking, drugs, and other types of depravity. The plot takes some darker turns than I’d expected (and one or two pretty sillier ones). Corine meets plenty of new people along the way–most of whom are the kind of characters you grow to like and/or are interesting enough that you want to spend more time with.

Overall, a strong start to what should prove to be a very satisfying series.

I really could live without the Guy A or Guy B or Guy Neither storyline (but if push comes to shove, consider me Team Jesse), I did appreciate what Aguirre did with it this time–just not looking forward to more of it).

—–

3 Stars

Dirty Magic by Jaye Wells

By

On February 18, 2014

In Fiction

Dirty Magic (The Prospero's War, #1)Dirty Magic by Jaye Wells
Series: Prospero’s War, #2

Paperback, 381 pg.
Orbit, 2014
Read: February 15-17, 2014

Kate Prospero is a tough cop, scraping by, raising her kid brother with the help of her best bud and a kindly senior citizen neighbor. Her troubled past has so far blocked her from progressing out of uniform and the detective ranks — but she’s got grit, determination, and hope — not to mention an unreliable automobile and a healthy tuition bill for her brother’s private high school.

I know I’ve read and/or seen this a couple dozen times. So does Jaye Wells do something to freshen this up? And does her take on this work? Yes, and pretty much.

Wells’ twist on this is introducing magic into the mix. It’s our world, but instead of Big Tobacco and the Pharmaceutical Industry exploding in the last few decades, while their less than legal counterparts were finding similar success — “clean” (read: legal) and “dirty” (read: illegal) magic came into economic ascendancy. There’s a Magic Enforcement Agency running the war on dirty drugs on the federal level, while Prospero and her brethren in blue take the battle to the streets.

That pretty much tells you all you need to know. The book plays out pretty much how you’d imagine it would. Well-told and decently-paced, there’s nothing to object to here (well, some of Prospero’s emotional reactions seem a bit over-wrought, though your results may vary) — but there’s nothing to get terribly excited about either.

It’s an entertaining enough read, and I’m curious about where Wells will take things. But I don’t know that I’ll run for the bookstore come August when the sequel, Cursed Moon comes out.

—–

3 Stars

Blackbirds by Chuck Wendig

By

On January 24, 2014

In Fiction

Blackbirds (Miriam Black, #1)Blackbirds

by Chuck Wendig
ebook, 264 pg.
Angry Robot, 2012
Read: Jan. 4-6, 2014

Over the last couple of years, I’ve really enjoyed — and learned a few things — from Chuck Wendig’s blog posts about writing, and have seen nothing but raves for this series from people and writers whose taste I respect and frequently agree with. But, when reading descriptions for Mockingbird it seem all that interesting to me. When the publisher was giving away e-copies last month, I figured I’d roll the dice and hope to be pleasantly surprised.

I should’ve stuck with my gut. This was not a book for me.

There are a lot of positives to Mockingbird. It’s told with imagination, humor, style, verve, panache and skill. Everything that Wendig’s blog tells you to do, he does. I don’t think there was a single dud sentence in the 264 pages, and there were several spectacular ones.

However…

Miriam Black’s power is fairly lame. Like Deanna Troi’s — it’s a neat parlor trick, but there’s not much use to be made of it.

As is the case 99% of the time a book doesn’t work for me, it ultimately comes down to the characters. I’ll put up with a lot for characters I like — and I don’t think I’m alone. I never cared about Miriam, Louis, or anyone. The villains were a little too villain-y for my taste — which, oddly, made them less threatening or interesting. If I don’t care about the characters, how can I care about what happens to them?

Lastly, there were some formatting troubles with the ePub. This isn’t damning or anything (or all that novel a problem) but when you’re not particularly enjoying a book, minor annoyances are less minor — almost feeling like a deliberate attempt to lessen the experience.

I do want to read more by Wendig, just not in this particular world.

—–

1 Star

Twenty Palaces by Harry Connolly

By

On November 20, 2013

In Authors, Fiction, Harry Connolly, Twenty Palaces, Urban Fantasy

Twenty Palaces
Twenty Palaces

by Harry Connolly
Series: Twenty Palaces, #.5


E-book, 250 pages
Radar Avenue Press, 2011

I’m not usually one for prequels — if the author/filmmakers have done their job, we know what we need to know already. Sure, it allows the creator to fill in some blanks, make the in-joke — but on the whole, they just seem to serve as red meat for fans*, while offering little new.

But a well-done prequel can be a lot of fun — and in the end, if you’re not reading genre fiction for fun — what’s the point?

Between the rest of the books in this criminally-underselling series, we’re given a decent idea what happened between Ray and Annalise before Child of Fire, how Ray got his Knife (one of the coolest tools I can remember reading about), and about Wally getting Ray into this mess. So, I put off reading this one longer than I’d intended to. Glad I finally got around to it — this was a blast.

Ray Lilly is a messed up, broken, not-so-good guy trying to live straight — to become a “seat belt person,” as he puts it. He’s fresh from prison, but he knows he hasn’t finished paying his debt to society (his policeman uncle helps drive this home) and really wants to get on with his new life.

Naturally, his old life — particularly his old friends, are there to drag him off his new path. But this isn’t your garden-variety recidivism at work. There’s some otherworldly magic using his friends — and almost everyone around him — for ends that even a guy of Ray’s questionable morality can’t abide.

The new reality that Ray steps into here is unlike anything you’ve seen before — dark, scary, amoral, and uncaring — a lot like our world seems too often. The magic system that Connolly has created in this series is something special — I so, so wish we’d gotten to see more of it following Circle of Enemies.

This was fun, very satisfying — and most of all, it made me want to re-read the rest of the books, I’d forgotten just how addicting these books were.

If you’ve read the Twenty Palaces series, this is a nice little cherry on top — if you haven’t? Skip this for now, and run to your indie bookstore (or internet retailer, I guess) and grab them.

—–

* Not that I’m against red meat for fans — as a fan of many things, including red meat, I like when creators entertain me.

—–

4 Stars

Autumn Bones by Jacqueline Carey

By

On November 14, 2013

In Fiction

Autumn Bones
Autumn Bones

by Jacqueline Carey
Hardcover, 424 pg
Roc Hardcover, 2013

I quite enjoyed Carey’s UF debut, the first Agent of Hel book last year, Dark Currents, and was glad to see the sequel pop on my radar this fall. I’m not sure I enjoyed this as much as Dark Currents, but it was close enough, to not spend much time comparing the two.

Half-human/half-incubus, Daisy Johanssen has grown a bit more comfortable in her role as Hel’s Agent on earth — a liaison between human and eldritch communities most of the time, occasional supernatural cop. She’s also grown more comfortable with herself i general, even dating someone regularly — a normal human being, Sinclair Palmer — the Jamaican immigrant we met last time, when he was busy getting various fairies to assist in his tourist bus business.

Except he’s not all that normal. His family, Obeah practitioners, have decided it’s time for him to come home — without taking a millisecond to consult him. He resists this summons — with the assistance of Daisy and most of the local magic practitioners. Mom and sister don’t take this too kindly and proceed to let a restless spirit loose in the town to wreak whatever havoc it can until Sinclair decides to come home.

And havoc is wreaked — so Daisy has to work on both tracking down and trapping this spirit, preventing much more of the town being destroyed, saving Sinclair, and how yeah — figuring out who the guys buying up more and more of the city is.

Meanwhile, Daisy’s working with the Outcast (ghouls) to better understand and use whatever supernatural abilities she has. Not only was it good to see Daisy grow to do more than just wave that magic dagger around, this provided a good opportunity to better understand the Outcast has a group and as individuals. This may have been my favorite part of the book.

There’s a subplot involving the vampire group in town and Daisy’s best friend’s family, carried over from the last book. I liked this a lot more than I expected to when it was reintroduced, and look forward to the exploration of this a bit more in the next novel.

I really could’ve lived without quite as much detail about the sex lives of Daisy (and others), but given this is the author of the Kushiel books* — this is pretty decent. Also, one reference to her friends becoming her Scoobies à la Buffy the Vampire Slayer is enough — I think we got 3 or more here. C’mon, Carey — if we’re reading this, there’s a better than average chance we know the show and have already noticed what’s going on with Daisy’s friends. When you beat the horse like this, it’s just not that sporting.

A well-told story, good characters, actual character development and lots of potential for the series as a while — better than more than a few UF novels I’ve read this year.

—–

* This observation is based solely on impressions I have of the various books by that name, no first hand knoweldge — I could be totally out to lunch.

—–

3 Stars

Ever After by Kim Harrison

By

On November 1, 2013

In F-J, Fiction, Kim Harrison, The Hollows (Rachel Morgan), Urban Fantasy

Ever After
Ever After

by Kim Harrison
Series: The Hollows, #11
Mass Market Paperback, 528 pg.
Harper Voyager, 2013

So here we are at Hollows #11 — or as I prefer to think of them, The Adventures of Jenks and his Tenants. It’s the best in quite a while, if you ask me.* I’ve had a hard time maintaining a real interest in these lately, and have only persisted because I’ve read so many of them and I’m curious about how Harrison brings the series to a close. The nominal main character, Rachel, did make a radical developmental leap two books back — and while that served as the core of #10, I think it paid off here.

Thankfully.

Since the events at the end of #9, Rachel’s been more proactive, less wishy-washy about her personal life, and generally more interesting than she’d been. This is definitely the best use of her I can remember.

Ivy is still criminally misused and underused. I can’t believe that Harrison still cares about her at all — keeping her “off screen” so much, and then having her do practically nothing meaningful once she shows. Yes, I can see where the groundwork is being laid for a major Ivy storyline, but at this point, I have no confidence that we’ll see it — and if we do? I can’t see it working too well.

Jenks, on the other hand, played an important role throughout — his presence effected the story, he mattered. Not just because I like him better than anyone else in this universe, but the way Harrison uses him is so far superior to any other character, I like him more and more each passing novel. The stuff with his kids, and Belle, while not that important, in the grand scheme of things, grounds the novel and the characters.

Trent continues to grow on me — I was ready for the series to dump him ages ago, but now I really enjoy him. I still think that it’d have made sense, and been a healthier/wiser choice for Ivy and Rachel to have nothing more to do with him after maybe the third book, but that’s clearly not what Harrison wanted, and it’s paying off. Best use of him yet — the way he treats, and wanted to treat Rachel throughout this is so much better than he’s done before — character growth is always good. I wish Rachel got a bit more of it to match him.

Couple of quick character moments before I move on — Bis is such a great addition to the series, and this time we get to meet more gargoyles. I wouldn’t mind a few short stories featuring them (nothing against Anton Strout’s gargoyle series, I should add). I even liked Newt and Al for maybe the first time ever — but I really can’t get into the details there.

The seeds for the plot were planted from the beginning of the series, and were watered consistently — so the payoff here was well-earned, and dealt with correctly. The choices that Quen, Trent and Rachel are forced to make, the actions they take aren’t easy and felt like things people would choose to do, not merely decisions made for the sake of moving the story along (something I don’t think Harrison has consistently done). It’s really the best since, maybe book #4 in that regard.

The last chapter served as a really good epilogue, as well as setting the stage for the future — along with providing a lot of fodder for the various ‘shippers out there (most of this book does that, really). If Harrison’s doing what I think she’s doing here, I will be pleased.

In the end, a pleasant addition to this series, one that exceeded my expectations — can’t ask for much more than that.

* Apparently, I said the same thing after #10, but I don’t remember thinking that.

—–

3.5 Stars

Indexing, Episode 12: Bad Apple by Seanan McGuire

By

On October 23, 2013

In Fantasy, Fiction, Indexing, Seanan McGuire, Urban Fantasy

Now that this serial is over, my plan is to write up my thoughts on this last episode and then in a day or two, write something on the series as a whole. Should prove easier to do, anyway.

—

IndexingIndexing by Seanan McGuire
Series: Indexing, #1.12

My rating: 3 of 5 stars

Episode 12: Bad Apple
Spoiler-y, but not terribly so, words to follow. Use caution.

It almost had to end this way, didn’t it? The focus throughout has been on Henry and Sloane — sure, the rest of the team were used well, but McGuire’s kept our attention on these two. So when most of the Bureau is taken out of commission, obviously they’d be the two least affected. The conclusion isn’t the knock-down, drag-out, epic fighting many might have guessed. Instead, Henry and Sloane simply outsmart their nemesis, using the narrative as only those who spend every waking moment dealing with it could (not that this is violence-free, Sloane does get to strut her stuff a bit).

We also get a little more information on the Snow White fairly tale, and what it can do to a person. Pretty fascinating, although I’m not sure how much was necessary for us. I’ll probably talk more about this in the next post.

A lot of fun — a climax that seemed a bit rushed (I have to keep reminding myself that McGuire has limited space to work with here), but that’s really my only beef.

I’ve gotten used to dipping my toe into this world every couple of weeks, and I’ll miss the world. Glad I got these 12 episodes, though.

Page 39 of 42

Previous

Next

Powered by WordPress & Theme by Anders Norén