Tag: YA/Children’s Books Page 11 of 12

Moshe Comes to Visit by Tehila Sade Moyal, Fatima Pires (Illustrator)

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On November 3, 2017

In Fiction, YA/MG/Children's Books

Moshe Comes to VisitMoshe Comes to Visit

by Tehila Sade Moyal, Fatima Pires (Illustrator)

Kindle Edition, 30 pg.
Simple Story, 2017

Read: November 2, 20017


I feel like saying anything less than positive about this cute little book is the equivalent of kicking a puppy. Which doesn’t mean that this is going to be glowing, it just means that I’m already feeling bad about what I’m going to say.

Martin hears something that scares him in the night — a classic starting point for a kid’s book — and his parents try to help him find the monsters. They turn on the lights, look through his room, etc. This is all well and good so far, until we get the couplet: “In this manner, several nights go by, / With no apparent fear in either parent’s eyes.” Huh? The parent’s aren’t scared? Isn’t that the point? Anyway, Dad gets the idea to write “an agreement with fears.”

This agreement is the key to the book — there’s even a blank Agreement form in the back for the reader’s own use. Sadly, I don’t understand the agreement — and I can’t imagine that I’m the only parent who’d like to try something like this, but can’t figure out exactly what’s supposed to be the point.

We transition from this to Martin’s mother beings scared by something in her bathroom. Great idea — even moms and dads get scared. It turns out that Mom’s scared by a cockroach — a talking ‘roach, I should stress — who Martin befriends. I like, I really like this part of the story. And then to help Mom deal with her fear of Moshe, Martin comes up with an agreement for his mom like the one they came up with earlier for him. I even kind of understood this one.

As soon as it’s accomplished, Moshe leaves and the book’s over. What? I don’t get it. This book is supposed to help kids deal with their fears — and it might, work in the original language,but in English . . . . nope.

Pires’ art was fine. Nothing fantastic, but that’s it. I’d have appreciated a smaller cockroach, but if he can talk, maybe he’s like one of Narnia’s Talking Beasts and has to be larger. I’m not sure. Otherwise, that was fine.

It’s cute, and comes close to working, but just doesn’t. A little editing, a little clarifying, and maybe you have a cute book that helps kids with fears. Right now, it just doesn’t.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion.

—–

2 1/2 Stars

The Flying Frog and the Kidnappers by David Yair, Ilana Graf, Natalie Jackson

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On October 5, 2017

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, YA/MG/Children's Books

The Flying Frog and the KidnappersThe Flying Frog and the Kidnappers

by David Yair, Ilana Graf (Illustrator), Natalie Jackson (Illustrator)
Series: The Flying Frog, #4

Kindle Edition, 34 pg.
Simple Story, 2017

Read: October 3, 2017


I don’t like not liking books, but not liking a kid’s book (and putting that online!) makes me feel like I kicked a puppy.

But . . .

This was just a mess — the grammar was inconsistent (I think this says more about the translator), there wasn’t even a paragraph to help new readers to the series (like me) orient themselves into the nature of a talking frog (in a world that not every frog talks), why the frog is wrapped up in balloon strings when we first get to him, etc.

And then the story itself just made no sense — not in a good way, either. I really don’t want to say that the characters are flat, because they’re not really characters — they’re names and genders, and that’s about it. The kidnappers make Jasper and Horace seem like Ocean’s Eleven.

This is supposed to be for readers 9-14 years of age. I can’t imagine any self-respecting 6 year old liking this, much less a 14 year-old. Sure, I know we all read, and learn how to read, at our own pace. I don’t want to say that it’s bad for a 9 year-old to enjoy a book written at this level, but generally, at this age, readers should be reading about the Kings and Queens at Cair Paravel, the unlikely thief who went There and Back Again, or The Boy Who Lived, not this kind of thing.

If I came into this series at Book 1, would I like it better? Possibly. It could happen, it’s possible that with more context this’d work. But I have a hard time believing it. I didn’t dislike this book, I guess I pitied it, more than anything, really.

You and your kids can find better.

Disclaimer: I received a copy of this book from the author in exchange for this post and my honest opinion, sorry it didn’t work out better for him.

—–

2 Stars

A Few Quick Questions With…B.C.R. Fegan

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On August 22, 2017

In A Few Quick Questions With..., YA/MG/Children's Books

A couple of weeks ago, I posted about a wonderful children’s book, Henry and the Hidden Treasure, and now the author of that book, B.C.R. Fegan is back on the blog for a few questions about the book and his writing in general.

I’m fascinated by the process of putting together a book like this — have you and Wen worked together before? Do you script it out, including the images, like a comic book writer?
Henry and the Hidden Treasure was the first book that Wen and I worked on together. She is an extremely talented illustrator which is what caught my eye in the beginning.

The actual process of working with an illustrator is fairly straightforward. Generally, the first step is to have a designer who can lay out the book with the required margins and provide the text at a size appropriate for the age group. This layout (or scamp) makes it easy for the illustrator to see how much room they have to play with, and where any negative space should be.

The next step is the brief itself. For Henry and the Hidden Treasure, a fair amount of direction was provided. This is only because when I write, I do it with the illustrations in mind. For children in this age group, the visual aspect of the story comes first and the narrative provides reinforcement to their imagination. This is why I needed scenes drawn in specific ways or from certain perspectives.

The way this is done is simply by scripting out each page with characters, events, actions taking place and anything else that reinforces what is going on in that scene. Other aspects include any colors (if they are important), lighting, perspectives, emotions or a certain ambience that I’m looking for. In addition to this, I provide overall direction that is important or that might be helpful to the illustrator. What is great though with talented artists, is they can take this direction and elevate it to a place even more impressive than the scenes visualized in the mind.

The third step is really the fine tuning. As the illustrations are completed and sent through, they are checked. Sometimes they are great the way they are – at other times, there might be some minor amendments.

The final step is receiving the files in a project format ready for the design stage.

As I mentioned it is fairly straightforward but by no means the only way of working with an illustrator. Wen and I work together really well and the process has always been quite smooth. I’m very lucky to know her.
Of all the ideas flitting around your head, what was it about this one that made you say, “this is the one.”
When I consider ideas for children’s books, I generally try to center my thoughts on exciting subjects or narratives. I want my books to be filled with imagination rather than lessons. So for Henry and the Hidden Treasure, the whole idea came about from considering hidden treasure – particularly as a child might perceive it. It was from this point that the story itself was crafted.

Once complete, I didn’t really pick up the manuscript and think that it was ‘the one’. I guess my approach might be a little different to other authors, but by centering my thoughts on something that children already find exciting, I’m fairly confident that the idea will naturally develop into a nice story.
I appreciated the subtlety of the moral/lesson to Henry and the Hidden Treasure — how’d you decide to convey it that way?
As I mentioned previously, the subject of hidden treasure was where the story began. I think this leant itself quite well to considering what real hidden treasure might be in the context of the family unit – particularly with siblings.

I wanted this to be a subtle theme rather than the driving force behind the book, mainly because I think imagination should take priority. Too many books start with the lesson, and often the narrative feels contrived.
In the writing of Henry and the Hidden Treasure, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
This is a difficult question. Henry and the Hidden Treasure actually came together fairly organically. I guess in a sense, writing it was quite easy. However, I remember something my father once said to me that I think applies to authors as well.

I remember as a child watching my father, a locksmith, unlock customer’s front doors very quickly – sometimes in just a few seconds. On the rare occasion, a minor objection would be made about the cost in relation to the time it took to open the lock. He explained to me later that what so many people fail to realize is that his ability to open the lock so quickly was because he had dedicated his life to perfecting his craft. What sat behind those few seconds, was decades of training, study, understanding the right tools and constant practice.

I enjoy writing, and have been reading and writing for as long as I can remember. Henry and the Hidden Treasure was definitely a pleasure to write and I certainly wouldn’t say any aspect of it was difficult. However I don’t want to leave the impression that this was just a lucky break. The difficulty for most authors I think lies in everything that came before!
What’s next for you? Are you sticking with the children’s books?
I actually have a long list of children’s books going through the stages of publishing. The next one should be out toward the end of the year. In addition to children’s books, I am in the process of writing Young Adult Fiction. I think the future will include children’s picture books, young adult fiction – and probably everything in between.
Thanks for your time, Mr. Fegan. Readers (especially those with younger kids) — go check out Henry and the Hidden Treasure.

Timmy Failure: Mistakes Were Made by Stephan Pastis, Jared Goldsmith

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On June 19, 2017

In Audiobook, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, YA/MG/Children's Books

Timmy Failure: Mistakes Were MadeTimmy Failure: Mistakes Were Made

by Stephan Pastis, Jared Goldsmith
Series: Timmy Failure, #1
Unabridged Audiobook, 2 hrs. and 44 min.
Recorded Books, 2013
Read: June 14, 2017


A couple of my kids have been reading this series since #1, and since one of my favorite comic strip writers wrote it, I always intended to read it. Then I stumbled upon Steve Usery’s podcast interview with him, and I really wanted to. But haven’t gotten around to it yet. I stumbled on to the audiobook last week and figured it’d be worth a shot — especially with his appearance in town this last weekend. If I can make it amusing enough to bother reading, I’ll tell you the story tonight of how my son and I didn’t make it. But on to the book.

Timmy fancies himself a fantastic detective with a polar bear sidekick (named Total), he believes he’s on the verge of becoming a multimillionaire with offices throughout the world. In reality, he’s a lousy detective who can’t solve even the easiest of cases, like “Who stole my Halloween candy?” when the victim’s brother is literally surrounded by the evidence. You almost get the feeling you’re headed for an Inspector Gadget-style conclusion to the mysteries, where things are solved accidentally, in spite of the detective. Nope — Timmy cannot solve anything. He considers cases closed, but he’s so far from the truth (and so near personal vendettas) that it’s laughable. Which is the point, thankfully.

There’s a level to all of this that’s really sad — Timmy’s the child of a single mom (we don’t know why, at least in this book), struggling to make ends meet, and Timmy’s created this world in which he’s thiiiiiis close to providing financial security for her. She’s at the end of her rope with him, but finds ways to indulge and support his delusions and dreams (and get some actual completed homework from him). She dates a creep for a while, but thankfully, the fact that he and Timmy don’t mesh too well dooms that.

Obviously, the big drawback to the audiobook format is that I don’t get to see the drawings that accompany the text — and that probably detracted a lot. Thankfully, Goldsmith did a great job — the voice was a little annoying, but I’m sure that was intentional. I don’t think I could listen to more than one of these at a time, but that’s probably just me.

A cute story, best suited for younger readers, with enough grin-inducing lines to keep adults reading (and/or listening). I’ll be back for more.

—–

3 Stars

The Day My Fart Followed Me To Hockey by Sam Lawrence & Ben Jackson, Danko Herrera

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On January 31, 2017

In Fiction, YA/MG/Children's Books

The Day My Fart Followed Me To HockeyThe Day My Fart Followed Me To Hockey

by Sam Lawrence & Ben Jackson, Danko Herrera (Illustrator)
Series: Little Fart, #2

PDF, 27 pg.
Indie Publishing Group, 2016

Read: January 21, 2016


Timmy’s a pretty big hockey fan and it’s the day of his first hockey tryouts. Nerves are getting to him — he rejects some good advice, pushes his friend, Little Fart, away (which is pretty understandable — I mean, who wants their fart that close to them during a tryout?). Sadly, his nerves start to cancel out his ability — and his fun.

Thankfully, Little Fart is a better friend to Timmy than Timmy was to him — but can he save the day?

Timmy’s a pretty standard little kid character — someone easily identifiable, and maybe moderately annoying to parents who read it but someone that a child will imprint on.

Little Fart is cute, loyal, supportive and fun — the ideal not-so-Imaginary Friend. Just the kind of character you hope will linger around. (sorry, I just had to…)

Herrea’s illustrations are adorable — not a word I use frequently, I know — they grab your eye and hold your attention, doing a pretty good job of telling the story by themselves. Just what a kid would want to go with the words they’re reading — or to keep their attention while being read to.

The story is pretty basic — the lesson is tried and true, but cleverly and charmingly delivered. Just what a younger reader is going to want. Rather, the lesson and the way it’ll get into a kid’s head is just what a parent is going to want, the humor and art is what the young reader will want. I enjoyed it — and my kids are too old for this. A sure thing, for parents and kids alike.

Disclaimer: I received this book from the authors in exchange for this post — I appreciate it.

—–

3 Stars

Practice Makes Perfect by Michael Portnoy, Adelia Drubetski, Freda Zolty Kovatch

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On December 26, 2016

In Fiction, YA/MG/Children's Books

Practice Makes PerfectPractice Makes Perfect

by Michael Portnoy, Adelia Drubetski (Illustrator), Freda Zolty Kovatch (Translator)

Kindle Edition, 26 pg.
Tzameret Books Ltd, 2016

Read: December 16, 2016


Madam Fly’s two sons are musical geniuses, or something like it — because she’s convinced they should put on concerts despite having no experience with playing whatsoever. How hard can it be?

Well, experience and the crickets who run the local music shop try to teach them an important lesson when it comes to music (or just about anything). The question is: will they learn?

Drubetski’s art is eye-grabbing, distinctive, and attractive. I’ve never been good at talking about illustrations, so I won’t try too hard — but I liked it, and think my kids would’ve at the right age, too (they might now, but there’s no way that they’d deign to give an opinion on kids’ books at their ages).

Kovatch scored big here — it’s got to be tough enough to translate someone’s book, especially one for this age group and make it work. Then you add in rhyming? Forget it. I don’t know how she did it, but it couldn’t have been easy.

This is supposed to be for ages 6-8, I can buy 4-6. But I do have a tendency to miss those targets, still — give it a glance before you give it to a 2nd Grader.

Yeah, it’s a bit moralistic and preachy, with an abrupt ending (which just emphasizes the moral). But I think it works for the target audience. I would’ve appreciated some clear evidence of growth on Madam Fly’s part, but . . . who’s kidding who here? It wasn’t that likely.

A fun little book that teaches a lesson too few want to hear. Recommended.

Disclaimer: I was provided a copy of this book by the author in exchange for this post.

—–

3 Stars

Bear with Bear by Hagit R. Oron, Galia Armeland

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On December 5, 2016

In Fiction, YA/MG/Children's Books

Bear with BearBear with Bear

by Hagit R. Oron, Galia Armeland (Illustrator)
PDF (but you can buy the Kindle Edition), 31 pg.
Orons, 2016

Read: November 30, 2016


Hagit Oron has branched off from her adventures with Elphie to come up with something for slightly older readers. This is the story of Bear, a young man in search of a pet. He has a few hurdles — his parents (his mother in particular), his sister’s qualms about several representatives of the animal kingdom, and reality (he doesn’t ask for a Hippopotamus for Christmas or anything that outlandish, but it wouldn’t have surprised me). I really liked the siblings relationship as depicted here — it felt real, it felt relatable.

I’m not sure that I buy the 6-9 age range for this story — but I’m not an expert, 5-7 would be my guess. But whatever, target ages like that are best used (and/or ignored) by those who know the kid best.

The thing that will appeal most to older readers is that if you click an icon in the lower corner of the page, it’ll take you to another page that gives you some insight into the factual basis behind the part of the story you just read — or showing just how fictional it was. Oron drew from her own family’s pet hunt for inspiration and she details how she went about taking that inspiration and turning it into the story. It’s an added touch that I think could really help a lot of younger readers. Now, my review copy didn’t have that function, so I can’t tell you how well it worked — I assume it’s pretty straightforward in operation — but I did get to read those pages, and appreciated what Oron was trying to accomplish with them.

Armeland’s art pops off the page. It’s simple and attractive, but it feels like there’s something wrong with calling it “simple” — I don’t mean it as an insult, it’s the first word that comes to mind. But there’s a lot of subtle things going on with the illustrations, too — so it’s not simplistic. Ugh, I clearly shouldn’t talk about art — I liked it, I thought it fit the story, and it didn’t feel like the art in kids’ books that I’ve seen a million times before.

It was a nice story, told in a good way that should appeal to younger readers — with a nice twist that’ll capture the imagination of many. Maybe even inspire some young writers out there, now that they’ve seen how their lives can be the basis of fiction. I continue to be a Oron fan, probably more of one now than before.

Disclaimer: I received this book from the author in exchange for my honest take, and I thank her for it.

—–

3.5 Stars

‏Eleanor & Park (Audiobook) by Rainbow Rowell, Rebecca Lowman, Sunil Malhotra

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On November 22, 2016

In Audiobook, Fiction, General Fiction/Literature, P-U, Rainbow Rowel, Reread Project, YA/MG/Children's Books

Eleanor & ParkEleanor & Park

by Rainbow Rowell, Rebecca Lowman & Sunil Malhotra (Narrators)

Unabridged Audiobook, 8 hrs., 57 min.
Listening Library (Audio), 2013
Read: May 31 – June 1, 2016


Okay, so yesterday I talked about a book that was hurt by the audio narration — this is one that’s helped by it (but not much, because it really doesn’t need much). I read this back when it came out, and gave it 4 Stars — which boggles my mind, was I a harsher grader back then? I remembered liking it more than that, though. Anyway, this audiobook is the perfect example of what the medium can be.

It perfectly captured the flavor, the emotion and the detail of the original. Now, it didn’t become all about the performance, the narrators brought the words to life, but not at the expense of the text.

Lowman and Malhotra were spectacular — they were Eleanore and Park. You fall for them while the characters were falling for each other, and when they expressed emotion, you certainly felt it. Well, I don’t know about “you,” but definitely me.

I’m really not sure what else I can say. This is a perfect story about first love, how it defines who you are in a way you didn’t expect — how it reveals the best of you and improves the worst of you. Using these two social misfits to tell this story grounds it in a way that the Prom King and Queen couldn’t — I just loved it. It’s probably the best thing Rowell’s done, and it’s one of the best audiobooks I’ve ever heard.

—–

5 Stars

Elphie Goes Trick or Treating by Hagit R. Oron, Or Oron

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On October 18, 2016

In Fiction, YA/MG/Children's Books

Elphie Goes Trick or TreatingElphie Goes Trick or Treating

by Hagit R. Oron, Or Oron (Illustrator)
Series: Elphie’s Books, #3

eARC, 15 pg.
Orons, 2016

Read: October 15, 2016


We’re back for another batch of fun with Elphie — this time her Halloween is off to a rocky start. Her mom is able to help her out a little bit, and gets her out the door. But that’s not the end of the trouble — but her friend Phante comes through and saves the day, getting Elphie to see how silly she was being. I actually thought they were going to end up in a different direction after her initial hesitation with the costume, but liked theirs better. But that’s not all — Phante starts having problems, and Elphie comes through and saves his holiday.

One plus to this book is that it’s not just about people helping Elphie with something. It’s everybody (including the neighbors) pitching in — not that there’s anything wrong with Mom and Dad helping out Elphie, but the variety is nice.

Okay, I’m in danger of writing a post longer than the book, so I’ll wrap up. As always, it’s a cute story with fun art — an elephant in a tiger costume is just what you need to bring a smile to your face. This continues to be a series I recommend to those who are looking for picture books.

—–

3 Stars

The Phantom Tollbooth (Audiobook) by Norton Juster, Norman Dietz

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On August 16, 2016

In Fiction, YA/MG/Children's Books

The Phantom Tollbooth The Phantom Tollbooth

by Norton Juster, Norman Dietz (Narrator)

Unabridged Audiobook, 5 hrs, 20 min.
Recorded Books, LLC., 1993

Read: August 1, 2016

4 Stars

I needed something to listen to at work a couple of weeks back, and the only thing I could find from the library’s collection was the audio version of the children’s classic, The Phantom Tollbooth. It’s been a few years since I read this with my kids, so I figured it was worth a shot. The story of bored (and boring) Milo receiving a magic Tollbooth that transports him to a magic kingdom where he goes on an adventure to restore Rhyme and Reason to their rightful places has long been a favorite of mine.

It wasn’t a bad use of time, but was a little disappointing. A lot of the word play needs to be read, not heard — having to over-pronounce the “h” in “whether man” to make it the joke land just doesn’t work. I could list other examples, but that’ll do.

Still, most of the magic is there, you still get the overall feel of the book, the strange adventure that Milo, Tock and the Humbug have is intact, it’s just missing some of the details.

Really, any version of The Phantom Tollbooth that doesn’t feature the art of Jules Feiffer is missing something — even the cover of this one was done by someone else! Thankfully, I remembered what most of the pictures looked like and could supply them in the right spot. But it’s just not the same.

Basically, I guess I’m saying any audio-only production of this novel is hobbled out of the gate. Which is nothing against Norman Dietz’s work — he did fine, nothing spectacular, but nothing detrimental, either. Good, capable, entertaining narration — but it’s just a bad book to try to do this with, I think. (that said, apparently David Hyde Pierce did an audiobook recording of it, too — and I will grab that if I can).

If you’ve read it before — this will scratch the re-read itch if you have it. It might be a good way to entertain the kids on a road trip. But this shouldn’t be anyone’s initial exposure to the story — get the book. Really. I’m giving it 4 Stars for sentiment’s sake — and Juster’s words/story.

—–

4 Stars

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