Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author — but nothing beats a great opening for getting a reader to commit. This is one of the better openings I’ve read recently. Would it make you commit?
She hadn’t been afraid of the dark.
Not before.
Not before it entered her life without her knowing, enveloping her like a second skin, becoming a part of her.
She hadn’t been claustrophobic, petrified the walls were closing in around her. Crushed to death without knowing they’d even moved. Not scared of things that crawled around her toes. Wasn’t afraid to sit alone in a darkened room and wonder if something was touching her face, or if it was just her imagination.
Nope. She wasn’t scared before.
She was now.
It took time to become afraid of those things, and time was all she had, stretching out in front of her without end.
She blamed herself. Blamed her friends. Blamed him. She shouldn’t be there, and someone was to blame for that.
Had to be.
from Dead Gone by Luca Veste
This tells you so much about the victim, her life and what’s about to happen to her (and who’s behind what’s about to happen) — such a good opening.
Zara Altair
Reblogged this on The Story Bodyguard and commented:
Opening lines that grab.