Month: January 2019 Page 2 of 5

Pub Day Repost: The Burglar by Thomas Perry: A Thief Hunts for a Killer in this Original Thriller

The BurglarThe Burglar

by Thomas Perry
eARC, 304 pg.
Mysterious Press, 2019
Read: August 25 – 28, 2018

Elle Stowell is a thief — a burglar to be precise. She’s careful, methodical, careful — she doesn’t use weapons, she focuses on cash and things that are easy to sell. You really can’t call anyone in her profession “risk averse,” but she’s as close to it as you could possibly be.

She’s a cute, petite blonde working in some of the most exclusive neighborhoods in LA. Her appearance gets her over-looked by those who ought to find her suspicious and her size and athletic ability help her get into places that she shouldn’t be. She makes enough to finance her lifestyle — and a little more. But primarily, she lives this way for the thrill.

All that changes one day when she breaks into a home and finds three bodies in the bedroom, clearly the victims of a shooting. She also notices that a video camera in the room which probably caught the murder — it definitely caught her. So she steals the camera from the scene and runs. She verifies that, yes, it shows the murder and a little bit of what led up to it. After making a few copies — and removing her self from the footage — she returns the camera for the police to use the footage.

Soon after this, she begins to hear of three people looking for her at some of her usual haunts. She’s told that they seem like cops, but she’s not sure. Cops or not, she wants nothing to do with them. Once bodies start showing up — bodies that are related to her in some way — she knows that she has to find the murderers or she’ll never be able to stop looking over her shoulder.

I don’t really think that I got to the point that I liked Elle — she’s a criminal, not one driven to it or forced to steal or anything. She made a choice at some point to steal and has stuck with it. She’s not particularly flamboyant about it — like Jim DiGriz or Nicholas Fox or anything. Her approach is clinical, serious, no-nonsense. So there’s none of the typical fictional trappings that make you like a thief character.

However, it wasn’t that far into the book when I realized that I was really invested in what’s going on with her — how is she going to escape the ramifications of what she’s seen? Is she being paranoid, or is there someone actually after her? Will she be able to bring them to justice without incriminating herself? How did they figure how who she was? Why were the original murders committed? Why isn’t anything happening with that video she left the police?

There are other characters — a couple that you get to spend some good time with, too. But this book is all about Elle. Like I said, I don’t think I ever liked Elle, but I appreciated her as a character. The other characters that are around for more than a few paragraphs are just interesting enough to justify their presence. Some bring out some interesting sides of Elle’s character or past. Others help us understand just what kind of mess she’s fallen into.

This is my third Thomas Perry book in the last year, and I was far more invested in the events of this than I was in either of the others — he kept reeling me in page by page. The pacing of this is great — just like Elle herself, Perry knows when to slow down and let you catch your breath and then when to dash off and leave you hanging on by your fingertips.Perry’s been at this for a while and it shows — he knows how to write a thriller.

Unlike many crime novels (including the other Perry novels), you don’t get to know anything about the murderers until the ending — you have an idea about them before the ending, but it’s not until the closing chapters that you actually learn anything. I loved that, I was just as much in the dark as Elle was. Perry didn’t get into the killer’s mindset or motivation at all. They were just out there, threatening Elle until she’s put the pieces together.

This was a fun read. It was gripping, it was unique, it was complex — and come to think of it, the motive for the killing and the crimes surrounding the murder aren’t like anything I remember in Crime Fiction. That alone makes it worth your while. Perry really delivered the goods with this one, and I encourage you to give it a shot.

—–

3.5 Stars

Disclaimer: I received this eARC from Grove Atlantic via NetGalley in exchange for this post — thanks to both for this.

Awakenings by Edward Lazellari: A Solid Beginning to a Portal Fantasy Series with a Twist

AwakeningsAwakenings

by Edward Lazellari
Series: Guardians of Aandor, Volume One

Hardcover, 348 pg.
Tor Books, 2011

Read: January 12 – 15, 2019


When I heard Lazellari talk about the setup to this novel/series on The Once and Future Podcast, I knew I had to give this a shot. I just love the premise — to secure the future of a war-torn fantasy world, a group of loyal subjects take a royal infant into our world via a great magic working. Once here, something goes horribly wrong and they forget who they are and split up.

Thirteen years later, more people come into our world from theirs — hunting for the now young man. Not as much goes wrong for them — they retain their identities, if not all their magic (this just isn’t the right kind of world in the multiverse for magic to work easily). Once they’ve somewhat acclimatized to Earth (aided by a spell or two), they begin hunting for the protectors and the child, er, teen.

Finally, one more traveler came to Earth — a student mage (almost a full wizard, but not quite), Lelani comes, realizes what’s happened and sets out to protect those being hunted and to restore their memories. Early on, she comes across Seth, who studied with her under the same master. On Earth, Seth’s a deadbeat, drug-using photographer — mostly of desperate young women willing to pose for just about any kind of picture for a few dollars (yup, mostly those kind of pictures). Honestly, you have to work pretty hard to not want to see him eaten by something out of the Monster Manual for D&D.

You really can’t say that Lelani convinces Seth of anything, but he accompanies her as they come to retried the group’s leader. He’d been part of one of the ruling families, and was a star among the Guard. Here, he’s Cal MacDonnell, a police officer — not just a police officer, but in addition to his career, he has a wife and daughter — a whole family, one he doesn’t want to abandon for the sake of a fairy tale (even if he’s pretty sure that Lelani’s telling the truth). I think it’s this aspect of Cal’s story that grabbed me the most — he knows his duty, what’s expected of him, but he can’t just give up his life here to take up that duty. While Lelani tries to help them remember who they are, Seth and Cal set out to find the teen and their former companions.

And what of the child? He’s not officially identified, but the novel spends a lot of time talking about a young man living in a small town in New York. He’s bullied at school, his adoptive mother has married a drunk who abuses him, yet Daniel spends a lot of time defending others — friends and his sister.

The villains of this piece are more reminiscent of the more unsavory characters of Gaiman’s Neverwhere than anything that Weis, Hickman, Eddings, Tolkein, etc. created. But that doesn’t mean you can’t see them roaming around some semi-medieval land, terrorizing the populace.

This book comes across as an Urban Fantasy novel, but it’s not really one — it’s really an Epic Fantasy that takes place in New York. The feel is different than Urban Fantasy (but man, it sounds like I’m splitting hairs — but I bet it won’t when you read it). It’s a portal fantasy, with a twist. A band of heroes in a noble cause, trying to stave off chaos — not only for their world, but ours as well (now that the bad guys know where it is…a whole universe unprotected from magic and monsters).

The ending is clearly designed to propel you to the sequel (and it worked!), with Daniel in peril; Cal, Seth and Lelani poised to find him and the rest of the companions, and their foes preparing to eliminate them all. We’ve learned a lot about their world, but there’s a whole lot more to learn — ditto for the others who came here 13 years ago. Book two, The Lost Prince has a lot to accomplish, and I can’t wait to see how it does.

Here’s a bonus feature for a few readers — this is a complete trilogy, the third volume came out last year. You can dive into this without worrying about Lazellari getting distracted by life/other projects.

—–

3.5 Stars

2019 Library Love Challenge

Opening Lines – A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author — but nothing beats a great opening for getting a reader to commit. This is one of the better openings I’ve read recently. Would it make you commit? How can you not?

Listen.

At some point, a poor sap will look at you and say, “This is the worst day of my life.”

But as long as you have breath in your lungs to say those words, you’re not having your worst day. You haven’t even hit rock bottom, much less started to dig. You can still come back from a car wreck, or that terrifying shadow on your lung X-ray, or finding your wife in bed with the well-hung quarterback from the local high school. Sometimes all you need to solve your supposedly world-ending problems is time and care, or some cash, or a shovel and a couple of garbage bags.

If you see me coming, on the other hand, I guarantee you’re having your worst day. Not to mention your last.

Let me show you how bad it can get. How deep the hole goes. And the next time your idiot friend says something about worst days, as the two of you stand there watching his house burn down with his pets and one-of-a-kind porn collection inside, you can tell him this story. It might even shut him up.

Let me tell you about Bill, my last client.

from A Brutal Bunch of Heartbroken Saps by Nick Kolakowski

A Few Quick Questions With…Gray Basnight

Earlier today, I talked about Gray Basnight’s thriller Flight of the Fox and now I get to present a little Q&A I did with him so you can get acquainted with him. I did zero prep for this beyond reading the small “About the Author” paragraph at the end of the book, so I appreciated the opportunity to get a peak behind the curtain. I hope you do, too.

Tell us about your road to publication — was your plan/dream always to become a novelist and your other jobs were just to get you to this point, or was this a later-in-life desire?
I’ve always been a writer and long aspired to be a published novelist. One key reason why I worked in broadcast for three decades was to be in an environment where the written and spoken word mattered. When I was laid off during the financial crisis, I decided it was time to take my fiction writing more seriously.
I don’t want to ask “where do you get your ideas?” But out of all the ideas floating around in your head, why’d you latch onto “A Math Professor being chased by drones”? (to be highly reductive) — what was it about this character, this idea that drove you to commit months/years to it?
The truth is, I haven’t a perfectly coherent answer about the specifics of how Sam Teagarden came to be. I wanted to create a protagonist who was an Everyman, or at least as far from a secret agent with karate chopping skills as I could make him. A math teacher seemed to fit the bill.

As for drones, I have no idea where they came from, except to say that they began making news while I was starting this novel, related to their potential for mail order package delivery. From there, remote controlled assassins seemed a logical progression. By the way, I’m confident – and I fear – this will become a reality in the not too distant future.

Pangolin is such an interesting character — I can easily see him starring in his own book. Can you talk about where he came from?
Thanks for that. I’m glad you liked good ole Pangolin. In terms of plotting and pacing, he was a bit of a challenge because he’s an important character introduced in the final third of the novel. Technically, that’s a no-no. But when he appeared on my pages, I liked him so much I kept him along for the duration. He’s an ex-Navy pilot who despairs over the evolving intrusion of technology, computers and A.I. into our economy and general way of life. As a kid I always liked a comic book hero called Magnus, Robot Fighter. It’s curious to me that Hollywood hasn’t yet discovered Magnus for the lucrative franchise I believe he would be. So Pangolin is my Magnus.
Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery/suspense/thriller reader?
I’m a voracious reader. With some exceptions (steampunk/boys with swords) I read a little from all genres. As a writer, I think it’s important to do that.

For personal enjoyment, I tend toward crime/espionage and literary fiction, plus well-crafted biography from the non-fiction shelf. Chernow’s bio of Grant was wonderful. What a unique and important American that man was.

I’ve often heard that writers, or artists in general, will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
True, true, true. As for the absolute worst thing, I haven’t seen it—yet. Nothing has really crushed me, except for a face-to-face insult levied by a famous editor at one of the large publishing houses who hadn’t read my manuscript but was confident it was unworthy of her time, which she let me know in no uncertain terms. As Frank Sinatra sang, “some people get their kicks stomping on a dream.”

As for altering my approach to writing, thankfully, that has not happened. All I can do is sit down and try my best with the skills I possess. And, hey, sometimes the result is pretty good.

What’s next for Gray Basnight?
Lots. I’m putting final touches on a sequel to Flight of the Fox.

I have a finished YA manuscript that I’m confident has commercial viability – I only need one agent or publisher to see what I see!

I’m excited about another project I’m now outlining after having written a crappy first draft a couple of years ago. I’ve never outlined before, but so far, it’s going surprisingly well. The plot centers on an event in the Confederacy that springboards to an adventurous contemporary story.

Behind all that, there’s a bottleneck of about a dozen projects that may or may not get further fleshed out, including some first drafts that are already done.

My hope is to keep writing, and to keep readers interested!

Thanks for your time — and thanks for Flight of the Fox, I really enjoyed it, and hope you have plenty of success with it.

Flight of the Fox by Gray Basnight: An Unlikely Hero. A Credible Threat. A Story You Hope Is Fiction

Flight of the FoxFlight of the Fox

by Gray Basnight
Series: Sam Teagarden, #1

Kindle Edition, 404 pg.
Down & Out Books, 2018
Read: January 10 – 11, 2019

Kill a man’s dog, break a man’s rules.

No, this isn’t a John Wick tribute/knock-off. Not at all. Just another tale about a guy with his priorities right.

A grief-stricken, new widower finally snapped after the death of his dog (no doubt his emotional instability aided by the pain killers he took following the car accident that killed his wife), makes a ranting, angry, delusional phone call to the police, saying something about guns and shooting before killing a neighborhood resident and then running from the police. Authorities consider him potentially armed and dangerous.

Or at least that’s what the authorities want you to think.

In reality, Samuel Teagarden is a math professor who was attacked for reasons that he doesn’t understand by drones at his home. Teagarden makes a panicked call to the police for help but escapes, although his aged dog dies — as does someone from the neighborhood. He has no idea what’s going on (as the book opens), but he knows that someone is trying to kill him. As you can imagine, this is a pretty good motivation to move as quickly as you can — which isn’t easy, because the car accident that took his wife from him left him with two broken knees.

That’s right, he’s 49, he’s a math teacher and he’s running around on two mostly-healed broken knees — you can practically see Tom Cruise or a Hemsworth lining up to get cast as him in the movie, right?

But why would someone want to kill him? Well, back before he got his doctorate, he was an entry-level code analyst for the CIA and he’s dabbled in the field since — and someone had sent him encoded correspondence from the earth twentieth century. Neither Teagarden or the sender realized how sensitive it was and that there were very powerful people in a “three-letter” agency who didn’t want anyone decoding the correspondence, much less knowing it existed.

So, Teagarden has to evade whoever is trying to kill him and the police who think he killed someone — while trying to decrypt this stack of code and figure out who is out for him. He has his wits, a little bit of cash and a little luck on his side, the other side has resources, drones, surveillance equipment, trained assassins and a federal budget backing them.

Sounds like the ingredients of a heckuva thriller right? It is. It’s also one of those that I could utterly ruin for prospective readers by saying just a little more — so I’m going to resist the temptation to give anything but that bird’s eye view.

I can’t tell you how or exactly when the book got its hook set in me – which is a good sign, I prefer not to know how I’m being manipulated. But I can say I was a little skeptical initially, but I remember something forced me to stop reading, and I was annoyed by it, and when I checked, it the progress meter was at 14%. That’s not long at all for me to get as hooked as I was.

Now, all of us have read/watched a thriller where 3 out of the 4 people the protagonist has met in the last month have some necessary knowledge and/or connection that the protagonist needs to survive and/or meet their goal. Flight of the Fox is the same way — Teagarden meets just the right people, catches all the right breaks, and so on — but unlike typical protagonists, he notices this. He doesn’t take it for granted, he sees it happening and it affects him. This is a little touch, but its these little things that shows Basnight’s skill and uniqueness in the field.

Teagarden is a great character — he’s fallible, he’s human, but he’s also creative, smart and resourceful. He has to be to survive this situation. The assassin after him from the beginning is cold, efficient and deadly — you never have any doubt about that. His colleagues and employer are also the kind of people you don’t want to get on the wrong side of. There are a couple of fantastic characters in these pages and the rest are pretty good, too.

The story is the obligatory roller coaster — it’s fun, fast with a lot of twists and turns. You also spend a little time sure that you’re in a free fall only to realize that everything’s been under firm control the entire time. It’s realistic enough to make you a little worried about drones flying overhead and to wonder just how reality-based the correspondence is — but it never sacrifices the sense of a fun (and fictional . . . I hope) story for the reader. I heartily recommend it.

Disclaimer: I received a copy of this novel in exchange for this post and my honest opinion.

—–

4 Stars

LetsReadIndie Reading Challenge 2019 Cloak & Dagger Challenge

✔ A book by an author you’ve never read before

Pub Day Repost: Not Famous by Matthew Hanover: A Sweet bit of Lad Lit that’ll fill your Heart with Song.

This is now available for pre-order at a discounted price! Take advantage of it while you can!

Not FamousNot Famous

by Matthew Hanover
Series: Wallflowers, #1

eARC, 382 pgs.
2019

Read: December 3 – 4, 2018

We meet Nick a couple of months after one of the most embarrassing experiences of his life — a marriage proposal that goes awry. He’s still reeling from that when he meets a very cute, and comparatively young, barista at his favorite Seattle-based Coffee chain shop. Alli’s not just a barista, she’s also a musician — a solo act, just a girl with a guitar — so Nick goes to one of her shows. He falls in love with her music right away, and somehow convinces her to go to dinner with him.

Which is just the beginning of their story. Alli’s a very private person with no romantic past. At all. Which seems hard to believe when you read it here, but when she tells Nick that, you have no problem believing it. Unless she’s singing, she seems nervous, uncertain, and shy. But on stage . . . she’s a different person. And while she seems like a shrinking violet, she has a will of iron when it counts. One of the places it counts surrounds her past — it’s a closed book — and it doesn’t seem likely that she’ll open up until and unless she truly trusts someone. Although she’s put up enough walls to protect herself that it’s going to take quite the guy to get her to let her defenses down.

Now, on the other hand, Nick has some kind of romantic past, but it’s hard to believe it sometimes as he fumbles his way through this relationship. It’s kind of fun to watch him act like he’s an expert on romance, someone guiding Alli through this new territory for her, and then frequently doing and saying the wrong things — almost sabotaging the relationship more times than he’d care to admit. Some of this comes from general ineptitude, some comes from the damage done to him in his last relationship (much of which he doesn’t realize happened).

Now, I don’t want to take any thing away from Nick or Alli — they’re they heart and soul of the novel. But, I want to talk a little bit about Nick’s sister, Lacy. Her father was their mom’s second husband, and about ten years younger. They’re not close, but their mother keeps trying to get Nick to be involved — after his step-father died, Nick’s really the only male influence in her life. Lacy, like their mom, wants them to be close. She sees him as her big brother, even if he only sees her as his much younger step-sister. As the book goes on, Nick’s maturity can be gauged by his relationship to his little sister. Naturally, like just about everything that’s not work in his life, Alli’s influence and action improves things — the friendship between Lacy and Alli forces Nick to play a larger role in his sister’s life. And before long, he doesn’t need Alli’s efforts to want that closeness himself. I thoroughly enjoyed Lacy as a character, and watching how Nick changes in relation to her — she was the added something that made this book more than just a sweet love story. She’s not around much, actually, and there are characters that have a more obvious impact on the plot — but she’s the non-Nick/Alli character that sticks with you.

She’s also the one character whose main role isn’t to serve the Nick/Alli relationship in some way. Now, she does serve that — don’t get me wrong. But that’s not the chief purpose for her. I have nothing against Alli’s Starbucks coworkers, or fellow musicians who only show up to encourage the romance. Or Nick’s roommate, or friend/partner who give him reality checks and the prodding her needs. But they really don’t do much else. But little sister does. If I ever get to interview Hanover, we’re going to spend a lot of time talking about her.

I would have appreciated having a better sense of who Nick is outside the relationship. I do have a sense of him as a single guy, as a friend, as a professional — but I’d have liked a bit more of that. It’s really hard to have much of a read on Alli outside their romance, as it’s all told from Nick’s POV. But you do get hints — I’d have liked a few more. But since this is the story of Nick and Alli, it’s appropriate (and enough) that we get a really strong idea about them as individuals relating to each other and them as a couple, and how that dynamic functions. I’m just a reader who almost always wants a little more than an author gives me.

At the end of the day — and long before that, actually — what you think about this book boils down to one thing: Alli. Do you like her as a character — do you fall under the same spell that Nick does? (or can you see why someone would?) Moreover, her secret — do you care? And is that caring based on this struggling artist trying to make her way in the world, or do you care because you’re curious? Nick, his struggles, his ineptitude, Lacey, etc. — you’re appreciation of the book will be flavored by your appreciation of those, but it’s all about Alli when it comes to the question of, “Do you like this book?” And Nick, at least, would have it no other way.

Not Famous is almost as much a tribute to Nick Hornby as it is a story in the same vein as his work. There are nods to Jonathan Tropper and Matthew Norman, too — probably Mike Gayle as well, but it’s been so long since I’ve read him, it’s hard for me to recognize that. This is not a bad thing — in fact, I quite appreciate it, and enjoyed the process of seeing how Hanover reflects his influences in his writing.

At some point, I can’t tell you where, I stopped thinking about Not Famous as something that I was going to post about, or something I was going to provide feedback on. I just got wrapped up in the story and the fate of these two characters (and his sister, actually). I stopped thinking about how Hanover wrote and was only concerned with what he wrote (not that I didn’t notice the former, I just didn’t care). It’s always a good sign when I disengage the critical part of my brain and simply read.

Not Famous — it’s cute, it’s amusing, it’s charming, it’s sweet. It’s the kind of book that you want to bring home to mother (okay, that line’s borderline cheesy, I know — but my mom would really enjoy this book) — and even bring it home to your daughter. I hope this book is successful enough to warrant future novels from Hanover, because I would love to read more.

Disclaimer: I was given a copy of this ARC by the author in exchange for this post. Which gave me something to opine about, but otherwise didn’t influence my opinion.

—–

4 Stars

Finders Keepers: The Definitive Edition by Russ Colchamiro: A Very Strange SF Romp

Finders Keepers: The Definitive EditionFinders Keepers: The Definitive Edition

by Russ Colchamiro
Series: Finders Keepers, #1

Kindle Edition, 310 pg.
Crazy 8 Press, 2018

Read: January 4 – 7, 2019


This is a very strange ride. That might be the most important thing to take away from my experience with this book. Strange is good, strange is unique, strange is the kind of thing you can only read here (well, you can read strange SF in other places, too, but they won’t be this kind of strange).

That doesn’t tell you a lot, though, does it? This is the story of two twenty-something guys (one from the US, one from New Zealand) backpacking their way around Europe. It’s the story of a young woman, an artist trying to escape from something, and her life-changing interactions with those two guys. It’s also the story of a young couple, trying to better their station in life, who might have taken on a job they shouldn’t have — and their tragic blunder in the middle of carrying out that job which just might ruin their lives. There’s also the woman whose ambition and slip-of-judgement that has led to her fall into disrepute and her loyal assistant as they try to stage a comeback. Oh, yeah, and there’s Ira and Howard — a dolphin and a whale — who are basically the sea mammal answer to Cheech and Chong.

Jason’s waiting tables at a small restaurant, putting off getting a teaching job, because he’s just not ready to take that step, when one of his customers inspires him to head to Europe for a while. This was a huge mistake — he’s unprepared for anything, the fact that he’s not robbed blind by the first slightly crooked person he meets in any country is a wonder. He eventually runs into Theo Barnes, who’s only a moderately better traveler. He’s on a quest — the exact nature of which I’ll leave to you — but Ira and Howard gave him some pretty specific directions. Primarily, these two do what backpacking twenty-something males do: the drink a lot, they chase girls, the drink some more, they get lost in Europe, and drink to excess.

I’m going to pass on explaining how the others I mentioned get into the story — there’s a lot of complicated explanation — that makes perfect sense in Colchamiro’s narration, but wouldn’t quite work in my summary. But most of the other people in the book aren’t human — they’re a different form of life who are responsible, in one way or another, for the construction of Galaxies, Star Systems and Planets — most notably, they’re all involved in the creation of our solar system. And all of them have done something horribly wrong (inadvertently or otherwise) and all are in the middle of crazy, elaborate plans to regain their status. Colchamiro tells us about their falls and their various efforts to fix things while we watch Jason and Theo binge drink their way around Europe.

I’m honestly not sure if that paragraph made much sense — I bet if you’ve read the book, it does.

What surprised me about the book wasn’t the strange antics these pairs got into — but that Colchamiro works a lot of heart and some pretty serious emotional arcs into the zaniness. He does so in a way that doesn’t seem forced, it doesn’t seem like he’s taking a break from the outrageous actions to have a heartfelt moment, or anything — but he seamlessly merges personal growth, insight or complex emotions into the same scenes as a talking dolphin or biker gang interrupting a son introducing his girlfriend to his mother.

There was a time back in the 90’s or so where it seemed that not a week could go by without someone on a sit-com ask the clarifying question: “Did you mean funny ‘ha ha,’ for funny ‘peculiar/strange/odd’?” I thought of that frequently while reading this book — and once I abandoned the idea of this book being “funny ‘ha-ha,'” and instead embraced the strange, the absurd, the idiosyncratic peculiarity of Finders Keepers, I enjoyed it a lot more. I’m not saying that there aren’t funny moments, and it’s definitely not a serious work — it’s a fun, goofy, and strange SF adventure, which we need more of. I just don’t think I laughed or chuckled all that much.

That said, do I encourage you to read it? Oh yeah. Am I curious about what the next two installments of this trilogy might bring? Oh yeah. And I fully intend on finding out as soon as I can. I wager if you spend some time with this particular batch of oddballs you’ll be as curious as I am — yet pleased that you spent this much time with them. It’s a great mix of heart, oddball characters, youthful indiscretions, and wisdom that time and suffering can only bring — all in one goofy adventure.

—–

3.5 Stars

My thanks to iREAD Book Tours for the invitation to participate in this tour and the materials they provided, including a copy of the novel.

A Few (more) Quick Questions With…Russ Colchamiro

Russ Colchamiro came back for round 2 — and I’m very happy about that. I hope you enjoy this:

Tell us a little about your road to publication.
Finders Keepers is loosely based on a series of backpacking trips I took through Europe and New Zealand, set against a quest for a jar of the Universe’s DNA. Very much in the spirit of The Good Place, Bill & Ted’s Excellent Adventure, and Hitchhiker’s Guide to the Galaxy.

It original published in 2010, and got great notices, including in Publishers Weekly. As part of the launch—it was my debut novel—I landed a national distribution contract, with Finders Keepers on the shelves in 20 or so Barnes & Nobles throughout the U.S.

About a year ago I had a hankering to revisit the guys and see if it stood the test of time. Seeing how I could improve upon the original, I was inspired to write Finders Keepers: The Definitive Edition. It’s 15,000 words shorter than the original, with tighter pacing, some new content, and a few characters I reimagined to better match how I always intended them. This new, updated novel is indeed the final version. This is it!

In the Author’s Note you talked about your reasons for this new version of the novel, and how you cut a good deal of the original text. Talk to me about the process of revising — how painful was it to cut anything? What was it like to look back at an almost decade-old work with a critical eye?
It was trippy to go back and look at the manuscript with fresh eyes. Certain scenes were painful to cut because I loved them, as individual scenes, but I needed to serve the story, and keep the pacing as tight and lean as possible. The biggest change, where I had to take a humble, was some of the language. The original version was a bit raunchy, but as the series evolved, and as I evolved as a writer, I accepted that some of the sex comedy elements were distracting from the overall adventure. So I cut virtually every F-bomb, toned down some of the sex elements, and ultimately made it friendlier and more accessible for a wider audience. Consider the original as the Raw & Uncensored Edition, with an ‘R’ rating, whereas The Definitive Edition is ‘PG-13’.
I’m admittedly late to the Finders Keepers party — what kind of feedback have you received from readers who showed up earlier to the trilogy to The Definitive Edition? Anything surprising about the reaction (hopefully positive surprises, but I’ve been online long enough to not know to assume that)?
All of the feedback I’ve gotten is extremely positive. Finders Keepers is a 3-book series— Finders Keepers, Genius de Milo, and Astropalooza. The Definitive Edition much more closely matches the tone, length, and style of Genius de Milo and Astropalooza, so the entire trilogy feels much more like one cohesive adventure. I’m incredibly happy with the way it turned out.
Last time we talked, we spent some time talking about Finders Keepers when we were supposed to be talking about Angela Hardwicke and the anthology she was in. It’s time for some payback — talk a little about Angela — her tie to these books and her future.
Angela Hardwicke is my hard-boiled private eye, who briefly showed up in Genius de Milo with a much bigger role in Astropalooza. I’ve since written a few short Hardwicke mysteries in Crazy 8 Press anthologies. The biggest news is that I’ve also written the first draft of my first Hardwicke novel. I’ll be doing revisions over the next few months, with plans to publish either this year or in 2020. After that I plan to write Angela Hardwicke mysteries for years to come as an ongoing series. I’m not supposed to pick favorites, but Hardwicke I’ve never had more fun as an author than with Angela Hardwicke.
You’ve said Finders Keepers is loosely based on a series of backpacking trips you took through Europe and New Zealand. What inspired you to turn those adventures into a novel, and then expand it into a trilogy?
I know its cliché that a trip was life-changing, but in my case, it happens to be true. Before I went overseas, I hadn’t traveled much, and since then I’ve been halfway around the world, and made friendships that have endured all these years. Finders Keepers and the sequels are for readers who want to go on a wild cosmic ride that will, I hope, inspire you to think a bit about the meaning of life, your place in it, and the machinations of the Universe. And, of course, leave you with a smile on your face.
Thanks for your time, and I hope that Finders Keepers meets with all kinds of success!

BOOK SPOTLIGHT: Finders Keepers: The Definitive Edition by Russ Colchamiro

Today I welcome the Book Tour for the very strange Finders Keepers: The Definitive Edition by Russ Colchamiro. Along with this spotlight post, I’ll be posting a Q&A with the author (he came back for another round — the third author to do so!) and then I’ll be giving my take on the novel. Sounds like plenty of material to get to — let’s jump in. Don’t forget to enter the giveaway at the bottom of this post.

Book Details:

Book Title: Finders Keepers: The Definitive Edition by Russ Colchamiro
Publisher: Crazy 8 Press
Release date: October 17, 2018
Format: Paperback/ebook
Length: 310 pages
Genre: Sci-Fi/Fantasy
Content Rating: PG-13 + M (A few f-bombs, and mild sex scenes + some casual drinking/pot smoking)

Book Blurb:

In the spirit of The Good Place, Bill & Ted’s Excellent Adventure, and The Hitchhiker’s Guide to the Galaxy, author Russ Colchamiro has gone back to the future to deliver his wildest, funniest novel yet–the updated Sci-Fi/Fantasy tale Finders Keepers: The Definitive Edition.

When a jar containing the Universe’s DNA falls from Eternity, bumbling backpackers Jason and Theo find their loyalties–and sanity!–put to the test. Unaware that a motley crew from another realm is chasing them across the globe to retrieve that radioactive vessel, these intrepid new friends are forced to contend with passion, responsibility, and their own mortality–and the fate of the Solar System, which hangs in the balance.

Traversing Europe, New Zealand, and the backbone of Eternity, Finders Keepers: The Definitive Edition ultimately asks one simple question: Is the life you’re living the life you actually want . . . or does the Universe have more to offer than you can possibly imagine?

Book Trailer

About Russ Colchamiro:

Russ ColchamiroRuss Colchamiro is the author of the rollicking space opera, Crossline, the zany SF/F backpacking comedy series Finders Keepers, Genius de Milo, and Astropalooza, and is editor of the SF anthology Love, Murder & Mayhem, all with Crazy 8 Press.

Russ lives in New Jersey with his wife, two children, and crazy dog, Simon, who may in fact be an alien himself.

Russ has also contributed to several other anthologies, including Tales of the Crimson Keep, Pangaea, Altered States of the Union, Camelot 13, TV Gods 2, They Keep Killing Glenn, and Brave New Girls. Russ is repped by The Zack Company.

Russ Colchamiro’s Social Media:

Website ~ Twitter ~ Facebook ~ Instagram

Purchase Links for Finders Keepers: The Definitive Edition:

Amazon ~ Barnes & Noble
Playster ~ Kobo ~ 24symbols
Add to Goodreads

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My thanks to iREAD Book Tours for the invitation to participate in this tour and the materials they provided.

The Power of the Dog by Don Winslow: A truly magnificent book that I can’t adequately express my appreciation for

The Power of the DogThe Power of the Dog

by Don Winslow
Series: The Power of the Dog, #1
Paperback, 542 pg.
Vintage Crime/Black Lizard, 2005
Read: December 29, 2018 – January 8, 2019

The Americans take a product that literally grows on trees and turn it into a valuable commodity. Without them, cocaine and marijuana would be like oranges, and instead of making billions smuggling it, I’d be making pennies doing stoop labor in some California field, picking it.

And the truly funny irony is that Keller is himself another product because I make millions selling protection against him, charging the independent contractors who want to move their product through La Plaza thousands of dollars for the use of our cops, soldiers, Customs agents, Coast guard, surveillance equipment, communications . . . This is what Mexican cops appreciate that American cops don’t. We are partners, mi hermano Arturo, in the same enterprise.

Comrades in the War on Drugs.

We could not exist without each other.

You ever start a book and within a few chapters you know, you just know — the way you know about a good melon — that this is going to be a great book? Not just a good book, an entertaining book, a rave-worthy book, but a great one? Sure, it doesn’t happen often enough, but we’ve all been there. It’s happened almost every time I’ve read a Winslow book, I have to say.

Yet there are eleven books by Winslow that I haven’t read yet. Explain that to me, please.

It’s hard to say exactly when it was that I realized that with The Power of the Dog but it happened — and it took me by surprise for a half of a second, and then the voice in the back of my head said, “Of course.” The scope, the style, the voice, the audacity of the novel — there’s no easy way to describe it. And now I have to try to talk about it? I do super-hero novels, stories about detectives who use magic — or hunt for rare vinyl LPs, teenagers post videos of their drunken parents on Youtube or Picture Books about Die Hard — I posted about (and loved) 2 completely unrelated Crime-Solving Comic Book Artists last year! How am I supposed to talk about this?

After a quick — and disturbing — look at the cost of the War on Drugs in 1997, Winslow takes us back to 1975 in the State of Sinaloa, Mexico. There we meet new DEA agent Art Keller — a Vietnam vet, who’s come to use his experience to help take on the Opium trade. Thanks in large part to those efforts, the Opium trade is devastated — but the industry shifts to cocaine, and well — things go from bad to worse.

We follow Art’s career from 1975 to 2004 — watching him try to stop the flow of drugs from Mexico into the U.S. Calling that a Quixotic effort seems to be an understatement at best — but one particular cartel has made things personal for him and he directs most (if not all) of his efforts — you could argue most of his life — at disrupting their business and, hopefully, dismantling it. It’s no small task, and no quick battle.

But this isn’t just Art’s story — he disappears from the focus several times, in fact. It’s also the story of a maverick Mexican priest as he struggles to minister to various drug dealers, their family members — and their victims. We get to know some members of the Federación very well (too well, in some cases). Also, because the Federación needs customers, we meet several, ahem, NYC-based importers. Connected to all of the above is a high-class prostitute. We see these characters moving through actual history — Iran-Contra, the Mexico City Earthquake, political shifts in Washington. It was striking reading this in 2018/2019, remembering that once upon a time the name “Giuliani” was an invocation of law and order — a name that symbolized a change in organized crime’s power (at least perceived). Watching these individual’s stories weave in and out of each other’s over the decades and over huge geographic areas moves this from an intricate crime story to an epic.

None of these criminals is wholly evil (well, you could make the case for a couple of them, maybe), there are very relatable moments for just about all of them. They love, they laugh, they nurture their kids — they do good things in their community. The same can be said for the law enforcement characters — they aren’t wholly good, in fact, some of what they do is downright despicable. All of them, in short, are very human.

Winslow’s skilled at weaving in seemingly disparate tales into this tapestry and eventually you can see enough of it to appreciate why they’re all there. There are scenes in this book that are among the most depraved I’ve read. Scenes of torture, scenes of murder, scenes of heartbreak. But they’re not written for thrills, they’re not exploitative — they’re just horrific, and very likely based on something that actually happened. There’s a sweet little love story, tucked away in the middle somewhere that I kept wondering why we were getting. It was hundreds of pages, really, before I learned why — I enjoyed it while I could.

There is within this book a very heavy critique on the so-called War on Drugs in the U.S. — at the very least, on the way it’s being waged. Sometimes this comes from the narration, sometimes from a narcotraficante (see the opening quotation), sometimes from DEA agent — it doesn’t really matter whose mouth the critique comes from, it’s biting and it’s typically on point. It will likely make many people uncomfortable — by design; it should make many people upset. But Winslow never browbeats you with these critiques — unless you take the entire book as one, which it very arguably is.

I don’t know if I have the ability to describe Winslow’s writing here. Despite the scope and intricacy of the plot, it’s not a difficult read. Despite the horrors depicted, it’s not overwhelming. In fact, there are moments of happiness and some pretty clever lines. Which is not to say there’s a light-hand, or that he ever treats this as anything but life-and-death seriousness. It’s not an easy, breezy read — but it’s very approachable. I don’t know if there’s a moment that reads as fiction, either — if this was revealed to be non-fiction, I would believe it without difficulty. I will not say that he transcends his genre to be “Literature,” or that he elevates his work or anything — but I can say that Winslow demonstrates the inanity of pushing Crime Fiction into some shadowy corner as not worthy of the attention of “serious” readers.

I think I’ve pretty much covered everything on my pared-down outline. I really want to keep going, but I can’t imagine that many have read this far. As it is, this is at best, an inadequate job describing the book and how wonderfully constructed and written it is. Hopefully, this encourages you to seek more information, or actual reviews about it. Really, The Power of the Dog is a tremendous book and should be read by many. Be one of those.

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5 Stars

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