Month: September 2023 Page 4 of 6

I’m Curious: I’d Like to Give Terry Pratchett Another Try and Could Use Some Guidance

Ten years ago (and yes, it feels strange saying that), I posted this (there’s a question coming at the end, but bear with me so this isn’t a 3 sentence post).
Received this e-mail today from someone submitting a comment to the “Suggest a Book” form:

Do have reviews on ANY Terry Pratchett book. Would love to “hear” your thoughts…

Thanks for the question! Not just because I like getting suggestions/e-mails, but also because I had nothing else to post today, having opted for sleep and time with my family over finishing a book.*

Pratchett’s a legend — almost universally praised and adored. I read the first two Discworld novels back in 2011, and didn’t care for ’em. Which I assume is an indictment of me, my taste, and very likely my morality, patriotism and love for my wife. So, readers, is it just these first couple of books? Should I start with a different Pratchett book? I’d like to bask in his particular brand of genius, just need a hand.

Anyway, I wasn’t going to bother dusting these off as they’re so short, but since you asked, here are my 2-star reviews for the first two Discworld novels.

The Colour of Magic (Discworld, #1)The Colour of Magic

by Terry Pratchett
Hardcover, 183 pg.
St. Martin’s Press, 1983

It was amusing enough–chuckle-inducing in more than one place–but I never connected with it, not the story, not the characters, not the world. Left me pretty durn blah.

Probably just me, eh?

The Light Fantastic (Discworld, #2)The Light Fantastic

by Terry Pratchett
Hardcover, 189 pg
Colin Smythe, 1987

I liked this one better than The Colour of Magic — it was better constructed, the characters were a touch more believable as characters, and I certainly laughed more. But, I had the same issues with this as I had with the previous.

I just didn’t care about anything or anyone, and saw no reason why I should.

Funny, clever stuff, and I couldn’t wait to be done with it.

—–

* Not that I didn’t try for all three


Here’s My Question

I’ve been thinking lately that I really should try Terry Pratchett again. Given the above…where should I start? Give The Colour of Magic another try? Start with something else? As I understand it, Discworld novels need not be read sequentially, do I have that right? So where would be a good place to jump in? Or what would be a good stand-alone-ish novel to try?

I know I have Pratchett lovers out there, and I’d love to hear your thoughts.

What Did the Cross Achieve? by J.I. Packer: A Beginning of an Answer to a Vital Question

What Did the Cross Achieve?What Did the Cross Achieve?

by J.I. Packer, Mark Dever (Foreword)

DETAILS:
Series: Crossway Short Classics Series
Publisher: Crossway
Publication Date: August 29, 2023
Format: Paperback
Length: 109 pg.
Read Date: August 27, 2023
Buy from Bookshop.org Support Indie Bookstores

Some Thoughts on the Series as a Whole

The point of this series is to take classic short works—sermons, tracts, articles—package them attractively, edit a bit (modernize language, eliminate footnotes, tweak grammar, etc.), and make them widely available. Each is given a short introduction to help the reader get the context and a bit of information about the author.

They published seven books in this series last year, and I discussed them here. Three have come out this year (so far), but I’m hoping for more in this series soon.

What’s What Did the Cross Achieve About?

This essay was originally a lecture Packer delivered but it lives on far after that time. It’s essentially a defense of the Penal Substitutionary Theory of the Atonement—and a critique of some alternate theories. Which is not to say that Packer doesn’t have some words of correction for other proponents of substitutionary atonement, nor is he without appreciation for alternate theories.

Packer holds that when people like Socinius attacked the Reformation’s preaching and teaching on the atonement, the Reformed (in particular) responded to his rationalistic arguments on the same grounds—and spent centuries refining things along those lines, losing the declaratory, doxological, and kerygmatic power of the doctrine. For this “preliminary survey,” he states:

My plan is this: first, to clear up some questions of method, so that there will be no doubt as to what I am doing; second, to explore what it means to call Christ’s death substitutionary; third, to see what further meaning is added when Christ’s substitutionary suffering is called penal; fourth, to note in closing that the analysis offered is not out of harmony with learned exegetical opinion. These are, I believe, needful preliminaries to any serious theological estimate of this view.

So, what did I think about What Did the Cross Achieve?

Can we then justify ourselves in holding a view of the atonement into which penal substitution does not enter? Ought we not to reconsider whether penal substicution is not, after all, the heart of the matter? These* are among the questions that our preliminary survey in this lecture has raised. It is to be hoped that they will receive the attention they deserve.

* And other questions that I snipped due to lack of context.

This was a good reminder to me of just how good J.I. Packer was—it’s been a long time since I’ve read a much by him, and it’s easy to remember really liking his writing and learning a lot from him, but to forget most of the details. And then you read him and are reminded why I spent so much of the 90s immersed in his work.

His approach to the idea was great and easy to follow. This wasn’t for a popular audience, but the language isn’t that difficult to follow. I appreciated and benefited from his argumentation—and thought his analysis and argumentation were spot-on (and would still be pretty sufficient for what I’ve seen for people today who struggle with penal substitution).

Essentially, this was a great way to spend an hour or so, one of the best of this series, and one I’ll return to again and again. I’d suggest you do the same.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Saturday Miscellany—9/9/23

Three-day weekends can really mess with you, you know? Monday afternoon, I sketched out a plan for the week that saw me productive on the reading and blogging front. And then Tuesday came along and everything else in my life collectively chuckled and said, “no.”

Without my research collaborator, Peat Long, this would be a very short list. Be sure to check out his Friday Favorites for more goodness along these lines.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet ‘A Plague on the Industry’: Book Publishing’s Broken Blurb System: Do authors actually like the books they endorse—or even read them? Writers, literary agents, and publishing workers take Esquire inside the story of a problematic “favor economy.”—Great piece from Esquire
bullet Stephen King Once Played “Mambo No. 5” So Much His Wife Threatened Divorce—I’ve never clicked with King’s fiction (and stopped trying decades ago), but I always enjoy hearing about King the person and writer.
bullet When Teens Play Detective: The Influence of Golden Age Detective Fiction on YA Mysteries
bullet The 75 Essential Books For Gen Xers: These are the books that entertained us, taught us, shocked us and molded us into who we’ve become—not necessarily the best, but those that shaped a generation. The fact that this is a relevant topic to the AARP’s site has cost me some sleep. (I got my membership card earlier this year, for the record, which didn’t cause me to lose sleep because it made me put a big dent in a bottle of bourbon)*
bullet Too Much Information! Two Big Reasons Not to Over-explain Your Novel—Naturally, Paul Goat Allen nails this. I haven’t read him much lately…I need to fix that.
bullet Let’s Get Honest About Reading (And Blogging)—some wisdom here
bullet Author vs Author and Author with Author is Complicated—good thoughts from Mr. Long
bullet Cyberpunk: The Truth Behind the Shades—in the mid-90s, I got really into Cyberpunk, but since then I really have only dabbled. This piece “fact check[s] some assumptions about the genre” and rekindles my interest.
bullet Why I Enjoy Reading Negative Reviews of the Books I Love – & Mid-July Thoughts—I did snicker a lot at some of these featured reviews
bullet How I Select Books to Read—I can relate to a lot of this. I don’t know that I’ve ever broken down my reasoning like this (not sure I can), but I enjoyed reading it.

* I feel compelled to stress that I’m joking about the sleep and drinking.

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Story Craft CafeThe Western Renaissance With Craig Johnson | SCC 113—Craig Johnson telling stories about whatever is almost more reliably entertaining than his books (like I said about a Story Craft Cafe episode last week, the audio quality on Johnson’s part isn’t great, but it’s not that distracting)
bullet The Thriller Zone Episode 147: Lee Goldberg, author of Malibu Burning—Goldberg gets on a roll here and I challenge you not to chuckle

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Longmire Defense by Craig Johnson—There’s a chance I get to start this today, and I can’t wait. I have no idea what this is about—something to do with an old case and digging into Walt’s relationship with his grandfather.
bullet Sleep No More by Seanan McGuire—I haven’t written anything about last year’s Toby Daye novel because I’m very conflicted about the ending—and am almost never satisfied with the kind of story it set up. So now…here we go with part one of the payoff. I trust McGuire, but now it’s time to put it to the test. (click the link there to get an actual idea of the premise)
bullet It Ends with Knight by Yasmin Angoe—I can’t imagine that the conclusion to this trilogy is anything but fantastic.
bullet Spider-Man’s Bad Connection by Preeti Chhibber—I had a lot of fun with Chhibber’s take on young Peter Parker and figure the same is in store for her follow-up.
bullet Look Out for the Little Guy by Scott Lang—the autobiography of Ant-Man. Yeah, go ahead and roll your eyes that I mention this. Roll them even harder when I say that I bought the hardcover.

The odd thing about people who had many books was how they always wanted more. - Patricia McKillip

Eclipse by Herman Steuernagel: A Promising Start

Eclipse_ban.png

EclipseEclipse

by Herman Steuernagel

DETAILS:
Series: Fractured Orbit, Book 1
Publisher: The Fourth Media
Publication Date: February 7, 2023
Format: Ebook
Length: 300 pg.
Read Date: September 4, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Eclipse About?

Django and Mikka are just going about their lives like they have been. They’ve never met—and likely never will. Their lives couldn’t be more different. But because they’re the primary characters in this book, we know they will at some point.

How does an agricultural specialist from a space station come across the path of a cargo-hauling ship’s captain?

That’s where the rakish, brash, legend-in-her-own-mind, Abigail Monroe, space pirate comes in. Abigail just being Abigail starts a ripple effect that will end up disrupting the lives of these two and maybe even change much, much, much more.

That’s not much of an answer to the question, let’s take a look at it like this…

Django’s Storyline

Django has a life he’s been contented with. Like his family before him—he works on the agricultural ring of a space station, growing food for his fellow residents and creating the fauna that will help rebuild the ruined Earth below. He likes his work—he’s dedicated to his mission (while he knows it will be his descendants who will actually reap the benefits when they can live on Earth again). But his lifelong friend (and he probably would like more than that) Eventide is leaving the agricultural wing. She’s worked her way into a more prestigious job and he’s feeling left behind as she prepares to fully transfer—including moving to a new ring. I’m not convinced he realizes how much it’s bothering him, but we readers can tell.

The day of his sister’s wedding things start to go wrong—first of all, now that his sister’s wed, the pressure for him to settle down is going to move to him. And Eventide’s move is happening, and then…well. Disaster strikes and part of his family dies. At the same time, Django may have seen something that undercuts his entire life’s work and beliefs. Like any good human, he convinces himself that everything’s actually okay and he misunderstood what he saw. But…his uncle isn’t convinced. In fact, his uncle starts to sound like some sort of conspiracy theorist, even talking about getting off the space station. Django didn’t even think that was possible.

Django can’t wrap his head around it all. Between grief and confusion, he’s overwhelmed. Over the next couple of days, things get worse and Django starts to wonder if he should be leaving.

Mikka’s Storyline

Years ago, there was a space pirate named Jax Luana, who enjoyed some renown. Suddenly, she dropped off the map—with a lot of questions and rumors surrounding that. For reasons I won’t divulge, she got out of piracy, and changed her name and appearance. After a couple of lucky breaks, Mikka is able to get a small ship and a partner and takes on small cargo jobs and the like—see Mal Reynolds and his crew on a good day. Her mother has a long-term—probably terminal—disease, and Mikka pours all her profits into her mother’s care.

After running into Abigail Monroe, the tenous life and reputation she’d built starts to fall apart. That’s not true—it crumbles almost instantly. Like Michael Corelone, she’d gotten out and they’ve pulled her back in. Now Mikka has to become the pirate for her own sake as much as her mother’s.

I could be wrong about this, but I think this storyline doesn’t get quite the same space as Django’s—which I get. But it bugs me, because I really wanted the balance to be different. Honestly, I’d have been fine without him at all, with just a book about a pirate who’s gone straight and is having a hard time staying that way.

* Please note that I’m not saying I didn’t like Django or his story. I also think in future books I’m going to enjoy having both of those characters and their stories to follow. I’m just saying this is how much I liked Mikka’s story.

So, what did I think about Eclipse?

This is essentially a “getting the band together” kind of book, we meet all the players for the series (at least many of them), we get an idea of the political/criminal/social forces at work while they near a boiling point, and put our characters in place for the books to come. We don’t get much more than that—and I think that was an error on Steuernagel’s part. It just felt too much like an introduction without any real payoff. I don’t think we needed much more—another chapter or two leading to a cliffhanger of sorts to propel us into the next book would’ve been enough. The novel’s arcs have resolved, we see that longer stories are in the future, and the metaphorical table is set for more to come, but that’s all we get.

Instead of an exclamation point, the book closes on ellipses.

Along the same lines, I have a whole bunch of questions about what happened on the Eclipse that have nothing to do with Django, and everything to do with Eventide. I don’t know if it’d have helped the novel much for Steuernagel to have taken a moment to fill in some details—but I’d have felt better about it (perhaps the storylines in the future will address it, but I’m not holding my breath).

That said. I did like the book, and will close this post by recommending it. I just wanted to like it more.

Django is a great example of a farm boy being yanked out of his pleasant life to get involved in a struggle involving powers and plots well above him that he’s frankly not all that interested in. We know that kind of character so well because they work so well almost every time we see one—Django is going to be great to watch as he grows and is exposed to things he never thought possible. Eventide will be equally great to get to know as a character herself—we essentially know her as Django’s friend and not much else (but there’s more to her, obviously). The same thought applies to Mikka’s partner/navigator Kiara. As I suggested, everything we saw about Mikka was enough to make me want more of her—as she returns to the life of a pirate, but this time with a mission? She’s going to be something great.

As for the agent of chaos, the monkey wrench in the works, the black fly in your Chardonnay, Abigail? I cannot wait to see her in action. In our Q&A, Steuernagel says she gets talked about the most—and I understand that. I want to be one of those who talk about her a lot, but I can’t figure out how to do that without spoiling a lot. Just know that she’s great.

This is a fun novel that really whets the appetite for more—give it a shot, and I think you’ll be as eager for Book 2 as I am.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

A Few Quick Questions With…Herman Steuernagel

Eclipse_ban.pngFor this next part of the tour, I have a quick Q&A with the author, Herman Steuernagel. I had to come up with these questions before starting the book, which is a different approach for me. I think it came out not-terribly-awkward. Either way, I enjoyed reading the answers and hope you will, too.


The words that got me to take a second look at the description for this book were “space pirates,” and I bet I’m not alone. Do you have theories (or just speak for yourself) about why pirates in general, or space pirates in particular, grab our imaginations the way they do?
I think there’s a rebellious part of all of us that sees pirates as these carefree individuals who decided to live outside of society’s expectations of us. There’s something in us that looks at it as a life of adventure, outside of the constraints of the day to day.

Space pirates, I think, is just an extrapolation of that, and definitely in Eclipse I’ve tried to make that comparison.
One our main characters, Mikka, left that life of piracy behind in order to become a responsible adult in her world. And I think in many ways many of us can relate to that experience. We grow up and suddenly we realize there are bills to pay and family to take care of, and part of us wishes that we could return to that life of adventure that we dreamed of growing up.

One of the side characters, Abigail Monroe, is almost a caricature of a sea pirate in a space setting. She provides a bit of comic relief in what would otherwise be a dark world. She very much represents that sense of
[The remainder of his answer was lost in cyberspace, sadly. Just think of this as an enticement to read the book. What does she represent?]

Looking over your website, it looks like you’ve designed three unique worlds at this point in your career. In general, and with this book specifically, what’s your approach to worldbuilding? Do you sit down and figure it all out ahead of time (setting, technology, culture(s), etc.?) or do you just make up most/all of it on the fly as you come across the need while writing?
There’s a bit of both actually. For Eclipse and the Fractured Orbit in particular, a lot of it was decided in advance. The world is set a couple hundred years in the future, I wanted the technology to be mostly feasible with the knowledge we have now. There are a couple of things that are a little more fantastical, such as artificial gravity and force fields that are currently outside of our capabilities, but it is far enough in the future that somehow we figured it out.

So with that in mind, I now have some constraints on what is feasible in this universe. We’re not traveling to different systems and galaxies, because we don’t have faster-than-light travel. The worlds in our system are not completely terraformed because we have no technological way to do that, so our colonies exist in pockets or bubbles.

Other things are constrained a bit to reality, so it’s more research than creation – like what exists on different moons and asteroids on our solar system. These types of things get passing mentions in Eclipse, but they’re talked about a bit more in future books.

Other things like how the Empire maintains its control on these colonies, there’s a bit more “on the fly” that happens within the drafting process. And then it’s just a matter of keeping track of everything so that it stays consistent. For that I have a combination of Trello boards, spreadsheets and documents where I keep this information stored.

For you, at the end of the day—creating believable characters, worldbuilding, or the story—what’s harder? What’s more rewarding? What do your readers tend to react to the most?
Ultimately characters are who the readers are going to relate to. It try to create my characters with realistic ambitions, needs and flaws. It’s that emotional journey that will draw a reader into the story and keep them invested in the plot. Pulling that off is definitely the most important and rewarding part of the process.

That said, building the world is a lot of fun, because, especially in a sci-fi or fantasy setting, you get to play a bit more. This is where you get to think about the “what if” questions. What if we colonized the moon, Mars? What if we had to abandon Earth in order to save it? What if corporate elites took advantage of that?

No matter how many books you have under your belt, as I understand, each novel/series tends to be a different experience than the one(s) before. What was the part what was the biggest surprise about the process of writing Eclipse? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”?
I got to the end of the first draft of Eclipse and realized the part one of the characters had to play in the story. Which sounds like a funny thing, but there was one side character who I realized had a bigger role to play, especially in the books going forward, so I had to go back and work that into the rest of the plot. It was definitely an “ah-ha!” moment at the end of the book for me that I wasn’t expecting.

The book has been out a few months now, is there a particular supporting character that your readers have responded to in a way you didn’t expect? Talk about them a little bit and how the reaction is different. What’s the key, for you, in writing a great supporting character, and how did that (if you can manage this without an essay) work with this particular character?
The side character that gets talked about the most is Abigail Monroe. This was kind of by design.

We meet Abigail in the Prologue of Eclipse, and it’s really the only chance we get to see her point of view. This is continued in the prologues of the sequels, but we’re kind of seeing a glimpse into her mind, and then we get to watch how other characters interact with her in the following narrative.

Abigail came to me as this female version of Jack Sparrow, who was really just your typical movie pirate. A lot of people love her, because she’s off the wall, erratic, and you really don’t know where she stands, if she’s a hero or a villain, and it’s really going to take the length of the series before we know for sure what she’s all about. But because there’s this familiarity about her, and what we’ve come to expect from a humorous type of pirate, I think readers are able to find something they can relate to in this otherwise dark and dystopian setting.

Readers either love her or hate her. She’s a lot of fun to write because she’s so enigmatic and erratic, but she also has a particular speech tic that some readers found over the top. Which is maybe a fair criticism, so it does get toned down a little bit in the following books. But even though she’s not a POV character, we also do get to see a bit of her character arc develop over the course of the series, and I think by the end people are going to have a very different opinion of Abigail and what’s driving her.

A supporting character reflects the main character, they highlight a main character’s strengths and/or weaknesses and that can take shape in either an antithesis to them, as a single part of their personality traits, or as a mirror. But it’s also important for a side character to have their own life to them as well. They need goals, needs and desires in order to make them realistic and believable. They also need flaws. And I think that the reception to Abigail has indicated that she does have all of these things. People love her because of her eccentricities, but they don’t like her flaws.

However, she does have a very important role to play in the story and Abigail is also very much an exaggerated mirror of Mikka in a lot of ways.

Thanks for your time and participation! I’m looking forward to seeing what Eclipse has to offer!
Thank you so much for including me! I hope you enjoy the book!


My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

The Friday 56 for 9/8/23: Eclipse by Herman Steuernagel

Eclipse_ban.png

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from 56% of:
Eclipse

Eclipse by Herman Steuernagel

Mikka traced the outlines of the cell’s flooring tiles with her index finger. The guards had placed her in a chamber set apart from the other cells, down a long hallway and a further flight of stairs. Mikka suspected this cell was reserved for the most heinous of offenders, or those who had pissed the Front off the most.

Though it was dark and isolated, she knew it couldn’t possibly be their worst cell—she still had all her fingers. She could still breathe, and she had been there for hours, so oxygen levels must have been at least somewhat close to normal.

At least they had the decency to take the handcuffs off.

There was no chair or bench to sit on, so Mikka had resigned herself to the floor. Even the Front’s prison cells were more polished and in better condition than anything in the Tubes.

My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

EXCERPT from Eclipse by Herman Steuernagel: A Rescue?

Eclipse_ban.png

from Eclipse by Herman Steuernagel

Chapter 4

Mikka Jenax
The Redemption

“This is taking too long. Why is this waystation so backed up?”

Mikka Jenax paced the bridge of the Redemption, hands behind her back. She was brooding, but she didn’t care. They had been waiting for over an hour, stuck in the queue.

The waystation wasn’t typically a stopping point for regular traffic, which was what irked Mikka the most. If this was the way orbital traffic was going, rum-running through the sector was going to be a nightmare, but it wasn’t as though she had any other career paths laid out for her.

“A wave of leftover debris from the Infinity.” Kiara Ryson strode across the shuttle, assuming her seat in the cockpit. Mikka shook her head as the woman straightened her faux leather jacket and pulled her sunglasses down over her face.

“I know that, genius, but the Syndicate’s had seven years to clean this mess. I’m tired of it backing up the transport corridors.”

“Just sit back and wait it out. We get paid either way.” Kiara’s matching brown boots found their way onto the edge of the console, and she crossed her legs at the ankles and leaned back. With the woman’s short frame, her feet barely reached the panel from the navigation console’s seat.

Agitation coursed through Mikka’s veins, and she couldn’t calm herself enough to sit. Kiara’s laid-back attitude was usually a godsend, an anchor in her spaceport, but right now, with their next round of credits on the line, it was infuriating. Mikka adjusted her own gray jacket and ran a hand through her coarse black hair before reaching under the counter of the navigational console and pulling out a bottle of whiskey.

Might as well enjoy some decent alcohol while we’re waiting. Stars know, there won’t be any once we get to Lunar.

“We’ll get paid for this load,” she said as she poured, “but we’ll be late for the next one. Every hour of delay means credits off our paycheck.”

“And what do you propose we do? There’s a river of debris between the stations we have to navigate around. I’m not about to blow a hole through our engines for a couple chips.”

“I’m not proposing we do anything.” Mikka swilled the drink in her glass, watching as the artificial gravity pulled the droplets against its side, before draining its contents in a single shot. “I just hate sitting around. I’ve got bills to pay.”

“I do too, but you don’t hear me whining.”

“Times are tight. My mother’s not getting any better.”

Pfft.” Kiara waved a hand dismissively. “Times are always tight. You worry too much.”

Mikka bit her tongue as she poured another drink. She sipped this one slowly, allowing the woody taste of the alcohol to coat her tongue and throat as it slipped down. The amber liquid still bore the grit and metallic tint that Lunar whiskey always held, but it was a hell of a lot better than anything she’d find on the moon’s surface. The whiskey’s sharp fire was enough to distract her for a moment, but only barely. They had just picked up a shipment of computer parts and cabbage from Space Dock Eleven—one of their better-paying hauls. But their delivery window was narrow, and the clock was ticking.

If only we could get through this damn debris field.

The space station Infinity had been decommissioned seven years ago. A year later, some Syndicate fat cat decided it was time to put an end to the ghost station’s misery and pushed it into the Earth’s atmosphere, resulting in a series of explosions. Whoever that genius was, they hadn’t accounted for the chunks of metal, plastic, and the stars knew what else had been left behind from the explosion that ripped it apart. Instead of spreading, the fragments that were not drawn into the atmosphere clumped together in a hazardous blob. It usually occupied less frequently traveled paths, but over the past month, it had become lodged in the main transport corridor.

“It’s crazy we still can’t go around. These new space routes are getting on my nerves.”

“Easy, Mikka.” Kiara lifted both hands in a conciliatory motion. “We’ll deliver this shipment, pick up a round of Helium or whatever our next load is, and be on our way again before you know it. You might lose an hour or so of sleep, but no harm done. Chill out now and it won’t matter.”

“Looks like I don’t have a choice, do I?” Mikka slammed her glass down harder than she intended, sending a crack through its side. She grasped her temple between her thumb and forefinger, willing the knots above her brow to melt away. She didn’t have time for setbacks, and she was running out of patience. At some point, life had to throw her a bone.

“Is there any chance we can make up for it by taking a double load back?” she asked, hoping the suggestion didn’t come across as desperate.

“You’re really getting worked up, aren’t you?” Kiara commenced picking at the gunk beneath her fingernails with a nail file. “You know the drill—we can only take back what they’ve loaded up for us.”

The Redemption’s systems beeped and hummed around them, almost as if the ship was eagerly anticipating being allowed to continue on its way.

From where she was standing, Mikka could see a panel light blinking on the communications terminal, beeping in an irregular pattern.

“You expecting a call?” Kiara asked.

“Are you kidding? Who do I know? It’s probably just a patrol announcement.”

Kiara grunted, pulling up the details on her own console. “It’s no patrol. I don’t recognize this frequency.”

“Let’s see.” Mikka pulled up the holo-screen on her own console. The semiopaque projection came to life, hovering above her control pad.

A blinking bar of red lit up, displaying an incoming transmission on a frequency Mikka hadn’t seen used in a long time.

“Whoever it is, they’re using an old pirate channel,” she said. “But it’s one that’s been abandoned for years. The Orbital Guard cracked its encryption, and it’s been useless ever since.”

“Pirates?” Kiara’s tone grew serious for the first time all morning. “One of your old friends?” She stared at the panel, her eyes furiously darting between the readings as if considering whether there was danger in merely answering the hail. She ran her palms through her cropped purple hair. “What are we going to do?”

“Hang on!” Mikka lifted a hand toward her. “It could just be someone else found the frequency. Maybe it’s a wrong number.”

Hilarious,” Kiara said, her arms crossed.

“A pirate wouldn’t use this channel; the encryption has been compromised. If they were after our ship, they’d use a different means of communication.” Just the same, only a pirate or the Orbital Guard would have access to the encryption.

The console continued to chirp.

Mikka sighed and leaned over the nearest terminal, tapping the screen. The face of a young woman was projected above her datapad. Her hair was white and cut short, except for a single silver braid that hung down the side of her face. Blue and green beads were tied within it, along with a smaller pull decorated with a few grubby ship parts, metallic shards, and white stones.

Not stones. Bones.

Through the static-filled feed, it was impossible to tell if the bones were human or animal, though Mikka had a pretty good idea.

The woman’s eyes— a smoky gray—were as mysterious as the rest of her, as was the scar that curved down through the top and bottom of her left eye socket, as though someone had tried to blind her.

The woman stood, strapped in to hold her from floating around a craft with no gravity. It was hard to tell through the haze of smoke that filled the cabin, but Mikka recognized the markings of the woman’s vessel.

An escape pod.

The woman didn’t even flinch as sparks and bursts of flame surrounded her. The image flashed in and out, and it was obvious the feed might not last long.

“Thanks for picking up, love. I presume you’re Jax Luana?”

Mikka caught her breath.

She scanned the woman’s features for a hint of recognition, something that would tie this woman to her old life. Even if the woman’s hair or eyes were another color, even if her scar was gone, there wasn’t anything about her that struck Mikka as being familiar.

Besides, she was too young to be someone from Mikka’s past. She was twenty at most, and no one had dared to call Mikka by the name of Jax Luana in seven years. That would have made the person projected before her thirteen when Mikka had left her old life behind. Even aboard a pirate vessel, thirteen would have been far too young. It was possible she could have come across a youth at a bar or port city, but if that were the case, clearly the encounter wasn’t memorable.

Yet somehow this woman recognized her.

“I haven’t used that name in a long time.” Mikka gritted her teeth, attempting to hide her disdain. She absently pulled a knife from her belt, fidgeting with it to both calm her mind and send a message that she was still someone who wasn’t to be messed with. “My name is Mikka Jenax. Who are you? How did you gain access to this channel, and why are you calling me?”

The woman glanced over her shoulder as a sharp pop sounded from somewhere behind her. Her eyes bulged as, presumably, she located whatever the source of the noise had been. She raised a finger, unclipped her safety restraints, and floated off-camera momentarily.

No gravity plating in those old escape pods. Her ship must have been a relic.

Mikka rolled her eyes at Kiara, but her co-navigator didn’t meet her gaze.

“Ah, yes.” The woman reappeared, the cape she had been wearing now gone, revealing sweaty but well-toned shoulders. “The name’s Abigail. And, well, as much as I’d love to get into specifics—this deathtrap is about to break apart. I’d love it if you could give me a lift.”

Mikka groaned. Bringing an unknown woman aboard would be a risk. The woman clearly had a connection to Mikka’s past—a past she wanted to avoid. And something didn’t smell quite right.

“Not without knowing anything about you. You’re calling me on an old, encrypted frequency, referring to me by a name that has been dead for seven years. Can’t blame me for being skeptical.”

“Let’s just say, I’m both a ghost from your past and a damsel in distress. I didn’t come looking for you, love, but my circumstances have become quite . . . dire.” Another burst of flame erupted behind Abigail’s head. “I think we could come to a mutual understanding.

Great. This is just what I need.

“I gave that life up a long time ago,” Mikka insisted.

“Well, even if that is the case . . . could you at least save mine? I’m quite happy with the one I’ve got.”

Mikka cursed. “How much time do you have?”

She knew this was a bad idea, but there’d be no more lives lost because of her. Not if she could help it.

“Um . . .” Abigail’s eyes darted wildly to the surrounding capsule as she punched a few keystrokes on the pod’s display screens. “I’m actually kinda surprised I’m still here. I’m sending you my coordinates. You’re not far.”

Mikka nodded. “We’re on our way. Ping us again if the situation gets worse—but I can’t promise there’ll be anything we’ll be able to do if it does.”

“Aye, aye, captain.” Abigail gave a two-fingered salute accompanied by an impish grin as the screen faded to black.

Chapter 5

Mikka
The Redemption

“Are you insane?”

Kiara was on her feet, hands on her hips, marching toward Mikka.

Mikka raised an eyebrow. “Oh? Look who’s suddenly interested. You could have spoken up before. You kind of left me hanging there.”

“I didn’t expect you to be such an idiot! You can’t bring a pirate on board! We know nothing about her!”

Kiara turned to the console beside her and pulled up a holographic display. Kiara was a master at navigating the Syndicate network, but she still impressed Mikka with how quickly she had pulled up the profile of the woman on the escape pod.

Mikka’s eyes flashed. “Remember whose ship this is. I make the calls here.”

Kiara ignored her as she scrolled through the entry. “Smuggling. Theft. Conspiracy. Murder! Shit, I’m not ready to die today.”

Whatever sense of indifference Kiara had presented a few minutes ago had now disappeared. Being delayed on a job wasn’t something to get worked up about but letting a fugitive on board was another matter.

Understandably so, maybe, but . . .

“I don’t care who she is,” Mikka said. “I’m not leaving her out there to die. Not when she’s asked for our help.”

Kiara wasn’t ready to back down. “How do you know this isn’t a setup to lure us in? A trap to commandeer our ship?”

“She launched herself into a failing escape pod with the sole intent of hijacking a decades-old refurbished orbital trader? Is that what you think? There are easier, more lucrative targets out there.”

“Stranger things have happened.”

A fair point, but . . . No, Mikka couldn’t think of any legitimate reason why anyone would want the Redemption.

“I know how her type operate,” Mikka continued. “Our current payload isn’t worth the effort or the risk.”

“She knew you were here,” Kiara persisted. “That doesn’t raise red flags for you? She’s obviously learned enough to make you a target.”

And there it was. Kiara wasn’t implying the ship was the target.

I am.

The woman’s words hung over Mikka like a solar storm. “I presume you’re Jax Luana?”

Kiara was right: it did raise red flags. Huge, monumental red flags.

The only two people in the entire system who knew Mikka used to go by that name were her own mother and Kiara. Not only that, but Mikka had also undergone dozens of surgical procedures to alter her appearance, until she no longer resembled the woman Abigail had named.

Be that as it may, though, her mind was made up.

“I’m not leaving her out there to die,” Mikka reaffirmed, punching in the coordinates into the ship’s navigation system. “You can cuff her in the cargo hold until we get to Shackleton City if it makes you feel better, but let’s get her ass out of that pod before we decide what to do with her.”

“Toss her out the airlock—that’s what we should do with her,” Kiara muttered under her breath.

“We’re about ten minutes out,” Mikka said, ignoring the remark. “Hopefully, her pod can hold together until then.”

“It wouldn’t be the worst thing if we didn’t make it.”

Mikka grabbed the cracked whiskey glass beside her and hurled it across the shuttle. It landed squarely against an empty wall panel, shattering under the force of the impact. A million pieces of broken glass spread out along the hard paneled floor.

Kiara’s eyes grew wide with horror.

“What the hell is your problem?” Mikka shouted. “That could have been me in that pod! Do you think I didn’t deserve a second chance? Do you think I should have died with my companions? With my friends? Because if you do, you can find another ship.”

Kiara didn’t respond, instead looking bashfully toward her own console.

“Damn it, Kiara! A life’s a life,” Mikka said, composing herself. “Everyone deserves a shot. If someone hadn’t taken a chance on me, I wouldn’t be here now. Enough of the bullshit.”

Fine.” Kiara held her hands up in mock surrender. “But don’t say I didn’t warn you.”

She picked up an energy weapon—her trusty SC11 pistol—from beside her station and attached it to her belt. “And don’t think I’m letting her out of my sight. I might help save her life, but I’m not above locking her in the holding cell or calling in a patrol.”

“You call in a patrol and you risk exposing me as well,” Mikka reminded her. “I’m taking a monumental risk here. Don’t forget I have sins I need to atone for, and that pirate’s just admitted she knows more than she should. This is still my ship, Kiara; I may have agreed to split our profit for your expertise, but I’m still the one who calls the shots.”

Mikka tapped the projection before her with a few keystrokes. “I’m sending you the coordinates of the pod. The only thing I’m concerned about is making it back in time to hit our window through the debris field. We’ve got thirty minutes.”

“As long as I’m not the one who ends up out the airlock,” Kiara groused, pulling up her own holographic display. “Just promise me you won’t let her talk you into anything stupid.”

“I’ve got a sick mother to worry about. That’s enough excitement for me.”

The Redemption groaned as it propelled into a lower orbit. The crest of the Earth filled the viewport as the ship flew toward Abigail’s position.

Abigail wouldn’t have to worry about the void of space for long: she would soon enter the Earth’s atmosphere, and those pods weren’t made to withstand entry. She’d burn up long before she ran out of air.

“We’ve got to get off the main route,” Mikka said. “We’re not going to make it in time otherwise.”

“Might catch the attention of the OG if we do that,” Kiara warned. “If we get pulled over by a patrol, we won’t make it, either.”

Mikka cursed under her breath. Kiara was right, but she didn’t see they had any other choice. Plus, the woman was slowly becoming a thorn in her side, so she didn’t want to give her the satisfaction of being right.

“We’ll deal with that if it happens.”

Kiara shook her head but didn’t argue.

It didn’t take long before the Redemption’s scanners picked up the solitary pod adrift in the lower orbit, just off the main transport corridor. The gray escape vessel floated among a sea of debris, much of it several times larger than the pod itself. If it hadn’t been for Abigail’s distress call, Mikka would likely have never seen it among the rest of the floating remains, never mind known that there was a person inside.

Her ship didn’t just run into trouble, Mikka realized. It bloody exploded!

Whatever trouble this pirate had gotten herself into was possibly a bigger deal than Mikka had first realized. Orbital attacks weren’t common, especially this close to the planet. If her ship’s destruction was simply a matter of Abigail’s criminal record, there would have been other ways to handle things.

Mikka tapped her communications terminal. “Abigail, we’re descending to your position. Are you still there?”

“I’m here,” the pirate’s voice chirped. “But I’ve lost my video feed.”

“Is your docking equipment functional?” Mikka asked. “Are you able to connect to our clamps?”

“I don’t have any fuel, love. I’m dead in the water. All I’ve got is enough air to see the end of my days as I incinerate in orbit, and enough power to keep this channel open for a few more minutes.”

“All right.” Mikka nodded to herself. “Kiara, how close can you get us to the pod without being ripped apart by the surrounding debris?”

Kiara met her gaze. “Are you doubting me?”

“I’m just asking!” Mikka shot back.

“We can kiss her on the nose if you want.”

“Perfect, but she’ll be coming in the other end. Back her up so we can pull that pod into the cargo bay. I’ll seal it off manually.”

“It’s a good thing we loaded our shipment below deck this round.”

Mikka hit another few commands on her console. “Abigail, we’re going to pull you into our cargo hold. You shouldn’t get banged around too much, but you should probably strap yourself in.”

“Already buckled—and I’ve got nowhere else to go, love. Do what you need to do.

The Redemption shook again as Kiara decelerated, weaving around some of the larger pieces of debris.

“Hang on,” Kiara said. “I’ll get us in, but there’s a lot of garbage here. It could get bumpy.”

As promised, the shuttle rattled and bounced as it slowed. Mikka did her best to hang on as she pulled each of the four toggles that would seal off the ship’s bridge from the cargo bay and braced herself for the inevitable turbulence. The pressurized seal allowed them to release objects into the void of space, but they didn’t typically try to bring objects in. It was an unusual maneuver, but if anyone could pull it off, it was Kiara.

“I’m opening the cargo door now,” Mikka said.

“Reversing engines to overtake the pod,” Kiara replied.

There was a faint whoosh and a crack formed in the wall behind them. The Redemption groaned as she strained beneath the atmospheric pressure. A thud and a couple of shudders told Mikka their task had been successful, even before Kiara reported the outcome.

“And she’s in. Re-pressurizing the cargo bay.”

Mikka let out a sigh of relief. “All right. We’ve got twelve minutes until the waypoint sends us to the back of the line. I’d rather not miss our window through the debris field. Let’s get back and take this shipment home.”

“And hope the Guard doesn’t want to inspect our ship on the way through.”

“They won’t. The gates are backed up enough already.”

As if in response to her promise, the holo-screens and monitors in the shuttlecraft all shifted. Big, bold text in orange and red lit their screens, and a rendering of Abigail’s bust hovered above the panels.

Emergency Bulletin.

Fugitive Wanted. Charges: Theft. Conspiracy. Piracy. Murder.

Abigail Monroe. 10,000 Credit reward.

Mikka caught her breath.

“Spoke too soon. Looks like we won’t need to kill her,” Kiara remarked. “We can just turn her in.”

 


Interested in the rest? Go grab your copy of Eclipse by Herman Steuernagel now at https://www.amazon.com/gp/product/B0B4ZZXSCD/!


My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

BOOK SPOTLIGHT: Eclipse by Herman Steuernagel

I’m very pleased to welcome the Escapist Book Tour for Herman Steuernagel’s Eclipse to The Irresponsible Reader this morning! People have been talking about this book on the tour for a few days now, and you’re going to want to take a peek at what they’ve been saying—check out the details in the graphic below. But today’s my turn, so what do I have in store? In addition to this little spotlight post, I’ve got an excerpt from the novel, a Q&A with the author, I’m even going to work in a Friday 56 post with this Tour Stop, and then I’ll post my take on the novel, too. (I’ll update with links throughout the day for those of you who don’t follow this blog). Let’s start by learning a little about this book, okay?

Eclipse_ban.png

Book Details:

Book Title: Eclipse by Herman Steuernagel
Series: Fractured Orbit
Publisher: The Fourth Media
Release date: February 7, 2023
Format: Hardcover/Paperback/Ebook
Length: 300 pages
Genre: Science Fiction
Intended Age Group: Adult
Eclipse Cover

About the Book

When lies crumble, two lives and an entire civilization teeter on the brink of destruction…

Django had everything he ever wanted… now he’s lost it all.

When Django uncovered an unexpected truth, he didn’t know it would end the lives of nearly everyone he cares about. Left only with his sister, his best friend and an uncle who has some unhinged ideas about what might exist outside of the space station Eclipse, he must follow the truth where it leads – even if it leaves him with nothing.

Mikka can’t escape her dubious past… and now must answer for past sins.

Mikka thought she had left her life as a notorious space pirate behind to care for her ailing mother, but the past comes knocking after her ship, the Redemption, answers a cryptic distress call.

Forced to face a deal she made with the devil years ago, Mikka has no choice but to step back into her old life and make another hesitant pact… with an eccentric pirate.

Django and Mikka’s paths collide as they embark on a journey that will shape the fate of a civilization built on half-truths and the backs of others. Rumors of civil war circulate through the Syndicate’s orbital empire, catching both Django and Mikka in the crossfire — where the stakes are far higher than they realize.

Neither is prepared. Neither is willing. But they will no longer be able to ignore the truth.

Perfect for fans of Red RisingStar Trek and Firefly, ECLIPSE is filled with unwilling heroes, a hidden world, likeable characters, space pirates, a path of discovery and a road to redemption.

See Also:

Dirty Little SecretWhy is the Rum Always Gone?Sympathy for the Devil

Book Links

Amazon ~ Goodreads

Eclipse will be on sale for $0.99 on Amazon and BookBub for the week of the tour, Sept. 3 – 9!

About the Author

Herman SteuernagelHerman Steuernagel is a science fiction and fantasy author. His internationally best-selling debut Lies the Guardians Tell reached the top of the science fiction charts on multiple retailers in the U.K., Canada, Australia and New Zealand.

Herman grew up with a love of story and science fiction, watching Star Trek: The Next Generation with his father. As a teenager he fell in love with The Sword of Shannara by Terry Brooks, and The Wheel of Time series by Robert Jordan.

His currently published works are dystopian science fiction that highlight the struggle between humanity and the technology we keep, as well as the motivations that keep us fighting with each other.

Herman currently lives in British Columbia, Canada, While he’s not working on his next book he can be found cycling, running and dreaming up new worlds.

Twitter ~ Instagram ~ Facebook ~ TikTok

My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

Hansel and Gretel by Neil Gaiman, Lorenzo Mattotti (Illustrator): Bill McNeal Gave Us the Word “Adequacivity” for Books Like This

Hansel and GretelHansel and Gretel

by Neil Gaiman, Lorenzo Mattotti (Illustrator)

DETAILS:
Publisher: Toon Books
Publication Date: October 28, 2014
Format: Hardcover
Length: 56 pgs.
Read Date: August 12, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Hansel and Gretel About?

This is the story of Hansel and Gretel almost straight from the Brothers Grimm—given a quick shine by Gaiman. There’s nothing particularly Gaiman-esque about the writing or the approach to the story. It’s a pretty decent and straightforward approach to the story.

The Art

In the spirit of “If you can’t say anything nice….”, I’m tempted to leave a few lines of blank space here and move on. I don’t get it. Really. I just don’t understand what Mattotti was going for here. The pictures are spread over two pages, and most of those pages are black. There are bits of white to help you get an image or the shadow of an image, but again—it’s just black. The kind of black that would’ve threatened to bankrupt printers just a couple of decades ago.

Maybe a quarter to a third of each two-page spread was interesting—but the rest. Ugh.

Call me a Philistine here…but I just don’t see why someone would bother.

I’ve looked at Mattotti’s website, and I like a lot of what I saw there…but this was a swing and a miss.

So, what did I think about Hansel and Gretel?

So, the text was okay. The art was disappointing. Overall, I give this a “meh.” If this were a person’s first exposure to the story—it’d work well. And honestly, if that’s what someone uses it for—I’d probably rate this higher.

But for someone wanting a little bit of that Gaiman magic applied to this familiar tale? It just doesn’t deliver.


2 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

BOOK SPOTLIGHT: Kay-9 The Robot Dog by J.M. Gulmire

I’m very pleased to bring you this spotlight for J.M. Gulmire’s book for younger readers, Kay-9 The Robot Dog this morning. It was just released Tuesday, and I’m looking forward to getting to dive into it soon.

Book Details:

Book Title: Kay-9 The Robot Dog by J.M. Gulmire
Release date: September 5, 2023
Format: Paperback, ebook
Length: 154 pages
Kay-9 The Robot Dog Cover

About the Book

Ryan is lonely. He’s an only child and his dad is away serving in the military. He can’t have pets and all he wants is a dog. So he decides to make one. He loves computers and building things, but everyone thinks he’s just playing around, making a toy. He focuses on creating the best Kay-9 he can but can he prove that his robot dog isn’t just a toy?

Book Trailer

Purchase Link

Amazon

About the Author

J.M. is a kid at heart and private educator with a house full of critters and elves. Also a screenwriter and claymation animator, Gulmire loves inspiring laughs and is the author of “A Vacuum for My Birthday.”

Social Media

YouTube ~ Goodreads

Page 4 of 6

Powered by WordPress & Theme by Anders Norén