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God to Us: Covenant Theology in Scripture by Stephen G. Myers: A Great Introduction to This Vital Idea

God to UsGod to Us:
Covenant Theology in Scripture

by Stephen G. Myers

DETAILS:
Publisher: Reformation Heritage Books
Publication Date: November 27, 2021
Format: Hardcover
Length: 310
Read Date: June 11-August 22, 2023
Buy from Bookshop.org Support Indie Bookstores

Disclaimer

Some friends and I read this book at the same time, getting together to talk about it periodically. So it’s entirely possible, even likely, that some of what I say in this post is a thought borrowed from someone else. This will particularly be true if I say something insightful or interesting.

What’s God to Us About?

This is, pretty simply, an introduction to Covenant Theology. Myers defines covenant in his introduction (with special focus on the words used, and meanings suggested, in the Old Testament, New Testament, and Septuagint). From there, he gives a brief history of the development of Covenant Theology throughout Church History, which is probably worth a book unto itself—but this chapter serves well enough.

From there he looks at the three predominant covenants in Scripture/Theology—the Covenants of Works, the Counsel of Peace, and the Covenant of Grace. He spends two chapters on the Covenant of Grace—one on understanding the covenant and then one on the circumstances surrounding the announcement of the Covenant and what we can learn from that (and this is one of those chapters worth the purchase price of the book alone). He then looks at the developing covenants that make up the Covenant of Grace—the Adamic, Noahic, Abrahamic, Mosaic, Davidic, and New Covenant. Myers then looks at Covenant Theology in the New Testament and then in The Church. The Mosaic Covenant is another Covenant that gets two chapters (the rest all get one)—the second looks at the ways the New Testament writers think about and use the Mosaic Covenant.

Highlights of the Book

I like to focus on one or two chapters that really stand out to me when talking about books like this. Myers made this very difficult for me—I’m tempted to say Chapters 2-12 were highlights, but that seems to be cheating. It’s true, though—there’s something in each of those chapters that made me sit up and pay attention in a way I didn’t expect.

I guess I would have to say that the chapter on the Noahic Covenant was particularly effective—usually, I tend to think (and think I’ve seen authors treat it this way) about the Noahic Covenant being something covered just to check a box between Adam and Abraham—it’s where the word covenant is first used, so we need to look at it, but it’s not that big of a deal. Myers won’t let you think that way, showing how it’s a pivotal step in Redemptive History—and I’ll not make that mistake again.

Chapter Nine, “The Mosaic Covenant in the New Testament,” is so vital and so important that I have to mention it. Not only does Myers help the reader understand what the NT is doing, but he also helps the reader avoid some of the more popular and prevalent errors regarding this understanding today. The same could be said for Chapter Eleven, “The New Covenant.”

And if I’m not careful, I’ll list the other chapters, too—so I’m going to move along.

Things I Wasn’t Crazy About

I’m not going into details, but Myers uses Gen. 6:18 extensively in his arguments about God establishing covenants in Genesis before the word “covenant” was used. He’s not the first to do so—O. Palmer Robertson mentions someone (some people? I don’t remember and am not going to go look it up) doing the same in a footnote in his 1987 book, The Christ of the Covenants. It seems to be a perfectly valid argument—but I wonder if Myers relies on it too much. Yes, he uses a multi-pronged argument, and Gen. 6 is just one of them—but it seems to be called to do more than it maybe can.

Secondly, and I know I didn’t catch this, that’d be one of the others I read it with. Myers uses the early chapters of Hosea to substantiate his position on what the exiles of the Northern and Southern Kingdoms mean for the Davidic Covenant (and the Covenant of Grace as a whole). There’s much to be commended for his position—but a lot of what he says about the early chapters of Hosea seems to differ from what Hosea says later on. Now, if I studied this portion of this book a bit more, I might have an easier time defending Myers’s position—but at first and second glance, he seems to stumble a bit here.

Lastly, and this is a very minor problem, the thirteenth chapter, “Covenant Theology and the Church,” is a bit of a letdown. Your results may (and likely will) vary. But for me, after twelve chapters with insights that impressed me when they didn’t teach me and/or helped me to think about Covenant Theology in a new way, to come across a chapter about the sacraments, Church membership, and related ideas that was as basic and straightforward as this just left me wanting more. I didn’t see any problems in what Myers said, but it all seemed a bit too obvious. He’s been sailing along

So, what did I think about God to Us?

I loved this book. I’ve read more books on Covenant Theology than I can easily count, and if this isn’t the best, it’s so close to it as not to matter. Myers gives his readers a thorough introduction to Covenant Theology as it came to the Protestant Church from the Reformation—particularly the English Reformation and the explanation offered by the Westminster divines and their contemporaries. His introduction is readable, clear, and helpful to the layman willing to put in a little work—but he’s not just repeating what the previous generations gave us, he’s looking at contemporary theology and insights as well.

Is it perfect? Nope. Are there more problems with it than those I mentioned above? Almost certainly. But it’s just so good that the flaws are forgivable. I learned a lot—even if it was just a better way to state what I’d already believed and understood—but I got much more than that from the book. It’s such a helpful work.

More than that—as all good theology should, it led me to doxology. That our Lord would condescend to His people in covenant is mind-blowingly gracious in the first place—that He does so to rebels in order that he could win them to Himself? That should drive us to worship. And the more we understand the gracious and remarkable nature of these covenants, the more we should be driven to it. Myers brings his readers to this point repeatedly—sometimes just by explaining something clearly—sometimes by applying his explanation to the reader to help us understand how it should make us reflect in worship.

I’ve tried to keep this brief and to resist the urge to dive deeply into some of the areas of the book that I would want to if this was the place for deep dives into Theology. But this is about books, so I’m not going to. I cannot say enough good things about God to Us. It’s just great. I’ve given it as a gift already, I will do so in the future as well as recommend it to anyone who asks for a good intro to the topic. Also, I commend it to whoever reads this post.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—9/2/23

It’s a long weekend here in the U.S. and I (like many) really need it. I’m torn between a desire to disappear into some books, catch up on blogging—or to simply ignore everything and stare at the ceiling until it’s time to go to work on Tuesday. We’ll see what happens. Hope you’re having a decent day however long the weekend is in your world.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Fahrenheit Fighting Fund—watching too many indie publishers close up lately (RIP Red Dog Press), Fahrenheit’s looking for readers to help them stay alive a little longer.
bullet The Coming Enshittification of Public Libraries—just in case you were clinging to any sense of hope for the future today.
bullet The ultimate heroes of children’s books—this BBC piece will remind you of better days and hopefully shake off some of that reality nastiness that the last link induced.
bullet How brothers Lee and Tod Goldberg turned crime fiction into a family business—I’ve read a criminally small amount of Tod’s material, but I keep meaning to. Still, a fun profile.
bullet On the Difficulty of Getting Rid of Books—what’s up with all of these pieces on getting rid of books lately? No one tell my wife that this is a thing, okay? (I will say that I do appreciate this approach as much as I will resist applying it to my own too-small shelves)
bullet The Mysterious Artist of This Classic A Wrinkle in Time Cover Has Been Identified—Back in May, I linkedto a post talking about people trying to identify the artist. They’ve been found—after a lot of work.
bullet Bookstr Picks: Weirdest Times and Places We’ve Read Books—I’ve done most of these. What about you?
bullet Should We Think Of Fantasy More Regionally And Chronologically?—I think Peat’s onto something here (I typically do, but that doesn’t change anything)
bullet On My Radar: August 2023—Over at A Literary Escape, Celeste collects the best of the blog posts you didn’t read in August (and probably some you did)
bullet August 2023 Book Blogger Round Up—Jo Linsdell has another great group of posts from the month

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Story Craft Cafe Episode 110: Writing Fantasy And Urban Fantasy With Jim Butcher—the audio quality on Butcher’s end is less-than-good, but it’s worth putting up with for this interview.
bullet The Thriller Zone Episode 146: Eli Cranor, author of Ozark Dogs—I really think I could just listen to Cranor interviews all the time.

Two New Releases from Last Week that I forgot to mention. I’m really embarrassed about that—I’ve corresponded with both authors about these books and totally blanked on their release.
bullet Ostler by Susan Grossey—the first in a mystery series about a Cambridge University constable in 1825. I’m going to learn a lot of history in this one, I know.
bullet Abnormal Ends by Bryan McBee—A cyberpunk serial killer novel. How do you say no to that?

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Malibu Burning by Lee Goldberg—A Heist novel in the midst of California wildfires. (that’s an inadequate summary, but I haven’t read it yet. Go read Mike Finn’s take on it for something better).
bullet The Calvin and Hobbes Portable Compendium Set 1 by Bill Watterson—”The first set of books collecting Bill Watterson’s timeless Calvin and Hobbes comics in a compact, portable format designed to introduce the timeless adventures of a boy and his stuffed tiger to a new generation of readers. Featuring nearly 500 comics from the strip’s debut in November 1985 through March 1987, this is the first set in a series of seven.” I didn’t really like the look of (or, from what I heard the binding of) the two-volume set, and I can’t track down all the original paperbacks. This looks like a great way to collect the classics.

Books are so powerful, for a flimsy object made of paper and ink (or simply text on an e-reader, or narrated words through a set of headphones) They can provide an escape, give perspective, give something to look forward to, provide excitement, peace, belonging + much more @BlogSpells

The Lemon Man by Keith Bruton: One (Hit) Man and a Baby

The Lemon ManThe Lemon Man

by Keith Bruton

DETAILS:
Publisher: Brash Books
Publication Date: May 27, 2022
Format: eBook
Length: 264
Read Date: August 3, 2023
Buy from Bookshop.org Support Indie Bookstores

I murdered a young father today. Shot him in the head. This is my job. Call me all the names you want— scumbag, snake, sneaky little lowlife, murderer. I don’t care what you think. This is what I do. I take care of (kill) people when they don’t obey the rules. The rules of the streets. The rules to life.

I do the work 99.9 percent of people don’t want to do. You hire me and I guarantee you will be happier because I’m getting rid of your problems. Sometimes it’s just a warning, you know, a slap on the wrist. But most of the time I’m here to kill.

What’s The Lemon Man About?

When Dublin hitman Patrick Callen finds a baby living in the squalor-filled apartment of his latest victim, he’s overcome by empathy. It’s not like he can call the authorities to come help or anything, right? On an impulse, an unexpected burst of compassion, or temporary insanity—he grabs the baby (after looking up how to change a diaper on YouTube and taking care of a much-neglected task) and takes him home.

Of course, it’s hard to achieve a work-home balance as a busy hitman, so Callen calls on the escort he’s been seeing lately for help. This spurs some

Meanwhile, Callen’s been having trouble with his work—it doesn’t seem like he has the taste for it anymore and is having trouble completing a few tasks. But he’s busier than ever and it seems like something’s changing for the crew he’s with. Maybe this is the first step toward a new phase of life for him. Assuming he can survive his current assignments (and all the life changes that taking care of an infant brings), that is.

So, what did I think about The Lemon Man?

As I’m leaving, Jack says, “It’s not the gun you’re having the problem with.”

Stories about hitmen turning a corner due to love or a child aren’t new—and I’m a sucker for them. So this is right up my alley. The mix of humor and tension/action fits this situation well. A bicycle-riding hitman alone is a fun idea. Bruton pulls off all of this with style and confidence.

Bruton takes full advantage of the strange—ludicrous, even—situation he puts his characters into. Callen running from the police while pushing a stroller is a fantastic scene and it had me grinning and chuckling throughout. His jobs that don’t go right (I’m thinking of one killing and one attempted threatening in particular) are the kinds of things we need to see more of in Crime Fiction—not necessarily played for laughs, either—but not all criminals succeed in their first attempts—targets don’t always respond the way one plans on, etc.

But it’s not just fun and games—sure, Callen has some doubts about his profession, he’s more than a little worried about what his boss is up to, and he’s not so sure he can get away with everything he’s trying to do (keep the child, save his friend that he’s discovering feelings for, etc.)—but this is what he does. It’s all he’s known. He doesn’t—can’t—just walk off into the sunset with his strange new family. Does he really want to?

Take out the lightness and quirks and you’re left with a pretty solid novel (although the baby would be hard to explain without that part). With them, you have a really fun and rewarding read.

I’m struggling to find something more to say without getting into the nuts and bolts of the plot and how it works out—so I’ll spare us all my attempts to struggle through. Here’s the main takeaway: this is a good, quirky, fast read that’ll leave you with putting Bruton on your radar like he is on mine.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Friday 56 for 9/1/23: A Sh*tload of Crazy Powers by Jackson Ford

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56% of:
A Sh*tload of Crazy Powers

A Sh*tload of Crazy Powers by Jackson Ford

I’ve never been shot before.

I’ve been shot at, more than once. There are quite a few people who want me dead for one reason or another. And yet I have never taken a bullet. Until today.

Can confirm: getting shot sucks.

There’s no pain until I actually see the wound– the horrible, gaping hole in my flesh. Then there’s a whole lot of it. As if my brain goes oh, hey, that looks nasty. Here, have some agony to enhance the experience.

It’s like someone poured kerosene on my bicep and set it on fire. It’s the kind of pain that doesn’t actually let you scream, because it locks your throat up tight. All I can do is make this weird little hissing sound, forcing its way between my clenched teeth. And holy crap, that’s a lot of blood. Are there arteries in the bicep? How long do I have before… before I…

Norah’s Ark by Victoria Williamson: I Think This is the Beginning of a Beautiful Friendship

Norah's Ark Tour Banner

Norah's ArkNorah’s Ark

by Victoria Williamson

DETAILS:
Publisher: Neem Tree Press
Publication Date: August 29, 2023 
Format: eARC
Length: 304 pg.
Read Date: August 26-28, 2023

What’s Norah’s Ark About?

This is a book about a couple of eleven-year-olds in the English city of Hull who bond over their mutual attempts to help animals. Starting with a nest of baby birds who’ve been orphaned by a hungry cat, these two overcome various barriers (largely in the form of their parents) to various stray and abandoned animals they encounter. Along the way, they end up helping each other through some of the bigger challenges they’ve faced.

Norah (and her father)

Norah’s father lost his job a few years ago, which led to them losing their home. Since then they’ve bounced from one temporary housing situation to another, barely scraping by on his benefits and whatever short-term and low-paying jobs he can get. They attend a church regularly—and gorge themselves on the post-service snacks. They also use a food bank from time to time—but it’s hard for her father to swallow his pride and deal with the judgemental looks they receive when they do (how many of these looks are only in his mind, it’s hard to tell—but some of them are real).

Norah has some learning disabilities, too—and she’s never in one school long enough to really get the help she needs. Which leaves her open to being bullied while she falls further and further behind.

Norah loves animals and would do anything for a pet. Because she can’t get one due to their housing situation—well, other than the spiders she keeps on her window sill—she does what she can for whatever strays she finds like the aforementioned birds. She takes care of them for a while until one day they’re missing. They and their whole nest—what could’ve possibly happened?

Then she sees some rich boy on the other side of the fence carrying that nest. It’s not fair—he has so much already, a great house, a big yard, a treehouse, fancy clothes (that fit!), and whatever he wants to eat (he is a little overweight).

Adam (and his parents)

Adam and his parents moved from London to Hull a few years ago to help him get the specialized treatment he needed for leukemia. It’s in remission now, but his mom has become overprotective following his diagnosis. Since she had to leave her job to care for him (and hasn’t thought about going back to work), his father has to work harder than before and really has no time for anything else—even Adam.

He can’t go anywhere without her. He can’t go back to school—even if the doctors say he’s not as immunocompromised as he once was, his mother still insists on a private tutor. He can’t go swimming—he’d dreamed of going to the Olympics before he got sick—again, because of all the exposure to germs, people, and other things that could hurt him. His treatments and lack of exercise have left him out of shape. He’s lonely. All he wants is a friend and to do something outside his home.

When he discovers that the neighbor’s mean (at least to him) cat has eaten the mother bird, he takes the nest up to his treehouse (without his mother noticing and panicking about the filthy animals). He notices a girl on the other side of the fence quickly riding off on her bike—what a great life she must have—able to go wherever she wants!

The Grass Ain’t Always Greener…

Soon, the two actually meet and decide to work together to help the birds get to safety.

They learn more about each other—both discovering the struggles the other has gone through. They have unfortunate encounters with bullies and thieves—and discover their parents want them to have nothing to do with each other.

But neither of them has really had a friend in a long time and they’re unwilling to lose their new one. So they do what they can to keep that friendship—even if that means being disobedient. Both kids soon have to deal with new problems with their parents and need someone to rely on.

So, what did I think about Norah’s Ark?

That’s a really good question, one that I’ve been chewing on for a few days now.

I do have a few concerns. For example, both Norah and Adam (Adam is a bit more prone to this) can be too mature and understanding for their ages when it comes to their parents and what motivates them. Most of the time, Williamson gets them right—unreliable narrators (not because they’re dishonest, but because they’re 11 and don’t get everything the adults are doing) who are doing their best to make it in the world and cope with the information they have, with the impulsivity and insufficient emotional control you’d expect. But occasionally, they’re too perceptive, too wise…basically, they sound like they’ve sat through a decent amount of therapy and have internalized it. Which would be fine if they’d been in therapy, or were in their twenties. But they’re a decade and change away from being fully believable on some of these fronts.

The other thing (and I’ll get into vague spoilers for the rest of this paragraph, so feel free to skip it) that has bugged me since before I finished it—the ending is a bit hard to swallow. It’s too easy. It’s too unearned for my tastes. It’s like Williamson took a page from Wayne’s World and went with the “Mega Happy Ending” and just imposed it at a certain point. Please, don’t misunderstand me—I want Adam and Norah to get happy endings. I like where the book puts them in the last chapter—I’d have been displeased if they didn’t end up where they did. But…it would’ve felt more real if it didn’t go that way. Or if it took slow, incremental work for them to get there—with a few big jumps along the way, sure. To use a bad illustration—you know how in some movies the uncoordinated guy goes through a training montage and suddenly can do all sorts of things they couldn’t before the song started? Well, it was like that—but Norah and Adam skipped the montage and went from clumsy to ready to win the dance/singing/martial arts contest.

Now this is likely just me—I’m willing to bet that most readers in the target audience aren’t going to have those issues. But I’d quite like to ask a few about their experience reading the books, particularly the ending.

Ignore all that for a moment (as I’ve said over and over again—it takes many more words to explain a problem I have with a book than to say all the good things I want to say). This novel nails the struggles for both these children and their parents—who are clearly trying their best (even if the kids don’t always see that)—no one in this book has an easy time of it. They’re all in extreme circumstances, with the cards stacked against them—and everyone is just trying to get through it as intact as they can for themselves and their family.

I loved, loved, loved that someone wrote about these situations in a Middle Grade book—you just don’t see enough things like this (or at least, I don’t, I shouldn’t suggest it doesn’t exist). I remember when I was in that audience, and Wooly Mammoths roamed the earth, that I got seriously excited when I came across a book that dealt with things like this, even if it made for hard reading. Since then, I don’t see it too often.

It’s impossible to read this without feeling empathy for Norah or Adam—or their parents—and to extrapolate that empathy and sympathy toward non-fictional people in similar circumstances. I’m not saying that this book is going to fix all sorts of prejudices that a child might have and fill playgrounds everywhere with mini-Brené Brown clones. But it should make it a little easier for them to put themselves in someone else’s shoes, to understand that peers—or strangers—could be going through something.

If you’ve read and enjoyed When We Were Vikings by Andrew David MacDonald, you’re going to want to check this one out. If you haven’t—read both books. I think readers young and old will find a lot to admire and commend in these pages. I feel strange saying you’ll enjoy a book about so much suffering—but you will, particularly when the characters find a moment of joy or peace. It’s very effective—and affective—to watch these two become heroes and get different endings than either expected for most of the book.

Disclaimer: I received this eARC from Neem Tree Press via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Norah’s Ark by Victoria Williamson

This morning, I’m very pleased to welcome The Write Reads Ultimate Blog Tour for Victoria Williamson’s Norah’s Ark. In addition to this Spotlight, my post about the book will be coming along soon. In the meantime, go check out https://twitter.com/WriteReadsTours—starting last week and going through tomorrow, a lot of bloggers have been writing interesting things about this book and you can find them all there. But for now, let’s learn a little bit about the book, shall we?

Norah's Ark Tour Banner

Book Details:

Title: Norah’s Ark by Victoria Williamson
Genre: General Fiction
Age Category: Middle Grade
Publisher: Neem Tree Press
Release date: August 29, 2023
Format: Paperback/Audiobook
Length: 304 pages
Norah's Ark Cover

About the Book:

Two very different lives. One shared hope for a brighter future. No time to waste. The flood is coming…

Eleven-year-old Norah Day lives in temporary accommodation, relies on foodbanks for dinner, and doesn’t have a mum. But she’s happy enough, as she has a dad, a pet mouse, a pet spider, and a whole zoo of rescued local wildlife to care for. Eleven-year-old Adam Sinclair lives with his parents in a nice house with a big garden, a private tutor, and everything he could ever want. But his life isn’t perfect – far from it. He’s recovering from leukaemia and is questioning his dream of becoming a champion swimmer. When a nest of baby birds brings them together, Norah and Adam discover they’re not so different after all. Can Norah help Adam find his confidence again? Can Adam help Norah solve the mystery of her missing mother? And can their teamwork save their zoo of rescued animals from the rising flood? Offering powerful lessons in empathy, Norah’s Ark is a hopeful and uplifting middle-grade tale for our times about friendship and finding a sense of home in the face of adversity.

Book Links:

Amazon UK ~ Goodreads

About the Author:

Sally Doherty
Victoria Williamson is an award-winning author who grew up in Scotland surrounded by hills, books, and an historical farm estate which inspired many of her early adventure stories and spooky tales. After studying Physics at the University of Glasgow, she set out on her own real-life adventures, which included teaching maths and science in Cameroon, training teachers in Malawi, teaching English in China and working with children with additional support needs in the UK. Victoria currently works part time writing KS2 books for the education company Twinkl and spends the rest of her time writing novels, and visiting schools, libraries and literary festivals to give author talks and run creative writing workshops.

Victoria’s previous novels include The Fox Girl and the White Gazelle, The Boy with the Butterfly Mind, Hag Storm, and War of the Wind. She has won the Bolton Children’s Fiction Award 2020/2021, The YA-aldi Glasgow Secondary School Libraries Book Award 2023, and has been shortlisted for the Week Junior Book Awards 2023, The Leeds Book Awards 2023, the Red Book Award 2023, the James Reckitt Hull Book Awards 2021, The Trinity School Book Awards 2021, and longlisted for the ABA South Coast Book Awards 2023, the Waterstones Children’s Book Prize 2020, and the Branford Boase Award 2019.

Her latest novel, The Pawnshop of Stolen Dreams, is a middle grade fantasy inspired by classic folklore. Twenty percent of the author royalties for this book are donated to CharChar Literacy, an organisation working to improve children’s literacy levels in Malawi.

You can find out more about Victoria’s books, school visits and free resources for schools on her website: www.strangelymagical.com.

Author Links:

Website ~ Twitter

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

I’m Curious: What Are Some of the Funniest Books You’ve Read?

I know, I know, this can be a moving target (and should be, depending on where you are in life)…

But I’m still going to ask: What is the funniest, or what books are amongst the funniest, you’ve read? I’m looking over the books I have coming up for the rest of the year, and by and large, we’re talking about some dark reading. I could use some laughs…so help me find an idea or three, will you?

Here’s my rather incomplete answer (that I ripped off from something I told K.R.R. Lockhaven last year). I should probably tweak this list before I publish, but I don’t have the time…

Off the top of my head…
bullet The Hitchhiker’s Guide to the Galaxy by Douglas Adams (well, everything Adams wrote)
bullet Mechanical Failure by Joe Zieja
bullet The Fran Lebowitz Reader
bullet The Android’s Dream by John Scalzi
bullet Heartburn by Nora Ephron
bullet Dave Barry Slept Here by Dave Barry
bullet The Spellman Files by Lisa Lutz
bullet White House Mess by Christopher Buckley
bullet Sir Apropos of Nothing by Peter David
bullet Is Everyone Hanging Out Without Me? by Mindy Kaling
bullet High Fidelity by Nick Hornby
bullet You’ll Never Believe What Happened to Lacey: Crazy Stories About Racism by Amber Ruffin,
Lacey Lamar
bullet The Tales of Pell by Delilah S. Dawson, Kevin Hearne

Incidentally, you should read the entire series of interviews Lockhaven did about humor in fiction–some great things were said, and then there was my entry, too.

I look forward to your recommendations!

WWW Wednesday, August 30, 2023

I’ve got no rambling intro today, just a greeting (Hi everybody!) and the main event, WWW:

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m having a blast with A Sh*tload of Crazy Powers by Jackson Ford and am listening to Hell and Back by Craig Johnson, George Guidall (Narrator) on audiobook—Guidall’s reminding me how good he is.

A Sh*tload of Crazy PowersBlank SpaceHell and Back

What did you recently finish reading?

I just finished Victoria Williamson’s Norah’s Ark, and Be The Serpent by Seanan McGuire, Mary Robinette Kowal (Narrator) on audio (and I was as dissatisfied with the ending this time as I was last year).

Norah's ArkBlank SpaceBe The Serpent

What do you think you’ll read next?

My next book should be Fuzzwiggs: The Switcheroo by Amy Maren Rice , a book I’ve been waiting to get to for months, and my next audiobook should be The Last Ranger by Peter Heller, Mark Deakins (Narrator).

Fuzzwiggs: The SwitcherooBlank SpaceThe Last Ranger<

How are you closing out the summer?

Some Disorganized Thoughts on the Excellence that is Light Bringer by Pierce Brown

Light BringerLight Bringer

by Pierce Brown

DETAILS:
Series: Red Rising, #6
Publisher: Del Rey Books
Publication Date: July 25, 2023
Format: Hardcover
Length: 672
Read Date: August 14-24, 2023
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Yeah, this isn’t going to be my typical kind of post. I know deep in my bones, the way you know about a good melon, that if I tried my typical approach I’d probably finish this in December. And since I don’t have that kind of patience—and this book was due back at my library on August 19. I’m in deep sh…aving cream already.

So, I’m just going to mention a few things I think are worth saying—and hopefully think of a conclusion to wrap it all up (but no promises).

bullet I need to start with the fact that I went into this with a wrong assumption—I misunderstood something I saw Brown say on Twitter some months ago and thought that this was the finale of the series. I started wondering pretty soon how that was going to be the case, but it took me far too long to admit that I misunderstood him and shouldn’t expect any kind of bow to be put on things by the end of Light Bringer. Once I gave that up, most of my lingering questions about pacing and character went away.

bullet Lyria. If Brown had done nothing else impressive with the post-Morning Star books, what he’s done in creating and growing this character would justify the time reading them. I just cannot get over her. At this point, I enjoy her more than Darrow, Virginia, or the rest. Kavax and Sevro are the only characters that compete with her for my affection. Also, Brown did an excellent job of faking the reader out when it came to her character arc after the last book.

bullet Darrow grows more in these pages than he has since…maybe The Institute. Or probably with Lorn. And a lot of that has to do with the right book being given to him at the right time in his life. (maybe my libro-fixation makes me focus on that part, but, I’m right). I want to see this change in action more—but what Brown does here gives me a lot of hope for our hero. Assuming The Reaper is our hero by the end.

bullet I really, really, really, really want to know how long Brown has been plotting out the major events of this novel—has he been building up to them since Iron Gold or before? Or were they things that came into focus when he started planning Light Bringer? It won’t change what I think of them (devastating, brilliant, etc.)—it’ll just help me understand how he works.

bullet The bonds between so many of these characters are fantastic. Particularly between the classmates turned colleagues turned friends turned enemies turned uneasy allies turned brothers. (or relationships that follow similar paths) How these people can be bound up so tightly with each other after all they’ve gone through is something else. So many times I start off thinking, “There’s no way that Darrow/Lysander/Victra/Whoever is going to trust them is there?” And then they do—and I buy it every single time, just the way that Darrow/Lysander/Victra/Whoever does. And I’m caught as off-guard as they are in the significant percentage of times they end up getting betrayed.

bullet I cannot believe how often these people make me laugh—genuinely laugh. In the midst of all of the death, destruction, revenge, societal upheaval, and uncertainty—there’s a core humanity at work in them all.

bullet After all these thousands of pages (especially when I count re-reads and audiobook listens)…how can Brown completely surprise me the way he does? I can’t even count how many double-crosses that become triple-crosses then go awry and end up becoming alliances that are quadruple-crossed in this book alone. (And that’s not a spoiler, if you’ve read the series, you know that’s going to happen—and I likely left off at least 5 backstabbings).

bullet Speaking of stabbing…Brown’s action scenes—particularly when it comes to small groups of people fighting—one on one, two on two, one on five, etc.—are just great. He’s never been shabby at this, but it felt like he topped himself here. (as he has in each successive book).

bullet Sevro, Sevro, Sevro…I felt so bad for him through so much of this book. Even before he inadvertently found out what happened to his family in Dark Age. But you never want to count the Goblin out, right?

bullet Although, the fox Sophocles just might have done a better job of breaking my heart. Not that it’s a competition.

bullet There’s a fantastic potential spin-off series introduced around the mid-way point. I hope Brown doesn’t give it to us (although I’ll read it if he does), I think I’d prefer my imaginary version of it.

bullet The bond that I referred to earlier is seen in loyalty, forgiveness (and the ability to work together when that forgiveness hasn’t been granted), and best of all, a humor based on shared experiences and attitudes. The humor in this book is almost never situational (too grim for that), or physical (outside maybe of Sophocles)—it comes from old friends being rude to one another, making a joke in reference to something that happened a decade or more ago, etc. And it works—you can’t help but chuckle alongside these men—even when they’re likely saying goodbye for the last time, they can make you laugh. Well done, Mr. Brown.

Let’s See If I Can Wrap This Up

I really think I could just keep going flipping back and forth through the pages of the book and coming up with more and more bullet points to ramble about. But who wants to read that? (especially now that I see that I’ve repeated myself)

I really wish I spent time in discussion groups, fan sites, etc. for this series, so I’d have known that this wasn’t the ending before I started. That preconceived notion really skewed things for a while. Oh well. Like I said before, once I started thinking of this as penultimate—everything clicked.

I do think it’s time for Brown to tie this up—as much as I love this series, readers can only take so many Master Plans that go awry when they meet other Master Plans only to uncover someone else’s Deeper Master Plan working against both.

But it’s been—and will be—quite the ride. These characters are so full of honor, and nobility (of various types), that even when they’re “on the wrong side” it’s hard to think poorly of them until they’ve turned into hypocrites or something. Brown gives us a great picture of so many people working for the common good—if only they could agree with what that is. Chess masters vying against one another to help their picture of the best for society to come about. Sadly, their moves aren’t made with game pieces, but with thousands or millions of lives at a time.

I’m, of course, ignoring the few giant vacuums of decency with a hunger for power and destruction that are also running through the pages.

In Dark Age (and I’m going to be vague just in case someone hasn’t read it yet)—there’s a scene when someone holds down a dying foe, cuts out two giant strips from their back to reveal their ribcage and organs—and pour salt on the wounds. There are a couple of scenes in this book that felt like that. (except for the fact that I was in my recliner sipping on something cool while reading). And with at least one of those scenes the person I was having my heart torn up about was a character I either was bored by or didn’t bother to form an opinion of until this book. But over the course of the novel, Brown’s able to get every one of these modified humans to become a person practically as real as any flesh and blood creature you run into.

It took me less than 50 pages into Red Rising to be awed by Brown and thousands of pages later, he’s still doing it to me.

Go read this series.

5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Minor Threats: A Quick End To A Long Beginning by Patton Oswalt, Jordan Blum, Scott Hepburn: They’re Going to Save the Day?

 A Quick End To A Long BeginningMinor Threats: A Quick End To A Long Beginning

by Patton Oswalt, Jordan Blum, Scott Hepburn (Artist), Ian Herring (Colorist)

DETAILS:
Series: Minor Threats, Vol. 1
Publisher: Dark Horse Comics
Publication Date: July 12, 2023
Format: Trade Paperback
Length: 136 pg. 
Read Date:  August 11, 2023
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Not Sure Why I Feel Compelled to Say This, But…

I’m going to make a lot of allusions to other comics/superhero stories. This is intentional and, I think, warranted. Oswalt and Blum are satirizing, paying tribute to, and playing with tried-and-true superhero ideas. When I say they’re doing something ____-esque, or in the vein of, etc. I’m not criticizing, I’m describing. Their work is derivative of more things than I’m aware of because they’re commenting on those things. Oswalt and Blum know their stuff, they’ve drunk deeply from more comic wells than I can imagine and used that to produce this series.

Frankie

When she was a kid, Frankie was the costumed sidekick of her mother, a supervillain/thief. At some point, they were arrested and Frankie went to prison. When she got out, she tried to go straight and get a decent job, but we all know how hard it is for an ex-con to get a job, when that ex-con is a Meta? Forget it—door after door slammed in her face. Finally, she found a job working as a bartender in a bar that catered to supervillains. Not really the elite-level villains, but the “lower ranked” ones—with just enough power to typically need a superhero instead of the police. Think the sillier ones in the Suicide Squad.

I’ve seen this kind of bar in Spider-Man comics, a superhero version in The Tick (animated), and a few other places like that. Frankie is friendly with a couple of her regulars but regards most of them with a kind of contempt/pity mixture. Frankie’s the stereotypical Alcoholic in Recovery working as a Bartender—just her addiction is using the abilities that got her locked up.

Not-Jason Todd/The Joker/Batman

So remember what Batman wanted to do to the Joker after he (assisted by the readers of DC Comics) beat the life out of Jason Todd? What would’ve happened if Superman hadn’t stepped in? Well, we get the answer here—after a Joker-esque character (The Stickman) kills the kid sidekick (Kid Dusk) of a Batman-esque hero (The Insomniac), The Insomniac goes on a vigilante rampage looking for The Stickman—and woe to anyone who gets in his way. The story kicks off with someone stumbling into the bar holding the beaten near-corpse of one supervillain who was “interrogated” by The Insomniac.

This leads to the biggest crackdown on Meta criminals ever—the heroes and the police are trying to lock them all up for their own safety more than because of any crimes. It’s wreaking all sorts of havoc. To put a stop to this, Frankie and some acquaintances/customers decide they need to find The Stickman themselves and kill him themselves. Why wait for the good guys to do the job? If Stickman is out of the picture, The Insomniac might be able to be stopped—or maybe stop himself.

Sure, none of these criminals are the best choices for this—and most are past the prime of their abilities—but it’s not like they have a better idea.

The Art

I can’t put my finger exactly on how to describe the art—it reminded me of a lot of mid-80s Marvel Comics art, with shades of Gotham Central. That’s going to help precisely no one, but it’s the best I can do.

I really dug it—the art fits the story and the characters well. It wasn’t too flashy or too polished—neither would fit this story. There’s a roughness to it (but not in a negative way) that really suited what Oswalt and Blum were doing.

So, what did I think about Minor Threats: A Quick End To A Long Beginning?

This is dark. It’s twisted. It’s funny—and it’s not really funny at all. There’s some tragedy to this, too.

I want more. Now.

Is it the greatest comic story I’ve come across lately? Nah, but the way the creative team is playing with, exploring, exploiting, and so on with tropes, stand-bys, themes, character-types, etc. is just so much fun and so interesting.

There’s just a solid story in the midst of all this, too. It’s more than meta-commentary on superhero stories, it’s a good one itself. But for me to really dig into it the way it deserves would take more time and energy than I’m willing to devote to it. So I’ll just leave it at this—you’re going to dig this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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