Author: HCNewton Page 151 of 628

The Mysteries by Bill Watterson and John Kascht: Watterson’s Visually Stunning Return

The MysteriesThe Mysteries

by Bill Watterson and John Kascht

DETAILS:
Publisher: Andrews McMeel Publishing
Publication Date: October 10, 2023
Format: Hardcover
Length: 72 pgs.
Read Date: October 31, 2024
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What’s The Mysteries About?

Here’s the Publisher’s Description, if I try, I’m going to end up telling the whole, brief story:

In a fable for grown-ups by cartoonist Bill Watterson, a long-ago kingdom is afflicted with unexplainable calamities. Hoping to end the torment, the king dispatches his knights to discover the source of the mysterious events. Years later, a single battered knight returns.

I’m not going to say more, even though I think we could use a teensy-weensy expansion to really sell the story. But the story isn’t the important part because…

WOW. The Art!

This is why you pick up this book. Period. You’re curious about what Watterson’s been up to for the last umpteen years, how his art has changed and developed. What’s got his attention? And we won’t really know much given how short this book is and how atypical it is, but still, that curiosity is there.

Maybe you know John Kascht’s work and want to see what he’s been dabbling in.

Either way, this is why you come to this book—and you will be well rewarded for it.

I’m not going to try to explain how these black-and-white images capture so much—and yet, leave so much to the imagination. But I’ve already gone through this book a few times just to see the art without caring about the words (which, yeah, I’ve read twice—but not as often). There are a couple of samples here.

Here’s a video put out by the publisher where the two artists describe how they worked together (and no, you don’t get to see any faces. Just hands and the works in progress).

So, what did I think about The Mysteries?

Honestly, the story doesn’t do much for me. It’s fine—good enough to justify your time, but that’s it. It feels like the first 50-70% of a Neil Gaiman story (but told in far fewer words). Honestly, anyone who described something like that to me would be enough to get me to pick it up—but I wanted a little more from Watterson.

But the more I think about it, I’m always going to want more from Watterson than he seems willing to give. So I should shut up and be happy about it.

I cannot say enough good things about these images, though—the visual look of the book as a whole, either. I’m so glad I got this just for that experience. And it’s an experience I can repeat frequently.

I’m not going to give this a rating, because…I don’t know. I can’t assign a number to this. I’m just happy to see that Watterson is still out there doing creative things and hope he decides to share some more in the years to come.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday, November 22, 2023

It’s a weird week here in the States–a day off on Thursday (for most of us) followed by that “why did I bother to show up?” day on Friday. Thankfully, I have plenty of things to hide in/distract myself with. I hope you all have the same. Or that you live somewhere that the rest of the week is just Thursday, Friday, and Saturday. That seems like a good alternative.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading–and should be finishing soon—Calico by Lee Goldberg, a heckuva stretch for Goldberg—I’m impressed with it (still not sure how much I’m enjoying it) and am listening to the funny, geeky, and insightful Nerd: Adventures in Fandom from This Universe to the Multiverse by Maya Phillips (Narrator) on audiobook.

CalicoBlank SpaceNerd

What did you recently finish reading?

I just finished Spencer Quinn’s Up on the Woof Top, and Things My Son Needs to Know about the World by Fredrik Backman, Santino Fontana (Narrator) on audio—a quick hit of humor and heart that I really needed after DNFing a mess last week.

Up on the Woof TopBlank SpaceThings My Son Needs to Know about the World

What do you think you’ll read next?

My next book should be Evil Valley by Simon Hall, in a (surely vain) attempt to catch up on the series. My next audiobook should be The Bittlemores by Jann Arden, because it looked strange enough to deserve a look.

Evil ValleyBlank SpaceThe Bittlemores

What are you reading while preparing for/staving off the effects of tryptophan?

LITERARY LOCALS: A Q&A About Writing in Idaho with Matt Edwards

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We’re back with another Q&A with a Boise-based writer I met at the recent Book Faire. I think (like me) you’re going to appreciate these thoughtful answers.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Matt Edwards, and I’m a local high school English teacher and author. I write poetry and prose, mostly, and am now starting to figure out how to blend the two. My first two novels, Ways and Truths and Lives (Atmosphere Press, 2021) and Icarus Never Flew ‘Round Here (Atmosphere Press, 2022) are available at most places where books are sold. Please follow me on Instagram (@matt_edwards_author), Twitter/X (@satyrpants), or check out my website https://www.mattedwardsauthor.com.

The “mostly” there intrigues me. Are you trying anything out other than the blending of the two? (I’m not sure what else there might be, but I have to ask)
I think the “mostly” just refers to my inability to define what the attempted blend is. I took a prose poetry class for my master’s last summer that opened up some fun doors. I, and I assume most others, flip a little switch in my brain when deciding to write a story versus a poem. The prose poetry stuff, once I got situated with yet another definition, allowed me to ignore that switch. Just write without worrying whether it’s closer to prose or poetry. So, in my mind, not being able to name it is a good thing.

Are you a native Idahoan? What is it about Idaho that keeps you here?
I’ve lived in Boise all my life. I grew up on the south side of town, by the airport. I’ve now lived on the west side of town for most of my adult life. I find it funny how North End culture is still a bit foreign to me, despite my 41 years of living in this city.
My wife is from Florida, so I did bring in one transplant. But I think she’s been a good addition. Check out her art traffic box on the corner of Cole and Ustick. [I will be checking it out next time I’m in the area] Back to the question, though, we stay in Boise because we love running and all the opportunities we have here on the Greenbelt and in the foothills. Beyond that, we love the fact that it’s a safe place to raise our son, although the local politics sometimes scare us.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I have met lots of local authors since publishing Ways and Truths and Lives, but I have not joined a formal workshop group or anything like that. There’s no particular reason, aside from being busy teaching, parenting, and working on my MFA in creative writing.

The whole “I have a life” reason is a pretty solid one.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I mostly do book signings at local bookstores, including Rediscovered Books, Kuna’s Book Habit, Half Price Books, and Barnes and Noble. Whenever I’m in McCall, I try to do an event at The Barn Owl Books and Gifts as well. Aside from that, I’ve participated in Storyfort that last two years, and I’ve attended events like Author Palooza in Middleton and the Boise Book Faire at the main branch of the Boise Public Library. The only author event I’ve attended outside the Treasure Valley was in Moscow. The Palouse Writers Guild puts on an event up there every June with Book People of Moscow.

I love and miss Book People.

So…Storyfort, I’ve been curious about it. What’s it like? What kind of attendance does it get? What kind of…actually. I know so little about it—just say whatever comes to mind about it.
Storyfort is an odd and ever-changing entity. The first time I got in I was psyched. I was finishing a road trip to the Oregon Coast and blazing down Highway 20 to get home in time. I literally got back into Boise an hour before my reading. It was cool. I was excited. But then maybe 15 people were at Guru Donuts, which is a cool venue, and all my anticipation and effort seemed a little wasted. I was comforted to see other events with much “bigger” authors also attended by small audiences, but it still was a little deflating.

Last year I had a reading with two other writers, Tomas Baiza, who is a Boise resident, and James Palazzolo, who is from Arizona. We were at the history museum in the big event hall they have. A cool space for sure, but a little big for our audience. I think we had more people in there than what it looked like. We also followed Ani DeFranco, so the room cleared out pretty bad after her.

As far as what type of audience it is, I’d say there aren’t any book equivalents of all the music junkies that attend the rest of the festival. No one is coming downtown for Storyfort, so you end up with a lot of fellow writers, friends and families, and a few curious strangers.

I’ve sold two books in two years at my events. Luckily, last year they had a signing on Saturday morning at Rediscovered Books that was well attended enough to sell a few more. All in all, Storyfort is a great idea, but I don’t think it’s changed the trajectory for any writer yet. But that’s not the fault of the festival or the organizers. It’s simply a reflection of our culture and their dwindling interest in authors and their silly books.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I can’t claim to fully know or understand my audience, but for smalltime local authors, your audience always starts with your friends and family. In that way, it reminds me of selling pies during the Christmas season as a kid to help fund my soccer team’s next out-of-town tournament. You have to work for every ounce of publicity you get, and then still, most people aren’t really moved by the news of “yet another author.” So, it’s a tough racket, for sure.

Beyond people close to me, the folks I’ve sold to at events have really been quite varied. I’ve had a 13-year-old (son of someone in my running group) say it was the best thing he’d read in a long time, I’ve had plenty of great conversations and sells with retirees, and I’ve had a bit of everything in between.

Do you have ideas about expanding that audience? Or are you just going to keep plugging away doing what you’ve been doing?
I don’t know if there is a lot else to do. You have to keep putting yourself out there, going to events, signing at bookstores, etc. It’s kind of like dating in that way. People aren’t going to find out about you unless go out and make yourself available. Beyond that, you have to keep submitting to contests/publications to gain more respect and the eyes of different audiences. The masses don’t tend to react to publications, but it helps give you more street-cred and maybe some more opportunities for future publications.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
This is a great question, particularly because I think most are truly ignorant of aspects of the literary culture in Boise. On the surface, Boise, especially as you get closer to downtown and the North End, appears to be a relatively artsy community. There are enough well-to-do people with the time and energy to commit to doing things like buying paintings and reading great books. Just check out a first Thursday sometime and you’ll feel this communal interest in beautiful things. Add to that the fact that we now call a Pulitzer Prize winner one of our own, we have solid literary establishments like The Cabin, and cherished local bookstores like Rediscovered Books, and the foundation for a strong literary community is there.

Then you start trying to sell your own books. And that’s when you realize how small the literary community is, and by that, I mean supporters, compared to the amount of truly talented writers in the area. There are simply not that many institutions and opportunities out there for emerging authors. And by that, I mean authors good enough to get published but not quite “good enough” for you to have heard of them. It’s very similar the music industry’s problem of there being way more talented bands out there than there are spaces available in the market.

On top of that, even if you are inclined to support local authors, you might not find out who they are unless you really, really assert yourself, and most simply don’t have that kind of energy for it. For example, there are lots of great writers working at Boise State, but most university writing happens within the university culture of getting published in literary journals, a place where average people rarely embark.

I could go on and on, but there are still writers in our area who are very established, compared to me, and have been living in Boise for decades, and yet I am just now finding out about them. And I consider myself someone who’s trying to be plugged in. It’s just much harder than people think.

This is a better articulation of what I’ve been going through lately than I’m capable of. I’m working on it—and trying to network outside of my circles, but it’s hard. Any tips for me/others as we look for local authors? What’s worked for you? (assuming you’re not just stumbling along blindly like most of us)
As a writer, you just have to get comfortable with pestering people. You have to realize that lots of people don’t return emails and ignore stuff like that. Most of the time, if I keep trying to contact people, I eventually get a decent response. The trick is staying patient and polite in all your follow-up emails.

If you’re looking for more people like me, keep attending all the events you see advertised like the Boise Book Faire. I’ve met a lot of the same people at those types of events, but there’s always a few new ones. Also, check out the newsletters and social media accounts for Rediscovered Books and our Barnes and Noble. They have instore signings all the time. That’s an easy place to find out who local authors, of varying abilities and tastes, are.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
One of the things I try to “sell” about my work is the fact that I am Boise born and raised. No offense to many of our great local authors, but most of them were born and raised somewhere else, particularly the Midwest, and moved here later on.

My first novel, Ways and Truths and Lives, is, I think, Boise through and through. First, it takes place in a fictionalized Boise. I changed the names of everything because the main character is not really living in reality, blinded by the lingering effects of a myopic worldview, but any longtime Boise resident will pretty much decode all the places described, or so I have been told by my readers. On top of the simple aspect of setting, the themes and dilemmas faced by James should resonate with anyone who was raised in a religious household, left said religion, but have realized that certain elements of that worldview are harder to shake than one would assume. Sometimes it takes a decade or two to see it clearly. Most adults in Boise seem to fit this profile.

My second novel, Icarus Never Flew ‘Round Here, is very regionally specific as well. It takes place in the Oregon High Desert on a stretch of Highway 20 between Burns and Bend, Oregon. It’s not really supposed to pay homage to the people who live there, exactly, of which there are few, but it is supposed to honor the hard working, rural people of the Idaho, Oregon, and the West in general, who often get overlooked in literature. When they are included in literature they are often used as a prop or something kitschy. My main character Dale may not end up being all that flattering, but his weaknesses are not born out some country bumpkin ignorance. He’s supposed to represent us all.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
I have yet to come across that book, but I will surely tell you when I find it. Although, I hope mine become answers to that question for others.

That got an audible chuckle from me—one of the better answers to this question that I’ve received (even if it doesn’t add to my TBR stack).

Thanks for your time and participation! Hope you enjoyed it!

Okay, folks, go check out his website and see if anything sparks your interest–and maybe you’ll find your literary embodiment of Idaho while you’re at it.


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MUSIC MONDAY: Alice’s Restaurant Massacree by Arlo Guthrie

Music Monday
Music Monday’s originated at The Tattooed Book Geek‘s fantastic blog and has shown up here and there since then.

It’s that time of year…

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Long Past Dues by James J. Butcher: This Series has Legs

Long Past DuesLong Past Dues

by James J. Butcher

DETAILS:
Series: The Unorthodox Chronicles, #2
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 401 pg.
Read Date: November 13-15, 2023
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“You make them sound like monsters.” [Grimsby said]

He scoffed. “If only. Monsters are much simpler to deal with than people.” His face grew grim. “Much simpler.”

What’s Long Past Dues About?

Tired of the grunt-work and make-work befitting a rookie and relatively-untested Auditor (despite the heroics that got him his job), Grimsby acts on impulse and hijacks a case assignment from the closest thing he has to a friend in the Department of Unorthodox Affairs. It’s an investigation into the remains of an unidentified ritual. His job is to figure out what the ritual was supposed to do and who was behind it—particularly if the ritual was intended to produce something hazardous to humans. Rayne can’t—or won’t—tell anyone why she was so curious about this particular ritual, but the fact that Grimsby stole the assignment from her is enough to put their already tenuous relationship at risk.

Jumping into something out of his depth and under orders to make sure he’s not working alone, Grimsby tries to shake Mayflower off of his new/renewed attempts at putting the bottle to his head and pulling the trigger. Mayflower eventually emerges to help—not because of anything Grimsby said, or out of a sense of duty. But Grimsby dropped a photo that reminded Mayflower of one of his biggest successes, one of the rare times he shot someone and wasn’t haunted by it. How is anything about it back to rear its head?

Grimbsy and Rayne fluctuate between working together, racing each other, and trying to save each other while on this case.

While Grimsby was waiting for the Huntsman to come around, he spent a little time trying to help Wudge with something. It didn’t go wholly according to plan. Or much according to plan at all, really. Along the way, Grimsby picked up something that twists his magic in a way he’s having trouble adjusting to. And picked up an enemy—or at least adversary—or three. All of which is going to complicate things for him in the immediate future.

Digging Deeper into Mayflower

The first book explored both partners, but we learned more about Grimsby for sure. The accent fell more to Mayflower in this book—at least when it came to backstory and filling out the character—Grimsby was the focus of the plot again, to be sure.

That said, I think most readers would’ve guessed correctly to 95+% of what we learned about Mayflower here. But it’s good to have it spelled out for us—not in a spoon-feeding way, but the kind of confirmation that’s welcome. We also get a better understanding of what Mayflower sees in Grimsby, why he stuck up for him, and did what he had to to get Grimsby recruited by the Department.

Again, we probably could’ve guessed it, too. But I liked actually getting to see it.

I enjoy the way the two partners see themselves and each other—the way those perspectives conflict with each other and the way they roughly match up.

Wudge

It’d be super-easy to consider Wudge as comic relief primarily—with a hint of pathetic. Sure, he’s good for another perspective on the supernatural world and to help Grimsby out in a pinch—but he’s first and foremost someone to laugh at. Like Dobby. (I’m saying that because I’ve slipped into it, and that makes me feel better)

But it’s a mistake to think that—he’s more like Gurgi early on—funny, pitiful, with a hint of malice. Like Hearne’s hobgoblin Buck, but less trustworthy (and less easily amused). He’s dangerous, he’s looking out for himself more than anything—and is perfectly willing to take advantage of Grimsby. You, like Grimsby, can’t help but like him when he’s around. You feel bad for the guy and hope that Grimsby can give him the assistance he needs.

But something tells me that he’s more like the scorpion that stings the frog as they’re crossing the water together—his nature isn’t to pal around with a human. And we’re going to regret chuckling at him in the near future.

Or, I’m way off base and I’m going to have to come along and issue a retraction.

The Anti-Nick Fury?

Without getting into particulars, this book ends in a very similar way to the way its predecessor did. Someone out there is scheming, picking up the pieces from whatever Grimsby, Mayflower, and the rest of the Department left behind (and one has to assume they’re doing this with non-Grimsby cases, too). Exactly what they’re doing with the people and artifacts left behind we’re not told. It’s clearly ominous, but that’s about it.

It’s like the opposite of the post/mid-credit scenes in the early MCU movies where Fury is recruiting people for the Avengers Initiative. It’s more like those scenes in the Garfield Spider-Man movies (although, it’s been a few years so my memory is pretty fuzzy)—everyone, including Spidey, has thought he saved the day, righted the wrongs, and sent the bad guys packing, someone is out there coming along behind him with something clearly nefarious in mind.

Now, if James J. Butcher has really learned much from Jim Butcher, I expect that we’ll see/start to see what this has all been leading up to in Book 5. But I figure he knows that readers might expect that—so maybe it’ll be Book 4 or 6 instead. Whenever he reveals what’s cooking in these last looks, it’s going to be big. And it’s going to be bad news for Grimsby and Mayflower. It’ll be good for the reader, no mistake, but bad for our heroes.

Grimsby climbed out of the jeep and glanced around at the lot of black, mirrorless cars. Mayflower’s rusted-out vehicle stuck out like a mountain crag in the middle of a rolling black sea.

“Didn’t they offer you a car when you came back?” he asked as they entered the building’s concrete facade.

“They tried,” Mayflower said, then scoffed. “Even insisted.”

“And you said no?”

“That jeep has been with me since the start. I’ve rebuilt her from little more than scrap more than once. I know every sound she makes, every grind of every gear. You think I’d trade that for anything?”

“Okay, but have you ever thought about the ship of Theseus?”

“Yes.” The Huntsman scowled. “But Theseus never had a jeep.”

So, what did I think about Long Past Dues?

So, yeah, I picked up on the big twist pretty early on. And then the twist to that twist, too—although I’m not sure I got that earlier than Butcher wanted us to. Being ahead (?) of where we were supposed to be didn’t diminish things at all for me—if anything it amped up the suspense for me because I wondered how long it was going to take for Grimsby and Mayflower to suss it out, and how bad things were going to have to get for them to see it.

I’m rarely that into a twist surprising me—I’m far more interested in how the reveal is executed and Butcher did it just right here—I wouldn’t have minded the heroes putting the pieces together a bit quicker, but I’m not going to complain about how it came about. What I didn’t expect was just how it was going to play out after the reveal—and what the long-term ramifications were going to look at. And…whoa.

So much of what I thought was going to happen to/hoped would happen for Grimsby over the next few books went away in a paragraph or two. I feel so bad for him—and am so filled with anticipation to see what Butcher replaces my expectations with.

I really appreciate the way the partnership between the Huntsman and the rookie Auditor is developing. Whatever their bond in Dead Man’s Hand may have been, they’re not BFF’s by any means at this point. There are growing pains ahead, stops and starts to their partnership, and some pretty big obstacles they need to work through. But at the core—that relationship, respect for, need (?) for each other is a great starting point to see both grow as people and agents. I don’t know that Mayflower will ever get all his issues resolved, all his personal demons exorcised, etc. But he can get closer, he can maybe become really functional again—and that’s enough.

We got a couple of new and potentially recurring characters here that I really enjoyed. The magic—and the magical worlds—are enough to satisfy an Urban Fantasy fan. The monsters—and how they manifest in the real world—are great. The societies—Usual and Unorthodox—are intriguing in all the right ways. The banter is just what a buddy-cop reader wants to read. The moral choices aren’t easy or too clear-cut (which is great). The principal characters are engaging and believable. Basically, this series is really working for me. I can’t list all the things it’s doing right, actually.

I don’t have any major criticisms or complaints—I just want more of this series. Next year and for at least a handful of years to come. Long Past Dues didn’t disappoint and lived up to the promise of Dead Man’s Hand. Can’t ask for much more.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BOOK PREVIEW: Glorifying and Enjoying God: 52 Devotions through the Westminster Shorter Catechism

Okay, I got this book last week and know it’s going to be a while before I can talk about it intelligently—maybe in June, if not December of next year (possibly January 2025). And that seems too long to wait—also, this seemed like a good excuse to flip through it.

Book Details:

Title: Glorifying and Enjoying God: 52 Devotions through the Westminster Shorter Catechism by Victoria Williamson
Publisher: Reformation Heritage Books
Release date: October 16, 2023
Format: Hardcover/ebook
Length: 229 pages
Glorifying and Enjoying God Cover

About the Book:

For centuries, the Westminster Shorter Catechism has helped Christians young and old to know their “chief end.” Now, authors William Boekestein, Jonathan Landry Cruse, and Andrew J. Miller value this venerable catechism and winsomely introduce a new generation to its powerful message. Dividing the catechism into 52 brief devotions, they explain and apply each question and answer in a year’s worth of Lord’s Days. This valuable new resource is great for individual and family use for all who desire to “glorify and enjoy God forever.”

Read a preview here.

About the Authors:

William Boekestein is pastor of Immanuel Fellowship Church in Kalamazoo, Michigan. He and his wife Amy have four children.

Jonathan Landry Cruse is pastor of Community Presbyterian Church (OPC) in Kalamazoo, Michigan, where he lives with his wife and three children. He is the author of several books, including What Happens When We Worship.

Andrew J. Miller is the Regional Home Missionary for the Orthodox Presbyterian Church in central Pennsylvania, where he lives with his wife Rebekah and their five children.

My Initial Thoughts:

I’ve seen a handful of attempts over the years to break the WSC down into 52 weekly increments—in some sort of Heidelberg Catechism envy. This looks like a workable version of that—nice topical divisions, easy for discussion.

I’ve skimmed a few chapters here and there throughout the book—they seem to average about 4 pages long with a hint of depth, some good review of the subject, and some practical applications. There are references to and quotations from hymns, historical figures from several eras, and other statements of faith, too—with some handy footnotes. Given the length of the book (and the nature of “brief devotions”), that hint of depth is about as much as someone could expect. But it appears to be a decent way to review the catechism questions.

For the last couple of years, I’ve been reading the Heidelberg Lord’s Day by Lord’s Day—and wonder a little bit what adding this to the mix is going to do to me as the two catechisms are organized differently. But I’m pretty sure I’ll come out unscathed. The WSC was my first real exposure to a catechism, and is what I raised my kids on, it’ll be nice to get back to it.

Anyway, if you’re looking for an easy devotional for 2023, you might want to give this a peak—it promises to be worthwhile. It also would probably make a decent gift if you’re looking for that kind of thing.

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Saturday Miscellany—11/18/23

3 weeks in a row posting in the afternoon? I’m not crazy about this trend… Don’t really have anything to say, just getting that off my chest. Hopefully, I get my act together.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Why We Need Public Libraries Now More than Ever: Who needs libraries, anyway? Turns out, we all do.
bullet The Low Down on the Greatest Dictionary Collection in the World
bullet What Does Being “well-read” Look Like to You? Dismantling Elitism in Reading Spaces—hard to argue against this (although I realize I just invited some to do so…)
bullet Inheritance of Magic – Series Health—Benedict Jacka talks about early sales/reviews of his new series and compares it to Alex Verus
bullet It’s that time of year:
bullet The CrimeReads 2023 Holiday Gift Guide: 30+ cozy, mystery-ish, book-adjacent gifts for your crime-obsessed loved ones!—some interesting ideas here. Incidentally, if any family members are reading this—I would wear both caps very frequently (particularly the one while flying).
bullet 33 Bookish Gifts for Every Reader on Your Holiday List—from NetGalley’s We are Bookish
bullet Pay It Forward: Fahrenheit Book Bank—Doing this is just one of the things that makes Fahrenheit one of my favorites
bullet This Week’s Punctuation Power Rankings
bullet The Books That Keep Us Company for Decades—Molly Templeton’s latest
bullet It’s time to check in on #R3COMM3ND3D2023 as it recaps favorites from 2023:
bullet …with Bookstagrammer Louise Geoghegan of LouiseReads_UK
bullet …with Kate of The Quick and the Read
bullet …with Bookstagrammer Lynda Checkley of @lyndas_bookreviews
bullet ..with HC, The Irresponsible Reader—who let him opine?
bullet …with Author Joy Kluver
bullet …with Hayley of The Lotus Readers
bullet …with Lynne of Fictionophile
bullet Are you making art or making a product?—a related question for us non-authors: are we reading art or a product?
bullet My Literary DNA—oh, this is good
bullet Short Books You Can Read In A Day
bullet 4 years of Spells & Spaceships: the journey so far and my 10 favourite books.—Only 4?
bullet I Am Pro Prologues!—hear, hear!
bullet Ten Books about Books—a nice little list to work through (I’ve read one from this list, so plenty for me to work on )
bullet M&M’s choose my tbr for December—I love this concept

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet SFF Addicts Ep. 79: Jim Butcher talks The Olympian Affair, The Dresden Files, Mentors, Cats & More—am sure no one is surprised that I enjoyed the heck out of this
bullet An Interview With Patrick Rothfuss—not technically a podcast, but I’m putting this interview from Grimdark Magazine here anyway. Also, I haven’t watched yet–but how can it be anything but good?

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Narrow Road Between Desires by Patrick Rothfuss—I cannot wait to dive into this novella about Bast (the character I’m least interested in from the series), because I will take any new Rothfuss I can get.
bullet The Great Gimmelmans by Lee Matthew Goldberg—”Middle child Aaron Gimmelman watches as his family goes from a mild-mannered reform Jewish clan to having over a million dollars of stolen money stuffed in their RV’s cabinets while being pursued by the FBI and loan sharks.”
bullet The Secret by Lee Child and Andrew Child—back to 1992 to see MP Reacher at work. I’m trying to get hyped about this, but the fact that I’m #80 or so on the Library’s wait list doesn’t bother me at all suggests I just can’t.
bullet The Lost Cause by Cory Doctorow—Something tells me I’m going to have significant problems with some of this book, but the premise (that I won’t try to summarize here) intrigues me

Lastly, I’d like to say hi and extend a warm welcome to Amy Rice, who followed the blog this week. I hope you enjoy the content and keep coming back.
Reading books would only be boring if you lack imagination.

Grandpappy’s Corner: Noodle Conquers Comfy Mountain by Jonathan Graziano, Dan Tavis (Illustrator): A Little Pug Faces a Cozy Challenge

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Noodle Conquers Comfy Mountain

by Jonathan Graziano, Dan Tavis (Illustrator)

DETAILS:
Series: Noodle and Jonathan
Publisher: Margaret K. McElderry Books
Publication Date: November 7, 2023
Format: Hardcover
Length: 32 pg.
Read Date: November 9, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Noodle Conquers Comfy Mountain About?

This is a story about poor Noodle needing to find a place to get comfortable for the day—he needs to be able to smell nice smells, see his Jonathan, watch for a snacking opportunity (or several), but most importantly feel comfy.

After some searching, he finds the perfect place on the top of the couch! But how can a little pug get up to something so tall?

Let’s Talk about the Art for a Minute

I wish I had some samples to show (you can click on the artist’s name above and see his portfolio, which doesn’t have any pages from this, but you can see his skill). So let me say this instead—before I had a chance to read the book, I gave it to my wife and daughter to look at while I went upstairs. Their collective “Ohhhh!!”s and “Awwwwwwwww!!”s were so loud I had to pause my audiobook until they finished.

It is just adorable. I don’t have another word to describe the art—it’s so cute that it’s hard to put into words. Also, there’s one picture that you can practically see the tail wagging. I’m not sure how a cartoonish art style is able to convey that so effectively, but it did.

Consider me a fan of Tavis.

How is it to Read Aloud?

It’s fine—there’s not a lot of wordplay, there’s no rhyming, or anything like that. It’s simple phrasing that you can put whatever kind of emphasis on and read without difficulty.

If you’ve watched enough of Graziano’s videos, you can borrow his style to read it; it works really well. If you haven’t? No big deal, just read it naturally and it’ll be fine.

What did the Little Critter think of It?

He’s still a bit too young to be giving opinions. But he liked the sound it made when he slapped it.

So, what did I think about Noodle Conquers Comfy Mountain?

Like when I was describing the art, I don’t know what else to say but it’s hard-to-describe just how cute this is.

It’s a nice little story that most readers can relate to in some way—I think particularly if they’re on the small side and need assistance getting up to a place to sit, as young children tend to be. The story is a little stronger than the previous book’s–which was primarily about the feeling of a No Bones day, and I appreciate that (without criticizing the first book! I’m not heartless.)

There’s a little life lesson about asking for help that we can all use—no matter our age or size—included. Which is a nice bonus.

Do I recommend this adorable read? Yes. Obviously. Get your hands/eyes/ears (as applicable) on anything about Noodle, it’ll make your day brighter.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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LITERARY LOCALS: An Evening at Idahope

Literary Locals and ICW logos

One of the most rewarding—and most surprising things—about doing these Literary Locals interviews is seeing how many writers there are in the area, plugging away at the craft—and how many different groups there are of them working together in one way or another. I’m not alone in this, either, some of the authors/leaders of these groups are surprised to see how many others there are.

I can only assume if this is true for Southwest Idaho, there’s a decent chance that it’s similar wherever you are. Go look for them. Even if you’re not an author, aspiring author, possible aspiring author. I met someone this week who’s a board member of one of these groups who just wants to support the writers in her community while not being a writer—how cool is that?

I met—and had the beginning of a conversation that could’ve gone on for hours in another setting—her at the monthly meeting of Idahope (I interviewed the Secretary and President about their recent relaunch last month). I’d been invited/suckered into coming to talk to them about how to participate in an author interview—and, most importantly, how to come across as non-boring or generic in them. (hence my recent surveys about them—which I’m going to try to turn into something for the blog soon. So, maybe February)

My bit went okay (I think)—sure, I forgot a couple of the points that were in my mental outline for weeks (remembering them once I left the parking lot), and too many jokes fell flat (I’m sure it was the delivery. Or the material. Not the audience). But we had some good discussion and most of those in attendance didn’t seem to mind my blathering. Also…I somehow only talked for more than 10 minutes and only dropped in references to two books, which is a personal record.

But that’s not what I wanted to talk about. I wanted to talk about the meeting—we started out going around the table talking about our current projects and whether we were participating in NaNoWriMo. Only one person was doing a modified version of it, if you can believe that. I’m not 100% certain it’s allowed for a group of more than 6 independent writers to get together in November without multiple NaNo participants present—I kept waiting for some NaNo Agents to burst through the wall like the Vegan Police in Scott Pilgrim and start issuing fines and forcing Chris Baty material into our hands.*

* I guess the NaNo people could’ve been home getting their daily counts in. Maybe that’s why the authorities were lenient on us.

Once my prattling on was done, we all did a writing exercise—which resulted in some wonderful turns of phrase and the display of some…shall we say, interesting…imaginations. I really want to read some longer works by everyone around that table (even from the self-professed non-writer). This includes some novels and children’s books that are in various stages of creation mentioned throughout the night that I’d love to read when they’re done.

But for me, the best part was just seeing this group of people at various stages in their writing/creative careers come together to talk and share a little bit and support each other. It sounds good on paper, but I got a little buzz off of it in reality. It’s an infectious spirit and I can see me coming back for another hit or two of that, at least and maybe becoming another member just to support the work of the group.

Also, in the room next to us, an Improv Class was in session. Other than the fact that they were occasionally distractingly loud, I loved that. I don’t know how many there were in the class, but I think it’s safe to say that in that building there were at least 20 people out on a chilly Tuesday night to talk about and work on their art/craft/passion in one way or another. How great is that?

I don’t have a conclusion here, and I really should. I guess I’ll just encourage you all—your tribe is out there to help you on your creative way. Go find them.

Literary Locals logo

WWW Wednesday, November 15, 2023

I’d expected to come home last night excited and full of energy so that I could write up a post or two, catch up on comments and whatnot. Instead, I came home and went to sleep early. So, only step 1 of my plan was achieved (probably the most important one). Tomorrow will be different!

Probably.

But for now…let’s just get this WWW taken care of and I can start thinking about other things…

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading the expectedly charming Up on the Woof Top by Spencer Quinn, and am listening to Movieland by Lee Goldberg, Nicol Zanzarella (Narrator) on audiobook.

Up on the Woof TopBlank SpaceMovieland

What did you recently finish reading?

I just finished James J. Butcher’s Long Past Dues (and that guy knows how to write an ending) and the very sweet Bookshops & Bonedust by Travis Baldree (Narrator) on audio.

Long Past DuesBlank SpaceBookshops & Bonedust

What do you think you’ll read next?

My next book should be Calico by Lee Goldberg and my next audiobook should be How to Be Eaten by Maria Adelmann, Lauren Ezzo (Narrator). Both look intriguing, but I’m not really sure what to expect (although, really, it’s Goldberg, I’m probably going to have a blast)

CalicoBlank SpaceHow to Be Eaten

What are you reading this week?

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